#kaoru mori
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Otoyomegatari Vol.15
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#kaoru mori#self color#bunny girl#bunny suit#rabbit#anime#manga#i cannot stop coloring mori girls...
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New Life
- Kaoru Mori, Bride's Tale
#Kaoru Mori#Bride's Tale#otoyomegatari#I'm sorry about the resolution. I tried reposting it but it ends up like this. oh well.
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Pariya
A Bride's Story
by Kaoru Mori
Yen Press
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Love the way they draw women
🦊 Kannou Sensei - Motoi Yoshida
🌆 Kowloon Generic Romance - Jun Mayuzuki
🌾 Otoyomegatari - Kaoru Mori
👟 Ran To Haiiro No Sekai - Aki Irie
⚔️ X - CLAMP
#74manga#manga#kannou sensei#kowloon generic romance#ran to haiiro no sekai#x1999#otoyomegatari#clamp#kaoru mori#aki irie#jun mayuzuki#motoi yoshida
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I am thinking about posting at some point of time analysis of certain characters or certain elements from Bride Stories that interest me. I'd like to re-read it from the beginning and observe in more details the different protrayals of (marital) love, how relationships can be thought of and constructed, how gender is taught and performed as well as highlight narrative choices (such as showing much more positive love relationships than abusive ones even though they ought to be common at the time). I think it's fascinating to see how love is showed through little actions that vary greatly and how it helps to characterize different chracters and how it echoes or breaks traditional gender norms. And just general thoughts I'd have while reading.
I think it's just so interesting to see how Karluk's and Amir's clan's structure were build and how it affects them and their relationship (see how Karluk's father chastizes him for not being mainly enough and worrying Amir even though he's still a child, to how Amir encompasses both very feminine and masculine traits, in opposition to other women in her new village and how it worsens Karluk's confidence even if he does not want her to change), or how Pariya feels like she just can't fit the norms even if she aspires to be a good wife, how the twins cry and grieve when they have to leave their family even if they are still close, or how Smith apprehends his relationship with Talas and how his upbringing, personality and position as a the younger son shapes his experiences differently from that of his brother, the portrayal of nudity and sexual intimacy in the story, or simply the different desires and preferences portrayed (from Bekhe's uncompromising criteria based on traditional harsh masculine traits to Talas' fondness for Henry's softness and vulnerability etc.), characters are simply not looking for the same thing and I think it's interesting to take the time and observe it.
If you have any thoughts, remarks or elements that particularly touched you in the story I would love to read about it ! <3 I would also love to know if you'd be interested to read my posts and if you'd have any elements you'd like to see mentioned perhaps ? Thank you <3
#otoyomegatari#bride stories#kaoru mori#analysis#gender#love#Not putting in a deadline it might take a while sorry#I've been reading it too many times the thoughts need to get OUT of my head effihdzoj#The story just holds such a special place in my heart#This is a Pariya fan account I can recognize a fellow girlfailure when I see one#Henry just vibing in his anxiety hiding spot is also such a vibe
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Volume 14 of A Bride's Story brought to you by: horse girls


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#emma a victorian romance#eikoku koi monogatari emma#kaoru mori#fanart#seinen#really love this old historical romance series by THE kaoru mori-sensei!!
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Glamorous Fellows! - Ame No Uzume self color
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Every Page With Love and Care: Mori Kaoru, historical fiction mangaka

Mori Kaoru is, perhaps above all else, consistent. That consistency, both for the high quality of her works and her particular fascination with women, have earned her manga a well-deserved reputation as a must-read for anyone interested in the medium.
What particular fascinations, you ask? Well, maids, for one. Let’s start with maids.
Mori got her start creating doujinshi (self-published works) under the self-explanatory penname Lady Maid. When she was later scouted by publisher Enterbrain! and began serializing her first non-doujin manga Emma in 2001, it also featured a maid as its protagonist. Add the fact that she would later return to Shirley, the manga she had started as Lady Maid, and that many of her one-shot stories feature maids, and her fascination becomes undeniable.
[...]
Mori’s dedication to historical accuracy doesn’t just apply to maid uniforms. She has a love of place that shows through in every line of her impossibly detailed, exhaustively researched settings. The Victorian England of Shirley and Emma seems to be her first love, with recreations of many actual locations in London such as the Crystal Palace and Covent Garden. Mori even went so far as to hire a historical consultant for later volumes of Emma to ensure accuracy.
However, her most striking settings might be those of A Bride’s Story, which follows the daily lives of a number of young brides or brides-to-be across 19th century Central Asia. The manga shares Shirley’s dedication to depicting the step-by-step processes of daily life, only instead of housework, A Bride’s Story devotes whole chapters to embroidery, hunting, food, war, and—of course—the marriage traditions of half a dozen societies, all in gorgeously illustrated spreads.
Read it at Anime Feminist!
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Talas
A Bride's Story
by Kaoru Mori
Yen Press
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