#on which i spent way too much time on

[night-lie]

so while i was making this gif for my deathnotetober entry for "chess" i noticed something... weird. i mentioned it in the tags but i can't not elaborate.

do you see it too? the side closest to us has TWELVE squares. that's not a standard grid size. there are EIGHT squares going in the other direction, which IS standard.

"surely that can't be right," i said.

well. buckle up.

here’s a quick edit with a neon green outline for the edge of the board and the vertical row that's easiest to count. it really is that size. can this be anything but an error?

EDIT: just for clarity, here's another sc with brightened colors so you can see that the surface in the gap between his face and shoulders is the floor, not the board.

what if the animators were just copying what obata drew? i went to find the corresponding scene in the manga. volume 11, chapter 90.

6x6. not a chessboard size, but heaps more normal than the anime one, even without half of the squares colored in. (they are colored in the color version of the manga.)

the board has some... noneuclidean properties, though.

these are from the same page. on the right it still looks like 6x6 at least from the horizontal row i can see, but the left seems much bigger to me. or maybe i'm starting to lose it?

the board makes another appearance in chapter 93 with this being the best angle of it. unfortunately it's impossible to say how far behind the speech bubble the grid extends.

it's also difficult to count how many squares the rows we do see are. the third row from the left with misa looks like it 7 squares? because why the hell not.

it shows up one last time in chapter 94, after which near stops using it. probably got tired of it changing sizes.

let's check for more apperances in the anime, since we've looked at episode 33 already.

episode 34 and it's. it's freaking 6x6 like in the manga!

the noneuclidean properties strike again. peep the blue arrow pointing to another white square. the row is at least 7 squares.

LUCKILY the board makes no futher appeances after this. the 12x8 scene has not been fixed in ReLight 2.

*deep breath*

so. we've established it's not a chess board, or if it is, there's an error with it. (i'm not gonna blame animators who probably had someone breathing down their neck to work faster. errors happen. obata drew it wrong originally, too, if it's supposed to be a chess board).

but i'm still not fully satisfied. is there anything this could be, diagetically?

my best guess, a checkers board (though i suppose the wammy's kids would call it a draughts board). i have a reason for that, other than the 8x8 boards being interchangeable between the two games.

this quick moment of near knocking down the kira legos with a cork gun.

both in the in the manga and anime he fires two shots BUT it looks like the cork bounces from kira to x-kira, knocking them over. with one move, near knocks over two figurines.

this is called jumping. you've probably seen a cartoon where someone comically jumps over all of someone else's pieces and cinches the win. i would have put a gif of that here but i couldn't remember any.

checkers is often seen as a more juvenile version of chess, like how near is younger than L. L plays chess, near plays checkers. checkers is the "easier" game. it's not a fair comparison, though. they use the same base concept, they have pawns and a king (/queen, depending on language), but the differences are too big to really claim they're the same.

just like L and near.

checkers is, in fact, older than chess. they played a variation of checkers in ur. freaking UR. ancient mesopotamia. 3000 BC. a variation of chess can be tracked back to only the seventh century. that's AD. did you know that?? i wouldn't have if i didn't look it up.

so, now i just need to find a variation of checkers with a 12x8 grid on the board from the wikipedia list. be right back. shouldn't take long.

*genuenly, a two hour long rabbit hole later*

so. bad news.

there's no 12x8 board. there's ARE 12x12 boards which is great, but not what i was after. there's only ONE variant with an uneven grid, a 6x4, in a game called tobit. it looks like this.

...i give up.

post cancelled. thanks for reading.

i'm gonna go mahjong.

[hilacopter]

[the-maw-consumes]

glow

[alexassanart]

favourite scenes from pacific rim 3 💙

[rendevok]

“Take my hand” pages 5-11

1 - day 2 - truth - 3

[carnivalcarriondiscarded]

more of the dapper lad! i Cannot get him out of my brain

[soriastrider]

this has almost certainly been done before, but i think it's funny so i did it anyway

original:

[audliminal]

It's Just a Game, Right? Pt 6

Masterpost

"I'm telling you, Fenton!" Wes announces. "I'm onto you." A few of the kids walking past snicker at them, as Danny does his best to look confused. The startled part is easy; Wes is turning out to be a surprisingly good actor. He's been gradually leaning even harder to the image of a conspiracy nut, and the result is impressive. Danny, on the other hand, is simply trying to keep up with the insanity.

