#or better it makes any other sketch i make look better. inspires for better lighting too

[asvidema]

joyful morn

[quibbs126]

Okay, I have…a design for Lux here

Honestly, it still isn’t the best. Probably on me for spending all of today trying to make a design that worked and not taking more time

Probably should have also colored those practice sketches of Megatron and Optimus, and maybe drawn more of them too, probably would have helped in the long run, as well as let me figure out their colors again since it has apparently been a long time since I drew them

But oh well, I have something, so at least now I can tell you about Lux herself

These are the other previous sketches relating to her by the way, just for posterity’s sake

I thought giving her this younger design based on the cogless bots would have been easier than working out her adult, alt mode based design, since the cogless bots don’t have alt modes. But the problem is, their frames are still based on parts of their alt mode, just not to any extent that it’s actual kibble, just alluding to it, if that makes sense. So you know, I had to have an idea of how her normal frame looks. Which I didn’t. So it was harder than I wanted it to be, and this is what I got in the end

I need to figure out a proper full design for her I think. I still have TFA and TFE Megatron for my inspirations, along with some copters, I just need to figure out how to put them all together

She very much looks like a D-16 painted blue like this, but whatevs

Her trapezoid and arm circles are supposed to be the few references to her alt mode I have, that being her front with the trapezoid, and potentially where her propellers go on her body. I don’t actually know where to put them realistically, but I think it’d be cool if she could use them like blades in combat

For now, I think I’m sticking with that blue, grey and black color scheme for her, and the yellow eyes work fine

Design’s serviceable enough for now, but needs work I think

But anyways, on to the real thing I wanted to discuss here, her lore. Or I suppose more accurately, her relationship with Megatron, since that’s most of what I have on her honestly

Okay, so first off, Megatron was the one to carry her, which I’m noticing is a running theme of mine. Now I’m not sure when exactly he would have been sparked, but let’s say for the sake of things, between getting their T-cogs and meeting the High Guard. The main thing is that this would have been just before Orion and D-16 fell out and Megatron was banished

Some weeks or so after, particularly during moments where he’s feeling incredibly distraught over everything that happened and feels incredibly isolated, Megatron started to feel something else around his spark. He couldn’t quite place what it was, it was too vague and small to be able to tell, like a very faint pulse on his spark, but something about it gave him comfort, while giving it back to the strange feeling. He wasn’t sure what this thing was, but he figured he either made it up as a coping mechanism, or it might be because the cog he had used to belong to someone else, and it was affecting him weirdly. But he didn’t really tell anyone, since he didn’t want to admit it made him feel better like some immature child, and again, he didn’t think it was anything important. He just considered it the “little light” on his spark

Only to find out much later, on complete accident, that that “light” he was feeling was in fact, a sparkling. His and Orion’s at that. No one knew he was carrying, pretty much because he had grown too big for it to make a noticeable impact on his body (and anything that did was assumed because of his enormous rapid growth spurt), and because also no one was looking for it. But one accident a bit too damaging led to him needing a full body scan for all his injuries, and a close to fully formed sparklet was revealed to be in his forge

And unfortunately because of how late anyone found it, as well as the fact that the Decepticons are very lacking in proper medical equipment, Megatron pretty much has to carry the thing to term now, much to his frustration. I needed a reason for him to not deletus that fetus. He hates the idea of this at first, hating Orion/Optimus for putting him in this situation, hating the High Guard for being ignorant enough to have not found this sooner when he could have gotten rid of it (which they kind of have to concede the point there), and hating the universe for this fate

But he does eventually start to come around more to the idea, particularly when he realizes that this sparkling was the same thing that’s been giving him comfort in these turbulent times, and when it comes to mind that this is the last thing he has of Orion, not really choosing to see Optimus as Orion, just who came back after his death. The best idea the Decepticons had for what to do with the sparkling after it was born was to just send it to Iacon, making the Prime deal with his mistake, but Megatron grew more and more hesitant of the idea

And then when the day came that the sparkling was born, he was more conflicted than ever, now that he could actually hold it in his hands and see her for himself. While he didn’t give an answer at first as to whether he wanted to get rid of her, he eventually decided that he indeed wanted to keep her, naming her Lux

It wasn’t the ideal option for the Decepticons, sending her to Iacon would have been the best choice, but during the time before the sparkling was born, they figured that since they no longer had an Energon shortage and weren’t being hunted down, it wasn’t impossible for them to care for a sparkling should that be the decision, though the lack of medical supplies would be a worry

But basically after Lux was born, plenty of the Decepticons pitched in to try and help Megatron with her, since he’s their very young leader and now single parent, and again, kind of their fault for not noticing. Also they haven’t seen a sparkling in ages and she’s cute. Thundercracker happens to be her favorite babysitter. Soundwave is another top tier babysitter, but she just likes him more

This is also what gets Megatron to finally properly start opening up and trusting the High Guard, since he knows he can’t take care of Lux all by himself, especially since he knows very little about sparklings. And if they can be proven trusted with her, maybe he can trust them with other things as well

But one other thing, Megatron does not tell Optimus that Lux exists whatsoever, and he doesn’t want him to know. Part of it is to spite Optimus, excluding him from something he too would probably find so precious. But another part that progressively grows bigger is fear; the fear that if he knew, he would take Lux away from Megatron, never to see her again

While part of it is paranoia, it’s not entirely unreasonable either. Optimus lives in a giant city while Megatron lives out in the wild, Optimus has access to everything she might need or want, Megatron and the High Guard are essentially criminals and could be considered dangerous to a young sparkling, and Optimus is the Prime and ruler of Iacon. Even if he might have the decency to consider letting Megatron keep his sparkling, someone else in Iacon might try to fight for Lux to stay in Iacon instead, possibly even taking matters into their own hands. So he won’t tell Optimus, for as long as he possibly can

Megatron does genuinely care for and love Lux, but he’s also not the best parent either. He’s a bit emotionally dependent on her, with her being that last bit of Orion, and someone who unconditionally loves him, and it does feed a bit into his fear of her being taken from him; he also doesn’t really want her to leave. It may be something he eventually learns to grow out of, as it’s really not healthy for either of them, but it could also not. But at least for now, this dependency isn’t too egregious, nor is it something Lux takes notice of, or something the other Decepticons warn Megatron about

I suppose I should actually get into Lux herself. Though to be honest, I don’t have a lot on her anyways, outside of her backstory

I do have that she’s generally a cheery little bot, and she really likes the surface, particularly the animals up there. Thundercracker is her favorite guy, outside of her carrier, and them both being blue possibly has something to do with it. She’s also probably a little too okay with violence for someone her age, due to the company she finds herself in. They may be her responsible guardians, but they’re definitely teaching her ways to kill

She also has this thing of, if she does not understand why a rule exists, she does not listen to it. It made the first few cycles with her very difficult, and a testament to Megatron that she really was Orion’s sparkling. She has a habit of sneaking out a lot, though usually it’s just to watch animals or something harmless

Though this could extend to her being prohibited from ever going to or near Iacon. She may not go now, accepting the explanation that dangerous enemies live there, but that explanation may not hold up the longer she observes it, and she may one day decide the rule’s worth breaking. But will she go to Iacon and what chaos will ensue if she does? I don’t know

I mean I imagine at some point Optimus eventually learns of Lux’s existence, I just don’t know the specific circumstances as to how yet, or when. She could sneak into Iacon as a child, it could be a Quintesson attack mixed with a Decepticon encounter that weeds her out via Megatron trying to protect her, it could be Airachnid kidnapping her, or they don’t encounter until she’s properly grown. I’m not sure yet

But yeah, I think that’s all I have on her lore for now, and honestly it’s getting pretty late, so I should probably just end things here

She needs more working, but I have a lot about Lux, so I just needed to share

[kozachenko]

[Click image for better quality]

I FIGURED OUT A WAY TO FUCKING MAKE THE IMAGE SMALLER FOR POSTING ON TUMBLR WITHOUT SACRIFICING THE ACTUAL QUALITY OF THE IMAGE OH MY GOD

Ok so, what I did is go into the clip studio paint file, make a new file, copy and paste the group in the original file, merge everything, get rid of the extra stuff outside of the canvas, and then make the flattened image smaller and crop the canvas. Once you have that, export it and you're done. This helps maintain the actual quality of the image and also helps shrink the file size down to something actually postable (if anyone has a better way of doing this please tell me)

[Edit]: Ok I guess posting something to Tumblr just naturally compresses the image a bit more somehow because I'm looking at it now and zooming in too much makes it a bit blurry so I'm still gonna have to futz around with image quality for future pieces oof

Artist's Note:

I'm so glad I figured out a way to do this because I like working on a big canvas so I can get as much detail in as I possibly can. Only problems are how laggy it gets while drawing lol.

I had an idea for a drawing with Reimu and Zanmu because I really like thinking about their potential dynamic a lot. I also wanted an excuse to draw Zanmu again but in my normal rendering style because last time I drew her she was in my more sketchy style with generally flat colours so I wanted to draw her again. Speaking of, looking at the sketch for this is a jumpscare that I never enjoy seeing, like, man am I glad I didn't use those for my final piece.

Also about her spear. I was originally gonna make it like the ones she had in game, but it kinda threw off the whole piece. It was too big, too blue, and too flat, so I just went "fuck it" and gave her a different one instead. My headcanon justifying this is that the ones she uses in game are for danmaku battles whereas in any other fight she just uses a proper yari, or she still uses the yari and just makes it all glowy to power it up, maybe both lol. I pulled as much inspiration as I could from Sengoku era spears, and even put in some blue into the decorative part of the spear and also added a little skull to pay tribute to the original spear. Also, in my research I saw some art of izanami and izanagi making japan and saw that the yari izanagi has had a little decorative tassley thingy on it so I took some inspo from that and just made it one of Zanmu's tassles (Idk when that art was from or if the spear was still accurate to Sengoku period Japan but hey, probably the same reasons Eirin puts little bow ties on her arrows, it's just for personalization purposes).

