#on the forth to be specific‚ which is interesting

[that-house]

The Tarrasque Can Blow Me or: How I Learned to Stop Worrying and Make 5e Bosses That Don't Suck

HI, I'm Catherine that-house, and I play Dungeons and Dragons Fifth Edition almost as much as I hate it. I do this because I am a sicko pervert who likes to tinker with abysmal dogshit, not because it's a good game. This screed is dedicated to everyone trapped in the same mine as me.

D&D 5e combat sucks! Here's the flow chart for your melee champion fighter's turn:

IF BAD GUY: smack bad guy

IF BAD GUY WITHIN 30 FT: move to bad guy, smack bad guy

IF LOW ON HP: second wind

IF NO BAD GUY WITHIN 30 FT: dash towards nearest bad guy

action surge, take it from the top

IF YOU'RE FEELING DARING TODAY: maybe a grapple or an item interaction

And pretty much any non-caster monster has a pretty similar flowchart: there's no real back and forth, just the same set of actions over and over and the only time you have to pay attention on someone else's turn is for an attack of opportunity maybe. Finally one side reduces the other side's number to 0, and you can get back to roleplaying in your roleplaying game.

In general, I strive to make my boss fights hard and interesting, with interesting being the more important of the two. For some reason the wicked clowns working at WOTC got it into their heads that the only ways to make a fight hard are Bigger Number and Less Counterplay. I don't have any data on how they sought to make fights interesting because as far as I can tell they were too busy siccing the Pinkertons on people like it's the fucking 1800s.

Probably not all 5e combat is like this. But, like, look at the statblock for the Tarrasque, the CR 30 "strongest monster in the game" and try to tell me that that thing looks INTERESTING to fight. Difficult? Maybe, if your stats are bad. But INTERESTING? It walks at someone and murders the shit out of them, then rinses and repeats. The fetid dog turd that is the Tarraque is the perfect example of the Bigger Number, and even its meme status as the DM's "fuck you" monster is eclipsed by later additions to the game.

The other end of the "strongest 5e statblock" spectrum is shit like Sul Khatesh from Eberron, who earns the title of "most bullshit" by being immune to nonmagic attacks and creating antimagic fields. This is progress, because you might force someone to grapple it out of the field or something so everyone can deal damage! But this is still ultimately a pretty linear fight, not unlike fighting any other caster in the game, but with Less Counterplay.

My DMing style is pretty character goal-oriented, with the occasional bullshit superboss. We sit around for a few sessions while people pursue side projects and gather information, and then I subject them to the Horrors of a 5e fight that requires things like "positioning" and "planning" from turn to turn.

When playing a high level D&D campaign with insanely bullshit homebrew magic items and character-specific custom mechanics, it becomes necessary to pull out the big guns. The biggest guns. I'm talking a gun like my boy Hierarch Ozyas, undead demigod, father of monsters and heart of a living city, who had a meaty 2000 hit points and took somewhere in the vicinity of thirteen rounds of combat to bring down. Building bosses is an arms race and it's my job to lose in style. Here's Ozyas' statblock:

The bitch himself

Anyways I've been talking for a bit without actually saying anything of substance besides making fun of the Tarrasque. Which I will do one more time:

...deep breath...

D&D 5e is a pretty widely-disdained game by pretty much anyone who's ever played more than one RPG system. I myself only play it because I enjoy game design, and the thoroughly-beaten dead horse that WOTC calls a game serves as a decent foundation to do a lot of heavy tinkering. The Tarrasque is perfectly emblematic of all of the trash I have to wade through in order to get to the stuff worth keeping: it is an uninspired, anticlimactic relic of the past that didn't even manage to cling to a shred of its old glory and is instead content to wallow in the filth of what it once was, never once providing a challenge to any character with a flying speed. I would probably attempt to beat it to death with my hands (and fail, because it checks your character's stats rather than challenging you as a player in any way), but Jim the 1st level aaracokra with a save-forcing damage cantrip already solo'd it for me, so I'll settle for chewing through the throat of whichever game designer forgot they were making a "game" and submitted a three step flowchart for D&D's ultimate boss monster.

But anyways, I promised you a guide to how I design boss fights these days, so let's get to that.

