#ono yuki

[yaoisex]

I gathered all my strength and re-watched Hybrid Child again (after saying I might).

Based on my tag, my last re-watch was 6 years ago?? Maybe. Or maybe I didn't make a post in between, but I doubt it. Anyway, it's been a long time ago.

Amazing how the feels are never gone. I cry on every OVA but I cry the hardest on the 4th one. The seiyuu did such a marvelous job, I blame them for most of my tears, really. Also that damn OST that makes me weep the moment it starts playing.

The scene of the hybrid child offering Kuroda the sakura branch... I can't. My whole body hurts from the feels and crying. Every. Single. Time.

Look at OnoYu & Tsugu! They were such babies! <333

Honestly, those kind of anime just make me appreciate being alive in this timeline and being able to watch them.

[otanatchan]

[eng] interview with Ono Yuki & Yamaguchi Tomohiro about Niki's Kitchen episode 15

please check the original article for lots of cute photos! Translation (interview portion only) below the cut:

Please share your impressions about the event.

Ono Yuki:

I really can't cook, so I was really worried about how it would go. In TsukiSta I take up more of an MC role where I focus on talking with the guests and trying to keep it entertaining overall, so this time since I get to be a guest I can do whatever I want! or something.  (lol)

So, that's why I think the one who had the most fun today was probably me. Right after filming, Tomo-kun said, "It was really fun, thank you very much," which I was glad to hear. I'd be happy if the audience had the same feeling.

Yamaguchi Tomohiro:

It was an incredible event (lol). The last release event was more about looking back on the show's episodes, but since this time was an open filming where I'd have to cook in front of an audience, 3 days before the real thing, it sank in that this would be really hard. But since the guest was Yuki-san, whom the audience knows very well, I also had a sense of reassurance.

But when I looked at Yuki-san during rehearsal I did wonder, "What is he going to be like during the real thing?" ...... and when we started, he was just like that (lol). While conversing skillfully, the way he moved the audience's heart and raised the energy in the room made me think, as expected of a veteran.

How was it to hold an event with an audience for the first time in a while?

Ono:

TsukiSta is a closed studio, and today I felt that being in front of an audience is great after all. Even though they couldn't raise their voices, I felt their enjoyment through their expressions and laughter. I was happy to spend that time together.

And the food was so delicious! I really wanted to eat everything, but with the flow of the event and the time limit.... (lol). I was really happy that the dish I helped with turned out so well. And there's the dish that Tomo-kun made for me. Everyone can enjoy both dishes at Cafe Cinnamon, so please go check them out.

What was challenging about today's filming？

Yamaguchi:

Ono Yuki (lol)! The most challenging, but also the most reliable, everything was Ono Yuki. No, honestly, I couldn't imagine how this event was going to go.... I hope that the audience enjoyed the experience of watching us live, but I realized how hard it is to do an open filming.

Nevertheless, I normally get overwhelmed with myself during filming, but today since I was so overwhelmed by my partner, there were no mistakes in the cooking. Amazing!  

Is there anything you feel you left unfinished today or any regrets？

Ono:

The fact that I couldn't eat all of the food (lol). I wanted to clean my plate......!

Yamaguchi:

The fact that the audience who came to see us weren't able to raise their voices. "Cafe Cinnamon Niki's Kitchen Start!" "Yay!" I want to do that type of call and response. Instead of just having them just watch, I'd like to give them an experience where we do something together.

Including those who are starting a new chapter of their lives, please give a message to our readers.

Ono:

If you’re starting a new life, I recommend you learn how to make this galette because it will refresh your life (lol). Also, I talked about this in the recording, but when I was starting a new chapter of my life I had a crepe party with my friends. Get together with some close friends and eat crepes, and welcome your new life by making this galette!

Yamaguchi:

I've been working in this industry since I was a student, so I've never experienced something like a career change. Of course I'm working hard with a fresh feeling every day, and to make a new start at a turning point like this, I'll try my best this year too. When I talked to some of the people who came to the venue today, they told me things like, "I've graduated school," "I'm entering the workforce," "I'm going to start a new job," and so on, and I want to work hard along with everyone.

It might be a little overkill to call it emotional support, but I hope that Niki's Kitchen brings you joy, that yummy food cheers you up, and that it gives you energy for tomorrow. I'll continue to work hard, so please keep supporting the show!

[tokusongs]

"Agepoyo☆Dance!!", from Uchuu Sentai Kyuranger (2017). Performed by Tenbin Gold/Balance (Ono Yuki) and Hebitsukai Silver/Naga Ray (Yamazaki Taiki).

