#or at least watch some cutscenes

[ishgard]

smash or pass + misija

CONFESSION I never did anything in Bozja past like some very initial stuff I think? idr oops. But because I don't really do much to shield myself from spoilers I do have a very vague understanding of Misija... and I mean... just looking at her. It's very hard to say pass here. 😂

Alas canonically Ahru would probably pass but in my head there's a very canon-divergent possibility of a smash.

[humming-fly]

I love how Gerald was trying to keep Shadow from spoiling anything about the future meanwhile literally everything Shadow says and does around Maria is the biggest death flag ever

[dawnthefluffyduck]

Crazy issues that come up when a character is written a little too well

[blue-eli]

Ink October day 3: Sophistry

An argument that seems plausible, but is fallacious or misleading, especially one devised deliberately to be so.

[thetwilightroadtonightfall]

we have more than enough characters for a kh fighting game. It doesn’t even have to be canon, I just want to choose violence and see all the cool abilities each individual character can have

[chai-dye]

*touches screen dramatically* v5 is almost here...

[b4kuch1n]

Your swsh art always makes me want to replay the game because i love it and its my favorite pokemon game and every time i play another pokemon game i think of it how i miss certain elements from swsh. Then i boot up the game and im once again caught in the 1 hour 40 minutes hand held intro and im like ah- now i remember why i have been playing other pokemon games instead of this one. Happy (late?) birthday!

you don't want to listen to hop? you don't want to hear him teach you about type matchups? you don't wanna let him cheer u on...? 🥺 waa....?

[heloflor]

Minor spoilers for a cutscene in Mario + Rabbids DLC The Last Spark Hunter :

Obsessed with the way Peach is looking at Bowser here. IT’S SO SOFT ! SHE KNOWS UNDERNEATH ALL THE RAGE AND STUBBORNNESS IS A SOFTIE WHO JUST WANTS TO BE LOVED !

No but seriously, this is probably one of the softest gazes Peach has ever given to anyone, and the fact that it’s for Bowser of all people makes it both adorable and hilarious. Either Peach is literally the kindest most forgiving soul out there, or Bowser really isn’t as bad with her as he pretends to be despite his despicable actions. Or both.

(Footage link)

[waywardsalt]

how much does sonia matter to the story of totk

sonia... is certainly a character in totk, but right now i want to take a look at her appearances within the story and see just how much of an effect she actually has on the narrative of this game. i will only be looking at memories and actual story beats, things such as those floating tablets (idk what they're called i never bothered with them) will be omitted because they are entirely optional content and have nothing to do with the actual story, i'm only considering the memories and present events that most players intending to experience the full base story will see. (i'm not even sure if the floating tablets have anything story-relevant in them, anyways, from what ive seen its just world-building and little character moments.)

it's worth noting that i do like sonia, and i don't particularly think she's a bad character; i enjoyed her, but it's questionable just how relevant as a character she is to the story. i also have a generally negative opinion of totk and its story, so that might alter the way i think about this game and it's story. feel free to take what i say here with a grain or two of salt.

spoilers for a fair bit of totk ig

(post is extremely long yknow how it is 2,581 words under the cut)

sonia is definitely present for the story in the past; she is a comforting presence for zelda and a supporter of rauru. she has power over time (recall, i suppose), and is the queen of the hyrule that rauru has founded, and was formerly a priestess before meeting rauru.

before really starting, i want to bring up that the first time the public got to see sonia was in the 3rd trailer; specifically it is where memory 6 is edited, specifically making it appear that sonia, with her hand outstretched and glowing, is the one therefore shooting the beam of light in the very next cut. in reality, in the actual scene, rauru is the one shooting that beam, but i want to keep this specific edit made in the final trailer in mind, since i want to talk a little bit more about sonia's presence in the story in general at the end, because, again, i personally like her, and am admittedly frustrated with how the game and its story ends up using her.

i consider a character to matter to a story when they do something that impacts or helps move it along. for example, despite being very non-characters, i would consider the old sages to be important as they provide exposition directly to link and the new sage as well as bestow upon them their blessing and their secret stone. they have some kind of effect on the story and other characters and carry out a specific role. if you erased the old sages, you would be missing characters that provide more information to the new sages and properly mark them as their successors in the present. even though they aren't really fleshed out in any sort of way, the old sages play an important role in the central plot of the story. the story needed them to play their specific role in order for the game to progress and for the narrative to continue as intended. they do something to shape the path that the narrative takes, they have an effect.

sonia is a character who technically only ever appears in the memories. i'm completely ignoring her appearing after the final boss simply because she has no dialogue at all and its really nebulous what she and rauru even do. worth noting that she is not alone in that scene; rauru is present with her.

sonia is introduced in memory 3 and then is killed in memory 9, i'm also ignoring her, uh, cadaver in memory 10 for obvious reasons. sonia is therefore active in the world of the past for 7 memories out of the total 15 that take place in the past. sonia is alive for less than half of the memories. furthermore, of those 7, sonia only actually appears in 6 of them, memories 3, 4, 6, 7, 8, and 9, and has dialogue in memories 3, 4, 8, and 9, barely over a fourth of those memories.

noting when she appears and when she speaks is important, since because of the fragmented nature of the past memories, character dialogue is very important in knowing what they do and what information they impart. sonia has a purpose in the memories where she doesn't speak, but i'll get to those after looking at the ones where she does speak.

what sonia does in memory 3: she is the first to approach zelda and her touch is what wakes zelda up. sonia is much gentler with zelda, giving her her name and reassuring her that she is safe.

