#one doesn't know what a heart symbol looks like or supposed to mean but he still does it-

[sweeneydino]

MOOREE KRANG FEED US🤲🤲

Krell 👉👈

[leychin]

𝐀𝐧𝐲𝐭𝐡𝐢𝐧𝐠.

Could be seen as a continuation to All of It, but the idea came from @tenkomura, bc when am i ever not thinking about something she said

Maybe you hate your younger self for being so naive.

Perhaps its because you cling to the memories of before, when everything was so much simpler and All For One was commanding Shigaraki to act. When he messed up, or when you messed up, All For One simply caressed your heads in such a comforting way that the loss felt like nothing.

Oh, how you loved him. Everything was so much easier when it was him. Yes he was the future, yes you were the symbols of fear, but to you he was just Tomura. Its the silent understanding that you both had, that even though the entire world was against you and the cause it was okay because you were together.

He loved you, it didn't need to be said. Even when the league expanded, it was still just you and him. Not to say he doesnt care for the league, because that would be a lie. But the love he has for them pales in comparison to the love he holds for you in the crevices of his heart. Its heard in the blood pumping in his veins and its sung in the whispers of his calm breathing when he's with you.

But you're villains. Villains don't get an ounce of peace. So when the league has ended Overhaul's short lived reign, and everyone's stopped and caught their breath. You sit with him in silence on the side of a bare highway that you'd been walking.

Maybe its foolish, but you follow him like a dog. You watch as Shigaraki opens the case of quirk erasing bullets. He stares. Almost like he wants to test if it works.

You sit next to him, sat shoulder to shoulder now. He simply says "If I erased my quirk, we could be normal." And you don't need to be a genius to know what he means, he means if he didn't have decay he would have a home. If he didn't have decay he wouldn't be All for One's subject of interest, id he didn't have this damn quirk he could be normal with you.

Would there even be a you though?

"Hm, maybe." you supply "You wouldn't have met me though, and I would trade any chances of being normal if it meant i got to be with you." you say, and Shigaraki stills.

"I... I think I would too." he smiles, its a crackly smile that makes blood speck on his lips that you just want to kiss already.

"When this is all over, lets go on a date. Okay?" you ask, your eyes now gazing up at him with hope.

Shigaraki's eyes widen, and looks to the quirk erasing bullets and quickly shuts them. "You promise?" he asks almost eagerly, and you hold up your pinky "pinky swear!"

Oh you fools.

Which is what's left you to stare at Shigaraki's tube. His body floating in the liquid endlessly for whats felt like years, but you know its only been a month or two. You feel so naive for ever thinking it would just be over, because of course its never over.

He would be the new holder of all for one. Because fate stops for nothing and no one, not even love. You hate yourself for being naive enough to hope that you would ever get to love him peacefully. You hate him for not realizing when you did that All for One was using you both. You hate All for One for taking your lives away from you.

This would never be over, Shigaraki will never give pinky promise kisses again, and he'll never build redstone farms for you when you get too frustrated and rage quit. He's never going to reach out for you again, and you're going to spend the rest of your life reaching for someone who's never going to reach back.

You press your head to the glass and cry. The doctor is used to your sobs though ans has grown to ignoring them, which you suppose is a win. But it still doesn't soothe the ache in your chest as you wish for everything to be different, and you pray every night that this is a bad dream. You pray that this is a nightmare and that night Shigaraki did use that quirk erasing bullet. You pray for this to be a bad dream of his and he never developed decay.

Because you would never trade your life with Shigaraki for normalcy, but you love him too much to watch him do this. You wished he would trade you for normalcy because loving him through this and always is simply too much.

[rainbowolfe]

Why Aym and Baal?

They were, according to Shamura, supposed to be Narinder's replacement family/companions. Narinder never really got that memo, but like, what did Shamura expect? Relationships don't work that way. You can't just throw two strangers at someone and have them fill the void of a millennia-long relationship.

But the question of the hour is, why Aym and Baal? I don't think it's because they're cats.

It's implied Narinder had his own family (made up of cats or whatever he is) and chose the Bishops, a goofy assortment of non-mammals over those blood relations. So he's not exactly inclined towards members of his own species. So that doesn't feel like the reason why Shamura chose them. And it doesn't feel like the reason Narinder kept them.

I noticed that this photo from Jalala's journal had to have been of pre-servitude Aym and Baal, cause they're much younger. Baal's hair is shorter, they're both just wearing basic tunics instead of their signature robes, and Forneus isn't wearing her hat. So Aym's always looked a bit scuffed, and it wasn't the result of his time spent with TOWW in the Realm Beyond.

Which means Shamura saw him and went "wow that's literally Kallamar". Scar over one eye? Check. Messed up ears? Check. It would also loosely confirm that the boys were sent after they sealed Narinder, since Kallamar's ears wouldn't be scuffed before then.

It would be really funny if what Aym's looking at is Shamura, and this picture was taken 5 seconds before disaster.

Now, my first instinct was that Baal would be Narinder, and what Shamura hoped to recreate was Narinder's relationship with them and Kallamar. But that doesn't quite make sense. The new "family unit" already has a Narinder, so why would Shamura give him another?

Baal can't be filling Shamura's role for two reasons. One, as the head of the family, Shamura would be more likely to be Forneus (the role they are now placing Narinder in). If not Forneus, then the unseen father presumably taking this picture. Two, Shamura does not believe that Narinder loves them. That's. Kind of why they're doing all of this. So they wouldn't give him a replacement-Shamura either, unless they were feeling really really egotistical.

Which leaves us with two options.

And the correct one is Leshy. Leshy, whose core item is the red camellia. And whose symbol becomes a black heart when he's cleansed.

While we don't get to hear much from Baal, Heket's core traits are that she's a shit-talker and likes to eat. Leshy's core traits are that he's chaotic, but has an appreciation for/focus on the world around him. Smells, sights (when he could see), and sounds.

Baal is actually the politer of the two and, based on his recruitment dialogue ("So much color... so many creatures") he too is the worldly type. Also, Baal thanks Lamb for helping them. Leshy and Narinder are the only Bishops who thank Lamb in the end.

And, you know, if you take the order Shamura lists the family in into account, Leshy and Kallamar are the first and second sons respectively.

...

Of course, this can be taken one step further in another direction :3c I can't just leave Heket out of this.

Although Shamura only gave him Aym and Baal, theoretically what they saw was a four-person family unit that reflected their own... before Narinder entered the picture. I mentioned before that if Shamura isn't a reflection of Forneus, then they're a reflection of the unnamed father. (Who I suspect to be Paean)

Which means they saw Heket in Forneus.

Do you see the vision??

Cause this is a found family, age order doesn't necessarily matter to the familial hierarchy. Even if Shamura wasn't the eldest, they would still be the head (whether matriarch or patriarch) because their role is as the leader of the other three. Heket would be below Shamura, but above Kallamar and Leshy, because she serves as caretaker. She's even the one who takes charge upon Lamb's return, as the matriarch would do if something were to happen to the patriarch.

((Traditionally, while the father is seen as the protector and provider, his purpose is specifically to rule/lead the family. It is the mother whose sole purpose is to protect. Primarily the children, as their (often only) caretaker. But in traditional circles, it's commonly felt that the mother should sacrifice everything for the father as well.))

It would be particularly fitting because a lot of Heket's side of things revolves around sacrifice. How she's burdened by it, and seemingly how much she tried to do to find a better/different outcome. She's characterized as particularly family-inclined.

...

This would suggest that who Narinder valued the most in the family were Leshy and Kallamar. At least, it would suggest that's how Shamura saw it. But I'm liking this line of thought, so let's say their read is accurate.

Shamura saw that Narinder. Could also be Forneus. And Shamura loved Narinder the most, so...

Narinder and Heket's disdain for each other stems from them competing for the same role in their family: The matriarch. Shamura's second in command, and the boys' caretaker.

Not in a "raise them" type of way, at least not in Kallamar's case. But to guide and influence them. To be the one they trust and rely on. Heket has been that. And, intentionally or not, Narinder intrudes on that.

Narinder's the 'other woman' lmao

As a bonus:

Baal is aligned with his father (you get Tears of the Vengeful Father in exchange for him). Aym is aligned with his mother (ditto for Tears of the Merciful Mother).

If Aym = Kallamar; Baal = Leshy; Forneus = Heket; and The Father = Shamura

Then that dynamic is actually reflected in this Tarot Card. It pairs Kallamar with Heket, and Leshy with Shamura. :3

[lilybecca1]

An analysis about "Their feelings becoming one"

So far, this panel still has been a mystery, we still don't know what it's really supposed to mean. Their feelings become one? What feelings? Their love for each other?

Well, as good as that may sound, I don't think that's the case here particularly. In some way, yes, it does symbolize their love for each other, and that doesn't necessarily mean romantic. It's the true, unconditional love for the person that means the whole world to you, who is more important to you than anyone else. At this moment, you can see that realization settle in their eyes as they look at each other. As they realize that the person right in front of them is the one who they'd do anything for.

But let's talk about what "their feelings becoming one" means.

The whole manga basically revolves around their story and how they've grown to accept the sides of the other that they themselves have lacked in the beginning. It began with them, Bakugo's Win to Save, and Midoriya's Save to Win. The story has always revolved around this concept, what it means to be a true hero. Like All Might said, in order to reach their full potential, they have to accept and embrace the other side of the coin too, not just their own ideals on what they believe being a hero is.

“After being a hero for so many years you learn a few things. Striving to be the best, like you, young Bakugou, and caring deeply about people, about rescuing those in trouble, like you, young Midoriya; both of those feelings are necessary in a hero, otherwise they’ll never truly be able to represent justice. That’s why you admire his strength so much, young Midoriya…and I know that’s why you’ve always feared his heart and spirit, young Bakugou. Now that you’ve laid your feelings out on the table, maybe you can understand each other. If you have mutual respect and focus on making one another stronger, I’ve no doubt you’ll become the ultimate heroes, winning and saving people at the same time.” 

That's the real story here, that was the main purpose of the whole manga. It's about their journey on accepting the other's point of view and becoming a true hero. A hero that doesn't only win or save, but both.

In the beginning, Bakugo believed that being a hero is winning at any cost, meanwhile for Izuku, it was about saving at any cost, no matter the outcome. This side of Deku always triggered something inside Bakugo because he never understood why someone would have such a strong desire to help others and save them, even at the cost of his own wellbeing. He thought of it as a weakness, it was something that pissed him off to no end. That was until Deku vs Kacchan 2, when he finally started to see the bigger picture. After having this realization about Deku, and after All Might told him that in order to be the ultimate hero he'd have to accept Izuku's point of view, Bakugo started to focus on saving too, not just winning.

Izuku on the other hand, started off the opposite. He wanted to save and help others more than anything, and to him, it didn't matter coming out as a winner in the end, because to him, saving meant winning. It didn't matter to him what happens to his own body because he always put others over himself. But he always looked up to Kacchan and admired him for his determination to win no matter what, and to him, Kacchan is the image of victory, Kacchan is the embodiment, the symbol of winning. In Izuku's mind, Kacchan always had what he didn't.

His whole view of what winning is supposed to be comes from Kacchan, not All Might. Deku started to view Kacchan as his image of victory at the moment when he saw him stand up to his bullies. And the image of saving is what comes from All Might, as we know from that debut video that Izuku loved.

For Kacchan, his image of winning comes from All Might, but the image of saving has always come from Izuku. Right from that first moment when Deku reached his hand out to him. At first he thought it was pity, but deep down he always knew that it was more than that.

He knew that Izuku's desire to save was stronger than anyone else's, and that's what made him concerned. Because Deku's desire to save was so strong that Katsuki knew he'd go to any lengths to do it. Even if it meant hurting himself in the process.

------

“I’d never admit something like this to your face, but the truth is…when I get riled up and my desire to win surpasses my desire to save someone…without meaning to, I start talking like you. You’re so mean sometimes, and I hate it, but my idea of victory is so tied to the image of you in my head, that in those moments I can’t help but imitate you."

Bakugo wasn't the only one who rejected this side of the other at first. Deku hated it, he used to suppress this desire to win inside of him because he saw that as a weakness too. He knew that saving came first, but upon being riled up, he'd throw that out the window, and he didn't want that. He thought of it as a side of himself that he should reject.

But over time, he has also grown to accept that side of himself, and he started to realize that winning is just as important as saving. His idea of victory is so tied to the image of Kacchan in his head, that he can't help but imitate him whenever he desires to win. Kacchan is the one who gave the Win to Save to Izuku, because the idea of what winning is supposed to look like comes from Kacchan too. Without Kacchan, it wouldn't exist. And without Izuku, Bakugo's Save to Win wouldn't exist either. For Katsuki, the Symbol of Saving is Izuku, and that's why he starts mumbling and analyzing in the last battle. That's why he jumps in knowing that he'll die, because he knew Izuku would do the same.

It has always been them. The story has always been about them, because they complete eachother. They are the two sides of the same coin. Without the other, they wouldnt exist.

Because remember, Izuku's body only moved on its own once he realized it was Kacchan.

And Katsuki's body only moved on its own once he realized that Izuku was in danger.

They are the person that awakens the hero inside of the other. Without the other, they wouldn't be true heroes. They were always meant to be true heroes together, because they push each other to be their best self, and they couldn't reach their full potential without the other.

So I say it again: the story is about the two of them and how they become the ultimate heroes together. The story wouldn't exist without the relationship that they have. THEY give each other the meaning of what it means to be a hero. All Might was always just an ideal, something that planted the dream of being a hero inside their head. But not in their heart. They never needed him, because All Might was their hero, but they were the ones in each others life.

They are two halves, and by embracing the other, they embrace being a true hero as well.

And do they ever become true heroes?

They do, and let me explain it.

This panel right here is very important in more ways than one. I think this panel is meant to symbolize the peak of the entire story, it's meant to symbolize them achieving what they have been working for in the entire manga.

