#one of the most pleasurable experiences of this arc
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lucy-moderatz · 1 year ago
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golden-redhead · 5 months ago
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I think there's a lot of signs pointing to Jayce actually doing the right thing ...or at least the right thing based on the information available to him at the time.
We can't know for a fact just how much Viktor was changed and what his healing was doing to the people who came to him in the long run, but considering all the hints dropped by the writers, the situation is much less clear than we think. Obviously, everyone's first instinct is to condemn Jayce and his actions, especially because Viktor is one of fan favourites, but looking at the teaser for the next Act and what little we know about what happened to Jayce, I think it might have been necessary evil.
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I think this scene of Viktor temporarily 'possessing' Salo in order to talk with Jayce points to just how fucked this little community that Viktor created actually is. There's a reason why everyone's getting those 'it's a freaking cult' vibes.
This scene made me more uncomfortable than anything else this season and I think it's clear that it was meant to make feel that way. There's something so uncanny about Viktor's voice coming out of Salo's mouth, especially paired with that look on his face and how Viktor seems to be able to see and experience things through him in this moment.
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And then there's also the issue of all these people dying a horrible drawn-out death as soon as Viktor himself 'dies'. Yes, they came to him on their own, they asked to be healed, but did they really know what they are getting into? Did they know this is what might happen?
Some of them were already dying, true, but Viktor healed all kinds of people, some of whom most likely had their whole lives ahead of them. He, knowingly or not, inevitably sped up this process. Not all of them were consummed by Shimmer-addiction or permanently disabled like Salo.
And then there's also the fact of all of them basically abandoning their previous lives to serve Viktor and his community. Which, okay, makes sense, there's certainly a parallel with the community that Ekko created for Zaunites to keep them safe from Piltover and Silco's plans. They made an informed choice, though, and I don't think the same can be said about Viktor's cult-like commute.
They seem peaceful, yes, but also devoid of personality and entirely dedicated to Viktor and his cause. Of course, it can be explained by gratitude towards him and desire to be kept safe in a calm and peaceful environment, but it's taken to such an extreme point that it definitely crosses the line into uncanny territory in my eyes. Their hivemind behaviour is very unsettling and even though Viktor seems to frame his recent actions as some kind of greater good, I don't think it's necessarily true.
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We have yet to find out what Jayce saw and who's in the right and who's in the wrong. Either way, as usual when it comes to Arcane, it seems to me that more than ever, everyone's a victim of the circumstances and tragedy spares no one.
Considering that Viktor is set up to be 'reborn', I can't help but wonder what it means for his community and if they will also be brought to life by whatever connection they have with him. It would be a fascinating choice given how Viktor's arc has always been about autonomy and making your own choices.
Arcane, it's been a pleasure having my heart torn out of my chest by you. Can't wait for the last Act.
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playing around in the sandbox of queerplatonic benítez/lawrence.
and i'm not even talking about stifled desire or weird ecstatic sex dreams, no matter how fun that is. and i'm not even talking one-side pining in any direction, or innocent xiv blurring the edges of what devotion and worship stand for in cardinal lawrence's eyes.
i mean a real, an honest-to-god secret third thing. taking the whole brothers-in-christ thing in a bold new contemporary direction.
deeply intimate spiritual communion happening regularly during walks, and over paperwork, and behind bulletproof glass. all day every day. affirming conversations and touches and looks.
it's passionate. it's intense. it's something like infatuation. it's something like falling in love, quick friendship, human adoration - and nothing like that either.
it's a very clear understanding, a sharp and sudden and very strong connection, and it alters the world around them and it is not like they have a great deal of references for this.
so! naturally, a thought follows on the other. an assumption follows on the other, and as they have taken to an encompassing honesty, it doesn't take very, very long before they hash it out.
it is, all things considered, startlingly easy. nerve-wracking, of course, but there's a route to these things, and if kissing is not entirely pleasant, then it's not as if either of them has a great deal of experience.
they do break their vows together. schedule it in advance and everything!! a whole fraught arc involved, about repression and choice and sacrifice, and recontextualizing celibacy and chastity, and affirming their closeness as a vow in itself.
and it is. fine.
a spiritually meaningful experience! pleasurable in its way! but kinda mid, as far as generally meaningful experiences go. the quiet of a room with the air conditioning on is less erotic than most of their confessional sessions, and the not-take-backies of it give it a weight and pressure that isn't very enjoyable, even going into it together.
not really worth repeating. it's possibly lawrence regrets it at once and mourns his lost chaste chivalric ideal with real anguish, is filled with remorse for besmirching his friend and diminishing their companionship to something base. can't stand to look as benítez afterwards; can't stand to live inside himself.
it's possible benítez has to face the turmoil in his heart with being largely sex-repulsed even about the person who knows his self, body and spirit, the most. to find he prefers pleasure by himself, or not at all; that he does not find truth for himself in the idea of marriage or romantic affection.
no more now than he ever has before, even though he had believed it - even though he does love lawrence with a singular focus he hasn't felt before, as near to possessive attachment as he has ever come, and without the redeeming element of any defined, traditional term to it.
amatonormativity will get you anywhere, even in the vatican!
possibly there's a spin on the last-minute rush to the airport/train station/bus stop on the way to a tiny monastery in the alps to keep the love interest from flying off to london/new york/a tiny monastery in the alps, and an heartfelt heart to heart.
possibly benítez is wearing the same clothes he did when he arrived in rome, unexpected and unwanted. the first time he went out into the world as vincent benítez.
it's incredible, he says (it is possible, even likely, that his voice breaks a little), how much people don't really see him, when he's not wearing white. out of everyone in the world, no one looks at him as clearly as lawrence does. does this have to change, just because they have seen each other's nakedness and desire?
they are not adam or even, or noah's children; they should not need to break their ties because of shame. there is no harm in loving as they do, as there is none in loving otherwise. how just is it to argue otherwise, to work for an encompassing church, while casting themselves aside? he should leave rome, if he feels it is what he is called to go, but not because of shame.
lawrence comes back. lawrence takes his hands with his trembling fingers in apology and says, wrenched with love, with pity: oh vincent. no, it is not fair at all, is it?
he has been a fool. he has lived his life in ignorance of himself, and so narrowly he did not notice it. life to him was the church or marriage, and to have one was not to have the other, and nothing in between seemed possible, or correct, or permissible, or genuine.
they make it work! the times they wash each other's feet after particularly trying days, or the hand massages, and all the quietly ecstatic praying with fingers wound around the same rosary?
those can be sensual experiences too. there's closeness there. also possibly they try out guided masturbation involved from across the confessional grid, but that's a whole other thing.
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novafire-is-thinking · 8 months ago
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Medic, Maverick, Maniac, Murderer: Understanding Pharma
First thing’s first: I love Pharma, dearly.
In all the time I’ve spent evaluating his character, I’ve mainly focused on what can be worked out about who he is as an individual: his core sense of self, psychological drives, subjective worldview, etc.
When all else is stripped away, who is Pharma?
This treatise is the product of obsessing over Pharma, analyzing canon (and extras), and reading as many different perspectives on his character from fans across the fandom as I could find. The post is long, so for those of you who balk at the thought of reading a shortfic’s worth of Pharma thoughts, feel free to read the TL;DR (Conclusion) at the end and then decide if the full read is worth your time. Also, a premium reading experience is available in the form of the original Google Doc version.
As you read, keep in mind that this is primarily a mix of psychoanalysis, evidence-based examination, and speculation—not moral, ethical, or sociological commentary. The goal is to examine Pharma’s psychological drives and core values, and each of his appearances in the context of those. All other types of evaluation are up to readers.
Now, take your victim blaming-allergy meds (just in case); remove your black-and-white thinking caps; and leave your personal morality lenses at the door.
Psychological Drives & Core Values
Why does Pharma act the way he does? What gives him a reason to keep living? What are his personal priorities?
At the beginning of the Delphi arc, First Aid establishes Pharma as a “control freak” and someone who “thinks he’s an expert on everything.”
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Now, First Aid has a habit of complaining about his bosses, but on both points, there’s canon evidence to back them both.
Expertise and Intellect
Throughout the Delphi and Luna 1 arcs, it’s established that Pharma is a skilled and brilliant doctor.
He once performed a 4-way fuel pump transplant, donating his own fuel pump in the process. (see above panel)
Later, he invented a soundbomb that left an echo laced with a virus and invented an antidote to that virus:
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And on Luna 1, he was on the edge of finding a cure for Cybercrosis, based on the fact that Swerve was able to formulate a cure from his notes.
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More than being a doctor, Pharma lives for intellectual and scientific achievement as a physician scientist. He feels most alive when he’s able to solve complex medical problems, and when his achievements are recognized by those whose opinion he considers important.
This is Pharma’s 'why.'
And even though he’s arrogant and enjoys praise, it’s not his primary motivation. He doesn’t need it in order to set his mind to whatever he’s interested in, although he’ll seek it from those he values most (i.e. Ratchet).
Pharma sees himself as less of a doctor, and more as a scientific innovator or medical maverick. The practice of medicine is primarily a catalyst for his creativity and intellect; it’s not an end in and of itself like it is for someone like Ratchet or First Aid.
First Aid’s observation of Pharma can be better phrased as, “[Pharma] thinks he’s an expert on everything medical”—because he’s not so driven by achievement and admiration that he’ll grovel at the feet of strangers and get good at something he doesn’t personally find interesting. The only time we see him express a desire for praise is when he’s around Ratchet—someone he holds in high regard for both personal and professional reasons. This makes sense since Ratchet is one of the only people who can give Pharma any kind of competition within what he considers to be his area of expertise.
“Each day we go to our work in the hope of discovering—in the hope that some one, no matter who, may find a solution of one of the pending great problems—and each succeeding day we return to our task with renewed ardor; and even if we are unsuccessful, our work has not been in vain, for in these strivings, in these efforts, we have found hours of untold pleasure, and we have directed our energies to the benefit of mankind.” —Nikola Tesla
Ego
Without question, Pharma has an inflated ego, but having an inflated sense of self doesn’t automatically mean a person is a full-blown narcissist or that they are totally uncaring.
Every personality trait exists on a spectrum. Yes, Pharma is arrogant, but the presence of arrogance doesn’t automatically and completely cancel out all “positive” traits. (For fun, check out studies on Dark Tetrad and Light Triad personality traits.)
People are complex. Arrogance can coexist with genuine kindness, ruthlessness can coexist with deep compassion, etc.
Whether Pharma exhibits genuine kindness is up to each reader’s interpretation of what little canon material exists, but the point is: Pharma’s arrogance doesn’t automatically rule out the possibility of authentic “positive” traits.
Controlling Tendencies
Pharma is comfortable pulling the power card and using it to dump what he sees as uninteresting parts of medical practice on those below him:
“So Fisitron’s writing about the Wreckers’ elbows now, is he?” said Delphi’s Chief Medical Officer. “Come on, First Aid - get to it. You’ve got a Fader in Row 2 downstairs.” He squeezed the air with his finger and thumb. “He’s about this far from shutdown.” —from Bullets by James Roberts
However, there’s nothing in canon indicating he’s power-hungry in a megalomaniacal sense. He’s not Starscream or Megatron; he doesn’t seek political or social power. In fact, he seems perfectly happy hiding away in a lab or medibay by himself so he can direct all his energy toward solving issues and achieving the so-called ‘impossible’ within the field of medicine:
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The ways in which Pharma exercises power and control are through his expertise, and his administrative/management skills. That’s it.
Self-confidence
Pharma’s arrogance and controlling tendencies don’t seem to be a mask—like he’s trying to compensate for some sense of lack (in those areas). Yes, he fears failure, and yes, he displays some insecurity when Ratchet questions his competence. But at every other point and in every other way, Pharma is unapologetically self-confident. He’s fully self-assured of his intellectual prowess and problem-solving capabilities; he knows what he knows, and he also knows what he doesn’t know.
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Pharma’s arrogance and desire for control don’t stem from a hidden lack of confidence or a hunger for power on its own. They stem from the fact that he genuinely sees himself as the best person for the work he does. He trusts himself above anyone else to solve problems that come his way—medical or otherwise (within limits).
Elitism vs. Superiority
I’ve always read Pharma as having an elitist attitude, but not in the social stratification sense:
elitist (adj.) relating to or supporting the view that a society or system should be led by an elite.
There’s no evidence that Pharma believes an elite class of people should hold the most power. Instead, Pharma’s “elitism” is actually an individualistic sense of superiority. It’s centered on him alone, and is tied to his capabilities as a physician scientist and surgeon.
Pharma sees himself as the best of the best and makes sure everyone knows it—sometimes through his words, but mostly by his conduct in the field of medicine. This, paired with Pharma’s natural temperament, doesn’t exactly make him socially popular—inside or outside of medicine:
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One could argue that the “personality” Lockdown is referring to was a result of all Pharma had suffered at Delphi and Luna 1, but just as easily, one could argue he was always a bit difficult to get along with, and that his traumatic experiences merely magnified his already-present psychological patterns. Personally, I like the latter interpretation because it’s a flaw that makes Pharma a more interesting character no matter his mental state.
