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meeting golden wind vs. dealing with GER ✨ Mista misses og golden wind 😭
#this is based off of the Prince album Golden Experience!! when I listened to the album there are these little sequences#called ‘The NPG operator 1-6’ and it reminded me of gw#and how giorno would interact with his stan#giomis#giorno giovanna#guido mista
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Revenant Side Stories
Story VI: Farah
[Konchar] [Graves] [Gaz] [Price] [Novikov] [AO3]
This was originally going to be a retelling of the entirety of Farah's story in MW 2019, but I underestimated how long that would be, so these are more of snapshots of her life, up until 2019.
Farah is going to be a central character in part two because it will revolve around Urzikstan, so I was very excited to get into her character in depth. This was probably the hardest side story to write because I think the original story was already good (it's easier to write for something that had a lot of flaws in it rather than something good... maybe that's why I like cod after all these months lmao)
Anyway, I also decided I'm actually not done with the side stories, and the last actual one will be of... Roba, of all people. I know I made the comic for Ghost's origin story, but I never got to show what he did to Roba.
Alright That's enough rambling let's get to Farah's story
She doesn’t remember the first time she has heard of revenants. Humans who are saved from death, only to come back with abilities from worlds beyond their own. Of how they are revered, looked up to. And yet, misunderstood.
They don’t look up to revenants in Urzikstan.
The once-dead are not heroes among her people. They’re something to be pitied; people who chose to stay on earth and suffer, instead of move on to a better, calmer existence in the place after death. Take on the burden of the Reapers, dust off the dirt of their graves, and continue the endless fight for freedom.
In Urzikstan, revenants are called “those who sacrifice”.
Her baba taught her and her brother the different names of Reapers, told them tales of those who sacrifice as bedtime stories. She always found them fascinating, as opposed to her brother. They were often grim, their ending tragic and unsatisfying, but they felt more real like that. Felt more like her day-to-day life than any other fairy tale could.
She wouldn’t know how much her story would be like those, before it was too late.
The day she died is muddy, in her memory. Yet another thing she sacrificed, in order to stay in this world. A deafening whistle, followed by walls collapsing around her. Streaks of ash on the bloodless face of her mama. Pain, unlike anything she could imagine. The voices of her baba and brother and uncle, searching. The sickening shifting of concrete above her, whispers praying for mercy, the walls closing in on her-
And she dies.
At seven, before she knew how to write the alphabet, buried beneath the earth with only the pale face of her mother as comfort, Farah Ahmed Karim died. Yet, she did not move on.
The memory of the first time she saw her Reaper was clear. She may have forgotten her mother’s lullabies, or her father’s laughter. She has not been given the privilege to forget her Reaping.
The first thing she noticed was the clean air, an odd odor to it but blessedly lacking the dust she has been inhaling for what felt like hours. The lack of pain was the second - her legs no longer crushed under thick concrete walls.
The monster, was the third. A being made of sharp shapes, glistening metal melting and hardening, flowing through cracks in the stone face of the Reaper.
As the stone face moved, grinding against itself, Farah got up to her feet. Her legs screamed at her to run, but the memory of her baba’s stories calmed her.
“The ones who take do not mean harm to the ones who sacrifice, Farah.” he told her, whispering as to not wake her brother, “they need each other. They need our sacrifice.”
“What for, baba? Why would the ones who take need to give humans their powers?”
Baba sighs, a small smile on his lips as he tucks a stray hair behind her ear, “we don’t know for sure, but we must have something they don’t. Some say we humans were chosen by chance.”
“What do you think?” she asks, her endless craving to know more yet satiated.
“I think we and the ones who take are connected, somehow. I think we are the only ones that can sacrifice.”
Instead of running, instead of listening to all of her senses, Farah stepped forward, and with a small voice asked, “w-who are you?”
The stone face turns to stare at her.
“I AM MIGHT. THE STONE, THE BLADE, THE BULLET.”
The Reaper tilts its head, metal rivers splashing into an endless void.
“DO YOU KNOW WHO YOU ARE?”
Farah blinks away the tears that have gathered in her eyes, tries to speak louder, “I’m… I’m Farah? I’m a human, I’m-”
“YOU ARE NOT HUMAN, FARAH. YOU ARE DEAD, BURIED, CRUSHED.”
Her lips turn downwards, and she can’t stop the tears any longer, “w-why are you asking if you know?”
The rocks grind in an almost rhythmic way, and somehow Farah knows it is laughing. It makes her avert her eyes.
“Can… can you save my mama?” she asks, and the sound stops.
“I CANNOT SAVE YOUR MOTHER, FARAH.”
“S-she… I think she also died, can you-”
“I CANNOT SAVE YOUR MOTHER, FARAH.”
She grasps at the torn edges of her dress, sniffing her runny nose, “it’s not… it’s not fair…” her face scrunches as she sobs.
The Reaper leans forward, the light surrounding it reflecting with dazzling colors off of its body. Farah closes her eyes, not because she is afraid of it, but because she is afraid for her mama.
“I CANNOT SAVE HER, BUT I CAN SAVE YOU.”
Farah opens her eyes. Baba said he thinks only humans can sacrifice, but maybe not all humans can. Maybe mama wasn’t able to sacrifice, but…
She lifts her hands to wipe roughly at her face, tears and snot smearing on her skin. Her eyes trail up the falling liquid metal, beating heart deafening her ears.
Her voice is steady when she says, “I want to see baba and Hadir. I don’t want to leave them!”
The stones grind once more, a sort of excitement shaking the very ground.
“YOU WANT TO LIVE, FARAH.”
She nods and repeats, “I-I want to live!”
The Reaper tilts closer, its face level with hers.
“I WILL GIVE YOU THE MIGHT, THE STRENGTH, THE POWER TO LIVE, FARAH. AND I WILL TAKE YOUR SOUL.”
The metal drips near her feet, heat emanating from them. It reminds her of home.
“I choose to sacrifice. For you, for baba, for Hadir. For… for mama.” Farah whispers.
The stones shift, circling her. Her breath picks up at the thoughts of crushing walls, but it is not dark here. No one is shouting. She doesn’t smell death.
Metal singes her clothes, and she wants to jump back, but the stones stop her. It burns. It hurts.
It is not dark, but the bright colors blind her all the same.
“I ACCEPT YOUR SACRIFICE, FARAH.”
“MY MIGHT IS YOURS.”
When she wakes again, Farah doesn’t feel pain. She’s still under ruin, somewhere different from where she was before. All she sees of her mama is a hand, and she holds it. She notices the skin of her own hand glistening in the meager light filtering through dust and ash, like colorful metal. Like her Reaper.
It felt like hours pass before baba found her. She feels hunger and thirst, but the weight of the building doesn’t pain her anymore. Baba is crying when he finds her, pulls her out of the wreckage carefully, asking if she’s hurt.
She tells him nothing hurts. He pulls back from their embrace, his brows scrunched in confusion until he notices.
“I chose sacrifice, baba.”
Baba closes his eyes and hugs her harder, and she knows it would’ve hurt if she could feel it. He tells her everything will be alright. She wanted to believe it. She couldn’t.
They find mama. Hadir tries to wake her up, but Farah pulls his hands away. She tells him mama is in another place now, somewhere better than here. Hadir’s hands shake in hers, but he nods and pulls away.
Uncle and baba rush them home. Farah wants to cover her ears, the sirens don’t stop sounding, the noise pitching up and down along with her heart. Loud explosions make her flinch, so Hadir grabs her hand. It makes her feel safer, for a moment.
They run through the market. There’s a truck stopping in their way.
The Russians.
Baba lifts her in his arms, Uncle taking Hadir. They tell them to cover their mouth, when the Russians throw weird gas at them. It smells like the liquid mama used to clean their house, and it made her eyes itch and burn.
They enter their home, but baba doesn’t stop moving. He gives Hadir a gas mask. He will have to share his with Farah. Uncle leaves, telling baba he’ll meet them later.