This is the beginning of them being true heroes. Quoting All Might, "both of those feelings are necessary in a hero, otherwise they’ll never truly be able to represent justice". And right at this moment, their feelings become one. This is the moment where they finally embrace both sides of the coin. "Their feelings become one"="Their desire to Save to Win and Win to Save become the desire to Win AND to Save"

It's not Save to Win OR Win to Save anymore. Neither desire is stronger than the other anymore.

Look at Bakugo's panel. Right at that moment when his and Izuku's eyes meet, he realizes that winning isn't as important as it was anymore. He realizes that he desires to save Izuku just as strong as he desires to win. He realizes that winning doesn't mean anything if Izuku isn't there by his side.

And when Izuku sees Kacchan, he realizes that he has to win in order to be able to save him. He has to win this fight, because if he didn't, his world wouldn't have Kacchan in it anymore. He realizes that he has to keep fighting on, for Kacchan. That he has to win so Kacchan can live on in a world where he is safe.

At that moment when their eyes meet, both of their hearts feel that Saving to Win and Winning to Save are equally important.

By embracing the connection that they have, by embracing their other half, the person that completes them, they have finally given eachother the heart of a true hero.

[yan-lorkai]

Hello , i hope your doing great . Would you please do a scenario for yandere undertaker and yandere sebastian (separately) x fem reader. Reader doesn't want to marry them so she tries to run away away at the wedding day but fails and gets captured ? Thank you ❤

.⁠｡⁠*⁠♡ Warnings: Yandere content, fem reader, kidnapping, implied murder, threats.

Marriage is nothing more than a union between two people before God, so for Sebastian this does not carry the same meaning. For him, marriage only symbolizes what in his conception is already true: that you are his in every way and now the marriage certificate proves it. Even if you oppose to this marriage, Sebastian doesn't care.

Although he would love for you to give your opinion on the decorations or the type of cake you would like have at the wedding, he knows you are still in denial so he plans everything himself. From the hanging chandelier, to the flowers in the bouquet, to the dress you're wearing that he sewed himself, every little detail meticulously planned to be perfect.

He knows that humans like to be surrounded by their parents, relatives and friends on a special day like these, and if you had behaved they would all really be here. But it's better this way, just you, him and the priest who officiated the ceremony. That way he doesn't have to kill your parents and friends in front of you when you shout and scream about everything you've been through with him. Even though part of him wished this had happened, with no one else out there waiting for you, looking for you, praying, you would have only him. Only him.

Maybe he would kill them and return to your side, blood dripping from his hands and face as he kisses and touches you. Maybe he would even tell you what he did and how he did it to observe your reactions. If you like to act like he's the biggest evil in the world, maybe he'll give you a reason to hate and fear him. Maybe, but he won't act on those thoughts if you don't force his hand. The same hand with which he fixes your hair and makes your makeup, circling you to get a view of you from all sides.

"I will wait for you at the altar, my dear," His tone was soft, but there was an implicit promise of death in his eyes, a bloodthirsty glint that you had been able to witness many times before. Just for a second longer Sebastian stands there, looking at you through the mirror and then he smiles and leaves.

Your heart beats quickly inside your chest, it beats like it has never beat before. Your nerves are on edge, but you have to calm down and take a deep breath. You know what Sebastian is, you know how strong he is, but you know that an opportunity like that is unique and you must take advantage of it. You must escape now.

Running away isn't hard, well, actually it is a little, because you're wearing a dress and high heels but you kick them all and hold them hem of your dress up. And you run. You run as you never ran on your life. You know Sebastian is busy with tons of things, plus you are supposed to come a little late, as you are the bride. But you clearly underestimate him.

He may not be with you physically but as a demon he has his ways of knowing where you are and how you are, he can feel your heart beating, he can taste your fear and apprehension. And he loves it, he loves knowing your fear him, to know you are opposed to this marriage, given time he knows you come around.

But for now he enjoys the chase. He excuse himself for a moment to go meet you halfway through your attempting escape. You can hear his beautiful little laugh, can see his shadows but when you look behind your shoulder there's nothing there. He is playing with you, getting you even more frightened before trapping you in his arms so tight not even air can arrive at your lungs. His hand closes on your throat as he look at you, eyes red with animalistic excitement. "Dear me, look what we have here." He muses, watching you breathe hard, beads of sweat running down your forehead.

"Sebastian... What a pleasure to see here." Your reply is sarcastic, weak. But it makes him smile as he caress your face lovingly, as lovingly as a demon can, though you feel dirty at every touch, at every moment you're trapped under his creepy stare.

"You run away like a little lost mouse so I've came to get you back right where you belong. Don't make things harder than necessary, darling." It's his final warning. You know, you can feel in your bones that if you are to try anything again he would retaliate.

He has been doing a great job at keeping his demonic tendencies in check even when you snarled and yelled at him those past few weeks. But there truly nothing you could do? There was nothing you could try? His hand held yours, guiding you, the oppressive silence making you even more uncomfortable.

And when the priest asked "do you accept this man as your lawful and only husband?" All you could do was stare at him, tongue numb, members tired before answering. "I do."

And like a mouse, you were caught in Sebastian's trap. One you could never escape.

⠀⠀

Marriage. What a strange concept. Why people get married, that's what Undertaker thought when checking humans' memories. They all got married, they all had children, they all had their ups and downs together, yet they loved each other. Is love really that essential for humans? He didn't know, but he had a lot of questions to ask. And many of them answered themselves when you appeared in his life.

You had recently lost someone and like a wounded bird, you walked into his funeral home. It was like destiny. It was like a lever had been pulled in his brain, like he could finally see colors and feel the warmth of the sun on his skin after so long without those things. He was drawn to you, enchanted by your words. And everything else was history.

Undertaker knew that humans are fragile and fearful, and he tried to woo you the right, human way. Giving you flowers, walking with you, hearing you talk. And everything would have worked out if you hadn't discovered that he wasn't human, that he was a Shinigami and desperately tried to get away from him. He didn't want to kidnap nor threaten you but he grown desperate. He didn't want to lose the feelings you gave him, he didn't want to let you go. So he did what was necessary, he gave you a new home, he gave you books and lines for you to sew and weave if you wanted. He gave you everything you wanted but your freedom.

A marriage was bound to happen because he wanted you to experience this little enjoy. But also because he wanted to tie you to him even more, to make you his wife and be able to truly calls his wife. The ceremony is not as beautiful and organized as Sebastian's, but he supposes is the thought that counts. He buys you a really cute white dress and make-up, and he lets you get ready alone. As the bride and the groom can't see each other till they're both on the altar or something like this, honestly he doesn't understand this saying. Why can't he see you? He wants to see you!

But he controls himself, he has to. He stands on the altar with the priest at his side. He hums and waits impatient. Meanwhile you is running away so hard that everything else turns into a blur, people, voices, sounds, smells, everything is a blur as you run and pray for someone to save you. Anyone. Tears flow from your eyes when in the distance you see his silvery long hair and dangerous green eyes staring at you. You tremble, biting your lip so hard not to scream that you can taste blood on your tongue, you force your legs to work more than they can handle, you're sure later on your feet would be filled with blisters but you don't care about it now.

Though it's not enough. It's not enough and you hated it. You hear him mumbling while he catches up with you, a part of you is surprised he isn't actually going to pull his scythe from wherever he keep it and reap your soul right here and now. The part of you who is still in love with him wavers for a second, you think only for a second if it's worth to try, if you actually can win against him, if can actually escape and your hesitation is all he needs for him to close his arms around your body tightly. He breathes hard, warm air hitting your neck as you feel him still against you, afraid of losing you. Afraid of losing everything.

"Why did you run, sugar? Wasn't I good enough for you? Didn't I treat you right?" He was whispering right at your ear. And that was much more scarier than having him screaming or having him threatening to hit you. "Don't you love me anymore? That can't be, right? You must be a little scared, oh sweetheart I know marriage is a big step but everything's going to be fine. I can take care of everything, leave all the work to me."

As if to made you pity him even more, you could little tears streaming down his face and onto your back, timidly, slowly. A sour taste lingers on your mouth. You can't escape now. You can't escape now that he is so on alert, every little move you make would be under his eyes. You can't escape now but you certainly can play your card right. And the right thing to do now was surrender yourself. Surrender and wait for an opportune moment.

For now you let him fix your dress and hair carefully, and then drag you to that damned altar. It's suffocating, insufferable. And there's nothing you can do about it. He holds your hand as he slips the ring into your finger and look at you like you hung the stars in the sky.

"I do." You say as you stare at him. In the future your attempt would be successful but for now you may entertain him.

[crusty-chronicles]

Yu Yu Hakusho Men Reacting to Receiving Flowers

Synopsis: How the men of Yu Yu Hakusho react to receiving flowers and if they'd get you some in return 🌺

Yusuke💥

He pretends to be offended, but honestly it makes his heart melt

The fact that you went out of your way to actually buy him something makes him feel special.

Doing it just because without expecting anything grand in return.

If you give him flowers in private, he puts up less of a fuss.

“I'm not sick or anything, you know. Besides, you could've just plucked some weeds instead of spending so much money.” He says after (not so) begrudgingly taking the small bouquet from you.

Already knowing they won't last more than a week in his care. But still trying to hide the heat rising to his cheeks.

But if you give him flowers in front of his friends, namely Kuwabara, he makes a big show of it.

“What am I? A girl? Or did you just wanna take on gardening, because there's no way in hell you actually got me flowers.”

You end up calling him a jerk before leaving.

And he feels really bad after.

Despite his tough guy act, he genuinely does care about you and hates to see you upset. Especially when it's because of him and his big mouth.

So he shows up later to your house with an even bigger bouquet of roses.

“I'm sorry for being an ass. I didn't mean it I just…didn't want- Well, Kuwabara would never let me live it down.” He tries to explain.

But you weren't buying it, judging by how you still hadn't opened your door all the way. So he tries to apologize again the only way he knows how.

“I'll take you out wherever you want for a week if you let me in?” He says hopefully.

“That's not enough. You really hurt my feelings today.”

“Two weeks. And I'll buy you flowers every day. Your favorites~ sunflowers.”

He keeps true to his word and makes sure to always accept whatever you gift him with a huge smile from now on.

No matter if it makes him look like a softie or not.

---------------------

Kurama🦊

He's thrilled

Will point out and explain what every flower means.

What each part of the bouquet symbolizes

Please buy this man red roses

As cliche as they are, they symbolize love. Your love.

And he can't help but be smitten by the fact.

He's not the slightest embarrassed whether you give them to him in public or private.

Even if the others tease him for it, he'll just come up with a witty remark to shut them down.

“Maybe they think you're a girl after all,” Yusuke said, followed by another taunt from Kuwabara.

“His delicate features got to them.”

“What a funny way of saying the two of you have never thought of getting your partners flowers before? You do know Valentine's Day is coming up right?” Kurama shut down.

And the both of them start racing to the nearest boutique. Pushing and shoving each other out of the way.

When you gift Kurama flowers, they don't wither away within a few weeks.

Instead he'll use his demon energy to keep them alive for years.

Might even plant some of them to make a new bouquet for you in the future.

All in all, it's one of the few gestures that makes his heart beat just a little bit faster. And he cherishes each and every bud.

------------------------------

Hiei ⚔️

He could care less tbh

He isn't all that familiar with human gestures, so he doesn't know what to make of it when you present him with a bouquet

“Are you taunting me?” He asks.

And you have to explain to him that sometimes humans like to gift flowers to their lovers as a way to show affection.

He personally thinks it's a waste of time and energy. A few weeds that shrivel up and die within a week are supposed to symbolize your feelings? Why waste your human currency when he can just show you affection through his actions. i.e. watching over you.

He tells you as much too, but the second he sees you deflate, he quickly snatches them up.

Grumbling out a ‘Don’t start sulking like a child. I didn't say I rejected your little gift.’ And a ‘Next time don't bother. Come to me directly.’

Hiei will only receive your flowers in private.

You will not be able to catch him in public to give them to him.

In fact, he rarely goes out during the day. Preferring to wait for you at home.

He will also not mention it to the others and trusts you'll do the same.

Your relationship is private, and he prefers to keep it that way.

While Hiei personally doesn't see the appeal of giving flowers, he knows you do.

Which is why you wake up one morning to see a single white orchid on your pillow

And he'll deny it was ever him that left it there.

--------------------

Bonus Jin🌪️

The purest of bois

He's absolutely ecstatic when you give him flowers

Like Hiei, he doesn't understand many human gestures. But it's the fact you're giving him something that makes him so happy.

You could probably give him a rock and he'd have the same reaction

He eventually asks you why you brought him flowers.

And when you say it's because you love him, he's practically jumping with joy. Picking you up in a strong hug and swinging you around a few times before placing a smooch on your cheek.

“You've got me ears wigglin’ and everything!” And sure enough, the tips of his ears are jittering about in excitement.

He'd like to return the favor and get you flowers just as beautiful however-

“We've got a few pretty plants in demon world, but they'd probably bite your head clean off. Woosh! Just like that.” He explains.

He settles for bringing you little wildflowers whenever he has a chance to visit instead.

He's a little fascinated to find out there's meaning behind each flower.

He just figured they were pretty and that's it.

When you tell him a baby’s breath (which he thinks is an incredibly weird name for a flower) means long lasting love, he swears he can feel his face warm.

So he tries to find you flowers that hold meaning too.

The color red always seems to mean love, so most of the flowers he gifts to you in return are that color.

He's just an absolute sweetheart all around 🥺

------------------

HAPPY VALENTINE'S DAY 💘

[loosesodamarble]

About the recent chapter drop...

So chapters 374, 375, and 376 of the Black Clover manga dropped as of the day I've started drafting this post. I have many feelings about this chapter, as several friends can attest. I was going a little a lot feral in a group chat.