Everyone reacts differently to real and perceived social rejection. Some are so concerned about it that they’ll try anything to belong; others genuinely don’t care, and they continue as usual; and still others cope by shifting their mindset and developing a sense of pride in being an outsider.
There’s no evidence for this in canon, but I believe it’s within reasonable characterization boundaries to headcanon Pharma as being in the second or third category.
With either of those two mindsets, a sense of superiority can develop, or even be an inciting factor. Either someone sees themselves as genuinely superior to the majority and doesn’t mind when this alienates them from people, or they convince themselves they’re superior because the pain of accepting they were rejected for who they are is too much to handle.
Whatever the case, the point is, having an “elitist” attitude isn’t necessarily rooted in a sociological or ideological belief. Sometimes, individuals just see something in themselves that—to them—justifies a sense of personal superiority. A quick glance at Pharma’s canon appearances makes it clear he holds such a view of himself, at least to some degree.
Morality and Compassion
When Pharma first shows up in canon, he’s working at the New Institute. A lot of questionable things took place there on a regular basis—things Pharma would have been aware of, to some degree. However, his presence at the Institute doesn’t automatically mean he agreed with everything happening. Depending on how strongly someone feels about something, some people are content to disagree in silence. Not everyone who seeks employment considers it a priority that the establishment they work for aligns perfectly with their moral values. After all, there are other reasons to take a job: financial benefits, exclusive educational and career opportunities, pure convenience, etc.
I’m not here to say either way whether Pharma’s willingness to turn a blind eye to the events at the New Institute was wrong or right; that’s up to each reader to decide for themselves. However, Pharma’s choice to remain employed at the Institute for some time can say something about him as a character: his priority as a doctor and person is not to take care of everyone he encounters, or to act as some kind of moral or ethical authority.
This isn’t to say Pharma won’t ever stand up for something he regards as right or push back against something he sees as wrong, “off screen.” It’s just that everything in canon points more to a tendency to choose his battles instead of acting immediately on any moral sense the way someone like Optimus or Ratchet might.
This also isn’t to say Pharma doesn’t care about saving lives, but from what little is shown of him before Delphi, it’s hard to say how much he cared. Ratchet confirms later that Pharma was an excellent doctor for most of his life, but all that tells us is he was an excellent doctor; it says nothing about his internal attitude toward his work or patients.
However, inferences can be made based on doctors in our own world:
Being a doctor—especially one in trauma care—is far from easy. It takes a lot out of a person, and there are very few people who last in the profession for a long time. Most medical professionals fall into one of the following categories:
People possessing a strong will that’s coupled with an unwavering passion for taking care of others (the public’s favorite)
People who naturally have, or develop, an ability to switch their empathy off and on at will, or build walls around it—also possessing a strong will (the ideal)
People who naturally have a limited capacity for empathy (the one the public hates to acknowledge)
People with a strong social and professional support system (the necessary, but underutilized and underappreciated factor)
Of course, even if a person has one or more of the above, burnout can and does still happen, but individuals who have at least one have the best chances of surviving and thriving amidst the demands of the majority of medical professions.
As far as is shown in canon, Pharma never had a strong support system—either circumstantially or by choice—so something else was keeping him in medicine.
Pharma shows concern for both Tumbler (Chromedome) and Hubcap:
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But even though he obviously cared enough to step in, neither instance makes a strong case for a capacity for empathy beyond the “average” or “norm.” Performing a job well is a lot different from being personally invested in the work.
Based on everything up to this point, and this later comment from Pharma, about Ratchet…
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…Pharma has probably never shared the same I-care-about-everything-and-everyone view of the world. Instead, it’s more likely that Pharma holds a more rational view of his work and patients.
One of the first things learned in medicine, especially in trauma medicine, is that you can’t help or save everyone, and to hold yourself to that standard can destroy you quickly if you have a certain temperament or lack healthy boundaries for your empathy.
“There are times when it may seem as though I view sick or injured people not as living, breathing humans with feelings and emotions and people who love them, but simply as cases, as problems to be solved. And that is absolutely true. It's not that I don't have empathy, but the hard fact is that as a doctor, and especially as a trauma surgeon, too much empathy can get in the way of your job and cause you to make decisions based not on sound medical judgment but on your own emotions. Sure, I've seen things that even years later can still make me choke up when I think of them: a little girl shot and killed, a shattered young Marine who shouldn't have died but did. But you can't choke up in the ER or the operating room. To be effective as a trauma surgeon, you have to put a layer of Kevlar around your heart.” —Dr. Peter Rhee, Trauma Red: The Making of a Surgeon in War and in America’s Cities*
Pharma may have learned this difficult truth earlier than Ratchet and developed a practical way of managing his empathy that comes across as “cold.” He may have always had an ability to put up walls around his spark. Or, he may have always had little to no capacity for empathy.
The fact that the morality lock on Tyrest’s portal prevented Pharma from passing through proves he felt guilty for what he’d done, and JRO confirmed this. Therefore, it’s safe to assume Pharma had some level of empathy for his former patients, suffering moral injury when he felt he had no other option but to start killing them.
Still, looking at Pharma’s psychological drives and his behavior throughout canon, it’s clear compassionate care and morality are subordinate to his other values and interests.
*I highly recommend this book, and learning about Dr. Rhee in general. He’s a huge inspiration of mine, and one of my main sources of inspiration when writing Pharma. Level-headed and capable, strong-willed, selectively empathetic, an excellent scientist, etc. He lives for the thrill of practicing medicine both on the floor and as an expert in his field who pushes trauma medicine to new heights through his research. He also takes great pride in his hands. Seriously—the man spent an entire paragraph and a half talking about his “good hands” and how they were one of two reasons he decided to go into trauma surgery. The other reason was that he “liked action and excitement, liked the feeling of being able to walk into a tough situation and take control.” (Sounds familiar…)
Delphi
First thing’s first: we don’t know how much Pharma did or didn’t know about the DJD before agreeing to take the Delphi assignment.
That far into the war, he would have known something about the DJD and their ways of terrorizing traitors and Autobots, but for whatever reason, he took the assignment anyway. Perhaps Prowl assured him the situation on Messatine would be monitored and that the security team would be enough. Perhaps he underestimated the DJD’s capabilities, or scale of territory, and thought he would be able to handle things on his own. Perhaps Prowl gave him no choice. Maybe it was all of these and more.
Whatever the case, according to JRO, Pharma didn’t hate Delphi before the incident with the DJD.
Word of god remains a touchy subject in fandom, but in this case, it’s important because it says two things:
The DJD left the Delphi medical team alone for some time.
Being on the edges of DJD territory didn’t automatically mean isolation and harassment by their hand.
On the second point, First Aid was free to come and go from Messatine as he pleased, seeing as he attended a medical conference at Kimia five years into his assignment at Delphi:
Five years ago [mid-Delphi assignment], the leader of the Wreckers had cornered him at a medical conference at Kimia, the space station that doubled as a weapons research facility. —from Bullets
And five years after that, he was able to not only contact Springer without delay about one of Agent 113’s bullets he’d discovered in an Autobot badge…
He raced upstairs to his computer terminal and typed in a certain frequency code for the second time in his life. A face appeared on the screen and grinned. “It’s me,” said First Aid. “And you're never gonna guess what I’ve got for you..!”
…but he was also able to meet up with Springer to hand off the bullet:
“Your friend has a funny way of making contact,” First Aid had said when he’d got in touch three days earlier, and he was right.
It’s not known if this handoff happened on or off world, but either way, the DJD didn’t interfere.
At some point, Tarn set his sights on Pharma and the Delphi team. Knowing the DJD, one can only imagine what Tarn used to show off his team’s capabilities and convince Pharma the best option was to cooperate.
In striking a deal with Tarn to keep the DJD away from Delphi, Pharma established his territory and ensured his continued security and the safety of his staff. As long as Tarn got his T-cogs, Pharma could continue on in relative peace. He could work his magic on bots that ended up at Delphi, carry out his management duties, and work on whatever projects or research he may have been conducting in his free time.
For whatever reason, after he first came into contact with Tarn, Pharma didn’t call for help. Communications were still operational, as Pharma wouldn’t have suggested contacting High Command about the Duobots if the team was aware of any comm malfunctions:
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Also, First Aid later confirms that communications were fine until the Big Bang (soundbomb detonation):
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It’s always possible the DJD was monitoring the radio waves, but secure subspace frequencies exist, such as the Datalog Network First Aid used to send the datalog containing the death statistics:
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Speaking of which, assuming First Aid sent the datalog with the statistics right when things started to get ‘weird,’ and before the Big Bang shut down comms, it only took—at most—a few days for them to reach Ratchet and Swerve on the Lost Light:
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But back to Pharma not calling for help: for all of Prowl’s intel, contingency planning, and fretting over the security of Autobot territories, I find it hard to believe he would have stuck an Autobot medical team on the fringes of DJD territory without giving them some means of securely contacting the outside in case of issues.
But even if Prowl didn’t give Pharma a secure way to contact him or anyone else, and even if Pharma was convinced the DJD was monitoring regular communications, there were other ways he could have reached out for help. After all, the team wasn’t alone on Messatine. Like Pharma said, Prowl continued to send bots to defend the nucleon mines:
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The Autobots had been mining nucleon for millions of years at this point, so I doubt the mined nucleon was just sitting in storage on Messatine; shipments of the stuff would have been sent off-world to wherever the Autobots needed it. Why not send a message for Prowl with someone leaving with one of those shipments? A message meant only to be sent over a call when absolutely certain they were out of range of the DJD’s potential monitoring.
Or, why not order in off-world medical supplies and send a message back with the delivery bot(s)?
There are two possible answers to this. One takes into account JRO’s word on the subject; the other is more intricate and speculative on my part, but it leads to the same place. So whatever your stance is on the validity of word of god, there’s an answer for you.
Answer one (word of god)
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Simple as that. Pharma was aware of the scope of the DJD’s capabilities and relentlessness, and determined he was trapped prey.
Answer two (no word of god)
There are a few possible reasons Pharma didn’t call for help right away:
He was convinced all his other options would take too long and/or would still lead to him being put under suspicion. After all, being found to have harvested even a single T-cog from an already-dead patient for the DJD could have raised concerns that would lead to Pharma being investigated and/or having a mark put on his record.
He underestimated the severity of Tarn’s addiction, and was certain he could keep up with the T-cog demand without resorting to other means of harvesting, not realizing Tarn’s quota would increase later on.
He was already paranoid as a result of whatever mind games Tarn had set in motion at their first meeting, making Pharma think escape was futile.
Word of god or no word of god, there are clear reasons as to why Pharma ended up trapped. Most likely, it was a mix of all of the above.
Whatever was going on in Pharma’s mind before, he ended up in deeper trouble. Tarn increased his demand for T-cogs, and Pharma couldn’t keep up. By the time this happened, even if he had wanted to call for help, it was too late to do so without implicating himself. He reasoned his only option was to start killing patients to harvest their T-cogs.
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Soon, Pharma was so consumed with fretting over whether he’d be able to meet Tarn’s next demand that he didn’t have time or freedom to do anything else except worry and feel guilty. His whole life revolved around Tarn’s addiction; he was no longer in control, and could no longer enjoy whatever it was about Delphi he’d previously enjoyed. Perhaps the facility itself enabled Pharma to research cures and perform scientific miracles of medicine.
Being at the mercy of Tarn—convinced the DJD would find him no matter what—would have been pure psychological torture on its own, but also knowing that any small chance he did have of getting help would end in him losing everything would have added to his suffering. Pharma became desperate to reclaim control over his life and began planning an escape.
Now, JRO has said that Pharma didn’t originally plan to use the rust plague on the DJD…but canon says otherwise:
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Of course, Pharma could have been lying to make himself look better in Ratchet’s view, but based on everything he’d been through up to this point with Tarn, it’s more likely he was telling the truth and had tried to eliminate the source of his suffering first. After all, wiping out the DJD would have been the simpler, cleaner option.
When the Duobots refused to detonate the soundbomb near the DJD, Pharma’s objectives shifted. He had to get Delphi shut down in a way that would:
Convince the DJD the shutdown was legitimate.
Pharma knew chances of escaping the DJD at all were slim to none, but he was desperate. Getting Delphi shut down would cut off Tarn’s supply of T-cogs and allow Pharma to escape Tarn’s immediate control, but the shutdown had to be “legitimate” to prevent Tarn from retaliating and hunting him down later. Leaving Tarn even the slightest chance of regaining control was too risky, so Pharma had to make sure his plan was as airtight as possible. 
Cover up the patient murders.
If the truth got out about Pharma killing patients, he’d lose his medical license and most likely be put away for life. Being cut off from the practice of medicine and his intellectually stimulating work as a doctor would mean losing more than a job and a reputation. It would mean losing everything in which he’d anchored his sense of identity and life’s meaning. His refusal to consider any other options wasn’t just about ego and preserving his image as an excellent doctor; it was about preserving any kind of meaningful future he saw for himself.