Actually, first here's a quick aside about action economy that I didn't bother finding a place to fit in elsewhere: legendary actions are basically a necessity for any boss past level five or so. One big action is going to be a lot more polarizing than several small ones (i.e. one big crit on a large attack could completely flip the course of the fight, whereas multiple smaller attacks offer the same amount of damage output in a more consistent fashion). If you don't want to give your boss a bunch of HP to make it live long enough to take a few turns, you could consider giving it two turns in the initiative order (reducing the damage per turn to keep the damage per round constant). Low health minions are also a good way to pad out action economy, and even if they're easy to kill they tend to buy the boss another turn or two just from the actions it costs to take them down.

ANYWAYS, here's the core ideas I like to focus on in my boss design:

Keep them moving

Keep them working

Keep things changing

Reward good play

Punish mistakes

Make it a game

Along the way I'll be using snippets of the boss I mentioned above to illustrate examples of these principles and how they affected play. Let's begin.

KEEP THEM MOVING Positioning doesn't really matter in 5e. AoEs and movement values are both so large that you can easily get away with not having a battle map and sorta just tracking "in melee" or "not in melee." I run most fights without a battle map and just kinda track that, but for a good boss you need a map.

But how do we keep the game from just falling back into "move into range and hurt people," you ask? Simple: the Zone of Nasty. The Zone of Nasty is something on the map that is going to hurt the PCs if they're in it, and the Zone of Nasty moves. Depending on the boss, it could grow, shrink, follow a player, follow the boss, alternate between areas of the map, whatever. Some bosses might have multiple different Zones of Nasty that move in different ways and do different things.

There are other ways to force movement besides a moving AoE, such as punishing players for being too close or too far from each other or the boss.

The general principle here is that a boss should at times force suboptimal play: optimal play involves simply standing around, spending all your actions on damaging the boss, and it's incredibly boring from a strategic standpoint. There should be turns in which your players have to spend their action economy on protecting themselves or helping their allies. If they find themselves in a Zone of Nasty, it should force a decision between suffering the consequences to continue optimal play, or spending resources to get out of it.

Our boy Ozyas had a Cancer Field that he could move slowly around the arena that damaged and debuffed PCs inside it, and Pretender-God-Piercing Strike, a telegraphed line attack that oneshot anything that stayed in its area too long (more on this one later).

KEEP THEM WORKING Everyone needs a job to do! This job is probably just going to be based on what their class and abilities encourage them to do, but it sucks for someone to not be able to meaningfully participate in a boss fight.

Let the DPS players kick the boss's teeth in, obviously, but make sure the person who focused on AoE effects has some extra enemies that they can deal with. Bonus points if the extra enemies have something that forces them to be dealt with instead of just rushing the boss' HP bar.

Worst case scenario, throw in a secondary objective like completing a ritual, controlling a point on the map, or fighting the boss' soul on a higher plane to give someone who isn't immediately needed for DPS to still have something to do.

Ozyas spawned a bunch of extra monsters from these gross Birthing Pillars around the map, and killing the monsters and destroying the pillars provided a nice secondary course of action for people either not equipped to slug it out with the boss or not currently positioned right to fight him.

KEEP THINGS CHANGING The tarrasque sucks because it does one thing over and over until it works or it dies. The Theros splatbook improved on this marginally: Mythic Traits are fucking baller! Combats should change over the course of the fight, or this could have been a fucking autobattler. But we can go further.

In addition to occasionally shaking things up based on health thresholds, here's a few ways I like to do it:

Rotating list of effects that change every round

Huge list of options the boss can choose from for one of their effects with no repeats

Some sort of meter that increases and decreases based on what's happening in the fight and modifies the boss' abilities

Ozyas summoned new monsters every round and could customize the statblocks with a bunch of quick templates I whipped together, and in his second phase he started alternating between scaling the to hit/damage of his tentacle attack, the reach of his spear attack, and applying extra buffs to his summons.

REWARD GOOD PLAY These next two kind of tie together but the core idea here is that it's okay if a boss is a bit easy, as long as it makes your players work for it.

This can include things like ways to trivialize certain parts of the encounter as long as the players utilize them, typically at the cost of advancing other parts of the fight.

I knew that Ozyas was going to be a long fight, so I gave my players the ability to heal to full health, as an action, whenever they wanted. They were fighting inside Ozyas' body, and he was a generous host. However, any time they healed, he would be healed for the same amount. They got around this restriction by hitting him with Chill Touch to disable his own healing whenever people needed to heal, but that obviously had the cost of losing two actions' worth of damage output.