I love rendering hair and clothes so much omg, while I like the super curly hair Zanmu, the longer, wavier hair suits her better for this drawing (I imagine it only does that like how Ghibli characters hair moves when they feel angry lol). I love making Zanmu's hair all messy and crazy, as well as giving her grey hairs, this woman has aged like a fine wine. Also, if the hem on the ends of her sleeves, top of her shirt, and her pants look like gold to you, that's because it is! It's fairly light so she's not collapsing under the weight, but it's gold! (I don't care how impractical it is, it's just cool). Not the undershirt though, it's made of a gold fabric. I had a cute idea with Reimu's hair to make it have a red shine to it. I also changed up Reimu's outfit so it isn't just a blob of red. I like it a lot when Reimu's skirt and outfit is segmented into different layers, so I wanted to incorporate that.

I tried to draw their hands differently as well, but IDK how noticeable that is. Also, I am super happy with how the side profiles for the two of them turned out, I used to struggle a lot with how to make the side profile of a character actually look like the character, so I'm really happy that they actually look like themselves.

Also added in the tree and rocks in the background as an homage to Zanmu's character art in Touhou 19, just because I was getting kinda stumped on what to do with the background lol.

In terms of a story idea with Reimu and Zanmu, idk why but the potential plotline of Zanmu wanting to ascend to godhood is so fascinating to me. Like, it is very possible that if she just convinced everyone she was a god (which would be very easy for her to do), she would become one in a heartbeat. Also, if she were to become a god, with her ability to return stuff to nothing, could she hypothetically get similar abilities to (Jojo Part 5 spoiler btw) GER? Like, idk about the death timeloop stuff, but the concept has been haunting me every night as I have been trying to find loopholes in GER's ability for a while now ( for no reason in particular). Back to the main topic, I imagine that she would probably tell Reimu that if she were to become a god she would take over the Hakurei shrine since the god there might as well be dead, and Reimu just says to her, "Over my dead body bitch." Like, I have no idea how to summarize their dynamic but like, it's the type of hero-villain dynamic where the phrase "We're not so different, you and I" would definitely be a phrase said during a fight. I think that if another IN style game were to release, Reimu and Zanmu would be in a team together. They could also have an interesting mentor and pupil kind of dynamic. Can you tell that Zanmu has been charging my mind rent these part few months? Like, instead of living in my head rent free, she kinda just uno reversed the whole situation and now she's the one charging me rent. What happens if I get evicted from my own brain? Actually, scratch that, I don't think I wanna know.

[stariikis]

𝐭𝐡𝐞 𝐦𝐮𝐬𝐞 | 𝐧𝐫𝐤 ˖ ࣪⭑

synopsis ; like the moon needs the stars, riki's whole life would crumble without you. his inspiration, greatest motivation, and his muse.

pairing ; artist!nishimura riki x muse!reader genre ; fluff, established rs, realllly really short drabble of thoughts

this love's possessing me, but i don't mind at all

There are a million ways to say, 'I love you.'

Aren't there?

One chasing after their certain eye-candy may purchase a whole bouquet of that person's favourite flowers. Another would pour their heart and soul onto a piece of paper, a subtle love confession decorated with stickers and fanciful designs. Another might try their hardest to impress them with whatever their forte is.

Riki, however, takes all these and mashes them into one gorgeous painting on an easel.

He emerges from his 'workplace', one of the study rooms in your shared apartment. A blank canvas, about the size of his hand, accompanies him out. Not to mention the various brushes, the bristles sticking out all over the place revealing how loved they are. The paints, watercolour in a small box, acrylic aligned in their designated tubes, and oils of any colour possible.

Lips puckered in a pouting motion, he scans you as if wondering what light he wants to paint you in today. Where he wants to set up his painting station for the next few hours.

The reasons for his choice of background go from the smallest of things to the most obvious. It could simply be the style of your choice of clothes, but once it had been because of the way you reacted when he woke you up in the morning.

He used a fiery red base colour for that artwork. Perfectly encapsulating the constant frown you wore the rest of the day. His words, not yours. They could only ever be his words.

When he finally dismissed you from 'work', he paid you for your efforts with a kiss.

Your sour expression morphed instantly. In the blink of an eye, it was almost as if you had never woken up on the wrong side of the bed.

it's taking over me, don't wanna fight the fall

Today he quietly brings you to the edge of a field, just as sundown occurs. He looks up at the sky, cotton candy clouds bleeding into a warm hue of orange. Nothing leaves his mouth. An absolute silence has overcome him.

And knowing that there's no need for you to break it, there's no need to coax him out of this state for the better, comforts you deep down to the core.

It's like you know exactly how to go about routine, as you settle yourself in the wispy, tall grass and wait for him to set up his materials. However, after propping up his easel, he doesn't unpack his paints and brushes like he usually does. He doesn't unroll his scuffed-with-paint marks apron.

He merely gazes at you, soft and mesmerised.

As an artist, he should have neutral feelings towards his muse. He should be evoking surrounding emotions and feelings. He should be drawing them from deep within himself, and expressing them on the canvas before him.

A muse is only meant to be an inspiration. At times, it's the subject of the art piece. However, it's never the sole purpose.

But the way Riki looks at you proves all that wrong. The way his calloused hands held yours on the way to this destination. The way he scoots closer to you just as you drift off into sleep, and whispers all the newest paintings he's made. He confesses all the sketches he makes are of you. He can't get you out of his mind, he murmurs in a shaky tone, he can't rid himself of your influence on his artistry.

But he's so in love.

Why would he ever want to?

it's like supernatural ₊ ⊹.𖥔 ݁ ˖

thank you for reading! i'm so sorry to anyone expecting me to write any other members. i'm just too addicted to writing for riki... i promise they will have their own fics soon. pls scold me if i don't churn them out... TT

[ziyuanyuann]

I am in love with your art style. I love all your jjk art, it’s like stitching back the pieces of my shattered heart. Your art is so soothing and has such a warm feel, I love it. Also if you don’t mind me asking what program do you use for your art, and do you have any tips? I strive to someday create art that gives the same feeling of comfort as yours. Thank you <3

Thank you so much for the kind message! I'm actually in the middle of making another jjk piece but it's been a while so I've been trying to remember and consolidate my process. This ask came at a great time hehe

I use photoshop for most of my art pieces but I think there are a lot of cheaper alternatives (procreate on Ipad, clipstudio paint, medibang etc) that would work just as well. As for tips, I have a technical and an emotional one:

My technical tip would be to use references!! Especially if you're just starting out, it's SO IMPORTANT imo for catching mistakes especially with anatomy, lighting and perspective. And by reference I mean real life photos. I think you can be inspired by other artists' work, but there is the danger of picking up their bad habits if you only use their work for reference. I would recommend sticking mainly to real life and looking to other artists only for resolving specific stylistic details once you have a solid grasp of your fundamentals.

I would start with a rough sketch first of whatever you want to draw and then look for refs that match the mood and tone you want to go for. Get the idea down first and draw from the heart. Then the refs come in to help with the specifics (ex. what a window looks like, how someone would hold a cigarette) The jump from the rough to the clean line version is an amalgamation of all the little things you learn along the way. For example, on one day, I learned that clothing folds usually start at one point and spread out. Then another day, I learned how to do 1 point perspective and so on and so forth. Then all those tidbits slowly add up to help you get better and better.

2. My second tip would be to understand what you want to convey with your artwork. If it's fanart, what about the media that you're interacting with draws you in? It doesn't always need to be a complex answer, sometimes you just want to draw a character because you think they're hot and that's totally valid imo.

I occasionally tutor very young artists and oftentimes, they will tell me that they want to draw like X artist or X painting/piece of media. I always try to encourage them to go deeper. What about that drawing resonates with them and what specifics are occurring in the picture to make them feel that way? For example, I recently realized I love environment heavy drawings not for the background itself but because they ground the characters and seeing them do mundane things makes them feel more real to me.

For the example below, the whole set was to explore friendship and mental health. Sometimes just having someone there who listens and is willing to talk with you can make a huge difference.

Once you know the purpose of your art, then I think it makes the decision making for the rest of the process much easier. What type of lighting scenario conveys support and comfort? I went with dusk. Then I started searching up references for dusk lighting. Couldn't find the ref I actually used for colour but a quick google will show you lots of similar options.

What kind of poses feel in character for Shoko vs Geto? What is the focus of the picture? As much as I love details, I think sometimes they can actually take away from the main message. For example, if I had rendered the lamp on the right a lot more, it would've distracted from the main point of the picture so I tried to keep that and the background in general simple (still something I need to improve on haha).

Then those extra technical things (value structure, cool vs warm light, reflective lighting, connotations behind colours) you pick up along the way are all there to help you better communicate what you want to convey with your art.

Okay I lied one more tip, be patient and learn to appreciate the process. Like with any skill, there are a lot of technical aspects that you have to study and practice. I think because the end result is so visual and easily accessible in comparison to other hobbies/jobs, it really cripples beginners. Even with writing, you won't realize a book is good until you learn how to read. With art, you can resonate with a painting without having drawn a single line yourself.

I think beginners and even professionals see a lot of beautiful finished artwork and get enticed by that only to be discouraged when they find their process/finished work didn't end up the way they wanted it to look. Treat it like you would learning how to write. The fundamentals can be tedious and do take time to drill into your head, but learning them will help you SO MUCH with the creative fun parts. You can't write a poem without first taking the time to learn the alphabet, spelling and grammar. You're also probably going to write a bunch of shitty poems before you write that one good one, but that's okay because each piece lets you experiment and exercise your voice. Art is the same thing, don't rush it! Enjoy the process and celebrate your improvements.