"I have literally no clue what you're talking about, dude." Danny says, attempting to push past Wes, so he can enter their classroom. Wes doesn't seem inclined to let this confrontation end, though.

"You may have everybody else fooled, but I know the truth. You made a pact with the so-called ghosts and their efforts to take over our world. You're just manipulating your parents' tech in order to convince everyone that they actually are ghosts, and not the invading fae army they really are!"

"Dude, what?" Danny responds, not quite able to hold back the laugh.

"Honestly, Wes, don't you have any common sense?" Star asks, as she walks up. "Rumor has it that Fenton's failing like half his classes, and you think a bunch of fae lords, or whatever would trust him to help their scheme? Surely they'd choose someone more competent." She flips her hair, and then walks past the both of them, as a couple of the kids nearest to them start snickering.

Outwardly, Danny winces and hunches in on himself a little more, as he takes the opening Star just created and ducks into the classroom after her.

In hallway outside, Danny catches Wes muttering to himself before following them in. No one says anything for a minute, but the moment the bell rings and Mr Lancer shuts the door, Star turns to Wes.

"I think you should be a writer or something after we get out of here." Star tells him. "That theory was honestly inspired."

"It gets even better. I have so much evidence to force on you guys, it'll be great." Wes answers, then turns to Danny. "You good? I know we don't mean any of it, but it's still gotta suck to have us acting like assholes all the time."

"I mean," Danny hums. "I'm not gonna say it's fun? But like honestly compared to everything else, dissing my work kinda seems..."

"Banal?" Sam offers.

"Yeah, sure, that." Danny nods. "Like, compared to people wanting me dead, who cares, I guess."

"Yikes," Kwan mutters. "Your life is a fucking mess, dude."

"Well, i do have some good news about that." Tucker announces, turning his computer to face everyone else. "Looks like the fanbase is making some progress towards finding the real stuff.

Danny stares at the reddit thread Tucker is on. He's honestly been only loosely paying attention to the actual stuff Tucker and Wes have been posting. He's happy to offer his knowledge of space stuff, or engineering, but the intricacies of secret code aren't really something he ever pursued. Well, except for the secret language he and Tucker had made as kids. Wes, on the other hand, peers at the screen and lets out a soft whoop.

"Hell yeah! They found the second layer!"

"Yeah. Which means they've found our first plea for help."

"Oh, wow," Sam says sardonically. "A plea for help that's so great. Why are they gonna think it's anything other than another part of the damn story."

"Chill out, Sam," Tucker responds. "The point is to encourage them to look harder. And once they find the next level, they'll start finding our info on the infinite realms."

"Whatever," Sam says, frowning. "I just... Don't like how much waiting this involves."

"Yeah it would be a lot easier if we could just, like, beat them up and call it good," Dash agrees. "But, like, jail would probably suck."

"At least they're making progress," Danny points out. "I don't really get how you guys are making these layers, but. It's more progress than anything else we've tried."

"Yeah, but like, what does this mean for us?"

"Why not interact directly with that post?"

"Maybe. We'd have to be extra careful about what and how we say it, so they don't write us off as a copycat or anything, but it could serve to reinforce, uh-" Wes leans in, to read the username. "BenBlues379's theory."

"Okay then, let's draft a reply." Danny zones out as they start to discuss the specifics. He hadn't actually had to go deal with any ghosts last night, but his parents had been working on some new invention, and the noise of their trials had made sure he didn't get much sleep despite the supposed reprieve. Luckily, nobody in this class is going to complain if he takes the opportunity to catch up on the missed shut-eye now, so with one last deep breath, Danny folds himself down onto his and relaxes into sleep, as the sounds of his classmates debating echoes around him.

[scificrows]

“I was having an emotion, and I hate that. I’d rather have nice safe emotions about shows on the entertainment media; having them about things real-life humans said and did just led to stupid decisions.” ― Martha Wells, Exit Strategy

Title sequence designs inspired by the real-life shows Martha Wells based Murderbot's favorite shows on.