what sonia does in memory 4: she's mentioned by rauru to have a secret stone and likely used as the example of a secret stone holder due to her own time powers. sonia is the one who says that zelda has both light and time powers, and also says that she can also somehow tell that she and zelda and blood related. sonia nudges rauru for (i think) being a bit cold, and is once again the one to comfort zelda and provides her with a place in the past. she is gentle and patient with zelda.

what sonia does in memory 6: she has no dialogue, but is present to... i'm not sure what she and zelda do here, but i'll say that sonia is supporting rauru's magic with her own. she prompts zelda to join her, and reacts to zelda's magic, telling us that zelda is unusually powerful by comparison.

what sonia does in memory 7: she does absolutely nothing other than be specifically noted by ganondorf for having a secret stone as well as being a hylian woman that rauru took as his wife, and smiles comfortingly at zelda.

what sonia does in memory 8: she recalls a cup that zelda knocks over (the only the we see her use time powers), inquires about zelda's well-being, gives an explanation on how zelda could learn to use her time powers (as well as this being somewhat of an explanation of how recall generally works?), shes comforting again and brings up zelda's light powers, and is the one to bring up link.

what sonia does in memory 9: before the memory, she agrees to meet with the fake zelda (knowing that it is truly not zelda) and clearly planned with the real zelda to confront it. she is the one to point out that the fake zelda is... fake, and controlled by ganondorf, and then is killed after fake zelda disappears.

sonia, from then on, is not present in any future memories, and only ever makes an appearance in the present at the very end with rauru.

so. how much does sonia matter to the story?

she definitely matters as a supporter of zelda and as the one to truly help her feel comfortable in the past and gives guidance about her powers. she's the queen of this ancient hyrule and rauru's wife and a holder of a secret stone. these have relevancy to the narrative, but they don't mean anything in the long run unless they actually effect the plot. she supports zelda, but it doesn't really change anything major, just helps her feel comfortable until things come crashing down again. she helps zelda harness her time powers, which we really only see zelda use against ganondorf and presumably to collect the master sword (and considering that her time powers never show up again, i guess zelda transfers them to link), but zelda is already shown to have great power from the start, and we never actually see zelda training or even struggling to use those powers, she just talks about not quite understanding them, and the first time she uses them she clearly has great control.

sonia conveys the information that zelda has time and light powers, and that zelda is related to sonia and rauru, both of which are fairly important, but sonia saying zelda has these powers merely spells it out for us, it doesn't affect anything about those powers, and zelda being related to sonia and rauru does nothing except explain the origins of her powers. she brings up link in front of rauru, but rauru could've easily learned about link any other way, most notably from zelda herself, so sonia bringing this up just changes when rauru learns about link.

through memory 6 we learn that zelda is, in fact, especially powerful specifically because she is being compared to sonia, who expresses surprise, though, again, this changes nothing, it merely brings attention to something already present.

sonia is suggested to have caught on to the fake zelda's ploy and we can assume that she had a hand in setting up the 'trap' that she and zelda spring on it. she implies that she, while knowing, agreed to meet with it and set this trap with zelda. after fake zelda disappears, she is then killed and removed from the story, though her death motivates zelda and rauru and marks the shift from a tense peace to outright war with ganondorf, and her death is what allows ganondorf to get his hands on a secret stone.

in a sense, sonia does matter to the story. she conveys information for the player and for other characters' benefits, she is an important person in the world of the past, and her death is a major turning point. but... at the same time, sonia does not really matter to the story.

she conveys information that doesn't really change the course of the story. her biggest decided-upon action was done off screen and with supposed help from zelda (and perhaps even rauru) and the biggest impact she makes, the one thing concerning her that actually causes things to move along or change in the course of the story, is her death. a character's death doesnt necessarily mean that from then on they are no longer important to the story, but with sonia, she is completely out of the picture. she motivates zelda and rauru, yes, but that's not exactly the same as mattering to the story. either way, if ganondorf declares war after stealing a secret stone, zelda and rauru are going to fight back with the sages.

sonia's death matters to the story. sonia herself does not matter to the story.

sonia doesn't do anything. she talks, conveys information, comforts zelda and gives her little pointers, but not once do we see her do anything that matters in the greater narrative. nothing she does in the past has any relevancy to the gameplay the players experience, or the side of the story that concerns link. she doesn't play a role that further aids our protagonists asides from maybe helping zelda learn to use her time powers. any information she conveys could have been learned through other means, or otherwise wasn't actually important to the events of the plot.

the most we really see her do is lure out fake zelda, but even then, zelda is the one to actually act in retaliation of the attack, and the most sonia does in that one scene, aside from convey more information, is die. and it's the only thing she does that actually causes a development in the plot or matters in general.

in addition to this, sonia does not do anything alone. she is always related to another character: she comforts zelda, she's rauru's wife and queen, ganondorf kills her, she and zelda corner fake zelda, she supports zelda and rauru. nothing she does she does on her own, there is always another character involved, she plays an extremely supportive role and does absolutely nothing outside of that. she exists to give the players information, she exists to support and motivate zelda and rauru, she exists as a character for ganondorf to kill to prove his evil and steal a secret stone. she is not an independent character within totk's story. she doesn't matter to the story as a character because she is barely even considered an independent character within that story.

when we see her at the end, the one time she is relevant to the present, she appears with rauru.

you could remove sonia from the story and swap her out with just having her secret stone hanging around the castle somewhere and the major events of the story would not change. sonia being the queen and rauru's wife only matters because then her death can motivate rauru, and by extension, the kingdom. sonia being so tender with zelda only matters because then her death motivates zelda. sonia having time powers and being related to zelda only matters to explain why zelda has time powers at all. these qualities do not matter outside of these characters that she is always shown with. the only thing about sonia that matters to the narrative is her death.