Towards the end of the fight, everyone was still standing thanks to that healing, but as he began to infinitely scale his stats once he reached his second phase and started taking them seriously, they couldn't afford to waste turns healing anymore and the safety net they built up by healing earlier in the fight kept anyone in the party from dying.

PUNISH MISTAKES The range on D&D characters' HP pools and general survivability can be pretty broad. I like to give my bosses a reasonably-heavy hitting melee and some sort of light ranged attack to remind the backliners that they too can die. But there's a third kind of attack.

The great equalizer.

The One Hit Knock Out move.

These need to be telegraphed. There needs to be copious time to get out of the area, or to stop the boss from using it, or whatever the case may be. But any superboss should have a way to threaten any player on equal standing: a move that will always hit if its conditions are met, and puts them clean to 0.

Ozyas' OHKO was Pretender-God-Piercing Strike, where at the end of each turn he would wind up a spear thrust with enough range to hit across the entire map, targeting a 15-foot line through the nearest player. Neither he nor the line could move after that, and if you were still in that line at the start of his next turn, you were done.

It wasn't hard to avoid: just walk like 10 feet and don't get pushed back in by another enemy. They even lined it up to target some of his own allies sometimes. But it forced them to think about positioning and stay moving, and there were a few times where it aaaaalmost caught someone in the line. The prospect of Instant Death really does wonders to ratchet up the tension.

And now, finally, we come to the most important part:

MAKE IT A GAME D&D 5e likes to jerk off while fantasizing about being real. "Catherine what the fuck are you talking about?" What I mean to say is that D&D makes a fumbling attempt towards a more simulationist style of game, trying to distance itself from the fact that it is, in fact, a game. It tries to comport itself like reality, such that every part of its combat makes sense in-universe, and then immediately falls short because it can't be assed to indulge in actual simulationism.

It is my belief that if you're going to spend 4 hours fighting a boss, and one of the boss mechanics doesn't really make much sense as an in-universe concept but does make the boss more interesting and fun to fight, then that's a perfectly fine mechanic. Obviously finding some way to justify it is preferable, but my bosses prioritize good gameplay over verisimilitude.

The upcoming boss in my campaign has a feature which puts the fight on a ten-round time limit before he begins kicking substantially more ass than he was before (and the prior ass-kickery was indeed already substantial). If this is a desperate fight with his life and his dreams on the line, why doesn't he open with that? If this were a WOTC statblock, barring a mythic trait, that's exactly how it would work. But fuck that, because it would make the fight way less interesting! Now there's time pressure! And sure, the post-round-ten version of the boss is meant to be fled from, not fought, but if he's at a low enough HP it could instead make for an insane climactic finish!

I let my players see the whole statblock before the fight. We talk through all of its abilities, and I'll even point out some of the potential points of complexity and the big risks to watch out for. There's no in-universe justification for why the characters would know this (beyond, perhaps "you're exceptional adventurers and are good at evaluating your foes"): in fact, one of the quintessential examples of classical 5e metagaming is the Guy Who's Read the Monster Manual. I think that's fucking stupid, though. With open statblocks:

Features can be game-warpingly deadly without instantly incurring a TPK born of ignorance. OHKO moves don't feel fair unless the counterplay is known

The players can strategize around the ways in which the boss is going to change throughout the fight

It's fundamentally fair. Some GMs just wait X turns and then let the boss go down when it takes a big, impressive hit (and I fully respect people who do that! That's still more compelling boss design than 5e's normal schlock), but I personally like when numbers have meanings.

You can still hide some information (I like to black out the boss' Mythic Trait, and then only use it if the players stomp the fight too easily), and you can still tweak it to adjust the difficulty, with the difference being that your players know it's being adjusted and how so (which again comes back to my feelings of fairness).

A few other fun mechanics to toss in include stacking debuffs that trigger something horrible at some certain threshold, additional win conditions or lose conditions, and silly little minigames. One trick I particularly enjoy is having my players secretly vote between two or more bad outcomes, and punishing them even more if the vote is tied.

CONCLUSION Your mileage may vary, but I'm hoping at least some of the insights here were useful to you! I have a particular strain of undiagnosed mental illnesses that make me especially predisposed towards piloting huge convoluted intricate bosses with 1k+ word statblocks, and I'm lucky enough to have players who know their shit well enough to play around this bullshit. Find something that works for you and your players.

