#on why he is such an interesting character

[ladyantiheroine]

I’m thinking about Wicked tonight, specifically why Elphaba ends up with Fiyero instead of Glinda in the musical despite Elphaba and Glinda having the more well-rounded relationship.

You could chalk it up to the writers wanting a heteronormative ending (and I’m certain that’s part of it) or the fact that Elphaba and Fiyero had a love affair in the book. But I think there’s a bit more nuance to it.

The whole point of Glinda’s character is that she upholds the status quo of Oz. No matter how much she loves Elphaba or sympathizes with the plight of the Animals, she will always align herself with the current system and those in power. And as long as that remains the case, a relationship between her and Elphaba is futile because Elphaba will not give up her cause.

Elphaba and Glinda represent to different ends of a spectrum. Elphaba resists the oppressive forces in Oz, while Glinda upholds them. But Fiyero is somewhere in the middle. He starts out privileged and carefree like Glinda, but quickly turns to Elphaba’s side. He does become Captain of the Guard, but only to find Elphaba and help her evade arrest.

And therein lies the difference between Glinda and Fiyero as love interests to Elphaba. Glinda would never sacrifice her title as “the Good Witch” and all her power granted from the Wizard, even if it meant helping Elphaba. Fiyero, on the other hand, does give up his privilege, his title, and even his human form for Elphaba. Glinda clings to what the status quo gives her, while Fiyero ultimately rejects it.

Yes, the writing around Elphaba and Fiyero’s romance is a bit rushed and doesn’t have the same gradual development that Elphaba and Glinda have. And yes, I have no doubt heteronormativity played a role in giving Elphaba a male love interest in the end. But I see a lot of people write off Fiyero and his relationship with Elphaba and I just don’t agree.

Why does Elphaba end up with Fiyero instead of Glinda? Because Fiyero makes the sacrifices that Glinda wasn’t willing to.

[yoyomomiko]

☆ : They're jealous ×

characters: Luffy, Zoro, Sanji, Ace

cw: jealousy (is that supposed to be a warning??), probably ooc, cringe, not proofread, probably contains grammar mistakes, english isn't my first language!!

(a/n): This is like, my first time writing for one piece characters specifically😀 I'm barely in Alabasta but I cannot wait until I finish one piece so that I can write for it😔 ACE IS A NEED UGH -> m.list

★requests are open!!

LUFFY

Luffy doesn't understand jealousy at first and will simply blurt out "Why are you talking to him so much?" without realizing it sounds possessive.

Believe it or not, he can get VERY possessive. You're pretty much just as valuable as his hat, you're his treasure.

That's right, his treasure.

So then, why are you talking to that donkey faced man? He's so ugly, why would you even bother wasting your breath speaking to him?

He'll cling to you like glue, throwing an arm around your shoulders or holding your hand tightly while pouting.

When Luffy's jealous he starts getting loud, making exaggerated jokes or showing off just to grab your attention.

Complains to the rest of the crew (probably Usopp or Nami), asking things like "Why does she want to talk to him when I'm right here?"

He completely interrupts your conversation with the other person by inserting himself, I just kinda feel like he'd do that.

WILL demand you sit next to him at meals and get grumpy if you sit by someone else.

He can't stay mad for long, the SECOND you give him attention, he lights up again as if nothing happened.

If the other person makes you laugh, he'll immediately try to one up them by doing something goofy, trust me, I know

He will casually lean on you or put his hat on your head as a possessive gesture (LUFFY THE MAN YOU ARE)

He's so childish

ZORO

Zoro acts nonchalant but is secretly FUMING inside when someone gets too close to you.

Glares daggers at the other person, making them incredibly uncomfortable without saying a word, he's just like that

Crosses his arms and stands near you as if silently asserting dominance (ugh I need him)

He gets extra grumpy with Sanji or anyone else he sees as competition, throwing insults their way.

He physically can't hide his annoyance and mutters things under his breath like "Tch, what's so interesting about him?"

If you laugh at someone else's joke he's gonna be like "It wasn't that funny."

I feel like he gets jealous if someone compliments you, but instead of complimenting you himself, he'll grumble like "You don't need to hear that from him."

WILL position himself between you and the other person, silently blocking them from getting closer.

I think he lowkey gets clingy after cooling down his jealousy, sticking close to you but pretending it's no big deal.

When you reassure him, he'll pretend it didn’t bother him, saying stuff like "Whatever, it's not like I cared." But deep down, he's RELIEVED.

SANJI

Lord have mercy

Sanji gets visibly jealous and is UNABLE to hide it with his dramatic reactions

He definitely calls the other person out immediately, saying things like "Why are you bothering her, huh?"

He tries to pull your attention back to him by showering you with compliments and affection.

He starts offering to cook your favorite dishes after that, just to make himself seem more worthy than moss head over there

If the other person is flirting, Sanji will step in and sweet talk to you SO passionately it makes the other person back off (simp power??)

He dramatically smokes while muttering "How could she look at someone else when I'm right here..."

Tries to outdo the other person in everything, just to show he's better

WILL ask you "Do you think he's better than me?" with puppy dog eyes

100% gets extremely competitive with Zoro (if it's him you're giving attention to) insulting him while trying to impress you

When reassured, he's back to his usual lovestruck self and saying "I knew you couldn't resist me, my angel!"

Sanji just wants to feel like he's your number one, and your affection always melts his jealousy away.

ACE

MY MAN UGHH

HE'S THE REASON I STARTED ONE PIECE IN THE FIRST PLACE

Anywayss

Ace tries to play it cool, but his temper makes his jealousy pretty obvious.

If someone flirts with you, he'll casually throw an arm around your shoulders and say "She's taken, by the way."

Speaking of throwing, he definitely picks you up and completely THROWS you over his shoulder. It doesn't matter how tall you are or how much you weigh, he ALWAYS manhandles you.

His freckles make it easy to spot when he's blushing out of jealousy or frustration (UGH😫)

He gets restless and starts fidgeting, for example bouncing his leg while watching you talk to someone else (is that my seat right there?)

Stares at the person with a smirk that doesn't quite hide his irritation, daring them to push their luck (you know that one scene in Alabasta where that giant scorpion was in front of him and Ace was like "I wouldn't if I were you" or something like that? Yeah, that's right🤭)

If someone compliments you, he'll immediately agree and add "Yeah, but I noticed that first."