and. i don't dislike sonia! i like her! i think she's a good character, she has a personality and manages to be likeable even though she is always attached to a separate character! but she has no effect on the present and doesn't do anything that is relevant to any plot points. and it's so frustrating to see!

she's a major character in the past, and yet is hardly important, has four scenes total where she speaks, and dying is the most important thing we ever see her do. the only effect she has on the present is that the secret stone that ganondorf has was stolen directly from her.

it's just... frustrating to see yet another female character exist mostly just to die and motivate other characters, to see a major female character's only defining traits be that she is kind and nurturing and motherly and you never see anything beyond that.

and i come back to the game's third trailer.

just with the fact that sonia is shoved in a corner and is yet another female character that does not exist independent of others in this story, that we see her use her unique power exactly once to rewind a teacup, that's enough to frustrate me. sonia could've been a much more important and impactful character, but the most important thing concerning her is her death, and not even in a 'haunts the narrative' kind of way- she dies, motivates others, and is never brought up again.

and yet, in the third trailer of the game, memory 6 is cut up and presented in such a way that implies this at-the-time mystery female character had shot that beam of light, and that she would therefore be a powerful character. nothing is done without a reason in fiction, and this applies to game trailers.

i just don't understand why sonia was framed in such a deceitful way in that trailer. i can understand misdirection for the sake of avoiding spoilers, but... when it comes to characters like sonia, who in reality have very little impact on the narrative in this way, it just feels... almost a little devious, and it's so frustrating to watch that part of the trailer that teased a powerful female character (not a new concept for the zelda series, either!!!) and then, when the game rolls around, all of a sudden not only is she not the one with that power, but she is merely supporting the male character with that power.

there's absolutely a whole thing that can be said about female versus male characters in media and video games just with contrasting that part of the third trailer versus the actual in-game scene.

and i just can't help but feel bad for sonia after all of this, a character who could've been an important figure in totk's narrative, who just ended up being a character defined by the moment they stop being relevant.

so... yeah. sonia doesn't really matter to the story of totk, and it's in a really frustrating way. though i have a generally negative and almost spiteful attitude towards totk, none of that spite or anger is directed at sonia- i really wish she had a better role in the story, and i think she honestly deserves it and i don't think anyone is at fault for being fooling into thinking she would be this important and powerful figure. there's serious potential just with the pieces the story does give us! it's just all squandered to make her exist for the sake of other characters.

this might've gotten a bit off-track from that i wanted to say at the start, but... unfortunately, sonia as a character doesn't really matter to the story of totk, and i really wish that she did.

[maplefield]

honestly, that fact that they essentially found a pendrive and just plucked it into a supercomputer.......

[cryptidcola]

Final Fantasy peeps… what would be a good starting point for someone who doesn’t have enough free time to play through every game in the series? Will I understand what’s going on if I start with the remake they dropped a few years ago?

[babygray]

Playing... Well, mostly watching the cutscenes in Like a Dragon the last couple of days. I'm currently at the start of chapter 4.

The story is really pulling me in. Ichiban is unknowingly in the middle of a dark conspiracy and I'm into it. I don't think he's a dummy; the first chapter established him as a pretty insightful person (when it comes to people), so hopefully that insightfulness will help him figure out what's going on with his old boss and that bill in his pocket. (And how it's mostly likely related to the new police station where the Don Quijote used to be and the Bleach Japan people.)

(I don't miss the Don Q... except that I kinda do. Especially now it's been replaced with a hog farm.)

(Yes, I did think Bleach Japan was a Shonen Jump reference of some kind.)

Also: Can I tell you about how much I love Adachi? He gives off friendly, kind papa bear vibes. I want his jacket.

Also also: Can I tell you about how much I love Nanba? His constant grumpy complaining and negativity followed by grumpy agreement is cute.

Also also also: Can I tell you about how much I love Sawashiro??? Something about the tough, perpetually annoyed captain is adorable.

Also also also also: Shall I tell you about how I plan to propose to Hamako???!!! Snarky attitude and black fingernails? She's intimidating and I love her.

[skythealmighty]

can you imagine if like. object show characters were active on tumblr . i mean fans on here but his account is dead so. i mean itd be fun

#rocket talk #roc save #Fan come Back we miss you

(0 notes)

💥 fans-fantastic-features Follow

OH MY GOD NEW TPOT EPIWODHWND IM GONNA GO INSANE ONE!!! TELL ME YOUR SECRETS ONE!!!!!!

1️⃣ theoneandonly Follow

:)

💥 fans-fantastic-features Follow

HELLO??

#oh my god HI . THIS IS LIKE IF A CELEBRITY CAME UP TO ME IN PUBLIC. #ARE THE OTHER ALGEBRALIENS ON TUMBLR??? #/WHAT/

(3 notes)

🧪 test-tubular Follow

My best friend is pacing around my lab. I think a new episode's come out on one of his shows...

#I love him (/p) but he's going to become an unskippable cutscene very quickly

(0 notes)

⛔ nowaynuhuh Follow

i love shrimpy but it feels like he rlly doesnt ... get what i mean you know 😔 at least hes trying to cheer me up? i just wish i had someone to really talk to when it comes to these weird things i keep seeing

💼 emotional-baggage Follow

hey, i completely understand how you feel! im going to be busy the next few days with a finale, but ive sent you a dm if you need someone to talk to ^-^

⛔ nowaynuhuh Follow

thanks, ill take you up on that later!