Wanna quickly tag @thoughtfullyrainynightmare, @lyranova, and @kalolasfantasyworld for encouraging me to write this little essay. I'll also tag @drmarune as a fellow Faust fan (I know you also love the Yami family so hopefully my thoughts on them are satisfactory).

So let me begin with saying that I'm mainly a Faust girlie. But I will be covering both the Yami and the Fausts to the best of my abilities because the family stories are connected. I cannot give thorough commentary on the chapters if I ignore what's going on with Yami and Ichika.

Okay so! Where to start with my analysis?

I guess the most obvious place to start is with Chapter 374. Title: Demon-God. The "Demon-God" in question is supposed to be Yami. Yami's Dark Magic is seen as ominous and being the attribute of a supreme devil enhances its demonic connotation. Grey, while healing Yami's wounds in chapter 323, noted that Yami's body had become devil-like. Yami is infamously known as the "God of Destruction" in Clover Kingdom. And finally, in chapter 342, Ichika and Yami's father stated that the Yami clan reserves a title for the strongest member of them. The title: Demon-God. (In other words, this chapter could've been titled "Yami Sukehiro" and it wouldn't have changed anything./lh

Looking between when Yami takes the demon soul pill and the fuzzy glimpses of when Ichika took the pill, I'm wondering if the main reason Yami was able to stay sane while under the drug's effects has to do with his current condition. What I mean is... Ichika was just... kinda there. There's not much detail but there didn't seem to be much going on and Ichika and Yami's father just gave Ichika the drug on a whim. There was no outlet for the surge in Ichika's physical prowess. Meanwhile, Yami takes the drug while severely injured but also in the mindset that he has to get up and help fight off Lucius's army. His physical abilities are getting kicked into high gear and he has something to target with those powers. Maybe my reading is weird or wrong. But could it be that the reason no member of the Yami clan was able to stay in control when they took the drug is because they weren't taking it in the right condition. Like, being on death's door probably isn't a prerequisite but maybe no one took the drug with firm grasp on what to do with the excess power. I dunno.

Rewinding a bit... That reunion! FUCKING IMPECCABLE! I love the way Yami at first sees Ichika as a little kid. The way he remembered her last he saw took precedence over reality for a moment (AND HE'S NOT THE ONLY VICTIM OF IT!). I love Ichika's apology; the way she details the truths she learned recently (probably not just from her memories being triggered but I'd assume she had Ryuu clarify everything to her so she could really be thankful to Yami for making sure she'd be alright) then topping it off with the "I'm sorry." As a little sister who has misinterpreted things done by my older siblings, I really felt for Ichika. I can tell that Ichika is in pain, realizing how she wronged Yami by viewing him as a destroyer, but there's also so clearly a relief in knowing that the whole time, he had her best interests at heart. (Okay, my sisters never murdered our whole family clan, but you get the idea.) And Yami doesn't linger on it. He accepts her apology and even points out how he had help making sure Ichika was okay.

The flashback of Yami and Ryuuya parting ways... Ryuu always believed in Yami. Also, I love the panel of Yami with the torii gate and the rising sun behind him. The juxtaposition of the torii gate and rising sun - very Japanese and thus Hino symbols - with Yami being just about to leave Hino is like... Symbols of his homeland seeing him off essentially. MAN! I FELT SOMETHING THERE! Anyways, I know that Yami and Ryuu are looking forward to meeting up again now that they know it's possible.

Now back to when Yami has taken the demon soul pill. Yami is taking on his final form as the Demon-God of Destruction. I love the way Yami's form looks.

The splatter of blood from his wounds is replaced by Dark Magic spreading over his body. The facial markings draw one's attention to Yami's eyes and it makes me think of how on oni masks in noh theater(? I think I have that right), the upper brow and the cheeks are scrunched closer to the eye area to frame the eyes. I'm talking out of my ass here, sorry. His thoughts in the moment too are so juicy! Before, his protection of Ichika meant abandoning her. No more of that though; they're together again and Yami will keep it that way.

I love how his panel shows that Yami has incarnated into a true God of Destruction. But he's not destroying aimlessly. He's in control and he's directing his path of chaos towards Lucius's madness and will tear it apart to save everyone.

Yami and Ichika don't get to have a long heart-to-heart due to the present circumstances but Tabata gave them just long enough to breathe and reconcile. To me, it also keeps in line with the way the Yami family works. Yami Sukehiro is quick to act and react. He bears some heavy burdens in his life but he is not a man who wallows in pity or sorrow. His response to adversity is to take it in stride as best he can and make his way towards the future. He accepts Ichika's apology and the pill to awaken what has always been a part of him: the will to protect. Ichika is shaken from seeing her brother so helpless and pouring her heart out in what little time she had. And Yami did shield her at the end of chapter 374, but in the next chapters, she's locked into a fighting mindset. She says herself that she won't stand by any more; she intends to shoulder the responsibility of this battle and fight alongside her brother as an equal. The Yamis are resilient people who can take so much, and the burdens are made easier now that they can carry them together.

Speaking of together, the combo spell that Yami and Ichika have is called "Black Heavens." It's got layers! The Yami clan are connected to demons and devils through their Dark Magic and thus stand opposite of the heavens thematically speaking. The combo spell also builds off of Ichika's Black Star spell and Yami's Black Hole spell. The way the Dark Magic is the antithesis of a religious heaven, darkness is what makes up most of the spatial heavens is awesome. Also the fact that black holes form when stars die and collapse... Yami is the older (and thus closer to dying) sibling... I just needed to put those thoughts out there while still firmly on the topic of the Yami siblings.

Now onto the next chapters...

Chapters 375 and 376 have to be talked together because just like Nacht and Morgen as twins, and just like the Faust-Yami dramas, the two are connected! 375 is titled Strafe and 376 is Sühne. The English releases of the chapters clarify that the words mean "punishment" and "atonement" respectively (if there is any specific connotations to those words, they're lost on me and I would happily accept any clarifications). (Also note that the words are German; Faust and Germany just go hand-in-hand). I've already made a post about Nacht and how his character centers on the themes of punishment and atonement. To quickly summarize, Nacht's character is about continually punishing himself as his atonement for killing Morgen. (I do also point out how he avoids forgiveness as a way to resolve his guilt, but there isn't a chapter titled "Forgiveness" here, now is there?) So these chapters seem to be Tabata's finale for Nacht (and Morgen). (I do hope that a page of the next chapter does see Nacht and Morgen sharing some final words, because if Acier got to give her kids some kind of goodbye, then Morgen should get a chance to say something to Nacht as well. Please Tabata.)

Moving on from just the chapter titles! What actually happens in the two chapters?

Chapter 375 starts with Nacht getting a good look at Morgen and, like the fandom did chapters ago, clocking the devil that Morgen is in possession of: Lucifugus. The wretched memory of the day Nacht tried to summon Lucifugus is burned into his memory; of course he'd recognize the bastard.

Regarding Nacht's thought that Lucifugus is controlling Morgen's body... We know from Sister Lily's words/behaviors (a bit of Acier too at the very end for her) that the human beings who have been turned into Paladins are still conscious/aware/present as themselves. It's just that Lucius's brainwashing is forcing them to believe a certain way, spout that nonsense about "saving the world," and take the actions they are taking. Put simply: a fragment of their true selves exists within the false persona of the Paladin that Lucius forced on them. However, I'm certain that Nacht knows it is in fact Morgen in control but he's trying to tell himself otherwise.

I mean, looking back at chapter 374, Nacht's immediate reaction to seeing Paladin Morgen is to mentally call him Morgen! It's then here in chapter 375 where Nacht is saying that Morgen isn't in control.

Nacht is distressed. He's face-to-face with Morgen, whom he killed, and using the very same power that Nacht had tried to gain and caused Morgen's demise. It's double the shame and guilt on Nacht's conscious. And so he tells himself that it's Lucifugus, not really Morgen, in control. It's an act of desperation. Nacht is trying to convince himself that it's not Morgen's he's facing as a way to relieve himself of some of the stress/anguish that would come from this battle and defeating his opponent. Because if it's not really Morgen, then Nacht wouldn't have to feel any more guilt/grief about it, would he?

I think it's entirely in-character of Nacht. He's attempting to distance himself from the reality before him, similar to how he distanced his past failings from his own person by projecting his criticisms onto the Black Bulls. It never erased his feelings of self-loathing, but it was what Nacht did so he wouldn't just sit and wallow in misery. He pushed his self-hatred onto others and became the cold, critical vice captain of the Black Bulls to fulfill his mission of spying on Spade Kingdom. And now, instead of projection, he's straight up denying things. In this battle against Paladin Morgen, Nacht is trying to ignore the painful reality in order to spare his feelings and see the fight through.

But Nacht couldn't deny the truth for long.

Lucifugus wouldn't be saying these things to him. Who knows what Lucifugus would say to Nacht, if anything at all. Either way, it's Morgen speaking to Nacht. And it shakes Nacht to his core. Not the mention that what Morgen says would also drive the knife deeper into Nacht's heart. The brothers may not have been close while Morgen was alive, but Morgen still understands Nacht enough to call out his feelings of despair.

The way I'm reading it, Nacht falters in battle because he can no longer lie to himself. He's fighting Morgen. A twisted up version of his beloved younger brother, but it's Morgen nonetheless. In submitting to that reality, his feelings (guilt, sorrow, remorse) overwhelm Nacht and it gives Morgen the chance to gain the upper hand in their fight.

And like with Yami seeing Ichika as her younger self for a moment, Nacht's view of Morgen is from ten years back (you can tell by the fluffy robe having having grey shading while Morgen's Paladin robe is pure white and the details on the collar area). At least for one page, we know that Nacht sees Morgen not as the enemy Paladin, but as the kind and noble Magic Knight he used to be. (The present and Nacht's memories of Morgen overlapping and distracting him earlier on too is something I personally believe in just to make it all the more painful. But that's more headcanon and not analysis.)

Nacht laments how he thought he'd already cried all his tears before. But that can't be the case. Nacht's love for Morgen is an active and present feeling for Nacht. So long as Nacht loves Morgen is something alive in his heart, he will find himself crying over and over again for the loss of Morgen's life. That's the way it seems to be turning out for Nacht. Unless he completely closed his heart off to his affection for Morgen, his tears will never truly dry up. It's small, quick line in the chapter but it speaks so deeply to Nacht's feelings. In contrast to Yami who can take things in stride and move on, Nacht is someone who holds onto his suffering and lets it haunt him to the depths of his soul. Nacht and his thoughts focus on things that are gone and cannot be changed. While he does live in the present and makes things better for the future, Nacht has trapped himself with thoughts of a past that can't be undone. It's part of the tragedy that is Nacht's character.

(Real quick, we're going to put a pin in Morgen saying "Brother, let's start over again. Together!" Right before he attempts to blast the ever loving crap out of Nacht. Mixed messages much?)

I wanna bring back the title of chapter 375: Strafe (Punishment). Back in chapters 285 and 287 (coincidentally before and after Nacht's backstory in chapter 286), Nacht thinks to himself "I don't care if I die." Nacht nearly sacrificed himself three times during the battle. Devaluing his life over and over was Nacht's way of punishing himself for his past. And now Nacht is repeating that behavior as he tells himself that he'll defeat the Lucius clone and Morgen even if it kills him. Nacht showed himself some mercy when he stated his intent to live with the Bulls properly. However, he didnt actually stop seeing himself as an expendable sacrifice; in his eyes, his death is worth more than any life he could life. Which hurts to see as a Nacht fan! This time, though, Nacht isn't endangering himself as punishment but he still receives it. Morgen, the very person Nacht wronged so many years ago, is the one delivering the punishment. Physically and emotionally, Nacht's being destroyed. And, in my eyes, it could be that Nacht is okay with it. He didn't stop hating himself, he just stopped acting on that self-destructive feeling. He's accepting Morgen's attacks because Nacht's pain in the present can't be as bad as the pain Morgen felt as he died.

Thankfully, Yami comes in for the save. And when he gives Nacht another talking to, Yami says this:

Yami knows that Nacht didn't let go of the past. That he's been quietly keeping the pain in his heart. The way Yami validates the idea that Morgen's death is a sin on Nacht's part is fascinating. Looking at the big picture, it was more an unfortunate accident; Nacht did incite it by summoning Lucifugus but Morgen chose to destroy the relic with his own hands. Neither Nacht nor Morgen are to blame, they just took actions in line with who they are and it resulted in Morgen's sacrifice. Whether or not Yami wholeheartedly agrees with Nacht's view is a discussion for another time but here, in the moment, Yami leans into it. Yami speaks to Nacht based on those beliefs. From there, he drill it into Nacht's head that if he's going to hold onto what happened as his sin, then he has to use it as a way to push himself into the right course of action rather than let it stop him dead in his tracks. In chapter 376, Ichika also chimes in to get Nacht on his feet again. Her remark isn't only directed at herself; it resonates with Nacht too. Neither of them can leave Yami to deal with Morgen on his own. They don't have the luxury to stand idle and both of them are people that are above being victims of their pasts. Yami was there to protect them so they have to do the same.

Yami and Ichika's words together deliver a powerful message. “If you are going to carry a sin on your conscious, do something with it.” For Nacht (and anyone really), it's a mistake to acknowledge his faults and leave it at that. It doesn't do any good. To give meaning to his sin and the feelings that come with it, Nacht has to act upon them. He has to do what needs to be done to make up for the sin. That means killing Morgen again, not as a tragic accident but as an act of care and the means to free his spirit. It doesn't erase a thing but it makes things as right as they can be.

Quick break from Nacht and his feelings regarding Morgen to have a talk about Yami and his Morgen related feelings!