Pharma needed a plan that would fulfill all of the above. Turning the engineered virus on the medical facility was the most effective and efficient solution. Anything else would have made him suspicious in the view of either Autobot High Command or the DJD, and neither of those would have ended well for him.
Because of his goal to preserve his reputation and future in medicine, he couldn’t even risk revealing anything to First Aid or Ambulon, who would have seen to his ruin. They became nothing more than loose ends that had to be tied up, and based on the fact that Pharma only prepared one vial of the vaccine, his original plan involved him being the only survivor:
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He probably would have had no problem making more of the vaccine for anyone else who survived, but he wasn’t counting on it. He wanted a totally clean slate; in letting his staff die with most of his patients, he would be getting rid of any and all evidence and reminders of his failures. He may have cared about First Aid and Ambulon before things got bad, but somewhere along the way, he decided either it wasn’t worth it to go through the trouble of finding a way to save them without raising suspicion, or he didn’t want to risk them putting together the pieces later on.
Of course, when Ratchet showed up, plans changed.
Ratchet
Ratchet is not the kind of person who seeks first to understand or be understanding. He’s inclined to trust what’s in front of him over anything abstract, and tends to look at the results of someone’s actions over trying to find any kind of ‘why’ behind them. Also, unlike Pharma, he operates from a strong moral sense, and reacts quickly and strongly when something or someone goes against that internal moral sense.
Ratchet’s reaction to finding out what Pharma did may seem hasty and harsh, but it makes perfect sense on a human level. There is no such thing as unconditional love; everyone has personal and moral lines (boundaries), and they’re different for each individual. When the most rigid of lines is crossed, that’s it; walls go up and the offender is cut off, no matter how strong the relationship may have been.
Ratchet obviously knew Pharma well enough to think he could try talking some sense into him, but then Pharma revealed that he’d crossed one of Ratchet’s lines: murdering patients. Any willingness Ratchet may have had to try to understand vanished. By the time Pharma started trying to provide a ‘why’ for his actions, Ratchet’s moral judgment had already shut down any chance of understanding what could have possibly led Pharma to kill patients. It didn’t help that Pharma seemed totally unapologetic and outright proud of his plan. For Ratchet, the ‘why’ didn’t matter anymore. What he saw was what he trusted, and what he saw was a friend who’d become his idea of a monster.
Now, Ratchet and Pharma’s relationship is one of the most confusing IDW relationships I’ve had the pleasure and pain of dissecting.
It is notoriously difficult to determine the depth and strength of a relationship from the outside. However, I’ve decided to go ahead and address it anyway because it has the potential to provide insight into Pharma as an individual.
If I were to sum up Pharma and Ratchet’s relationship in a single word, I would use “ambivalent.” The first time I read MTMTE, the thing that stood out to me most about their relationship was the drastic differences between how they each perceived the relationship.
In one sense, there’s the idea of Pharma basically being Ratchet’s crazy stalker ex, which is tossed around in fandom a lot. While I personally dislike seeing it regardless of context (yes, even as a joke), I do see how JRO’s writing choices set things up in a way that makes it easy to superimpose that trope.
In another sense, there’s the idea that Pharma and Ratchet were always close friends, and that what happened at the end of the Delphi story was a betrayal of both sides that came out of nowhere and whose consequences were taken too far.
I disagree with both. Personally, what I see at the end of the Delphi story isn’t an obsessed ex gone mad, a sudden betrayal, or a badly executed backstabbing. What I see is a breakdown of an already-complicated and poorly-maintained relationship: true feelings being revealed, long-repressed bitterness being forced to the surface, carefully-hidden cracks being split wide open.
Most people don’t have an accurate understanding of how much or how little they truly know the people in their lives, often overestimating how well they know a person until something surfaces and blindsides them.
According to JRO, Ratchet was oblivious to Pharma’s romantic interest, and throughout canon, it’s easy to see Pharma was more invested in the relationship than Ratchet ever was.
The question is, did Ratchet ever care about Pharma at all? And if so, to what degree?
Yes, Ratchet calls Pharma “buddy” and “friend,” but the former was sarcastic, and the latter means something different to each person. Also, in light of the circumstances, Ratchet could have just been saying “friend” in response to Pharma saying it—an emotional appeal more than anything.
However, Pharma must have been aware of Ratchet’s lack of relational investment because during the confrontation at Delphi, Pharma’s first reaction wasn’t to appeal to their friendship (ex: “But you know me!”). Instead, he appealed to their shared profession:
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Then there’s the exchange of insults: 
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This is what I meant earlier by “true feelings being revealed.” Ratchet may have just been trying to match Pharma’s insult, but it’s unlikely it was merely reciprocal because while Ratchet is snarky at times, he’s sincere in that snark. There’s almost always some truth in his verbal jabs no matter how unserious they seem, and he’s never cruel for cruelty’s sake.
So, if Pharma saw Ratchet as an inferior doctor, and Ratchet saw Pharma as an inferior Autobot…it’s reasonable to assume there was always some deep-rooted competition and conflict preventing them from being super close.
Possible suspicion surrounding Pharma’s conduct as an Autobot paired with a tendency to misjudge the nuances of relationships could explain why Ratchet was so quick to decide Pharma was a lost cause. Maybe Pharma’s actions at Delphi confirmed something from the past that Ratchet had brushed off for whatever reason.
In any case, Ratchet seems to have been largely unaffected by the Pharma he found at Delphi. While leaving Messatine, he emphasizes that he’ll miss Pharma’s talent.
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Not “who he used to be.”
Not “what we used to have.”
Just…“his talent.”
Later, on Luna 1, Pharma mentions that he and Ratchet were inseparable, but that could mean a few different things:
Best case scenario: Pharma and Ratchet sought each other out on equal terms.
Worst case scenario: Pharma followed Ratchet around.
Somewhere in the middle: the job forced Pharma and Ratchet to work in close proximity most of the time, and while Pharma intentionally ran into Ratchet more often than necessary, Ratchet also sought out Pharma every now and then.
Whatever the case, working with someone every day doesn’t tell you anything about who they are as a person, and the amount of time spent with someone doesn’t automatically correlate to how deep the relationship is or how well the people know each other. It’s not like either Pharma or Ratchet are shown to be good at expressing their personal feelings outside of extreme circumstances. 
Ratchet does bring up late-night conversations of the past:
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But while this indicates there was something deeper between him and Pharma, because neither of them were ever shown to be super open with their true feelings, it’s unlikely the conversations were full of touchy-feely talk. In all likelihood, the conversations were mostly medicine and war-related, with the rare spark-to-spark talk sprinkled in. Also, considering everything up to this point, one has to wonder if those talks ever meant anything to Ratchet, or if he was just digging for something that might stall Pharma’s torture.
Maybe those late-night conversations did mean something to Ratchet, but whatever the case, Pharma didn’t take the bait. He knew Ratchet was trying to stall by making an emotional appeal, and perhaps he was convinced the conversations hadn’t meant that much to Ratchet.
Looking at all of this, it’s hard to believe Ratchet ever cared about Pharma as more than an interesting work friend. But even if he had cared more than he let on, it wasn’t enough to overcome the doubts he had about Pharma’s character.
As for whether Pharma truly cared about Ratchet, I’m convinced he did, but in a mostly unhealthy way, and with a strong undercurrent of one-sided rivalry. At some point, Ratchet had been an equal and a source of challenge, and he probably listened to Pharma pretty often. It’s reasonable to assume Ratchet was one of the only people—if not the only person—able to handle Pharma’s intense temperament and challenge him in a meaningful way, providing some semblance of friendship for Pharma.
However, one last thing that stands out is that, when telling Ratchet why he’s torturing him, Pharma didn’t say anything like, “Because you hurt me” or “Because you turned against me—your friend.” Instead, he said it was for “ruining things at Delphi” and because “you declared war on my body.”
Either Pharma wasn’t being entirely honest, or Ratchet’s friendship didn’t mean as much in the first place as he’d previously implied. It’s possible the ‘Because you hurt me’ was implied in “for ruining things back at Delphi,” but why not say it outright? Perhaps it was a fear of vulnerability and admitting there was ever a relational need at all.
At the end of the day, it’s difficult to say for certain how close Pharma and Ratchet were, but it’s clear they were never on the same page and there were always barriers between them.
Luna 1
Revisiting the matter of Pharma’s morality taking a backseat to other priorities, his time on Luna 1 further underscores this. Again, Pharma chooses his battles and is unwilling to put himself at great risk for the sake of others, but a closer look at the situation with Tyrest reveals there wasn’t really anything he could have done for the Cold Construct population even if he had wanted to. It would have been him against Tyrest, an army of Legislators, and a bunch of Decepticons. Pharma knew his limits, and seeing as his goal was self-preservation, it was perfectly rational for him to go along with Tyrest’s grand scheme.
Besides, it doesn’t look like he was given much of a choice:
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Although, knowing Pharma, he still would have demanded to know beforehand what he would get in return for the pain, and evidently, Tyrest held up his end of the deal since Pharma had access to the Luna 1 tech collection.
As for Tyrest’s plan to wipe out the Cold Construct population, there’s nothing indicating Pharma’s decision to turn a blind eye to it was rooted in malevolence or bigotry—just rational apathy: ‘I can’t stop Tyrest, so why concern myself with the outcome?’
Again, you can’t save everyone; Pharma had all he could do to save himself.
But it wasn’t all horrible. I would even go so far as to say Pharma found some happiness on Luna 1. Tyrest didn’t care about him, but he didn’t need Tyrest to care. Everyone else there hated him, but he didn’t need to feel like he belonged or was admired. At this point, Pharma’s only interest was Tyrest’s Luna 1 tech collection, and that meant playing nice so he could keep his reward. Back at Delphi, he probably assumed he’d never again practice medicine the way he’d loved; being brought to Luna 1 was an unexpected, yet welcome, second chance.
Even so, Pharma had his moments of cruelty. Back at Delphi, he had easily-identifiable reasons to kill patients—both the ones whose T-cogs he harvested and the 20 more he tried to kill when he shot the life support machine. But on Luna 1, he had no reason to be cruel, yet he chose to be. By this point, he’d mastered the ability to almost completely ignore or subdue his conscience.
In the case of Ratchet’s torment, one could argue Pharma only drew it out for retaliation purposes; it was personal for him.
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As for cutting Ambulon in half, it was obviously meant to be as gruesome as possible, yet also quick. But personally, I don’t think it was about Ambulon; it was more about hurting Ratchet. Due to the fact that Ratchet’s identity is wrapped up in his compassion and his ability to be helpful as a doctor, one of the most effective acts of revenge would be to do something that makes him feel utterly helpless.
Also I wonder if, subconsciously or consciously, Pharma was attempting to recreate the sense of helplessness he felt back at Delphi under Tarn’s watch: “Do you see, Ratchet? Do you now understand how it feels to have control ripped out of your hands? To be totally helpless?”
Next, for some reason, Pharma was invested in the promised execution of Getaway and Skids:
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He had no personal connection to either of them that would give him a reason to be interested, so maybe Tyrest told him he could perform the execution and/or have the corpses for medical experimentation. Either way, Pharma would have had a chance to use some of the tech in Tyrest’s tech collection, possibly explaining his excitement.
Of course, any chance of an execution disappeared when the final showdown went wrong.
When Pharma tried to escape to Cyberutopia and discovered he couldn’t pass through the spacebridge forcefield, he gave up. He’d been caught; he would no longer have access to Tyrest’s tech collection; Ratchet and every other self-righteous Autobot would never forgive him; and the morality lock prevented him from escaping. By all appearances, he would never again be able to engage in that which gave him a sense of meaning. He had shrunken his world down to his obsessive interest in a specialized field and one significant, yet unrequited relationship. With both of these lost, his world collapsed. 
Yes, guilt played a part in Pharma’s despondency, but because he seems to have been in denial of said guilt, it’s more likely his despair was primarily due to the fact that he saw no future for himself. He had nothing left to live for.
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In light of this, Pharma’s flippant comments to First Aid make sense. He wasn’t being insensitive as much as he was goading First Aid. Pharma’s not stupid. First Aid had a massive rotary cannon on him, and Pharma knew exactly which emotional buttons to push to get him to pull the trigger.
Pharma wanted to die.
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Adaptus
First, let me emphasize that Adaptus did not take possession of Pharma’s body. Instead, Pharma was the unwelcome guest:
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How Pharma ended up in Adaptus’ new body is a mystery, but whatever the case, Pharma didn’t pass on to the Allspark. Whether or not he had a choice can only be speculated.
First Aid had blasted Pharma’s head clean off, so whatever happened must have been related to the spark. Perhaps some residual spark energy was trapped in a body part that Adaptus repurposed, leaving Pharma tethered to the new body unwillingly.
Still, Pharma managed to assert his will and override Adaptus for a brief moment. Considering Adaptus was basically a god, this is impressive.