⛔ nowayhuhuh Follow

...suitcase?

#i dont think shes been online since that last post #i hope shes alright...

(5 notes)

💰 goforthegold Follow

Reblogging this every time I miss my co-hosts!

💰 goforthegold Follow

:(

💰 goforthegold Follow

:(

💰 goforthegold Follow

:(

💰 goforthegold Follow

:(

🎮 iamnotmrkrabs Follow

Are you Okay

💰 goforthegold Follow

Take a wild guess.

(512 notes)

🥈 5centwonder Follow

why do people keep messaging me about hotel things?? i barely even go in two's hotel!

🥈 5centwonder Follow

yowie, you all need a hug :(!!

#especially you baseball guy!!! #im giving everyone in the comments a nice warm soft cookie

(19 notes)

🆚️ wordswithfriends Follow

Reblog if you think Flower winning BFB was a good choice, you like cheesecake, you hate Steve Cobs, you think Platinum is annoying, you're a fan of Dr. Fizz, you watch Jasonville TV, you think Glowstick's elimination was deserved, or you're gay

#they'll never know which one #i'm gay

(3,724 notes)

🔌 electricalmusical Follow

WHY IS THERE INTERNET IN RJE AFTERLIFE HELLO

👑 kingofeverything Follow

OMG NO WAY

🎡 not-tally-hall Follow

GET OFF OF TUMBLR.

🔌 electricalmusical Follow

YOU HAVE??? A TUMBRL???????

🎡 not-tally-hall Follow

...no.

👑 kingofeverything Follow

reblog if u dont have a tumblr

🎡 not-tally-hall Follow

This is stupid.

(10,734 notes)

🍿 stevecobseviltwin Follow

imagine needing to be Consistent to be popular

🖍 magic-crayons Follow

You know it girl!!!

🍿 stevecobseviltwin Follow

AYYYEEEE

#idk who u are but we should hang out Now

(3 notes)

🟢 greenyguy Follow

🅱️alls

(42,853 notes)

🎒 liam-plecak Follow

Oh my god I finally got this thing to connect to the internet. Okay.

Hello, Tumblr, my name is Liam Plecak. I'm sorry for the tag spam, but this is an urgent enough matter that I think warrants it.

For the past year and a half, I've been trapped in another universe with little-to-no communication to anyone else. I've been reading a few posts here and there, and I think some of you might be able to help with freeing me and my friends (I think some of you have powers?). Below is an in-depth description of where I am, what happened, and who did this to me. Please, if you can help, send me an ask.

Keep reading

💥 fans-fantastic-features Follow

oh my god? liam from hfjone is fucking real????

🎒 liam-plecak Follow

I'm sorry what

[classicjdog]

13 sentinels is absolutely positively batshit fucking insane

just finished the game last night and WOW is it fucking good

[livingsurreal]

More thoughts and theories about our favorite Necromancer

My darlings, I have too many thoughts and my obsession is running wild. (How I missed you, hyperfocus). If you have read my last meta post about our Emmrich, here it is: First Meta Post

That is not a required read however. I am still wondering why anyone is reading my word vomit U_U

Anyway, I love reading other peoples theories, so please, send me yours. <3 And a lot of thanks and love for all you darlings who make this fandom such a beautiful and nice place. Especially to @jaal-ama-daravv - who makes the most beautiful videos, and writes such wonderful character studies.

Warning, from here on there will be spoilers as well as mentions of sex. If you don't want to read about any of that, do not read the rest.

Also pictures and way too many words. This is a ten page word document, save yourself while you can. I tend to go off on a tangent once I start writing. I am also well aware that not everyone will agree. This is just my personal read on Emmrich.

Now, after my first essay I have some more thoughts on Emmrich and Rook and specifically their intimate relationship.

Emmrich is such an interesting and baffling contradiction. On the one hand he is confident, self-assured, all manners and poise. He is smart, and he knows it. He has special gifts, and he knows it.  He is confident without being proud. He likes to teach others without being arrogant. He still likes to learn about new things and is, as far as I’ve seen, never judgmental about different beliefs and ways of life. (Unless someone treats him with disdain or bully him)

He is a man who is confident speaking of his thoughts and feelings and fears. How he just casually drops his thanatophobia is just astonishing. He is honest and open-minded in the best ways.

And then there is the other side of him. The wet kitten side of him. As open and honest as he is about his emotions, when we get to the meat of it, to the scary bit, the real feely bit, he locks up completely. As long as it is surface level (or he can pretend its surface level), everything is up for discussion. But once we reach deeper and touch *love* he gets so scared and refuses to admit and commit to his feelings. And as much *death* scares him, love scares him more.

So how does that influence his intimate relationship with Rook?

According to the banter with Lace “everyone knows about it”. He was rather surprised by that.

That tells us two things:

They were trying to be sneaky or at least keep their private business private.

They failed, massively.

Add to that Laces comment about them moving rather fast (when, where? I would have loved to have seen that. Comments like that just give me the feeling that we should have had some more cutscenes after the dinner date, to show us those two besotted fools).

But back to them moving rather fast. I would guess that they both did a lot of gazing lovingly at each other, blushing, spacing out while watching their darling, stollen kisses in the hallway when they thought no one was watching, stuff like that. Just being to besotted fools.

But moving fast usually includes sex. Lots of needy, sweaty sex. The inability to keep their hands of each other.

That moves us to the question of the day – did they have sex before their coffin time?