Yami has a moment to share words with Morgen. He makes it clear that his ire is directed at Lucius. In Yami's mind, there's no real blame on Morgen for his actions as a Paladin. He understands that Morgen wouldn't want so much death and destruction in the name of a new world. It's all Lucius's manipulations. And this view of Morgen again shows the contrast between Yami and Nacht. Nacht is stuck in the past and is seeing Morgen as his dear brother who he couldn't do anything for. Meanwhile, Yami's thoughts are in the present and he's seeing Morgen not as his friend but as an unfortunate puppet being controlled. Yami does acknowledge Morgen as the enemy but he's drawing a fine line between Paladin Morgen and the Morgen he knew.

Also, Yami's desire to see the memory of Morgen be untainted by his deeds as a Paladin is an interesting contrast to his usual feelings towards being looked down on. He's shrugs off most insults towards him (though he can admit when his feelings do get hurt) and is fine with the Black Bulls being considered the worst squad. But Morgen is different. Yami doesn't want to see Morgen become someone tainted by acts of cruelty, even if they aren't entirely his own choice. It says so much about Yami for him to want to preserve the integrity of Morgen's memory. He treasures his friendship with Morgen so deeply because Morgen was one of the first people to accept Yami and believe he could be a squad captain. Yami won't let anyone have any reason to think unfavorably of Morgen. He who saw the good in all should be seen as good by all. That is Yami's belief. I love it so much.

Back to focusing on Nacht!

We return to Nacht at the start of chapter 376: Sühne (Atonement). This chapter really is all about Nacht's final act of atonement for the sin he'd been punishing himself over for years.

Now before he re-enters the battle, Nacht has a moment of contemplation. The dream he describes is brief but it carries so much meaning. Nacht looks back and wishes he'd joined the Grey Deers as Morgen had always suggested he do. He really had always desired a closeness with Morgen but his fear of doing harm to his brother instead outweighed his love. His regret over not taking Morgen's hand sooner is evident and it again drives home the idea that Nacht's thoughts always return to the past to haunt him. And the line about Nacht and Yami fighting over Morgen's attention shatters my heart further because-!

Morgen probably would've chosen Nacht over Yami if he had the option. As much as Morgen and Yami made a good team, Morgen wanted to share that understanding and synergy with Nacht.

(Also, we are creating another pin for this moment.)

Both of the Fausts were jealous of the bond that Yami had their brother! Morgen and Nacht are more alike than either of the realize and it's yet another tragedy in their lives that they will never know that about each other! I JUST! AAAAAAAAUUUUUUUUUUUGH! I can't be calm about this, guys! Morgen and Nacht keep reaching into my soul and drawing out more of my love and tears with how their dynamic continues to grow more heartbreaking!

(Deep breaths, Soda! Take deep, slow breaths now...)

Nacht thinks about how Morgen would've smiled at his and Yami's antics. Morgen is always smiling in Nacht's memories (except when he infiltrated the Fausts' devil ritual basement and tried to dissuade Nacht from summoning Lucifugus, but that was a special circumstance). Morgen's smile being so ever-present in Nacht (and Yami's) recollections of him goes to show that he was a beacon of positivity to both of them. Morgen was light, warmth, happiness.

But Nacht always wakes from that dream and he cries each time, mourning the loss of something that never was but could've been. But he refused to have any of that, having pushed Morgen away each time he asked Nacht to join him. Instead Nacht chose the path of devils and Forbidden Magic. He widened the chasm between himself and Morgen. His actions have led him to a world where he caused his brother's death and now will have to see him die again. In short, the first page of chapter 376 is about the ache caused by what Nacht wants in his dreams and what he has to face in reality.

We cut to Yami fighting Morgen for a bit which includes Morgen refuting Yami's statement that Lucius is a bastard. And we also see Morgen saying

(Adding another pin for that. We'll come back, promise. It's just that I want to divulge the very depths of my Morgen thoughts closer to the end [closer to Morgen's end really].)

I've already discussed how Ichika's words with Nacht help him with his mental/emotional breakthrough so I'll skip over that portion of chapter 376.

As I said at the start, the Faust and Yami family stories are connected. They parallel each other. The families are connected to demons or devils (demon soul pills for Yamis and devil binding ritual for Fausts). The elder sibling was seen as an ideal heir (Yami's strength was lauded by his father and Nacht's father said that Nacht "inherited the magic and the spirit" for dealing with devils). Despite not being what their parents wanted, the younger siblings do find an honorable place for themselves in society: Ichika becomes a Ryuzen Seven and Morgen was a Magic Knight. Both families experience a tragedy and the ideal heir from either family withdraws from their younger sibling, but those events happen in different orders between the two. The Yami clan was slaughtered and then Yami left Hino while taking the blame for the incident. In the Faust family, Nacht emotionally pulling away from Morgen and going down the path of devils is what led to the confrontation in the ritual room and everyone's deaths. Nacht and Yami carry the burden of those incidents. Nacht blames and punishes himself for his crime against Morgen. Yami takes the blame for a crime he didn't commit for Ichika's sake.

The families also contrast each other. Before the Yami clan was destroyed, Yami and Ichika were rather close (Yami urged Ichika to follow him when he left the house in that one flashback). But, as said earlier, Nacht and Morgen had grown apart before Morgen's death. Yami and Ichika look remarkably different but their magics are the same. Nacht and Morgen are identical twins but their magic attributes are different (but complementary). Yami protected Ichika in the past and now has a chance to fight alongside her. Nacht hurt Morgen in the past and has to fight against him in the present. The Yami family's resolution brings them closer together and heals them. The Faust family's resolution involves once against being separated and an unending pain for Nacht.

Talk about a well-constructed narrative and characters right there.

Now that I've noted the families' connections, it's time to return my focus to solely the Fausts.

Nacht's words to himself before he re-enters the fray. Again, his thoughts turn to his own death. But here he admits that dying would be the easy way out for him. He looked down on his own life, sought his death, because dying would be an escape from having to carry the guilt for the rest of his life. Then Nacht comes a realization: "Tears don't mark the end of sin." He realizes now that leaving his emotions to stew won't resolve the sin. What Nacht needs to do is to fully atone for what he did and that will give closure for what he's held onto for so long.

Nacht's four devil Unite form isn't as complex as his other forms but it doesn't bother me. It's probably for the better that Tabata didn't try to design something that incorporated elements from all four forms. Equus gets the most representation in the four-way Devil Unite with shields and the minimal armor around his shoulders. Otherwise, Nacht is simply cloaked in shadows and the combined might of his devils (and anti-magic, can't forget the anti-magic). I love the clear view of all the facial markings brought on by the devil unions (especially since the face covering that came with Equus form made it hard to tell where the markings were!). He's lowkey matching Yami and his facial markings. AND THE CROWN OF HORNS! MY GOODNESS! My friends know how much I get worked up over Nacht and his horns. I'm positively feral that Tabata has given me canonical eight-horned Nacht! KJADHGIUAEHTHAEIHT! (Coherent thoughts, Soda!) Also, I can also tell that the combined power has made the horns manifest larger than they usually would on Nacht. Him using all four devils at once is him fully embracing his dark past. Maybe he formed his contracts with Gimodelo and the others in the wrong mindset, but things have changed. He's using an "evil" power that killed Morgen for good, to save Morgen (through death but saving regardless).

Morgen, upon seeing Nacht unleash his full potential says something he said during Nacht's flashbacks of him: that Nacht has the greatest talent for magic. He even says "I knew it" and looks eager/fascinated by what he's seeing. Morgen really does have so much faith in his older brother. It'd be sweeter if the two of them weren't on a collision course for combat.

And what a feast for the eyes the battle is. It turns into chaos, but a beautiful

The combo spell from Nacht empowered Shadow Magic and the Yamis' Dark Magic is Walpurgis Night. It's of course tied to Nacht more than the Yamis, as that event is celebrated the night and day of Nacht and Morgen's birth dates. There is so much more to Nacht and Morgen's connection to that holiday since it's about warding evil spirits and protection of witchcraft. Like, Morgen first protected Nacht from Lucifugus and now Nacht has to protect the world from the evil Morgen is enacting on behalf of Lucius. That's all I can say about that though since that's basically all I know about Walpurgis Night. (Maybe in the future I can read through all of Wikipedia's cited sources and more to actually know the whole deal.)

Morgen puts up quite the fight against three opponents, two of whom have their physical and magical abilities at their peak at the moment. He doesn't know it but these are his final moments.

So let me talk about what I've observed and come to believe about Morgen.

Morgen Faust. A man who was good incarnate. The very picture of a good man. Who loved everyone and was loved by everyone. It was in his nature to help, save, and protect others. But his perfect image hid someone who probably felt very lonely.

Let's bring back those pins we gathered earlier. The first two pins (the starting over and Morgen admitting Yami was a better partner for Nacht) are very easily connected. Morgen's dream had been to be close with Nacht, to stand side-by-side with him. But they weren't close. Then Morgen saw Yami, a stranger from a foreign land, connect to Nacht with incredible ease. It probably hurt Morgen to see that, to see that Nacht found someone else to share his joys with. Morgen didn't hate Yami for being more compatible with Nacht and even befriended Yami himself. Morgen, at least in my personal headcanons, might've seen getting close to Yami as a way of better understanding Nacht. But even though Morgen could get along with someone who was Nacht's friend, he still couldn't directly close the gap between him and his brother. Again and again, Morgen suggested Nacht join the Magic Knights but was always brushed aside. And so Morgen was left feeling frustrated and probably a little lonely too because he couldn't have the one bond he wished for.

In reading the recent chapters and looking back on old chapters regarding him, I wonder if Morgen reached out to and accepted others so easily because of his missing connection with Nacht. As in, being pushed away by Nacht made Morgen want to ensure that no one else felt rejected or left alone. It's not compensating for something he lacked, but rather a reaction of "I was hurt in the one way so I will protect others from that same hurt." I believe Morgen genuinely cared for the people he knew in some capacity though not in the same way he valued Nacht. To apply some specific terminology, Morgen holds storgic love ("Because we have the specific bond of family, I love you") for Nacht and agapic love ("Because you are a human being, I love you") for everyone else. So Morgen loved everyone. And everyone loved him back. Though I doubt the adoration of strangers did anything to soothe the ache Morgen felt over Nacht's absence in his life. Either we've experienced it ourselves or seen it represented in media: Person A has an event and want Person B there to support them; the event comes around and A discovers B isn't there so even if they win or get praise from others, not having B there makes it hard to celebrate. That's what it probably was like for Morgen not having Nacht with him.

In the end, Morgen was unable to close the rift between himself and Nacht. And it was his dying regret. Revived a Paladin, Morgen voices his desire to start over with Nacht, to make right the mistake of not being close to him when he was originally alive.

The lack of a specific bond wasn't the only thing making Morgen lonely. I think Morgen also isolated himself in a way. He put himself under pressure to be strong by himself.

Let's bring back pin three, where Morgen says he'll clear the way for a new world. Looking at that alone, he's kinda just saying that he's following Lucius's orders to fight the Magic Knights for Lucius's victory. But then put this proclamation with what Morgen said back in chapter 368:

And also what he thinks to himself in chapter 376:

He talks about fighting and being the strongest on his own.

I also want to point to how he confronted his family about their work with devils. He came to the underground ritual chamber alone, and not even while wearing his uniform as a Grey Deer on top of that. Forbidden Magic was being practiced and Morgen could've (probably should've) brought along his squad to arrest his family and their followers. But he didn't. He faced his family's sins not as a Magic Knight but merely as Morgen Faust. In Morgen's eyes, it was his family's business and thus his personal responsibility as part of it to stop them.

So we have repeated instances of Morgen voicing thoughts and acting in ways where he sets himself up to be on his own. I can think of several factors for why Morgen might have this mindset. He was the black sheep of his family and overlooked by his parents so he didn't have their support. Nacht kept his distance too. His Light Magic also meant he was looked up to, believed to be strong like the first Wizard King, just for having the attribute he had. All of these together would feed into the belief that Morgen is separate from other, for better or worse. With that belief instilled, Morgen could then tell himself that he has to rely on his own strength, that others can rely on his power alone.

Yes, Morgen seeks partnership from Nacht and works alongside Yami but ultimately tells himself he has to do things by himself. And it's possible that Morgen wanted to be closer to Nacht because he thought that only his brother, his flesh and blood, could be depended on to lessen Morgen's burdens.

Morgen becomes a lot more tragic with all this in mind. He wasn't just a pure soul who died young. He wasn't just a good man lost to sacrifice. He was a lonely person who struggled between his desire for a bond with his brother and his belief that he had to stand alone. Worse yet, he keeps on ending up alone. Other members of the former Grey Deer like Yami and William get their own squads and become more associated with those groups. Morgen by himself as a legacy member of the Grey Deer. Ten years ago and in the present day, Morgen has no one with him in death while Nacht and Yami get to continue living and working as partners.

Like the words that chapter 376 has near it's end says, "The brighter the light, the deeper the shadow it casts." All of Morgen's good, the inspiration he brought and the hope he symbolizes for others, is so bright. But it makes the shadow of sorrow that might exist within Morgen all the more saddening to me.

This is just my own reading of Morgen so take what I've said with a grain of salt but... At least for me, Morgen has gained a whole new depth to his character thanks to these new chapters and how it made things from before clicking into place for me. I don't always like Tabata's handling of the story, but I do love what he's given me for me to draw the conclusions I have.

Well that's Morgen's finale. And now for my last statement on Nacht's part of the chapters.

Quick observation: to me, part of Nacht's horn set up from his four-way Unite, resembles Morgen's own. From Slotos and Plumede, Nacht gets horns that point outward and curse in a way that matches Lucifugus's horns.

You can best compare it here and even with Nacht partially obscured... I can see the similarity.

Moving on, or rather moving back to the line, "the brighter the light, the deeper the shadow it casts." It brings to mind that one quote "for the greater the love the greater the grief" by C.S. Lewis. It captures part of the core to Nacht's character. His love for Morgen was so deep that the grief of losing him transformed him as a person. Morgen's light of hope was so bright and it makes Nacht's shadow of despair dark.

But the true essence of who Nacht is comes from the last words in the chapter, his last words to Morgen.