If you hate 5e combat and think this sounds like way too much work to be worth doing, go play something else, like Pathfinder or Lancer or (heaven forbid) a game that actually struggles to trace its lineage of inspiration back to D&D. Go to itch.io and find some game no one's ever played before, and toss the creator a bit of money. The only way we're making it out of these goddamn Mines of Phandelver is if people try something new from time to time.

On the subject of cool games with cool combat, bear with me as I shill for a friend real quick. If you want a game that cares less about combat as an abstract dick measuring contest and more about combat as a facet of violence and all that that entails, check out [BXLLET> by @rathayibacter.

And, finally, from the bottom of my heart, fuck WOTC. Your books aren't even worth pirating, and the Tarrasque can blow me.

[sunshineram]

i dont think ill finish this emerald comic but i really like it still 👉👈

based on this techno clip :)

[dennisboobs]

plain and simple i am not going to be able to remain in this fandom long-term if i have to keep putting disclaimers on every single one of my posts that say i don't condone dennis' bad, bad actions and that i am in fact aware he's got a history of sexual assault and dubious/nonconsent. the entire gang has done heinous shit. why is dennis the only one who needs to be treated like this? if some rando wants to post about how dennis is pookie pie that doesn't automatically mean they're blind to his crimes. every single member of the gang is a piece of shit. that's kind of the point.

draw dennis with cat ears who give a shit

[butchdomesticwhore]

why is it so hard to recognize that all this info about bills and such is something you can acquire via googling and making phone calls to people who work in these departments and--yes!--asking them questions on what your best next step is? how does making this about systemic oppression help you or anyone else complete practical, adult tasks? when you point at a paper bill from a medical institution and declare it fundamentally classist, does the bill magically crumple into the dust, the issue dealt with and over because you aptly named the systemic issue at play? no!

do you get angry at mechanics when they tell you they have an idea regarding how your car could be fixed, also? how does that help you? what have you learned from deciding to be angry as opposed to using the information dealt to you? perhaps you should not be told by cashiers either about when the sales happen or how items are put on clearance lest their Insider Knowledge tell you something you don't know and--gasp--come from a place of privilege.

the point of my info and OP's is practical use. "if you have this problem, [x] might solve it." privilege or no, how the info is acquired doesn't matter as much as whether or not it's accurate and helps people. and despite your daftness, i very much hope any of this info helps YOU. or if not you, then someone you know. or someone completely random, i don't give a damn.

Ok so my kid had an ear infection, right? As kids often do.

The doctor scraped out a bit of earwax to have a better look inside.

I was sent a bill for $200 PER EAR for this 5 second procedure which I did not give permission for them to do.

That was key- they did not ASK me if they could do this "procedure". And, as I OWN a medical practice (it's me. The medical practice is me, sitting in my house on video calls) I knew to call them when this bill came in to be like "You did not obtain informed consent for this procedure, and it was not en emergency procedure. You had full ability to gain my consent and didn't. I'm not paying."

And the massive hospital who owned the bill said "yuh-huh you do have to pay."

And I said "I own a practice. I know these laws. I do not owe you money for this."

And they conducted an "internal review" and SURPRISE! Decided I totally owed them money and they had never done anything wrong ever.

And so I called my state's Attorney General office, and explained the situation because, as I mentioned, I know the law. The AG got in touch within a couple days to say they were taking the case and would send the massive hospital conglomerate a knock it off, guys letter.

Lo and Behold, today I have a letter where said hospital graciously has agreed to forfeit the payment.

"How not to get screwed over by companies" should be part of civics class.

Know your rights and know who to call when they're infringed on. This whole process cost me $0 and honestly less effort than I would have expected.

May this knowledge find its way to someone else who can use it.

[ashenberry]

8, 12 ^_^

this is really funny bc i think the last time i did this ask game you sent similar numbers

8. common fandom opinion that everyone is wrong about

so so so so i was gonna say. kaz wouldnt have a bionic arm post v but uhh i went ahead and checked real quick AND I SAID THAT LAST TIME AUHG FUCK. .3. hmmmm. i guess other than that uh. psh i dont think that bb 'misunderstood' the boss's will the way most people seem to understand it? I think he knew what she wanted and he made the conscious decision to not follow her footsteps but thats. just the textual canon of the end of peacewalker? and i feel like this more stems from people just playing 3 or just v / not playing peacewalker which in that case yeah that IS how it reads but he's like.

