#or I think by the time she did he was dead so it was kinda . A non starter

[impactrueno]

Beetlejuice clearly wasn't interested in Lydia when they met, so when do you think he actually fell for her? Was he so impressed by Lydia defeating him that he developed a little crush?

i think this might be the biggest thing i've been turning around in my head since the sequel dropped. how did bro get to this point. i need to know. you weren't like this where we left off, what happened during that huge time gap????

this is where canon ends and conjecture begins, you just have to theorize and fill in the gaps yourself with whatever makes the most sense to you, which is what i've been trying to do this whole time. so please bear with me here.

i don't know how much i want share or save for my comics because i don't know how much he would actually reveal about this but whatever we ball

edit: ok so i scrolled back up to this after finishing writing this and as it turns out i have no self control and i ended up sharing everything that crossed my mind. craziest stream of consciousness i've ever written down. strap on and keep your limbs inside the ride at all times. whatever. we BALL.

let's review their first encounter from his point of view:

you're hired to scare the deetzes, right? so you do just that. excellently you might add. just when you're about to terrorize their teenage daughter, barbara banishes you and the party is over. what fucking losers right? you get the sense that adam and barbara care about this girl so you make some remark about her and it pisses them off. haha. also whoa where did this place come from? damn adam, who could've guessed he had it in him. you forget about everything else and dance your way to dante's inferno room.

after spending a respectably tasteful evening with those ladies, you're chill now. relaxing under your little sun lamp to work on your tan.

someone walks in looking for adam and barbara. don't they know they're dead?

"are you a ghost too?"

"i'm the ghost with the most, babe."

hold on a sec, who's even—

...well hey. it's the girl.

the girl who can see ghosts, and she's talking to you.

target acquired. this one's your ticket out of this hellhole.

"you look like somebody i can relate to," you tell her. relate how? doesn't matter. you're ensnaring her with your affable demeanor like you always do, make people feel like you're pals with them first and foremost. she seems like a nice girl, so this should be easy. you tell her upfront that you want to get out of there and you need her help to do so.

"i want to get in," she says.

whoa there.

what? she wants to get in? she says that in response to you saying that you wanted out. she really has no idea what it's like on the other side, huh. but shit, that kinda stops you in your tracks a bit. this girl wants to die. this young? that's not right. makes no sense.

"...why?"

she just looks at you and says nothing. jesus. ok maybe it's none of your business so let's back it up. you're losing control of the conversation and you're on a mission here. you figure if she helps you get out, you might as well talk her off that ledge or show her how shitty it is on the other side or somethin'. frankly, you can't afford to care right now. you're not entirely sure why she thinks things would be better on the side you're so desperate to get out of, but alright. doesn't matter, right now you gotta get her to summon you. so you begin your little game of charades.

after she correctly guesses your name and almost says it a third time, she recognizes you as the snake that terrorized her family. god fucking dammit. you're losing her. you're getting impatient. your affable act is over. "nah...i want to talk to barbara," she says and now she's REALLY getting on your nerves because fuck barbara, fuck adam, you're SO CLOSE to getting out and you're not gonna let this go now, go go GO GO SAY IIIIIIITTTTTTT

adam and barbara walk in because of course they do. womp womp

ok well that didn't work, but you're not gonna give up so easily. sooner or later another opportunity will come and soon you will be free.

wait why are they moving the model— where are they taking it—

ooohhhhh. business meeting. get a load of these yuppies, trying to turn winter river into a town-sized Ripley's Believe it or Not. a talking marcel marceau statue? and you thought you were a con man. no wonder the deetz girl wants to die, it's bleak as hell here too. but if you get out...you can fix that. hell, you can fix anything.

these bozos are here to see some ghosts, but the girl says they're not going to show up unless the fleshbags stop making a mockery out of the whole thing and that maybe they can all live happy together in the house. ain't that sweet.

of course no one's taking her seriously. she's a kid, what does she know, right? they'd rather listen to the most obnoxious guy in the room (besides yourself) who has no idea what the fuck he's talking about, but somehow, he's got his hands on the handbook.

the girl panics, then immediately says completely deadpan "wait, what am i even worried about, otho, you can't even change a tire" and you're surprised they didn't hear how hard you cackled at that.

despite all that, they seem to have started a séance with their old wedding clothes. bad news for the maitlands. they're about to be dead-dead. the girl cries for them to stop, and these guys are just sitting there scared shitless. you're hearing everything. you knew a new opportunity would arise, so you wait, because this is the part where people remember how good at your job you are. they always do.

she knows you can help. you're the only one who can help. so here she comes. those wedding clothes give you an idea. plan B is now in motion.

well well well.

look who came crawling back.

she asks for your help, and you're happy to oblige, under one condition of course. after all, you don't do anything for free, and she's the only one who can help you with your problem. how serendipitous.

once again, you lay it on her, straight up. you want out. and a way to do it (thanks adam and barbara for the reminder) is through marriage with a fleshbag. you need to get married. a green card marriage, if you will.

she's immediately disgusted by the idea. you don't take that personally, of course, because it doesn't matter. she's just a kid and it's not a real marriage. she just happens to be unlucky enough to be the only one around who can assist you with this, the poor girl. it's a marriage of convenience—or rather, inconvenience—and you're not planning on sticking around because you will get the hell out of there as soon as you can. so there shouldn't be a problem, right? besides, does she know how many women would kill to be in that position? she gets to brag about it to her friends, what's not to like? it's a totally even deal.

the clock is ticking and the maitlands aren't getting any younger. she agrees to the deal. you win, at last.

she already knows what to do, so you sit there patiently with a shit-eating grin on your face, awaiting the three little B words. gloating.

Beetlejuice........Beetlejuice...........Beetlejuice.

it's showtime.

this is your favorite part. you love a dramatic entrance. you decide to show the deetzes and their greedy friends the circus they so wanted to turn this town into. horrible as you are, you're also pretty damn good at calling out other people's horribleness, and you do love an ironic karmic way of dealing with someone. for example tubby here thinks he can escape, but not before you change his sleek black suit into a tacky white leisure suit. the horror! this is why you're a professional at this.

you effortlessly end the exorcism and the maitlands are saved. a little pruney right now but they'll be fine. everything is taken care of, you have fulfilled your end of the deal like you promised. only one thing left to do.

"shall we?"

there's really no need to make a whole show out of this, but you're a showman first and foremost and as a 𝒥𝓊𝒾���𝓁𝒾𝒶𝓇𝒹 𝒶𝓁𝓊𝓂 you'll be damned if you're not gonna let yourself have a little fun with this. everyone looks terrified. this is why you're a professional at this.

witnesses and reverend in place, you can finally begin the ceremony. you're having fun, yes, but let's try to pick up the pace a bit, okay? the closer you get to your goal, the more impatient you get. the girl isn't finding any of this very funny at all and she protests. the maitlands butt in and are now kind of twisting your arm a bit, but you deal with them harmlessly, until they get on your last nerve so you send adam to the model and barbara to saturn. all of this after you honorably fulfilled your end of the bargain and saved the day. jesus christ, are you the only one with some integrity around here or what.

you forget the stupid ring. shit. you're pretty sure you have it on you somewhere, ever since you chopped up delores into pieces for poisoning you. you kept her ring finger as a trophy and as a reminder to never get married again, and yet here you are, but desperate times call for desperate measures. finally, you find the ring (still on her severed finger) and hastily tell your new bride-to-be that delores meant nothing to you. in case she even cares. she doesn't seem to. not even a chuckle? oh well.

almost done with the ceremony. almost there. you're holding the girl's hand with an iron grip to keep her in place as you're about to put that ring on her finger. "i now pronounce you, man and—"

a tiny car crashes against your foot and it catches on fire. you scream. a fucking sandworm crashes into the room through the ceiling. everyone screams. you scream LOUDER.

you're sent back to the afterlife waiting room.

not your first rodeo with a sandworm, but that doesn't make the experience any less shitty. the real annoying part is being in the waiting room again. this could take ages. you're number 9,998,383,750,000 and they're serving number 3 right now. you trick the guy next to you and steal his ticket (number 4) but he's not too pleased about that, so that didn't work.

a long time sitting here it is, then.

movie ends, credits roll.

for reference, that was 1988. winona ryder was 15 when they were filming in 1987 so while lydia doesn't have a confirmed age, i think we can safely assume that she was the same age as winona at the time.

