#or did i not search enough

[werevcookie]

exactly why I still haven't seen an edit of spencer reid with slut! by taylor swift???

[ginette-de-gallifrey]

We should have a "Randomize" option when looking at a tag. I don't want to see the same Populars posts and I have already consume everything in the last year of it so the Recents option isn't good. Please let me just get posts from ten years ago mix with posts from yesterday. I want to see more contents ! TˆT

[secriden]

Just going to cry again (see: my previous post about the parallels between the storage room scene and the abandoned factory scene) about parallels and juxtapositions in the store room scene vs the one in Styles bedroom:

Both these scenes have such a tone of desperation and are characterised by an overflowing of emotions, but in drastically opposite directions.

(Note, some of what I say in this post directly relates to concepts and themes I talked about here, so it may not wholly make sense without that context.)

The scene in the storeroom is filled with frustrated desire. Fadel kisses Style because he wants Style's body and also wants to take his frustrations at Style out on his body. He doesn't need to look Style in the eye (and in fact very intentionally only does so only in small snatches) because this isn't about a connection as much as it is about a release. Fadel's kisses come fast, hard, and are intended to bruise more than to adore.

But episode 5's scene is filled with much more quiet and tender sort of desire. Style is kissing Fadel so much more slowly and purposefully. He keeps looking back at Fadel, checking in to see how he feels and whether Fadel is enjoying it. Everything Style wanted in Episode 3, he now gives to Fadel here, pours the secrets of his knowing and choosing Fadel anyway into the way he presses his lips onto Fadel's skin. His kisses linger, they carry a weight but are not gentle, and contain meaning that Fadel's kisses couldn't in Episode 3 because in all honesty they were relative strangers back then.

There's also the way there's such a ferocity and carelessness in the way Fadel starts the encounter in episode 3 that is juxtaposed beautifully by the slow, tender, almost hesitant way Style slides his lips onto Fadel's. Both of them are in such different headspaces, between these episodes and its especially evident in the way they care so much more about the other person's comfort and how intentionally they showed that to the audience.

There's hunger present in both scenes but what this hunger is focused on is so drastically different. In the storeroom, they're both mainly focused on a physical release; its primal and visceral but lacked emotional resonance. Fadel gives Style what he knows Style wants (that hint of danger, with the hand on his neck), but its not because he really cares about what Style wants on anything more than a physical level. In Style's bedroom, however, Fadel is drunk (intentionally and by his own design) and desperate to open himself up to Style on an emotional level. Meanwhile, Style wants that desperately too, but knows that Fadel shouldn't because of his own terrible secret. So this kiss is what they both will allow themselves - an honesty and a hunger for this deeper connection they can only share in act but not in words.

In the storeroom, Style wants Fadel to want more than his body but knows (or thinks) he can't push for it yet, so he remains passive, lets Fadel do whatever he wants, lets him turn and shove and place Style how he wants because at this point, this is all Fadel will give him. Here, Style is passive in spite of what he wants. But in the bedroom, Fadel is passive because it's what he wants; he wants to let Style do whatever he desires to and with Fadel's body. He wants to lay himself as bare as he possibly can, which is only physical, and so he does.

And because the encounter in Episode 3 lacked that emotional connection, the focus is merely their respective releases. There's a sense of two people trying to find pleasure and 'finish' while remaining emotionally disconnected despite actively having sex with each other. Because in some ways, they didn't really need each other in that moment to get there (there's actually a lot of truth in what Fadel says about it being easier to just jerk off alone). In sharp contrast, the scene in Episode 5 isn't focused on the destination but on the journey. Style is taking his time and Fadel is letting him - Style is choosing to worship Fadel's body, with his fingers, with his lips, to respond to his vulnerability with gentleness and tenderness and adoration. The goal has stopped being about finding a release, it's about allowing both these men to revel in the giving and receiving of pleasure.

The point of these scenes is to show to us the ways in which Fadel and Style have grown to care for and, dare I say it, love each other in ways that are so purposefully portrayed by showing the nature of their physical connection. Because the ways in which these scenes are the same and yet so wholly different showcases how their touches are now no longer merely tied to their senses any longer, but also to their hearts as well.