[daydreamerwonderkid]

A nightwing and his robins.

You do NOT have permission to repost my art.

Forgot to attach some WIPs.

I also wanna personally thank Serg Acuna for helping me figure out Dick's anatomy and hair. I have been struggling so hard with drawing Dick and it finally feels like something clicked right in my brain this time.

[constantlyfalling]

stained glass sky

[ink--theory]

felt like drawing these 2 in their frosty fest outfits 👍

[cerealmonster15]

jamiazu / ashenviper week day 6: toxic yaoi overblot

SORRY it's very much a rushed mess especially in the lower half jdkslfjksd i was v busy today and trying to hurry to get something done for this before midnight [covers up the clock... i was close enough,,, it's still day 6 in some time zones jkfdlsjfs]

unfortunate that the overblots have so much going on and take me ten billion years to draw otherwise i think id like drawing them more bc they LOOK VERY COOL!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

[toxintouch]

yk how in veres likes on his character sheet it says he like cooking (badly)…… WHY HAS NO ONE DONE A FIC ABOUT THAT YET‼️⁉️⁉️ THAT SHOULD NOTTT BE A WASTED OPPORTUNITY. i’m not even joking im ab to send this to so many people because i can’t let this go to waste 😞

Here u are anon!  For the record, you are completely free to send this prompt around wherever you’d like!  It was such a fun idea, I’d love to see more takes on it. ^^

Warnings: Vere talking Innuendos? Innuendos.  So many, and I don’t guarantee that they are funny lol.  Just a general silly vibe and imo: absolutely  tooth rotting fluff.

‧₊˚ ⋅ 𓐐𓎩 ‧₊˚ ⋅SOUS CHEF ‧₊˚♡₊˚

You find yourself wandering through Lowtown during the lunch hour, trying to decide what sounds like a good meal.

Your mouth waters at the scents being carried on the breeze, a plethora of pleasant aromas wafting out of the eateries nestled inside the Amaryllis District, so fragrant that you can smell them all the way down on the bustling streets of Lowtown as long as you stay downwind.

However, if there’s one nice thing about knowing Leander it's that you also know you don’t have to go that far (or spend that much) for a delicious lunch. 

Near enough to the Wet Wick, there’s a series of side streets that make up an eclectic amalgamation of Lowtown and the Amaryllis District, and in it: a small and inconspicuous eatery.  The menu changes often, though you aren’t sure if that’s out of innovation or necessity, but the food is always filling and reasonably priced.

You follow the winding streets, getting lost for a brief moment before correcting your course, traveling until you see colorful chipped girih tiles and wide, clean windows.  You let yourself into the shop, the now familiar sound of hinges in need of an oiling welcoming you.  

There’s an assortment of goods on display–jars of honey and spiced fruit and loaves of braided bread with seeds–all kept safely locked away beneath an enchanted pane of glass.

Looking around, though, you don’t see anyone selling said fantastic wares.

You call out, expecting the shop keep or her wife to come running but instead you hear…silence.

Followed by a loud metallic clatter.

You freeze, unsure what to do, what the threat is–if there’s even a threat?–but before you can make up your mind, you’re greeted by a most unexpected sight.

Vere comes out of the kitchen area, his hair swept into an artfully stunning up-do that reveals the long line of his neck and clavicle, blemished only by the heavy collar locked around his throat. 

He’s wearing a weighty linen apron over his clothing, presumably to protect his outfit, though–his long gossamer sleeves are completely discordant with the notion, making you think that maybe the apron is more of an aesthetic choice.

“What’s this–?  A mouse?  In my kitchen?” Vere asks playfully as you continue to stare, dumbfounded.  He wields a spatula in his hand like a weapon–swatching it into his off-hand like a riding crop with a decisive snap.

“Where is–?”

“–The shop keep?  Wherever she pleases–the shop’s closed on Mondays.”

(You really don’t like the way he’s watching you…  Or the way he keeps inching closer…)

You take a step backwards, your eyes never leaving his.  “Oh,” you say, bandaged hands reaching blindly behind you.  “I didn’t realize.  The door was unlocked, so…”  You trail off.