36 years later, it's 2024. or 34 years later, it's 2022. we don't know the exact year because while bob's in memoriam credits scene says 2024 and all the interviews talk about how 36 years have passed in universe as well, there's this other one tiny detail.

jeremy's death passport says he died on march 11, 1999. jane butterfield says he died "23 years ago," putting the movie in 2022. they did film it in 2022 so the math is mathing correctly there. given that the in memoriam scene was more of a joke and jeremy's passport is a canon prop in the movie, i'd say 2022 is the canon year the movie is set in. (small sidenote; the passport also has the roman numerals DCLXVI which is 666. cute detail i loved it)

in the sequel, beetlejuice says lydia has been ignoring him for 30 years. i always thought that was curious because outside of this claim, they always specify how many years exactly have passed since. he doesn't say 34 or 36, he says 30. and for his degree of obsession (and the fact that he remembers exactly how many times he's watched The Exorcist) i think he would be counting even the days so i think he did really mean 30 years. so this would mean at least 4 years passed between getting sent back to the waiting room and the beginning of his stalking.

AND NOW that we established all that, we are finally getting to the answer to the question, "when and how did this all start?"

so okay, he spent a while in the waiting room. a lot of time to think. probably replaying the events at the deetzes' in his head over and over, how he got here, where he fucked up, what's he gonna do once he gets out. cursing the maitlands for ruining his plan when he was soooo fucking close. wondering what ever happened to lydia deetz.

lydia deetz, the young girl who told him she wanted to die.

...

is she alright?

i don't think he's capable of feeling guilt, but we can probably argue that he's not entirely heartless. what she said about how she wanted to "get in" must've stuck with him from the way he reacted when she dropped that bomb. she never showed up in the waiting room so he knows she didn't follow through with that. still, he used a vulnerable young girl for his own selfish gain. ironically enough, he knows exactly how that feels, because he also got tricked into marriage and got used for someone else's gain. the difference being that he dealt with that shit with an axe.

much much much to think about for mr. juice.

after years of ruminating in that waiting room, he's finally out and back to the regular day to day afterlife. definitely gets chewed out by juno, maybe forced to do community service or labor or what have you, he basically just needs to clean up his act now. this freelancing shit is becoming more trouble than it's worth anyway.

he's still wondering about lydia deetz. should he check in on her? maybe he should, he's too curious now.

at this point, lydia is now about 19-21 and in college. maybe he manages to sneak into the model one time she's back home for the holidays or something. and oh my god would you look at that, what a beautiful young woman she's grown into. she's radiant. she's happy. she's no longer that gloomy suicidal kid he met in the attic. seems like what she said about the deetzes and the maitlands sharing the house did come true after all.

that's nice. very sweet. good to know.

maybe he wonders if she remembers him and tries to get her attention somehow, give her a little scare for old times sake or whatever. for a brief moment it seems like she saw something and her expression changes, but she shrugs it off and continues on chatting with her two sets of parents. no such luck.

oh well. curiosity sated! and beetlejuice goes back home and doesn't return.

until the next time he returns.

and he keeps coming back to check in on her, telling himself he's just making sure that she hasn't killed herself or something. and he's not above admitting that with every year that passes, she keeps getting more beautiful. and to think they almost got married, huh.

he constantly tries to get her to notice him somehow, and sometimes she almost does, but ultimately he never really succeeds beyond making her do a double take. very rarely she does catch a glimpse of him. he's seen her mutter to herself that she's just seeing things and she seems a bit frightened every time this happens, but there's nothing to fear, honey, it's just good ol' beetlejuice. he won't lie, he gets a bit of a rush every time and it makes his dead heart beat faintly. he's gotten this far, he can't just stop now. in his mind, this has become their little private game of cat and mouse, where the mouse ignores the cat. but aren't they cute? he thinks they're cute. this is not creepy at all!

before he realizes, he's already learned everything about her. he knows about richard and even watched their wedding from afar like a loser. he knows she gave birth to a healthy baby girl named astrid. he knows they have a blast on halloween. halloween is lydia's favorite holiday, and his too. sometimes he can't help but see the three of them happy together and think it could've totally been him. even if he and richard are nothing alike (in fact could not be more opposite) and the circumstances of their unholy wedding were nothing short of grim and a farce. but in his mind, he's starting to convince himself otherwise.

maybe it's his jealousy speaking, but lydia doesn't seem to be that happy with richard despite everything. even though richard is like, the perfect guy. then one day his suspicions are proven correct: neither of them knows why it happened, but after having a long and emotional talk (that he watched with a bucket of popcorn) they decide to get a divorce. he pumps his fist, feeling victorious for some reason. sure he's a little sadistic at times, but why is this giving him so much glee?

the divorce is hard on lydia's kid, who was always more attached to her father, but they still spend a lot of time together. sometimes the three of them, since richard and lydia kept things amicable after the divorce. lydia tries to move on and see other people, but each relationship fails before it even starts. mostly because she keeps holding back and so fails to connect with anyone else, but also sometimes because, well, he can't help himself but to scare them away from her from time to time. it's fun. in his mind, he's just being protective of her, as a gentleman should for a lady.

then richard dies. fell into a piranha infested river from the looks of it (he saw him at immigration one day, don't ask what he was doing around there, force of habit after constantly making sure lydia hasn't killed herself yet.) it's devastating for both lydia and astrid, straining their relationship even more for the next few years as they both try to cope with the loss. the shock proves to be too much for lydia, so she goes to a survivors retreat to work through her trauma, both from richard's death and "unresolved feelings."

then lydia, at her most vulnerable, meets rory.

beetlejuice was able to clock him immediately. a textbook manipulative opportunist, he himself knows the tactics very well. swoop in to "help" someone in a vulnerable position, pull the wool over their eyes and begin taking control so you can get what you want out of that person.

he wouldn't admit it, but this really irks beetlejuice. you know when you see someone who reminds you of the worst parts of yourself, so you despise them? yeah. he's been there, and he's also been him.

but rory is somehow even worse than beetlejuice. see, rory is her manager, and boy does he manage to get on his nerves. he takes her phone. he controls what medication she takes. he blames and guilt trips her about every mishap that HE causes, making himself look like her benevolent savior and making her feel like she would be lost without him, confusing her with his psychobabble. on top of all that, he's forcing her to do this hacky show called Ghost House where she "hunts ghosts" or whatever. the houses he's been helping newly-deads with in his day job as a bio-exorcist (now with a fleet of employees,) she's "hunting" those ghosts now. it's so dumb. it never works. beetlejuice doesn't even know what the hell she's doing, she's phoning it in most of the time and she knows she's become a sellout. what happened to that "strange and unusual" girl who stood up for her ghost friends when those suits wanted to profit off of them back in winter river?

he needs to bring that back. he's the only one who can.

in his mind, beetlejuice has already rewritten the events that transpired. in his mind, lydia has been his wife this entire time, it's just, y'know, one of those open long distance relationships and she doesn't always remember him, but that's okay. in his mind, they share a psychic bond that allows her to sense his presence or see him in her dreams from time to time. he's got nothing to be jealous about, because other men can't compare. no one else can match what they have.

sure, part of him knows he's lying to himself a little bit. but he's already clung to this idea; these past 30 years wouldn't make sense otherwise. he's in love with lydia deetz. this isn't insane of him to say at all. and if it is, well, you know what they say, love makes you do batshit crazy things.

it's not that complicated, no matter what they say you'll never meet another me it's not that difficult to get my head around i'll never meet another you

the end

don't trick me into writing a fanfic again

[lamentationsofalonelypotato]

@zepskies

Girl, it's not just an emotional rollercoaster it's a full on emotional CARNIVAL 🤣

I love this observation. That's exactly what I felt inherently when I was writing that line. It felt more powerful to me than "I told you so" or the like. It has the feeling of that, but with more of an edge, even though you know he cares about her.