"Goodbye, Morgen. I will shoulder this pain forever."

Nacht regretted his sin, punished himself for it, and atoned for it through killing Morgen a second time. This is his closure for the past. But even with that, Nacht cannot - will not - is let go of his sin or the pain it's caused him. It's a part of him for the rest of his life. He will find it in himself to live and maybe even find happiness, but the love and happiness he got from having Morgen around will never be replaced or filled in. Morgen is lost forever and so Nacht will mourn forever.

Part of me is sad to know that Nacht has committed himself to such feelings. But a greater part of me understands that it's a part of his character and loves him for it. He holds on, to his emotions or the people he cares for, so fiercely to the point of it hurting him. It's probably not a healthy mindset to have but Nacht's fictional so we can let it slide. I see it as tragic but also admirable.

To me, this is the real end of Nacht's arc. First in Spade, he had to learn that despite his faults, there were people who cared for him enough to save him. And now on Judgment Day, Nacht faces his sin head on and gives it a resolution, thus accepting all he's done and all of himself where he once projected his self-loathing onto others.

I'm left with bittersweet feelings from these chapters. There was beautiful art. I developed a deeper appreciation for characters who aren't my favorite characters. The characters that I do adore above all the rest got a spotlight on them. Morgen and Nacht both showed off incredible feats of power and their story got an ending. All good things. But I've also come to see a much sadder side to Morgen beyond being a black sheep. And Nacht's statement of eternal pain brings me to actual tears just thinking of it. I'm also upset that unlike Acier, Morgen isn't shown giving a goodbye to his family but I can still hope that chapter 377 spares page time for that. But even with these sad notes, I'm happy because I can better appreciate the Fausts with what I've been shown.

I love these chapters and the stories they tell/finish. I can't wait for the physical volume containing the chapters so I can return to them over and over again.

I hope that this post wasn't boring or too repetitive. I hope it made sense. I had to bounce around in the chapters' details and even called back to older chapters to get my points across. I just... had a lot to say. Several times while writing this, I ended up going back to add onto a topic I thought I'd finished (I'm looking at you Yami family and the Walpurgis Night spell).

I didn't have any plans for what I was going to say. I knew I was going to talk about how the Yami and Faust family dynamics closed out and the development of my perception of Morgen. But a lot of things just came to me as I wrote. And I think that worked for the best.

Thank you to whoever was able to power through this massively long post. Or even just read specific parts. Anyone looking at this post at all would mean something to me because while I mostly write this so my head and heart wouldn't explode from keeping it all inside, being heard by another is nice.

Thank you to any readers. Thank you, Tabata for writing Black Clover. Thank you, Yami and Ichika for your shared arc and contributions to this chapter. And thank you, Nacht and Morgen Faust for lighting my soul on fire.

[let-us-cultivate-our-garden]

I don't know if you were asked this before or already addressed it before, but what do you think of the argument that Belos' death was supposed to be anticlimatic

See, the problem with these arguments is that it assumes that people who were disappointed with Belos' death wanted a grand, epic battle when in reality, everyone that I've spoken to wanted him to suffer more. We wanted him to go out screaming, realizing that all he did for centuries was for nothing, since that was what the previous episodes were building up to. That's not grandiose, that's even more pathetic than what we got in canon.

Belos' death is anti-climactic because for two episodes, the show was expanding on his background, making him see ghosts or hallucinations, lashing out at the idea of being wrong when he sees "Caleb," all of this suggested that this would play into his ultimate undoing. Instead, we get Luz-With-Anime-Powers yank him off the Titan heart and then he melts in the rain. Cool.

What was the point of the previous episodes then?

Anti-climaxes can work if there is a point to them, be it comedic or tragic. But there was no point to how Belos died. Luz didn't need to learn anything about herself in order to earn the Titan powers, she didn't use anything she learned about the Wittebanes against Belos in the final battle, all that happened is that the Titan told her she's a good witch and to stop comparing herself to someone Obviously Evil like Belos. Great character moment there.

Hell, nothing about Belos played in his death. Not his backstory. None of his lies. Nothing. It just happens. Giving a megalomaniac an undignified death or defeat can work though. Just look at Ozai. He built himself as the Supreme Ruler of the World, as the Phoenix King. He sees himself superior to all others and uses everyone--even his own children as pawns. So to have him be defeated by the Avatar, by an Air Nomad child, who doesn't even give him the dignity of killing him in battle but by taking away the ultimate symbol of his power, his bending, works because it's the antithesis of everything Ozai believes in.

But Belos' death has nothing to do with him as a character or his beliefs. The idea that he needs an undignified death to bring down the megalomaniac doesn't work because Belos has suffered nothing but indignities since he got slammed into a wall. He's been dying for several episodes, lost his human form and the world he knew and loved is long gone and none of this is used against him in the final episode.

In fact, Belos' death actually supports his ideology: for centuries, he's believed that witches are evil and inferior to humans. And he justified all the evil he's done in the name of the greater good: of defeating what he saw as evil. So, picture the scene, you have a rapidly dying man who is no longer a threat to anyone, who is trying to reach out to the one person he thinks is moral by virtue of her species, only to be stomped on by beings who proudly proclaim that they are in fact, immoral.

Congrats gang. You just let the evil bigot die with his feelings justified.

Even how he died doesn't make narrative sense because we've seen him rebuild himself from a droplet and King even mentions some being stuck between his toes. How is it this fight is what finishes him off for good? He's both progressively weaker in each episode and yet is able to outrun (or out crawl) both the Hexsquad after entering the portal and Raine in the castle and possess the Titan heart. Plus, despite having possessed the literal Titan's heart, that equated to having just enough power to transform into his younger self and then get melted by the rain. Ok then.

So let's say that Belos' death works for meta reasons; that evil and bigotry should be given anticlimactic deaths. Ok fine, but it's still disappointing and boring af to watch. Giving a bigoted villain a gruesome, over the top, and entertaining death doesn't mean you suddenly validate the villain's ideals, just look at Raiders of the Lost Ark and its melting Nazis.

Also, unpopular opinion, but The Owl House is not about bigotry; it doesn't say anything about where it comes from, what perpetuates it, how people fall into it, how it can be stopped, etc. The writing is too inconsistent and the world building is too flat for any kind of deep or compelling themes. Instead, it has the grotesquely simplistic idea that "Bad Man Cause Bad Things. Get Rid of Bad Man and Bad Things Go Away."

And that's ultimately why Belos' death doesn't work; because The Owl House never had anything deep to say. It's a fun, escapist fantasy that wants to have deeper themes but can't commit to them. Anything "real" a person might interpret is largely projection because the show is too ineffectual in exploring its own world building and characterization beyond surface level meanings.

[batmasc]

You've become an adult, but you still haven't fully taken life by its horns. An older you is looking back at this moment, hoping you'll start your transformation now instead of making him wait to emerge.

He doesn't need to hope anymore, because he's got you, strapped to a table, blindfolded. You have no idea who he is, only that something feels strangely familiar when he starts pawing his hands over you. Like yours, but sure and strong and firm. There's terror in your heart- but also a reluctant Eros. You're in your pajamas, but soon your top is abruptly yanked up. You feel him straddle you, and lean over you, heavy and broad, as your chests meet. A smattering of chest hair tickles you and makes you squirm away. But for some reason, some part of you is hesitant to move.

"Don't it feel much better with something to hold onto?" Why does he sound familiar? Why does he make your center pulse when he unveils your thighs?

He strokes his lips along your bare thighs, you can feel the rough bristle, the sturdy jaw. It's as if he's devouring your femininity with his overwhelming masculine presence. You forget you're not supposed to like this- until he buries his face between your legs and gives you a taste. Your knees knock at his head, he only grunts.

"Hm. You could taste so much better. N look at that little thing? I mean, you can hardly see it. Now this-" he's unbuckling his pants and you wish you could see. Only to know the damage it'll do, right? He spreads you open with one hand, and then you feel it, his cock. It's a wholly unexpected feeling. Pulsating hotly against you. The same organ, but grown bigger. You're twitching in tandem as he leaks over you, and then you know who this is.

He tears off the blindfold and gives you what only you know you needed. Rough kisses that you'll gain the strength to give, an aching symbol of your lust, a look in your eyes that you know comes from within. It doesn't matter if you resist, it's you, he knows what you need.

[daisy-mooon]

Portraiture;

Portraits of the Emperors, and what those portraits mean to them.

Portrait Three - Lizzie

Lizzie is older than written history itself. Granted, she spent hundreds of those years, maybe even millennia, at the bottom of the ocean, but that doesn't change the fact that she is irreversibly and unforgettably old. 

They have archoelogists at the Crystal Cliffs, a whole array of wizards and not-wizards combing through libraries and ruins. Many things changed throughout the ancient histories of the land, things she knows from living through them and things she knows from reading the papers the Cliffs are always publishing. With such frantic enthusiasm, too. They ask her for clarification on Oceanic events, and she happily provides them. Lizzie is cited on thousands of journals and books, from anything from history to language to religion and mythology and magic and even biology, although that required a lot of weird poking on Gem's part. 

But... 

Her throat catches a little as she stares at the research that Gem is presenting too her. Or rather, the fresco.

A fresco that, with a little help from an ingenious magical theft from millennia go, went from ancient Pixandria to the primitive-Codlands to Mythland occupied Gilded Helianthia, then all the way into the heart of the modern Crystal Cliffs. She is sitting at one side, and on the other is Jimmy. Both of them are children. And in the middle of them both is... their mother.

Their mother died before they were born. Lizzie swallows. Hard. She supposes that the ancient worshippers who made this fresco- Gem tells her that they were a primitive but artistic and extensive civilisation on the shores of the Pixandrian desert- did not know that her mother was dead when they painted this. But then Gem is telling her something different-

"It was painted based on a prophecy, we think," Gem says, awe flooding every depth and tone of her voice. "Isn't it incredible? They were able to capture such a likeness of you and Jimmy before the two of you were even born!"

Lizzie stares at it. Her mother's artistic, horrifically monstrous form stares back. She's never thought about what her mother looked like- she's always been focused more on the fact that her mother was dead, her titanic godly form picked apart by sea creatures before she hatched. But she now realises that this is the only realistic recreation of her mother she has ever seen, not the flimsy carvings and sculptures that were clearly based on muses. And it is too damaged to know what her face looked like.

On the way home, it occurs to Lizzie that she has never, not once, had an official portrait made of herself. Oh, she's had portraits and paintings and frescos and mosaics and sculptures, half of which are accredited to Joel. But there are other artworks of her, who aren't as careful and adoring as Joel, and she begins to feel the overwhelming seep of panic that one day she might end up like her mother, reduced to artistic fragments and nothing else-

"Would you like to make an official painting of me?" Lizzie asks Joel tentatively. 

It is the dead of Mezalean night when she asks this, and they are both awake. Joel blinks at her. He looks adorable like this, his pyjamas crumpled and hair smushed and eyes only half open. He's still half asleep, bless him.

"Already have," he hums, and then promptly curls up next to her and falls right back asleep. He's snoring before she can even count to five.

The next day, when he is actually awake, she asks him again. Joel says yes in a heartbeat, and then hesitates. He asks how large he can make it. Lizzie hesitates, because whilst she loves seeing Joel go nuts in his artwork, she would also like an official portrait to be a little, well, official, so she says big but not too big, symbolic but not too ladened with symbolism, creative but-

Joel has her stand in one of the collonaded towers that overlooks the ocean, and begins his painting. The canvas is portable (thank the gods, thank her Mother, actually) but still huge and large enough that he needs a stool to paint the top. What on Earth is he going to do with it?

Lizzie doesn't really need to stand for as long as she does, Joel tells her. He's painted and sculpted her face so many times that he could paint her face with his eyes closed. Her heart flutters a little at that, but she stands anyway, just so that he can get the shadows right, and then longer so he can get the fabric right, and then a little longer because she loves to see him work. The way his eyebrows furrow. The way he takes in each and every detail and recreates them with such mastery-

The finished product is... a masterpiece. Painted Lizzie is the exact height as Lizzie herself, wearing the exact clothing of that day. She is depicted in glory, standing over the magnificent ocean ("To signify how much you rule," Joel informs her) staring head-on into the viewer's eyes. Even the tiniest, tiniest details have been reproduced - a tiny flicker in her iris, the refraction of light off the carvings of the quartz floors, the tiny crinkle of her lip that she'd been unable to hold back as she watched him. She isn't the Ocean Queen, isn't the demi-god of the ocean, she's Lizzie.

No, it is almost scary how lifelike it is. Lizzie's breath is stolen in a heartbeat.

"Don't touch it!" Joel shrieks as she almost pokes her finger at it. She grins at him sheepishly. He starts to whine "It's oil paint- and the good oil paint too. The not-magic but crazy oil paints. Best I have. And I prepped the canvas with egg yolk too, so it's kind of-

Lizzie leans forward and kisses him. He kisses back. When he pulls away for hair, gasping, cheeks flushed, she kisses him all over - forehead, cheeks, nose, hairline-

"I love you," she whispers. The painting seems to ripple in the corner of her eye. She only has eyes for the artist.

-

Historians note: Ocean Queen Lizzie, prima et novissima (first and last) might be one of the oldest beings to ever exist. The first reference to her is in the prophecy of the blue axolotl, which is believed to have existed in oral tradition for millennia before any of the primitive cultures from the archaic-era. The first known image of her is The Goddess and Her Spawn a badly damaged fresco dating from dozens of thousands of years before the golden age and end of her reign, depicting her sitting next to her Mother, the ancient goddess of Old Deep Fear, and her brother, Codfather Jimmy, ruler of the Codlands prima et novissima (first and last). It was likely made by the first civilisations of the primitive, coast-dwelling pre-Pixandrians. 