[amasterpieceofmadness]

the new suit – tony s.

summary You and Tony are working together on a new suit as you end up kissing him. But before you can confess your feelings you get interrupted by Steve…

warnings none, fluff, mutual pining

wordcount 5.2K

______________________________________________________________

Tony slides his glasses back on as he’s fishing up on some new designs for his Iron Man suit. "You finished the sketches of the costume? Let me see." He leans over the desk while I’m sitting in a chair, he puts his palms on the table and takes a closer look over at my sketchbook.

“What do you think?” I ask as I lean back in my chair.

"Hmm." Tony stares at the sketchbook, rubbing his hands together as he takes in the designs, his brows furrowing and his mouth twisting into a thoughtful frown. "Very interesting. I see your thought process here. It's clear that you took inspiration from some of my old work, but you also managed to add your own touches. It's creative. I like it." He pushes himself off of the desk and looks at me from under his glasses with a small smirk, which makes me a bit proud to be honest.

“Oh, you haven't seen the best part yet” I lean over, nearly spilling my coffee, to get some more sketches out under a pile of other papers “There you are” I hand him the sketches and once again Tony leans in, craning his neck to get a better look at them. His face lights up as he sees them, quickly analyzing and taking in the details.

"Okay, I like the direction you've taken. I really like your new touches to my original style. It looks damn good, and the new armory you added sounds great!” He seems really pleased with my work.

“Thought you like it. The material for the suit is light but it can still protect you just as good and it is very resistance” I explain my sketches to him, occasionally looking up to check if he’s still listening.

Tony is visibly impressed, nodding in approval as he takes in the details. "Yes, that's a fantastic feature. The light weight and increased protection would be an asset in any battle. I also like the addition of the new weapons. It adds an extra level of versatility, and gives me a little more firepower. And it's great that you were able to do it all while keeping the suit light weight. That's always been one of my main concerns."

“So... when can we get started?” I ask overly motivated, looking up at him while sipping on my like 10th coffee today, even though it’s only 1pm.

Tony smiles and lets out a chuckle as he glances once again at the many sketches of his new suit. "Well, with this level of enthusiasm, I'd say we could start right now. Everything we need is here in the lab. The only thing we need to decide on is the color scheme. Do you want to stick with classic red and gold, or go with something different?"

I smirk and get up, ready to go to work. “No, no, the red-gold is iconic. We are not gonna change a thing there. But we should pick a darker shade for the red. This way the suit doesn’t look like a toy and it really brings out the golden accents I put there” I point to the sketches

Tony nods in agreement, looking at the sketches with a critical eye, taking in the subtle details I’ve added.

"Hmm, a darker red would definitely give it a more sophisticated and mature look. And it would also make the gold accents pop more. Let's go with a darker red, and see how it looks."

I nod in agreement and already walk through the lab, looking around for the stuff we need and turning on all the electronical devices. “Sounds good. But we can decide about the final color later on in the process anyway. Jarvis, put on some ACDC”

Tony chuckles at the unexpected command to Jarvis, but follows behind me as I walk through the lab, eyeing the different machines and equipment as I pass. "True that. For now, let's focus on getting the different parts of the suit put together. And ACDC is always a perfect choice for the mood in the lab." Tony says with a smile, as the iconic rock music fills the lab, filling him with a surge of energy.

We work diligently throughout the whole night, making steady progress on the suit. It’s nothing too unusual for the two of us since we both really enjoy working together and we are both night owls. And I have to admit that I love to work with him. We are very close and always fool around and joke together.

The sun is starting to rise, but neither of us seems to notice, as we’re too busy focusing on creating the perfect suit. We’ve made a lot of progress on putting the different components together, and we’re both beginning to feel a sense of accomplishment. Tony sighs and stretches and I can’t help but glance at his muscles. "I'd say that we should take a break and stretch our legs for a bit. We've been here all night, and I feel the need to move around a little bit."

I nod quickly and take my eyes off of him. If he noticed me staring, he just ignores it. “You can move around while testing the new gloves.”

Tony grins and nods his head, deciding that a physical test of the gloves was a great idea. "Eager, are we? Give me a few minutes to put them on, and then I'll go out on a test run."

“Alright. Jarvis, put on the test mode” Jarvis immediately snaps to attention and responds to the command in a calm and robotic voice. “Test mode initiated”

The suit is immediately powered on and the screens light up with different modes and data readouts. The hands and fingers of the suit appear to be moving and extending and retracting in a variety of movements. Tony's hands flex and move as he tests out the new gloves. I watch as Tony brings his arms forward and aiming the palms towards the ground. He holds the position for a few seconds, as a bright red circle emits from each palm towards the ground. The red rings come into contact with each other and create a force field that quickly expands and covers Tony inside of it.

A huge smirk crosses my face as I see that my plans work out and the new armory is working just fine. “What do you think?”

Tony chuckles in response to my smug grin. "I think it's brilliant. Your idea for the shield component was an excellent addition to this suit. Well done on this upgrade."

“Thank you” I chuckle and check the data on the screens again.

Tony flashes a wide smile as he looks at you with a hint of approval. That million-dollar smile that makes my knees weak every time. "You're welcome. I think your additions have really brought the suit to the next level.” Tony nods in agreement, glancing over at the different components that are stacked on the workbench. "The next step is to finish putting all the parts together and getting the full suit assembled. After that it's just a matter of testing the suit itself and making sure everything works properly."

I nod as well, approvingly, and look up at Tony. “What about you get some coffee, I get breakfast and then we can continue with the suit?”

Tony nods and smirks, excited to continue working on the suit. The day passes and Tony and I don't even leave the lab. Sometimes the other Avengers come in to check on us and they all smile at our teamwork. Currently Steve looks around the lab, smirking at Tony and me. “You know, the way you guys work together... it seems like there is going on more than just friendship”

Tony chuckles as he hears Steve's comment, but doesn't take his eyes off his work as he continues to assemble the different parts of the suit, testing and retesting every component for functionality and efficiency. He responds to Steve's comment without looking away from his work. "We have a good dynamic going. It's not hard to get in a groove and get things done with her on my team. That’s all."

I chuckle and walk over to Tony, handing him some more parts of the suit. “Just admit it, you would be helpless without me”

Tony laughs and jokingly rolls his eyes, as he takes the parts and slots them into the appropriate place inside the suit. He turns and looks at me, as he begins to test out the new upgrades. "Okay, okay, you've got me. I'm totally useless without you." Tony says in a sarcastic tone, though it's clear he's still enjoying the banter and he is thankful for my help.

I too chuckle and sit back down on my own working bench, getting back to work.

“You two are cute” Steve smiles, wanting to tease Tony a bit more.

Tony laughs again and blushes a bit as he hears Steve's comment. After all, we really do have very good chemistry. Tony doesn't deny the fact that there is some truth to Steve's comment, but decides to play it cool. He shrugs as he continues to work. "Thanks, Cap, but we're just friends. Nothing more." Tony says with a mischievous smile, as he continues his work.

“Whatever” Steve smirks and leaves the lab after looking around one final time.

Tony nods his head and chuckles as Steve walks away, but he can't help feeling just a little bit embarrassed, and a little bit excited, by Steve's comment. He glances over at me, as I’m working on my own component. We are just friends, but sometimes it's hard to deny that there is something between us. We continue to work together for another couple hours, until finally we have the full suit assembled. We take a moment to step back and admire our work proudly.

I grin widely in excitement, standing next to Tony. “It's finished! We made it, and it looks good!”

Tony looks just as excited and proud as me, as he grins and nods his head, looking over the full suit. It has a clean, classic look to it, while also incorporating all the new upgrades that they added. The red-gold color scheme stands out, and the added accents look like a perfect blend of old and new. Tony is truly satisfied with the finished product. "I'd say we did an excellent job, wouldn't you?"

“Definitely!” I say a bit overexcited and thanks to my clumsiness I nearly fall over

Tony can't help but laugh a little bit as he sees me stumble, but he quickly catches me with his strong arms and steadies me, supporting my weight. He looks down at me with a smirk. "Careful now. We don't want any accidents to ruin our finished product."

I chuckle slightly but can't help and blush a bit as I get back onto my feet, brushing a strand of hair out of my face. “Of course not”

Tony smiles at the brief blush that he witnesses, though he is careful to keep his expression neutral and professional. He knows from experiences just how easily he can get distracted when I’m close. "So, what do you say, are we ready for a test run?"

”Yeah... Yeah! Let's test it out, getting you dressed up” I smile at him excitedly.

My enthusiasm is contagious, and Tony can't help but smile at my excitement. He starts getting changed, quickly pulling the different components of the suit on. The gloves snap into place, the boots secure onto his legs, and finally the chest and head components are in place as well. I just watch, occasionally checking the screens for the data. I can’t help but think he looks really handsome in that suit…

"Okay, I'm ready to test it out. Let's put this bad boy to the test.” Tony says as he is now fully into the suit.

I smirk at his choice of words and watch as Jarvis finishes securing the last component and the suit seals itself in place. The various monitors light up with different systems and readouts, as Jarvis speaks in his typical calm voice "Suit has been activated and all systems are at full operating capacity." Tony smiles and steps away from the workbench, giving the suit a brief visual inspection before turning to face me. "So, what do you think?"

“It looks damn good” and you too, I think to myself. “Jarvis, activate the testing mode”

Jarvis obeys the command, and the suit powers up fully, with the chest piece shining brightly as the repulsor rays light up. The arm cannons point forward, ready to act. It is indeed an impressive sight. "Alright, let's do this."