“W-where are we going?” Hadir asks, clutching the mask.
Baba grabs a backpack, hidden behind the kitchen cabinets, “we’re going to the bridge, then to the mountains. There will be no sirens there.”
Farah hurries to follow him, wiping blood on her dress. Her skin isn’t bruised, but it feels weird.
“I don’t want to go…” Hadir says with a frown. Baba turns to look at him. He crouches and pets his shoulder.
“I know, dearest. I know. We will return, I promise.” his tone changed, stern like when he taught her not to touch the hot pan, “you need to be strong for your sister now, alright?”
Baba points to Hadir’s heart, “you keep mama here,” his hand moves to his head, “and you keep this clear. That’s how we survive, you understand?”
“Yes, baba.”
Baba shoulders the backpack, and begins walking towards the door, “when we get outside, you stay with me, okay?”
As he goes to open it, the handle moves, and the whole frame shakes. Someone is trying to get in.
“Stay behind me!”
The door slams open, a large man with a gas mask walking in. Farah takes a step back. The man meets her eyes and closes the door, and she stares at his gun.
Baba pleads with the man. He does not listen.
Baba throws his backpack at him, the man shooting a couple of bullets into the floor. They miss Farah’s feet by a few centimeters, and she freezes, breath held in her lungs. Hadir throws himself against the man, but gets shoved back.
The man pulls out a knife, baba manages to take it, stab the man. But it doesn’t change a thing.
It doesn’t save him, when the man pushes him to the floor, and shoots one, two, three, four bullets.
Only then do her feet unstick, and she mutters to herself, “hide!”
She runs back to her and Hadir’s room, crawling under the bed. The man shouts angrily and she hears something break.
Hadir. She needs to help Hadir!
As the man talks to someone on his phone, Farah crawls towards the kitchen, finding a knife. Mama always warned her not to play with them, but if the man catches Hadir…
In her heart, she asks for forgiveness from mama.
When she finds the man, he’s leaning against a wall, his hand clutching his side. Before she can think it over, Farah lowers and slashes at his legs. The man screams in pain, shooting a few bullets at the ground, and turns around to slap her.
It doesn’t hurt, but she drops the knife, so she runs away again.
One of baba’s tools is on the ground, must’ve fallen from his backpack. She grabs it and continues running, the man on her tail now.
The man says mean words to her, in Arabic, but her ears are pounding, her own heavy breaths the only thing she can hear. Her grip on the tool tightens.
“I’m going to kill you!”
Farah watches the man stumble in the hallway, searching.
“You’re going to see father soon, you piece of shit child!”
He trips on the rug. She sneaks closer.
“You’re dead, you hear me?! YOU'RE FUCKING DEAD!”
Farah runs forward, aiming for his other leg, but he turns around and grabs her hand before she can stab him.
“There you are!” he grabs her by the neck, slamming her to the floor, “got you!”
She can feel his hand wrap around her, crushing her windpipe, but it doesn’t hurt. The man grunts, before he freezes.
“You’re- you’re one of them?!”
Hadir jumps on the man’s shoulders, screaming, “get off her!!!”. He uses the knife she dropped to stab him in the neck, “get him, Farah, now!”
Farah grabs the tool, and uses all her strength to stab it into the man’s chest. He screams as flesh gives under the metal.
“It’s working! Again, sister!”
She pulls it out, and repeats.
“Good, Farah!”
And again.
Four times, until the man stops moving and making any sound. Farah takes his mask, the gun too heavy and tool buried in his gut.
Farah and Hadir return to baba. Hadir tries to help him up, but baba stops him.
“I can’t… I can’t go with you.”
Tears well in her eyes. Baba is leaving as well.
Hadir wraps his hands around baba’s, “what do we do?”
“You survive. Whatever it takes.” he turns to look at Farah, “even… even your sacrifice. Never give…up…”
Baba’s head drops. He’s gone.
Hadir stares at him for a moment longer. He gets up, “let’s go.”
They weave through the town, a murky green tinting the air. People are gasping and coughing around them, until a gunshot silences them. Hadir says it’s not fair. Farah knows.
It’s not fair, that they pass by people who get shot, and don’t get back up. It’s not fair, that she has to kill twice more, just for them to get a chance at freedom.
It’s not fair, when a man drags both of them away from it, a cruel smile on his lips as he inspects her.
It’s not fair, that she knows to recognize the malice in his eyes.
The soldiers take them to a prison. They find out she is one of those who sacrificed.
It’s not fair, she tells to the Reaper in her heart, that her sacrifice was not enough to save anyone.
She learns very quickly to hate Barkov. He learns, quicker, that his usual torture methods don’t work on her. He finds her weakness not in her own flesh, but in the flesh of the others. Hadir, in most cases. They keep the men and women separated, only allowing her to see him once every few weeks, and every time she gives them trouble, he takes the punishment. He tries to hide it, but he can’t hide his limp, or his bloodshot eyes, or the scars that keep multiplying upon his skin.
Contrasted with her flawless arms, glistening oddly in the light.
She gets into fights with her Reaper, in the earlier days. Demanding answers, for the simple question of “why?”.
Why her? Why this power, that only protects her? Why taunt her, tell her she’s under the Reaper of Might, yet show her every day how weak she is?
There are whispers among the guards, of a person by the name of “Karim”. A Commander, aiding the prisoners, attempting to contact foreign forces by transmitting messages from the inside. Barkov spends hours torturing her and the others, trying to find them. After a while, Farah notices a glint of playfulness in the wretched man’s eyes.
He knows who Karim is. He just wants to break them, annihilate the sense of fragile hope Karim gives the prisoners.
Barkov wants their spirit broken. Farah knows he will fail, because as long as any of them stand, they will not give up. For those who can't fight any longer, for those who are still with them in this hell, for Urzikstan.
They think one can uproot it from them. What they don’t know, will never understand, is that you can’t kill an idea. You can’t torture the memory of freedom out of them.
The soldiers seem on edge, mumbling in Russian about rumors of enemy forces invading Urzikstan. One of them slaps the back of her head when she stares too long.
The cycle continues - Barkov interrogates her, always keeping another prisoner in the room to torture in her place. Today it is Azadeh, younger than her by two years. Azadeh doesn’t flinch at the glint of a knife, but she screams as Barkov buries it in her thigh.
Farah’s guts burn at her wailing, at Barkov’s cocksure grin, his hand easily yanking the knife out of spasming muscles.
She breaks. Tells him she is Karim. It feels like an end.
Barkov freezes, before he pounces. Knocking her out of the chair, he covers her mouth, pinches her nose, deprives her of air.
Not many things can hurt her, but Farah still needs oxygen to live. Her wrists twitch roughly against the bindings tying her to the chair, Azadeh calls for her. Barkov snarls.
“I will not let terrorists like you ruin my country.”
My country… My country?
Urzikstan will never kneel to the likes of you.
As the edges of her vision darken, a soldier bursts into the room, his movements rushed as he informs Barkov the prison is under attack.
Barkov, always needing to have the last laugh, tells her she hasn’t saved anyone, that Karim’s role was only to doom her people, and orders his soldiers to the warehouse, to kill everyone.
Air fills her lungs as she inhales for the first time in over a minute. Barkov tells the man to take Azadeh to the warehouse, and her to solitary confinement. She gives Azadeh an encouraging nod, before they’re separated.
Karim hasn’t failed yet. As long as they’re still alive, she hasn’t failed.
Solitary is part of the older section of the building. Farah has been here enough times to know the rebar in the far corner of the cell is loose, and she herself have made sure, should the need arise, it will be easy to extract from the cracked concrete floor.
The moment the soldiers leave, she gets to work, pulling the metal with a grunt. With a few well-placed hits, Farah breaks the lock, and opens the door.
It is silent outside, in the way a graveyard is. Something sick spreads on her tongue, as she sneaks out of solitary. A few soldiers are making their way to the main cell block, to take the remaining prisoners to the warehouse, Farah assumes. The rebar feels lighter in her hands.