Snake: ...She betrayed me, Kaz. Miller: She what? Snake: In the end, she put down her gun. And when she did... she rejected her entire life up to that point... including me. Miller: What do you mean? Snake: In giving up her life, she abandoned everything she was as a soldier... Miller: And you consider that betrayal? Snake: I won't make the same choice as her. My future's going to be different.

like it took him a while to come to this conclusion, grief is one hell of a drug, and during portable ops he even states that he isnt even really sure what she meant but i feel like this is like. the most plainly you can get of, "I know that she wanted a world without war, but i have staked my entire identity in being a Weapon so I wont follow her example"

12. the unpopular character that you actually like and why more people should like them

i know there is a ton there in canon but sunnyyyyyyy pleaseeeeeee she is like trucy wright to meeee

but also? man i really like eva :> i came around with her SUUPER hard i didnt like her first time i played 3 n if u look at my posts around that time you can tell but god i love her so much i wish we gotta see her during v

[polyamoryprincess]

I mean… yeah, that was a huge part of the underlying plot. The beginning of the movie is about how Bal is literally a poor orphan who was only given a chance at success by joining the army and was immediately used as propaganda for child soldiers for the next ~10-15 years up until he’s used as a scapegoat. Even Nimona’s whole backstory is about them using Gloreth, a child, and painting her as an adult woman defeating a monster. You could even assume the child soldier stuff started specifically because of that fight with Nimona and is probably Nimona’s main tangible goal - to end the child soldiers program.

Which is how Nimona, who is literally a Permanent Child, brings all of those themes together. She’s brash, loud, chaotic, and a unique individual, everything a child is that being a soldier would take from you, and that the society tries to take from you, (goldenloin’s big internal monologues and his general dorkiness when not in public is a big example of this) and they paint her as a monster for it. Her entire goal is to tear down the institute, specifically as it pertains to gloreth and she chooses the main subject of the child soldier propaganda who is chewed up and spit out, and I genuinely think the only reason Nimona doesn’t explicitly say to Bal, when he’s still iffy about hurting the institutes image, “dude… you’re literally a child soldier. They’re making kids into killers,” is purely to keep the plot from being too short and to avoid ever explicitly mentioning it in the movie for the sake of audience participation.

Like the director was a villain, but so was the queen, so was the society handing over their kids. So was everyone who kept letting this happen and acting like it was normal and fine.

A line I don’t think gets talked about enough:

“He didn’t cut off my arm. He was disarming a weapon. It’s how we were trained.”

The Institute took young kids and turned them into weapons. The Knights were trained to view themselves and their bodies as weapons.

Ambrosius cutting off Ballister’s arm was ingrained instinct. You can see in his face that he doesn’t realize what he’s doing until it’s too late, until the blade is already too far along in it’s swing. And after, he drops his sword like he didn’t realize how it got into his hand in the first place. He looks at Ballister with a dawning horror of what he’s just done, on instinct.

And then, the big fight. There’s a reason Ballister was top of the class. When fighting the guards he isn’t touched. In the middle of fighting Ambrosius, he cloths-lines a guard behind him WITHOUT EVEN LOOKING. Ambrosius doesn’t even look surprised that Ballister won, as if it’s normal, as if Ballister had always won their duels before.

I just. I have a lot of thoughts about this and I don’t have the words to express them. I just want other people to see what I see and talk about it too. To think about the implications of that line and how it’s delivered in a matter-of-fact way.

[joonie-beanie]

Doctor's Orders | [Wriothesley x Reader]

Summary: “Simply put, the Duke needs to have sexual intercourse to relieve his tension. After watching the two of you and seeing you interact on both physical and intellectual levels, I determined that you would be ideal partners for each other. So, I invited the both of you to partake in an aphrodisiac made from the herbs you gathered for me.” In which a simple tea time turns heated, and you get caught up in the consequence of Wriothesley not listening to his doctor. Content: Smut, Consensual Sex, Oral Sex, Aphrodisiacs, fem!reader Word Count: 7.9k

Sigewinne is evil.