As soon as the face mask snaps into place, the suit is fully sealed and active. Tony lifts his hands into the air, as the repulsor rays shoot out at full power. The suit propels Tony into the sky, as the thrust lifts him into a high, smooth, stable flight.

I smile happily, we really did a great job. I walk around checking the diagrams on the computers “Seems like everything works just fine. Try it out some more”

Tony begins to fly around the lab, testing the different features of the suit. He begins testing out the weapons that you had installed as well. He seems pretty satisfied and I too smile happily, glad we did such a good job. “Jarvis, open the window hatch”

Jarvis immediately responds with a calm, robotic voice. "Opening window hatch." The window hatch opens up, allowing Tony to fly directly out of the lab and into the open outdoors. I watch as he flies through the window and up into the sky, his suit still shining brightly in the sunlight. He flies in a large circle around the lab building. I grin widely as I run over to the window and look outside, seeing Tony flying around in his new suit

Tony seems to be enjoying the test run as much as I am watching from the lab. He appears to be in full control of the suit, and seems to have no problems flying it around the outdoor space above the lab. The flight is smooth and stable, allowing Tony to make sharp turns and take advantage of the different features of the suit. He seems to be testing out every aspect of the new suit as he goes along. After a few minutes, he begins to fly back towards the lab window. He returns right through the window and lands in the lab, opening his face mask. I walk over to him, more than happy

“Wow! That looked so awesome!”

Tony nods his head as he pulls the mask off of his face. He is visibly thrilled and excited, both by the positive outcome of the test and by the fact that I were there to witness it. "It flew surprisingly well, and the different weapon systems were all functioning perfectly. I can't remember the last time I enjoyed a test run this much. And it all came out looking so good as well. We did a great job!"

“Yes, we definitely did!” I hug him out of pure excitement and suddenly our lips meet for just a few seconds.

Tony is caught off guard by this unexpected kiss, but he immediately wraps his arms around me as he kisses me back for just a few seconds. A brief and innocent kiss, the result of the heat of the moment. Tony pulls his head away eventually, and we just stand there, staring into each other’s eyes for a few seconds. He smiles and I see a faint glimpse of his cheeks turning red. I quickly pull away, blushing heavily and stuttering. “Oh my... I... I'm sorry, I... I don't know what... I ...”

Tony laughs softly as he sees just how flushed I am, but he's unable to hide a brief moment of amusement. "Relax, it was just a quick kiss. Nothing to be embarrassed about. Just a natural reaction to the moment. No big deal."

I take a deep breath, my cheeks still bright red. “We… we did a great job. The suit seems to work just fine”

Tony smiles at the way I stumble over my words, as he notices that my cheeks still haven't stopped blushing.

"Definitely. The suit works perfectly. The results speak for themselves and it will definitely be a game changer. But I guess the suit isn't the only thing that will be changing..."

I turn to look at him and frown, asking concerned “What do you mean? Are you not happy with it?”

Tony laughs as he notices the misunderstanding. "Oh no, I'm very happy with the suit. I was referring to our relationship. It feels like it's been changing between just friends and something more. I mean, late nights in the lab together, our banters, glances and a quick kiss, and you're blushing like crazy.”

My eyes widen at his words and I can feel my heart beating out of my chest. My voice shaky “Tony... I... I think this is just... the lack of sleep or the amount of coffee we drank or the excitement from the suit... I...”

Tony chuckles slightly and shakes his head, as he steps towards me and places his hands on my waist. "Is it really though? Or is it something else? I think we both know that this whole evening we've spent together had more to it than simple late nights and coffee.”

I look at him still dressed in his suit, my face flushed and my heart beating like crazy. “Tony...”

But before he can reply, Steve enters the lab and Tony immediately let go of me, stepping back a little.

“Oh hey! You finished the suit!” Steve says, rather impressed by the work Tony and I’ve done.

Tony stares at Steve with a friendly smile, knowing that he was caught in the middle of something but trying to play it off. "Sure did. Y/n and I just finished up the final tests, and we're very pleased with the results."

Steve looks between Tony and me, smirking softly and raising an eyebrow “Did I interrupt anything?”

Tony laughs as he shrugs his shoulders, pretending to be completely oblivious to the tension that was obviously there between him and me earlier. "Interrupt? No. We were just excited that the suit seemed to work so well, so we were discussing the final results and plans for the suit” he explains calmly and walks over to Steve, showing him the new suit he is still wearing.

“Yeah, we were just testing it out and the suit works pretty well” I smile at Steve as well, trying to hide my blush

Steve smiles back at me and gives a brief nod, as he continues to study my expressions. "Great! Seems like you both did an excellent job. I guess the suit isn't the only thing that got tested out tonight, huh?"

I blush and quickly turn around as Bruce also comes into the lab. “Oh hey, Wow! That suit looks good!”

The unexpected entry of Bruce throws Tony off for a quick second, as he glances over at him and flashes a look of surprise. He quickly regains his composure though, and smiles as he looks back over at Steve and Bruce. "Thanks. You’re just in time to see the new suit in action, if you'd like. Y/n and I just finished up the final tests for it."

As we continue to talk and show the features of the suit to Steve and Bruce, I notice the way that both Steve and Bruce keep stealing glances over at Tony and me with smirks in their faces. I know that at least one of them can clearly see the chemistry that is present between me and Tony. We both seem to be very close and comfortable together as we talk and laugh. After a while I start to feel tired and decide it's now time to get some rest. “Alright guys, I think I'll go get some sleep now. Tony, you good without me?

Tony's expression softens as he sees me starting to feel tired. He gives me a soft smile and nods his head. "Yeah, I'll be fine. You go get some sleep, and we'll meet back here tomorrow morning."

I agree and smile back at him before waving at Steve and Bruce before heading out of the lab and towards my room.

Tony watches me as I walk away, and he can't help but notice the way my curves hug tightly against my pants as I walk away from him. The vision in his eyes briefly lingers as all of the memories from the night come back to him. A faint glow appears in his eyes as he continues to watch me, then eventually he breaks the gaze and turns to Steve and Bruce.

Tony starts to get out of his suit and Steve smirks at him knowingly. Tony knows he's been caught, so he turns to look at Steve and raises an eyebrow in question, waiting for him to say what's on his mind. “So, what exactly did I interrupt before I came into lab?” Steve asks curiously and leans back against a work bench.

“Yeah, what was going on between you two?” Bruce looks confused yet curious between the two men.

Tony sighs as he realizes that he doesn't even have an excuse for this one. He can't deny the chemistry between us that both Steve and Bruce have observed. He just shrugs his shoulders, with a look of acceptance that shows he no longer has room to weasel himself out of it. "Just two friends enjoying some late night lab time. You know how it is. We just got a little carried away by the excitement of the suit."

“No, no... That seemed like something way more intimate” Steve smirks again and won’t let this go so easy.

Tony realizes that he's now in the position of having to either play dumb, or explain everything. Playing dumb in front of Steve and Bruce won’t work though. Tony sighs. "Look, Steve, some words have been spoken and there was a quick kiss. We both felt that this was more than just friendship..."

Both Steve and Bruce start to grin. “That's so cute. But you should talk to her, Tony.”

Tony's face flushes bright red. He hates that he is currently at the mercy of both Steve and Bruce with this whole situation. They are both grinning at him, clearly enjoying his predicament. He tries to act casual and gives off a soft sigh, acknowledging that Steve and Bruce are both right. "You guys... Come on, it wasn't that big of a deal. It just happened in the moment. Maybe it was all just a result of the late nights and energy drinks and the excitement of the suit."

Steve frowns a bit and looks more serious at Tony “The question is, do you want it to be just that?”

Tony looks over at Steve, knowing exactly what he's asking and fully aware of what his answer would be if he let himself be honest. He doesn't want it to be 'just that', but he can't just come out and say it in front of Steve and Bruce. Tony shakes his head from side to side, as if he can't really respond, though his mind is giving him a very strong, and very clear answer.

Both Steve and Bruce just smirk at each other, knowing the answer. Bruce sighs and pats Tony’s shoulder “Alright, buddy, get some rest. And think about it” Then Steve and Bruce leave.

After Steve and Bruce leave, Tony is left alone with his own thoughts, as he realizes that he now has to face the situation on his own. He can't keep trying to play it off as 'just a little accident' or "a result of late nights and energy drinks." It was all real, and he just has to find out how much it means to Y/n. He walks around the lab, considering everything that has happened over the course of the evening, and the different feelings that he feels for her. That brief kiss that had occurred. He's completely lost in his own thoughts as he walks to his room, pacing up and down.

Meanwhile I’m sitting on my bed and even though I’m rather tired, I’m wide awake, thinking of all the nights I spent with Tony in his lab. We were really good friends, but is that really everything? It was all getting to my head. I look over at the clock to see it's already 11:30 pm. I sigh and decide it was no use, so I get up and walk back to the lab, wanting to sketch some more ideas.

Tony is wide awake, as well. The memories from the night keep running through his head and he can't help but notice the way his heart begins to beat faster as he plays those memories back in his head over and over. He thinks about the late nights together where they would work on the suit, the jokes and laughs that they shared while doing so, the excitement that they felt and the brief kiss that they had shared, the blushing cheeks... Tony lies in bed for a while, struggling to fall asleep. He feels just a little bit energized from the night, but more so, he's feeling a bit restless as he struggles to process the events of tonight. He too notices how late it is and he decides to head back to the lab.

I'm sitting on the chair, hair up in a messy bun, looking over some sketches and trying to find some more new ideas to add. I'm so focused on the sketches that I don't even notice Tony entering the lab

Once Tony reaches the lab, he immediately catches a glimpse of the sketches and how casually I am seated with my hair up. I look very relaxed, almost as if this is normal for me to be up at this time in the lab, and Tony can't help but notice how the night had only brought out the most natural and casual side of me. He is also struck by how lovely you look in this setting...