UGH KICKING MY FEET😣

Can get surprisingly moody, muttering things like "What's so special about him, anyway?"

Might act a little childish, poking fun at the other person

WILL casually flex his strength or abilities if he feels the need to, like lighting a flame in his hand and saying "Bet he can't do this huh?"

If you reassure him or show him affection, he'll relax immediately, grinning and saying something like "Yeah, I knew you couldn't resist me."

And he's smirking at you with that stupid handsome face (I need him🚨)

★yoyomiko ★miko

[notebooks-and-laptops]

I hate the viper as the black divine btw I hate it I hate it I hate it

And no, it's not because it's a bad idea.

It's because it's an EXCELLENT idea, and the idea that they intended it to be canon (or planned for it to be) is quite frankly an insult to such a complex idea. Especially in the game series that used to explore religion quite seriously and which has decided, in the game about Gods and potentially disproving faith, it no longer actually cares about faith (the MAIN THEME OF THE PREVIOUS GAME).

Like. Firstly narratively the Black Divine being Viper could have had such an impact because you could have built to it. You meet Viper, get to know him... simultaneously you're meeting various imperial chantry officials. Maybe these chantry officials are even aligned with Venatori. They keep alluding to the Black Divine but you never meet him until ACT 3 when it turns out...the black divine was the viper all along.

And one assumes the black divine would turn to a life like the Vipers because they don't think their office is doing any real good. That's!!! Really interesting!!! Someone decked in glory and power realises their own office is a sham that is doing no good not stopping slavery or Venatori and so works to do it from the shadows...that's interesting!!! And has something to say about systematic power structures and how changing a system from the inside can be damn near impossible.

Or maybe he does this because he DOESNT want to risk his seat as the black divine but feels immense guilt about how he's not actually helping the faithful poor in his city. He wants to cling to his power because he believes he can nudge history in the right direction if he does, but simultaneously knows that by not speaking out publiclly on slavery or poverty he's potentially dooming people to death and so needs to sooth his guilt by going vigilanty. Maybe there's an interesting question in there somewhere about living in two worlds and trying to maintain the status quo in one and destroy it in the other.

Also it DIRECTLY parrellels previous characters like Cassandra and Leliana and is a continuation of inquisitions themes surrounding what good can faith ACTUALLY accomplish for people (this even goes back to da2 and Anders)? When does faith break/why? What

Also because it's not explained, it's just kinda stupid. Does Bioware think that high ranking religious officials do nothing all day? They're not billionaires sat in a mansion popping into occasional meetings, they're public figures and political leaders of giant organisations who regularly have to be on show to the masses and to their own advisors. I won't believe that they not only a) have time to be batman AND b) they also have time to just...sit around in some room in the middle of nowhere to be a performative faction leader to the protagonist of a video game they don't know they're in.

Also. Are you telling me. The venatori were going to execute the FANTASY POPE??? And nobody cared??? They were going to publiclly execute the FANTASY POPE and the viper wasn't going to reveal himself and he wasn't going to be recognised and that wasn't going to cause problems? Are you kidding me?

Tblr; the idea that the viper is the black divine is such a good idea it makes me so angry they seemingly couldn't be bothered to actually put the time into it to make it interesting

[izzy02soph]

Generals Daughter and her gladiator 🤎🏛️

Hanno/ Lucius Verus x afab! Reader

I own none of these characters except Y/N (if you even want to consider her a character)

——————

Y/N stood amongst the opulence of Senator Thraex's grand party, her eyes scanning the lavish surroundings. The twin emperors, were seated in places of honor, their presence commanding the room, while their whores rubbed themselves desperately against their emperors. But it was the sight in the center of the room that captured her attention—two gladiators were about to fight for the evening's entertainment.

“What are they going to do Aelia?” Y/N asked her friend next to her who was coincidentally Senator Thraxe’s young wife, Aelia

“What does it look like, silly, they’re gonna fight!” Aelia said getting excited

Among them was a fierce looking dark haired man, and an older barbaric gladiator known for his fierce reputation. As the fight started, Y/N watched intently. The dark haired man seemed reluctant, trying to stop the other man, but the crowd's demands and the emperor's orders left him no choice. With a heavy heart and a fierce determination, after minutes of fighting, the dark haired man eventually impaled his opponent, the crowd in the room erupting in cheers. Y/N and Aelia giggling as they clapped, finding entertainment in these fights.

“What a spectacular fight” Emperor Geta said as he finished clapping dramatically and walked over in front of the dark haired man.

“What’s your name, slave.”

The silence in the room was deafening, so silent you could hear your guards breathing.

“Hanno is his name, Caesar. He only speaks his native tounge, Caesar” Macrinus the stable master said as he reassured him.

The emperor hummed as if he was thinking of what to say next. Finally, the dark haired slave spoke up.

“The gates of Hell are open night and day; smooth the descent, and easy the way. But to return, and view the cheerful skies, in this the task and mighty labor lies.” He said with a smug look.

“So Hanno is a poet, too” Geta said while chuckling dryly.

“Geta don’t be rude” Caracalla said in a joking manner as he sat up in his seat. All his jewelry clanked as he moved.

For a split second Hanno looked over trying to regain his composure, eyes landing on Y/N

“Can’t wait to see how you are in the arena. Hanno.” Emperor Geta said as he looked at the slave one last time before walking back to his seat

Soon after, the music of the harp started back up. Moved by his internal struggle and the raw power he displayed, Y/N made a swift decision. She turned to her guard and whispered urgently, "I must meet him. Arrange it immediately." The guard nodded and hurried to comply.

______

Soon after, Y/N found herself in the steam-filled bathhouse where Hanno was enjoying his hard-earned reward. He looked up as she entered, jewelry adorning her wrists and her necklace sparkling off the steaming water. His eyes narrowing with suspicion and curiosity. “You’re not supposed to be here" he said, his voice rough and edged with bitterness.

“So he speaks”

Y/N stepped closer, her gaze unwavering. "I saw you fight. You did not want to kill him, yet you did. I wanted to meet the man who battles not just with his body, but with his conscience."

Hanno's expression softened slightly, a flicker of intrigue in his eyes. "And what do you hope to gain from this meeting? And again why are you here?" His words were still harsh, but there was a hint of something else—perhaps a spark of interest in the boldness of the beautiful lady.