[cute-girls-from-vns-anime-manga]

[seaweed-s0up]

requests from twitter

[lostcauses-noregrets]

Attack Fes, the Attack on Titan 10th Anniversary celebration event, is taking place in Kanagawa this weekend, and twitter is awash with it. The two day event features voice actors, musicians and vocalists, including the main cast, Linked Horizon, SiM, and Cinema Staff, live music performances, and live dubbing of key scenes from the anime. There are also banners of all the characters from the key visual and amazing floral tributes contributed by fans. Everyone there seems to be having an amazing time. It's lovely seeing the whole fandom having such a great time together.

The main Eruri news so far is that the montage showing when Cinema Staff played name of Name of Love yesterday featured clips of Eren and Mikasa and Erwin and Levi. And today Ono D and Hiroshi Kamiya acted out the Crate Scene live on stage 😭 I would have ascended if I'd been there.

Eruri bouquet contributed by fans ❤️

Yuki Kaji is an idiot 😂

The line to see Levi's standee is apparently enormous because everyone wants to take a picture with him.

The event also coincided with Hiroshi Kamiya's birthday.

Huge thanks to all the fans on twitter for sharing their excitement 💕

[almostarts]

"Puddle"

The flat, translucent vessels are each organically shaped the way a puddle of water might spread out over a surface. The water is contained within a ledge just 1.5 mm high.

There’s a tiny needle in the middle where you can insert a single plant stem. You just have to pour water over the needle to fill the vessel with it.

Created by Japanese design duo YOY (Naoki Ono and Yuki Yamamoto).

[haveyouseenthisseries-poll]

[jessenigma]

My Favorite New Manga Reads of 2023

For the past few years on twitter, I've made threads of some of my favorite manga and light novel reads from the past year. This year, I decided I would move it over to two tumblr posts.

After the cut are some of my favorite titles that I picked up for the first time in 2023.

Talk to My Back, Yamada Murasaki

I like to pick up something a little more unusual at least once a year and so at the beginning of this year, I picked up this 1980s alt-manga title about the life of a Tokyo housewife played out in short vignettes. It's a frustrating read because of how real it feels and how much it feels like things haven't changed as much in the last 40 years as I'd like, but it's all the more fascinating for it. The essay at the end discussing Yamada Murasaki's work and placing it in context was a nice bonus too.

When a Cat Faces West, Yuki Urushibara

I love Yuki Urushibara's Mushishi (slow though I have been to actually finish it), so when Kodansha announced a license for Urushibara's much shorter series, I was there for it. It has a cool concept - there are areas of "flow" that will pop up out of nowhere and shift people and places out of time and space and one guy has tasked himself with helping people fix issues caused by it - but mostly it feels like Mushishi but set in the present day. I love a series that's just vibes all the way down.

Skip and Loafer, Misaki Takamatsu

I was absolutely smitten with the Skip and Loafer anime, so when it ended with what felt like a pretty definitive "we are not making a second season of this" final episode, I started the manga. A high school slice of life series lives by its characters and Mitsumi is the more adorable dork ever. The other characters are equally delightful, even when I don't necessarily like them, and I'm so eager to dive deeper into their lives.

Associate Professor Akira Takatsuki's Conjecture (light novel), Mikage Sawamura

This series feels a bit like what you'd get if you crossed The Case Files of Jeweler Richard and The Night Beyond the Tricornered Window: a college student with a supernatural ability to hear lies that alienates him from everyone meets a folklore professor with a mysterious past fascinated by mysteries, and together they investigate possibly-supernatural events. It's a bit silly, but the relationship between the leads is interesting and there's a lot of fun urban legends in the mix. There's also a manga adaptation that I haven't yet picked up, but maybe one day...

March Comes in Like a Lion, Chica Umino

I was curious about this one from the second Denpa announced the license just because of how much I'd heard about the series for years now, and it did not disappoint. I love a good story about a depressed and lonely teenage boy sublimating his feelings into an obsession with a uniquely Japanese pastime, especially when there's so many people around him wanting to help him stop being alone. Now I just wish that the release wasn't quite as slow as it has been, even if I know the many reasons why...though at least I still have the anime to rewatch while I wait.

Don't Call It Mystery, Yumi Tamura

After reading Basara and Wild Com, I was eager to get my hands on a newer series by Yumi Tamura, and the fact that it's a modern-day non-fantasy series made it all the more interesting. Totonou's incessant observations about the things going on around him are delightful, especially when they lead him straight into all kinds of dangers or even just leave everyone around him wishing he'd stop talking for about five seconds. I just want to pat him on the head and ask him to make me some curry.