Tony watches as I keep sketching, and he can't help but be charmed by how focused and completely lost I am in the task at hand. He finds himself feeling the urge to hug me and just rest his face against my shoulders to breath in my scent.

I’m just trying out some sketches of additional ideas on the suit when I suddenly feel a pair of strong, warm arms wrapping around myself and I jump slightly. “Shhh, it’s me” It's Tony, who has silently approached me from behind and wrapped his arms tightly around me, pulling me into a warm embrace. He rests his head on my shoulder, the feeling of my hair against his face feeling extremely reassuring. I can feel the heat of his body as his breath is close to my neck.

I let out a breath shaky breath “Hey…” Tony smiles as he feels my body relax in his embrace, and he doesn't even bother to explain his sudden move. He just enjoys the warmth of the moment, just as I am, as he wraps his arms even tighter around me, pulling me closer. “Aren't you asleep?” I ask curiously, ignoring the beating of my heart

"Nope." Tony answers softly, as he continues to tightly pull me into his embrace. He doesn't want to let go. He enjoys this moment of just being close to me without saying a word, and he can't help but breath in the scent of me that fills his nostrils. I relax more in his embrace and lean back slightly into him, closing my eyes and resting my hand onto his arms, feeling his muscles beneath his skin. Tony leans his head towards me, and he gently gives my cheek a small kiss, without saying anything. He feels my body slightly tense up at this, but I don't pull away. He can't help but blush at the fact that I’m allowing this to happen, as he pulls himself away, a small blush on his cheeks. I blush heavily and finally I turn my head slightly so now I'm facing him. We are just inches apart.

Tony stares deeply into my gaze as he can suddenly feel the intense connection between us. He can't help but be struck by everything that he's feeling when he looks into my eyes. He slowly moves his face forward, and he presses his lips onto mine, kissing me soft and gently. I can't help but blush heavily. The first kiss today in the lab was due to excitement, but this one now is different. This is a more intimate kiss, the kind where you slowly move forward, and you keep your lips connected to his. He pulls back after a few moments, just enough for our faces not to be touching anymore, but he is still close enough to feel my breath as it touches his face.

“What was that for..?” My voice is not more than a whisper, just for him to hear

"It was just... an urge to show you my appreciation." Tony answers softly, as he continues to smile at me. His gaze is still soft and gentle, but there's also this slightly confident tone in his voice which hints at the possibility that this 'urge' is something more. He pauses for a moment, as he sees my reaction to his statement, and he waits for my respond.

I smile at him softly “Then let my show you my appreciation” I turn around a bit in my chair, now able to move my arms and lay my hand onto his chest

He doesn't say anything in reply, but he leans forward and slowly presses his lips against mine once more, in a longer, and more intimate kiss. He can't help but let out a soft noise. He continues to kiss me soft and gently, wrapping his arms around me now and pushing himself even closer to me. The kiss feels very tender and affectionate, and he can't help but feel a bit vulnerable in this situation, as if this was all just too perfect to be true. We pull apart and look at each other. He shakes his head as he regains composure and smiles softly at me.

“God, I love that smile”, I say to him, laying one hand against his cheek softly.

Tony wraps his arms around me tightly. He leans closer and he presses his forehead against mine, his eyes closing and taking a deep breath. “And I love you”

My smile grows even more as I hear those words from him. “I love you too” I whisper and he pulls me in for another loving kiss before looking at me again with his charming smile. We continue to stand in the lab, holding each other and no one of us wanting to let go as we finally confessed our feelings to each other. And it’s just the perfect ending to the work on his suit.

A/N Here is my complete masterlist with all the ff, imagines, oneshots, smut and whatever. Check it out and leave a like :)

[breakfastatmiles]

Your art is wonderful!!!

A constant inspiration to my own creativity and art work. Could you explain some of your art style to me? I’m interested in looking at a bunch of different ones to try and finally find one for me.

Goodnight!!🌙

Thank you so much! That means the world to me! I’d be happy to share some of my process with you 😄

Keep in mind I’m completely self-taught, so this is just the process of how I make my drawings and not any sort of professional advice 😅 apologies for the long post ahead 😪

Starting with the basics, my biggest influences are Jin Kim and Ami Thompson. Both are amazing character designers and I really admire their stylization and expressions. Whenever I feel stuck on something, I always go back to their drawings for inspiration.

I typically start in Procreate with a canvas size of 3300px x 4200px or 11” x 14” with a DPI of 300.

I put my reference in the corner of the canvas (in this case it’s a screenshot from the movie She’s the Man) and I start my rough sketch (emphasis on rough). Sketching is probably the longest part in my drawing process because I’m focusing on expression, composition, proportions, etc. This usually has about two to three passes before I move on.

Then I lower the opacity of the sketch and clean it up with some lineart on a new layer. Lineart doesn’t play a huge part in my style, but I still like to play around with line weight. Since I knew this was going to be a fully rendered piece, I didn’t spend much time on lines that I knew were going to be removed later in the process.

Underneath all of that, I use the skin tone and color the base of the character. I make sure that I color ever so slightly past the lineart, for reasons that will be important later. This part can be tedious, especially because I use a textured brush, so there are a lot of gaps that I fill in later.

Then using new layers with clipping masks, I start the flat colors. Nothing too crazy here.

I’ve made color palettes for characters and backgrounds that I typically draw, so this way it speeds up the process and maintains style consistency. If I need a color that I don’t normally use, I’ll just play around with the colors until I find something that fits well with everything else.

Next, on a multiply layer, I add some basic shading (with the skin tone color) and blush (with an orange-pink color). I also move onto the background. Some are more complex than others. If I’m going for a more cinematic look, I’ll fill the background in with some basic shapes and blur it slightly. Thankfully the background was pretty simple in this reference.

I start checking proportions now that everything has basic colors. Then I duplicate my lineart layer and change it to a pinkish-red and put it on multiply mode and turn down the opacity. This is why the base color layer needs to line up with the lineart, otherwise there’d just be gaps underneath. Instead of erasing my black lineart layer, I put a mask on it and just keep the eyes and eyebrows.

Then I start working on the shading and hair, which is an entire process in itself. Maybe I’ll make a tutorial on that one day 😅

I also use some vivid light and soft light layers and put in some subtle colors for extra pizzazz.



Then I add a hard light layer to the eyes for that glossy look and on a normal layer add some white details just to make some things pop more (like the nose, lips, eyes, sometimes hair, etc.)

I did make an eye tutorial a while back, but my process is still the same!

Lastly, I spend a lot of time playing with different blending modes (multiply, add, soft light, vivid light layers) and really focus on the lighting. I used to focus on adding a lot more details and make the coloring more realistic, but I found that the more simplistic coloring was easier for me to do and fit my style better. Sometimes I still tend to go too far with the details and realize that it looks better when I tone it down a bit.

That’s pretty much it! Let me know if you have any questions! Hope this helps. Have fun making art!

[bedoballoons]

Please!! I wanted to do more so badly because not having the full spectrum of fairies was killing me!! So thank you for this request and I hope you enjoy!!

─⊰⁠⊹ฺ❄️𝔾𝕖𝕟𝕤𝕙𝕚𝕟 ℍ𝕖𝕒𝕕𝕔𝕒𝕟𝕠𝕟𝕤⊰⁠⊹ฺ❄️

{༻~Wink Part 2~༺}

CW: Fluffy except for the tiniest bit of angst in Dilucs! I used the rest of the fairy types I knew for this part!! Also I know the light fairy technically counts as sun and moon, but I wanted one more character so moons a separate fairy type in this 😭

First part

(Includes: Diluc, Kaveh, Heizou,and Wriothesley!)

𑁍༄Diluc: <Fire fairy>

You stared into the fireplace, your wings almost glowing in the flickering light...the flames had always captured your attention, made you feel warm and safe...but even they couldn't calm your racing heart. Your bravery had finally showed it's full force...your once hidden identity now in plain sight for the man you loved. Wether he accepted this version of you or not was purely up to fate...

"Diluc..." You felt your voice crack in fear, you were so vulnerable right now, something you weren't very often and he usually wasn't either, one of the reasons you got along so well..or used to if this ended the way you wished it never would.

"I'm not upset, or mad. I'm not even that surprised...I've seen lots of unexplainable things and I've always figured there were creatures no one new about, but I am worried. I care about you alot, I care about your safety and I don't want to see others coming after you for being something they want to learn more about...so regrettably, I'm going to ask you to keep this secret from everyone else."

He took your hand in his as you nodded, what he said was reasonable and you weren't really worried about keeping the secret from everyone else, as long as he knew the real you...that's all that mattered.

𑁍༄Kaveh: <Animal fairy>

"I'm speechless.." Kaveh sat in front of you, his mouth hanging open and his eyes wide with shock...you were surrounded by over a hundred animals, but that wasn't even the craziest part. You'd sprouted wings, full blown, glittery, shiny wings...and honestly they were so beautiful he was getting inspired to sketch a new window design from the sparkle alone. How could he even accept this reality though...that you were a fairy...with actual powers and everything??

"It's really not that bad is it..." You moved so you were sitting next to him...birds leaping from your shoulder to his and furry creatures like red pandas and baby boars taking place in your laps. You were scared of what he might think but you couldn't keep the secret any longer. How could you...he was the man you loved.

"It's not bad at all...it's actually really beautiful, you're beautiful and though this is alot for me to handle, I love you the same as I did when I didn't know....does this mean we can have extra pets around the house?" He tapped the boars snout, earning a little squeak that made him chuckle,...of all the ways you'd expected him to react...this was better.

"Yes! We can even have crystal flies take shelter in our house when it rains and the Aranaras-"

"Wait- Those are real too??"