“You heard me the first time” Y/N said, in a challenging tone. She sat down on the ledge of the tub as spoke with a lowered voice. "I want to know where you came from, Hanno. Who you are beyond the fighting. I saw the conflict in your eyes tonight. You're not just a brute for their entertainment."

Hanno's eyes narrowed, though his posture remained relaxed. "You speak with conviction, but words are easy, princess. What makes you think your curiosity will change anything? What makes you think I even want to share my past?"

“You think I’m a princess? So eager to jump to conclusions. Well if it make a difference I’m General Acacius’ daughter. Now you know where I come from” Y/N said trying to read the dark haired man

“You didn’t answer me the first time, why are you here?” Hanno said, eyes darkening as he realized who’s daughter he was talking to

Y/N's lips curved into a smirk. "Because I believe there's more to you than what meets the eye. And because I know what it's like to be trapped by expectations, to have your identity overshadowed by a title. We are not so different, you and I.“ She said as she got up from where she was sitting and got ready to walk out.

“In two days time, when you’re in the arena, win the crowd. They’ll love you” She said smugly before walking out.

______

Two days later, the Colosseum was buzzing with excitement. The gladiator games were set to continue, and the crowd was eager for more bloodshed. The Emperors, Macrinus, General Acacius, Lucilla, and Y/N were all present, watching intently from their seats. All in their noble attire, the emperors gold accessories sparkling in the sunlight.

Hanno and the other gladiators were brought into the arena. As they stood there, Hanno knelt and ran the dirt through his hands, a gesture reminiscent of the late warrior Maximus. This caught Lucilla’s attention, and she recognized Hanno. Y/N, noticing Lucilla’s reaction, leaned in.

“Lucilla, you seem troubled. Are you alright?” Y/N asked with genuine concern.

“I am fine, just... a memory stirred dear,” Lucilla replied, her voice tinged with a hint of sadness.

The games commenced with a brutal fervor. Hanno and the other gladiators were pitted against the undefeated gladiator Glyceo, who entered the arena atop his fearsome rhino. The battle was fierce and chaotic, with Glyceo mercilessly slaughtering the other men. The crowd roared with approval as the bodies fell, leaving only Hanno standing against Glyceo.

Y/N nervously started twisting her rings around her fingers, praying to the gods they kept Hanno alive.

Hanno and Glyceo faced each other, the tension palpable. Their fight was intense, each strike filled with raw power. Glyceo managed to knock Hanno to the ground. Geta, watching from above, turned his back looking for someone to help him decide

“Y/N, what do you think we should do with him” Geta asked as the arena waited for an answer

“Caesar, show mercy.” Y/N said in an almost pleading tone. Finding entertainment in these fights. Geta pointed his thumb upwards. Giving Glyceo a chance to spear Hanno

“Mercy is for the weak.”

Hanno, refusing to give up, rose to his feet and continued the fight. With a final, desperate effort, he impaled Glyceo, the champion’s eyes widening in shock as the blade was pulled out of his stomach. The crowd fell silent, holding their breath as they awaited the next move.

Geta, maintaining his cruel demeanor, gave the thumbs-down signal. Hanno, breathing heavily and covered in blood, took two swords and, with a swift, cross-like motion, decapitated Glyceo. The head rolled away as the crowd erupted into a mixture of shock and exhilaration.

Y/n watched intently as Hanno stood victorious, his chest heaving, and his eyes wandered to the Emperors box across the arena. The crowd cheering was deafening. He had won the crowd. In that moment, it was clear that the games were far from over.

Y/n felt a shiver run down her spine, knowing that this was only the beginning of a much larger conflict.

______

“Row. Row. Row” The commander said as the gladiators kept rowing, the practice exhausting them, hands aching.

“Ridiculous” Hanno mumbled as the commander walked past him. The commander immediately stopped in his tracks.

“What did you say, slave?”

“I said this is ridiculous” Hanno said staring him down.

“Alright, everyone out. Except you” The commander said.

“You will row until it isn’t ridiculous” the commander said as he grinned evilly as he stood tall, hands behind his back.

“I guess we’ll be here a while then” Hanno said as he started rowing again.

______

After practice, Hanno woke up by a stinging pain in his hand, still seated in the boat. Ravi, the healer, seated in front of him.

"Calm down, Hanno. It is just vinegar" Ravi said, his voice calm and reassuring as he gathered his materials.

As Ravi worked, cleaning and bandaging Hanno's hands, Hanno couldn't help but think about Y/N. The way she had leaned in to speak with Lucilla, the concern in her eyes—it all intrigued him.

"Ravi," Hanno began, wincing slightly as Ravi applied a salve to a particularly deep cut, "Tell me about Y/N."

"Y/N Acacius? General Acacius’ daughter? Why do you want to know?” Ravi said, chuckling as if it was a funny question.

“Well go on.”

Ravi paused for a moment, a thoughtful look crossing his face. “There’s not much to it. She's the general's daughter…. But.. never mind.

“What Ravi?” Hanno said, starting to get annoyed.

“There's more to her than what meets the eye."

Hanno's interest was piqued. "What do you mean?"

Ravi continued, his hands moving deftly over Hanno's wounds. "She's a warrior, trained in the arts of combat. But she stopped fighting after the death of her mother and her father's remarriage. People know she knows how to fight, but not many bother for her hand because they know she’s strong and the general’s daughter—meaning she was taught very well in combat."

Hanno absorbed this information, a newfound interest growing within him. "A warrior who set aside her sword... I didn't expect that."

Ravi smiled slightly. "Few do. But y/n is not one to be underestimated. She carries the weight of her responsibilities with grace and strength. You'd do well to remember that. Why do you want to know though, I thought you hated the General."

As Ravi finished tending to his wounds, Hanno felt a sense of admiration and curiosity about Y/N. He realized that there was much more to her than he had initially thought, and he was determined to learn more about the mysterious women who had captured his attention.

______

Y/N was lounging in the tablinum area, her mind drifting aimlessly as she tried to relax. The events of the day had been intense, and she needed a moment of peace. Just then, Lucilla walked in, her face etched with worry and tension.

"Lucilla, what's wrong?" Y/N asked, sitting up straighter. She had noticed Lucilla's troubled demeanor earlier at the games but hadn't had the chance to ask.

Lucilla hesitated, her eyes filled with a mix of sorrow and determination. "Y/N, there's something I need to tell you. But if I tell you, you cannot share this to another soul. And right now only your father knows about this.”