Let’s look at what we know about Emmrich. Emmrich is no virgin. That man has experience. He had past lovers. But what he tells us at that sweet diner date – “nothing serious for years.” We know not much else besides his crush on a boy in his youth and his fling with the Orlesian Art Lady. He is not someone to kiss and tell and that is appreciated. That man has class, and we love him for it.

So - nothing SERIOUS for years. If he hadn’t had ANY relationships in the past years, he would have said so. But what he says is that he did, in fact, have UNSERIOUS relationships in the last few years.

I would read that to be somewhere along the “fwb, lovers, affairs, paramours, companions, a fling, a little romance” line. Something not purely, but mainly physically driven. Someone you like and respect, you can go out and have a good time with, have lots of amazing sex with (b/c he is a living being and has his needs). Spending time with people he liked, was sexually attracted too, but nothing as serious as love. A physical relationship. A little thrill, some fluttering, but never that deep.

Not to say that those situationships would not have been romantic. He is (buried under all that resignation) a deeply romantic man. I am pretty sure he went on nice romantic dates with his previous paramours too. That this is something he just enjoys too much. Treating a companion with some quality time, not just in, but also out of the bedroom.

But after he’d given up on his dreams, he did not have any notion of those flings being more than a “enjoy the moment”. There was never the expectation of deeper feelings, beyond friendship, attraction and/or respect. All those romantic gestures were nothing more than a little bit of “play pretend”. To give himself the illusion of true romance, just for a little time.

Take the fact that you can go a “everything you do is creepy but I still flirt with you and I want you to throw me over that tombstone” and his comment on “the attraction of the forbidden”? This is not a relationship born of mutual respect and deeper feelings but out of purely physical attraction. And he is OK with that.

I want to repeat – Emmrich is very much okay with a casual, sexual affair. He does not require love to have a relationship with someone.

And then think about that Johanna calls Rook specifically his “paramour”. Which is a lover, especially an illicit one. This word was very specifically chosen by Johanna. For various reasons, I would think.

For one, I do believe that it is a dig at his dreams of the eternal flame. It’s a dig at him, that Rook is not his love, but his paramour. A lover for a time. To be parted from soon enough. B/c that silly dream of his, as if it ever would become reality.

Second, I think it is a comment on the way his relationships often went, especially in the past years. Those unserious flings of his. Never to amount to anything substantial.

Did he try to have something serious in the past? Oh yes, for sure. But it never worked out. Then he gave up his dream and just let himself have a good time with people he found to be nice and attractive.

To pick up my point of self-sabotage from my last meta post – I’ve come to a point where I believe Emmrich is a kind of chaser. I know someone like that and it’s so fucking tragic.

Emmrich feels deeply and strongly. When he falls in love with someone it’s a lot of emotion. But at that point it’s all dream, want, wish. As soon as someone returns these feelings - those dreams, wants and wishes become reality. And reality is scary. In this wishful dream about the eternal flame, there is no fear. No fights. No loss. But that is not reality. As soon as it becomes reality, he gets scared. Before, his feelings were no threat, because you can’t lose what you don’t have. Once those feelings are returned, there is a clear possibility of losing, of being lost, of being left behind.

Emmrich is not a chaser because he enjoys the hunt. He is a chaser because being loved by someone is scary. So damn scary. So, he starts to pick fights and is looking for excuses. From being the chaser, he becomes the chased. He is hunted by his fears, and his fight or flight instincts go all flight.

After years of this cycle he gives up. Resigns himself to flings and little romances without even thinking of more. Or so he thinks. Dreams like that don’t die, they just get buried.

And I’d think that there was not many, even of those short term flings, lately. His life revolves around work and Manfred.

Now remember he comments on Rook “showing unexpected interest in a new companion”.

First of all – unexpected.

They are a daring adventurer. He thinks of himself clearly as the more boring one, compared to Rook. He never expected any of those flirts. But he is clearly flattered.

Second – companion.

That was such a weird way of saying “hey do you like me?”. This whole “companion” thing does not scream “I have FEELZ for you/you have FEELZ for me” but rather, “I think you might want to spend some quality time with me”.

The possible answers - dashing good looks, kindness, his way of words.

He feels he is fortunate if Rook thinks him good looking. Hallo, Mr. Professor, sir… Have you looked in the mirror lately? Consider that he is meticulously grooming himself, takes his exercises daily in the morning. That man does not like himself aging. I think it is a reminder of how his pending death is a step closer every day. But it shows, to him, that his efforts of taking care of himself are not in vain. Or maybe it shows him that his age does not matter. Rook finds him attractive despite (or because) of his physical age.

Rooks comment on his very charming way of putting things makes him hope his years behind the lectern have proved useful. Hey *years* behind the lectern. Again, this is a way of saying his age is NOT a problem but a benefit.

If Rook remarks his kindness, he answers “you humble me”. It’s the one answer that does not touch his age/experience/looks. It’s a remark on an innate character trait he possesses. Kindness. His whole demeanor in this option shows he is actually touched. And maybe a bit baffled. He did not expect this, at all. Its like he sees his kindness not as an attractive trait. Which he should. He is nice without TM and its sexy as hell.

The next part is his statement “If your attentions go beyond charming flattery… that would interest me, indeed”. This reads to me not necessarily as “do you have feelings for me” but as “do you just enjoy the flirting, or do you want to do more than flirting?”

And oh boy, does he want to do more than flirting. I want to repeat my earlier statement – this man has given up on love. But some little fling with an exiting young adventure who was constantly, awkwardly flirting with him? Hell, yeah.