𑁍༄Heizou: <Technology fairy>

Heizou had a smirk on his face and honestly it was leaving you more than confused..why was he so smug? You'd only shown him your wings and told him what you were... certainly he hadn't...figured it out.. "You're not surprised at all?"

"I apologize if you wanted me to be, but being in a relationship with a detective comes with it's price. I knew something was different about you the second we met...your ability to build certain machines...how ones would suddenly work or not work whenever you were around. You had a special connection to them...and pair that with the few times I've mentioned fairies. You'd always comment about how I was wrong, they didn't act the same way fairytales portrayed them. How could you know unless..."

"Unless I was one.." You looked away, feeling slightly silly for making such a big deal of it..., "You never treated me any differently...even after you'd figured it out."

"I never would. I love you. Wings won't change that."

𑁍༄Wriothesley: <Moon fairy>

You sat in front of the large thick glass window...the moon a blur shining on your wings, making the rest of the room appear dull as your legs dangled from the viewing railing. It wasn't often you saw this place empty...it was almost eery, showing your secret after being in hiding for so long..., "You too me your secret....and now I've told you mine...so what do you think Wrio.."

He was leaning against the wall, the darkness of the room almost leaving him completely out of view, you couldn't even read his expression if you tried. "I think...my secret wasn't nearly as good as yours." He pushed off the wall and walked slowly towards you...his hand reaching out to touch your face, "I think,..you thinking I wouldn't like this version of you was the worst guess of the century. Seeing what I do everyday, I didn't think magic existed anymore...you've proved me wrong."

"Wrio..." You smiled softly and leaned down to kiss him, feeling like you could float away. Nothing was hidden between the two of you anymore...his past was his past and you were you and the two of you...were happy and free.

ଘ(੭*ˊᵕˋ)੭* ੈ♡‧₊˚~Have a nice day!~*⁠.⁠✧

[katescribblesabit]

I absolutely adore your art style! Do you have any tips? Specifically for the fairies cause I am struggling to draw them.

thank you so much! well, this is gonna be a long post.

Im gonna be real, the best art advise anyone can give you is to use references and to break complicated stuff down into easier shapes. for example:

this is my basic body skeleton! i always start with the circle of the head and work my way down to the feet. i have highlighted some part of the body which are actually just simple shapes.

the center line down the middle of the torso also helps me draw on collars, bra cups, ties, or any other more difficult clothing more accurate!

However i have to ask you, are you comfortable while you draw?

I remember when I first started drawing digital, i was really uncomfortable with the basic set up of my program. The white canvas and the light setting of the program was really bright and irritated my eyes. And the contrast of the pure black I used for drawing wasn't really helping. sketching and doing line art was my least favorite part of drawing because of this.

you don't have to draw on a white canvas, you can also use multiple colours for sketching if you wanted. Once I stoppend using a pure white canvas I noticed i stopped staring at a empty canvas not knowing what i wanted to draw anymore!

also sometimes when a drawing doesn't want to look right, i switch back to traditional. idk why but when my brain sometimes struggles with a specific pose or character design, it comes to me a lot more easier when I switch back onto paper. i guess the change of scenery opens up the creativity again haha.

don't be afraid to simplify stuff, you don't have to draw everything! As long as it still translates to the thing, it should be fine.

these two are a bit clip studio exclusive,

but Gradient maps! god how I love my gradient maps, it just makes the colours pop! I never draw without it anymore. I always pick the sunset gradient, put it in Linear light mode and put it on 10% (cus its really saturated on 100%)

usually i have it on while i sketch and line, and turn it off so i can properly colour and shade. i turn it back on at the end again

the clip studio assets has a lot of beautiful stuff in there created from other users. (a good amount for free too) for example I got the lace pattern of my shawl from there. and its really easy to import the downloaded stuff into the program.

now this is a drawing hack that blew my mind when I first saw it! i use it all the time and I just have to share this!

whenever you want to draw something random like sparkles, stars, bubbles, feathers, falling leaves, or anything that you want to float around your characters, position them in the form of a triangle.

its even better if you put two points of the triangle closer together and then the third further away. this makes it look random but still looking appealing to the eye, and not oddly placed.

now that thats out of the way! Fairies! The one thing i struggled with when drawing them first is their hair. I suggest looking through the fop tag to see how other people have drawn them and take inspiration from your favorites and make up your own. (do not trace tho! that should be obvious!)

when I draw hair I think of it separated in two parts, the front and the back. I usually start with the front hair pieces, then draw in the jaw, ears and rest of the head, then continue with the back section of the hair.

the only outliers of this are Timmy and Peri. when I draw Timmy (Ymmit as well) I start with his hat, before drawing his hair. Since I draw Peris hair-swirl over his hairline, i start drawing his upper back hair style first before drawing his head and then his mullet.

wings can also be tricky. the fairy wings i have given then have a more butterfly look. if you also want to base off the wings to real life animals or bugs you can use them flying as references to. Or you could even cut out the wing shape out of paper, fold it in the middle and take pictures in the angle you desire.

I hope this somehow helped, I thought about what could have helped me if I had known it sooner. even if most of these were for generic drawing.

[meanbossart]

Some art-advice asks I've been meaning to reply to!

I use Clip Studio Paint Pro, though I'm not sure what tips I could give just in general. Just experiment with new things often, draw as much as your lifestyle allows, watch how other people do their work but try to avoid "Dont do THIS thing ever" type lessons and tutorials. Use as much reference as you'd like and take your time! To this day a simple sketch can still take me several hours to do depending on what it is.

Thank you so much!!! I didn't do any kind of formal art schooling but I've always been inclined towards arts and crafts, and started taking drawing semi seriously when I was about 17 (I'm 27 now). I draw a lot of inspiration from western comics and my favorite artists are jason shawn alexander and sean murphy.

Oh I'm so flattered to hear my stuff's inspired you to take up drawing again, I have a bunch of little crafty hobbies but art is by far the most fulfilling one to me - largely because you're constantly learning and improving.

You're definitely onto something already, I am constantly looking at other people's art (even If it isn't a style I would want to emulate) and analyzing how the pieces come together to create the final product. In my opinion this is pretty much the best way you can go about learning besides real-life reference drawing. You can even take something into your software of choice/print it out and trace it (just to yourself, of course) to get a sense of hand-motion and line use.

As a beginner I think there's no shame at all in taking heavy inspiration from your favorite artists, as long as you aren't straight up copying things and calling them your own. Your personal style Is likely to come out naturally, with time. That's very much how I started myself!

Also, just be patient with yourself, try to have realistic goals for your skill level while simultaneously being proud of everything you do. Even if you absolutely despise a drawing, you still drew something! And even if it doesn't feel that way you most definitely learned from it. Use learning tools and tutorials to whatever point you feel comfortable with but don't get stuck on people's arbitrary rules - unless we're talking about something tangible like real-life application of traditional art tools, things like anatomy, perspective and light are to be referenced from - but It's not the goal to emulate them 100% unless you ARE going for hyperrealism. As someone who uses a ton of reference these days, I can tell you first-hand that I often find myself straying from it on purpose to make a piece look more interesting.

Lastly, draw things you enjoy! Don't let anyone else dictate what you SHOULD be doing and don't fall into the trappings of wanting to stick to one specific style, process, or subject matter.

Good luck!!!

LOL thank you so much for your very evocative compliments! I haven't ever done a timelapse, not that I remember at least. I'm not sure how they work but I do so much of "I'm gonna try this thing 5 different ways and then decide what I like" that I'm not sure how comprehensive that would be LOL

I could put together a process showcase or something though, I feel like that might be better even, since I get to explain a little of what I'm doing through text and display how I use reference. Something to consider!

[wannaeatramyeon]

Is this how you do it- (Not a frequent tumblr user so) Anyways I'm in love with your writing and always look forward to reading new content from you everytime I open this app it's fabulous tbh. On a side note, I wanted to request the lookism guys with a s/o who loves to draw, is generally into art and just lives a normal life like going to college, travelling by the metro, staying up till 3 am to finish art school assignments or just homework you know. I'd love it if you include gun but its totally upto you. Lastly I say it again you're my favorite account on here so I'll always support you btw lmao😭😭😭

Thank you so much for sending in the ask and apologies again (and to all the current requests...) on how long it is taking! AHHHHHH you are so sweet!! THANK YOU FOR THE SUPPORT and for giving the idea for another soft Gun!

Gun Park x Reader: Masterpiece

Gun with art student!reader. You're creating your final assignment.

"What's this piece?"

"Wait and see."

Gun watches you move the oversized blank canvas, rearranging your paints and material. Preparing your little corner of his penthouse. Your studio, you call it. A spot he has cleared aside for you when you gasped at the lighting one afternoon.

Between your art assignments and Gun's job, any free time you have together is sparse - you both take what you can. A call here or there, sporadic messages, infrequent dates if both your schedule allows.

It only made sense for you to move in, to make it easier to steal time together.

Still, your final project looms on the horizon. You need to focus your time and energy on this for now.

Regrettably.

Because as Gun sits and watches you, tie hanging loose, top shirt buttons undone, hair casual and flopping over his eye, you think he looks good enough to eat.

Focus. You shake your head, redoubling your efforts to concentrate. Strike while the iron is hot; you're inspired right now and you don't want to fail an assignment due to an art block. Again.

Gun stays quiet as he observes you. Gracefully moving, pencil between deft fingers, sketching out your ideas.

There's a lot of things that Gun Park can do, but he knows he can't do this. His hands are better suited to create and mould other sort of masterpieces.

His eyes watch you as much as they do your hand. The crease between your brows as you work out the angle, nose wrinkling when it doesn't quite work out how you imagine. Tongue out in concentration, hair up in a bun and wispy tendrils caressing your neck.