Based on Adaptus’ surprise at being interrupted, it seems he didn’t know Pharma was there. Why Pharma hadn’t tried to assert himself sooner is a mystery. Maybe Adaptus’ scheme was entertaining; maybe Pharma actually liked the company; or maybe he’d been waiting for an opportunity to get revenge on Tyrest for everything done to him back at Luna 1.
Sure enough, just like with Ratchet back on Luna 1, Pharma’s vengeful streak came out as soon as there was an opportunity.
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Unfortunately for him, this left him vulnerable, and Tyrest took advantage of the confusion:
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Conclusion
When someone reduces their world to narrow personal interests and one or a few very special people, their grip tightens around what little they have. They often become obsessive and possessive of the few things that make them feel alive, and their view of the world becomes increasingly more subjective and detached from the outside world. Pharma seems to have fallen into this trap.
Even so, in the context of the circumstances, several of the decisions he made were rational—even if coldly so. Oftentimes, “extreme” rationality and self-preservation are villainized in fiction, and characters like Pharma who don’t automatically put themselves at great risk for anyone and everyone are villainized, or at least looked down on. Their choices are often regarded as less human, but rationality and self-preservation are just as human as compassion and self-sacrifice.
Ultimately, Pharma was trapped and pushed over the edge into “insanity” by Tarn’s cruelty, but his own choices made from a place of pride determined how he fell, and how far he fell. It was a perfect storm of Tarn’s mind games and Pharma’s intellectual arrogance, excessive self-confidence, obsessive nature, and stubborn grip on the kind of future he wanted for himself.
Pharma is yet another Icarus who flew too close to the sun and paid dearly for it, and while JRO/the narrative could have given this Icarus better wings, that doesn’t change the fact that he chose to fly so high.
***
Many thanks to anyone who made it to the end of this monster of a post.
-tosses a Rodimus Star at you-
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justanothermemestrider · 3 months ago
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40k Nsfw Alphabet - Ferrus Manus x F! Reader
Aaaaaand now, a return to regular programming.
I'm kicking off with a request I've gotten from a few people: the big metal caveman himself Ferrus Manus.
Apologies for spelling and grammar errors, as well as lore inaccuracies. Also I'm taking requests rn, so please let me know in the comments, reblogs, my dms or my asks.
Hope you guys enjoy!
A = Aftercare (what they’re like after sex)
In my opinion, Ferrus Manus is damned good at aftercare. He's not a master by any means (he's no Vulkan or Sangy lol), but he's got the competency and he's got the desire to make you feel comforted and cared for. That being said, he's still going to go about it like an Iron Hand: mechanically and efficiently.
When the act is complete and you two are lying in bed after, be prepared to be bombarded with questions: how are you feeling? Are you comfortable? Do you need a glass of water? Do you want him to hold you? If the answer to the latter is yes, how do you want to be held? Big spoon? Little spoon? Traditional embrace?
All of these things, Ferrus asks and executes for you with an earnest, almost grim seriousness that you find deeply amusing.
B = Body part (their favorite body part of theirs and also their partner’s)
He loves your hands because they are everything his are not: soft, gentle, warm and tender. He loves it when you cradle his cheeks, claw into his chest when you're riding him and cling to his back when he's on top.
Favourite parts of his body are probably his shoulders and chest for the reasons mentioned up above.
C = Cum (anything to do with cum, basically)
Ferrus doesn't like making a mess, and his favourite place to finish is deep inside you. But, if you were to ask him to finish somewhere else for your own pleasure or enjoyment, he'd happily oblige.
D = Dirty secret (pretty self explanatory, a dirty secret of theirs)
This man is a bottom. A massive, submissive bottom. On similar vibes to Guilliman and Dorn, Ferrus finds being a strong, immovable rock of a Primarch very exhausting. So, behind closed doors, with the women who loves him most, he likes being able to let that persona go.
E = Experience (how experienced are they? do they know what they’re doing?)
Ferrus has no first hand experience, but after getting together with you, he made it his mission to get educated. He didn't want to disappoint you, and he was also (internally) anxious about making a fool of himself.
F = Favorite position (this goes without saying)
Any position where you're on top. As mentioned earlier, this man is a bottom. He was you taking the lead.
G = Goofy (are they more serious in the moment? are they humorous? etc.)
Deadly serious. All the time. Every time. The seriousness is cranked up to 120%
H = Hair (how well groomed are they? does the carpet match the drapes? etc.)
Ferrus is the 2nd hairest Primarch after Leman Russ. Not just downstairs, but his chest, back and everywhere else (except his arms, obviously). Unlike Russ, though, Ferrus keeps his hair very well groomed.
I = Intimacy (how are they during the moment? the romantic aspect)
It will take a bit of time, but eventually I see Ferrus becoming one of the more emotionally intimate primarchs. In the HH books, his entire arc is his relearning the importance of emotionality, the "strength to be gentle" so to speak. Being in a relationship with you would accelerate that arc, leading to him becoming a surprisingly romantic man. He's still stoic and stern, of course, that's his personality after all. But underneath that is an inherently compassionate heart that, eventually, becomes capable of great and deep love.
J = Jack off (masturbation headcanon)
The necrodermis covering his hands and arms makes masterbating super uncomfortable for poor Ferrus. If he's got urges, he needs either a toy or you in order to satiate them.
K = Kink (one or more of their kinks)
The aforementioned submissiveness includes a little bit of bondage if Ferrus is feeling particularly stressed out or worn down.
L = Location (favorite places to do the do)
Your shared bedroom- it's a matter of efficiency and effectiveness. The bed is the most comfortable for you, everything you both need to pleasure each other is all there, and there's absolutely no chance of you being interrupted or walked in on.
M = Motivation (what turns them on, gets them going)
Any physical advances or teases on your part has Ferrus feeling hopelessly aroused. An embrace from behind, a hand on his knee that slowly traces up to his inner thigh. Anything like that gets this man flustered and hard almost instantly.
N = No (something they wouldn’t do, turn offs)
Anything that involves hurting (pretending or otherwise), degrading or overpowering you. Blood, violence and brutality are part of his job, he doesn't want to bring any of that into the bedroom.
O = Oral (preference in giving or receiving, skill, etc.)
He far prefers to give and he's HELLA good at it. He's basically perfected the technique. The reason for this is because he knows he can't use his hands (or at least, he doesn't feel comfortable using them), because the risk of hurting you is way to high.
P = Pace (are they fast and rough? slow and sensual? etc.)
Slow and sensual. Ferrus doesn't want to hurt you, doesn't want to risk being rough lest he grip you too hard with his metal hands or hurt you with his enormous size and weight. He prefers it when you set the pace; he will only go as fast or as rough as you are.
Q = Quickie (their opinions on quickies, how often, etc.)
While Ferrus prefers taking his time with you, he's not against quickies. And he's damned good at them, too. He is efficient, after all. Efficient and effective. Whether you've got two minutes with him or two hours, Ferrus is making you finish.
R = Risk (are they game to experiment? do they take risks? etc.)
Ferrus isn't much of a risk taker. He knows what works for him and what works for you and he doesn't really see the point is changing that. Very much a "if it ain't broke, don't fix it" kinda mindset.
S = Stamina (how many rounds can they go for? how long do they last?)
Typical Primarch stamina. All night, all day, as many rounds as you can physically endure.
T = Toys (do they own toys? do they use them? on a partner or themselves?)
Ferrus is 100% into the idea of toys, both your use of them and his own. If you ask him, he'll even forge some for you ;)
U = Unfair (how much they like to tease)
Ferrus isn't a tease at all. If he wants you, he's gonna tell you explicitly, in the most direct, clunky and verbose way possible.
V = Volume (how loud they are, what sounds they make, etc.)
The first few times you sleep together, Ferrus is pretty modest with his noises; panting and grunting, primarily. But, as he grows more comfortable, he'll get loud. Quite loud.
W = Wild card (a random headcanon for the character)
Part of the reason why, before the Istvaan 3, Ferrus had resolved to find a way to remove the necrodermis from his hands, is because he wants to be able to touch you properly. With his own skin, not alien metal. Good thing he made it back from Istvaan safe and sound and with his head intact, right?
Right?
Guys?
X = X-ray (let’s see what’s going on under those clothes)
E N O R M O U S. Only Primarch whose bigger is Vulkan. Nothing more, your honour.
Y = Yearning (how high is their sex drive?)
Not that high. His own desire, Ferrus keeps on a fairly short leash. Both because of his personality, but also so he can focus entirely on his missions. However, if you need to be satisfied, he'll drop everything to give you what you need.
Z = Zzz (how quickly they fall asleep afterwards)
Ferrus is never asleep before you. Ever. Not until he's absolutely certain you are comfortable, safe and have had all your needs tended to.
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
Taglist: @solspina @beckyninja @egrets-not-regrets @wolf-feathers12 @jaghatai-khock @lemon-russ @moodymisty @hatsubara-8chan @nereidof40k @yanagikou @fyxestroll @yurihasurunbara @justfreakynothingelse @mooniequeen
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arc-misadventures · 4 months ago
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I Don't Want To Take That Class...
Today was now, Jaune's second day at, Beacon Academy for, Beast Masters. And, Jaune's school experience was so far: Not that great.
Well, at least today he could learn what his classes would be. Beacon had a system where on the first day of school students would orient themselves with the school, get settled into their room, but most importantly they would show off their, Spiritual Beasts so the teachers knew what monster they had, and how to best teach them to master their, Spiritual Beasts powers.
Jaune wasn't sure what he would be learn, considering, Salem's powers were so fast, and how certain members of the teaching staff were giving him, and more importantly, they were giving, Salem some very questionable looks. Particularly, Headmaster Ozpin.
Salem had told, Jaune about her rather interesting past with the man. Only the brief rundown of things, but he figured it would be for the best if she explain everything in detail. Less he walked into something he didn't want to be in.
~~~
Jaune: Okay... Where am I...?
: Oh, hi, Jaune!
Jaune: Hmm? Oh hey, Ruby.
Ruby: Here to find out what classes you're in?
Jaune: Yeah. Have you found out what classes you're in?
Ruby: Yep!
Jaune: Can you tell me what classes you have? Maybe we have one in common.
Ruby: Sure! I have classes for, Shadow, and Wind magic. But, since you are omni-elemental we'll probably have the same classes. You're probably have the same classes as everyone.
Jaune: Probably. I'll also be in the flight class since I can... well: Fly. Regeneration though... yeah...
Ruby: C-Can you actually regenerate...?
Jaune: Yes.
Ruby: Are you going to elaborate?
Jaune: Do you really want to know how that works?
Ruby: ...
Ruby: No...
Jaune: Smart lass.
Ruby: Okay, but can you tell me about.. Ooph?!
: There you are, Rubes! I've been looking all over for you!
Jaune was taken aback as an older, far more well endowed blonde woman put, Ruby in a headlock, and started giving her a little noogie.
Ruby: Yang?! Stop it!
Yang: Alright, alright I'll stop. I'll... Oh? Well hello~! You must be, Jaune Arc, the guy with the, Spiritual Deity!
Jaune: Yep, that's me. And, you are...?
Yang: Yang Xiao Long! This little twerps big sister! It's a pleasure to meet you!
Jaune: Pleasure.
Yang held out her hand for a hand shack, and Jaune moved his hand to shake it. But, it stopped when her hand was slapped away from his. Yang, and Ruby turned to look at her hand utterly perplexed. All the while, Jaune turned to left as he scowled at the air.
Jaune: Why did you do that? It was just a handshake!
Yang: Uhhh...?
Jaune: We just met her, what's so untrustworthy about her?
Yang: Who is he talking to?
Ruby: Oh! He's talking to his, Spiritual Beast!
Yang: They can talk to each other?
Ruby: Yeah, they do it all the time!
Yang: That's true? I thought that was just a joke?!
Ruby: It's true! Although, Jaune does look a little crazy since he's talking to 'nothing.'
Yang: Yeah, that does look a little...!?
Jaune: What?! Just because she's wearing a midriff, and showing off her belly does not mean she's a harlot?!
Yang: The fuck did you just call me?!
Jaune: Nothing! I did not call you anything at all! Salem called you a harlot though...
Yang: You wanna go missy?!
Yang pointed in the air, as she challenged a god to a fist fight.
Jaune: She's behind you.
Yang: Eh? OWW?!
Yang turned around, and then reeled back as she felt someone's finger flicked her forehead.
Yang: D-Did she just flick my forehead...?
Jaune: Yeah, sorry about that. Salem is... possessive to say the least. She doesn't like it when other girls get too close to me.
Yang: Sounds like a possessive wife.
Jaune: If you knew why she's so possessive of me... you... you wouldn't blame her... that much.
Yang: Are you going to tell me?
Jaune: Best you don't know. Now if you'll excuse me, I need to learn what my classes will be.
Jaune quickly left to go see what classes he was placed into, leaving the sisters alone.
RY: ...
