#only after the whole conversation ends

[arlin-potato2]

Got a short call from “customer service” that’s sounds so perfect and calm and it felt weird only to find out at the end that it was a virtual/ai one and I never felt so disgusted ever since.

[mechazushi]

Fortitude Privilege {Staring Yu/Na and Base Inspector} (A short story)

After everything had settled down, they let Kafka do what-the-fuck-ever. That also includes snuggling on his boyfriend at anytime during work hours.

Vice Captain Hoshina was the first to leave the training room when Iharu passed by with a new recruit. He was showing her around the expansive base when he was presented with an opportunity to have a down to earth meet-and-greet with the base's second in command.

"Hey! Vice Cap! Good timing. Yunna, this is our Vice Captain Hoshina. Vice-Cap, this is Yunna. She's a transfer from Division Seven." Iharu took the lead on the introductions while the two of them were exchanging salutes. They all began trading questions with each other, busy distracting themselves with platitudes to not notice another person turning a corner and coming up behind Hoshina. A tall, burly, and clearly tired individual shambled up behind the vice captain and slumped over his shoulder unceremoniously, almost knocking him over.

"Oof, Kafka! Is everything okay?" Hoshina said calmly at the intruder. The man he called Kafka just wrapped his arms lopsidedly around Hoshina's left shoulder as he dug his face into the crook of his neck on the right.

" 'M fine. Drained" He mumbled incoherently, sacrificing vowels in his state of exhaustion. He nuzzled his nose affectionately in the curve of Hoshina's neck and took a noticeable whiff. "New cologne's nice."

Yunna, the new recruit, became visibly flushed as she continued to stare on. Iharu was already completely desensitized to this and just continued his conversation with the Vice Captain. Noticing the state of shock on the newcomer, Iharu took a second to explain what was happening.

"This is Kafka Hibino. He's the Captain's and Vice Captain's boyfriend. Everyone has learned to just let him get away with this bullshit." Iharu smiled cheekily at Yunna after he had finished.

"What am I supposed to do when he's like this? Tell him 'No'?" Hoshina said as he crossed his arms. He felt the rumbling of deep throated laughter coming from the man on his shoulder.

"Conveniently leaving out the fact that I'm also a kaiju." Kafka said as he lifted his head a little just to speak clearly. Yunna made a small squeak of surprise as the revelation made all the pieces click into place.

Down the hallway behind Iharu, everyone could hear another person aggressively shouting as they came down their direction.

"Aw, shit." Hoshina whispered under his breath.

"Who's that?" Iharu questioned as he turned around to look.

"Base Inspector. Probably looking for me to bitch about something inane." Hoshina continued. Iharu took that as a sign to whisk the new person off to a different location, sensing a need to disappear before he got themselves caught in possible corporate crossfire. Hoshina prepped his best Resting Bitch Face as the lanky inspector approached viciously.

"Afternoon, Inspector." Hoshina said in a deadpan manner. He took a longer look at the man coming toward him and noticed he recognized none of the man's features.

'Hmm. I wonder if he's new?' Hoshina thought. His hopes were raised a little, thinking that this possibly new base inspector wouldn't have the same stick up his ass like the last two did.

"Vice Captain Hoshina. Just the person I was looking for." The inspector called out. He opened his mouth to begin what was most certainly about to be a mindless rant concerning some slighted offence over some breach in paperwork or protocol, but quickly shut it when he noticed Kafka making no move to acknowledge his presence.

"Well, I was going to bring up your continued disregard to execute less leniency toward how officers structure their reports, but now it seems I should take over instilling basic officer conduct as well." The Base Inspector straightened his square framed glasses and leveled the most demeaning glare at the tired, hairy, lump that had made its place on Hoshina's shoulder.

"Oh, lay off. He said he's tired." Hoshina countered. He was beginning to wonder if a mightier-than-thou attitude was a requirement to being an inspector.

"Lethargy is no excuse for blatant indifference to higher authority." The stringy looking man sniffed haughtily. A threatening, rolling, and loud inhuman growl emanated from Kafka, still not looking up from his place at Hoshina's side. Hoshina chuckled as he ruffled his hair while he talked to him.