“What troubles you?”

“It's about Hanno... or rather, Lucius." Lucilla says as she finds a seat near Y/N

Y/N's eyebrows furrowed in confusion. "Lucius? What do you mean?"

Taking a deep breath, Lucilla began to explain. "Hanno is actually my son. His real name is Lucius. After my brother Commodus was killed by Maximus, I had to send Lucius away to keep him safe. He was and still is the rightful successor, and I feared for his life."

Y/N listened intently, the pieces of the puzzle slowly coming together. "So, you sent him away to protect him?"

"Yes," Lucilla nodded, her voice trembling slightly. "Senator Gracchus helped me arrange to meet with Lucius to tell him the truth about his parentage. He is the son of Maximus. But when I told him, he was furious. He ordered me to leave his cell, angry that I had sent him away and blaming Acacius for Arishat’s death."

Y/N's heart ached for Lucilla. She didn’t know who Arishat was or why he was mad at her father, but she had to figure it out"That's a lot for him to take in. What will you do now?"

"I went to your father," Lucilla admitted, her eyes pleading. "I asked him to help Lucius. He needs guidance and support now more than ever."

Y/N reached out, placing a comforting hand on Lucilla's shoulder. "We'll find a way to help him. He's strong, just like you. We'll get through this together."

Lucilla nodded, a tear slipping down her cheek. "Thank you, Y/N. Your support means everything to me."

Together, they sat in the quiet of the living room, the weight of their shared burdens palpable but bearable in each other's company.

______

I hope yall liked it! I got a request from someone to make a story for this, so I did it! Now I know it’s not all comely accurate but I’m working with what I got so take it or leave it! There most likely will be a part 2 if this goes how I want it but let me know if y’all even want a pt 2!🩷

[tls12lessthan3]

OK SO. and i would like to preface this by saying i don't necessarily like taking shits on other people or their interpretations of characters because we all engage with media differently blah blah blah but i am going to be doing it here so if you don't wanna read me bitching and whining and being mean just scroll past.

anyway theres this really prevalent. what i call the bl-ification of joongdok. in joongdok spaces. by which i mean kim dokja gets hit with the uke ray and becomes this weak stupid character whos yoo joonghyuk has to care for and tug around. like theres a very highly kudosed fic joongdok fic on ao3 where kim dokja tries to cook an egg by just. putting it on a frying pan. not even cracking it just plopping it down fully intact. cause he's that stupid and helpless. and he does this so big strong joonghyuk can teach him how to cook it properly obviously but its like. who the fuck is that. and inevitably this kim dokja is always tiny and frail and needs yoo joonghyuk to take care of him and fuck him till he can't walk. and its like. who is that character. its not fucking kim dokja!!! mastermind kim dokja??? got kicked out of his house at 17 and forced into brutal self sufficiency kim dokja??? one of the most powerful characters in the book kim dokja?????

like their actual dynamic gets bulldozed over to create that of a typical seme/uke and both of their characters get completely overwritten to fit those archetypes and i hate it soooooooo bad. if im LUCKY kim dokja is still snarky but its never in a way that actually represents the tension between them its always like. brat x brat tamer dynamic even if its not necessarily sexual and im like aaaaaahhhh aaaaaugggghhh. go read an actual bl im being so serious because the dynamic you are searching for is not here. and i don't understand why people even read orv if they don't like the actual kim dokja and they don't!!! because thats not him!!! thats some other character you've slapped his name onto! like look at the joongdok tag on ao3 (esp. if you sort by kudos) and you will find the kim dokja i am talking about!! i know everyone engages with media differently but how can you read orv and learn about kim dokjas character and rather than any interest in his themes or motives or relationships with other characters or struggles with disassociation or anything you come away with like. a desire to turn him into a useless twink. AHHHHHHHHHHHHHHHH.

sighs loudly. anyway. joongdokers. look i love the ship and i love (some) of you guys but next time you're writing smth about kim dokja try reminding yourself he's a grown man with dick and balls. not that useless twink who needs joonghyuk to hold his hand through everything. and thats my rant come to end thank you for your enquiry coolguyoninternet and thank you all for listening

[wilcze-kudly]

Actually I WILL talk about Mai's seeming 'radicalisation'. With the upcoming comic, I can see why a lot of people are confused/caught offguard by Mai suddenly having a vested interest in reforming the Fire Nation's school curriculum.

However, I don't think it's as much of a heelturn as one would believe at first glance.

Mai is a difficult character to pinpoint on some levels, particularly due to her upbringing which stripped her of a lot of her self expression. I think most of the fandom underestimates the trauma and effect of Mai's upbringing. I elaborate on it here.

However, the long and short of it is that Mai was not encouraged to question, criticise or, god forbid, rebel against her enviornment. To the point where her parents scared her with stories of spirits that would kidnap her if she misbehaved.

Ukano's involvement in politics and relatively high status should also be taken into account. Mai would have grown up being strongly encouraged to conform to her father's beliefs and go along with his politics.

Mai : My mother said I had to keep out of trouble. We had my dad's political career to think about.

We've seen the propaganda and indoctrination of the Fire Nation school system, how it uses misinformation in its curriculum and how it punishes deviance.

Most fire nation children won't have the tools to find the cruelty and danger in the philosophy of the Fire Nation. Zuko had to get banished from the country to even start his deconstruction. And he had Iroh at his side to guide him.

It's not shocking that Mai would not be able to see the flaws of the Fire Nation. Despite this, she still shows no attachment to the Nation's cause, either. In fact, she actively refused to take part in the war effort when she thought she could get away with it.

I don't think Mai had much sympathy to the other nations, nor will I claim she secretly harboured anti imperialistic sentiment. I simply want to state the fact that Mai was, from a young age, forced to do things she didn't want to do and conditioned by multiple parties, to accept this. Mai has been trained to be passive, with only the method of passive aggressiveness and gloominess to defend herself.

I think after the fall of Ozai's rule and the slow restructuring of the Nation, Mai got more freedom in her life. Ukano's political role diminished, so Mai was allowed to think for herself. She gets to discover the world more and develop her own thoughts and ideals, rather than the ones she'd been forced to conform to.

This line in the upcoming comic seems to confirm my thoughts:

Mai's upbringing is the underground and darkness. She was never given an alternative or agency in her life. And thanks to Zuko, she was able to see and experience a different world than the one she was brought up with. She is able to help to try and achieve it.