The line is devastating. It ''bites." It's more than just telling someone that they messed up, it's also kinda catty lol.

LMAO I remember someone saw the preview of Part 2 and commented, "the quiet, but devastating anger he'd be reckoned with if he said that to me." And I was like, YEP, that's exactly it. Mans playing with his life. 😅😅😅

He really bet it all. And I'm in love with the person who said "the quiet, but devastating anger he'd be reckoned with if he said that to me." 😂

That's precisely how I intended it! Now looking back, I feel like I should have had her leave him by himself in his room to sleep in another room. But at the time I was writing, I was thinking that for her in particular, despite this being the biggest fight they've had so far in their relationship, he's still the one that makes her feel safe after a bad hunt. 💙

I think it would have been a bigger gut punch to Dean if she didn't stay in the room with him, but I still think that the her turning her back on him and not letting him touch her kinda hit the nail on the head pretty well too.

Aww thank you! 😭😭 Weirdly enough, that was one of my favorite parts to write? Maybe I just like the heartfelt hurt/comfort breaking into fluff moments. The "better off alone" thing I thought was implied throughout the later seasons of the show after Dean lets go of Lisa and Ben, so I wanted to explore that deeper here, even though it hurt my heart to write it. 💙

It's not weird, I think that it's really fitting! And I also really like writing the heartfelt hurt/comfort breaking into fluff too lol. But you're absolutely right, Dean really does adopt that mentality after Lisa and Ben and it is really heartbreaking to see him like that.

Everyone's crying!! 😭 YES ABSOLUTELY SHE DOES -- and she's a verified crier. I see a lot of fics where the reader is tough as nails, "doesn't cry very often," but I wanted to create a reader character who is a badass, but still has a soft heart. (Latinas also can be very emotional, but not to say we're adhering to stereotypes around here LOL. 🤣🤣)

As much as I do love the readers who are "tough as nails" and "doesn't cry very often" I love the readers who are strong but are allowed to break. It makes them seem more real. Because as much as I believe that there are people who are completely just insane badasses, they've gotta have some kind of emotion or compassion or else they don't seem human. Also "Latinas also can be very emotional, but not to say we're adhering to stereotypes around here LOL" I'm DEAD 😂

Sorry for jerking the angsty chain again there! 🤣 Poor guy, he went through an ordeal just as much as she did.

Please never apologize for the angst. I LOVE IT! And I really did also love how emotional this fic made me. It was wonderful lol.

Fun fact on her confession! When she says I love you twice, she's actually saying it in two different ways:

I love you, you’d said. I love you ("te amo," you're my love) and I love you ("te quiero," you're my family), more than you can believe and understand.

GIRL WHAT?! OH MY WORD THAT IS JUST SO MUCH BETTER! Thank you for explaining that to me!

Thank you SO very much!! Honestly you don't know how happy it makes me that you're enjoying this series so far -- and spoiling me with such lovely and thoughtful feedback. 🥰💕💕

No, THANK YOU for writing this wonderful fic/series! 😊

Devour Me - Part 2

Pairing: Dean Winchester x Plus-Sized/Latina!Reader 

Summary: When you and Dean start to press each other’s buttons, both of your tempers ignite. To make up for it, you give him an impromptu salsa dancing lesson…one he didn’t exactly ask for. (18+)

AN: Here's Part 2! **Read Devour Me: Part 1

Song Inspo: “Yo No Se Mañana” by Luis Enrique. But really it’s “Ven Devórame Otra Ves” by Lalo Rodriguez. (You’ll see why.) 🤭

Word Count: 5,400

Tags/Warnings: 18+ only! Blood, character death and violence, smutty smut, angst, Dominican slang, and tons of sexy fluff.

☕ Midnight Espresso Masterlist

Part 2: "Telenovela Style"

Your resulting scream of agony is as unforgiving as the ground when your knees buckle, hitting the hard cement.

Andy grips you with the strength of a monster. 

Then he holds you down as he drinks your blood. 

No matter how you struggle and whimper, you can’t push him off, and you’re getting weaker by the second.

Until Andy is ripped away from your neck, and is taken care of the way all vampires must be. He doesn’t even feel the blade coming. 

When you’re able to look up, Dean stands above you with thinly veiled fury. He doesn’t have time to consider what he’s just done. 

He bends to gather you up into his arms, all the while trying to stamp down the panic clenching his heart. He calls your name, but you can only make weak sounds as your bleary eyes meet his. 

“Dean,” you manage. The ragged wound in your neck is bleeding profusely down your chest and shoulder, seeping into your shirt. He takes your hand and clamps it hard against your neck, even though it makes you whimper.

“Gotta stop the bleeding,” he says, apologetic but firm. “Keep pressing.”

In your stupor of pain, you don’t realize that your screech woke the entire nest. Dean has to lock up his worry; he looks up and finds his brother and Cas already fighting a hoard of angry vampires. 

Dean carries you over to them and lays you down against the wall with the other humans. He keeps a protective line in front of you, but he decapitates a vampire before she can sink her fangs into Sam next.

The two of them work together, and with Castiel’s smiting power behind them, the angel and the two men are able to clear the rest of the nest. 

By the end, only you and two of the women being held captive are still alive. The third girl’s heart just finally gave out. Sam takes the survivors to the nearest hospital. 

Meanwhile, Castiel approaches where you sit up against the inside of the barn, barely awake, while Dean kneels with you, holding you to his chest. He meet’s Cas’s blue-eyed request with a nod. So Cas stretches out a hand and touches two fingers to your forehead. 

You’re healed in an instant. Dean marvels, like he always does when Cas displays his power. Dean is able to breathe a little easier, the vice grip on his heart easing as he touches your neck.

The tan skin is once again smooth, if still stained with blood. You blink back into wakeful consciousness. 

He shifts so he can see your face. “You okay?” 

You meet his eyes but can only nod. His jaw is still tight and tense, and you can’t blame him. 

You know you’ve messed up. Big time. You nearly got everyone killed, including yourself…and now, you have to tell a mother that her son is dead. 

Dean helps you up, holding you by your arms and waist until you’re steady on your feet. You have a hard time meeting his eyes, but when open your mouth to apologize, he beats you to it. 

“I hope you’ve learned your damn lesson,” he says. 

Your gaze snaps up to his. “Excuse me?”

Dean’s hands go to his hips as his brows raise at you. 

“Next time, when I tell you to hang back, I mean that shit. Hang the hell back,” he all but growls. 

You tilt your head at him as your irritation begins to spark. Meanwhile, Castiel is the one who backs up as he glances between you and Dean uncertainly.

“I made a mistake, but that doesn’t give you the right to tell me what to do,” you shoot back. “I was a hunter long before I met you.” 

“Yeah, well, color me surprised that you’ve made it this long,” he snaps. 

Your temper flares hotter. “You know, you’re not so goddamn perfect either.” 

“Never said I was,” Dean says. “But when my gut tells me something ain’t right, I need you to fucking listen. Otherwise, we get a day like today.”

His words are edged with grit by the end of his little rant, and you don’t appreciate it. Your lips purse in anger.

“I don’t care what that legendary gut tells you,” you sass back. “I’m not a little girl, and you’re not my damn father!”

Dean raises incredulous brows at the way you’re shouting at him. He crosses his arms. 

“What’s this, some kind of Latina temper?” he asks snidely. 

You truly become incensed at that. 

“Oh, you want to take it there?” you ask, as your eyes narrow. “Que sin vergüenza tú eres. Sigue jodiendo conmigo, coño. Entonces tú vas a ver quien soy yo.”

Dean won’t admit it, but in that moment, he’s a bit intimidated by the quiet threat in your voice. Still, his fuse is lit, and he’s way beyond curbing his internal filter.

“Oh, I’m sorry, does this telenovela-style tongue lashing come with subtitles?” he snarks. 

You let out an incredulous breath. Your eyes begin to sting.

“You’re such an asshole!” you shout back. There, understand that?