You would have never suspected that such a tiny, cute body could contain so much malevolence. (Although, Sigewinne would personally argue that you’re confused, and that the word you’re looking for is actually benevolence. But, you digress.)

It all starts a few weeks into your employment at the Fortress of Meropide.

You’d spotted a job listing for a “personal assistant” in passing one day, and had immediately become interested thanks to the very generous salary listed on the paper. Seeing the job was located in Fontaine’s unofficial prison had, of course, caused you to have some second thoughts about applying, but at the end of the day, money is money.

Which is how you’d found yourself down on the ocean floor, waiting with a few other candidates outside the Duke’s office.

You’d be lying if you said that you weren’t nervous—waiting there to meet the head honcho of the prison. That when he stepped out to call you inside for your interview—all tall and beefy and scarred—your heart didn’t nervously flutter inside your chest.

…but to your surprise, he’s actually much softer than he appears.

“So,” he says, sitting down across from you at his desk. He folds his arms and smiles at you. “Why should I hire you? ”

Having been through this process before, you had immediately rattled off your qualifications and experiences. A few of which Wriothesley had proceeded to comment on and inquire about further. But it wasn’t until he asked—

“What benefit will I receive from picking you specifically?”

And you’d responded with—

“Errand girl.”

“What?”

“I can run errands for you. I’m sure the guards can be slow, going back and forth. But if you’re my direct employer, I can do whatever you want. Drop documents off, check in on things…pick up more tea.”

—that Wriothesley finally makes up his mind.

“Hmm. Very convincing.”

The next day, you receive a letter with the terms of your employment, and your official start date.

So, since then, you’ve been working for Wriothesley. Which is actually kind of…nice.

Your job mostly consists of going back and forth between the prison and the surface, so that Wriothesley can stay in the Fortress and better monitor his domain. The autonomy the job grants you is very rewarding, and in the same breath, Wriothesley also feels rewarded by how you take care of things without him needing to ask more than once.

Safe to say, the two of you get along.

…which Sigewinne notices.

You, of course, meet Sigewinne on your first day. Wriothesley makes a point of introducing you and showing you where the nurse’s office is located, in case you get hurt, or need to drop something off.

The human-like melusine enthusiastically welcomes you, and, at first, you see her as…someone sweet, and caring. A treasure of the prison.

However, over time, your opinion of her slowly starts to change.

Because she keeps looking at you. Specifically, whenever you’re standing next to Wriothesley.

“Why is she doing that?” you ask him one day, nudging him gently with your elbow. He immediately looks up from his meal, over to where Sigewinne is waiting in the lunch line, her pink eyes boring into you.

“She’s probably just double checking that you’re healthy,” Wriothesley responds, paying her no mind. “I often catch her staring at me, too. You must be growing on her.”

Despite his reassuring words, you can’t help but feel a little…put off…by the look in her eyes. Like she’s plotting something.

The second weird thing you notice is when you walk into the infirmary to drop off some herbs she’d asked for, and find her drawing. At first, you assume she’s doodling, since she seems kid-like a lot of the time.

But instead, when you lean over her shoulder and look, you see that she’s writing words. A big, black “DO NOT DISTURB”...with pink hearts and a few flowers drawn around it.

“What’s that for?” you ask her, forcing a smile.

“Oh! It’s just for a project I’m working on,” she responds, swiveling in her chair to face you. She happily kicks her feet, her eyes darting to the herbs you’re carrying with you.

“Ah, are those what I asked for? Thank you!”

You hand her the small bundle of dried flowers and grasses, watching as she immediately turns and places them on her desk next to some string, and cheesecloth.

“You’re welcome,” you respond, taking a small step backwards. “If that’s all, I’ll keep working on the rest of the tasks on my list—”

“Wait,” she says, grabbing your wrist. You instantly freeze, your eyes going wide as you turn back to face her. There’s a serious look on her face.

“How do you feel about Wriothesley?”

Her question makes your heart skip—heat rising on your skin.

“What?”

She doesn’t bother elaborating or giving you context, just waits for you to respond. You cough a little, feeling awkward, and wondering what kind of answer she’s looking for.

“Well…I mean. I think he’s a good boss. He’s friendly, and devoted to his job. He runs the prison well.”

Sigewinne nods, but doesn’t comment. Just keeps…staring.

Feeling pressured, you force yourself to think of more to say.