Yang: Well... He seems like a pretty nice guy... It's a bit weird to have an invisible girlfriend batting everyone away from him though.
Ruby: She's actually his wife!
Yang: Really?
Yang: It's still weird that she does that.
Ruby: Yeah it is weird...
~~~
Jaune: Do you see my name on any of these lists, Salem?
Salem was floating over head the crowd of students, searching for her beloveds name among the. She was phasing through the ones who were to close to the board overhead for those she couldn't see.
Salem: Afraid not my love. I've scoped all of these lists, and I haven't found your name on any of them.
Jaune: That's not good...
Salem: Oh, and why is that?
Jaune: Because of you, Salem, it means that they've no doubt come up with a special class of some sorts exclusively for me... And, since i am one of the rare few to have a, Spiritual Deity as my, Spiritual Beast they'll want to run some tests on us.
Salem: Are you sure of that?
Jaune: It's been over four thousand years since the first person became a, Spiritual Beast Master. And, since there have only been just over two dozen, Spiritual Masters who have formed a bound with a, Spiritual Deity. And, to make matters worse, I am the first person you've ever formed a bound with. They are going to run some tests on us.
Salem: These tests... I will have to show myself before them then... This feels like a trap...
Jaune: But, is it for me, or is it for you?
Salem: That doesn't matter! You are my husband! If they come after one of us, then are coming after the both of us, and if they dare harm so much a single golden lock of hair from your head, I will introduce them all, I will remind, Ozma of what is a, Spiritual Deity's FURY!
Jaune watched as a whirlwind of elemental powers swirled around, Salem. Fire, ice, lighting, earth, shadows, and light rage in a kaleidoscope of raw power hang in the air about her. It was a beautiful sight to behold, his beloved showing off the full range of her powers.
To him that is.
Jaune: Salem, you look beautiful, honey. But, everyone is looking at me like I'm crazy since they can't see the, Oni Queen making a storm of elemental powers in the air, they just see the elemental storm ball.
Salem: Eh...?
Salem looked to her side seeing a crowd of students looking on, some in awe, others in fear.
Salem: Whoops...
The storm slowly faded away as, Salem nervously floated down in front of, Jaune. She bashfully looked away from him as a fierce blush was spreading across her face.
Salem: Sorry...
Jaune: It's okay, Salem. It was a good way to flex on everyone.
Jaune rubbed his hand along, Salem's cheek as she swooned into his hand. This loving moment between couples was swiftly brought to the end, when the were interrupted when someone unexpected appeared.
: That you are, Mr. Arc. Lady, Salem...?
Standing before them was the deputy headmistresses of, Beacon Academy. Who looked rather cross...
Jaune: Hi, Professor Goodwitch! C-Can we help you with anything?
Glynda: Can you.. two come with me. Headmaster Ozpin wishes to have a word with you.
Jaune: About our classes?
Glynda: Yes, since you have made a contract with a, Spiritual Deity we've had to come up a unique set of classes for you to do.
Jaune: I expected as much...
Glynda: Will you come with me so we may discuss it?
Jaune: Alright then... We'll come...
Salem: Are you sure this is a wise idea, Jaune?
Jaune: Nope, but what else can we do?
Salem: Improvise?
Jaune: That'll work...
~~~
"Ding~!"
The elevator doors slowly opened, and Jaune, and Salem were greeted to the sight of a trio of teachers, Jaune didn't want to see.
Before him was, Professor Peach, Dr. Oobaleck, and lastly, Headmaster Ozpin.
Out of the three, Professor Peach was the one, Jaune was the least suspicious about. She was a medical doctor, so she was probably here to see about his regeneration abilities. He could understand her curiosity about that, everyone was curious when it came to his regenerative abilities. However, based upon how she wanted to test these abilities, that's where he started to grow cautious of her.
Dr. Oobaleck put, Salem's nerves on end, and in turn, Jaune's as well. He was a scientist, so of course he was curious about the capabilities of, Salem's powers. But, Jaune had read enough science fiction books, and shows to know that the most dangerous scientist there is, is the one who was trying to test the bounds of science, and no one was there to tell them this one simple thing: "No."
So many terrible events that happened because science gone crazy could have been solved if someone just said, "No, bad scientist, no!"
And, lastly he had, Headmaster Ozpin. Out of the three, Jaune was most cautious of this man. Salem had told him plenty of things about, Ozpin, and the results of his, Spirit Curse. So, unless everyone didn't behave. Things were going to become very bad, very, very quickly.
~~~
Ozpin: Ahh... Hello, Mr. Arc. Do you know why we brought you here today?
Jaune: Considering that I didn't see my name on the list of classes, I assume you asked me here to tell me what my classes are?
Ozpin: You are correct, Mr. Arc. Because of your unique circumstances, being partnered with a, Spiritual Deity, and all. Along with your wide variety of spiritual powers, we had to come up with some unique classes to teach you, Mr. Arc.
Jaune: I expected as much... what classes will you be teaching me?
Ozpin: Well, start with, Professor Peach. Professor?
Peach: Thank you... Hello, Mr. Arc, I am Professor Padma Peach. We won't be having too many classes together. Mostly we'll be having tests.
Jaune: Trying to determine the capabilities of my, Regeneration abilities?
Peach: Why, yes! I am most looking forward to learn how that ability of yours works!
Jaune: That's one of us...
Ozpin: Bart.
Oobaleck: Hello, Mr. Arc! My name is, Doctor Bartholomew Oobaleck! I will be teaching you how to control your basic elemental powers! Earth, fire, water, and air! I have never taught an omni elemental before! My fellow teacher, Peter Port will also be assisting me during your teaching! He was busy monitoring the students so he couldn't be here! But, I can assure you, he is most excited to teach you as well!
Jaune: O-Okay...?
Ozpin: And, lastly, Mr. Arc, I will be teaching you how to use your light, and dark magical powers. We will be dividing these class for three to be spent learning ight, and dark magic, and the rest will be spend on your other elemental powers. Professor Peach will only be available during your other elemental powers. But, that should offer her enough time to study your regeneration capabilities.
Ozpin: We will be sending you a timetable of these, and your various other classes you will be taking. We look forward to teaching you, Mr. Arc!
Jaune took in his words with a grain, no, a heap of salt. Professor's Port, and Peach, and Doctor Oobaleck all teaching him in tandem made sense, he was omni elemental after all. But, having a class all alone with, Ozpin.
Jaune mulled over this news, but as he looked to the side, and came to a simple conclusion.
Jaune: I don't want to take that class, Headmaster... No, I won't be taking that class...
Ozpin: Excuse me?
Jaune: Deputy Headmistress, Glynda Goodwitch already teaches classes on dark, and light magic, I want her to teach me those classes, not you.
Ozpin: What are you talking about, I am the most skilled teacher of those elements the world over. I can assure you, I can help you master those powers.
Jaune: And, I can assure you, Headmaster... We will not be taking any classes with you...
Ozpin raised his mug to his face to take a drink, but paused as he took in his wrods.
Ozpin: 'We?'
(Smash.)
Ozpin: What was...?
Ozpin dipped his drink to far, and his drink spilled out of his mug. But, instead of a splatter of how bean water, a solid chunk of coffee ice fell out, and shattered on top of his desk.
Ozpin: What the?!
Ice. Ice emanated from the floor around, Jaune. The temperature in the room fell rapidly, one could see their air as they breathed. For all, but one that is. Jaune stood before, Ozpin, his body was at ease, calm. He didn't seem to be bothered by the coldness building in the room, or it didn't appear that the cold was affecting him at all.
Jaune: Now you've done it, Headmaster...
Ozpin: Done... Done what?
: Not taking my 'hint!'
Within a fraction of a second, The Oni Queen, Salem appeared before Ozpin. She was floating in the air before him, a calm smile played across her lips as the tempest of the storm loomed over the, Headmaster.
Ozpin: Hint... What hint...?
Salem: You think I flicked your forehead as some sort of 'playful teasing?' Hmm...?
Salem cocked her head to the side, her voice was loud for all to hear. Jaune could tell she without seeing her face that she was giving him a cold, an emotionless toothy smile. And while, Jaune knew she had a beautiful smile, it was a predators smile. She bore fangs that could rip through metal with ease, and when she showed off her fangs, the likely hood she was threatening you was very, very high.
Salem: No, that was a warning... a warning to tell you to keep your hands to yourself...
Ozpin: Keep my hands to myself...?
Salem: Yes. For it has come to my attention that you do not seem to remember why you were cursed with immortality. And, we are all too willing to remind you of why that all happened. But, if you dare touch a single hair on my lovers head. I will show you why my daughter held me back the last time you received divine punishment! Understood, Ozma.
Ozpin's body has slowly begun to freeze to his chair as, Salem lowered the temperature more, and more to the point his, Aura's protective barrier was failing to withstand the extreme cold. With a shaky, and cold breath, he answered her.
Ozpin: O-O-Okay...! I-l-l-leave you two alone!
Salem: Good~! Now then...
Salem soon floated over, and appeared before, Glynda, the pair locked eyes before, Salem gave, Glynda a toothy half smile, before she returned to address, Ozpin.
Salem: Glynda here will be teaching, Jaune how to master his light, and dark magic works. Understood?
Ozpin: Y-Y-Yes...
Salem: Good~! Now, let go, Jaune. I'm done with this worm.
Jaune: Alright then. Goodbye, Ms. Goodwitch, Professor, Peach, Doctor Oobaleck. I look forward to seeing you in class.
With that the pair walked into the elevator, and left. Leaving behind the three freezing, and frozen teachers behind.
Glynda: Ozpin... I do not care for whatever schemes you are planning, but I will take you down before she gets a chance to if you push things too far! Understood?
Ozpin: P-Perfectlly... Miss Goodwitch.
Glynda: Good!
Ozpin: Now then... B-Bart?
Oobalek: Yes?
Ozpin: Can you call, Port up here at once... I-I-I'm frozen, and can't move...?!
Oobaleck: On it!
Well, Jaune now would have his class schedule, and Salem had given, Ozpin's final warning. The school year was finally about to begin for real!
Hopefully things didn't go to hell too quickly...
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sizeofyoursoul · 23 days ago
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Anne Rice vs. A Chicken Restaurant
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If you are a huge Anne Rice fan, you may have come across the weird detail that she had a feud with the guy who started Popeyes. You may know this New York Times article, this LA Times article, or this nola.com article. This Time article is not paywalled. But, if you're like me, you might be slightly frustrated when a lot of these articles reference multiple full page ads, but usually don't include their full text.
First, here's the actual scene from Memnoch the Devil (spoiler warning) that the articles keep referencing being set at the location where the restaurant Straya was later built (2001 St Charles Ave, which is a couple of blocks up from Jackson Avenue in the direction Lestat is walking):
I walked a long time down St. Charles Avenue. I walked under oaks I knew, on old pavements and stretches of brick, past houses new and old, and on across Jackson Avenue into the curious mix of taverns and neon signs, of boarded-up buildings and ruined houses and fancy shops, the garish waste that stretches to downtown. I came to an empty store that had once sold expensive automobiles. For fifty years, they'd sold those fancy cars in this place, and now it was a big, hollow room with glass walls. I could see my reflection perfectly in the glass. My preternatural vision was mine again, flawless, with both blue eyes. And I saw myself. I want you to see me now. I want you to look at me, as I present myself, and as I swear to this tale, as I swear on every word of it, from my heart. I am the Vampire Lestat. This is what I saw. This is what I heard. This is what I know! This is all I know. Believe in me, in my words, in what I have said and what has been written down. I am here, still, the hero of my own dreams, and let me please keep my place in yours. I am the Vampire Lestat. Let me pass now from fiction into legend.
This is the end of the book, and was originally intended to be the end of The Vampire Chronicles. This was the original plan for how Lestat's character arc was going to conclude. I need you to know this because it will enhance the experience of the rest of this.