You find the doorknob at last.  You attempt to turn it only to find that it won’t budge.

“Was it?”

Vere saunters up to you, tail swaying behind him.  You manage to tear your eyes away from his predator stare to search for possible exits, though you know for a fact you won’t be fast enough.   You look back and he’s already in your space, crowding you against the entryway.

(He smells really good, actually.  Like leather and spice and the subtle cling of perfume and incense.  And beneath that, something–earthy–animalistic, but in a way that’s intoxicating as opposed to unpleasant.)

“I was just about to make myself a snack–how nice that a snack came to me.”

“Stop playing around.” You try to steel yourself and inject the perfect amount of scolding into your voice while combating his heated stare.  “I know you’re just fucking with me to try and get a reaction; you and I both know you’re not going to eat me.” 

If he was, he would have done it by now.  Sometime within the weeks you’ve known him.  …Probably. 

Unless he just likes to play with his food.

“I didn’t realize you knew me so well,”  he says, looking amused.  “Perhaps I didn’t plan to, but now I simply can’t resist.  You look so absolutely delectable, how could I possibly contain myself?”

You don’t get the chance to reply.  Vere’s countenance changes suddenly–you watch his ears flatten a second before you hear the screaming whistle of a teapot.  His ears twitch in annoyance at the sound, his perfectly sculpted face showing a sour sneer.  He gives you a sideways glance, calculating.

“Then again.  I find myself in need of a sous chef.  Congratulations on your promotion.  Come along now.”  He hooks a finger into your cloak and pulls you easily into the kitchen.  (To be fair, you don’t struggle.  Anyone would want to see where this is going, right?)

He releases you once you’ve crossed over the threshold, waving his fingers uncaringly towards a second apron affixed to a hook on the wall as he beelines to remove a glass teapot from the stove and stifle the noise.  He moves quickly as you watch, casually throwing aside the spatula in his hand in favor of an ornate silver teaspoon.  He measures a vibrantly colored tea into the inlaid steeping container of the equally ornate teapot and takes a pleased inhale as the tea’s fragrance blooms, humming as he flips over a delicate hourglass to keep track of the steeping time.

There’s silence for a moment–

Him watching the teapot and you watching him.

“Well?”  He asks, without looking up.  You’ve seen this look before, you think – this pensive, almost lonesome look that makes your heart ache against all better judgment.  “Staying or going?”

He grins when you put on the apron.  You search his face for some sincerity, but he’s all sharp teeth and tall ears, covering any glimpses of deeper emotion with a sheen of smugness.  He circles you once you have the apron on, taking in the image.

“Mm, don’t you just look adorable.  Very domesticated.”

You’re pretty sure that the word he’s looking for is domestic. But of course, he knows what he said and he meant to say it.  You decide that he’s probably betting on your correction, already armed with a witty retort.  You smooth the apron down while pointedly looking away, deciding that you won’t give him the satisfaction.  You hear him chuckle.

Since you’re avoiding looking at Vere, you look around the kitchen for the first time.

It’s a spacious workspace–moreso than the storefront, even.  There’s a large iron stove unlike anything you’ve ever seen, covered with magical runes and dials, with a large hearth built into the belly of it.  A plethora of pots and pans have been placed on the burners, left to sizzle and pop in the red hot heat.  

Oil is singing from the heated, shallow basins but you don’t see anything cooking inside.  

There’s a slab of meat diced into neat squares and a heaping bowl of lumpy batter set to the side of the stove top.

“What are you making?”  You ask, trying to make sense of the scene.

“Panko crusted fish filet.  And there’s a pasta in the oven.  For dessert, I was thinking–” he gives you a sly look, one that makes your ears feel warm, “hmm, well.  I just had a much better idea in regards to dessert.”  He makes a show of licking his fangs, the movements of his tongue slow and sensual.

You think you tied your apron too tight; your airway is feeling a little constricted.  It seems to be getting worse the longer you watch.