(I want to remind you that we were able to have mutually enjoyed flirts with Dorian as fem!Inky. You can flirt with someone and still never want to fuck them. And you are also perfectly able to want more than flirting without having deeper feelings. Like sweet, dump Shepaloo said it so eloquently “Lets bang, okay?”)

Again, I want to pick up a point of my last post, that this is all surface level thoughts. I do believe that their emotional attraction and depth of feelings go deeper, from the start. But how often does it take quite a bit of time to realize one’s own feelings. Especially this wonderful, silly man whose modus operandi is running away.

Now, an interested Rook can answer in an open “lets see where this goes” way. Mirroring his rather open idea of a little romance, a fling, some quality time. Something that does not have to end in an eternal flame, but a simple enjoyment and exploration of the moment.

Rook can also reply with a “I think they do.” – What Rook actually says is “I think they already…”

And conveniently Rooks answer here is cut short by our sweet boy Manfred. They get cut short, no matter what answer you choose, but in this specific case, I am convinced this was very much on purpose. What would the whole sentence have been?

“I think they already go way beyond flattery.” (?!?) Something along those lines. But that goes into danger zone. WAY into danger zone.

If Rook had finished that sentence, at that point in their budding romance? It would have been over before is all started. Too much, too soon. Too much for him, period.

Now we have the hard lock – their sweet romantic moment in the Memorial Gardens. And he is smitten. He fell hook, line, and sinker for his own play pretend. Just a little romance, but that man is falling, fast. (Not that he would admit that to himself).

A beautiful date, all arranged by Emmrich, to spend time with Rook. Because a couple should have a quite moment to get to know each other. I mean there were menu cards with gilded edges, ffs. And, oh yes, they were “lets dig into the feelings”, he said couple. He is falling, falling, falling fast. But it still hasn’t hit him, how deep he has fallen for his darling Rook. Poor Emmrich.

Then a fight, where we really see the wet kitten side of him for the first time. A little wet, feral kitten, hissing at the hand that’s trying to feed it.

Emmrich is lashing out for no good reason (or no good reason for anyone but himself). There is no real confidence there but a desperate act of pretending. An iron (slipping) grip, trying to control himself and the narrative. Shoulders squared, back straight, an arrogant stance, raised chin, turned half-away from Rook, and a condescending way of talking to Rook.

Like I said in my last post – he is working his way up to breaking up with them. And he tells himself it’s like ripping off a bandaid. Be strong and confident and say what you have to say, and they will see the wisdom of that.

It’s only that, they don’t. Because there IS NO wisdom in what he is doing right now. They don’t take his bullshit but throw it back at him. They don’t accept his mock excuses.

Look at him here, how he looks down ON them. I can’t recall any other time he looks down on Rook, despite him being a tall king.

Especially the route where Rook throws it in his face that he DOES in fact love them. Speak what he can’t even think.

“I can’t… At my…”

“I can’t love you. At my age…” Why not? Does he not deserve love, just because he is a bit older? It’s just heartbreaking how he views himself.

And again, he lashes out.

“I am perfectly serious.” So is Rook.

“One of us has to pay attention to these things.” As if Rook is not paying attention. They got to the meat and bones of his problem in just a few seconds.

No matter what route you go here, the gist is the same. He is scared shitless, treats Rook like a child, and goes on how the is the only one thinking the important thoughts.

When Rook in reality way ahead of him. They thought about it and came to the conclusion that being with Emmrich is a really good idea.

Rook knew they were falling for someone older than them. (Even if that age difference is just a decade, with a mid-40s Rook.) They knew it, and still went with it. They are not a child who is too inexperienced and stupid to make decisions about their (love) life.

But now, here, at this moment? Emmrich treats them with disdain. Like a silly little person, who does not think things through. He holds himself above them. Physically and mentally. They are too young, he knows better.

And not once has he done that before. He always treated them as an equal. He follows them into the most dangerous situations ffs. He trusts them with his life in a fight against would-be gods.

All that fear and anger at himself that reaches a new high get redirected at Rook.

The next day they are off to Tearstone Island. That night must have been hell. For both of them. But its going to get much much worse.

In any case, Emmrich seems to have come to some conclusion or realization, because on that island? He apologizes.

They both did react very emotionally, but he came at Rook with superiority and, to a certain degree, dishonesty. All fueled by his fear. So that he is the one to take the first step and apologize to Rook instead of doubling down? An important step. As I said in my last post – he NEEDED to be called out. A sweet and nice counterargument would not have had the impact Rooks raw an honest emotion hat on him.

Emmrich “Rook? Darling? I wanted to say-“

Rook “Yeah, about that argument…”

Emmrich “(Sighs) It’s no time to apologize, is it?”

And here we have the most heartbreaking line, in hindsight. “We’ll talk back home, Emmrich. I promise.”

(Narrator: but they would, in fact, not talk about it back home. Because someone would not go home.)

One fight and weeks of horror later, they find themselves in a private crypt and finally they do more than share a kiss.

Now - to the point I originally wanted to explore with this post – is this in fact their first time? (I am sorry, but my brain is a circle and nothing makes sense)

Let’s look at what evidence we have from the cut-scene.

Rook did not know he is an early riser.

That leaves two possibilities:

They never had sex up until that point.

They did have sex, but never spent the night together.

Now what does that mean?

This depends a lot on your personal Rook and how they feel about sex in general. If Rook wants to wait, or is not ready, he will absolutely accept and respect that.

But for the sake of this analysis lets go with the idea that Rook is not opposed to sex at an earlier date.

They never slept with each other

Why? He clearly was not opposed to casual relationships in the past. What would hold him back now? Especially if you recall Laces comment about them moving fast. Why not jump into the bedroom?