He is in awe seeing the lines and shapes take form.

.

.

The buzz of Seoul softens at 3am when you finish a few weeks later.

You look proudly at your work. It may be your best one yet.

"Is that me?" Gun takes in the figure you have painted.

Suddenly shy and self-conscious, you nod. It's not the first one you've created of your boyfriend but it's the first one that he has seen more than a passing glimpse of.

Gun blinks at the canvas. Is that how you see him?

He studies the angle of the face, scar softened in shades of pink between eyes that should be demonic. Recognises himself in the pose, odd that it is comforting and protective rather than intimidating. The lighter shades of your paint strokes illuminates, frames him like a halo.

Gun looks at the painting and feels your love poured into it.

It's him all at once and not at all. At least not in the way anyone else could possibly see him.

"It's a masterpiece," he kisses you softly as you smile against his lips, "And you're mine."

[metal-mum]

I'm not a writer. I made this awhile back and wanted to add a sketch to it. Just a lingering idea that'll be fleshed out in the future.

You ever get possessed and write something at one in the morning off a whim, even though you can't write, proof read it once and fall asleep right after? Yeah.. that

The sun was just below the horizon by now, the clouds overhead covered in extravagant pinks and golds. Such a sight wasn’t rare, but nevertheless breathtaking. Softer brush shook in the breeze, their leaves making just enough noise to be heard above the sounds of chaos within the valley.

War wasn’t uncommon for many worlds; after all, most disagreements between short tempers led to conflict. Words and thoughts are hard to express, but tying others into such pettiness was always baffling. Protection is one thing, but invading is another. Most people often lost themselves in war. 

Anxieties feed into fear.

Fear creates delusions.

Delusions cause insanity.

Insanity leads to madness.

Madness leads to hopelessness.

Yet even as the sky dimmed from softer hues to burning reds from the flames and smoke, there was still hope. There was always hope. The hope of things getting better. The hope of whatever war this was coming to a stop. Hope that people would see each other once more. Simple things, but hope nonetheless.

Above the distant roaring fires and the noise of the brush in the breeze, a much louder, familiar sound made itself present. It was like ice shattering upon a frozen lake, a noise that could be alarming, but still appealing to the ears.

“Enjoying the view?” the hopeful light said from close by, a voice surprisingly gentle for a being who had fought countless times on countless worlds, still retaining a young innocence.

“As always…” the opposite quietly replied, its voice gruff from smoke and age.

The two beings knew the routine by now, their endless dance that neither party seemed to enjoy anymore. Perhaps it was fun at first, but the two knew each other well now. The only deciding factor was how hopeful those who lived upon the planet were.

“You know,” the light began, the gentle metallic clink of their flesh signaling their approach. “It’s not like you to surrender, even if the fight is in my favor.”

Sitting down next to their opposite earned a possibly amused huff from it.

“Nay, not surrender. I will gladly fight if that’s what you seek. However, you and I both know this world isn’t hopeless…”

Adjusting its position allowed for a much more comfortable posture, lying within the small brush while staring at the star-blotched sky.

“Sounds like surrender to me. Not that I mind, I don’t have any new tricks.”

“Disappointing.”

“Hush. I know you think the same.”

The two fell silent for a long while, watching the flames of the valley town grow and the shouts increase. The noise was unsavory compared to the environment, and the smell was even worse. While one was used to such horrid smoke and the burning of flesh, the other had always fought to prevent this from happening.

Yet just as flames could grow, they also dwindle. Screams of horror died down to shouts of orders—commands to help each other, to extinguish flames, to get the injured to safer locations, to save others' livelihoods and homes. It was inspiring to see such small beings so compassionate when things appeared so bleak.

The light glanced at their opposite, who had been resting here for some time now, judging by the dent in the plants. It stood out like a sore thumb in a world so green, the red of its carapace like a beacon on a dark, foggy night, or maybe more like a dimming lighthouse on the shore’s edge. That sounded correct to them, at least.

“We… we could just stop,” they abruptly spoke up after so long, yet the other didn’t even twitch.

“Stop?” It replied rhetorically, looking at the light’s golden flesh for the first time in this encounter.

“We don’t have to fight. We don’t have to go to every world that has an imbalance of hope. So many seem to be able to fix themselves from the ground up, even if you win.” Adding emphasis to the claim with an outstretched golden gauntlet, gesturing towards the dying flames.

“I didn’t win.”

“Stop being so literal for once! Surely you want more with your life.”

“And you?”

“Of course, yes. Constantly trying to stay in pristine condition to battle you, it’s exhausting. Time-consuming—”

“You’re young, Acacius. You want to live a life worth living.”

“I… yes. Don’t make it sound so selfish, though…” The light sighed, crossing their legs with quiet clanks and using a closed fist to prop their head up.

A rare noise came from the beast Acacius sat beside, a chuckle that was sincere and full of understanding.

“Selfish for living… hmph. That’s a new one.” It thought, clearly finding such a comment amusing.

“Yes, selfish. What would you do without me?” The light shot back while pointing at the red beast, almost close enough to sternly poke the armor upon its side.

Though the question seemed to have gotten to it, the beast was unable to find a witty response in turn.

The fires in the valley were fully extinguished, allowing darkness to envelop them both. The stars shone brighter, and the galaxy slowly showed off her true colors. The cool air was welcome, and the stench of flesh and flames was no more, replaced with earthy scents and the moisture in the air.

The beast took in a deep breath of the fresh air and slowly rose to its four spindly legs, looking back out at the horizon. Clearly, it had no reason to be here, for as long as there was hope, there was something left for this world. Acacius stayed seated, however, and watched their old nemesis slowly begin to move toward the ravine it had originally left behind.

Nemesis? Did they really think that?

“Hellbeast—” they started, slightly perturbed when said Hellbeast let out a low, scratchy groan. “I mean it. About… stopping.”

Pausing in its slow tracks, it turned back to face the light, who was getting up themselves now. Such a proposition was tempting, but was that what it wanted too? Truth be told, it didn’t know what it wanted in life, far too involved in this current one to change paths. Perhaps it was being the selfish one.

“And would you live your life? It’s in your blood to rush towards those who need hope.”

“Just as it is yours to crawl towards the hopeless.”

A huff from the Hellbeast let Acacius know they had it stuck in the argument now.

“We both have our duties, but… perhaps we should only heed them when it’s dire. Every squabble of possible hopelessness can’t keep resulting in us clashing. Even Solomon was smart enough to—”

“He had other priorities.” It interrupted, voice slightly raised and flat with the response.

“Right… but you get my point.” They spoke softly in turn.

“I want to explore the vastness that is out there, to see landscapes unfathomable. You’re getting old and,” they couldn’t help but let out a small laugh, “I’m feeling bad for beating up an old man.”

Without caution or care, Acacius raised their golden gauntlet, outstretched for the Hellbeast to take.

“So, how about that? Not necessarily peace, but a truce. To only fight and meet when hope is truly being challenged, and to live our lives a different way.”

Staring with empty eyes, the beast kept its clawed hands close. It was impossible to tell what it thought; the permanent frown acted as a very good mask for such things. Yet the flick of a tail, a twitch in a finger, told the light all they needed to know before it even reached for their outstretched hand.

“I suppose I can live with that.” The Hellbeast quietly said, firmly grasping the golden gauntlet.

The two opposites would end up coming to an agreement after years of instinctual turmoil, both staying loyal and true to the words spoken that night. While one had a full life ahead of them, the other didn’t know how much sand was left in the hourglass.

[thunderboltfire]

Peoples of Isaldi, ft. the Wanderers. I've wanted to make the scheme of how fantasy races work in Isaldi, but it looked a bit bare, so I sketched faux-manuscript inspired illustrations of various Wanderer knights representing each of the peoples. I've decided I shouldn't reference everything only to my main OCs, so some of the side characters make their first proper entrance:

Persi, Oster, Shnár and Hedwinne are Kestrels, Wanderers trained in Wirjenów castle and knighted during the war. Persi and Oster were Argo's roommates in the castle. Ilveyn is one of the masters who supervised the training and "Spearhead" Manasi is a historical figure, as in the time of the events of the plot, there are no gnomes among the Wanderers.

In general, humans and elves are more biologically similar to each other than to any of the shorter people, and vice versa - dwarves and halflings are related closer to each other than to any of the taller people. The only known interspecies unions that produce offspring are humans + elves (the outcome is a half-elf) and dwarves + halflings (the outcome is a gnome).

Half-elves are very diverse - they inherit traits from both parents in a way that cannot be foreseen, the only constant is that their ears are almost always pointy, but shorter than elven. Lifespan, eye color, iris shape, bodytype, resistances to toxins, allergies and intolerances, even body hair patterns vary wildly from one half-elf to another. Oster, for example, passes for a human more easily than Igna, but sees better than her in low-light conditions (he also happens to be near-sighted, but that's an unrelated issue).

Gnomes, in contrast are a subject to hybrid speciation. They tend to be rather similar to one another in terms of physical traits - instead of forming a spectrum in between dwarvish and halfling-like apearance, they have a distinct look consisting of a similar set of dwarvish and halfing traits they often inherit from their parents. There are entire gnome settlements, and they're considered a people of their own to an extent half-elves are not.

[briskalishous]

You guys, my brain took like from April (I think) to finish this piece. I don't remember the inspiration making this, but it's part of the redesign I'm doing for a fanfic and just in general fun fluffyness becuz this fandom gets too sad sometimes. This was supposed to be done some time ago, but mental health got in the way and also the fact I didn't like the initial final sketch, so I started over, took me some time. And bruh if that wasnt enough, the app I'm using also kept corrupting or losing sketches so I don't have everything together to show the process. But anything is better than nothing. Also, please don't mind the shading, I'm still figuring out light placement and layering, especially on mobile.