"Mind being a dear and head up to Mina's office for a bit? The only adult in the room needs to discipline this child, apparently." Hoshina spoke in hushed tones, sounding incredibly loving into Kafka's ear. Only a more disappointed growling whimper was heard in response.

"You could beg for more cuddles if she's in there." Hoshina sang quietly as he nosed Kafka's hair. The slacked-spined man lifted his head to stare disapprovingly at the unwanted interloper before planting a smooch to his Vice Captain's cheek and walked away, radiating an irritated aura all the way down the hall. The two that were left followed his path and waited for him to turn around a corner before continuing the discussion.

"You do know that having a relationship between a higher authority figure and an officer is prohibited, correct?" The inspector said as he turned back to face Hoshina.

"You know that man has a fortitude rating, correct?" Hoshina snarked.

"Don't you mean an aptitude rating?" The inspector returned wearily.

"No, fortitude." Hoshina reiterated firmly as he stepped closer into the inspector's personal space, " Ya'know, because he's a kaiju and all." The inspector tried not to express it, but he seemed taken aback. first from the clear hostility, then from realizing what Hoshina meant.

The inspector's lips flapped open and closed for a moment before letting slip a small, simple "oh."

"Were you not made aware that we had such a person within our ranks?" Hoshina asked poignantly.

"I was made very aware of such personnel." The inspector said as he adjusted his glasses again, "What I wasn't made aware of was how much leniency he seems to be permitted to have because of such an obscenely paltry standing." The inspector spoke with baseless higher authority, attempting to recover from finding himself on the back step. Hoshina could feel his lips being stretched thin over his teeth as he felt the need to use them to rip the throat out of this obstinate and unwarranted trespasser.

"Then you should have also been made aware of how that man had not only saved the lives of millions, but also saved the planet six times over consecutively." While being shorter than the inspector, Hoshina did a fine job of making it seem like he was towering over the other man.

" As... notable... as those achievements are, it shouldn't take away the fact that a relationship between an officer and a Vice Captain is unconducive to to the workplace since it could be used to unjustly gather sway in one's ranking." The base inspector held his position in the conversation, but was forced to slink down in height as he cowered under Hoshina's invasive presence.

"Ohh, trust me. The higher ups have made it very clear that he's already achieved the highest ranking they'll allow him, and that's being an exploitable weapon." Wrath tinged the edges of his words as he managed to climb higher over the base inspector.

"There is nothing in this world that he hasn't earned by not working his ass off for. So excuse me for thinking that the least he's owed is the right to express some fuckin' PDA." Hoshina could feel the tips of his lips curl into an unfriendly smile with an uncanny amount of teeth showing.

"If you really want to drag rank over this and piss off a man who's capable of leveling all of Western Japan for no decent reason, be my guest. If you have nothing drastically important to talk about, like something that's impeding the health and wellness of my officers, then I bid you farewell and hope your day is as wonderful as you are." Hoshina reclined back onto his heels and crisply marched away from the inspector, who still wasn't recovered from the invasion of personal space and was stuck being slant backwards, even as Hoshina moved out of eyesight.

Minutes later, Hoshina had found himself in Mina's office. Hoping to join in on Kafka's sudden bout of needed physical closure, he slipped past the threshold and quietly dumped his gym bag next to the door. Taking up most of the center of the room in front of the desk, was Mina, sandwiched between Bakko and Kafka. Reclined against the tiger formed monster, Mina looked silently overjoyed to have an asleep Kafka nestled between her legs as he rested his head on her stomach. Laying tilted on his side, the left portion of his face was buried in Mina's clothes while his arms had dug a hold around her midsection, framing his head. A low vibration hung in the air, getting louder as Hoshina snuck over.

"Need me to pry him off?" Hoshina lovingly muttered into Mina's forehead as he planted a small smooch as well.

"Later. Now, I need you to grab my phone!" Mina tried to contain her excitement as quietly as she could while gently brushing her free hand through Kafka's hair, the other being trapped under his heavy shoulder.