The first soldier she hits over the head screams as he goes down. The rest instinctively start shooting her. It doesn’t do much to stop her from caving their skulls in, besides ripping a few new holes into her clothes.
Searching the bodies yields her a key and an extra mag for one of the rifles. All of them were either empty or jammed, the frantic soldiers not recognizing her.
For them, all Urzik are the same.
Her sisters are relieved to see her approach. The gunshots scared them, fearing it was anyone but her. She opens the cell, freeing them. She uses the key to open a gun locker, and orders them to take up arms. No hesitation is visible on their faces. They all know this is an end.
Of the soldiers or theirs, it is yet to be seen.
“Our brothers have been taken to the warehouse to be executed. We are not going to let that happen.” Farah snarls, fingers aching as she grips the rifle, “are we?”
“No, Commander!” her sisters yell in unison.
Farah feels pride bubble up within her. They haven’t broken their spirit.
A series of far away explosions makes their little group flinch. Ayah asks, “who is attacking us, Commander? Are they on our side?”
“I don’t know. And as long as they distract Barkov and his dogs, it doesn’t matter. We need to move before it’s too late.”
They slam open the doors, Russian soldiers already ready at the other side. Her sisters’ aim is wobbly, the recoil more than they’ve experienced, but they have one thing the Russians don’t.
They don’t fear death anymore.
Nadia was injured in the firefight against a sniper. Ghalia has been limping since an explosion knocked her down. Darine and Azadeh are tired, they’ve been in solitary for days with little to no food or water.
They manage to hole up in the warehouse, but there’s no one there. Farah shouts for Hadir, her echo the only answer.
“Commander!” Azadeh calls, “there’s a way through here, this is must be where they are!”
Farah kicks the door open, turning right to clear the hallway, when a body slams into her from the left. She falls to the ground heavily, teeth bared as a barrel lines with her forehead. The other two soldiers aim at her sisters, Azadeh screaming in horror, “please don’t shoot!”
For a moment, Farah loses hope. Her mind supplies her with Barkov’s words.
“You haven’t saved anyone.”
In the next, the skylights shatter. Precise bullets take out the three soldiers, not a single wasted shot. Ropes are thrown through the broken windows, and men wearing gas masks repel down. One of them looks at her, “Whose Commander Karim?”
Farah huffs as she pushes a dead body off of her, “I’m Karim.”
The soldier swings his weapon to the side, “we got your message” he lifts the mask up, revealing a pale face, “Lieutenant John Price. Where are the others?”
The Lieutenant offers her a hand, and Farah grunts as he lifts her, “in there. Straight ahead.”
Price looks at the dark hallway, before turning back and lowering his mask, “stay close!”
Azadeh’s expression is uncertain when Farah stops her from following them. Wordlessly, she nods and returns to her wounded sisters’ side. They both know the path ahead is meant only for trained soldiers.
Trained soldiers, and those who cannot die to a bullet.
Farah keeps her rifle up as the soldiers and her scan the hall. Tanks with warning signs plastered on their exterior line the narrow passage way, and she doesn’t need to know Russian to know what’s inside.
“Got two!” Price warns, and takes out one of the guards. The other doesn’t waste time watching his partner go down, and before one of Price’s soldiers puts a bullet in his head, he aims and shoots Farah.
Straight shot to her heart. These guards are more skilled than the ones she fought through to get here.
Two hands clamp onto her shoulders, and Price’s wide eyes stare at her through the gas mask, “you’re not wearing armor- Karim, sit the fuck down, I saw the bullet hit you-!”
Farah frowns, following his line of sight to the hole in her shirt.
“Lieutenant-”
He holds her as if she’s about to collapse, muttering, “why are you not bleeding…”
Farah grabs his hands, and the Lieutenant’s brows shoot up.
“You’re a revenant.” his hands loosen, and drop to his side.
Farah nods, “no bullet or blade can hurt me.”
Something odd passes by Price’s eyes, but he doesn’t say anything to indicate what.
“Lieutenant, the prisoners are here! We need the breacher for the door!”
They run towards the back, and Farah slides to a stop at the scene.
In a room with large bullet-proof windows, where fire wars with the Russian’s sickly green gas, her brothers pound on the glass, their screams muffled.
They were going to watch them suffocate and burn.
She shakes out of her stupor when she notices Hadir. Slumped in the corner by a door, unmoving.
“You haven’t saved anyone.”
Farah runs to the other side of the door, where Price and his men are attempting to pry open it. They don’t have time for this.
“Stand back!” she grunts, and Price barely pulls the other soldier away before she shoots 4 bullets into the lock.
She barely manages to catch Hadir when the door slams open, her brothers running out towards fresh air. She should feel happiness, that they were fast enough to save them.
But in her arms is the still body of her brother, the one who has been through this hell with her from the beginning. The one with their mama’s eyes, and their baba’s kindness. Farah feels tears run down her face as she presses two fingers to his pulse. Nothing.
There are voices around her, speaking to her. She doesn’t hear a thing. No sound is worth hearing when her brother’s heart does not beat.
Price crouches in front of her, his mask off despite the gas filtering in from the room. His voice is gentle when he speaks, “Karim… we need to move.”
She shakes her head. It reminds her of how Hadir didn’t want to leave their house, when baba knew they had no choice. She has no choice but to leave him.
Oh, how could she leave him like this?
As the Lieutenant urges her again, as her brothers and sisters start to realize what happened, as Farah’s fingers stay on a paling wrist, she feels it.
A heartbeat.
Hadir gasps, his hands shoot up to claw at his neck frantically, and he jumps away from Farah. Everyone is watching him carefully as he catches his breath, silent and knowing.
Farah clenches her fists, failing to quell the shaking, “...why…?”
Why did you choose this over seeing mama and baba again?
Hadir turns to face her, but his eyes don’t meet hers. They’re not the blue-gray they were before, she notices. Green, like the gas that killed him.
“You survive, whatever it takes. Never give up.” Hadir repeats their baba’s last words. “Not even death will come between us, sister. Not anymore.”
“May your soul find rest.” she says, and her brothers and sisters murmur it with her. Hadir then lifts his gaze, and he gives her a sad smile.
Price and his soldiers stand back, looking properly shaken by seeing a dead man return. For them it is an anomaly.
In Urzikstan, they all know what a sacrifice looks like.
Farah gives herself a moment more to mourn Hadir, mourn the peace he refused to receive in death.
She gets up, grips her rifle, and orders her people, “collect survivors and supplies. We’re leaving.”
“Sister.”
She stops cleaning her knife for a moment, acknowledging Hadir’s presence with a nod, before continuing, “any sign of Barkov?”
Hadir drags a chair to sit in front of her, “no, we’re secure here. The Lieutenant cleared the area well.” he watches her hands work on the sharpening metal, “I… I wanted to tell you about my powers.”
Her hand freezes. “Immunity to the gas. I know.”
“No.”
Farah opens her mouth to question him, but when she looks up at Hadir…
Mist flows from his eyes and nose, pouring down his features. Green, toxic, smells of chemicals and death.
When he speaks, more gas flows from his mouth, “I’m not only immune, sister. I can create it.” fear paints his words.
“Enough.” she orders, though to her ears it sounds more like begging. Hadir stops using his power all the same, and it is with shame that he looks at the thin level of gas coating the floor of the run-down room.
Farah puts the knife and whetstone away, and hugs Hadir. He presses closer, and she feels his body tremble with silent sobs.
“You will not use this power. We do not need weapons of the enemy to win this war.” Her brother may be doomed, cursed forever to bear the gas within him, but it does not mean he needs to continue Barkov’s legacy.
Hadir doesn’t respond for a while, but when he pulls back, he nods. “Yes, Commander Karim.” he says, pride in the title. “What are your orders to our brothers and sisters?”
Farah sheaths the knife, her voice strong and clear, “Barkov must’ve had more prisons. It’s time we find more hands to help our cause.”
Alex Keller is… odd.