During her millennia-long reign (historians are unsure as to when her reign began, although it ended at the Rapture), the Ocean Queen had hundreds of thousands of artworks of her produced. Although her birth and ascendancy remain unclear, for this reason, she is the most well-documented being to ever exist. A substantial chunk of this artwork was produced by her husband, the Mad King Joel, (referred to as Joel of Mezalea by himself in his artistic depictions), and thus is extremely lifelike. The best-known painting of the Ocean Queen is uncreatively but accurately titled Official Portrait of Ocean Queen Lizzie by Her Husband, Joel of Mezalea. Despite her millennia-long reign over the Ocean Empire, the Ocean Queen only ever had one lover, Joel of Mezalea, who is the only artist to produce an "official" painting of her. Some minor damage was sustained after the Ocean Queens disappearance post-Rapture when the Mad King tried to burn it, but he reportedly "broke down in such a storm of tears that the palace flooded the warm mesa air became cold, and the hard clay and sand became grass and dirt. All fires were put out, and no fire would burn for a hundred years. The water never left." Although this is a dramatised account, the painting remains undamaged other than a singular, tiny burn in one corner, and some historians theorise that the Evermoor was situated on geologically altered borders of Mezalea.

Unlike a variety of pre-raptures which were rediscovered, this painting has been circulating the post-Rapture art world for millennia. It now sits in Kruoma National Museum alongside a large collection of Oceanic, Codish and Mezalean art. 

[roryelijah02]

Hey, wondering if you'd like to do a scene analysis for Carol and Daryl's argument in Find Me (10x18)?

When carol says "is it possible she just left?" and daryl says "WHAT" and then Carol says "it's not an accusation", I'm never sure what's happening there. What is the 'accusation'? There are a lot of parallels between leah and carol. And daryl says that he should have been there for leah while carol says she doesn't need a saviour etc. I wondered whether daryl is so sensitive about the idea that leah just left bc that's something carol has done to him which hurt him? Or maybe it means something else.

And there's also when daryl says to carol "you never know when to stop" which parallels carol saying to him during his years in the woods "I don't want to lose you out here because you don't know when to stop".

And when he says "I know where I'm supposed to be" as well as him writing to Leah "I belong with you". What are your thoughts about those things?

I also spotted that after Carol leaves the argument saying that she's going to fix the door, in the closing moment, you can hear her with a hammer presumably fixing the door while Daryl is still looking out the window. To me, this symbolises how she's trying to fix things while Daryl is still looking for what he thinks he needs to find. I haven't heard anyone else talk about the symbolism of this bit, so would love to hear if you have any thoughts?

Would love to hear your general thoughts and opinions about the scene too :)

Ooo, this is such a good ask, thank you! Season 10 Episode 18, Find Me, is such a heart-wrenching episode and I'm so excited to do an analysis for this scene. It's a very difficult scene for a lot of Carol/Caryl fans especially to get through but there's a lot of interesting details to unpick within it so let's get started.

Before I get onto the analysis of the fight scene between Daryl and Carol, I want to mention how previous to this scene happening, it's Carol who finds the note that Daryl initially left for Leah "we belong together - find me" and that's the catalyst for this whole upcoming conversation. It's no coincidence that Carol was actually the person to find the note and as she's now on her way to find him in France, I find this detail very interesting.

Now, onto the analysis. For me, a lot of this scene can be understood by thinking about Daryl's hero/guilt complex, made up of pieces of trauma that he's really struggled with as early as season 3. It started with Merle, then Beth, then Glenn, then Connie and now Leah, whom he has no idea where she is or if she's even alive. This is a big reason why the conversation starts with Daryl saying "I should've been there - I could've helped her" because he feels guilty, for multiple reasons: Daryl began his relationship with Leah during the time when Carol went to marry Ezekiel. Whilst Daryl had given Carol his blessing to marry Ezekiel, it's clear to see how disappointed and sad he is whilst doing it and it was confirmed through Angela Kang's script notes that Daryl was jealous of Ezekiel during this scene but ultimately, Daryl being Daryl and how much he cares about Carol, wants to put her happiness first and if that means giving her his blessing to marry someone else, he's going to do that. Now obviously, the main reason why Daryl was out in the woods during the 6 year time jump in season 9 was to look for Rick, I believe another reason he chooses to stay out in the woods is because he can't bare to see Carol and Ezekiel together every day and this is why he refuses their offers to stay at the Kingdom during the time jump. There are some very noticeable parallels between Carol and Leah. Firstly, there are some parallels of the scenes Daryl shares with Carol during Find Me and those he shares with Leah in the flashbacks of the same episode, one of these being the most noticeable is the fishing scene. Moreover, there are quite a few similarities and parallels between Leah and Carol as people, the most noticeable being that both women have lost a child and consequently decided to isolate themselves in a cabin away from everyone else. The theory is that Daryl, seeing all of these similarities between Leah and Carol, took comfort in Leah who almost put a plaster, if you like, over the hole in Daryl's heart that Carol had left when she went to marry Ezekiel. This is just one of the reasons why Daryl feels guilty because he was never in love with her and Leah knew this because she admits it to Pope in Season 11 Episode 4, Rendition - that's because Daryl's heart was already with somebody else, she'd just temporarily covered the hole in his heart that they'd left. Daryl probably also felt guilty because he didn't give his full commitment to Leah and only decided to go to the cabin to be with her properly once Carol told him that she wouldn't be able to come and visit him at his camp anymore due to her commitments at the Kingdom. I believe this is because Daryl finally realised that he'd lost Carol for good because before, with her continuing to visit him at his camp and even offering to come and stay out in the woods with him, his heart probably still held a little bit of hope in it. The other thing that probably makes Daryl feel guilty is that when he finally did go to the cabin to be with her, she'd already gone and from what we could tell, he didn't spend much time actively looking for her, as he had other people who'd gone missing. I think, with him saying this at the beginning of the conversation, Daryl worries that something could've happened to Leah and he thinks that maybe, if he'd been there when it happened, he could've prevented it or stopped her from getting hurt.

Carol suggests that maybe Leah left of her own accord. I believe that Daryl says "what?!" here because he doesn't want to believe that Leah would've done that after telling him she would wait for him to make a decision about what he wants and where he wants to be. I also believe this is why Carol responds with "it's not an accusation" because she doesn't want Daryl to think she's accusing Leah of just fleeing and abandoning him, especially when neither of them know the full story or what actually happened.

It's moments after this that it becomes clear Carol is, however, fully aware of Daryl's hero/guilt complex and I think she fully believes this is why he's so caught up about Leah as she says "stop thinking that every time you lose someone it's your fault, because of something you've done". This is her gentle way of trying to tell him that if Leah just left or decided she didn't want to be with him any more of her own free will, then that's Leah's choice and Leah's loss - it's not on him.

However, this is where some of Daryl's feelings about everything start to come out and there are deeper meanings under the surface that come with everything he's saying. Carol begins by listing some of the people who she believes Daryl feels like he's had a part to play in or blames himself completely for their dissapearence and/or demise: Leah, Rick and Connie. I believe that Carol in no way, shape or form blames Daryl for what happened to Connie and that she instead fully blames herself. However, knowing him as well as she does, especially as she knows of his hero/guilt complex, I think she thinks there may be even a small part of him that blames himself for Connie. She's very quickly proven wrong though because Daryl turns around and tells her he thinks what happened to Connie is on her and that she never knows when to stop. As previously mentioned, I think Carol already believes she's fully to blame for Connie but I think hearing it coming from the mouth of the person who's closest to her is a bit like a kick in the teeth. Daryl telling Carol she doesn't know when to stop is a parallel to when she told him, in one of the flashbacks during Find Me, that she doesn't want to lose him outside in the woods because he doesn't know when to stop looking for Rick. Therefore, it's like Daryl is pointing out that she told him he needs to learn when to stop but she also needs to learn the same thing. It's also him starting to let out his hurt and frustration about how, no matter what he did or said to her to try and help and comfort her, she wouldn't stop hurting herself and she broke her promise that she would stop trying to hurt herself in Season 10 Episode 9, Squeeze, whilst they were in the cave.

Carol goes on to say that whilst she's sorry for what happened to Connie, she's not sorry for going after the horde and for getting justice for Henry's death. When she says that she was right, I believe she's refering to being right about Alpha and her behaviour and her predictions for how the Whisperer war would go. This upsets Daryl more because to him, her saying that she's not sorry about going after the horde could also mean she's not sorry for the consequences that brought but more importantly to him, she's also not sorry for risking her life in the process, something he desperately tried to prevent for weeks as he was trying to get the message through to her that it would crush him if anything happened to her, but that message kept falling on deaf ears. This is why Daryl turns around and says "and that's all that matters, you being right". To me, this is a callback to Season 10 Episode 8, The World Before, when Daryl tells her "you want her dead so badly, you don't even care what happens to you." Daryl is saying this to her because he's hurt that she's willing to put the people she cares about's lives but most importantly her life on the line just so she could defeat Alpha and prove she was right about the Whisperers, when he believes that she's fully aware what the impact on him would be if she got hurt or worse, died.

It's now that Carol realises that this whole conversation they're having isn't even about Leah, or Connie or anybody else. She realises it's about her. She asks Daryl to tell her what he really wants to say. She asks him to open up to her and be honest with her. Daryl responds with "you shouldn't have come". This is him using a deflection tactic - he doesn't want to say what he really wants to her. I believe this is because of a mixture of him not wanting to open up right now because of how hurt and frustrated he is and him not wanting to snap at her and saying something he'll end up regretting. I also think there's a part of him that regrets starting this conversation and he's a bit mad that they came across the cabin which became the catalyst for the conversation and that's also why he tells her she shouldn't have come.

When Carol says that she wanted to come to help, I believe her. I believe that by the time we get to 10C, especially the latter half of 10C, Carol has realised the consequences of some of her actions earlier in the season and it's clear she's thought a lot about the mistakes she's made and is now ready to start fixing them and building bridges with people. Therefore, I definitely don't think she's lying when she says this. Daryl, however, as the person who knows her the best, knows that there's more to it than just that and that's why he responds with "no, you wanted to run." It's not that he didn't believe what she said but that he knew there was another, maybe bigger reason behind her wanting to come with him. He says he believes she's running from her guilt but I believe another part of the reason why he thinks she's running and why he's upset and worried about is because she's not happy being around Team Family, but more specifically him. He knows he would do anything to make her happy but as she keeps running, that puts doubts in his mind about whether he'll ever be able to make her happy and that hurts him (more on this later).

When he says that she made it his problem, she says his only problem is feeling like he needs to save everybody - another reminder that she's fully aware of his hero/guilt complex, because if there's anybody he can't save, he will never be able to forgive himself for what happens to them. This hurts Daryl though, even more so when Carol says she doesn't need a saviour because if there's anybody he wants to protect and save at anytime, it's her. From the very early days, he's been saving her, protecting her and looking after her just as she's done him and he's enjoyed doing this because he wants to do it for her so hearing her say that she doesn't need that is really hard for him, especially because he couldn't bare to see her in any danger.

When Carol tells him she just needs a friend, Daryl responds with "friends don't have the same conversations over and over again." Again, this feeds into Daryl's frustration about the fact that he was desperately trying to be there for Carol and get through to her and guide her through her grief and all the trauma she was going through, but all his messages were falling on deaf ears. On a deeper note, I also believe part of this frustration, however small, is about how stuck he is in terms of having feelings for Carol but feeling unable to say them aloud to anyone, but especially to her. Daryl has kind of gone in a constant cycle in terms of his feelings for Carol. He thinks he's lost her, realises how short life is - especially during the apocalypse, decides that he'll tell her how he feels and then something or someone gets in the way (I can make a whole separate analysis on the 'cycle of feelings' if you'd like). Consequently, Daryl is now at a stage where he wants to admit it to her so much that it's becoming frustrating for him because he still can't tell her because she's grieving, they've had the Whisperer War to deal with and she keeps trying to run away. The notion that Daryl's messages have been falling on deaf ears is emphasised when Carol says that this type of conversation is new to her and it only frustrates Daryl more, who once again tries to tell her that this is what he's been trying to tell her and help her with all along and because she's not been listening for so long, he's now at a point where he feels like his message will never get through to her.

Carol, evidently annoyed now, tells Daryl that if he'd wanted to prevent all of this from happening, he should've just let her get back on the boat and he confirms that yes, he should've done that - that he stopped her from running and he shouldn't have. A lot of fans are confused as to why Daryl says this but I do believe there's a reason behind it and it's not because he wanted her to go back on the boat. We all saw how hard Daryl tried to get Carol to stay, he even offered her to run away to New Mexico multiple times if she would've be happier doing that. However, things got in the way of them going to New Mexico and Daryl firmly believes that Carol hasn't been the same since she got off the boat, something in which he mentions to Michonne during season 10 episode 3, Ghosts. Therefore, I believe the reason Daryl says that he should've let Carol go back on the boat is because he's come to believe that she would've been happier there. That, like he told Michonne, he believes that she'd found happiness out at sea but he begged her to stay and since then, she hasn't been the same Carol that he's always known. I believe there is a note of guilt from Daryl there because he feels like he's taken away her peace and happiness.

Now comes one of the most difficult lines to hear from Daryl in the whole scene and seeing the hurt on Carol's face as he says these things is heartbreaking but I do understand and have ideas of why he says it. "You wanna run, run. I know where I'm supposed to be. I won't stop you this time." Let's break this down into parts. So firstly, Daryl tells her she should run if she wants to. I believe that this is Daryl putting everythig he's thinking and feeling aside and is willing to let her go, if that's what will be best for her. The reason he says it in the tone he does is because he's already had to let her go once, when she went to marry Ezekiel and that aleeady caused him enough heartache. The thought of losing Carol has always crushed Daryl but as previously mentioned, especially after seeing how happy and at peace it made her to be at sea on the boat, I think he's come to realise that he needs to let her go and be happy, even if that's somewhere else and with someone other than him, even if it breaks his heart - because just like he felt when he gave her his blessing to marry Ezekeil, he is always going to put her happiness first no matter what. That's why he says that if she wants to run, he won't stop her this time because no matter what it will do to him, if it will make her happy to be elsewhere and with other people, that's all that matters to him. When he says he knows where he's supposed to be, I don't think this is about Leah, or about being with Team Family or even being at any of the communities we know about, as a lot of people think. I think that's Daryl's way of saying - "I know you're my person and I know I'm meant to be with you. Now you need to figure out where you're supposed to be and if that's not with me, if it's someplace else or with other people, then I'll let you go, because i want you to be happy." That's what I feel like is hidden underneath the words he says there but he can't say that whole thing aloud because it's crushing his heart just by saying the things he is.