Initially, Mai is angry at Zuko's joining of team Avatar. She feels betrayed and upset that he did not talk to her in person, even if it was to protect her. And yet, she saves him. While I believe that most of her motivation was genuinely out of love for Zuko. But she also, ekther inadvertently or deliberately made the choice between Azula and Zuko. Between the two potential duture leaders of the Nation.

And she chose Zuko. Who is not only the boy she loves, but also the boy who can heal her nation.

There is an argument to be made about how Mai represents the Fire Nation itself and its relationship to Zuko, but that is a topic for another day.

The theme of Mai caring for the future of the Fire Nation can be seen expanding in the comics. As 99% of the fandom will tell you, the comics have their flaws, but I do enjoy their handling of Mai for the most part.

I think it's interesting that we are shown that Mai not only wants Zuko to be Fire Lord, but for him to be a good Fire Lord.

We see her dissapointed in Zuko secretly meeting with Ozai. At first glance, what she says to Zuko is that she is dissapointed in him keeping secrets from her, which is understandable, since the last time he kept a secret from her led to him joining the opposite side of a war.

However, with her next appearance, we see that Mai may have had another concern relating to Zuko's communing with Ozai. When Ty Lee informs her of Zuko also enlisting Azula's help, Mai exclaims 'so he really is turning into his father', which seems to denote that Mai has a distaste for Ozai and his rule, whether that be from the begining, or recently acquired.

Mai also criticises Zuko's callous and controlling restrictions over the frightened townspeople. This serves to further cement the idea of Mai becoming disillusioned with the similarly inclined authority figures of her past. Authority figures who were a symptom of the Fire Nation's utilitarian and imperialistic system. We see this disdain manifesting in its full force in the teasers for the upcoming comic.

I think people tend to not realise how restricted in her self expression and thoughts Mai was, despite all the puzzle pieces being laid out for us in the show.

Mai has gone through a very quick and yet realistic episode of character growth in my opinion. Not unlike a lot of people raised in heavily Conservative and restrictive households who peel off later in life, she's settling into her own mindset and motivations.

Ans I don't think it's an unrealistic idea for Mai to want to help change the education system. The Fire Academy for girls is where she met Azula, and as an all girl school alumni, I can tell you first hand how toxic and confining these enviornments can be.

While Mai may not be seen as a particularly empathetic or kind person (though I think this interpretation is flawed), she can sympathise with the young girls who will be placed in the shoes of her younger self.

She can want to not see these kids go through what she, Ty Lee AND Azula did.

[The panels of Mai glancing between the stifling interior of the school and the open window and choosing to go outside and lead the Nation's youth outside... ugh]

Not only is this a rather logical progression for Mai's character, in my opinion, but it also feels like a very big 'healing your inner child' moment for Mai. Since she was not really seemingly allowed to be a child, as most children in the Fire Nation appeared to have such restrictions placed on them.

I don't think it's much of a stretch of the imagination that Mai would want to have at least a small part in dismantling the system that harmed her and so many other children of the nation.

She is a young woman now, she has grown from the oversheltered, apathetic teen she was in the show. She has been able to make her own informed opinions about the state of the nation, has been able to hone her trauma into determination. And it seems we're going to see the fruits of this development in "Ashes of the Academy".

I have very high hopes for the upcoming comic, since what we've seen of it appears to make a compelling story, one I relate to deeply, as well as a good study of Mai, a character I find often misinterpreted by the fandom.

[nonsensology]

Later at the wish granting ceremony, CEO Magnifico announces he’s greenlit Ice Age 6 and five more live-action remakes.

_ _ _ _ _ _ _

There are so many cancelled and unrealized projects that Disney is sitting on, that they do not benefit from in any way by keeping them locked up tight. They really ought to just let them go if they don't have any intentions of doing anything with them.

Incidentally, I could never agree with the mentality of “Magnifico is actually the hero, and Asha is the TRUE villain” that a lot of people seem to have. I drew my comic based on this post. I feel like if more people had been aware of this possible interpretation, they wouldn’t have sympathized with Magnifico.

Does Wish have bad writing? Yes, it does. And it’s because of that bad writing that every single character suffers. What I think happened is that, as a result of said bad writing, Asha became a character that’s so uncompelling and lacks uniqueness that she ends up a blank slate for audiences to project their frustrations with the movie onto. King Magnifico on the other hand, is probably the most interesting and entertaining character, due in no small part to Chris Pine’s performance, and so the audience is much more sympathetic towards him and willing to ignore his flaws.

One of Asha’s problems as a character is that she doesn’t really contribute much to the story. By contrast, Magnifico’s downfall is brought about entirely as a result of his own actions. Magnifico is in fact not a good leader, because he gives in to paranoia and temptation, acts in a very unprofessional manner, and escalates the conflict to an absurd degree.

Please note, Asha does not get upset that Magnifico refuses to grant her grandfather’s wish, nor does she ever demand that Magnifico needs to grant every wish. She gets upset that he insinuates that her grandfather might have dangerous intentions, and because he does not have a convincing reason why he doesn’t return wishes that he won’t grant. Rather than calmly explaining his reasoning to her, Magnifico rudely dismisses Asha and then blows up at her.

If Magnifico were a good leader, he would have explained to each person WHY he won’t grant their wish, and given them advice on alternatives. As it stands, he knows full well that everyone expects their wish to be granted. It’s why they even came to Rosas in the first place, it is the literal reason he even built his kingdom. He clearly makes a big spectacle out of the wish granting ceremonies, which every citizen visibly goes wild for. Not to mention, he literally tells Asha, "People think wishes are just ideas. But no, no, they are a part of your heart. The very best part." He knows, for a fact, how important wishes are to everyone. But the movie's awful writing makes him think the best solution to dealing with wishes that MIGHT have dangerous consequences, is to just hoard them. All that returning the ungranted wishes will accomplish is returning the memory of what the wish even is, that's literally it, and the people will be no better off than they were before they gave Magnifico their wish.

I dunno about you guys, but whenever I watched stories that preached “be careful what you wish for”, my takeaway was never “your desires could be dangerous and you should never pursue them for fear of disaster”, I always thought the stories were telling us, “beware of anything that promises instant gratification, because it’s usually too good to be true, and will cost you more than you will gain”. While the things you want in life may have disastrous consequences, you won’t really know until you try to pursue them through your own honest efforts, and not through “magical” shortcuts. That’s how we learn and grow, through trial and error. 