After the Rain, Jun Mayuzuki

I got a card for the Japan Foundation's ebook library not too long ago, which has been great for picking up a lot of books that aren't available in my local library's collection, including this series. I had heard about it but was a bit hesitant because it's about a teenage girl who gets a crush on her much older boss...but hey, why not give it a try from the library? I'm glad I did because there was such a sweet relationship between them that ultimately helped them both out of the ruts they were in with their personal lives and dreams.

River's Edge, Kyoko Okazaki

I still can't decide if I actually enjoy Kyoko Okazaki's work or not, but I got a little closer to it with River's Edge. It's a harsh story about disaffected teenagers who find a dead body, but somehow it feels less depressing than the other works of hers I've read because they're teenagers and there's still the possibility that they can escape the lives that are dragging them down. I will say this - Okazaki's stories are never boring, whether I enjoy them or not.

Her, Tomoko Yamashita

I got a little overambitious this year and ordered the Italian release of a Tomoko Yamashita title I've been wanting to read for years. Can I read Italian? No. Did I think maybe I could figure it out kinda okay because I've studied French and Spanish? Yes. Did I end up reading everything through a translation app? Also yes. But this collection of interconnected stories about women and relationships was excellent despite the language barrier. I was thrilled to finally see the context for the kiss between a younger woman and an elderly woman that I so admired in Yamashita's 15th anniversary artbook, and its story was a touching exploration of what "normal" means. I would love to see this in English, but unfortunately I can't see it getting picked up.

Glitch, Shima Shinya

I was thrilled that Yen Press decided to pick up another title from Shima Shinya after Lost Lad London, and Glitch has been well worth my time. While it is a fantasy story about a town full of glitches in reality that I'm excited to see play out fully, what really caught my eye is the sheer amount of diversity in the characters - one of the leads is nonbinary, there are mixed race characters, there's a lesbian couple, etc. It's all part of the story but not in a didactic way, which I appreciate immensely. Shinya's art also makes me so happy, and I hope Yen continues to get more of their work.

Lilies and Voices Born Upon the Wind, Renmei

Speaking of diversity in characters, I enjoyed this series not only because it was a nice yuri with a motorcycle lesbian (always a bonus in my book, the motorcycle) but because it had some really thoughtful discussion of asexuality in multiple forms. I wish I could've gotten one of the printed copies that were available for purchase at one con, but alas.

Witch Hat Atelier Kitchen, Hiromi Sato & Kamome Shirahama

Did we really need a cooking series spinoff of Witch Hat Atelier? Probably not. Am I glad we got it in English anyway? Absolutely. This is basically an Olruggio/Qifrey slowburn domestic au fanfic and I adore it. And I love that they keep up the conceit about magical ingredients in each chapter's recipe, even though they are legit recipes you can actually make with the real ingredients recommended as substitutions. What Did You Eat Yesterday? but with witches, clearly an ideal combination.

Scribbles, Kaoru Mori

I am not actually a diehard fan of Kaoru Mori's work - I drifted away from A Bride's Story when I ran out of volumes at the library - but I do unabashedly adore her art. Scribbles is just perfect for me with its pages from her sketchbooks and her commentary about things like the ideal skirt tightness. I bought this in hardcover and all and will continue to get the other volumes in hardcover even though I almost always get Yen Press titles digitally because it's so much cheaper that way, that's how much I like it.

Innocent, Shin'ichi Sakamoto

I've had my eye on Shin'ichi Sakamoto's work for a while because I saw a bunch of panels from Innocent on here and fell in love with the art. What I did not expect was that the violently erotic story about a French executioner would actually get an English license. It's gorgeous and violent and weird and I am so here for it. Now, if I could just be sure that Dark Horse actually plans on releasing the whole thing...

Barbarities, Tsuta Suzuki

Much like with Innocent, I saw panels from Barbarities on here ages ago and wished I could read it without much hope, given the lack of other licenses for Tsuta Suzuki's bl since SuBLime's relicense of A Strange & Mystifying Story ages ago. But thankfully I am getting to read this nebulously historical drama with all of its social machinations and pretty men getting flustered by other flirtatious pretty men. And such nice clothes!