On Feb 4, 1997, Anne Rice published the following ad in the Times-Picayune:
A SPECIAL MESSAGE TO OUR MARDI GRAS VISITORS, OUR TOURISTS, AND OUR CITIZENS: I WISH YOU A WARM WELCOME FOR THIS CARNIVAL SEASON, AND ASK THAT YOU LET ME EXPRESS MY PERSONAL HUMILIATION, REGRET AND SORROW, AS PRIVATE CITIZEN ANNE RICE, FOR THE ABSOLUTELY HIDEOUS STRAYA'S RESTAURANT WHICH HAS JUST OPENED ITS DOORS ON ST. CHARLES AVENUE. THIS MONSTROSITY IN NO WAY REPRESENTS THE AMBIENCE, THE ROMANCE, OR THE CHARM THAT WE SEEK TO OFFER YOU AND STRIVE TO MAINTAIN IN OUR CITY. IT IS AS IF MR. COPELAND HAS TAKEN EVERY FAST FOOD RESTAURANT FROM HERE TO PANAMA CITY AND COMBINED THEM INTO ONE LUDICROUS AND EGREGIOUS STRUCTURE. THAT THIS RESTAURANT STANDS IN THE SAME BLOCK WITH THE VENERABLE PONTCHARTRAIN HOTEL DOUBLES THE INSULT TO ALL OF US. THE STRIP OF ST. CHARLES AVENUE BETWEEN LEE CIRCLE AND JACKSON AVENUE IS A KEY PART OF OUR CITY, WHERE BLACK FAMILIES AND WHITE FAMILIES CONGREGATE FOR MARDI GRAS. THE RESTAURANTS ALONG THIS STRIP -- SHONEY'S, HOUSTON'S, THE CARIBBEAN ROOM, DELMONICO'S – HAVE ALL GIVEN PLEASURE TO NEW ORLEANIANS. STRAYA'S, HOWEVER, IS NOTHING SHORT OF AN ABOMINATION, AND MR. COPELAND SHOULD BE ASHAMED. AS A RESIDENT OF NEW ORLEANS, I AM DISTRESSED. I AM SURE THAT I DO NOT SPEAK FOR MYSELF ALONE IN SAYING THAT IN SPITE OF THIS MOST RECENT INSULT TO ALL OF OUR PRESERVATION GOALS, NEW ORLEANS REMAINS OUR PRIDE AND JOY. THE HUMBLEST FLOP HOUSE ON THIS STRIP OF ST. CHARLES AVENUE HAS MORE DIGNITY THAN MR. COPELAND'S STRUCTURE. WHAT MAKES THIS REALLY TRAGIC IS THE FACT THAT THE STRUCTURE OF THE RESTAURANT ITSELF IS POTENTIALLY BEAUTIFUL. REMODELING PROMISED A REAL ASSET TO THE AVENUE, INSTEAD, WE HAVE AN EYESORE. NEW ORLEANIANS, I URGE YOU TO EXERCISE YOUR CONSTITUTIONAL RIGHT AS AMERICANS AND LET MR. COPELAND KNOW YOUR FEELINGS, IN WRITING OR BY PHONE CALLS. MAYBE THEN MR. COPELAND WILL REALIZE THE GRAVITY OF HIS MISTAKE, AND DO SOMETHING TO SHOW RESPECT FOR HIS FELLOW CITIZENS AND HIS CITY. ONCE AGAIN, A WARM WELCOME TO ALL OF OUR MARDI GRAS VISITORS FROM ALL OVER THE WORLD. ANNE RICE AUTHOR OF INTERVIEW WITH THE VAMPIRE
After Copeland's initial response, Anne Rice took out a second ad February 23, 1997, which I was finally able to find the text of here.
EXCLUSIVE TO THE TIMES-PICAYUNE THE VAMPIRE LESTAT IS BACK!!!! READERS ARE OVERJOYED!! THE VAMPIRE LESTAT WANDERED INTO TOWN TWO DAYS AGO, AND WAS WALKING IN HIS DAZED AND SHOCKED MANNER DOWN ST. CHARLES AVENUE WHEN HE DISCOVERED THAT ON THE VERY SPOT WHERE HE HAD SAID FAREWELL TO HIS READERS--THE SITE OF THE OLD EMPTY CAR DEALERSHIP--A NEW AND WONDEROUS STRUCTURE HAD SPRUNG TO LIFE, LIKE A GIANT PINKISH PEACH PLANT, RIGHT OUT OF THE EARTH. LESTAT IMMEDIATELY KNELT DOWN AND GAVE THANKS--THE PEACH APPARITION SEEMED NOTHING SHORT OF A MIRACLE! LESTAT IMMEDIATELY CONTACTED HIS HARLEY DAVIDSON UNDERGROUND FRIENDS AND OBTAINED THE BIGGEST "HOG" HE COULD GET HIS HANDS ON. HE IS NOW DRESSED IN FULL LEATHER, PROWLING THE TOWN AS VIGOROUSLY AS EVER, SEEKING EVIL DOERS TO SLAKE HIS ETERNAL THIRST. HE SENDS HIS SPECIAL LOVE, SPECIAL REGARDS AND SPECIAL THANKS TO MR. AL COPELAND: "MR. COPELAND, NOTHING SHORT OF YOUR INDESCRIBABLE RESTAURANT COULD SHOCK ME OUT OF MY TORPOR AND MY COMA. I AM NOW MYSELF AGAIN! IT IS NOTHING SHORT OF A STROKE OF GENIUS ON YOUR PART TO CREATE A RESTAURANT THAT WILL BE IMMORTALIZED IN HISTORY, LEGEND AND LITERATURE. YOU ARE ONE HELL OF A GUY! MY IMMORTAL THANKS. I WILL ALWAYS COUNT YOU AS ONE OF MY DEAREST FRIENDS. YOUR KITH AND KIN ARE A MARVELOUS BREED. MAY GOD LOOK DOWN WITH HIS INFINITE MERCY WITH LOVE UPON YOU ALL. LESTAT" (END OF SPECIAL REPORT FROM THE ASTRAL PLANE) A.R.
And lo, The Vampire Lestat passed right back out of legend October 10, 1998 when The Vampire Armand was published. Because he was brought out of his coma because of how ugly a chicken restaurant was.
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thewertsearch · 4 months ago
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@necrowyrm asked: happy new year!!! enjoy the last little bit of homestuck before act 6! Anonymous asked: You have NO IDEA how much I was looking forward to your reaction to this flash :D @teddy-bearer-of-bad-news asked: a very late congratulations from me for making it this far! i gotta say, saving CASCADE for new year's is probably the smartest thing i've heard all week. may your experience be nothing short of righteous, comrade Anonymous asked: Cascade … Even years latter knowing it almost by heart, every once in a while I will take a little quarter of an hour to rewatch it, Say what you want about Hussie but there is a good reason Homestuck became so iconic. @adeptarcanist asked: The leadup to Cascade was honestly my favorite sequence in Homestuck, and maybe one of my favorites in any media ever? The way the narrative splits apart into all of the different scenes swirling in towards the critical moment, both advancing main plots and finding time to spend a moment of melancholy with characters who’d been left behind (The Jaspers and Nepeta scene :( )… it’s such a strong narrative device, and the tone it generates is impeccable. @calamitascalliope asked: I literally watched the flash again, and it still gives me chills every single time. Welcome to your post-Cascade life. You won't be able to think about anything the same ever again @iris-in-the-dark-world asked: "she looks so cool… but she’s so tragic… but she looks so cool…" has become a brainworm for me. i too love the handmaid's design btw, cascade time has been i think the most anticipated non-personal event of the entire year for me. i'm so excited @publicuniversalworstie asked: I want you to know that I also opened Cascade and started watching with you right after I saw your "oh my god it has chapters" ask, and I finished just as you posted "I will never be the same" !! And I bet lots of other people did too <3 so it's like we all watched it together!!!! Happy New Year and thank you for liveblogging!!!! It's been a pleasure!(and will continue to be) @krixwell asked: I would like you to know that your "Right, we're good to go!" and "oh my god it has chapters" posts were posted right as I was outside watching midnight fireworks ring in 2025 for the Central European timezone. Happy new year! @captorations asked:
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hey remember when rose just up and fucking said that. anyway congrats on reaching cascade! it absolutely wrecked me back in the day, i think i stared at those flaming curtains for a solid ten minutes as my brain permanently reconfigured. the first few notes of the track alone still give shivers. getting your reaction to cascade was a wonderful birthday present. (speaking of getting older: aradia 🤝 dulcinea also got that "distressingly short lifespan only to die early anyway" story thread going on. the parallels are paralleling.) anyway happy new year and congrats you are… slightly less than halfway done with homestuck. have fun!
Hey, guys. Cascade was so fucking good.
Like, there's really no competition; this is the best Flash page in the comic thus far. Peak music, peak animation, and absolutely a peak narrative. It tied up mountains of plot threads, providing complete answer to questions we're been asking for literally thousands of pages. It completed over a dozen arcs, both big and small. It made me gasp three times in fourteen minutes. It let Jade become a furry.
11/10, and I'm glad people had as much fun here as I did on New Year's Eve. Happy 2025, and happy Act 6!
@morganwick asked: Sally, predicting Cascade: "I have approximate knowledge of many things." @morganwick asked: "You literally have the whole world in the palm of your hands." -Sally to Jadesprite, December 16, 2024 (You might also want to reread post/770701212350857216 in light of recent developments.)
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Hah!
I mean, based on her powerset, it made sense that Jadesprite would do something like this eventually, but it's pretty funny that she did it more or less immediately.
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And in the end, CD really was a tricky little bastard. We'll definitely need to keep a closer eye on him, next time around.
Anonymous asked: Take a moment to consider that if anyone were to use the Homestuck website as it stands now instead of the Collection program, Cascade would have been presented in the YouTube player in Standard Definition, artifacted to hell, with a clear boundary showing the dimensions of the video from the very start. Preservation is so important.
Jeez, you're not kidding. The 1080p is fine, I guess, but it certainly doesn't hit like the Flash version does, especially with its lack of moving panels.
I know something had to change when Flash kicked the bucket, but surely there was a better way to preserve the video's soul.
Anonymous asked: to give you some of an idea of what homestuck fandom looked like during this time period, im cribbing from a very popular homestuck post: “first, this upd8 was something that we had been waiting for for WEEKS. A literally unprecedented wait period at the time. We were used to suckling at the teat of daily updates, a constant stream of conversation and plot twists and buildup, and as EOA5, we were finally going to figure out what all these countdowns and plot threads and disconnected elements were building up for. And when the progress bar reached 100%, and when the page FINALLY loaded on 10/25/11, it was chaos. This was 2011, a primetime peak point and growth period of Homestuck fan density.” (…) “MSPA crashed, as it had started to during the last few big [S] updates. Hussie had already bought new servers in advance, but even when allegedly thousands of dollars were spent it couldn't handle the accidental DDOS attack of Homestuck fans. People were up all night waiting for this upd8, the curiosity was killing me. I know at some point he was receiving at least 1 million unique visitors per day to his site [correction: according to Hussie’s tumblr, upwards of 2 million during this time], and even though Hussie had foreseen such traffic and thusly hosted [S] Cascade on Newgrounds, a dedicated video streaming site, Newgrounds was similarly unprepared for the sheer amount of people frantically mashing the play and refresh buttons, and also crashed. Immediately. MSPA and Newgrounds crashed definitively for at least two nights in a row” (…) “Andrew Hussie has gone on record to say this was one of the few times he thought Homestuck wasn’t worth it, because the sheer unbelievable cost (was it $10,000?) [correction: according to Hussie’s tumblr, it looked like it was going to cost $100,000 to keep [S] Cascade up for several days] of servers and the chaos of no one able to see the upd8 and crashing nearly every site after. He was tweeting during the whole debacle, stating he was reluctant to put it up on Youtube because of all the moving elements of the flash, and style, and how youtube degraded the quality of the file size, and how he tried to scratch out buffer time and pauses by putting periods of silence between each section of the 14 minute upd8, the longest upd8 yet” “So after Newgrounds patooted, he didn’t put it on youtube and instead put up the entire flash file on Megaupload, where it could be downloaded in it’s entirety to be watched. UNFORTUNATELY, Megaupload also crashed very quickly, which Hussie felt much headache over. But before that happened I managed to get the file, since I happened to be up very early that night! Next it was on dropbox, which didn’t crash but had “link unavailable” on and off. ”Spoilers were flying everywhere, people didn’t understand everything that had happened, and by the time the timeline of events in and out of [S] Cascade was all straightened out, people became even MORE hype. Like this whole thing lasted at least four days, and on top of that, the upd8 was good. Fandom exploded.” it is impossible to quantify the experience. The fact hussie was going to have to fork over A HUNDRED THOUSAND DOLLARS to host it is crazy. I am never going to be over it.
Cascade's complete obliteration of the Flash-hosting internet says a lot about huge Homestuck truly was - but I think an even bigger indicator of the comic's success is the fact that Hussie dropped literally thousands of dollars on server upgrades to host the thing. That's not an investment you make unless you're expecting some serious returns.
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locke-esque-monster · 2 months ago
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If you are losing your mind at the possibilities of the Misha Collins on The Boys S5 news (I think the JPad appearance was already in discussions previously), and you haven't seen The Boys I think there's some context non-viewers need to know. Whether it be before they start watching the show as a whole, or if they plan to speculate or watch clips when S5 airs.
I cannot under-stress how this is this is the most deranged show I have ever seen.
To that point (and these are just some spoiler-y highlights):
I don't say "most deranged show I've ever seen on tv", not just because it's on Amazon. This show could never air on cable tv, unless it was edited beyond recognition.
Sure, it'll throw you one-off insane sight gags, like Butcher brandishing a baby with laser vision to laser their attackers to death. It also will go for long-run arcs you'd never see on network tv, like the Aquaman-type's multiple season, bestiality-arc, which isn't relegated to just one type of sea life.
Speaking of sea life - PETA was outraged by this show a few years back when one character was shown eating a living octopus on camera. This show has about an average of 1 violent crime to sea life per season.