He had a surface level knowledge of the situation in Urzikstan when he arrived. Not from a tactical standpoint - CIA doesn’t let details like those escape them, of course. But from a human’s, and perhaps a revenant’s, it was clear Alex was not used to seeing such disgusting levels of violence unhidden for all to see. Barkov doesn’t need to hide it. America already knows.
The world already knows.
Keller’s abilities as a revenant proved advantageous from the very first mission they had. Infiltrating has never been easier, with a man able to become invisible to the naked eye. Later on he has told her of his weaknesses, that his form is still corporal even when see-through, and that electronic optics are able to catch traces of him. His honesty doesn’t go unnoticed, and Farah appreciates the trust he puts in her.
Hadir didn’t trust him at first. Despite his relation to Captain Price, he was wary of the American. It didn’t matter much to Farah, as long as they were amicable enough to work together, but seeing Hadir slowly let his guard down over the weeks was a moment of happiness in her days.
It helps most in days when Hadir seems distant, when a fog she can only call a thirst for revenge clouds his eyes. It feels like the times she has to fight against his violent suggestions double every new mission.
Something is brewing in his mind, she can tell. Hadir doesn’t want to share it with her.
At least Alex doesn’t push back against her orders with no good reason…
They’re on ground now, Alex using Hadir’s Sniper to scope the Highway of Death, and Farah spotting for him. They’re waiting for forces of Al-Mudahiyn, The Sacrificers, to pass through.
Al-Mudahiyn and the ULF used to be one and the same, until they weren’t. They share the goal of liberation, but where the ULF chooses to prioritize the safety of the people of Urzikstan, The Sacrificers choose the retribution on the Russians to be theirs.
Liberation will not be achieved peacefully, Farah knows that. But revenge won’t bring it either, and as much as she would hate it if it were to happen, if she had the choice to free her country but let her oppressors walk away unharmed, she would. She is sick of seeing her brothers and sisters die, and sacrifice, and bow their heads to men who see them as lesser.
In that, Al-Mudahiyn and her disagree. The militia focuses its powers on creating chaos among the Russian’s ranks, within Russia itself, and anywhere where its sympathizers live. And while they both deal in violence, Farah cannot agree to it being the objective.
It is a tool. One she will wield only as long as her enemy does.
The SAS and CIA have begun to retaliate against Al-Mudahiyn, as has Barkov, their actions too flashy to ignore. Stealing several containers of Russian experimental gas was the last nail in the coffin.
The ULF along with Captain Price’s team decided to work together to stop them.
“One vehicle approaching from the east!”
On her mark, Alex takes down the two snipers that attempted to set up on the roof. Killing them is a calculated risk; it could alert their target and cause them to change course, but leaving them alive could’ve risked Hadir and his team, who are nearer to the road.
Two fighters from Hadir’s team take the truck and park it in the middle of the highway as a makeshift blockade. She watches as they rig it up with explosives, and orders them to wait for her signal.
Their target, as do many in The Sacrificers’ ranks, is a revenant. According to Alex’s sources in the CIA, they’re just a Revenant of Flesh. Their healing powers could save them from some injuries, but an explosion should kill them.
And if the explosion doesn’t do them in, bullets will.
They were ready for an ambush. Armored trucks, snipers, mortar teams.
“We need help! Where is Captain Price?!” Farah shouts as she fires on a few fighters making their way through the ruined house they’ve taken cover in. Alex pops up to shoot as well, but she pushes him behind her when a few bullets hit too close for comfort.
Her clothes are riddled with holes.
Hadir shouts from the rooftop beside theirs, “we cannot wait! I’ve got more firepower in the truck!” an explosion shakes the foundations of the house, “Alex! Follow me!”
Alex looks back at her, and she nods. Hadir’s intuition never failed them, his habit of preparing for the worst saved operations more than once. He’s not her second-in-command just because of their blood relation, she trusts him more than anyone else.
That is why, when green, toxic gas started covering the abandoned village rapidly, Farah didn’t dare think it was him. Hadir wouldn’t do that, he promised her.
She hears him shout to Alex that there are gas masks in the bunker. It should’ve tipped her off. It didn’t.
Coughing horribly, she ran towards the bunker, her steps unsteady as the gas coats her lungs. She has never forgotten the way it claws down her throat, burning, seizing her muscles.
Alex comes into view just as Farah’s vision begins to fade, and the last words she hears singe worse than any chemical could.
“H-Hadir… You’re… a revenant?”
When she comes to, it’s to the smell of dust. Her throat still burns, but as she coughs, she feels clean air filter through her nose. Farah blinks her eyes open, to see Hadir equip a gas mask on Alex’s face. He notices her eyes following his movements.
“Sister…” Hadir leaves Alex to approach her, his arms open. Before, she would’ve taken comfort to see he is not injured.
Now, all she sees is anger. Green, sickly, violent anger.
Farah pushes him away, but she is weakened, so his arms don’t leave hers, “how could you do this?!”
He tries to placate her. It makes her shake with exertion to get away. “I had no choice, Farah! I-”
“No. Not like this.” her eyes roll back, and before she loses consciousness again, she mumbles, “you promised…”
“-Farah!… Alex!”
She grunts. Her arms feel weighted when she pushes the dusty gas mask up and off her face. Alex does the same, trying to get up on his feet and failing.
Price’s voice invades her mind, and she winces. It is an unfamiliar feeling, still. “You’re alright, Farah. You’re alright.”
Still unused to the powers, she chooses to speak, “where is he…? Where is he?!”
Price finally reaches them, helping Farah get up, only for her to push off to rush out the crooked door, “he’s gone, Farah…”
She snarls. How dare he run, how could he leave- “no… Hadir… HADIR!!!”
“Farah!” Price follows her, catching her when she stumbles on the steps outdoors, “Farah, stop! Stop, he’s gone!”
Her fists clench on dry earth and she screams. Coward, liar, monster. No curse is bad enough to describe that fucking dog.
She feels Price wrap an arm around her, not to support, but to comfort. It reminds her why they’re here in the first place.
“There is no thief.” she tilts her head up, staring at Price’s blue-gray eyes. His brows knit in confusion, and she continues, “he created the gas. I’m sorry, Captain, I didn’t know, I didn’t know…”
She feels Price pull images from her memories. She lets him.
The Captain looks through her interactions with Hadir for the past few weeks. At first, Farah thinks he doesn’t believe her word, but Price relays to her that he’s not doing it for himself.
He’s proving her she’s not at fault.
“There’s no way you could’ve known, Farah.” he says out loud.
Alex joins him behind them, leaning on another soldier, “it’s okay, Farah. We’ll get him.”
She wants to bristle at those almost meaningless comforting gestures, but the look in Alex’s eyes is pleading her to let it go, for now.
Price helps her up again, shouting to Alex, “we need to un-ass this target- NOW!”
As they board the helicopter, Farah looks down.
Corpses line the desolate streets, no bird dares to sing at the sight. Both Al-Mudahiyn and ULF fighters lay still, eyes bulging and throat scratched raw. She grits her teeth, but her eyes don’t stray from the sight, even as the aircraft rises to the air.
Alex places a hand on her shoulder after a while, a questioning hum following.
She shakes her head, and with it his hand.
A voice that has haunted her for the last two decades drifts closer to her, whispering into her ears a sentence she hates to acknowledge has never been wrong.
“You haven’t saved anyone.”
At twenty-seven, Farah Ahmed Karim has lost the last remaining blood relative she had. There was no one left to mourn, except her.
In a dusty helicopter, with the smell of noxious gas still in her every breath, Farah promised to find him, the walking corpse of her brother, and stop him before he drags more of them down.
And unlike the man who once was her brother, Farah keeps her promises.