A Home Far Away, Teki Yatsuda

Kuma really gets some stellar licenses and A Home Far Away was especially good. Set in 1990s America, it reminded me of nothing so much as My Own Private Idaho crossed with Banana Fish and made me weep absolute buckets in the end. I don't think it's for everyone, but if you were ever an aficionado of depressing 90s queer cinema like I once was, this might be one for you.

À vos cotés [Tonari ni], Basso

I was shocked when the announcement for the French release of this title crossed my twitter timeline earlier this year - France has even less by Natsume Ono than the US does, but one of their publishers managed to get one of her actual bl titles published under her bl penname? So naturally, I had to get it. It's super sweet, about a young man who likes to take photos of horses at a racetrack who meets a much older man, and I swear reading it was just like reading her non-bl work only this time the two characters actually got to say their feelings out loud. This would be a perfect addition to several mainstream US publishers' bl lineup, and I would be the first in line to buy it if they did license it in English.

Dear, My God, Nemui Asada

More by Nemui Asada in English! I love Asada's work for its unique storylines and this one didn't disappoint, with a story about a priest having sex with a cult member to help save him and another story about a guy who ends up with a talking plant. It's a bit disappointing that it's only available on futekiya - when will we get some of these titles in print already?

Ikigami & Donor, Hiko Yamanaka

Hiko Yamanaka is another one whose work is always a bit outside the mold, and Ikigami & Donor is an interesting sci-fi bl about powerful "living gods" who have tremendous abilities but can't heal from injuries without blood, bodily fluids, or tissues from one specific donor. It's a fascinating concept and the way the relationship between one ikigami and his donor played out made for an interesting story. I hope to see more from Yamanaka one day.

[voiceofsword]

yamaguchi tomohiro (niki seiyuu) crepe vs yuki ono (koga seiyuu) crepe 😭😭😭

[nei-ning]

Tumblr recommended me a gif set from "Blue Lock" anime. Never heard of it or anything but I liked the animation in the gif set so I decided to give first episode a go... And I instantly found my favorite character, ahaha!

At first I was like: "Ahw, he, looks a bit like Ichigo! I like his look! :D" then he sounded too familiar so I googled his name and WHAT DO YOU KNOW!? Yuki Ono aka KAGAMI from Kuroko no Basket is his voice, ahaha! EVEN MORE REASONS FOR ME TO LOVE THIS GUY ALREADY! Yuki's voice is just soooooo AH! <3

But this scene! I have rewatch it already SO many times, laughing my ass off, akhfvbakjnsbk!!! I'm in love instantly, ahah! :'D I have HIGH hopes for this anime already!

[ms-lerhay]

No tengo un estilo propio es por ello que no abro comisiones ya que puede resultar problemático. Les comparto un dibujo que hice el año pasado.

[otaku-republic]

< NEW  BLCD (Yaoi Drama CD) Releases >

★ Ecchi Wa Shuu-7 Kibou Desu! by Pesotarou cv. Kumagai Kentarou, Shirai Yusuke ★ Virtual-Kun Wa Otonari-San Kara Nigetai by Aki Chihaya cv. Hirose Yuya, Masuda Toshiki

★ Nayamashii Kare Utsukushii Kare cv. Ono Yuki, Saito Soma ★ Kimi Iro Ni Kegasaretai by Sagano Hiwo cv. Kumagai Kentarou, Saito Soma ★ Yoake no Uta (Lullaby of the Dawn) vol.2 by Yuno Ichika cv. Uchida Yuma, Kawanishi Kengo ★ Koboreru, by Moriyo cv. Hatano Wataru, Saito Soma ★ Oredake No Senzoku Alpha by Hoshikura Zozo cv. Terashima Junta, Yamanaka Masahiro

[tamanone]

something about when a v.a gets to voice more than one version of a famous character/historical figure... miki shinichirou has now voiced 2 sherlock holmeses and 4 kinds of sakamoto ryouma. ono daisuke has also voiced sakamoto ryoma in 3 franchises. kaji yuuki voiced minamoto no yoshitsune in 2 different shows. nakata jouji has voiced both a young hijikata toshizou and an old version of him.

[such-a-downer]

Appreciation post for Ono Daisuke (Sebastian VA) and Yuki Kaji (Finny VA), to all seiyuus in general 💕

They're SO talented as you can see here:

@ around 04:18 you know who shook the venue lol

And I'm so grateful that OnoD is back again as Sebastian

[lostcauses-noregrets]

Some lovely cast pics from Attack Fes today, along with Ono Daisuke's video messages. Love that he mentions thanking Levi ❤️ You can also watch Hiroshi Kamiya's video message here.