You turn away from him before your frustrated tears can fall, but you stop short once you notice Castiel dragging out the bodies of the dead…including Andy. Your throat constricts, and you begin to stalk out of the barn. 

Dean calls your name in frustration. 

“What?” you hiss. 

The only thing that makes him hesitate is seeing the state of you when you turn back around. His anger crumbles, and maybe something in him breaks when he sees your tears. They’ve welled up in your eyes, and a few of them carve a path down your cheeks. 

You’re still covered in your own blood, and he hates it. He hates it more than anything. 

Later, you see the state of yourself when Sam returns with the Impala. In the reflection on the backseat window, you see the blood dried down your neck, staining nearly half of your shirt.

You see the black rings of your mascara and eyeliner around your eyes. You look a mess, and you try to wipe underneath your eyes. It’s a fruitless effort.

After you all finish burning the bodies, Dean starts the long drive home. You insist on stopping to tell Rachel Campbell about her son, but Sam says he already took care of it when he drove into town. 

You frown, but you no longer have the energy to be angry. You further withdraw into yourself, and your lower lip trembles as you look out the window. Through the rearview mirror, Dean sees more tears slipping down your face.

What Sam told him (but he won’t tell you), is what one of the survivors said. One of the mated pairs had taken Andy…to “adopt” a son of their own. 

That night is quiet and tense in Dean’s room. You have to wash your hair all over again, and scrub the blood and grime from your body until only your skin remains. But you don’t have the energy to do more than braid your wet hair afterwards and pull on your lucky Journey shirt, which is still full of holes. 

Dean knows that it’s bad when you need the “dreamcatcher,” as he’s called it in his head. You’ve never had a nightmare while wearing that shirt, or so you claimed a while back. 

You wear it over some long pajama pants instead of your usual shorts, or better yet, nothing at all. But he can see what kind of mood you’re in. Things are unsettled as you both get ready for bed in silence. 

He notes the way you turn to face the other side in bed, maybe to avoid him. Though if you really wanted to do that, you could’ve gone to your old room.

So in more ways than one, Dean takes some solace in the fact that you’re still next to him. And he decides to give you some time and space. 

He goes to bed and tries in vain to sleep.

In the morning, Dean’s woken by the familiar smell of coffee…and the less familiar sound of loud salsa music. 

What the fuck?

After he brushes his teeth, he puts on his robe and slippers and heads down to the kitchen, where he finds you in a seemingly better mood. You’re mopping the floor, of all things. You’re out of your pajamas, instead wearing a loose shirt that falls off your shoulder and some spandex shorts. 

“Yo no se mañana…yo no se mañana. Si estaremos juntos, si se acaba el mundo,” you sing softly along with the music as you dance from the kitchen to the living room. Your phone is connected to a Bluetooth speaker on the coffee table. 

Dean starts to smile, crossing his arms as he leans against the doorway to watch you.

At an instrumental break with a run of conga drums and trumpets, you pause in your mopping to do a little twirl as you dance, with a soulful roll of hips and a flair of salsa steps. It makes Dean’s smile kick up into a smirk.

He walks in on purposefully light feet until he’s sidled up behind you in the living room.

“Nice moves, Shakira,” he quips. 

It startles a shriek of surprise out of you as you whirl around. Dean’s smile hikes up into a grin, but it soon fades when he remembers the way your scream rang through his ears last night. The way his heart dropped into his stomach, and his head swiveled at the sound. And he saw you go down hard. 

Then the rest of it tumbles through his mind—what he had to do afterwards in order to save you. How he’d did it without really thinking, his panic and determination blocking out almost everything else when he’d grabbed the kid. The monster, he forcibly reminds himself. 

“You trying to give me a heart attack?” you ask with a hand on your heart. 

Dean forces himself to smile a little. “Sorry. But might I remind you, not everyone here’s an early bird.”

You give him a wry look.

“You’re the only one around here who sleeps past 10 a.m. Cas dipped out a while ago, and Sam’s on a run.” 

But you graciously grab your phone to lower the music to a more bearable level. Dean doesn’t yet know this about you, but this—listening to music, dancing, cleaning—it’s all your way of coping…and releasing as much of your pain, terror, and regret from yesterday as possible. 

You then look up at him more guarded. The two of you exchanged a lot of unsavory words last night. In fact, it may just be the worst fight you two have ever had in almost three years of knowing one another.  

Dean senses the shift in you, and his amusement fades. He just can't let things stay like this. He won't.

He hazards drawing closer and touching your arm.

“Look…I’m sorry for snapping at you yesterday. I know I was being a dick,” he says. “You’ve just gotta understand something.”

You wait for him to continue with furrowed brows, sensing that whatever he’s about to say is hard for him. 

“There’s a reason I don’t do this. The uh, relationship thing,” Dean continues, clearing his throat. His thumb swipes along your arm. “It’s not just this job. It’s my fucked up life. I tried to warn you before—” 

“Dean,” you say with a sigh, but he raises his hand. 

“Please, just…let me say it,” he says. “You know the spiel. But things can change on a dime. Even on a damn milk run, like a dusty nest of vamps.”

You know that. You know you could’ve died yesterday, and he doesn’t need to remind you of that fact. Before you can start to get petulant again though, Dean continues. His jaw is working, like this next part is more difficult for him to admit.

“Trust me when I say, us being together is dangerous, for both of us,” he says. “For a while I, uh…I started to think Sam and I were better off alone.”

That casts you into dismay. Because you know Dean isn’t lying. He’s really contemplated spending the rest of his life devoid of love, so he won’t have to lose it. 

Dangerous, for both of us.

You realize then what Dean’s really saying. He’s afraid…afraid to lose you. You see it in his furrowed brows, the downturn of his lips, and whatever pain he’s trying to hide in the depths of his eyes. 

And just like that, the water works start. You can’t quite keep your tears at bay as you hold onto his shirt. He lets out a resigned sigh as he holds you by your arms. 

“You don’t have to cry for that,” he says, a bit teasing. 

“Have you met me?” you sniff. But you manage to look up at him with your glassy eyes. “I’m sorry too. God, I’m so sorry, Dean.” 

Your fist clenches in his shirt when you remember Andy, latched onto your neck, and how Dean had to save you. You know he’s remembering it too when his brows furrow, and his gaze falls away. You reach a hand for his cheek.

“I know I fucked up,” you admit. “I was working with my heart, not my head. I just…”

You wanted so badly to help that kid and his mother. You also know that Dean understands; you see it in his eyes. He holds your hand to his cheek and brushes his thumb across the back of your hand.

“I know,” he says. “I really am sorry, baby.” 

The problem is, you didn’t just see your own mother in Rachel. She hadn’t been much older than you. And when you imagine a life beyond hunting, more than anything (no matter how much you shove down the idea), you really do want a family of your own someday. 

It’s just…days like yesterday remind you why that could be a very bad idea. 

More of your tears bubble over, and you head willingly into Dean’s arms. “Me too…”

He holds you tighter than ever. His hands rub down your back, tangle in your hair, and he drops his lips onto your hair. You sniffle, wiping your face dry in his shirt. And for a while, the two of you have peace in the relative quiet. 

Music still plays from the speaker though. And when another salsa song starts to play on your playlist, you start swaying. A smile works its way onto Dean’s face. 

“You can’t help yourself, can you?” he teases.

You smile into his chest. “We should go dancing sometime.”

Dean just laughs. “Oooh, no.”

“Oh, yes,” you reply, batting your lashes up at him. You slip a hand on his shoulder and into one of his hands. He’s forced to hold you as if the two of you were about to start Fred Astair-ing across the living room. 

“Have you ever danced before?” you ask. “Like real dancing.” 

“Not salsa, I’ll tell you that,” he quips. 

“That’s okay. I’ll teach you,” you reply with a coquettish smile. “It’s just a few simple moves.”

Dean gives you a wan look. “You made it look anything but simple.”

You blush at that, but you meet him with a pout of disappointment. You don’t let up, even when Dean frowns. He huffs at you in resistance.

“No,” he insists. You just brush a gentle thumb along his neck, biting your lip in askance.  