As it currently stands from my point of view, when people say "Magnifico has every right to keep ungranted wishes" it looks like they're unintentionally saying, “The Disney Corporation has every right to keep your work and ideas, because you willingly and legally handed them over. Tough luck if you regret the deal you were given. No takesies backsies!”

While I have found no evidence to confirm that the filmmakers intended for Magnifico to be a criticism of Corporate Disney, considering the inclusion of the animation sweatshop scene in Pixar's Inside Out 2, I think the probability is likely. (Not to mention, when Asha shows Magnifico her little flipbook animation, he remarks “Do we consider that a talent?”)

Please note, everyone is free to rewrite and reinterpret Magnifico however they want. He's just a fictional character after all, and fan content is supposed to be for fun. I just think it's funny how defensive people get over him. They say he deserved better, and I agree, but we have very different ideas of what "better" means. In fact, I think every character in Wish deserved better, because again, they were all victims of bad writing. My problem isn't that they took a good man and made him arbitrarily "evil", it's that they didn't make him evil enough from the very beginning. Remember those deleted scenes featuring a villainous Magnifico with better writing, along with an evil Amaya that he can play off of? I'm fairly certain that everyone unanimously agreed these deleted scenes were much better than the final movie, and yet some still insist that Magnifico should have been a hero all along. I dunno, it's a funny dichotomy. 

[selfdesructivedisaster]

Dancing Through Life isn’t just a fun, catchy song in the middle of act one. It’s an exploration of Fiyero’s deep seeded depression and apathy. And it shows how isolated and desperate for companionship he really is.

During Fiyeros introductory song Dancing Through Life we get introduced to his character. He’s a playboy, rule breaker, and above all else, superficial. Now Fiyero REALLY wants us to know how superficial he is and he also REALLY wants his fellow students at Shiz to be as superficial as he is, but he never explains why.

Well if you read in-between the lines, it’s a shockingly depressing reason. He wants people to be superficial and empty because it the only way he can relate to and befriend them.

He’s been conditioned his whole life to only be surface levelled and shallow, so much so that when it comes to real, authentic social relationships he has genuinely nothing to offer

He has no interests, no ambitions, and no opinions. So much so that until Elphaba snaps him out of it, he really has no other quality’s other than beings empty. Like genuinely none.

So instead of admitting that he is uninteresting and socially inept, he tired to get everyone around him to be as shallow as he is. If EVERYONE is empty and hollow, then that means he doesn’t have to grow or change. He can stay comfortable and brainless.

[loosescrewslefty]

The use of light and shadow in the first episode of Dandadan as a means to convey characters being vulnerable vs keeping others at arms length is delightful. When Momo first rejects Okarun after he tries to talk about his interest in aliens to her, he is standing next to a brightly lit window while Momo is walking into a shadowy stairwell.

When she goes back to pick up his magazine and tell him about her belief in the supernatural, Momo steps into the light herself.

Then fast forwarding to the kids investigating the hospital vs the tunnel, and Momo is brightly lit while telling Okarun about her past and why she believes in ghosts despite never seeing one.

Meanwhile in the tunnel, Okarun is surrounded by darkness, and even the light from his flashlight disappears when Momo asks him to tell her why he feels so strongly about the existence of aliens and he tries to avoid answering.

Then when Momo is abducted, the alien ship is lit in painfully bright florescent that is a stark contrast to the softer lighting we see in the scenes above. Despite the Serpo's pretense of friendliness, they forced Momo into an uncomfortable position, exposing her against her will and attempting to use her for their own purposes, with no concern about her wants. She is literally being put under a spotlight she cannot escape from, on display and unable to run no matter how much she wants to.

Okarun comes in and smashes the lights fighting the Serpos, giving some small reprieve from the harsh glare. And then when he's pinned and can no longer fight, he comes clean about why he has been so desperate to meet aliens and how much Momo has already come to mean to him, and when he does the shadows that shrouded him moments earlier disappear.

Then, finally, when Momo unlocks her powers, she LITERALLY becomes enlightened, emitting a turquoise glow. By embracing a part of herself that she long ago turned away from out of fear that she didn't fit in because of it, Momo found the power to stop the beings that wanted to hurt them.

[menofprogress]

Jayvik things that make me insane:

The fact that viktor kept the blanket until the end. Buddy. Idk what you think getting rid of your emotions looks like, but it sure as hell isnt THAT. What an insane character design decision

Like oh my god, he NEVER took it off. Platonic my entire ass.

Viktor is wearing a shirt directly after the explosion, but hes only wearing his brace when jayce is carrying him to the lab. Did jayce try to perform cpr? Did he try to look for injuries? Is viktor even ALIVE when hes carrying him?

During one if the hexcore "x ray shots" you can see that viktor's spine was fully severed. He got HIT.

How long did he try cpr before he realised he needed a miracle for Viktor to survive?

Why wasnt Viktor taken to a hospital? Maybe Jayce didnt trust anyone else to touch him or maybe they didnt bother taking him to the hospital bc he was too far gone already?

The decision to parallel the meljay love scene with viktor rejecting a potential love interest and then nearly dying is WILD. Showing that Mel woke up alone bc jayce rushed to Viktor's side is WILD.

The show constantly making it clear how important viktor is to jayce, like not even as a dig towards mel or anything, but viktor is his BEST FRIEND. Where did all that fanon about jayce abandoning viktor come from bc it sure as hell didnt come from canon.

Literally viktor can do no wrong in jayces eyes, blud starts a mindcontrolling cult and jayce is like "i still love you baby". Viktor pouting to get his way and jayce folding every time is canon to me.

He made sure to include viktor and he would be so mad that the hexgates are only credited to him after their deaths

Viktor put on a brave and reserved face, but he was so insecure about his place in the world and next to jayce, maybe because of his disabilities, maybe because hes from zaun, but it never, never mattered to jayce and he takes such care to reassure viktor, remind him of his place by his side and hes fully aware of the difficulties viktor faces. Aside from the one dumbass slip up on the bridge ofc lol

Viktor may be insecure about his body and his standing, but that doesnt stop him from being a catty bitch tho lol

The fact that jayce knows viktors 'oasis' hideout. Did viktor tell him, did he follow him once? And he can apparently immediately deduce 'oh, something upsetting happened to viktor, im gonna need to check up on him'

During the forehead touching, disintegration scene you can see that jayce is visibly straining, either terrified or in pain, but he refuses to let go of viktor. And when we finally see viktor reciprocating touch its to comfort jayce by stroking his arm

[gay-dorito-dust]

Hey I saw your post and honestly this is my first time making a request. How about arcane characters with a cat like reader? Idk it's just a thought that came (sorry if that's a bit weird)

Dunno whether this answers your request like you imagined. Also probs shit fire time writing for some of these characters.