The conversation ends by Carol saying "I was right - our luck's ran out, you and me." This is interesting because Carol saying "I was right" refers back to when she said it during this conversation before and it makes me question whether it was this notion that she meant all along. When she talks about their luck running out, I think she's referring to the fact that they've always been so lucky to have such a close and special bond, but now, it's crumbling apart and if she thought that they had the worst falling out they'd ever had after the cave incident in Squeeze, then she was heavily mistaken, because it has gotten worse and now, it feels like their luck has run out, it feels like their bond is broken and that they've both lost each other. Quite a few fans compared this scene to being like a break up and I can certainly see where they're coming from.

I love what you said about Carol fixing the door at the end and Daryl looking out into the open. I'd never thought about that before. However, it does make sense with how Carol tries to fix and make up for her mistakes in season 11. I think the symbolism for that part would've been more noticeable and stronger if Caryl had had a chance to talk about this argument and build bridges from it in season 11 and I think, for a time, that was the plan, but unfortunately, Melissa then dropped out of the spinoff (for a time) and the main show received its end date before anybody expected so that resulted in a lot of things they wanted to achieve in season 11 not being able to be completed.

Hopefully, in the spinoff, where the focus will be completely on Daryl and Carol, they can have deep, meaningful conversations that they need to have and begin to work through their trauma and build bridges for things that remain unresolved from the flagship show ❤️🤞

[goodoldfashionedengineer]

I like analysing shit.

I like Red Hood: Lost Days

So I am going to analyse some of it.

To start with, lets look at the titles of the issues.

#1: The First Step

#2: Baptism

#3: School

#4: Higher Learning

#5: After School Activities

#6: Benediction and Commencement

What immediately strikes me is how all of these are relevant to the issue AND as a whole. They are describing a life fresh from birth to how that life progresses until graduation. Extremely important when considering that this is basically Jason's second life. He died and now he is "reborn" after being put into the Lazarus pit.

The First Step: The fact that the title name was on the page in which Jason was pushed into the Pit lets me believe that this IS the first step, as Red Hood: Lost Days explains the time between him being found by Talia to him becoming Red Hood. This is the first step in him becoming the Red Hood.

Baptism: Not exactly clear as to what "Baptism" is referring to here. I have multiple ideas. First, there is the possibility that it is a continuation of the last issue, as that issue ended with Jason being pushed into the pit and in religious baptisms, water is usually connected to it as the person being baptized is getting water poured onto their head. But it could also mean a non-religious baptism as in he is starting a new role. He finally gets to train with a clear mind and can properly start his journey.

Issue #3-#5 are relatively similar, all him explaining his training and stopping the evil schemes his teachers are involved with.

Benediction and Commencement: Commencement, he has completed his training or "graduated" if you take the school aspect into account from issue 3 to 5. Benediction, he gets his blessings from Talia to finally confront Bruce after stalling him so long. Commencement, "the beginning of something new". The issue ends with him picking up the Red Hood helmet, before that, he met up with Hush. The beginning of the Red Hood.

Next I want to focus a bit on religious imagery. I am not a big fan of it in general, but considering that words like "Baptism" and "Benediction" are in the titles, it is note-worthy. If it is something you're uncomfortable with, feel free to skip this section

I have seen people make the point that this cover:

Has similarities to pictures of Mary holding a dead Jesus.

And now that I think about it more, I can see why and they are pretty good stand-ins.

Jason came back from the dead, like Jesus.

Talia found Jason after he came back. She considers it a miracle. Like fate WANTS Jason to live. He wandered into her life. She isn't so much as interfering with fate, as stepping out of its way.

And then you have this page:

Jason as he has his arms spread wide, legs forming almost a straight line. Similar to Jesus on the cross.

The Lazarus pit isn't green. It's orange and yellow. It shines so bright. Ra's says it burns in his heart. He tells Talia it could turn Jason mad in a few months, years or decades. That she has unleashed a curse. A pestilence. Pestilence being one of the for Horsemen of the Apocalypse. And so, the Lazarus Pit becomes a symbol for Hell.

The fact that Jason and Talia are more distorted versions of the religious figures they could represent becomes more prominent as the story goes on. In the bible, Jesus goes back to Heaven to rejoin with his Father. In this story, Talia is told and knows that she should return Jason to Bruce. But she doesn't. Because Jason will see it as betrayal and he wouldn't forgive her for that.

My last and favourite point is how RH: LD is the perfect set up to Under the Red Hood.

Jason explains how it isn't about the Joker. Or Bruce. Or him. It's about the three of them.

Bruce was supposed to protect him.

Joker killed him.

Bruce didn't avenge him.

He tried to kill both of them only to NOT do it and walk away.

Jason died away from Gotham in Ethiopia, but not before being beaten with a crowbar, the building he was in having exploded and then asphyxiating due to the smoke.

Jason almost killed the Joker by setting him on fire. (Explosion)

He initially wanted to do it in another location. (Ethiopia)

He wanted to do it slowly. (Crowbar)

Jason says when the pain would hit the Joker, he would scream. Until it hit his throat. His lungs. (Asphyxiating)

He is reliving his own death. He wants his murderer to go through the agony he did. An eye for an eye one could say.

"Reliving his own death" is an objective statement here, as Jason sees the Joker swinging a crowbar that is dripping with his own blood while at the same time also standing right above the Joker, who is drenched in gasoline.

Now I want you to compare these two scenes. This is when he was about to kill the Joker:

The panels switch between Jason and the firelighter, present Joker and past Joker. The firelighter, the device that would end the Joker's life, comes more and more into the focus. Until he disengages it on the last panel.

Now to the second scene, when Jason planted a bomb under the Batmobile and was about to detonate it.

The panels switch between Batman and Jason. Jason is hovering over the detonater. Until he pulls away.

When Jason explained to Talia why he walked away from the Joker, he said that it wasn't enough. It was only ever about the three of them, not just Joker. His plan doesn't include murdering Batman anymore.

But the reason Jason gave Talia why he didn't kill Bruce? "I couldn't let him get off so easy. He'd never know what happened. He'd never know knwo why. He'd never know it was me." One could wonder if we are supposed to see this as a parallel as well. If we should apply this reasoning of why he didn't kill Bruce to why he didn't kill Joker.

The Joker would never know why Jason killed him. He doesn't even know that it IS Jason who is about to murder him.

And while is plan doesn't include killing Bruce anymore. Nobody said anything about the Joker.

As I said, perfect setup to Under the Red Hood.

[the-ninja-legacy-whip]

I have this very specific scenario in my head where Ras gets a copy of Miranda’s Elemental Compendium and gives it to Jay to help him relearn his Elemental Powers, and Jay is all like “wow, whoever wrote the section about Lightning really knows what they’re talking about, it’s almost like they’re describing how I feel” while completely oblivious to the fact that he heavily contributed to it

Jay sits in his Master's designated quarters as the banquet carries on without him. He's bored out of his mind, but when his Master warned him that he probably shouldn't make an appearance at the festivities, he'd been a little put off…but he knows better than to cross Lord Ras. Even that other rookie, Frak, had passed a pitying look Jay's way but didn't dare press Ras for any answers.

So now Jay is lonely, bored, and starving.

Just as Jay considers just taking a quick walk outside for some air, he hears the door to room whoosh open. Ras must've slipped away from the activities at some point, because he enters as silent as a ghost and scares the living lights out of Jay when he emerges from the dark with an impatient growl.

“AUGH! Knock, much?!" Jay snaps, one hand clutched to his rapidly pounding heart.

Ras ignores Jay's concerns, glancing around like he's making sure he wasn't followed, and holds out his fist with something grasped within it.

"Here.”

Jay barely has the time to hold out his own hand before something small and tech-y is dropped into his palm. He holds it close to his face to study it, having no clue what it is. But, the way it's colored—with metal plates of blue and pink—feels…familiar, somehow. And leaves him with a regretful pang in his chest that he doesn't know the source of.

“What…is this?”

“It's information,” Ras explains gruffly, which doesn't really explain anything at all. “You're going to study that for the remainder of the might, and you'll know every inch of it back and forth before your first match arrives.”

“H-Huh?!" Jay stutters. Ras rolls his eyes, then reaches out a single claw to tap at a teeny hidden button on the device. Jay nearly jumps back when a blue holographic list appears before him, displaying the Elemental Compass in all its glory.

Jay squints at it, recognizing some of the symbols that a few of the other competitors have been displaying proudly on their uniforms, but…it's certainly not an exhaustive list by any means. Where's the symbol for that Surface Tension lady, huh?!

“…How useless,” Jay remarks with a click of his tongue. “This thing has to be archaic; it doesn't even have all the Elements on here!”

”Are you calling my gift to you useless?!" Ras roars. Jay's eyes go wide, sparkling with a cobalt glow as he recoils away and rapidly shakes his head.

“N-NO, wait! It's just—I don't understand—! How is this supposed to help me learn about the other Elements if they're not all included?”

“This isn't for studying our opponents, although it wouldn't hurt to gain as much extra insight as we can.” Ras narrows his eyes. “…no, this is for you to learn about your own Element. If you want to stand a chance at holding your own out there, you need to understand the extent of your capabilities."

”But–I've got my Wolf Mask, and your gong, and Shatterspin!" Jay protests. ”What more strength could I possibly need than that?"

“Strength is everything,” Ras insists, jabbing a finger into Jay's chest. “And if you're smart, you'll take every opportunity to increase yours…lest you wind up disappointing me.”

Jay gulps, giving a very reserved nod. He turns back to the holographic compass, and with a shaky finger, he taps at the insignia for Lightning. It's shaped like an octopus; that annoying pang of familiar rings out within him again. He doesn't know why; he doesn't even know what it means. Why would Lightning be associated with an octopus of all things, anyway?! Not his first pick...

Still, as he skims over the first bit of information, something's not sitting right with him.

He tries to hide the skepticism on his face, but he can't help but ask:

"…Where...did you even get this—?"

"You shouldn't ask irrelevant questions," Ras snaps. "...but if you have to know, there's a Non-Descendant girl snooping around the banquet for some reason. She was pestering Frak with a bunch of incessant questions about his Element...so, I assumed it'd be a fair trade if I had Jordana borrow some information from her."

Jay's grip on the device loosens. He doesn't know why he's suddenly upset.

"You stole it from her—?"

“I have to return to the banquet and keep up appearances." Ras cuts him off sharply, and that tone indicates that the conversation is finished. Jay swallows down the rest of his question. "You know what it is you must do.”

Ras leaves without another word. Jay tries not to feel so jaded about the exchange—his Master is the one that found him and saved him, after all—but with him he constantly feels like he's living on the edge of knife…and well, that's not much different from being trapped at the Administration, now is it?

Sighing, he resigns himself to his task and starts thoroughly reading through the information.

And…in a bizarre twist of fate…it feels like reading a letter he'd written to himself.

He laughs in disbelief, because that's impossible—maybe a previous Master of Lightning just had some similarities to him, that's all. But he compares the entries of Lightning to some of the other Elements–and they way they're written...they're all different. As if the personality of the associated Master had been infused with the given information itself. It's a strange, personal touch for a compendium of such important facts...but, he kind of likes that about it.

He goes back to the Lightning section, and sits himself down among a pile of pillows. A wry smile fills his face as he scrolls through—all of Lightning's abilities are explained in thorough detail, but with an occasional joke or pun sprinkled in and a zest for life Jay doesn't think he's felt in...ever. As far as he can remember. Which isn't far at all.

He learns he can power electronic machines with just a quick zap. He learns he can turn into electricity and zip through wires. He learns he has a Thunder Scream. He learns he can freaking teleport, of all things...

And, most importantly, he learns he can fly.

He laughs again, though this time it dissolves into a sniffle. He blinks in surprise, and brings a hand up to his cheek.

He's...crying.

Hmm.

...Well, good thing Ras isn't around to call him out on the weakness.

But...he really does get the sense And now, he's extremely grateful to Lord Ras for giving him this gift. He's going to do exactly as Ras asked, and study this from start to finish, and he'll be ready to absolutely decimate his competition come tournament time...! He won't be defeated so easily!

But...

...he does also wish he could thank whoever put this compendium together in the first place.

[yanderefairyangel]

Knowledge in VNC : About Noé's eyes

So, we all remember that when Noé was very, very young he was injuried in one of his eye right ?

While people wonder why his left eye specifically, I might have the answer to this.

In latin, left is said "sinister" but in french it gave the word "sinistre" which means omnious and therefore lead to countless surpestition of left briging you infortune, on why you should never eat with your left hand, or that the wrong decision is always to choose the thing in the left etc. This comes from the Greek since Roman saw the left/sinister as a sign of good fortune and since VNC is full of latin/french reference it might be why.

Anyway, that answered. I'd like to point out something. In the Opening 1 of VNC, 空と虚/The sky and the void, towards the end of the 1st chorus, those lines are mentionned :

その目に僕は見えるでしょう？But those eyes can see me, can’t they?

You migh wonder why there would be such a focus on vision. Well, for a long, long time vision is associated with knowdlege which is why the word "blind" can have the literal meaning of not seeing things and the figurative meaning of not seeing them in the sense that you are ignorant about it despite the answer being right under your nose.

So to explain this I'd like to use two mythological reference : Oedipus and Tiresias.