But the longer he stares at your beautiful, hopeful eyes, the more cracks form in his resolve. 

Eventually, Dean breaks with a sigh, and a shake of his head. 

“You’re too much, you know that?” he mutters.

It’s then that you know you’ve won.

So with a happy squeal of excitement, you clap your hands and move to stand next to him so you can show him the basic steps of salsa dancing. 

You make him take off his robe and slippers, leaving in his shirt and plaid pajama pants. Then you instruct him for a few minutes, correcting his footing and getting him to move on a beat. You’re pleasantly surprised that he has some rhythm.  

Dean sighs once again. How the hell did we get here? Heat crawls up the back of his neck as embarrassment starts to set in. 

“This is fucking ridiculous,” he grumbles.

“You’re doing good,” you encourage, with a growing smile. “Now come on, feel the beat in threes. One, two, three. One, two, three…”

Once he sort of has the basic steps and turns down, you move to stand in front of him. There you show him how to hold you, how he’ll move forward, and you’ll move back. It takes a little while, but you slowly move through the combinations, then do a little twirl underneath his hand. 

When he pulls you back in without faltering, you give him a beaming smile. “Very good!”

A subtle grin raises his lips at your enthusiasm. He also feels his face heating up at the praise.

But you pause when a certain song filters through the speakers. It’s an old one (and it never fails to make you blush), but you love it.  

“Ooh, yes,” you exclaim with delight, and you turn up the volume.

“What’s this one?” Dean asks.

“Ven Devórame Otra Ves,” you inform him. Not that he knows what that means. You sing along a bit with the first couple of verses while you encourage Dean to lead you in the dance. 

This song is just slow enough for him to attempt it, and the funny thing is, he doesn’t feel all that uncomfortable with the steps now. He’s starting to get a feel for how to move, both with his feet, and with his hands as he guides you by your waist, holding your hand close to his chest. Still, Dean’s also curious about the lyrics you’re singing. 

“What does it mean?” he asks.

You huff in amusement. “You sure you want to know?”

Dean raises a brow. “Well, now I gotta know.” 

You giggle at that, though you correct his steps when he leads with the wrong foot. 

“Okay. It’s about a guy who’s pretty much a player,” you say with a smirk. “His bed has been a revolving door of hot ass, but he keeps thinking about this one woman who used to have him turned inside out…”

Dean’s lips curve at the familiar image you’re conjuring. He manages to turn you under his hand, then pull you back to him in one smooth motion. He looks down at you with a deeper gleam in his eyes. You bite your lip, soothing your hand from his shoulder and down his arm.

As the song’s verses come, you translate for him. And for Dean, your voice in itself is a spell.

“Even in my dreams, he says, I thought I had you devouring me. And I dampened my white sheets remembering you,” you begin. Your words are smooth like black velvet. “In my bed, no one is like you, who draws my body on every corner, without a piece of skin left over.”

Dean is getting hot under the collar as you push away, dragging your fingertips along his back as you turn around him. When you come back into his line of vision, his attention is attracted to the sway of your hips, clad just in those little spandex shorts. He has to clear his throat a bit. 

You eventually return to him with a warm hand against his chest. 

“Ven, devórame otra ves. It means, come devour me again,” you continue, looking up at him from under your lashes, “Come punish me more with your desire. Because I kept my love for you…because my mouth has the taste of your body.” 

You smile at the laser focus of his green-eyed gaze. “Come devour me again.”

You push off with another little spin. When you reach for his hand, Dean yanks you back into him, eliciting a gasp. The move disorients you for a moment, but you giggle and hold onto his arms. Your hands glide up to rest on his shoulders. 

He’s holding you flush against him, and as you shift a thigh between his legs, you unintentionally graze against his hardening length. You look up at him with a smirk.

“You’re a little…stiff,” you say, both flirtatious and teasing. “Let’s loosen you up.”

You shake his shoulders out and try to get him to relax. Dean raises a wry brow, because you know damn well whose fault it is that his body is coiled tight. But you place his hands on your hips as you move back into the dance. 

“Feel what I’m doing there?” you ask. He looks down on you with growing heat.

“If I could do that, we wouldn’t be together,” he rumbles. 

You try to stifle a laugh as he pulls you in close again, just swaying for a bit. Soon enough, you grin knowingly when his hands start to slide lower on your ass. His head bows to yours, ready to meet you with a kiss. 

You stop him with your finger on his lips.

“Question: do you consider yourself more of a tits or ass man?” you ask him. You’re half teasing, but still curious. Dean snorts at the question. 

“More of a connoisseur,” he replies, smirking. 

“Ah.” You nod sagely, and you point between him and yourself. “So this is like a ‘sample the menu’ situation.”

Dean’s smirk deepens. “Sweetheart, you’re a goddamn buffet.”

You splutter laughing…and that’s when he finally pounces. He claims your lips with greedy passion. His hand winds into your hair, gripping tight and ruining what’s left of your loose ponytail. The strands coil around his hand in messy curls while he also gets a healthy grip of your ass through your thin shorts. 

You smile into his lips, even as you acquiesce to him guiding your head to the side, so he can slip his tongue against yours. You grip his arms more for stability while he manhandles you, kneading soft flesh and making pleasant tingles run up your spine. 

After a little while, his mouth burns a hot path away from yours. He noses down your neck, skimming his lips across your skin. It sets your nerve endings on fire and gets you breathing more shallowly in his ear. You cling to the back of his shirt, holding him close. 

Often he’s one to leave love bites of varying degrees, wherever he sees fit. But for a moment he stops at the crook of your neck, just pressing a lingering kiss.

He lets out a deep breath, and you realize he’s probably thinking about where you were bitten. The wound is gone, but it doesn’t change what’s imprinted in both of your minds.  

A softer smile grows on your face. You trail your fingers up into his hair, massaging the back of his neck. 

“I’m okay,” you remind him. Dean hums deep in agreement. You know, however, that he’s still thinking far too much.

So you slide your hands down, slow between the dips and planes of muscle in his back, and rest at his hips. Your thumbs delve under the hem of his shirt and tease the skin there. 

And you start slow, pressing wet, nipping kisses of your own to his neck while you inch his shirt up. You feel his smile on your neck. His grip on your hip flares to life. Still, he lets you tug his shirt up and over his head. Your loose shirt comes next, revealing the same black satin and lace bra you wore the first time he ever got you topless in his arms. 

A fan favorite. Dean grins. He reaches around to go for the clasp, but your firm push on his chest takes him by surprise.

He falls back onto the couch with a grunt, looking up at you then with raised brows. You’ve got a mischievous little smirk on your face that heats his blood and makes his cock twitch.

You take out the rest of your falling ponytail, shaking your hair out wild. Then you let your hands drift down your neck, over your clothed breasts, and finally to your little shorts.

Dean rubs his palms down his thighs and watches. A smirk forms across his lips as you slide the fabric down the curve of your hips. It leaves you in a red thong, familiar to him by the little tear it has on the front. (Again, his fault.)

You climb aboard his strong thighs to straddle his lap, using his shoulders as leverage as you sink down. You make sure to rub yourself teasingly against his clothed erection. He groans in appreciation. His hands fly to your soft, thick thighs and squeeze. 

“Aw, I like this,” Dean says, half on another moan as you grind down a bit harder on him. 

“Yeah?” you tease. You take his face in your hands and capture his lips with your own. Your tongue invades his mouth, and he welcomes you with a deep hum. It’s slow and hot at first, but Dean feels the loss of you when you break from his lips.

Instead, you treat him with the same trail of kisses he gave you, along the curve of his jaw and down his neck. But you don’t stop there.

Your hands move over his chest with purpose, tweaking over each hard nipple while your mouth burns a wet line down and down his sternum. Dean groans at your ministrations, but lets you leave his lap to slide down to the ground, between his thighs. 

“What’re you up to, baby?” he asks, despite having a very good idea of it. He catches the playful, yet determined gleam in your eye. 

You pause, briefly leaning back up to give him a heated kiss. You part from him with a grin. 

“Isn’t it obvious?” you ask. “I’m gonna devour you.”