"Yes, he looks adorable, doesn't he?" Hoshina playfully rolled his eyes as he made moves to stand up.

"Well, yes, but you can't tell me you can't hear this?" Mina's smile was wide as she looked up at Hoshina. He took a second to listen as he processed the low rumble in the room.

"Is... is that not Bakko purring?" Hoshina questioned.

"No, he's awake!" Mina harshly whispered in joy as she jabbed her finger behind her, "This is all him!" She pointed her finger again at Kafka, emphasizing her revelation.

Hoshina made a quiet, deep throated cackle as he comically tiptoed around her desk to grab the phone and pull up the camera. He managed to settle onto the floor and shimmy his way under Mina's free arm as he held the camera close to Kafka's face. They got at least a good minute of audio, starring his purrs before Hoshina decided to end it there, not wanting to push their luck.

"It's a shame he can't purr all the time. Instead of the sleep talking, I mean." Mina commented as Hoshina made himself more comfortable in their embrace on the floor.

"We wouldn't be able to get out of bed in the morning if he did." Hoshina muttered sleepily as he finally stopped shifting when he found a good spot to settle into. Mina brushed his hair for a second while she returned the forehead kiss from earlier before relaxing into the warm and heavy pile she had unintentionally made for herself.

@iceclew

I hate to ask this from ya, but... Have you seen this yet? If you didn't have an opinion one way or another, that's fine. Just wanted to ask.

[spacedlexi]

i forgot how weird people get sometimes when you add minnie to clemvi situations :/

[thebirdandhersong]

i personally think there was no need to make remarks about age

[jaskefer]

Obsessed with the idea of Extraordinary Things being a back and forth between Jaskier and Radovid, with Jaskier trying to draw him out in the first verse, and Radovid finally answering him in the second.

Cause like, with Radovid, Jaskier meets someone who he can't fully read properly. He knows there's something under the front of a drunken, bumbling prince, but he doesn't know him well enough yet to be certain as to what.

So, he tests the waters a bit. throws out a line to see if Radovid will take it—and he does. A little bit. But it's so interesting to me, because it doesn't just feel like Jaskier is trying to nail down Radovid's truth in this verse; it feels like he's injecting elements of his own mask into it, as well.

"Keep your words on ice, your gaze lights the fire. They say 'keep on playing nice,' but I have no desire. Why waste our words when lips were made for extraordinary things? It's not a want, it's a need, it is paying no heed to what others say to sing."

This is Jaskier's read of Radovid as he knows him so far: a man hiding more complex wants beneath the veneer of a drunken party boy. But it's also Jaskier admitting that he knows this about Radovid because he wears the exact same mask himself.

Much like how Jaskier and Ciri speak through Geralt and Yennefer in order to process their own feelings about them later in the season, Jaskier sings through himself in order to comprehend who Radovid is. Jaskier is using the performative persona he's crafted for himself in an attempt to coax Radovid out of his.

All of it leads into the main intention of this song: "The greatest songs are made up of unspoken words of love. Of them, I've had enough. with you, I am enough." I am tired of having to put up a front. I want to be understood. I think you understand me. Prove me right.

And Radovid sees what Jaskier is doing. He comments on Jaskier's ability to see people for who they are and not who they pretend to be. But there's still more he wants to understand. This still feels like a game, in a way.

It's only after Radovid sees the brutality of Dijkstra and Philippa up close, watches them orchestrate the assassination of the queen and threaten to incriminate him if he doesn't fall in line, that he then grasps the vulnerability in Jaskier's lyrics. Jaskier is also caught between multiple conflicting desires, that of his loyalty to Geralt/Yen/Ciri, and that of his work as the Sandpiper & how said work is backed by his continued commitment to Redanian Intelligence. That internal conflict and the desire to escape it is also highlighted in the song's first verse ("they say keep on playing nice, but i have no desire"). Only after all of this, when true fear begins to take over and the game stops being fun, does Radovid truly begin to truly understand Jaskier.

And so, he seeks him out. And he responds.