Now my first crack theory is that they get interrupted, like every time. (Rook interrupted The Dread Wolf, and now he cursed them to always be interrupted when they want to have some private time)

But now, in all seriousness, maybe it’s just that part of him DOES realize that this goes beyond a very unserious relationship. That they both have deeper feelings, that spark of something greater, something beautiful.

So, he holds back. He does not give his all. He is charming, he is flirty, he takes Rook on dates. But it’s all very technical. Very performative. Yes, he is a very romantic man, yes he enjoys those moments. But there is always a feeling of control.

Those moments when you see him let go a bit (that kiss beneath the eternal lovers, “I think, sometimes you indulge me”), are so beautiful and you glimpse a bit of the man behind those walls.

He has a tell, you see. (I am telling you about it further down)

But generally, he feels very much in control of himself. And to lie with Rook? To go all the way? Too dangerous. Who knows what happens in that sweet moment after la petit mort? What secrets would his lips spill?

2. They slept together, but did not spent the night together.

They do have sex, but sleep alone in their own beds. Casual sex is fine, but to fall asleep in each other’s arms? Too much. Too real. Sex okay, but sleepy post coitus cuddly? Woah, slow down your horses.

So, they have sex, preferably in Rooks bed. First, does he even have a bed? Second, it’s way easier to leave Rooks bed after the act, than throwing them out afterwards.

Oh, and how many reasons he has. Rook needs their uninterrupted sleep; they are stressed and must have proper rest. He wants to get some reading done before he retires. He needs to look after Manfred.

Oh, he is a bad liar, for sure. He is lying more to himself than to Rook. I would think that (if this is the build up to their fight) Rook realizes that he is giving poor excuses.

And the sex itself? A technical 10/10. He knows his anatomy, after all. But his heart is not really in it. He can’t allow himself to. He holds back, keeps a tight lid on his emotions. They both are well spent afterwards, but like so much else, it’s performative. Technically very well executed, but rarely do you see HIM, the real him, behind all that performance. Whenever something slips through, he reels back and closes up.

And then we are in that crypt. Rook was gone for weeks. The last thing they said that night before were words of anger. Rook called him out on his feelings and from that point on there was no possible way of lying to himself anymore. Those feelings were there. They were real. Rooks feelings were real. And those weeks spent in desperation, trying to  get them back? Those walls came crashing down.

His true face, when all the walls are gone? You see that face when Rook leads him to the coffin. There is no pretense anymore. No performance. Just him, and all his love for Rook. The amount of emotion the animation team packed into those short moments in the cutscene? Mindblowing. Who ever crafted that expression on his face? They are the GOAT. I watch this part of that scene on repeat, and it never gets old.

So, I told you about how he has a tell, yes? Okay, two actually, but we all know surprised pikachu Emmrich. In that last scene it is resolved in the most beautiful way.

He looks down, when something touches him deeply, when he goes into his feels.

A few (way to many) examples:

And the worst wet kitten look? After the fight, when Rook leaves.

Its a look of shame. Of hurt. This man is hurting so badly.

Now here at the end we have that moment when Rook leads him to the coffin. His face turns down, like before. But here he looks up at Rook. He does not turn his eyes away but looks directly at them. Ahhh my heart.

Now, think about the fact that ROOK is leading in that moment?

In those moments where Rook leads or startles him (or is simply annoying enough so that the truth slips out), you see the most emotion from him.

Rooks flirting startles him, and he has a pikachu face reaction every time.

Their first kiss? Rook leans against the monument, and leans up, telling him without words that NOW is the time for a kiss. How can he not go for a second kiss?

That moment when Rook calls Manfred “our son”? He very conveniently ignores the word “OUR” and goes in defense mode over the word “son”. But called out on his feelings for Manfred? How can he deny them? He has tears in his voice when he says how he would not exchange this moment for anything? A real, deep emotion.

In their fight Emmrich is again all technical, all performance, so logical (or what he sells himself as logic). But Rook wrestles that moment from him and takes lead, calls him out on his bullshit.

In the crypt Rook pulls him up into a kiss and then leads him to the coffin, guiding him, taking him with them.

Most of the other times he takes the lead, very much in control. But the most emotions you get from him, are those times Rooks leads, when he lets go of this tight control over himself, or he is startled in to a reaction. For all the age difference that is played up in their relationship, in the important moments Rook is the one who guides. And he follows where they lead.

Those little moans he makes? If they did have sex before, I bet he did not make those sounds then. Where they did have some incredible sex, now they are making love. Open, vulnerable. He gives in.

And then they fall asleep together. Skin to skin, arms and legs intertwined. Their hands caressing, no sound but that of their heartbeats and soft breaths. Pure and utter contentment. In that moment nothing exists but them. Can you imagine that moment he woke up? The amount of emotions he must have felt then? This need to speak those little words? Those huge little words. He does not say them, not yet. But he is almost ready.  

Finally, they stand there, on the battlefield of Elgar’nans madness. And he tells Rook. The last wall falls. Gives the most precious thing he can give to anyone.

“I love you.”

[walpu]

I've got those requests almost at the same time jsrfwwxewe also I fucked up big time and accidentally deleted them but thanks god I've made the screenshots

I've been looking forward to writing something nsfw for him lmao

nsfw headcanons w/Aventurine

characters - Aventurine notes - gn!reader, nsfw, subby!Aven. Somehow turned into a character study. Somewhat angsty but with a turn for hurt/comfort. No beta.