I'm not actually sure any of our heroes have made it through an entire episode without being covered in blood at some point. If they have, then they have probably experienced or stumbled into some uncomfortable sexual experience.
This show has basically no qualms showing the amount of kinky shit people with unique powers, near-indestructible bodies, and almost no moral qualms will get up to.
I strongly recommend against drinking milk at any point while you watch this show. You will probably regret it.
You think live bees and real glass from SPN are bad? This show had an episode take place predominantly at an orgy. It was filmed while Covid was going strong, so people kept thinking they were grabbing hand sanitizer, and they actually had squirted lube on their hands because there was so many bottles of both everywhere.
To be clear, the orgy itself served mostly the purpose of a comics callback, and happened mainly in the background while our main characters acted. It was also inexplicably the emotional crux of the season.
Jensen Ackles will do some of the best nuanced acting with micro expressions you've seen talking about his toxic relationship with his father. This will be preceded by an episode where he's found jerking off while insisting he needs more lube to fuck the elderly women masturbating on the bed behind him.
Kripke will not hesitate to make allusions to SPN in the worst way. One of the first scenes our heroes talk with Ackles's character, he's classic Dean, eating takeout in a hotel room, and sure, he's drinking some liquor. But at the same time, he's making racist/sexist comments and crushing up pills with a giant hunting knife so he can snort them.
Kripke tends to be particularly cruel to former SPN actors - On the spin-off show Gen V, one of them had his dick exploded. And on this most recent season of The Boys, he had the actor who played Chuck/God, use his superpowers to pleasure himself naked onscreen and then his character was murdered multiple times over. They made at least two references to his SPN role too, from walking in on him saying "my god" in French, to saying he was up in heaven pleasuring himself now.
I could keep going and going with examples and probably never run out. But here's my point.
This is one of the best satires I've ever seen. It's sharp and outrageously funny, and so timely. But it's also the best show I can never recommend to anyone if I'm not sure they're a little bit of a terrible person, too.
So yes, we might get sort sort of AU Destiel onscreen. We'll almost certainly get more SPN references than we ever wanted.
But if you think for one second that Kripke isn't also going to put Jared and/or Misha in the most uncomfortable scenes that you can imagine (or more likely, the ones you can't), think again.
And that in all reality, as much as we speculate, it's likely none of us are ready for what we're actually going to get onscreen.
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junknstufffiles · 2 months ago
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Definitely a ramble, but I keep thinking about Captain Man/Ray's character lately. He is a deeply flawed and almost tragic character, yet fits the archetype of superheroes. I find him hard to write, and even harder to dissect
So, Here are a few observations and theories I have about Ray
Schwoz was his only friend prior to the show, and he was isolated not only as a child but also as an adult because of his power/Captain Man.
1. He is incredibly lonely-I think this is clearly established in the show
Despite constantly stating how amazing he is, he is constantly seeking external validation from everyone around him.
This does make me wonder though, because when we first meet him there are other people in the cave. Why do they know his identity? / Who are they in the larger picture?
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2. He is really insecure
This one I definitely want to look into more, because I want to say his external confidence and love for himself is to hide the hatred he actually has for himself. I'm thinking along the lines of the TV show Lucifer in this regard.
Because his words and his actions don't quite add up, and I think he relies far too heavily on outside validation to be a narcissist.
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Throughout the show we see him steal or take stuff from stores he's saved or stuff like that. I think he feels like the city of Swellview owes him something. Not just because he stopped someone from robbing their store, but because he was forced to give his entire life up to save people.
3. He feels owed
Ray technically exists, but only as a placeholder for Captain Man. The few times we see Ray outside of the Man Cave without being Captain Man, it's in relation to Henry.
He was feeling so overwhelmed/lonely he hired a 13 year old to fight crime with him. And we see how the city's thank you is fro-yo and budget cuts. Doesn't make his actions right, but it does make them more complicated.
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4. Ray Manchester doesn't exist-only Captain Man
We know Ray had a girlfriend who didn't know, but most of his 'relationships' are in the mask. He only has value to people because of Captain Man. Because Ray was trained for one thing, and is shown that outside of it, he doesn't have the life skills for anything else.
As the series, and later Danger Force, progress, we see more of Ray. So while I'm not a huge fan of how his arc with Credenza ended, I do theoretically like the idea of him retiring. Because it will be the first time since he was 8 that he won't be defined by being a superhero.
I think there is a whole lot more happening behind the scenes than can even be mentioned on a kid's show. Especially, before Henry. His childhood was rough, but it was also every comic book hero's worst nightmare.
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5. We can't see most of Ray's story because it's a kid's show
He gained superpowers and his life ended because the government/his father took him, experimented on him, and trained him to be their soldier 'superhero'. That's why Superman kept his powers a secret growing up, so that exact thing wouldn't happen. I feel like there is something incredibly tragic about that.
Then he becomes a superhero, and it clearly hints at Ray being a pleasure seeker. The womanizer thing is the clearest example of that, but it's not a stretch to say drinking too. Him being able to be knocked out and affected by gases would hint that alcohol works.
I also saw a reddit post (couldn't confirm it's legitimacy, so I'm using it more as a theory) about him making a cocaine bust and using all of it since there wouldn't be negative side effects. It led to him staying up for three days straight to perfect his corn dog recipe.
Something about that resonated with his character. Can't pinpoint why. At first I laughed, then, I felt really sad at the idea. Because I can see him doing it, but I can't see any reason that would speak well on what Ray is thinking internally.
I wonder why. It could be a lack of a proper sleep schedule from fighting crime for so many years, ADHD, or nightmares. I also wonder if he could suffer from phantom pain. Because he still feels pain, it's just never permanent, so I wonder if his mind conjures up that pain in the middle of the night and he distracts himself with other things.
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6. Ray is an insomniac
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Denial is strong, and I think Ray's got stronger the longer Henry was his sidekick. Because in the first and second season, Ray gave Henry chances to back out, but Henry always came back or pushed back when Ray voiced it. So, Ray convinced himself that it was fine, because he can't do it on his own anymore. Then as the later years approached, Ray would probably be the happiest he had ever been. And he thought Henry was too.
7. He truly believed he was doing the best for Henry
I think they were having two different arguments when Henry quit. Because Henry had his friends, he had his family, and he never would have to be a Superhero alone because Ray would always be at his side. Henry didn't have to give up everything like Ray did. So Ray couldn't understand Henry's frustration or why he would willingly choose to leave, or why he was so frustrated about school. Not until he had to choose on that blimp and Henry needed to be the one to live.
I don't know what this is other than throwing my thoughts of Ray at a wall to see what sticks. Feel free to add on, expand or debate any of my points. Ray is an interesting character, especially because he is the best and worst of superheroes. Because the more you start to look at his story the more tragic it is. It doesn't justify his actions or make what he does okay, but it does make him a fascinating character.
I'll probably add on to this as I get more ideas.
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starrysnowdrop · 6 months ago
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Heyo! So I happened to see your recent ask response regarding Zenos randomly, and, honestly, I'm kind of curious on what people miss about his character! I'm not a personal big fan of him(ngl he kind of creeped me out with his, projecting himself on the wol it felt like? Note I say that as a WHM main who plays as truly heroic WoL(s) most of the time admittedly, so most of his stuff made me go no? alot XD I don't mind people who do like him tho! They're cool!), but I'm interested in understanding him better if possible, cause I know I miss things that others don't and I don't think I've seen anyone explain his intricacies without being somewhat rude about it, but you explained what you did without coming off as that. So I'm kind of curious on that essay you almost wrote if you'd be alright writing it XD (Sorry for being on anon, I am, very shy qwq)
In case you’re not familiar with what this anon is asking about, this is in response to my answer to this ask HERE. Feel free to go read that one and come back!
So, I first want to say thank you for being brave enough to reach out to me about this, even on anon!! I’m really glad that you didn’t find my comments to be rude, as that is the very last thing that I would want! If anyone did find me too abrasive in my previous post above, then I wholeheartedly apologize for that. I would never want anyone to be afraid to reach out to me because I came off as rude at some point, so I appreciate you letting me know that you didn’t think I was. 💖
Alright, now let’s get to the topic at hand: Zenos, and why I truly think that he is the most misunderstood character in FFXIV.
Zenos: The Most Misunderstood Character in FFXIV
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((I wrote way too much, so it’s under the cut.))
Alright, so let’s start with what I have seen as the popular take on Zenos that I see as wrong: A lot of players see Zenos as a one dimensional character that has no depth, and doesn’t have a character arc in which he grows as a character. They see him as the annoying antagonist who has a battle boner for the WoL and that’s it. They only see his bloodlust and nothing else. They don’t think there is anything else to him, and that’s where I must strongly disagree.
So, how is he not a one dimensional character? Well, that’s because he really is a complex character, but you need to be paying close attention to what Zenos is actually saying and what his actions are throughout the story.
One can piece together Zenos’ complexity purely from watching the cutscenes, but just in case anyone is curious about going into more depth on his backstory, then I highly recommend that you go read his side story from the Chronicles of Light book entitled “The Hunt Begins”. It shows how Zenos was raised, and it reinforces why he thinks the way that he does.
Without going into his backstory too much, for brevity's sake, Zenos is actually a prodigy, someone who was born with not only incredible strength, but also incredible intelligence, and you know what happens when gifted kids don't get enough of a challenge? Yup, they get easily bored. So keep that in mind as we move along. Now, mix that boredom with a good dose of Anhedonia, or the inability to experience pleasure or joy. Now we aren't sure if he was born with Anhedonia, or if he acquired it through some mental health condition, such as PTSD, depression, etc. I'm no psychologist whatsoever, so I'm not here to diagnose Zenos with any particular disorder, but it is clear that he suffers from the lack of feeling joy or pleasure in his life.
This is actually what characterizes Zenos the most when we first are introduced to him in 4.0; he is suffering from Anhedonia AND Ennui, which according to Webster's Dictionary, is not just a feeling of weariness and dissatisfaction, but its a profound sense of boredom that arises from feeling jaded with one's life.
Zenos is suffering from a lack of joy and pleasure in his life, seeing the world as meaningless and dull, and he has found only one sole pleasure in all of it: The Hunt*. But what he means by The Hunt, is that he wants to fight the most challenging foes, challenging enough that he must put his all into the battle and be pushed to the brink of death. Only this kind of challenging battle will give him any sense of joy at all. For him at this point, there has been nothing else which has brought him joy, so he seeks out this sole pleasure.
And THAT is what Zenos' motivation is. He is not mindless in his pursuit of battle. His bloodlust stems from the desire to feel some kind of happiness at all, and unlike what some might think, not any foe will do. Zenos does not fight mindlessly against anyone at any time. That is not true. If an enemy is no threat to him, unless they purposely get in his way, he will not fight them.
This is true from the first time you see Zenos on the battlefield. At Rhalgr's Reach, Zenos sought out only the strongest fighters there, and two of them (Lyse and Y'shtola) got in his way first, and he defeated them easily. When he fights the WoL, the one who he has heard so much about, and definitely the strongest opponent among them, he becomes curious and hopes that we will give him what he wants. But in that first battle with him, he swats the WoL away like a fly, and they pose no challenge to him at all, to which he calls them "Pathetic", and then he immediately leaves, ultimately disappointed.
Note that Zenos had every opportunity to kill Lyse, Y’shtola, and the WoL if he wanted to, but he doesn’t. He leaves them alone after he defeats them. That’s not the sign of someone who is so sadistic that he’s only out for blood. The fact of the matter here is that Zenos is trying to feel something from battle, something that he has never experienced before: pure joy.
Zenos doesn’t experience this joy until he fights the WoL again several times; first he gets just a hint of it, a tiny spark, when the WoL breaks a piece of his helmet off, and he feels it even more later on when Zenos fights the WoL in the Ala Mhigan throne room. This is when Zenos goes into his monologue before he releases and takes over Shinryu, and note that the joy and pleasure he is describing seems to have a sexual tone to it, which I promise I have a point to make about that in a bit.
After the battle with Zenos as Shinryu, he finally feels the joy that he has never felt in his entire life, and because he doesn’t think he’ll ever feel anything like it ever again, Zenos takes his own life, happy to have played a bit part in the story of his “first friend”.
But as we know, Zenos doesn’t stay dead. He finds himself alive once more, and he has a singular goal: to feel that pure bliss, that overwhelming joy that he felt when he fought the WoL in the Royal Menagerie in Ala Mhigo. From ShB through EW, Zenos’ goal doesn’t change, but he does change in his understanding of what it means to have a “friend” and how he can feel happiness.
During EW, Zenos has several scenes where his understanding of his feelings seems to grow, and though that sexual tone to his descriptions of what he’s feeling towards his battle with the WoL is still there, I would argue that over time, it seems to have more and more of a romantic tone to it as well. And with this shift in his tone when describing his feelings, he also seems to question his understanding of it all.