Viktor found your cat like personality quite interesting and humorous if he wasn’t within the lab, working with things that normally didn’t capture your interest, unless they glowed of course.

Other than that it felt as though you were intentionally acting up in his lab for a reaction, like a cat would gauge the reactions of their owners before pushing a glass off the table. That’s how Viktor often felt with you

Then he has to keep an eye on you to make sure you didn’t touch anything dangerous because you were captivated by its light.

‘No, it’s dangerous and could hurt you my dear.’ He so often warms you as he guides your hand away when he felt it was dangerously close to what he was working with. Your mind didn’t head his warning, only the fact that there was a shinny object in the laboratory and it was the only thing you could focus on.

‘If so dangerous, why is it shining as though it wants me to touch it then?’ You responded, daring to touch the object once more and Viktor swore you either knew what you were doing and playing him for a fool, or you had no self preservation skills within your entire body to fight back against your urge to touch a dangerous foreign object.

It’s literally a stand still between the two of you and one that happens far too often that Viktor knows that this was all part of your plan, and unfortunately for him he falls for it almost always. He watches you while you watch him before doing something rash, making think you’ve actually touched the dangerous object, only to look at you unamused when you smiled at him mischievously as you wiggled your unharmed fingers at him.

This often leads you to being banned from the lab for pulling a stunt like that, however this was more for your safety and for him to calm his racing heart. You’ll kill this poor man with your antics but he wouldn’t want you any other way, especially when you cuddled up to him for warmth and sleep there.

It soothes him just as much as it soothes you.

Ekko found himself often wondering where it was you went sometimes.

He sees you in once place and then you disappear the next, returning to base only when you felt it necessary of you to do so, illusive and vague of where you’ve been it was often a bit frustrating. You could’ve been in serious danger for all he was aware and when he confronts you about this behaviour of yours, you’d only shrug and say:

‘Where it is a go on my own time isn’t something you should waste time worrying over.’ Before leaving to go elsewhere within the base and lounge against one of the trees thick and sturdy branches, eyes closed in content as you softly drift off into a light nap.

How the fuck you got up there, he’ll never know other than the fact that you managed to get up there in the first place with effortless ease.

Ekko’s nickname for you was either kitty or something along the lines of a cat based pun. You hated all of them equally but Ekko only feels more vindicated when you only proven his perception of you right whenever you displayed a trait that was common amongst cats. Whether that’d be silently judging everyone from your perch way up high, or lounging in his bed, more specifically where he had laid moments prior, feeding off of the warmth that lingered there or otherwise Ekko would find humour in you cat like traits because they were the things he loved the most.

(In a timeline where they actually have phones I can imagine him sending you cat memes and saying ‘this you?’ Or ‘I found your relative’ he thinks he’s funny, and he is but you won’t admit it out of petty pride)

However the one thing that you could always hold over Ekko’s head was the fact that you could silently manoeuvre your way into a room without him knowing and managing to catch him off guard. Ekko didn’t find it particularly funny but he lets up eventually and admits that it was kinda funny that you managed to take him by surprise. This was why you were more suited to missions heavily requiring a person with an abundance of stealth and agility.

‘Always landing on your feet aren’t you?’ He’d tease but you would let it slid as you shrugged your shoulders and reply. ‘What can I say? It kinda comes with the territory don’t you think?’

‘You sure you weren’t a cat in your past life or something?’ She would ask as she raised a brow at you as you cuddled into her side, much like a cat would when in they wanted to leech off is the warmth of a human.

‘No, why you ask?’ You say as you began to close your eyes, her warmth blanketing you almost immediately, and becoming increasingly sleepy.

‘You act like one for starters with how lazy you are.’ She pointed out and you’d only scoff at her, resting your head on her shoulder, having become too comfortable with your current position to even be bothered to move.

‘I’m not lazy, I’m merely taking advantage of the beauty that is power naps.’ You defend yourself and it was Sevika’s turn to scoff, having heard this excuse countless times before, and it never stopped her from continuing to compare your personality to that of a common house cat.

She disliked it at first, finding it weird and annoying at the fact that you didn’t seem all that bothered with the ongoings of Zaun, instead favouring to rest in high places that provided warmth or close to it and watching everyone with clear judgement within your eyes. However that judgment did end up saving her from time to time, not that she’d ever admit to this, as she was confident in her own abilities to smell a bitch from a mile away.

Though the more as time passed she grew to find it somewhat easier to deal with, though you cuddling up to her for warmth did put her off now and then, affection wasn’t commonplace in Zaun; so forgive her for not exactly taking to it immediately. Though each time you did cuddle into her side, her urge to create distance between you dwindled, from Perivale shoving you away from her, to slowly accepting that this was her life now.

‘Sure, that’s a hell of a way to avoid saying that you’re lazy.’ Sevika smirks when you glared at her, clearly insulted by this, before moving off of her to go rest elsewhere on the bed you shared and making sure your back was towards her in an effort to show your disagreement with her statement. ‘Not. Lazy. I just like napping.’ You retorted.

‘Yeah, sure keep telling yourself that, I’m sure it’ll be true one day.’ Sevika jokes and your shoulders only deflate more, knowing you’ll never win this war with Sevika when her mind is made up. She’s always in the right in most cases.

Mel is all too familiar with your cat like traits that nothing you do is out of the ordinary to her.

She finds humour and amusement in you participating in things commonly associated with felines. A human cat is what you were in her eyes as you slept the easiest you’ve ever slept when besides her, her presence was calming and was more then enough to have you reduced to a relaxed state before succumbing to sleep.

She just had that effect on you and you loved it as much as she does as she got to run her hand down your back.

‘You’re practically purring.’ She teases.

‘It’s not my fault you know exactly what makes me melt.’ You replied as you smiled up at her, never having gotten use to having this absolute goddess of a woman bless you with her smile, her heart, her everything.