#call of duty modern warfare 2#cod mw2#cod farah#cod alex#cod price#farah karim#hadir karim#alex keller#john price#revenant au#call of duty fic#call of duty fanfic#call of duty modern warfare#cod fic#cod fanfic#farah.... <3333#her story makes me so fucking sad every time#i cant see the cutscenes from mw2019 without tearing up#shes my fave character from base game bc shes just so complex#doomed to be in an american military propaganda game...#i decided to change AQ since they havent been mentioned in part 1#and i dont really like how theyre handled in canon#like... russia is the one occupying urzikstan but AQ operates in europe and decided to do what they did in piccadilly circus#but the brits supposedly arent aiding barkov/makarov and are actually against them??#but they cant show americans/brits conquering and violently occupying countries bc cmon guys america doesnt do that its only russia \s#also AQ literally translates to 'the killers' and im sorry but thats... not it#you cant really have nuance with a group called 'the killers'#sorry i just hate when the american military propaganda game propagandas#i hope i managed to make Al-Mudahiyn more... sypmathetic? maybe?#like you could understand more why ppl from the ULF would choose to be part of Al-Mudahiyn... rather than fuckin AQ
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#idk if this is an unpopular opinion but i genuinely operate on the assumption that the writers never think of the storylines#(and the indications of their writing choices in the broader frame) as much as the fans do#not in the way that im criticizing their intelligence or anything like that i just dont think this is the type of show written like that#like idt when they were writing the sperm donor storyline they were considering buck's broader storyline re being conceived as spare parts#or that what name the characters call buck has that much of a deep meaning like yes i have my own headcanons about tommy calling buck evan#but idt it was a direction given to lou because tommy is meant to be seen as special/different from other LIs/characters#i dont even think they considered the moment buck told his parents not to call him that#not saying nothing has staying consequences in the show obv but it's like whatever the character has to get from it happens in that arc and#then we move on#there are some defining traumas that come back like bobby's family madney and doug and eddie losing shannon#but i usually watch the storylines contained to that arc#not as a part of the lore that the writers will always be vigilant of as they keep building on these characters#at least not to the degree a fandom does#this is why i never speculate based on previous storylines l#not beyond “this would have a lot of potential if they went that route”#no one in that writers room thinks about character lore and the nuances of characterization as obsessed fans is what ill say#does*
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why do I feel like valeria is a little sassy soldier but like in her own lil macho el sin nombre way
i feel like valeria was MEAN when she was in the military. vicious and cutthroat in combat, or to the poor soul she's doing hand-to-hand practice with. and if you think about it — she kinda had to be. most of her team were men. while not all were bad or malicious, there were plenty that didn't see her as a soldier.
if something went wrong and one of them needed saving, whether one of the good men or not, she'd do it out of obligation. but honestly, she saw it as weak for them to let the enemy get the best of them.
with her superiors, she would stay in line (obviously) but not with a lot of enjoyment. deep down, she always knew she wanted to lead, to have power... and she did — only illegally.
#but you just know she was civil with the women#gay gay gay#she def had a fling on base w a woman#probably while dating alejandro lets be real#valeria garza#valeria cod#valeria mw2#valeria headcanons#los vaqueros#kortac#kortac operators#mw2#call of duty#rachel speaks#not writing
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i'm sorry if you genuinely think bozzi and leclerc "copied the other driver/engineer's strategy" i canttttttt take you seriously
#do any of you understand how this team shit works. how this pre-race strategy meetings team shit works.#or calling this win 'lucky' be for reallllllll#i dont generally go for the block button but that should be an immediate block#its just fascinating the thought processes required to avoid admitting some of these guys are just good at their jobs#possibly better than others.#there's thoughts in me about the ways fandom 'character analysis' trends intersect with the way people talk about f1 on tumblr/twitter#while just completely forgetting or ignoring not just the competitive sports of it all but the very real ways the teams operate#did you guys know ferrari has a whole 'remote garage' of engineers in italy that tune in every race just to analyse data in real time#and feed back possible strategies to the pit wall that then get discussed and acted on based on drivers feedback?#do you GENUINELY think its just bryan bozzi leaning over fred's shoulder to copy adami's homework#you know ferrari has their very own hannah schmidt? maybe not as good as her but there's a dude in there whose job is 'tell us what to do'#maybe you could learn his name it might be helpful#sorry AND ONE MORE THING#how do you call yourself a leclerc fan and then turn around to call this a lucky win#it required outqualifying his teammate#it required taking advantage of the situation around him to jump lando at la roggia#it required sticking close to both mclarens in dirty air and taking a gamble on the early pit stop#it required 37 LAPS ON HARDS THAT NEVER WENT BELOW OR ABOVE 1:23:000 EXCEPT ONCE#and yes it required required teamwork. as most wins do unless you have a rocket under your ass (and/or don't know how to use it)#the only lucky part was lando once again fumbling the first lap and george taking himself out at turn 1#but you understand he still had to drive the rest of the 52 laps himself right. god#its too early for me to be this mad
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caught in 4...80p. remastered.
[ID: TF:HM episode 21 open in video player timestamp 12:53. Galvatron smirks and raises a wine glass of energon. Subtitles "Of course. As much as you wish." END]
ALREADY downloaded due to my hell era for no internet viewing-[looking at the screenshot of my own video player] I CAN MAKE GIFS ON MY PHONE????
#some shit#its not called cisformers#no i dont delete things. obviously.#WAH being so. i wanna post all my screenshots day. i have. so many of them [-> unwell but its like my base operating perametres]#I COULD AND SHOULD do all the wine glass ones at least
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oough. god. reading a paper review of a book. never fucking connected levs constant use of animal body parts like bones in (other cultures), sky burial being really sacred to him, and the cremation ground associations in india. shit man. thats a fucking whole ass connected triangle i never saw before.
post on that now brewing
#''the use of skulls corpses and animal parts for magical intentions (...) indicates the existence of a group of specialists#who operated in cremation grounds (...)'' nah hold on!!!!!!!!!!!!!!!!! nah hold on!!!!!!!!#MAN. bruh. never connected shiva wearing corpse ash with seeing him constantly dressed in like dessicated bird wings and#pelts and carved bones and using animal skin drums - like the drums and pelts i knew were shiva things but!#ramblings //#and the fact its not burial its cremation grounds - the processing and destruction-recreation of dead bodies! bruh!#Lord Death //#no wonder thats such a central name/epithet of his that i knew him as Death before i knew him as....... anything else#............. literally i made my first oc based on him (accidentally) and he was called /Shi/ like lmfao ok.
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wait hang on. i'm piecing together the logic of syb's herald au and i'm realizing. she isn't the herald of the whitetails. she's the herald of the henbane.
#in this au her whole pathos is that the world is dog eat dog on account of being taken in by her daddy after mama dies#she follows in daddy's footsteps and gets involved in a life of crime (rather than the military)#she goes to prison where that idea is reinforced. and also that people are animals. but can be trained with discipline and order#her moniker is 'the warden'#her base of operations is the hope county jail. she calls it 'the pound' and the cell block 'the kennels'#her methods are more similar to jacob's. but for the gimmick. the SYMBOLISM. she has to be in the henbane#also if she's in the henbane then it means that her baby brother's statue is in her region and i think that's sweet <3#herald syb au
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Has anyone else ever been offered a job only for the onboarding paperwork link to be broken, and upon learning most people who were hired all have the same problem of literally being unable to accept the job due to being unable to fill out said onboarding paperwork, the company decides that we applicants need to call a completely different help desk line that's not even affiliated with the company to see if they can fix it, and if they can't then they'll "figure out what to do next", all the while the pay for the job has not been discussed because it was within the onboarding paperwork details that are hidden behind a broken fucking link?
Anyway no one wants to work anymore or whatever
#it was funny in a pathetic way at first but after emailing 3x only to get a call the next day like “hey did you see the offer” & then being#told everything i mentioned above between two call backs.. hm! bad! it was a temp position but also like yeah i can definitely see why you#are understaffed & need temps if this is how your business operates. have you considered not running a business this way? im so curious#what the pay was gonna be too bc i KNOW it was gonna suck but i dont think i wanna go through hoops all day just to maybe still not know#bc i have a sneaking suspicion this wont be solved easily based on every other step of this process lol
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if you’re still doing it, 48 (bleed it out) for the ask game?
