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Govert flint's "SPRING" chair

SPRING is a chair made from a single material. It is extruded from two sheets. With a powerful hobby like kite surfing the sheets can be extruded into a chair volume.

SPRING chair is produced as part of Better Factory, a program by the European Commission. Design studio Enrichers also worked alongside furniture manufacturer Antares Romania to develop strategies to look into how furniture manufacturers can make their portfolio’s ready for circular economy.

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Jasper Morrison, "Plywood desk" for Néotù,

United Kingdom / France, 1988,

Laminated birch, stainless steel,

28 h × 60 w × 38 d in (71 × 152 × 97 cm)

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BCW "Drip" Side Table,

Polished hand-patinated cast bronze,

14.75" Dia x 24.5"H

Courtesy: Blackman Cruz

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"Angel" by Shenzhen Bojing Art & Culture Co., Ltd.

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Carlo Aiello, "Parabola" lounge chair,

Ensso, 2013,

Stainless steel,

36¾ h × 34⅞ w × 38 d in (93 × 89 × 97 cm)

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Fernando & Humberto Campana, "Via Crucis" candelabrum

Estudio Campana, Brazil, 1989,

Wrought iron, barbed wire

21½ h × 17½ w × 17½ d in (55 × 44 × 44 cm)

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Ricardo Fasanello, "Esfera" lounge armchairs,

Espasso, Brazil, c. 1975 / 21st century,

Fiberglass, resin, leather,

44¼ h × 37½ w × 45 d in (112 × 95 × 114 cm)

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'Praying Mantis' or model #14950 Floor Lamp,

Designed by Rispal. France - 1950's.

Frame in walnut, beige lampshade in pleated cellulose acetate.

Height: 161 cm, width: 36 cm, depth: 41 cm, diameter lampshade: 32 cm.

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Pierre Chareau, Cloakroom ‘sn 39’, 

The model created circa 1932,

Painted metal and duralumin,

83 x 52½ x 20¾ in (211 x 90 x 52.7 cm). 

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'Equity' by Jacques Harold Pollard for Matteo Grassi, 1987,

The chair features hand-stitched dark red leather panels that seamlessly blend with its architectural framework. The chair's frame crafted from power-coated black steel, adding a touch of modern sophistication.

Back in 1987 when this lounge chair was first commercialized, it was delivered to the client in a flat package and has only been produced for a short period.

This chair stands as a testament to Matteo Grassi's impeccable craftsmanship and their mastery of cutting-edge manufacturing techniques.

Structure in chromed steel wire covered in thick leather,

Width 112 cm, Depth 70 cm, Height 70 cm, Seating height 40 cm.

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Pedro Friedeberg, "Hand Foot" coffee table, Mexico, 1972,

Carved and gilt walnut, glass,

24½ h × 47 dia in (62 × 119 cm)

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Carlo Mollino, "Suora" floor lamp, 1994,

'Homage to Carlo Mollino' Collection edited by Galleria Colombari,

Marble, brass, parchment,

64 h × 48 w × 43 d in (163 × 122 × 109 cm

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François-Xavier Lalanne, "Tortue Topiaire," (Topiary Turtle),

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Alighiero Boetti, "Dama," 1967,

Alighiero Boetti 'Dama' consists of 100 “playing” pieces. Despite the work’s apparent simplicity, there is only one way to arrange the pieces in the correct order. This visual simplicity but conceptual complexity allowed Boetti to explore the ideas of order and disorder.

One hundred punceachtured wood blocks, in wood box,

2 x 2 x 2 in. (each block), 2 3⁄8 x 21 ¼ x 21 1⁄8 in. (box),

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Angelo Mangiarotti, "Spiral" Ceiling lamps (Set of three)

Italy, 1974,

Chrome-plated steel,

71 h × 4¾ dia in (180 × 12 cm)

49¼ h × 4½ dia in (125 × 11 cm)

40¼ h × 4¼ dia in (102 × 11 cm)

Courtesy: Wright20

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Edmond j. Spence, "Two-piece" Dining Table,

Sweden, c. 1955,

Mahogany,

28¾ h × 99 w × 52 d in (73 × 251 × 132 cm).

Courtesy: Wright20

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"Blind" Watch by Jinkyo Han