Okay, first of all, he's no virgin. But he's NOT a manwhore either. Like for some reason when it comes to the cunning characters it's always either he's a dickrider-pussydestroyer-900 or he's actually a fragile innocent virgin baby. Not the case with Aventurine, not on my watch at least.

I mean it's pretty much canon that the only moment he feels truly alive is when he's gambling so he won't seek sex for the purpose of filling up the hole in his heart. And I don't see him as a lustful person in general.

He has one-night stands from time to time though. Not particularly often but once in a while he feels a certain level of frustration and stress budling up in him so in order to distress without losing his cool he seeks sexual relief. For him it's a safe way to relax a bit without actually taking off the mask of a frivolous and confident man.

Also. He's very touch starved. Not even in a lustful way, he just wants to feel someone's touch. Someone on twitter pointed out that he's practically hugging himself on his e6 and I haven't been the same ever since.

And now look at his body language in almost every cutscene. He has his arms crossed and is generally pretty reversed. I think he doesn't trust people around enough to be in his personal space but when it's a part of the sexual act, it's just natural. He doesn't have to feel exposed. So yeah. This is another reason why he seeks sex.

Now do you remember what Sparkle said to him? About stripping himself naked for Sunday and all that? Yeah I feel like he gets comments like that a lot due to people's prejudice against Avgins. People are usually not this straightforward butttt the idea behind their comments is the same.

He may act unaffected as long as he wants to but I do think it messed him up quite a bit.

Due to his fucked up views on his own value and his sexuality he doesn't have a healthy set of boundaries with his partners, allowing them to be as mean and rough as they want. And I don't mean just kinky stuff, I mean genuinely uncaring partners who really don't give a shit about Aven's comfort. I think subconsciously he seeks people like this. In his eyes, it's better this way, otherwise he may crumble from a gently and caring touch.

So yeah. His sexual encounters usually leave him sore and exhausted. The initial feeling of relief washes away in the morning, leaving him more empty than before.

Okay now to the happier part because we are 466 words in and I still didn't say anything good or sexy.

If the two of you started your relationship as a fling then initially he would be surprised because of how observant and attentive you are.

"My, my, how caring you are. But don't worry about me, you're free to use me as you wish" he says in the same flirty tone as usual. And you just. Stare.

He acts like he's bored while you literally pry the information out of him and, well, he doesn't give you anything specific anyway so you have to ask questions during the whole prosses to make sure he's doing fine. Orrr you just set for something very vanilla just in case.

In reality he's a bit confused. Has mixed feeling about this. Being treated with such care makes it harder for him to hide behind his mask but it feels so nice.

And when he realizes that he has actual feelings for you he just. Stops sleeping with you lmao. If you have questions about this he'll find 2134144 excuses but in reality he just tries to figure out his own feelings.

If you started off as friends then he would not try to sleep with you until you start dating. At first he just doesn't want to mix up this dynamics. And when he catches feelings, he just tries to make sense of it. Plus since sex is not something entirely positive for him, he's just kind of... unsure how it may affect your relationship even if it's obvious that the two of you want each other.

Okay now the real talk. When the two of you are officially lovers be prepared to face his messed up views on his own sexuality. Will probably need a lot of reassurance, attention and aftercare to realize the importance of his own safety and comfort. Learns to value himself through you.

A very good lover, knows how to please you and wants to please you. His previous sex partners weren't important to him so he didn't go out of his way to make them feel good but with you it's a different story. Literally worships your body, pressing kisses everywhere. Especially likes your thighs. Kisses them, bites them, leaves marks all over them. Loooooves teasing them while keeping eye contact with you right before giving you oral.

I feel like he's a switch but leans towards being a sub. May dom if you want him to or, rarely, if he feels like it.

May look like a brat but is not actually a brat. Well, most of the time. He's a tease but still does pretty much everything you want without making you work for it. However, if he's in a playful mood, may get all cheeky with you. Says stuff like: "Oh, that's all? I know you can do better" or "My dearest, don't disappoint me, okay? You know I don't make deals that don't pay off" just to rile you up. He loves being tamed okay. He knows you won't hurt him so him being all cheeky and disobedient is actually a huge sign that he's comfortable with you and trusts you fully.

Worship his body and he'll melt. Like. He'll genuinely crumble.

Goes all worked up and needy and soft and completely submissive in your arms.

Loves loves loves edging you. And fucking hate being edged. And by "hates" I mean he will whine and sulk and beg you to let him cum already. Secretly loves it but won't admit. You know it anyway since he never tries to stop you, obeying your every command, like a good boy he is. If you tell him that you'll stop doing that if he actually wants you to he'll huff and admit that he's not actually against you being a meanie.

Loves marking your body and loves when you mark his. HOWEVER would prefer to leave/have hickeys on the parts of your bodies that are usually covered. Doesn't want to create any rumors and doesn't want to make you uncomfortable. However, if you're into this, he'll gladly cover your entire neck with hickeys.

Is actually very sensitive pretty much everywhere so it's quite easy to overstimulate him. Once again, he'll whine but would never be against it.

Has the pretties moans and is very loud as well.

Doesn't have a lot of stamina so if he tops and you're still not satisfied after he cums, he'll use toys to entertain you up until he is ready for another round. If he bottoms then please give him some time to rest. Andddd kiss all over his body so he would get worked up again as soon as possible.

Has a praise kink. And a bit of a degradation kink too actually. Don't just insult him, mix it up with a praise and boom he's ready to cum.

Loves aftercare. Both giving and receiving it. He feels extremely vulnerable after a sensual lovemaking session so please just hold him and tell him he did great.