(for the wip title meme) I am indeed, though I think at this point all of them have been covered!
48(bleed it out) is the game jam au I've been kicking around for a few months, as encouraged by ...I think it was @lttrsfrmlnrrgby and/or @notquiteaghost? probably? it is riffing off a bunch of hilariously local shit from my hometown, plus or minus what I need for the concept of the fic and what I think is funny, and is looking like it's going to be around about 15k when I'm done (though I am notoriously bad at estimating word count, so like. Asterisk that heavily.)
The entire room obliges, stomping feet and drumming hands on tables and bellies and backs alike. It's less a drumroll and more an excuse to make noise, but up on screen the presenters laugh and shove at each other, joshing like a pair of kids.
Cody joins in himself, of course, stamping his feet and drumming on the table in front of him; somewhere in the room someone whistles, ear splittingly loud.
The presenters laugh.
"Alright, that's a good enough signal as any, and I think that might be long enough; our techie is waving that we're just about on time now, so! without further ado: your prompts this year are…." Cody tenses, despite himself; it's not like he's going to run anywhere, but somehow, every year, he finds himself just about ready to sprint out of the damn building, soon as they get those three words.
#coats chats#wip title ask meme#cheers anon!#also like. this is based on a game jam but: no game jam I've gone to operates *quite* like this#call it artistic licence. if you've game jammed before just roll with it.#also I had sort of wanted to get this done by october bc that's when the game jam this is drawing from ran but: life. so.#¯\_(ツ)_/¯ happens when it happens now#anyway apparently my niche in the fandom is 1)ethical nightmare trolley problem speed run any%#or 2)aussie au
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How to explain my fave Robin is Matt McGinnis
#like it switches by the day#but smth about Matt being Robin for 2 seconds and going ‘yeah this ain’t it’#will always be funny to me#like my ideal version of Matt is hero adjacent#Like yeah the hero stuff happens and he can help sometimes#but this is NOT his job he is NOT on payroll do NOT call him up#I think In my mind I like Matt being trained as a kind of combat medic#it’s been awhile since I’ve watched Batman beyond#like I promise I was an actual baby last time#so if anything is wrong don’t @ me I’m waiting to rewatch#but anyways the combat medic thing#I like him having these skills#but will he use them for anyone but Terry Dana and Max??#maybe if Terry asks nicely :/#hes so mean tho like if he had to perform surgery on a super or anyone super adjacent for any reason it’s immediately#‘man of steel my ass’#‘ur the greatest hero earth has to offer…aight.’#like injuries go down bc ppl are so scared of being operated on by this mf 💀#the spirit of Alfred shines down upon him#omg based off that comic panel#Bruce lays out a plan while terrys getting stitched up and Matt goes ‘oh that’s sweet. he’ll be dead by Tuesday’#Bruce actually gets choked up and Terry still has no idea why
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Things that work in fiction but not real life
torture getting reliable information out of people
knocking someone out to harmlessly incapacitate them for like an hour
jumping into water from staggering heights and surviving the fall completely intact
calling the police to deescalate a situation
rafting your way off a desert island
correctly profiling total strangers based on vibes
effectively operating every computer by typing and nothing else
ripping an IV out of your arm without consequences
heterosexual cowboy
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Coca-Cola is now on the official BDS boycott list!
From the website:
November 2024
1) Why?
Because Coca-Cola is implicated in Israeli war crimes.
According to research by WhoProfits, the Central Beverage Company, known as Coca-Cola Israel, which is the exclusive franchisee of the Coca-Cola Company in Israel, “operates a regional distribution center and cooling houses in the [Israeli] Atarot Settlement Industrial Zone.” Furthermore, its subsidiary, Tabor Winery, “produces wines from grapes sourced from vineyards located on occupied land in settlements in the West Bank and Syrian Golan.”
The International Court of Justice affirmed in July 2024 that Israel’s entire occupation of Gaza and the West Bank, including East Jerusalem, is illegal, as are all Israeli settlements built on occupied land. As Israeli settlements – on occupied Palestinian and Syrian land – are considered war crimes under international law, Coke is complicit in a war crime.
Corporations that are implicated in the commission of international crimes connected to Israel’s unlawful occupation, racial segregation and apartheid regime - within or beyond the Palestinian territories occupied in 1967 - are all complicit and must be held accountable. Direct complicity includes military, logistical, intelligence, financial and infrastructure support. The corporations, as well as their boards of directors and executives, may face criminal liability for this complicity.
Local alternatives are popping up worldwide to substitute Coca-Cola, an unnecessary and replaceable beverage
Local alternatives to Coca-Cola have been gaining market share across the world, including in Palestine, China, Bangladesh, Sweden, Egypt, India, South Africa, Turkey, Lebanon and elsewhere.
2) Why NOW?
The BDS movement has always considered Coca-Cola boycottable but has not prioritized it as a target based on its careful and strategic target-selection criteria, so why endorse the Coke boycott now?
Human rights and health activists, among many others, have been campaigning against Coca-Cola and similarly complicit corporations for decades, including grassroots drives targeting the company for its complicity in Israel’s gross violations of Palestinian human rights.
During Israel’s ongoing, livestreamed genocide, Israeli soldiers have often been pictured with Coke cans, donated to them by various genocide-enabling groups. This has provoked even more anger against the company, particularly given that Israel is starving 2.3 million Palestinians in the occupied and besieged Gaza Strip, severely limiting their access to clean water and, as a result, inducing the mass spread of contagious diseases.
Given this context, Palestinian activists in Gaza and many BDS activists in the Arab world, in many Muslim-majority countries, and in some European countries as well, have called on the BDS movement to add Coke to its priority targets.
The BDS movement had previously targeted General Mills for its manufacturing of Pillsbury products in the illegal Atarot Settlement Industrial Zone - the same Zone where the Coke facility operates. Thanks to effective BDS campaigning, we won the demand for General Mills to end its business in Atarot. We know a campaign against Coke is winnable too.
Based on all the above, and given Coke’s large contribution (through business-as-usual and taxes) to Israel’s war chest during the genocide, the Palestinian BDS National Committee (BNC), the largest Palestinian coalition leading the global BDS movement, has endorsed the grassroots, organic #BoycottCoke campaigns to pressure the company to end its complicity in Israel’s illegal occupation, apartheid and genocide.
UPDATED VERSION!!!!
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screaming crying rolling on the floor thank you so much for this character analysis!!! it makes me so happy this exists...how am i discovering this so late...
i've been thinking about topaz's view of the ipc and it's so interesting to me...my impression is that topaz believes in its capabilities more than anything. to her, the ipc is able to save planets and "protect the interests of the vast majority of people (about self: occupation)" because of how it runs. she can see some of its faults but to her, the positives significantly outweigh the negatives. a better system does not exist to her...but she's always open to suggestions.
i wonder if it's like to her, the ipc is more like a tool for her to achieve her goals (the irony of that...). maybe she already recognizes that the ipc uses her like a tool too, but simply sees it as a fair exchange rather than a negative.
The IPC has given me an excellent platform to pursue my goals... and for that, I have nothing to complain about. (about self: occupation)
i don't doubt she has a lot of emotional and cognitive biases for the ipc as well, but her actions seem to be at least consciously driven by principle. her final decision in belobog story (and a few little moments in her lore where she breaks the rules) demonstrates that she's not afraid to go against the ipc's interests if she believes what she's doing is right.
the most turmoil she experiences is within herself. what do the events at belobog mean for her beliefs? just as op explained really well in the main post!
that and she is also openly very not thrilled with many people in the ipc.
In the IPC — no — even just the Strategic Investment Department — there are plenty of unsavory characters I don't care for. (about aventurine)
how can she be such an passionate advocate for an organization that hires so many people she doesn't align with? including those with a lot of power and authority?
circling back to the main point, this is why i think she believes in the system more than anything. she rationalizes that while it's an imperfect system with imperfect people, there isn't a better one, and it gives her the tools to achieve her goals. i think she has to realize that the system is fundamentally harmful to completely reject the ipc.