Dean stares hard at you as goosebumps break out across his forearms. 

Oh, fuck yeah. 

A giggle bubbles in your throat at the expression on his face. But you continue, taking his pants down his legs first, before his boxer briefs. 

Dean’s body tenses in anticipation. You’ve gone down on him before, but somehow it’s different this time. He feels like every single one of his nerve endings stands at attention along with his dick. And you’re taking your sweet time working him up. 

Even when his cock is finally free, you sooth your hands down his legs first, maybe teasing him a bit as you drag your nails down his inner thighs. Dean makes a strained sound, though he tries to hide it by clearing his throat.

Your gaze flicks up to his with a little smile. He’s holding the back of the couch; his fingers are digging into the old cushion in effort to keep still for you. But his eyes stare into yours like a man starving. You know what you’re in for after you have your way with him, but for now, he’s quite literally under your control. 

So you take him in your hands first. Dean groans as you tease him with light touches, soft movements, your thumb slowly circling over the sensitive, weeping head of his cock. It's torturous enough to make him drop his head back against the couch, closing his eyes tight.

And suddenly, he blinks them open again.

“Shit,” he utters, when you finally take him into your mouth. Your tongue is soft and wet, your lips move over him steadily, and your hands caress whatever your mouth can’t take, even teasing his balls. 

You work him over relentlessly, until he can’t help but spill everything he has to give into your waiting mouth. When you suck off and swallow whatever remains, Dean’s heart stutters like syncopated conga drums. 

He shudders and struggles for breath afterwards, watching your every movement—from wiping your mouth to shooting him that satisfied little smirk. 

You press one last kiss to the inside of his thigh before you raise from where you’ve been kneeling on the hard ground. 

Dean manages to lean forward and helps you up by your elbows. But then he pulls you back into his lap and kisses you deeply. He doesn’t let up until you’re panting with him.

“Fuckin’ hell, sweetheart,” he manages to say. His voice is deep and laced with grit. 

He’s still panting heavily. You giggle and press your warming face into his neck. 

“What, now you’re shy?” he remarks. And he has to laugh. “Come back here.”

He brings your face back to him with a hand on your cheek. For a second, he just looks at you. His thumb strokes across your full, thoroughly kissed bottom lip.  

“Say it,” you encourage softly. “Whatever you’re thinking. Right now.”

A smile tugs at his lips. He can’t help but oblige you. 

“You’re too damn much,” he says again, both gruff and fond. Despite how you drive him up the fucking wall sometimes, he doesn't think it'll ever be enough for him, what he has with you.

Because this is something he'd almost given up on. Didn't think he'd get to have it. And it almost scares him, how much he wants you. How much he...

“I love you,” he says. His thumb traces along the familiar curve of your cheek.

It hasn’t been all that long, but he knows. You weaseled your way in without even trying. The least he can do for you is be honest.

Your fingers curl around his wrist, holding his hand in place. You tilt your head at him.

“Oh, yeah?” you ask. 

Dean hesitates, but he nods. “Yeah.”

A smile grows across your face. “Eh, I’m still on the fence.”

At his flat look, you laugh and lean in for a kiss. He allows it, a little petulantly. But you make up for it with sweet affection. Your gentle hands stroke down the column of his neck, down his chest. You then lean back so he can see your face.

“Yo te amo,” you whisper. “Te amo y te quiero, más que tú puedes creer y entender.”

Dean smiles. He doesn’t understand all of it, but he gets the important bits. He hears it in the tone of your voice. He sees it in your eyes. They shine with emotion, but mainly with love. 

Dean kisses your hand. He lets go, just so he can slip his hands around you to finally unhook your bra. He tosses it across the room without bothering to see where it lands.

You do though, and you meet him with a slightly narrowed gaze. 

“Are you making a mess of my clean bunker?” you tease. 

His lips curve as he kisses you again, while his hands each get a generous handful of your breasts. 

“Ah, hello, ladies." He grins. "Miss me?”

You can’t help but laugh. He’s such a dork sometimes.

But you hum when his thumbs brush over hardened nipples, then drag deliberate circles over them, and pinch just hard enough to make you whimper in pleasure. The sensation zips through you, enhancing the flood between your legs. 

“I fucking love that sound,” Dean mutters, and licks a hot path in the valley between your breasts. His lips move against your dewy skin when he says, “Do that for me again.”

When he takes a nipple in his mouth and nips a bit hard, you have to oblige him. Your voice rising high is music to his ears.  

So he goes for your panties next. You help him get them off and return to his lap. With a breathy moan, you revel at the feeling of his fingers probing into your wet heat.  

However, you and Dean have been too engrossed in one another to notice the door of the bunker unlocking, and heavy steps down the spiral staircase. 

It’s Sam who’s back from his run. Unfortunately, he soon has to shield his eyes upon reaching the living room. 

“Damn it, Dean!”

You yelp in surprise, but Dean laughs and holds you close to shield you from view. As a bonus, it presses your breasts against his chest. 

“All right, Sammy. Go to your room,” he chides playfully (but he means it). “The adults are havin’ a moment.”

Sam scoffs. “You’re having a moment on the goddamn couch!”

“Sorry,” you say, though it’s muffled in Dean’s neck. Your face is red hot with embarrassment. 

Sam rolls his eyes heavenward and tries not to see anything else on his way to his room. 

But Dean’s chuckle reverberates through your chest as his hand goes to your cheek. He encourages you to pull back, so he can see your face again. 

When he does, he smirks at the scarlet blush dusting your cheeks and neck. You bite your lower lip, but despite your embarrassment, you’re happy.

Your own words replay in your mind when you lean in for another kiss.

I love you, you’d said. I love you and I love you, more than you can believe and understand. 

AN: Yay! I hope you enjoyed Part 2 of the “Midnight Espresso”-verse! I loved writing this one so much. I know we're just doing fanfic here, but I genuinely put my heart and soul into this one. ❤️

Also, here are a couple of Spanish translations:

(Note: other Spanish-speaking countries may interpret certain words differently.)

[During their fight]: 

“Que sin vergüenza tú eres. Sigue jodiendo conmigo, coño. Entonces tú vas a ver quien soy yo.”

Translation:

“You’re shameless. Keep messing with me, damn it. Then you’re going to see who I am (<- This is Dominican slang. It essentially means fuck around and find out what I'm made of.).”

[Song lyrics: “Yo No Se Mañana” by Luis Enrique]: 

“Yo no se mañana…yo no se mañana. Si estaremos juntos, si se acaba el mundo.”

Translation:

“I don’t know tomorrow. I don’t know tomorrow. If we’ll be together, if the world will end.”

Keep Reading:

Next in this series is "Chico Malo" ("Bad Boy"):

Summary: You catch Dean red-handed—with one of his favorite episodes of Casa Erotica.

▶️ Next Story: Bad Boy (Chico Malo)

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[rei-ismyname]

UNCANNY X-MEN #5 From The Ashes

First of all, I should acknowledge that something I've been calling a missed opportunity has received an attempt on page - the X-Men killing in FotHox, specifically Kurt. It's a single line and doesn't make a lot of sense, trying to have cake and eat it too by nodding to it in issue 5 but not meaningfully engaging with the recent past. Kurt did NOT think he was a killer, ever. That's just a bad faith reading of the text. He was in a war against genocidal fascists, come on.

Cool new form for Calico, though.

Kurt putting his sword/s away doesn't quite cut it. Errol Flynn swashbuckling has been an influence on him since he was a child and he's been big on sword usage almost since the beginning of his publication history. It's his thing, and he badly needs personality in FTA. Also, he didn't kill anyone with a sword in Fall, he teleported them into space. Swords parry and block, they disarm and intimidate. They have use outside of combat. They look cool, and it's something Kurt is very good at. So yeah, the barest attempt was made, but it didn't land for me. There could have been space to set it up and sell it too, perhaps by toning down the Charles Xavier/Sarah flashbacks that were ultimately just a fakeout.