You clear your throat, tearing your eyes away.  More ingredients, most partially prepared, and a host of dirtied pots and pans greet you.  You turn your back to him as you explore, fully engrossed in all of the views that the mess of a kitchen has to offer.  You’re almost afraid to ask: “So, what am I here to help with?”

“Oh?”  You don’t hear Vere come up next to you, but you feel him brushing up against you.  “Does my darling sous chef require…instruction?  A guiding hand, so to speak?”  You freeze, feeling his breath against your ear, shivers running down your spine at his light and teasing chuckle.

But then he’s breezing past you, making a wide dramatic gesture toward the large tome perched surreptitiously on the counter.  “Lucky for you, I’ve a recipe.”  His tail wags swishes elegantly behind him as he beams with pride.

His tail knocks the whisk out of the mystery batter beside the fish filet but he takes no notice.

Vere hops gracefully up onto the counter, reaching for the batter.  He does an impressive twist in order to grab hold of another whisk and you take the time to appreciate that.  Then, with Vere occupied and seemingly ignoring you, you take a look at the recipe book.  

The text is old and withered with the occasional dash of sprawling spidery script painting the margins.  (Said writing is utterly illegible–you’re actually not sure if it’s in a language you can read, though if you squint you think you can see something that looks like the word ‘cake’.)  The page it’s opened to is ripped in half, rendering precious steps of the recipe lost to time.  You spot a mysterious bite mark piercing through the corner of the leather cover.

And can’t stop yourself from surreptitiously glancing over at Vere.  He’s moved on from the batter (which looks as lumpy as it did a minute ago) and is now eating skewers of raw fish with his nails.

“You’re not supposed to eat while you cook,” you say, the time worn words out of your mouth before you can examine your personal stance on them.

“Says who?  Some limp dick?  No shame in indulging, pet.”

“You’re not even gonna have anything left to cook,” you warn.

“Hum, sounds like my sous chef should get to work covering them in batter instead of just standing there before I eat them all.”

You roll your eyes, but follow through with instructions.  The space is unfamiliar and your movements are slow and unsure with Vere looming over you from his perch on high, watching.

One of the pans of oil gives an ominous pop.  “Hmm, sounds like it’s hot enough,” says Vere.  “Move over.”

“Is that safe?”

“For me,” Vere says simply.  “And it’s faster.  Now stand further back or you'll get splattered–and not in the fun way.”  Idly, he tosses a batter covered filet into the shallow pan.  The resulting hiss makes you both cringe.

As if on queue, the hourglass for the tea gives a gentle chime, lighting up with a golden glow.  (You’re beginning to wonder how this humble shop can afford all these magical items, but then again this is the city of secrets.  You’re probably better off not knowing.)  Vere’s ears perk up, pleased.  He tosses the remaining fillets in the pan without a fuss, setting lids on top of each to contain the oil, acting as if doing so is going to stop any potential disaster.

Main course forgotten, he moves on to digging something out from inside one of the many cupboards.  “Be a dear and cut this for me, will you?”  He hands you a delicate peach before heading to the tea pot, stirring the contents and adding what must be a priceless amount of honey.

The peach in your hand is overripe but still vibrant–amazing, as you haven’t seen fresh fruit at all since you came to Eridia.  Your mouth waters anew as you remember what led you here in the first place–your quest for a meal–and you’re almost tempted to take a bite, follow Vere’s advice and sink your teeth in.

“My, my.  I’m almost jealous.  I thought you only looked at me like that.”

Vere shushes the denial from your lips, bossing you around regarding how he wants the peach sliced before shooing you out of his way and finishing his remaining tea preparations,with the look of an artist at work.  The tea is a warm oolong color, made only more alluring once the infusion of peach is complete.

It’s refreshing, too, once Vere serves it to you over ice.

You can almost ignore the great plumes of smoke coming from the oven.

Vere cooks how others might enjoy a leisurely stroll. 

Which is to say, he seems to be having fun, but you’re not convinced he intends on really going anywhere.  Still, there’s a rhythm to it–a dance, though he leads you in expected loops and turns, changes the tune at a moment's notice.  He’ll get bored of the task at hand and find some new spice to peruse, demand you taste test an ingredient or give your opinion on a dizzying new flavor he’s concocted.

