Lol so the owner of the company that I currently work for called me out I think today
Like he said that there are some people on the call that haven't made one sale yet in the 4 months that they have been with the company
And that's fine that he said that but then he went on to say that those people automatically failed and will NOT succeed in this company
And like sure, I guess I messed up for the past 5 months not selling anything and just hiding away in my room
But I am destined for success.
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The idea that only Ulmo or Nienna care about Middle-earth and do anything to help Eruhini is a strange misconception because Tolkien pretty clearly shows that at least Manwë is watching very closely what's going on and sometimes even interferes? It's just that the Valar mostly seem to work through the elements they represent, which if you think about it is pretty neat.
Like there are various instances where the wind acts up suddenly, causing storms or rising in just the right moment (as in ROTK, clearing the air for the Rohirrim and speeding Aragorn's journey as he sails for Minas Tirith)
And even more obviously, the Eagles. Tolkien specifically says that the Eagles are Manwë's advocates in Middle-earth, providing miraculous aid when all else fails. Without the Eagles, Beren and Lúthien's quest would have failed and Huor would not have got to Gondolin (which then would have prevented Eärendil's success or even meant he was never born). They give crucial aid to Gandalf more than once. The Eagles also help Fingon to save Maedhros, because Manwë "would not wholly abandon the Noldor". Tolkien recognises that the Eagles are "deus ex machina", and in this case, the meaning is quite literal.
Then there are the Istari, envoys of the Valar: while there is proof of only Gandalf's success, even just the efforts of one of the Wizards was enough to bring down Sauron.
As for Ulmo, you could argue that he is responsible for the whole Eärendil and Elwing arc - and that it was a job between him and Manwë. It's Manwë's Eagles that bring Huor to Gondolin, and Ulmo later sends Huor's son Tuor into the hidden city. Tuor and Eärendil both get sea-longing in their hearts. During the flight of the survivors of Gondolin, Eagles are again present and bring up the body of Glorfindel, making you wonder whether they would have interfered more in the Balrog fight if Glorfindel had not stepped up to protect the refugees - and Eärendil, the fated saviour of Middle-earth. Also, Ulmo rescues Elwing when she casts herself into the sea, turning her into a bird so that she can fly to find Eärendil. Water and air and birds keep showing up in the stories of Eärendil and Elwing and if that's not proof of Manwë and Ulmo's plotting, I don't know what is. I mean, it's even said in the first pages of the Silmarillion that they are fast friends and closely allied from the beginning! Eärendil becoming a star also in a weird way even combines the elements of Ulmo, Manwë, and Varda: bearing the Silmaril, Eärendil sails an immortal ship in the sea of heaven and stars, forever as a sign of hope to the Children of Ilúvatar.
What about the other Valar? If we keep in mind that they chiefly work through the elements they represent, their abilities to interfere are limited (and this is a self-imposed limitation clearly). Yavanna's creation of the Ents proves to be a pretty great one in The Two Towers, although you can argue to what degree she is influencing the events. More obviously In Shelob's lair, Sam calls for Varda, and the light of the phial of Galadriel comes alive in his hand and smites the great spider, helping Sam to defeat the monster. Also, during Sam and Frodo's desperate march through the hellscape that is Mordor, Sam yearns for a little bit of light and water to hearten him - and lo and behold, he gets these exact things as if Varda and Ulmo personally delivered.
In other words, the Valar are a lot more active in Middle-earth than they get credit for, and they work in subtle and indirect ways because only then can they make sure they don't accidentally kill a lot of the Children.
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Yahoo! Scarabia into the spider-verse concept! That was way too difficult to design, idk why I got stuck on it for so long. I wanna make a comic cover piece with these two soon. I'm in my atsv era.
And UHH apparently Earth 912 is already officially taken by marvel comics but. Let's pretend Earth (0) 912 is different, idk 💀 I just took Kalim and Jamil's birth dates for their universe numbers lol
Anyone who might want to use these designs to make your own art, feel free to do so, no need to ask for permission! as long as there's credit somewhere kwndiwbfjebfj (I consider this the same I'm doing with the MH AU, I don't really own this universe idea or anything, just the designs and hcs I make up for it according to what I personally imagine of these AUs to be 👍👍)
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I think the thing about “John Wick is a blank slate protagonist as long as you separate him from his Keanu Reeves-ness, which is his one source of characterization,” is that you can’t separate him from Keanu Reeves. Maybe even more so than standard for the medium (where the performance is always as, if not more, important to the character than what’s “on the page"). This is a character precision crafted to be The ideal Keanu Reeves vehicle. Made in a lab to play to all of Keanu’s strengths. Which mostly lie in nonverbal acting, and include “guy who is stiff and socially awkward and doesn’t say much, but radiates some sort of wisdom/melancholy/unspoken complexity;” “guy who combines strength with delicateness;” and “guy who is fed up with this and would really really really like to go home now.”
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sonic as a distorted mirror of maria. someone who has so much love for the world they live in (that twists and turns bitter as they're taken away from it). someone who will do what they deem right regardless of what others think (whether what they're doing is the right thing in the end). someone who protects those they love at any price (be the cost their own life, the life of someone else, the Order of things). bravery (to the point of foolishness), care (to the point of destruction), naivety (that gains notes of cynicism as they mature), sincerity (that turns into lies meant to spare those around them from a truth that hurts).
now enter shadow, who grew up observing the slow distortion of someone dressed in blue. who notices familiar patterns in this friend he's made.
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