Speaking of things that were given lip service in issue 5 and could have benefited from more attention, Jubilee told us who she is - kinda. A panel or two of origin story that was established in the 90s, but nothing about why she's here or what she wants out of life. How she feels about the loss of Krakoa, where the hell her baby, Shogo, is. It fits in with Uncanny's overarching sense of unfocusedness and her role could have been performed by anyone - not a good look for the end of the flagship book's first arc.

We get the resolution to and defeat of Sarah Gaunt. 'She's crazy, always has been' is so unsatisfying. I can't think of any other description. It's nice that we don't have another sin to lay at Xavier's door, but attempted baby trap is not a frequently used trope for a reason. She acknowledges she was lying, but then blames him for the loss of her son years later in a different country - then transfers that hatred to all mutants? Comicsxf have criticised her characterisation as 'Monstrous Mother' and I agree. What was the point of giving it so much space, to the extent that we spent more time in the past than with most of our putative main characters? She beat the shit out of Logan and Rogue the last two issues, nearly killing them - only for Rogue to draw strength from deus ex dead kid and completely wipe her out. It's lovely that Rogue is able to summon empathy for her, it shows us why she's a hero, but taken as an arc she's rewarded with victory despite making bad decisions. Long time readers know Rogue can lead, but I think Gail Simone is going to have to do the work to convince new readers that she's right for this. It's well and good to have moral authority but leading your team to death isn't.

Harvey X was unexpected but felt unearned. Surprise is fun but internal and narrative consistency is better. I thought it was Charles moving people around, because it was signposted. Harvey X being the puppet master felt almost silly as he revealed previously unseen very powerful abilities. Why would he wait for Rogue and Logan to be nearly dead to act? Maybe that's the only time he can act, because he's dead? Idk, at least he didn't scream how hot Rogue is again. He speaks about a sacrifice he's making but what sacrifice is that? Is his power finite and burns him out, Proteus-style? It's not quite clear, and I guess we'll never see him again.

Precognition. Healing. Telepathy.

Gambit and the Eye of Agamotto was a Chekhov's Gun that mostly worked (and made me feel sah smart for calling it.) Remy prays (?) to it and then blows the possessed cultists away. I'm pretty sure Jubilee could make a bigger boom than that (I know she can) but rule of cool wins the day.

These are/were captured and possessed mutants. I hope we see them again, especially after Fawn's introduction in #1. They're not doing this willingly.

Rogue flies to meet Warden Ellis to give her Sarah back, further muddling Ellis' characterisation. I have no idea what she's about now. Nuance is good in antagonists, but for someone who wants to crush mutants with her government mandate she's awfully cooperative with them. No threats, no riddles, no ultimatum, just meekly accepting two threats? I want to give a fuck about the closest thing we have to an antagonist (for a crossover event right around the corner) but there's nothing there! This was an opportunity for something, anything. Gah! I don't understand this writing.

Rogue's threat is interesting, though I have to wonder what she and Scott are going to disagree about. It's implied Jubilee will get captured, and we know Beast already has been. 2/3 X-Men teams have their motivation to wreck Graymalkin I just struggle to see them coming to blows over it.

Rogue and her elocution lessons feel very out of character and came out of nowhere. If it was setup earlier and tied to insecurity or identity that would work, but being introduced and haphazardly paid off in issue 5 baffles me, frankly. Rogue's southern upbringing is never something she's been ashamed of, her angst has almost always been related to her powers. She's a confident woman. A story where she struggles with that could have legs, but that's not the story that's been told. She certainly doesn't need Gambit or Logan to tell her - I'd expect it to be the other way around.

I'm not sure what to make of the images we get from Harvey X's visions of the future. I'll write about them separately if I find an interesting hook.

So ends the first arc of Uncanny X-Men volume whatever. My main issue is that it doesn't meaningfully engage with what came before it, and it doesn't quite manage to establish its own identity either. What is its mission statement and what kind of book can we expect? I don't know, and I hope Gail Simone does. It's not the end of the world, mind you. Following Krakoa was always going to be tough, and the world was going to feel smaller, less connected. I can't help but wonder what it might have felt like without a lot of Charles Xavier flashbacks amounting to nothing. Maybe we'd know more about Kurt or Jubilee, even the Outliers. Ideally that'll be corrected. I don't do number ratings so I'll just say it was okay, higher if you are a Rogue stan.

[dracrownian]

Okay but actually why is Gosho so against Rei having anyone in his life that cares about him???

His parents? Basically non-existent, given they've never been mentioned. (And I find it hard to believe they would've been that big a presence in his life anyway, given how he attached he got to Elena and the fact that, according to ZTT, she was the one to teach him to ride a bike, of all things.) Probably dead, since that seems to be the pattern.

Elena? Dead.

Akemi? Dead, and also apparently she just didn't remember him anyway.

(Atsushi? Also dead. but I don't know how close they were to begin with.)

Hiro? Dead.

Date, Matsuda, Hagi? All dead.

Like. The last living person on Elena's (side of the) family is Shiho, and she was born too late to have met Rei before her family joined the organization.

Then you have Satou, who only kinda vaguely recognizes him after they've already met a couple of times, and frankly is predisposed to dislike him given how salty she is about her time at the academy, but they have quite a bit in common and a connection through Matsuda. (and Date to an extent)

Then there's Akai, and I think if things hadn't gone down the way they did, he and Rei could've actually been friends, but Rei can't have nice things, so. That's out. (I have this possibly naive hope that it could still happen, if they manage to talk through the Scotch thing and Rei can properly grieve and come to terms with it. But I don't actually trust Gosho to do that.)

Kazami? He's probably the closest to an actual friend, but Rei doesn't really treat him as one.

Otherwise it's literally just Conan, who appears to be a small child, and is actually still only a teenager.

Let. Rei. Have. Friends.

[drakewyne]

nancy got a massive star anise in that turkish coffee blend an iraqi man had brought her from a trip abroad — that’s fine, she doesn’t mind strong flavors and she likes the shape. ba’athist baghdad in the ‘70s would still be their meeting spot.

“would you believe christmas is one of my favorite holidays?”

she takes a sip. it tastes sharp ended like stars.

“actually the way i’ve been acting, i wouldn’t believe it either.”

and this is a godless season.

( cw: sad )

tim recompenses by making a gingerbread man walk over her hand. he has dark chocolate buttons and a royal icing smile. he looks a little stupid, but pleased. nancy squishes a cheek in her hand and wonders what the little cookie’s secret is.

“you have the opposite of seasonal affective disorder,” she comments while tim whistles the vince guaraldi trio, “you have seasonal disaffective disorder.”

“‘please eat me, it’s all i live for. it’s all i fucking live for.’” tim moves the cookie around.

she clicks her tongue: “at least he says it out loud.”

“i always actually felt like christmas kinda made up for the bleak 0 for 8 nature of chanukah,” tim answers, “so this part of the season’s like a reward in and of itself.”

nancy thinks and then snaps off the gingerbread man’s stupid head.

“sorry for shitting all over your pageantry then.”

“i’ve seen bigger shits.”

she separates the eyes and the smile between perfected teeth.

“it’s not your fault,” he mumbles, “everyone gets that this is kinda a bullshit time for you.”

“well,” she frowns, “i’m not really so sentimental.”

“annie.”

she swallows and turns her head to watch the plush snow falling outside. the cottony sound of the fat drops hitting the window fills her mouth with cold sponge cake. her brow pulls, as she’s tried to swallow that too.

“okay,” she begrudgingly admits, “so i’m a little sentimental.”

“and you’re taking this feeling out of place thing a little personally.”

“that’s the most personal feeling you could’ve described.”

“trust me,” tim pops both arms in his mouth, “i know.”

the gingerbread man’s down to a torso and legs, his chocolate buttoned suit delineated with icing.

nancy sips her espresso and lays both hands flat on the table, dark button eyes boring into the wood. when the sheer force of her gaze leaves no exit wounds, she softens up and feels embarrasingly weepy in the throat.

“i can’t really blame anyone,” she admits quietly, “it’s totally all my fault. that’s neutral, i think, it is what it is . . . ”

tim hands her the left leg. she thanks him and takes it in her slim hand.

“everything kinda slows down in winter anyway,” tim explains, “it’s just too quiet a season for you.”