In negotiations, choose ability over familiarity. (topaz & numby trailer, 0:48)
^this isn't specifically about the ipc but i feel like this is a good representation of how she thinks.
(edit: removed the second half of this rb post because it didn't feel relevant enough to the original post and i got embarrassed about it slkfjdls i'll make a separate post about it another time!)
Topaz appreciation post because she’s been rotating around my brain like a rotisserie chicken and I need y’all to get her like I do
Genuinely, I believe her to be the most underrated limited 5 star in the game everything wise, because she is so damn interesting and nobody talks about it ever and it drives me nuts.
So, I’m going to make you understand why exactly I love her and what makes her so amazing in the first place.
Her lore
Topaz’s lore is rather simple, at least compared to other characters in the game, but simple ≠ bad and her story serves her perfectly.
Long before Topaz was Topaz, she was a girl named Jelena, living in a desolate planet at the edge of the galaxy. The economy of this planet was based around mining and industry, which resulted in her home becoming more and more polluted as time went on. The wildlife almost completely disappeared, people had to wear masks to breathe, and it seemed like her planet was reaching a hopeless, dismal end.
Until the IPC came. They promised to fix everything, and heal her planet of its environment problems, in exchange for every person on the planet signing a contract of indentured servitude to the IPC. Seeing no other way out, Topaz’s home accepted, forever tying her and the rest of the planet to the IPC.
Topaz is was (and still is) incredibly talented and competent, excelling in science, economics, finances, math, etc. Her exceptional talents caused her mentor and parental figure Dvorski, who works in the Strategic Investment Department to recommend her to Jade, one of his superiors. Presumably, this is how she started her climb up the corporate latter, eventually becoming the Topaz we know and love today.
Throughout this, she maintained her friendly and headstrong attitude, and never abandoned her love for animals or the people in her life like Dvorski, a trait which will be important for later.
So, I’ve established the basics, so what makes this interesting?
Topaz’s trauma and how it affects her character
I feel like a lot of people ignore just how much trauma she really has, and how it affects the way she behaves in the present.
For starters, her love of animals. Sure, Numby is adorable and in general this is a rather fun trait for a character to have, it’s not something you would consider to be a sign of something darker.
However, remember that Topaz’s planet almost lost all of the life on it, and she witnessed firsthand almost every creature she knew and loved either go extinct or become severely endangered.
So, when you view her love for animals through this lense, it’s easy to see that she’s so attached to animals because Topaz almost lost them forever, and this trait manifests in a lot of the behavior she exhibits.
According to Topaz herself, her efficiency goes up 27% when Numby is with her, and it seems to be blatantly obvious that being around animals give her at the very least a peace of mind/sense of comfort. I mean in game she is Topaz and Numby for a reason, and her relationship with them is a core part of the way she behaves. When Topaz can’t ground herself, she has Numby to help her with that, which hurts even more considering she is likely going on these missions alone 90% of the time, meaning her literal only friend is a pet/animal.
Considering Topaz’s biological parents never get mentioned, it’s not hard to assume she is orphaned or at the very least estranged from them, likely due to the disaster on her planet, leaving her only loved ones to be her pets and Dvorski. Losing one half of the only support system she has would be devastating for Topaz, which is likely why she brings Numby everywhere (also considering I don’t think she has mentioned him in the present, her pets might literally be the only things she has left).
In her own home, Topaz collects a myriad of species from across the galaxy, as if to preserve them so at least even if they disappear on their home planets like hers did, they won’t go extinct entirely.
Personally, I think her fixation around them cooperating and coexisting also reflects on how she feels about other people. If animals from completely different planets can get along, so can people. If she can convince creatures lacking in intellect work together, then she can do the same for ones that possess it, as ultimately Topaz is a massive people person, and believes what she’s doing is best for the galaxy.
It’s almost like an experiment, with every little change to their ecosystems, every new organism added, every new abiotic feature taken or removed, Topaz can simulate what that might be like in reality. In a way she wants to take care of humans like she does her pets, however instead of doing it through her own means, she uses the IPC and her power as a Stoneheart as a vector for that.
But why is she so confident? What makes Topaz wholeheartedly believe that what she’s doing really is the best for the galaxy, even if we know it isn’t perfect, even if only ~80% of the planets she works on are “saved”?
Well, like always, it’s her trauma again.
Imagine you’re living on a planet slowly dying due to its people’s greed and ignorance, in which everything you know and love is falling apart, and absolutely nothing can be done about it. But you don’t need to imagine this, I mean this is a situation we are all going through, as it’s already what’s happening to our planet right now, so perhaps instead picture what it might be like to live here in a few decades if nothing changes. How miserable that would be, how upset you would be at those in power, how disappointed you would be in humanity for doing Nothing when we had so much time and already knew the consequences almost a century in advance (seriously we have known about climate change since like the 50s).
So you give up hope and accept your fate, accept that everything is going down in flames and the humanity, the planet you know and love is going to be snuffed out forever.
Only to get saved when an outside influence comes to your assistance. Sure, they make everyone sign a contract binding their lives to them, but you wouldn’t have a life to give had they not helped. Besides, you owe it to every other thing that shares your planet with you, every plant, every animal, every organism has been utterly wiped out by human greed, so it’s only fair to pay them back, right?
I mean it’s your whole world at stake, so how could you say no? How could you deem their terms unreasonable if clearly your own people didn’t deserve the responsibility they had over their own lives? If their situations could only be fixed by giving it to others who could guide them? By giving it to the IPC? The Preservation ?
This is the mindset Topaz grew up on and has known for her entire life. She has seen humanity utterly fail itself and is unwilling to allow that fate to befall others. She doesn’t trust other people to make the right decisions, she doesn’t think they know what’s best for them, because the people she was closest to, her very own people couldn’t do that, so how could she ever expect strangers to do the same?
How could she ever give the leaders of these planets the benefit of the doubt, knowing that doing that for her own almost caused it to be wiped out completely? How could she see them as anything more than the selfish bastards who ruined everything? How could her heart not ache thinking there were people on the planets she helps who would be doomed to experience the fate that almost fell upon her had Topaz not stepped in.
How could Topaz feel guilty over the planets that don’t succeed? The ones she can’t save? As after all, she thinks they were lost from the get go? Does it eat her up at night knowing she failed them? That she couldn’t prevent the folly of humanity this time, so the next planet she must work harder, be more stubborn, push back even more, so nobody ever experiences what she did instead?
I mean being an indentured servant hasn’t been that bad for her, she’s succeeded in every endeavor she’s set her mind to after all. Sure, she’s entirely alone, and sure, if the IPC no longer deems her or her people useful, they could cast them aside once again.
But Topaz is smart, she climbed to the top of the latter, she’s been praised to hell and back, she’s known far and wide through the department for her efficiency and drive, surely she hasn’t done anything wrong?
Sure she’s heard whispers, rumors and projects of other departments, of the deep dark secrets of the company she owes her life too. Inwardly she wonders how those who follow the Preservation would even be willing to commit such atrocities, inwardly she hopes they are just rumors. The IPC saved her planet, so how could they destroy others?
The Preservation’s power will protect all, will save them from their miserable existences. Nothing else matters in the process, no dissenter understands this as like Topaz does. She will save them, she will protect them, even if it means she is detested by everyone she encounters, it must be done. All for the Amber Lord.
I find it very compelling how despite the fact that Topaz has become a Stoneheart, she is still dressed in the fashion of an average IPC worker. As if she is an equal part of the puzzle as them. Equally useful, equally disposable, equally biased, equally ignorant, and equally foolish.
I mean, how could she be anyway else?
Her future
Belabog was just as important for Topaz’s development as she was to it.
She was wrong.