“Drop the sweet disguise, your heart’s beating too loud. The fairytales and little lies can’t drown out all the sound.” You were right. I do understand you. I know what you really want, because we're the same. You can’t hide it behind a façade of a song and a story and a persona.

“Take this heart and break this heart for extraordinary things.” I don't know what will become of this, or us. I still don't fully know if we can trust each other. But no one has ever seen me in the way that you have.

It's not a want, it's a need. With you, I am enough.

[longagoitwastuesday]

I am liking Jujutsu Kaisen, way more than I imagined I would, but I foresee it will let me down and it's keeping me from enjoying this as much as I could haha

I think the characters and dynamics are well set, and I think many of them have an incredibly good and deep potential, but I would be willing to bet they'll not get a proper development, enough for them to really hit. A well assembled set of gears is not enough to make the movement go, you have to wind the clockwork.

I think Gojo and Megumi have a fascinating and very complex dynamic, but I doubt it will be given the time and care that imo it needs to actually work. And it is going well enough for now! One could see the intimacy between them was deeper than the one Gojo had with, say, Yuji and Nobara ever since the very first few episodes despite the fact Fushiguro too was a first year. But the pieces forming what they have are extremely complex, and it just wouldn't be realistic if it doesn't show, even if in a not showing way, or if it doesn't have consequences or implications.

It's one of those dynamics that shape one's life, the way one regards the world, the way one establishes or not relationships with other people. It's one of those dynamics that could be full of fondness, gratitude, resentment, admiration, trust, and that imply intimacy, the good kind or the bad, even if in just the knowledge of someone who's been a constant through your life. It could, and would, imply a myriad of feelings, and probably in such a mix it could imply contradictory feelings too. Even the nothingness would weight, even the nothingness would be significant and meaningful.

Gojo took Megumi and his sister under his wing, the son of a man who murdered him, because of both selfish and selfless reasons. Megumi looks like Toji. What does Gojo feel about this? How does Gojo deal with this? How does Gojo go about taking care of Megumi? Would he walk him to school? Make him breakfast? Celebrate his birthdays making him blow candles? Did he take him to the zoo? Does the relationship between them feel professional or is it something more? Gojo appreciates his students, but is Megumi to him just another student? When Gojo faces Sukuna in Megumi's body, did he see the kid he raised, or does he just see Sukuna in one of his students' body? Did he have one faint wavering instant? And how does Megumi feel about this? Is he resentful of him? Resentful of the situation? Of the selfishness behind his actions? Does he feel like a pawn? Is he grateful? Does he resent feeling grateful? Would he rather not? Does he love Gojo? Does he feel nothing about him other than what he could feel about a teacher that sort of annoys him but knows he's reliable in his strength? Does he think it unfair, cruel or unfeeling that Gojo is close, closer perhaps, with Yuuji or Yuta, considering their story? When Sukuna slices Gojo in two, does the remnants of Megumi's soul tremble?

And not just Megumi and Gojo. Yuuji and Nanami, Gojo and Nanami, Yuuji and Fushiguro, Nobara and the boys, or Nobara and Maki, Todo and Yuuji or Yuta, Gojo and Yuta, Megumi and his sister. Gojo and Geto, even! If the pieces are well set, the dynamics are intriguing, interesting, and have potential to be deep, but then the characters have like two plot relevant scenes that punch you hard, but little more, it's not nearly enough. Especially not nearly enough for the enormity that is shonen dynamics and situations. And the potential existing at all, and then not delivering, makes it all the more frustrating when you're left with something mediocre that could have been so good.

The development of dynamics through not only a few plot relevant gut wrenching moving scenes, but also the smallness of life, is important. The friend who recommended this to me said that those things were just unnecessary filler, but I disagree. I think there's a big difference between a large amount of anime-only filler episodes whose existence is based on the fact they had run out of manga chapters to animate, and moments of quietness. The low stakes character-driven moments of quietness can be so telling and so insightful, and they are so satisfactory when brought back later in higher stakes situations. My friend teased me there was no scene of Gojo making breakfast to Megumi, that it would be an idiotic idea, but it would be so telling. How he makes breakfast, what they eat, if he tries hard or if it's all mechanised, if they have personal bowls or if they use whatever, if he just buys them some pastry on the way to school, if the way they have breakfast changes through the years, or if he doesn't make them breakfast at all! All that would be very insightful on their dynamic and its evolution. All that would give a glimpse on how they regard each other and why, even in the present. All that could become meaningful in tense situations and high stakes scenes.