“and for you?”

“are you kidding? i get free reign when it’s quiet like this- i go ice skating and everything.”

nancy huffs, humored. then she looks at him, and something in his eyes is sheer crystal truth. she angles her head.

“no way.”

“i actually do.”

“are you good?”

“i’m alright.”

“shut the hell up,” she shakes her head, “i hate when you do that. it means you’re actually dead good.”

“you know everyone was happy that you showed. don’t feel bad about psyching them out a little.”

there’s a star on top of the christmas tree. she thinks about the angel that used to top hers.

“if we had a pool for every time we weren’t sure if someone was showing,” tim leans back, “dick’d make the top spot every year.”

they got a fresh tree every year. and there’s a new family in that house. the angel topper?

“you can take your time. wouldn’t even matter if we split- you’d still get an invite for next year.”

she’s not totally sure where it went off to.

“hey, don’t cry-”

“i’m not,” she blinked, surprised by the accusation, “i’m not.”

then she touched beneath her eyes and realized she was.

she explained briefly that she got her dad a safe, soft balsa wood model plane and the truth was simply that he actually liked it, he was slightly excited, he loves planes. did she ever tell him that? no? oh, well, he loves planes and understands them in a way that feels bigger than what they are.

and the truth was simply that she loved him and understood him in a way that was bigger than his six feet and five inches.

both of them would prefer that the thing they love not hold them to it.

nancy and tim in his old room. she pushes the clutch ( removes her makeup ) and he pulls the choke ( unwinds her scarf from her neck ). she hates being weepy like this. she thinks it’s disgustingly indelicate and slightly rude of her considering the fanfare. she looks around at his walls and feels so much of him in the dark paint and the boyish bedspread. quintessential adolescent. blue and grey checkered and everything. he had a sony stereo right above it with headphones waiting for him to come back.

“what were you last listening to in here?” she asks.

tim presses the disc eject and scrutinizes the cd. “slowdive. souvlaki. banger album.”

“when was that?”

“don’t remember putting a cd in here recently,” he shrugs, “so i guess five years ago or so.”

she sits on the bedspread and the mattress catches her weight. from below, there’s a muffled degree of cheerful noise. his curtains are open, and the white flurries around outside.

“i don’t think i can get you out of here,” he wincingly admits, “storm’s getting too gnarly to drive in.”

“do you know where alfred would’ve taken my bags?”

“probably just by the coats.”

“can you bring them? i just want my sweater.”

he does. he watches her pull her clothes off and finds it slightly even more intimate to watch nancy put a sweater on.

“i turn into this big baby when i’m the littlest bit jetlagged,” she brushes it off, putting lotion on her peachy face after taking out her contacts, “i just get super ridiculous.”

“have you tried puking? i just puke.”

“i like the efficiency in that. get it all out.”

“i move fast.”

“i actually really like your room,” nancy looks up at the ceiling, “it’s cute you put stars up there.”

he lay beside her, squinting: “forgot i did that. anyway you’re wrong and it’s actually metal. these are the constellations you see from apokolips — where darkseid lives. it’s in this dimension that you need a boom tube to get to.”

“oh my god,” nancy sighs, shutting her eyes, “you had such a fucked up childhood.”

“my bad.”

she touches his hand and he turns his palm up to make it easier. she was just curious, just wondering, but did he ever hold hands in this room like this? no. too many people and too little respect for closed doors and too much urgency. he was making moves without a home field advantage. a panicky adolescent bravery.

“not to mention, my room wasn’t ever really suitable for visitors.”

“it still isn’t back at yours.”

“then i guess there is no stopping sister nancy after all. i’m glad they made that song real.”

she laughs lightly, low and slow and dizzy. then she apologizes quietly for being a pain about everything. then she asks him to tell everyone that she really appreciates the invitation, but she can’t hang. he will.

he says, “hey, before you go to sleep.”

tim has likely been eating his body weight in gingerbread all night, but she likes strong flavors and it feels sharp ended like stars. his hair crushed against her head and this was an unfamiliar, surprising custom that she blinked over. this closeness. this buoy knocking of skulls.

“nobody thinks there’s a way you’re supposed to feel about anything, but i’ll still leave out the part where you started crying.”

kissing would be easier. would at least give her something to do with her hands.

“the patience’s actually kinda annoying,” he admits, “give it a few hours over breakfast and you’ll be begging to get called out.”

yet as is historically true for her, the long way out is objectively the best way.

“you think it’s a little stupid, right?” she asks hesitantly.

tim doesn’t give her what she wants. he keeps his face the same.

“how you feel doesn’t have anything to do with what’s stupid or not.”

“i know better.”

“how you feel doesn’t have anything to do with knowing shit either.”

“tim,” she shuts her bird egg eyes, “do you remember what happened?”

“i remember what i think happened.”

“well, i remember everything. i remember it all super clearly.”

“ . . . i believe you.”

she opens her eyes.

[edwinisms]

i get such a sense of primal envy when looking at edwin’s clothes up close because god you can just tell his coat is real wool and made to last and not cheap flimsy mass produced garbage and auggagghhhh that was just STANDARD in his time. by no means am i saying i was #borninthewronggeneration because i like having vaccines and household appliances but. man. to have a personally-tailored coat like that that’d last for years and years……. and fabrics of fine thread-dense quality………. if only

[roots-symphony]

do you think the reason agatha’s trial felt weird is because she was the only one who did not actually buy into the mythos of the road since she knew the truth? like that was why no perspective change and all the other reasons why people thought it was a fake trial

[bonefall]

Voted for Bumble bc of course but also if you think Alex would not pspsps Bumble you are wrong. If they could communicate they would go to therapy together /s

If then could communicate they would go to therapy together

/GEN

Kyle/Green Lantern resurrects her but then he becomes convinced that she's not the same person she was before the incident, OR SOMETHING SOMETHING Black Lanterns aren't ACTUALLY bad they're just misunderstood Grim Reaper types, in either case Alex ends up breaking it off with Kyle because they've become very different people.

And then Bumble's there

And then they go to therapy or Alex adopts Bumble, and then uhhh Bumble's like one of the superpets. Like Krypto the Superdog. Free premise go forth and play with it if ur a DC fan

[villainartist]

i do not like when people say kaede would be a static protagonist if she survived the game like as if she wouldnt have 5 whole additional chapters for shit to be thrown her way and see how she'd change and adapt... plenty of writers have pulled off this idea with flying colors so idk why ppl say "ok but IN CANON kaede would just vote hope/despair in the end!" like LITERALLY WE DONT KNOW THATTT THOUGHHHH . shuichi was very different in ch1 compared to ch6 why is kaede exempt from this logic...............

[flufallo]

DID NEIL GAYMEN WRITE DBD

He wrote the comics yes

[longagoitwastuesday]

Going through the Utahim.e tag had me checking several times if at some point I had clicked on the G.ojo/Utahim.e one instead

[keeps-ache]

ouhhh i'm turning into my grandmother [chewing on wriggley's gum]

[hella1975]

👹LEAVE AMERICA👹

[todayisafridaynight]

i think itd be so funny silly if aoki bailed daigo out of jail one (1) time just to flex the fact he could yk

[dutybcrne]

From a very young age, Kaeya held such a fondness for handholding. Whether it was his father clinging tightly to him to make sure he didn’t get lost, Adelinde’s gentle, grounding hand closed over his to comfort him whenever his nerves got the better of him, Crepus’s rough-palmed, firm yet comforting grip as he brought him back home, or, as it was most often of all, Diluc’s warm, yet at times uncomfortably tight hold as he dragged him anywhere, everywhere, determined to always keep Kaeya close and eagerly show him all there was to see, Kaeya treasured the gesture greatly.

Of course, being as shy as he was, initiating it himself was always the harder part. So much so, he would tend to hold pinkies, rather than outright take a person’s hand in his own. Eventually, it would become his most common way to go about the gesture of affection.

[starpros-sunshine]

seb. seb hes not smiling. and has a fatui background................

I knowwwwww he's still everything to me you do not know how smitten I am with Lyney as a character