As stubborn as Topaz is, she is not arrogant, and when Bronya proved to her that the people of Belabog can and would fight for their future, Topaz did everything in her power to help them.
As that’s what she really cares about, people.
I think Topaz the determination she has in Bronya and it shook her to her core.
Because so far, the only way Topaz has seen real progress is from the hands of the IPC.
But Bronya doesn’t give into them, and she puts everything she has into saving her people. Moreover, Jarilo-VI follows the Preservation as well, but they don’t agree with the IPC’s method of it.
Is the IPC wrong?
That is the question Topaz is faced with, what is the thing she has to grapple with once she leaves the planet. When they demote her for not getting the debt back immediately, does Topaz wonder why they were so concerned about that in the first place? Shouldn’t they be happy that a world blessed by their very own deity managed to pick itself up without their help? Isn’t that the point?
Does she think back to her previous projects, the planets she saved and the planets she failed, and wonder how it would have worked out without the IPCs involvement?
Did Aventurine teasing her about “failing” the Jarilo-VI project confuse her, because they were still saved like Topaz wanted them to be in the first place? How could they ever be considered a failure?
She believes debts and payback are what holds planets together, but it only ever seemed to cause Belabog to fall apart.
This is the first time Topaz really is forced to reevaluate her priorities, to question if her methods are justifiable, if she’s really doing the right thing.
Belabog didn’t break her, it didn’t topple her worldview and turn everything on its head, but it did plant some seeds of doubt in her brain, seeds of doubt that will grow into a new mindset.
HOYOVERSE IF YOU ARE LISTENING HOYOVERSE, GIVE HER THE MENTAL BREAKDOWN + PRIORITY REEVALUATION ARC SHE DESERVES!!! DO THAT AND MY LIFE IS YOURS PLEASE.
Like you don’t get it you don’t get it what do you mean they set all this up and they might not go anywhere with it. Please hoyo please please please let her break away from the IPC’s condition and warped perspective, please let her truly follow the Preservation, please make her turn away from them, please make her an emanator of Preservation after she does this. Topaz stoneheart form, Topaz emanator form. Please please please let her save the crew let her save her subordinates let her save the people she failed previously let her save Aventurine and Ratio let her save Numby let her save herself.
Her instability
I have already somewhat touched on this in point #3, but Topaz just cannot exist in the state she is now permanently.
Like a radioactive element she’s going to slowly decay over time until she ends up in a more stable form, and who that will hurt in the process, and how long that will take, we will have to see.
Hypocrisy is not something that can exist for long within characters, as due to its inherent contradictions, it messes with the way they are characterized until they are eventually forced to either eliminate it themselves or have the story do it for them.
Topaz is a hypocrite, desiring to do good and help people, but she ends up hurting them in the process.
However, she has only just begun to realize this, and as more and more of the IPC’s atrocities get revealed, it gets harder and harder for both the audience and her herself to justify her behavior as we witness the extent of their crimes.
So how has she remained this stable for so long?
Well, the IPC has done everything in their power to keep her that way. From a young age she was involved with them, as they not only saved her planet, but her only known parental figure worked in the Strategic Investment Department. Soon, he recommended her to Jade due to Topaz’s exceptional talent, and presumably the other Stoneheart quickly picked her up and took her under her wing, causing Jelena to rise fast within the ranks and become one herself.
The IPC has been Topaz’s only frame of reference for how things should be done, her only perspective on write and wrong for so long. The only hints she gets of other points of view are that of the people who destroyed her planet, her own people. Unintentional or not, Topaz has been made to feel her whole life like the IPC are heroes and the common people are foolish and greedy and evil, and only now has that worldview started to crumble piece by piece.
Sure, we have always known how terrible the IPC was, a perception that has only gotten more and more true over time. However, Topaz is not the audience, and in universe the IPC presents themselves in a very positive light.
Think of the Myriad Celestia trailer and how it portrays the IPC; that’s quite literally how they want to be viewed in game, how they market themselves to other people. If Topaz has only ever known them to be that great, shining, progressive company who vows to follow the Preservation and improve the universe, how could even begin to criticize them? After all, she had never known any other perspective. Even when she did fail in the past, Topaz viewed it as a strike on her own record and an unfortunate situation in general, not as a demonstration of the IPC’s misdeeds.
The IPC is good, the IPC saves people, the IPC follows the Preservation, Topaz is a good person, Topaz does good things, Topaz helps people, Topaz saves people, there is nothing wrong, there won’t ever be anything wrong.
Until Belabog
They don’t want to cooperate with the IPC. To roll over and let themselves be gutted for all they are worth.
Well that’s fine, that’s happened before, at least that’s how Topaz justifies it to herself. She thinks of their massive debt, it must be paid after all, otherwise how could the galaxy remain stable?
But the weapons the IPC gave Jarilo-VI were never used in its defense. The thing they owe the IPC for never ended up being valuable. Belabog stood on its own, without the help of IPC in its defense.
They saved themselves.
As if it couldn’t get worse, they did it with the power of the Preservation.
And it didn’t come from the IPC, it came from them.
The Interastral Peace Corporation, who claim to be followers of the Preservation, standing against people who really do have their blessing and being proved wrong.
Do you know how that would feel to Topaz.
She’s wrong, and she’s proven wrong by the very deity she claims to follow, she believes she follows.
So Topaz makes her choice.
Stick with the IPC’s plan, or stand with the people of Belabog
And she stands with them.
Topaz’s character never changes. I hate when people act like she switched up on them and changed her whole worldview, but in reality that was the most in character thing Topaz has ever done in her entire life.
Because she cares about people, so when the opportunity presents itself, she will always stand with them.
This is the first time Topaz goes against the IPC’s wishes, and it won’t be the last.
She made her choice, she demonstrated who and what she truly cares about, and that will only drive a wedge between her and the IPC further and further until she snaps.
I find it funny how Topaz is a fire type character, when the song core to Belabog’s themes is “Wildfire”
However, maybe it isn’t just about them. I think it’s about the Preservation, about what the game in general is trying to tell its players.
How fighting for your right to exist will hurt, but it is not impossible, and that pain will be the only way to enact change.
Well, Topaz,
you made your choice
go fight against your fate
Thank you so much for reading! I really enjoyed making this and I hope you at least understand why I think Topaz is such a compelling character. I need an arc centered on her in the future and if I don’t get one then trust me things will be dealt with. She will get her just desserts.
#jelena posting#rb#i have a lot of thoughts that are based on my interpretations of canon but i don't claim to be correct on anything ever#i wrote this all in one go so i hope this made sense#your post just made me incredibly emotional...#i'm so normal about jelena#i didn't think nearly as in-depth about how her trauma relates to how she thinks and operates until this post!!#and now i'm even more normal about her#i'm giggling i'm kicking my feet#i like calling her jelena but it felt weird rbing a post where she's referred to as topaz while using a different name in the rb slkdjfs#hsr topaz
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Oh.
To call WT's actions "antics" would be reducing the severity of what they're doing to creators. This is unacceptable behavior and it should be all the more reason for creators to start exploring other career paths outside of WT. For years they've been meticulously crafting an environment where people believe that WT is the only path to success, where WT controls the degree of success creators can achieve, from the manipulation of the promotional system to the lack of tagging and proper search functions on the app. Now that they've boiled the frog to this point, they're cashing out by flooding the platform with cheap imports, implementing AI tools, and of course, trying to use their contracts as a way to trap creators and keep them from owning their own IP's and maximizing on their own success.
I said it before and I'll say it again - Webtoons is planning to go public with their IPO this summer, so it would be a real shame if creators spoke up about the underhanded tactics used by WT to keep them from finding success in their own works. At the very least, it should serve as a reminder to all of us that companies like these can't amass billions without exploiting people along the way.
We can't even use "they're creating jobs for comic creators" as a reason to want to see WT succeed in spite of their flaws anymore because they're literally ruining people's careers, cutting them off before they've even started. That's not the platform being "flawed", that's the platform and the system it's built on being broken, full stop.
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