Mel smiles softly. ‘You don’t exactly made it much of a challenge.’ She says as she watched the way you practically leaned in towards her touch, eyes closed in content with a smile spread across your face that she swore your nonexistent tail would be swishing from side to side. She has been in this position countless times before and yet it never gets old with how content she felt when moments like these between you and her freely exist within her mind.

You don’t exactly make it hard for her not to love you like she did, it came to you as easy a breathing as that’s how quick you were to fall for her, almost as if it was as though you were breathing; Easy, effortlessly and natural.

‘How can I when you read me so effortlessly and without fail?’ You replied back in almost a purr, a mischievous smile spread wide across your lips, ‘I shouldn’t need to hide myself from my lovers eyes, for she knows me all too well.’ You add. Another thing Mel adored was your cunning but cautious mind and the way you seemed oddly too relaxed for some, watching those very same individuals like they were merely mouses that squeaked about their freedom; like you were being amused by rather was being said in meetings as though you knew something they didn’t.

You were like the Cheshire Cat, often times speaking in riddles that only she herself understands.

Mel kisses the tip of your nose. ‘You smile like the cat that caught the canary,’ she says as she pulls away. ‘Learning more about you is more interesting and intriguing than the last.’

‘Then I hope I stay that way for a long while.’ You said, smirking when you felt her kiss your lips.

[niorig]

You know, I really hate this.

I like get WHY they did it (Satan is known as the Father of Lies), but it seems like a waste of a really interesting worldbuidling idea. Plus, to throw in an interesting thing like that in basically a throw away line with only evidence he's lying in a quick look between two characters and then a tweet from the writer being 'lol nope' feels...cheap? Or poorly written?

Confirmation from Viv that Satan’s dramatic ass is lying about ruling hell first!

[xuxudio]

sometimes you gotta give the coolest most badass character you know a really silly trait

[o-wild-west-wind]

While I’m still a bit bummed that they didn’t go with a more book-aligned POC Fiyero for the Wicked movie, I’ve been thinking (heheh) about how his being white highlights the really interesting foil relationship between him and Glinda (and, in many ways, the audience yourself).

At its core, Wicked is a cautionary tale about propaganda, (literal) scapegoating, and what it means to uphold the status quo. The audience is watching through Glinda’s eyes—it is through her, arguably the most beautifully tragic character of the show, that we learn how lonely life becomes when you forfeit your values in favor of systemic power and likability (“No One Mourns the Wicked” is, in many ways, about HER).

Now, this is where Fiyero’s whiteness can get interesting—if you consider him and Glinda to share roughly equal footing at the beginning in terms of privilege/how much they have to lose (applying our real-world lens of race and power here, where whiteness is the apex), his storyline essentially represents what could have happened if Glinda had made the brave (and arguably wise and loving, if you’re picking up what I’m putting down 👀) choice to go with Elphaba and fight the good fight (this is also why I feel like a queer reading of G&E’s relationship is almost implicit to the story, but I digress).

As the POC/marginalized allegory, Elphaba has much less of a real choice in her curtain-pulled-back turning point. But Fiyero and Glinda—both representing privilege—get to choose. So in Act II, we see the consequences of both the choice to stay (Glinda) and to go (Fiyero). In Fiyero’s case, his ultimate rejection of his own power, privilege, and even beauty leads to immense physical loss—including his own body—but that is then compared to the loss of love, community, and identity that we see Glinda left with by the end. And this brings us to the question that the audience is left grappling with: in an unjust system where loss is inevitable (a.k.a. our own world, as the Wizard himself represents), which of these things are YOU more willing to give up?

It’s important that Glinda is an empathetic character because, in reality, most people are going to be Glindas (obvi this is nuanced among us Elphabas of marginalized identities, but I’d still argue that there’s some level of Glinda in us all)—and it’s important to be rattled by the end of the show when you realize that she is the one who has the sad ending. But it’s also so important that Fiyero is empathetic (which I’m SO glad this movie leaned into)—because he’s ultimately who Glinda—and thus we, as the audience—should have been.

And especially given the state of US politics right now…this is just all more relevant than ever.

[nonexistent-alfa]

Cale Henituse/Kim Roksoo is such a nuanced character that you need to read the novel from the beginning at least twice to understand his conviction and the motivations behind his actions. Like why he hates seeing children hurt. Why the first thing he asks someone he just met is "have you eaten?" Why he says he wants to become a slacker. Why he gets himself involved in situations he shouldn't need to despite saying he wants to stay out of it. Why he takes the position of Commander during the war despite initially saying he wanted to stay in a quiet place far away from the war before. Why he is so unfazed by sights of blood and massacre. Why he is so good at strategising. Why he is such a natural at leading. Why he exudes such great aura and charisma even when not using the Dominating Aura. Why he has such good memories of the details mentioned in the novel he read. Why he says he doesn't care when he very clearly does. Every single action that could simply have been dismissed as plot armour for the main character, the author crafted such well thought out plot points to give background to those traits which in turn gave depth to his character. He's such an interesting character to unpack. The more you get to know him it turns out you actually knew so little about him the whole time.

[astralikacastle]

I think... I think the problem is that a lot of those posts don't really dive into ways to make these stories interesting. Which is at least in some cases, interesting character writing, in others Extrapolating On Why, and in yet others asking how this Changes things.

A monster who feeds on suffering instead eating existing anguish could be interesting if this is a Weird Protagonist dealing with unique situations, and could lead to other "what if"s in your cast. For my major comparison point, Devil is a Part Timer isn't JUST "what if The Demon Lord worked at mcdonalds", it's also "what if the Hero tried to fight a Demon Lord who was working at mcdonalds instead of razing towns" and then extrapolating on surrounding cast and intrigue with the systems that raised the Hero, or the confused underlings of the Demon Lord.

Or an example:

But there's already an easy detail you can latch onto and extrapolate from: that prophecy lingers over the whole story, over the characters. Our focus and protagonist should be this prince, who has to live with how others treat him when they know he's fated to kill his father. Does he also know? Is he told? Does he uncover it as a secret? How does that strain his relationships? Does the original post actually care to dive into that sort of thing, or is it more interested in subverting tropes for the sake of subversion over actually exploring the idea?

there's a fascinating type of post on this site which boils down to "what if, instead of being cliché, such-and-such work of fiction instead dodged all genre tropes in a way that instead made it really boring"