Oedipus is know very infamous for giving it's name to something Freud called Oedipus complex, but in Sophocleus's tragedy, Oedipus king, there is an interesting play between the vision and the knowledge thanks to the use of the verb σκοπέω/skopeo which both means to see/to observes and to judge/to think. Hence the play shows us an Oedipus that has the answer to the question he has at the begining reguarding Laios's murderer and the fact that his wife Jocaste is actually his biological mother, but he doesn't see it, he is figuratively blind which causes him to not see in the sense of him making terrible decision and when he finally begin to see the truth, he is crushed by reality which causes him to blind himself literaly, saying that he is now as blind as he used to be at the beginging of the play. I could go on with this due to how interesting this auto mutilation act is, however I am supposed to focus on VNC.

Following this logic, I think that Noé's "bad eyesight" is mainly symbolic to how he is blind to some things of the world. At the begining of the story, he is mainly a child at heart, an innocent and well intentioned young man. He is pretty much a white page, he doesn't know the reality of so many thing and concept such as love or salvation. His vision is cracked to shows how much of an unreliable narrator he can be. We already had many instance of Noé's vision on an event being portrayed differently. See when he met Vani for the first time :

VS in chapter 52

We may wonder why it changed right ? well, it's because Noé vision/perception of things is shaped by what he knows of it.

An example of this in the Ball masqué arc

That's how Noé sees Vanitas. He is portrayed as radiant here, and the reason isn't just because he saved him from Naenia, but because Noé saw Vanitas saving several vampires using the Reverse operation, which gives him hope.

Vanitas is seen as a saving figure because it restored Noé's hope. After all, he experienced the loss of his childhood friend due to Curse bearer degeneration and this happen right after Naenia made him remember that.

However, when Vanitas fails to save Catherine and kills her instead, the portrayal/way Noé's view him changes

Vanitas's dialogue is in a dark bubble leading to understand the dialogue has a dark connotation which worries Noé creating a transition

The panel where darkness seems to be growing and thus contrast with the light panel where Vani's hair shines brighter with the use of trame; replaced now by ink to signify darnkess as taken over, and here it's in Noé's vision.

When we are at the point where he will kill Catherine, Noé becomes more hesistant, the look on the panel showing his anxiety and then

He remembered the face Vani made when he claimed to save all the Vampires but with the dialogue he said a bit earlier, and while many commented on how threatning this face is, the fact that Noé remember this face right as Vanitas is about to kill Catherine says a lot on how he ended up viewing him very differently from the moment Vanitas saved him.

With this example, you can see that Noé's perception is limited to what he knows of the thing he see, modeling how he sees things.

By the time of chapter 52, Vanitas could have once again appears in his soft side, having saved Chloé and having Noé learn about his own insecurities. But in this chapter, Vanitas threaten to kill his childhood, friend, hence he doesn't view him anymore as the same and is unable to focus on him. An blatant example is how he failed to notice that Vanitas made this face when he tried to attack him.

He will admits it himself, but it isn't before Jeanne, an objective watcher call hims out

That he snaps out. And even then he doesn't understand

Until he sees himself in the mirror

The fact that Noé's vision of Vanitas is shaped by what Vanitas let him see of him, coupled by his blind self makes him an unreliable narrator, especially when it comes to what VNC is about : knowing who Vanitas is.

Hence, I think Noé's eyesight is actually refering to this element, that he is figuratively blind. At least for now.

But it should also be noted that Noé and Vanitas don't view the same thing in the same way as they have different knowledge of it and I think nothing illustrates it better then their duet song, Le Formidable where the chorus goes as such :

I walk into this

useless (Vanitas)

wonderous (Noé)

world

The chorus and some of the verse are constantly showing the dichotomy of how these two sees the world, contrasting between Noé optimism view and Vanitas's pessimistiv view, and the two untertwining creates a sense of discontinuity within the lyrics as the song keeps switching between their 2 POV which is complete polar opposite and this is more notable when the song comes to the chorus where both voices finally sings together and seems to have finally meet, but to show that while they live in the same world and lives the same adventures, they don't view things in the same way.

Now talking about Tirésias. He was a mythic poet that was cursed with blindness but the gods granted him in compensation the gift to see the future and he became a famous fortune teller. This is actually linked to an old, old belief about blindness. That although they can't see, the are gifted with a knowledge unabling them to see what is invisible to the common man. And while blind people often have sharpended sense, this is also linked to the old belief that the poet as prophetic talents.

So how does it link with Noé ?

Noé is actually an entity that is double : with have past Noé, the character and present Noé, the narrator/writer of the story. Past Noé is blind, but present Noé, while a potentially unreliable narrator is the one that knows how the story ends. After all, the end of chapter 1 sounds like a premonition.

And that's because it already happen. Like for Oedipus that couldn't escape his fate, the story Noé is telling is bound to end like that because it's what the narrator already experienced. There is that critic Jean Paul Sartre made about true stories not existing arguing that the moment you tell a story when you know the ending of it, it cease be authentic because we don't know how things are supposed to end. And indeed, no one but God can know what will happen in the future. It is what is name the occult, ot "what is hidden"... what people used to believe blind people could see as compensation for their defective eyesight.

That add up to the fact Noé was shown to be literaly defective within his eyesight due to his injury. But canonically Noé has the power to know something that others vampire in particular can't. As an Archiviste, he can knows the past of someone by drinking their blood and looking into their memories, which got him to have a lot of people looking down on him for that has it's allowing him to look on what is intimate, etymologitically, what is deep inside of them, that which they occult. And in the case of Vanitas in particular, it's something that 1/ Vanitas don't want him to know 2/Noé admits in chapter 52 to not know.

However, as I mentionned the narrator knows the ending of the story, which contrast with how Noé is ignorant of the events of VNC compared to his future self narrating the story. And in chapter 56, there is finally a hint of him learning his irremediable fate

From the mouth of Vanitas, Noé learns what is future self already knew and told the audience.

This might be an indicator that Noé will manage to pass of his initial blindess as he tells the story and thus recover a proper eyesight, signifying be able to see things other then through a veil of ignorance/innocence/subjectivity.

And this can be seen as through VNC, there are clear instance of Vanitas moments focused when Noé was simply not here, and thus should not know about it, specially when Vanitas nevers tell him about it, such as his meeting with Jeanne at the ball, his discussion with her during the lunch Lucas invited them to partake, their meeting at the ball, their date in Paris or in the cabine.

There is also the fact that he relates his meeting with Ruthven in the meantime, when he should have forgotten about it. Or, the most obvious piece of evidence, the fact that he was able to convey how Vanitas felt when he attacked him even though the chapter made it clear Noé had no idea on how he looked like

This for instance, shows that Noé/narrator was able to overcome his own biais and overcome the fact he would have remained an unreliable narrator had his vision not changed.

Long story short is that Noé/narrator knows and see what Noé/character doesn't know/see and shows us the ignorance he had at the time, while keeping in mind that Noé/character doesn't know while Noé/narrator is the one who knows everything. What is going to happen, how it is going to unfold.

Thus it is very important to remember that what Noé/character sees will constantly be challenged by what his future self saw and therefore knows.

And considering that VNC heavily deals with how Noé's vision of the world is constantly challenged throughout the story, I think it is possible that his character would evolve in such a way

[lizaluvsthis]

Since Fatal Lavenders will be discontinued / wont have another chapter for this year- I'm dropping off notes-

OLD CONCEPT REF SHEET

CURRENT CONCEPT

These were all part lore dumps that I never gave more details for her character I just want people to know that she aint dead. Yet.

INCOMING LORE:

HEATHER'S LORE:

Lets just say her Human body became permanent right after PV created it just for her. In order for the body to deform and revert back to goop- the USB had to be broken.

The USB is supposedly attached INSIDE of her right hand- (I didn't included that because it mightve been a bit too gore-ish black-)

She had those clear milk skin, more of a brownish color hair, and also heterochromia eyes.

And ofcourse, Four's favorite color. Blue. The thought of matching colors with your partner would've been a thing by now for her.

In the end of the plot- she was different than that- she considered to be one of those good people who change for the better. (This was her second option)

SMG3 is just jealous when she's around with him but doesn't say a word, remains to be silent all the time.

The clear skin is supposed to be vitiligo and such as her eyes are like bright blue ones. She wears casual clothes than the overalls.

Heather uses She/Her pronouns. Her sexuality is undefined.

SHORTER THAN SMG4! She is genuinely a nice person (even at the end) but since I didn't like the plot of soft- I erased her full character and made a new one for TAG6 as a replacement.

Heather died happily and accepted her fate.

The flowers symbolize as the main characters:

Orange - Meggy

Red - Mario

Purple - SMG3

Blue - SMG4

Light blue - P E A C H

TAG6's LORE:

She had tanned skin and a curly brunette hair. Just by looking at her eyes you KNOW there's something up with it.

Unlike anyones white eyes, they have one more of a yellow-ish detail of color. The overalls are part of what the usb could copy just like Three and Four's main one.

For TAG6, their Human Body is temporary. By what Puzzles made for her has a limit due to the USB's capacity. With that said- the USB is right inside of her. To function it must be there.

Tag6 is shown to have a mean trait- tho she never loved SMG4 at all and to anyone else she doesn't like anyone that they encounter.

The lilac filled on their eyes have somekind of hypnotism when people stare at it. (It may work for some but it doesn't work all of the time)

I thought of making her whole appearance give out the lilac theme due to the mixture of RED and BLUE.

(Which is aka SMG3 and SMG4's eye color and since they helped each other out to finish the usb I think they shared some of their links)

Tho TAG6 does have a yellow appearance in its Combat mode.

Tag6 uses she/they/it pronouns. Its orientation is Aromantic.

THEY'RE SLIGHTLY TALLER THAN SMG4! (Suprisingly this doesn't bother him at all since any woman/men is what he'd prefer-)

And since SMG3 is different to act here when with TAG, he starts up an arguement calling her as weak/selfish than she already is. Causing them to piss off and smash his face with its hammer to the air.

Tag6 can be a bit more impatient, they may look like they're a nice person in general but literally they do it for attention and to get what they're willing to succeed.

But in reality behind their mask they turn out to be the cold hearted, uncaring, hateful, disgusted, and a negative being out of all existance.

At the end of the plot they didn't give a damn when it came to SMG4 she just wanted to finish the mission for its master. But since it failed, she never cared anymore less rather than punching insults at Four.

She gives out the color of Lavender which also is close to main purple (because Purple is SMG3's color signature as well-) TAG6 is basically a copy of that color as well.

I think those are all of it- thank you so much for reading everyone I hope I made some of yall inrerested about this lore because not any other people can create such an amazing idea like this one-

Also for those who are waiting for the new chapter it wont come out this year so you'll have to expect it for the early 2025th

[thegreenthepeacetheorange]

Everlark (Mockingjay, Ch. 16)

katniss, in the haze of morphling, remembering that peeta said "always" when she asked him to stay with her... i, too, have been shot

the fact that her morphling-fuelled dreams after being shot are about trying to find peeta in a soft world, smelling cinnamon and dill, and feeling his touch against her cheek. ugh.

"instead of a stab of sorrow, i merely feel emptiness. a hollow of dead brush where flowers used to bloom" - i love this description of her feelings for/relationship with peeta. they were flowers that were blooming, vibrant, full of life and possibility. and it's so sad that she now feels like it's dead brush. something something dandelions

(gale and katniss again fundamentally at odds. the cracks aren't even cracks anymore)

katniss specifying that she only allows herself to get peeta updates from haymitch

annie getting married wearing one of katniss's dresses and finnick wearing one of peeta's suits. oh

the wedding cake!!!

they took so much from us in mockingjay part 2, including: the cake, haymitch telling katniss to see it from peeta's side, all their other conversations about peeta etc etc. but particularly the cake because it was a big symbol of hope

and she knew it was his work at first sight, from so far away

the fact that haymitch seemingly hasn't left peeta's side since peeta got to 13 makes me cry

"never was i supposed to hear the words he says he'd like to see you. but now that i have, there's no way to refuse" - she can't refuse him, she simply can't.

"those blue eyes lock on me instantly" - they're still those same blue eyes she's got lost in before. it's always those blue eyes.

hijacked peeta saying that katniss isn't particularly pretty is a very sad moment. of course she gets defensive and bites back, that must have really hurt

katniss's instinct to be angry with him, shout, scream, argue, and she doesn't even know what about is so katniss. she does this thing out of fear/worry. like when she thought she lost peeta in the first games and that he'd died when they split up to get food and her deep fear of losing him spilled out as anger and picking a fight with him.

again, the pain in her chest.

the fact that peeta speaks about her in the rain softly. oh my poor confused hijacked boy

peeta remembering the moment that katniss has never said aloud. but from his perspective. he tried to catch her eye and she looked away, towards the dandelion that gave her hope. and he noticed all this. oh he doesn't even know what he means to her and my heart hurts.

her account in the first book is that she caught him staring at her from across the school yard, their eyes met for a second before he turned his head away and she dropped her gaze embarrassed onto the dandelion. the fact that both of them just wanted to speak to each other post-peeta giving her the bread and they just couldn't. and then ended up in the hunger games together 5 years later. my god,

"i must have loved you a lot" the past tense hurt me so i know it hurt katniss. her voice catching as she says "you did"

her not being able to say she loved him when he asks her is just indicative of katniss not wanting to be vulnerable and disappointed. and also he's asking her in past tense but she loves him in the present.

i don't read peeta's questioning here is angry or cruel. he laughed in the beginning when they were at each other, and he laughs at the very end when she says she wasn't asking his or gale's permission regarding the other - but his questioning is so clearly the things he's confused about. and she doesn't comment on how he asks her things, just that he does.

and then the bit about peeta "finally" seeing the real her and it's all the worst things she thinks about herself. ugh. i just wanna hug them both.

i'm just going to link this post i made about this last passage and how katniss feels about peeta loving her.