[rayroseu]

Lilia said this line as a dialogue so its not from him, I personally think since the flashback of his magic only covered the three fairies' escape from the Silver Owls, I think this sentence and wish is originally said by Princess Leia😭😭😭

GODDD what if thats her wish to Silver, because Leia had to see Knight of Dawn being sad and solemn often (so she knows how his auroral eyes can be clouded with sorrow) because of his circumstance in the Silver Owls so she doesnt want Silver to grow up in a place where he feels depressed... 😭😭😭

[joshuamj]

In Time and Stars

[ghastlyaffairs]

for something as trivial and simple those feelings sure are hard to get rid of

also made a gif a version for fun + alt version with no tears under the cut

the gif is in very low resolution...this is a feature (i could make it bigger but that would require saving each frame individually and than glueing it all together. also i feel like low resolution suits it better. aesthetically and fits the mood)

[fisheito]

at last....yakumo with CHIKEN

[apple8ees]

happy anniversary @comicaurora this comic is officially eligible to enter american and canadian public elementary school [kindergarten]

[royaltea000]

[jttw oc] cursed to be an obligate carnivore, ate his entire family one particularly bad winter

[personishfive]

in which the metaverse is a dangerous place

[sergle]

FOREWARNING FOR GROSS-OUT SKIN CLOSEUP SHIT DON'T YELL AT ME FOR SHOWING YOU has anyone else gotten this really weird phenomenon on youtube. I swear every algorithm on every website is actively and purposely worse now. Where you'll be scrolling through vids after searching for something (I was looking at crochet stuff) and SANDWICHED IN THE MIDDLE OF ACTUAL SEARCH RESULTS... YOU KNOW. LIKE THINGS RELEVANT TO THE KEYWORDS I TYPED

are a couple of completely out of left field SHOCK VALUE VIDS. like to intentionally be alarming. drama vids and things you're enticed to click on bc they're upsetting, and deep deep closeups on zits. what the fuck is going on. Sandwiched between videos about GRANNY SQUARES. crack? is it crack we're smoking????

[itsamenickname]

The perfect family 💚🧡💛💚🧡💛

[jumpingwjoy]

sillies

[coraniaid]

All these years later, the biggest mystery of Angel the Series is how Kate Lockley survived her attempted suicide in Season 2's Epiphany.

I don't mean the surface level "how did Angel, a vampire, manage to get into Kate's apartment without being invited in first?" mystery the show half-heartedly tries to set up (and which it will never come back to, obviously, because this episode is Kate's very last appearance and she will be mentioned just one more time). I'm interested in that one about as much as the writers were, which is to say I don't care about it at all.

No, the real mystery is -- on a show that began with Angel and Doyle trying and failing to save City Of's ... victim-of-the-week Tina and bonding over how sad this failure made them; a show which retconned a tragically dead (but never mentioned before) younger sister for Angel himself, and also made sure to establish and then kill off a younger sister for Charles Gunn when he was first introduced; a show which abruptly killed off Lilah Morgan so that a man could be sad about it and then wrote her out of the show despite establishing she was still capable of coming back from hell to represent the wishes of the Senior Partners if they'd wanted her to stay on for another season; a show that killed off Darla (twice!) and killed off Cordelia and killed off Fred, all three women dying in ways that just happened to involve inexplicable magical pregnancies or unwanted personality changes or massive violations of their bodily autonomy (or all three) -- how on earth did the writers manage to resist the urge to have Kate die too?

Truly a puzzle for the ages.

[aretheywlw]

ARE THEY A WOMAN WHO LOVES WOMEN?

*TL;DR she is technically not a canon lesbian, so no, this poll does not break my rules. i am, however, going to treat her as canon sapphic due to the rule of BFFR. as a result, i have taken out the usual "they're not attracted to women" options. see tags if you want more detail

[iamthepulta]

*stares at 30 reblogs of "deep down you want to bite someone with 100% power just once"*

*writes: "m00t is reincarnated crocodile (beloved)" on notepad*