These moments also let the plot breath; if a lot is happening all the time, if every character is always experiencing trauma after trauma, the entire story is so emotionally draining that at some point you don't even care all that much. Besides, these nothing moments or low stakes plot arcs, besides deepening and developing dynamics, also let some in-world time pass, which would make the intimacy and bond between characters more believable imo; between Yuuji eating Sukuna's finger and their last confrontation in December how much time has passed? A few months? Am I truly to believe these characters are so everything to each other in only a few months?

Without some smallness, some repetition, some daily life, some low stakes not plot-centric development, the dynamics don't hit, they don't truly feel fleshed out, and dynamics as complex as the ones Megumi and Gojo have, or as supposedly meaningful as the one Megumi has with Yuuji or his sister, should be fleshed out if they're going to exist at all. Otherwise they'd risk making the writing feel awkward and fake. Besides, if the dynamics felt well fleshed out and realistic, they would shape the way the characters interact and act, and how they deal with situations, thus being plot relevant.

The shonen genre has so much happening all the time, the stakes are so high, the dynamics are so rooted in big events and the relationships carry enormous weight and implications. Yet they barely get developed, and it feels so stupid, so plain, the absence of something so important noticeable like a constant void, a shapeless nothingness present in every scene. It makes the characters feel like cardboard figures. Jujutsu Kaisen is already getting a better job than many, but I doubt it will do enough for what I've heard, and I fear I am bound to feel let down, and bound to feel unmoved.

After all, if not enough time and care has been given to develop a dynamic, I am not going to feel pressured by the high stakes; if not enough time and care has been given to develop the dynamic between Megumi and Yuuji, as good potential as it has I am bound to feel little for this last confrontation between Sukuna and Itadori, and his effort in getting Megumi back.

[nyan-bynary]

I'm gonna have to wait out a few weeks to be able to complain about jjk's ending bc rn half the ppl are bashing everyone who expected more as ppl who just wanted gojo back

[redbean-nom]

watched the first 2 episodes of acolyte and so far i like every character except for the main one lol. (also is her name osha as in occupational safety and health administration??)

[pagesofkenna]

i wanted to make a post about a thing but the more i think about it the more i want to say and it's just going to end up being a big ramble essay, so instead i'll just give the thesis statement, thusly:

as the #1 Ratgrinders Apologist (self-appointed), of course they're the final boss fight to the death. i expected nothing less and the people trying to make discourse about it are ignoring the entire context of this being a Dungeons and Dragons game

[exopelagic]

i said i wouldn’t do it this time but it’s 3am and mods asleep. boy

[frankiebirds]

Thoughts on Demily?

i definitely understand why people ship it and i love their dynamic! but i personally headcanon emily as a lesbian and so i don't ship them. but i did have a straight ship for emily, it would probably be demily, if that makes sense?

[rainia]

just had SUCH a good idea for a project that explores decoloniality and gender issues in theatre. if it could happen it would be so fucking good

[infizero]

great now im thinking about sa2 again. it always circles back to this

[lisbonsteresa]

oh ok 😵‍💫

[g33ktragedy]

im literally begging people to even say "palestine" they're just like wow hate those hamas terrorists! hope they die! israel vs. hamas like language matters and i NEED you to at the very least acknowledge palestinians exist and are involved. like that is the bare minimum i am asking for

[myownprivatcidaho]

new supervisor @ my job this semester who's great and super friendly and a great listener. he said today im the most guarded of everyone who works there and that "[i] want to talk about everything except [my]self" and from what he gathers im a "walking contradiction" because im an "intentional person who's afraid of intentionality" i-