Anyways, here's the final product!

I saw some funny sketches of Alastor being carried all the time so I made a funny headcannon that he likes to be picked up or is indifferent to it, just as long the hand and body placement is appropriate with certain people (others that are close have more leniency). I don't really have a story here but I like to say that this trio hug happened becuz it's one of those once in a blue moon family get together where Husk and Alastor aren't in a powerplay and are actually enjoying each other company with Niffty being a small adorable grandma making sure her boys are okay and slightly disturbed/amused by her antics and stories.

With Husk, I kept him somewhat true to his character design, just changed outfits and details on his persona like his symbols, marks, and colors. These symbols will be emphasized in another fanart I'm cooking up. I also placed "brands" that symbolize his deal and ownership status with Alastor. These brands, instead of being actually branded on his person, are branded on any piece of clothing he wears as long as they are visible (shirt, pants, hats, etc). One is on his collar shirt, which equals to Alastor and another on his wraps on his feet of his own Overlord status. In my rewrite, I have it that in order for Husk to maintain his deal of keeping his power is to keep running his business of gambling but with restriction. I have a lot more to write about this, but I'm saving it for his redesign posts in my redesign series. Also, a funny lil hat on the side becuz it's part of his getup that got knocked over in the hug session.

With Niffty, I was going to keep her the same, just some extra bug detail to her person, but I scrapped it off. Instead, I have her as a hybrid of a poodle dog and bug. She and Alastor have a bumpy first introduction becuz of her dog hybrid side, but eventually, they worked it out in a weird, chaotic coworker/roommate relationship. More on that on her redesign post soon. She also has a brand of Alastor’s ownership over her on her apron. She doesn't have much on her appearance but her personality and chaotic mindset makes up for it :3 She's the same crazy lil lady, but with some common sense and sort of old lady behavior from her.

With Alastor, I changed his hair from my redesign, but I think I'm still going to change it with every drawing I do, so it's not permanent. He also has a brand, just not visible, unlike Husk and Niffty. This isn't from his choice of wanting to hide that he's owned but from his owner that nothing should be given away from his disappearance to not ruin his mission. However, there's still that hidden joke that every time Alastor walks, he will feel that brand on his hoof so that no matter where he goes, he is reminded of where he stands. He doesn't look gray here like in his redesign due to the lighting, but I like to say that it will probably change to another headcannon. For instance, depending on how 'human' he feels at the moment, his features and skin color will change. When he's not all powered up and feels at peace, he's more soft and human looking despite his reputation and animal characteristics. But when's he's powered up or is threatened, then his 'humanity' is zapped away, turning his look more demonic/inhuman/alien. I'm still playing with this headcannon, so I may scrap or add on to this.

That's all I have to say for this piece other than I'm proud of the coloring and how soft this looks :D

Here's the process that I could find:

This is from the old sketch. I also had it colored it out and in process of shading but it got eaten by the app so yeah :')

Here is the final process! I changed the positions, the wings and tail, and redid Niffty's design.

[burnwater13]

A sketch of Din Djarin in Mandalorian armor prior to getting the Mudhorn Clan sigil. Pencil on off white paper. Caption reads: What's going on? I thought you needed help? Imaged inspired by The Mandalorian, Season 1, Episode 3, The Sin.

It became apparent, as soon as the Din Djarin rocketed into Grogu’s room in the cabin, that his dad had thought his request for help was because some sort of dire, planet shattering catastrophe was about to befall them and only a Mandalorian could be of assistance. He was brandishing his side arm and already had the strange shield the Armorer had added to his vambrace activated. The wild look his dad gave the room, Grogu, and the couple of stuffed critters Grogu kept on his hammock convinced Grogu that he needed to save his Gal Basic for true emergencies. Uff.

“What’s going on? I thought you needed help?” 

Din Djarin sounded so disappointed that Grogu felt even worse. But he was a Jedi studying to be a Mandalorian bounty hunter. He could do this. 

Grogu chirped and began to use the sign language they’d learned from the Sand people to describe the help he needed from his dad. Slowly, but surely, the Mandalorian began to relax. The shield was de-activated and the blaster was returned to its holster. His dad also relaxed his stance and crossed his arms at his chest level. Grogu was now talking to his dad about routine matters like when could they watch the latest episode of Diggle and Daggle, the Fish that fish. It had been a musical episode and Grogu had learned all the songs, much to his dad’s eventual regret.

“Okay. Let me see if I’ve got this right. You want to go to Ordo or Tatooine, so you can talk to Fennec and Fett or talk to Lacc Straso or Seb Ta’low about someone called the Brethren, because IG-11-M didn’t have enough information?”

Grogu nodded his head. His dad had managed to understand that better than when Grogu spoke to him in Gal Basic. 

“Buddy, we just got back from Tatooine. I get wanting to talk to Seb Ta’low. I’ve got a feeling like I’ve met him before, but I can’t figure out when that could have happened. But what makes you so sure he knows anything about the Brethren? We could go to Ossus and talk to Luke about other cults that use the Force.”

His dad had a point. They both knew where Ossus was. Luke was still there, if he wasn’t actively looking for students since Grogu had returned to his dad. Jedi Seb could be any where. Maybe he was on Tatooine still waiting for his daughter to show up or spending time with his son. Or maybe he had taken the YT-1300 light freighter on a trip to collect beskar armor? If he’d done that he could be anywhere. Dank Farrik.

Grogu must have made a face at the mention of Luke’s name. His dad had sighed a bit impatiently.

“Buddy, I get it. You might feel kind of embarrassed going back to Ossus to ask Luke for help after skipping out of Sleep Away camp early, but someone day you’ll have to talk to him. He saved you from Gideon’s battle droids. He saved all of us. I couldn’t have done that without him. None of us could.”

Grogu nodded his head and sighed his own sigh. He really liked Luke. If Grogu had been a Jedi Master he would have gladly taken the young human on as his padawan. But that was part of the problem. Luke thought he was the master and that Grogu was a little kid who didn’t know anything about the Force. Luke just didn’t understand what things had been like anywhere other than Tatooine and Tatooine had really been an almost invisible planet as far as the Empire had been concerned. Which was strange, all things considered.

“I’m sure he’s forgotten about you going with R2-D2 to get chicken nuggets on the Wheel. And he’s probably forgotten the time you and R2 tricked him into collecting all those frogs… and the time you hid all the ration packs so he would have to find something else to eat. Heh. You sound a lot like me as a kid. I didn’t have a droid, but my best friend and I used to get into all sorts of trouble at the market, sneaking fruit. I’ve always thought that’s why I ended up becoming a bounty hunter. I always liked figuring out how to get what I wanted without anyone else knowing. Hmmm.”

Grogu waited for his dad to continue with something like bated breath. Now the Mandalorian was acting all thoughtful. Was he going to tell Grogu a story about sneaking out in the middle of the night to meet his friends and go fruit picking at the ‘nearby’ orchard that had actually been twenty klicks away? Yes, he’d already heard that story, but it was a good story and it made it much easier for Grogu to imagine his dad being a mischievous young boy at one point in time, instead of being an inscrutable Mandalorian bounty hunter from the moment of his birth. 

“You know what Buddy? I think we should go to Corellia. I have an old friend I haven’t seen for a while and they might just know something about the Brethren. At any rate, when we’re there we can stop at this noodle place near the planet side landing zone. They serve the best noodles there. I think you’ll like it.”

Well. Imagine that. Grogu and his dad were going on an adventure and it wasn’t quite what he’d planned, but it was possible that it was a better plan. After all, it included food! Yippee!

[artsyspinch]

Four years ago, I drew my first ever finished digital art piece, using a Huion 420 tablet off of Amazon, and Krita. I was so proud of it, I showed it off to my friends and family on instagram, and I didn’t think I could get any better than this. Fast forward to the next year, and I drew it again, just to see how much better I could make it.

This time I used a Wacom tablet with Krita. It was one of the cheaper ones, but still an upgrade. I was even more proud of this one, but I wasn’t really that happy with it. I didn’t like how Papyrus turned out, and it seemed so awkwardly spaced and posed. I knew I still had more to learn, and I rushed it, since I didn’t think I could do any better. I then decided to redraw it again the next year.

This time I used Ibis Paint X and a small stylus on my phone. I was ecstatic with how this came out. I thought this was the absolute best I could ever do, but I still had little nitpicks about it. Again, I struggled a lot with drawing Papyrus, but this time I was also unhappy with the colors and shading, and how Sans was drawn (I have no idea why I made him thicc). But again, I redrew it the next year.

This one was a huge confidence booster for me. I had just gotten a brand new laptop from my parents: A Lenovo Yoga, with a Wacom bamboo ink stylus. It was the best gift I ever received, but on top of that, they got me Clip Studio Paint PRO. So I was ready to make some good ass art. This time I sketched everything out on paper, then finished it in CSP. I even attempted a background, which didn’t come out too bad. Papyrus doesn’t look horribly off model, and the poses and composition overall was just better. I used a clean sketch for the lineart, since that was a big struggle with my previous versions, and I used colors other than black and white for shading. After I made this, I felt like I didn’t need to continue redrawing it, because I thought I was at my peak.

I redrew it this year.

I used my Lenovo Yoga, but this time I had a Wacom bamboo plus, and Clip Studio Paint EX. I added more characters, and took a little bit more inspiration from the original, but I mostly wanted it to feel more alive. I finally perfected how I draw Papyrus, and Toriel, Asgore, and Frisk aren’t statues anymore. I showed off what I’ve learned about lighting and shading, did actually clean lineart, and I even did a full background! I’m so proud of this, and so happy with how far I’ve come as an artist, and I can’t wait to see what my future self draws next year.