Zenos’ character growth is the whole point of two very important scenes: the Scions and Jullus encountering Zenos in Garlemald while fighting the blasphemies, and later when Zenos goes to the Royal Menagerie alone. The first of these scenes reinforces the themes of EW with Zenos’ philosophy of life, but it is also the first time that someone says something that makes Zenos question his beliefs.
Alisaie’s words to Zenos hit him hard, and Zenos goes back to the Royal Menagerie, to the scene of where he had his one transcendent moment, his one time in his life when he felt joy, pleasure, and happiness. He realizes in this moment that, whatever you believe Zenos’ true feelings are for the WoL, which I personally argue that it is love that he feels for them, but regardless, Zenos cannot continue to be selfish and only think about his own wants and desires. He must act selflessly, and assist in the WoL’s battle against the Endsinger and stop the Final Days, in order for the WoL to give him what he wants in return. He finally realizes that it’s this give and take, this reciprocation between people, is the key to building bonds with others… Zenos finally learns what it is to be a “friend” to someone. After this moment, Zenos goes to Sharlayan to find a way to help out the WoL in their mission to save the star, and to finally be a friend to them.
And you know what that is? That’s growth. That’s having a character arc. That’s Zenos in all of his complexity. Which I still say that it’s perfectly fine to not like his character, but I only wish that people would not like him with a clear understanding of what he really is, and not what others think he is.
Alright, I think I have blabbed on long enough, but I hope that I have answered your question anon! If you need me to clarify anything further, please don’t hesitate to ask me! Thank you so much for your ask anon, and thank you to all who have read this! 💖
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thesiltverses · 10 months ago
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It feels like there are a ton of trans characters in The Silt Verses and I just wanted to say it is pretty rad there are so many whose entire character arcs and personality don’t solely revolve around being trans and they are fully fleshed out characters just like any cis character. LGBT representation in mainstream media is so boring and most of the time, it’s like people think the only facet there is to a queer character is being queer, especially with trans characters. So thanks for making everyone a fully developed character and not just having them there specifically for a “coming out arc” and then being wallpaper the rest of the show.
Hey, and thank you so much for the very kind and generous words!
Your point about LGBTQ+ and particularly trans characters often being portrayed as single-issue personalities in mainstream media is a really interesting one - although I wouldn't feel comfortable agreeing with the idea that TSV does a better job. (Ultimately, I'm a cis man and while I'm very proud of the work we've done, I know my writing carries the limitations and blind spots inherent to my experience, and I know there are trade-offs and downsides to the choices we've made around how queerness is portrayed in the show.)
I'd also want to say that one of the great joys and pleasures of The Silt Verses and my life to date has been working with so many absurdly talented queer and trans actors in such a wide variety of roles, and I don't think I can overstate just how much of the well-rounded humanity and personality that you mention is entirely down to their performances and their emotional range.
(Also, if you're up for something grim and gross, Gretchen Felker-Martin's Manhunt and Alison Rumfitt's Tell Me I'm Worthless are both very good horror novels I've devoured in the past year that are by trans authors and centred around trans characters, and with - I thought! - multi-faceted and roundly-developed protagonists.
There's also another fantastically talented queer author I can recommend who knows how to write a compelling character, and their name is...wait, B. Narr? What the hell?!)
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prettyboykatsuki-moved · 9 months ago
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you make me want Rin so bad….. I’m so unwell about him shut up PLEASE for the sake of my sanity….. (don’t actually tho….) he gets all shy afterwards??? really???? 😣 any time you say “peace and love on planet earth” on a post it is the craziest most diabolical shit. absolutely not peace and love it is chaos and torment in horny hell
i really want to study him in a lab so i cant help but write for him in the horniest of ways
HE DOES GET ALL SHY AFTERWARDS. THE NERVE OF HIM LMAO
i dont think he ever truly gets over that feeling though over the course of your relationship though later on he can be the teensiest bit smug.
to me rin sees sex as solely intimacy and not an instinct driven thing so its both very seperate from his sense of egoism and very much related. a lot of rins character arc is about learning how to not only hone his intuition but to really sharpen his instinct and "lose" himself in the feeling od playing soccer.
his whole metaphor about destruction is more appropriately about letting himself be enraptured and possessed by the spirit of the game. if you watch hq its similar to tsukis arc and it's also why sae is such a dick to him about using sae as his reason for soccer.
essentially, rin is very prideful about appearances when he plays soccer. thats his ego. but he can't become a good player if he's not willing to show the worst of him to the sport.
I SAY ALL OF THAT TO SAY: sex, for rin, is separate from his sense of egoism. it's a form of intimacy, a way of companionship - and one of the only separating lines from friend to partner.
so sex for rin is all about instinct. it's why he can't fully be domineering though he makes a great submissive, because while he can feel self-conscious, he loses himself in the pleasure and euphoria of connecting with you so wholly. the experience is almost religious.
the reason he gets so SHY after fucking your brains out is because you have basically seen him at his most raw and sincere. him holding you, fucking you, letting himself indulge in something so physical it borders on caveman is the most vulnerable he's ever been in his life.
and you don't particularly know that. you don't understand because how could you? that part of rin is an enigma even to himself. but rin knows it more, knows that by agreeing to fuck you he's letting you meet a part of him he rarely shows anyway
of course he's a little shy about that. it might always be marriage. it's why he doesn't lay a hand on you and feels embarrassed when he gets those inclinations towards.
yes yes he's horny and finds you hot but most importantly, he wants you to look at him and feel good. he wants to feel good with. there's nothing so sacred yk
once again tho... peace and love on planet earth
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dumpingscreenshotshere · 13 days ago
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Arina, author of W: Time Catcher, shares her thoughts about Vesper and the MC's intimate scene
I've already spoken a couple of times in the chat about this topic, but I keep getting all sorts of comments, so I'm making a post because, honestly, I'm tired.
The intimate scene with Vesper in Chapter 6 of Season 3 and the use of a toy. I understand that not everyone enjoys this kind of interaction, and I take full responsibility for not including a content warning before the scene (which I'll ask the editors to add). It just didn’t occur to me to include one, since I did my research. I went through a bunch of lesbian Reddit threads looking for feedback, experience descriptions, and toy models that are pleasurable for both partners. Based on all that, I didn’t get the sense that this practice is some kind of kink or something particularly out of the ordinary. Plus, I relied on my own identity as a queer person — that played a role too.
Honestly, the lack of a warning is the only thing I feel even slightly guilty or awkward about. Going forward, I’ll mention anything that deviates from the most “traditional” practices. It's important to me that readers don’t encounter something they didn’t sign up for, and in this case, I definitely lacked attentiveness.
Now, regarding the accusations of heteronormativity: I don’t accept them, and I think they’re a stretch.
Tell me, when will we let women experience pleasure the way they want to? When will we stop labeling and judging them? Using or not using toys during sex is a personal choice, and if a woman enjoys penetration, if she uses toys, that does not make her any less of a “real” lesbian. I’ve always felt a part of the queer side of the fandom, to some degree because I’m not straight, because I put a lot of effort into representation and diversity in my novels.
And when people started yelling that I “ruined” Vesper with this one scene, that she suddenly lost all the depth I had written for her… I honestly didn’t know how to respond. How do a character’s sexual preferences determine whether she’s well-written? Whether her arc is well-developed? How much effort I put into writing her story?
In my opinion, they don’t. The lack of a content warning is a valid criticism, but everything else is just a matter of taste and preference.
That’s all I have to say on this topic.
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serenhob · 4 months ago
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I love rocky horror so much and I just wanna yap about it for a second.
I think the most agreed upon interpretation of theme and message is sexual liberation and freedom of expression. Obviously its a tribute to the horror and science fiction films of the 60s but the story is more about the other things.
We have Janet Weiss and Brad Majors two ordinary people, very Conservative and 'normal' who happen upon this castle where some very queer and free people live (Frankenfurter and the transylvanians) Over the course of the film they become sexually liberated (in two different ways)
Brad Majors- He's the more queer example of this. He obviously learns (through Frank) that he likes men, idk if he likes women too but he's at the very least bi or pan. He discovers a part of his sexuality through the experience.
Janet Weiss- Janet's arc is the more interesting one to me. While there was womens sexual liberation acts in the 60s there was still the misogynistic view that women's pleasure didn't matter or at the very least-mens mattered a lot more. With Frank and especially Rocky she discovers her own pleasure in sex and having it for that reason rather than pleasing her husband or having children. We can assume they are Christians from the church wedding and general Conservative air plus no sex before marriage which would strengthen this (and the shame, especially especially Brad which you can see in Rose tint my world)
Essentially they both follow the talking 'give yourself over to absolute pleasure' with Brads being accepting homosexuality and Janet's allowing herself sexual pleasure.
They are also both stripped and then redressed in the show (getting rid of their old selves and coming into their own)
Freedom of expression is mostly seen with Frank and the floor show. Frank is clearly genderqueer (they refer to it as being a transvestite in the show which is a really outdated term for someone (particularly a man) who crossdresses (which we only think of when a man does it nowadays but hopefully in the future we will become neutral about this too. Frank was definetly also inspired by drag). He's very open about it, saying he wanted to dress like Fey Wray (love her btw) so he does. It also ties into 'give yourself over to absolute pleasure' as if you feel happy wearing something then wear it!
Rocky Horror is definetly progressive for its time, some bits are slightly distasteful through a modern lense but overall I think it does hold up. One of the complaints is how Frank is portrayed and some of them are fair enough but nobody ever really says that he is wrong for presentung in this way that he does without them getting laughed at, most critisms in the film are about how he uses people (yay for Frankenstien parrales aside from the obvious). There are also other queer people in the film so it's not a case of 'the one evil queer villian' more 'queer person who is also a villian with supporting queer characters'. Also it is a horror film so he's gonna be and do kinda messed up things anyway.
Finally I want to talk about the ending. Brad and Janet have their awakenings but are then forced to conform back to how things were before as they are abandoned. It's a sad but also very queer ending. Them having to pretend and supresss this thing they have become aware of in a soicety that won't accept them. Something a lot of queer people (especially back in the 70s) did.
If that didn't make sense I'm sorry
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zbengui · 5 months ago
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I've grown to love Singed as a character after watching act 2, which I should've seen coming considering my proclivity for mad scientist archetypes. He stood out to me in the first season too but there wasn't quite enough for me to sink my teeth into back then, so I'm glad they've decided to reveal more details regarding his lore now even if it still remains rather vague. That's actually one of the aspects that I like about him, it's fascinating how much he influences the overall plot even though his character receives almost no focus. He is constantly instigating chaos and causing so much tragedy for the main characters, and yet he is never confronted. I was actually just thinking about how it's a little funny that Jayce is getting blamed for what happened to Vander, even though Singed was the one who injected him with that serum. He brought Vander back to life and offered Jinx and Vi the chance to rebuild their family, only to immediately and brutally take it away.
That's kind of his entire thing. He brings the dead back to life against their will and they come out of it deeply and irreversibly changed (Vander, Jinx, possibly Viktor...?). He keeps his subjects breathing even if being alive is nothing but torture for them (Rio), not necessarily out of sadistic pleasure but in service to his ultimate ambition. For progress, evolution. It is then revealed that the motive behind all of his horrendous experiments is to bring his daughter back to life. It's all because of love, as he admits. I don't know a whole lot about the lore behind this, but I have to wonder how Orianna herself feels about this. Is she in pain, just like her father's other subjects? Is she grateful or resentful for what he is doing to her? Did she have any say in this?
One thing I like about his scientific methods is that he is willing to put his own body on the line and experiment on himself, like when he pumped his blood into WarWick. It definitely goes to show how... passionate he is. I also appreciate that he doesn't let any specimens go to waste. He even preserved the decapitated head of that guy he tested Shimmer on back in S1:
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I'm sure most people would agree that Singed has a very impactful screen presence. Almost every single line he says is relevant for the overarching themes of the story. It feels like he's always dominating the scene, even when he was being held prisoner because he knew that his captors would immensely benefit from having him on their side and that Ambessa, the opportunist that she is, was going to ask him to join her as an advisor sooner or later. It's horrifying to imagine the biochemical warfare he is going to unleash while working with the Noxian army. He's going to invent new war crimes.
I also wanted to mention how relevant he is for Caitlyn's character arc in this season because most people seem to be overlooking it. I may have my personal gripes with her character progression in act 2, but her interactions with Singed in episode 5 were excellent. Singed isn't just a "crazed Zaunite", he is actually a Piltovan alchemist that is using the people of Zaun as lab rats for the sake of a deceased family member. Caitlyn realises that she will end up like him if she continues walking down the path she is currently on. That realisation, I think, is what informs her decisions later on.
I find his relationship with Viktor very fascinating too but that dynamic deserves an entirely separate post. They are both scientists with similar interests but very different philosophies and work ethics (or lack thereof). As I've briefly mentioned already, I believe Singed is going to bring Viktor back to life, robbing him of his autonomy once again in the process.
That is to say, I'm very invested in this weird old man and I'm excited to dive into his League lore after this season is over and find out what other atrocities he has commited.
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