(He manages to convince you to sample a bit of cucumber soup from the cold box.  You retch, proclaiming it salty, downing another glass of delicious peach oolong–

“I can still taste it in the back of my throat…!”–and he cackles wildly.)

Thick locks of hair are falling out of his up-do by the time he’s satisfied, framing his face and bringing your attention, again to the inviting line of his clavicle.  He tosses his loose hair over his shoulder, preening.

The recipe book is basically ruined, and the pasta is null and void, but some of the fillets look mildly edible.  The artful garnish is beautiful, at least.  The kale and orange slices really bring out the crispy burnt bits.  Vere seems to enjoy plating the food a great deal, humming and rearranging and circling the display until he deems it arranged to perfection.

He’s elegant when he takes a bite, biting down with a crunch.  His tail goes very still for a moment, then shivers microscopically as he chews.  He swallows in a manner that you can only describe as dignified, dabbing his lips with a napkin.  You wait in anticipation, but Vere says nothing for a long time.  Then, he quietly takes the old recipe book and throws it away.

Thankfully, he doesn’t insist on you trying it too.

You end up snacking on some of the pre-made goods, drinking the remaining tea and lounging at one of the shop’s cozy little tables.  The mood is light and easy, and the view is magnificent.  Outside, there’s nothing but trash littered streets and urchins, but inside…the afternoon glow coming from the window illuminates Vere like a sunset, painting him in dazzling shades of gold and red and bronze.

Vere hums, peering at you pointedly through his sooty lashes.  “So, dessert?”

You can’t imagine the look that comes across your face–whatever it is, it makes Vere laugh.

“What are you giving me that look for?  My intentions are pure.” His voice is a masterclass in syrupy false-innocence.  “As clean as Leander’s bed sheets after–”

“Please don’t finish that sentence and give me any mental images,” you beg.  “I have to sleep there tonight, I’d rather not know.”

“Ignorance is bliss.”  Vere agrees, closing his eyes and appearing to bask in the sun for a moment.  His face does something that you don’t quite catch–some hidden expression–but then, he’s smiling easily.  He must really be relaxed if he can still smile seconds after thinking about Leander.  You’re still admiring him when the shadows against the walls flicker, and suddenly he isn’t sitting next to you any more.

Instead, he’s returning from the kitchen, a tray in hand.

He sets it down in front of you, revealing an assortment of strawberries and an ornate silver porringer of what appears to be melted chocolate.  Vere sets it down on the table, plucking the small dessert spoon from the chocolate once he’s seated across from you again.

“Occasionally, life does offer up something sweet to savor–only for those willing to go out and take it.”  His tongue darts out to lick the chocolate off the spoon in his hand.  He maintains eye contact as his tongue laves across the basin and–embarrassingly–you think you get a little lightheaded from the intensity with which your blood rushes to your face.  The crinkles at the corners of his eyes tell you that he know exactly where your mind has gone.

Setting the spoon down, Vere instead picks up a bare strawberry, leaning in closer to press it gently to your mouth.

The chocolate is overly bitter–a little burnt, perhaps, but you can’t find it in yourself to care when you’re tasting the remnants of it on Vere’s lips.

(Before leaving, you plop a few coins down on the counter as payment.  You brought enough to cover your food…but definitely not enough to cover the mess in the kitchen.  There’s really nothing you can do about that.  

You hope you don’t get blacklisted.  You’d like to come back next Monday.)

Hope you enjoyed if you made it this far! ⸜(｡˃ ᵕ ˂ )⸝♡

[vitrall]

I don't think Jayce and Viktor literally died. They were kind of pulled into another dimension/astral plane/whatever you call it. We see older Viktor, and while it could be another Viktor, I think it would be more meaningful if it was our Viktor, finally free from the arcane, going through the universe with Jayce, fixing timelines together. Kind of like a cosmic mission.

[luck-of-the-drawings]

OH ARTHUR BENNETT.. such a gorgeous and intriguing character. terribly burdened by a GRUESOME set of crimes, his light suffocated by a HEAVY century of GUILT. so tragic, so dark and broody, and yet PAINFULLY awkward in any social setting ever