“Um…he’s deserving of his title and the respect he garners. I…enjoy speaking with him? Like when he invites me to partake in tea breaks. I dunno…he just kinda reminds me of a big, fluffy puppy. He looks scary but he’s actually pretty…cute, y’know?”

Finally, Sigewinne smiles. She takes your hand in her tiny ones, giving it a squeeze.

“Thank you for answering my question. You can go now.”

You blink at her dumbly, but nonetheless excuse yourself from the room.

Two days later, Wriothesley invites you to his office for tea. And to your surprise, when you walk in, you find Sigewinne waiting there as well.

“Thank you for coming!” she says as you enter the room. You flash her a smile, taking a seat in one of the open chairs around the table.

“Of course!”

“Sigewinne has a tea she wants us both to try,” Wriothesley explains, a fond look in his eyes as he watches the resident nurse flit around—pouring hot water into the teacups that have been set out.

You nod.

“I see.”

“Although, I don’t know why you won’t just steep the tea in the pot,” Wriothesley complains to her, just as Sigewinne places individual tea bags in each cup. “Are we not all being served the same tea?”

She cutely huffs.

“For your information, no we are not. Your and Y/N’s tea is unique.”

“Oh?” Wriothesley leans forward to look into the teacups as the colors from the herbs begin to bleed into the water. “What’s so unique about it?”

“You’ll see,” she responds with a playful look, one that causes Wriothesley to amusedly raise his eyebrows. However, he doesn’t say anything more—simply waiting for the tea to appropriately steep.

“...are you using the herbs I brought you?”

You can’t help but notice the smell wafting from the cup in front of you is a little familiar. Sigewinne nods.

“Wow! I’m surprised you noticed.”

“Ah, so this must be the reason you wanted me to lend you Y/N for a task the other day,” Wriothesley chimes in, his icy blue eyes once again shifting to Sigewinne. 

“Do I get to know what herbs you requested Y/N to bring you, exactly?”

The resident nurse shakes her head, quietly laughing when Wriothesley sighs and deflates back into his chair. 

“It’s meant to be a surprise! I want to see what you think about the taste without knowing the ingredients.”

“I suppose that’s fair.”

Folding your hands on your lap, the office descends into silence for a brief moment, the three of you intently watching the teacups in front of you. Then, Sigewinne finally claps her hands and declares—

“Okay, they’ve steeped long enough. Go ahead!”

“Finally,” Wriothesley happily mumbles, reaching forward to pick up the pristine little plate on which his cup of tea resides. He brings the cup to his nose, inhaling deeply, and then takes a tentative sip.

“Hmm…”

He frowns, his brows pinching as he tries to discern the flavors he’s tasting. 

Curiosity getting the better of you, you take a sip from your own cup—wincing as the hot liquid accidentally burns your tongue.

“So?” Sigewinne prompts, staring excitedly between the two of you.

“It’s…pleasant,” you respond, clearly not as big of a tea connoisseur as the Duke. “It has a hint of sweetness.”

“It tastes like a Rainbow Rose smells,” Wriothesley adds, taking another sip. His gaze slides to you. “Did you pick some for her?”

You shake your head.

“No, I didn’t. Or…at least I didn’t pick any fresh ones. I did go to a vendor and purchase something in a bottle that looked like crushed, pink dust.”

Sigewinne cutely laughs. 

“As expected of you, Your Grace. Yes, one of the ingredients is dried Rainbow Rose petals. Do you like it?”

Wriothesley makes a pleased sound.

“I do. The taste is light, but pleasant—like Y/N said.”

“Good! I want both of you to drink up.” 

Sigewinne finally picks up her own tea, and you can’t help but notice the difference in color when compared to yours and Wriothesley’s. She really is drinking something different…but why?

“Aye aye, captain,” Wriothesley responds, which makes Sigewinne laugh. You smile at the cute interaction between them, and have some more of your tea as well.

Together, the three of you engage in friendly conversation—catching up about recent topics while indulging in tea and a few different snacks that Wriothesley had pulled out for the occasion. As you drink, you can’t help but notice you feel…warm. A heat that spreads out from your stomach, and slowly creeps into your limbs.

You’ve never felt this way before but…maybe the tea is just extra hot today? 

You glance up to Wriothesley and notice that he’s a little flushed as well. Which is…reassuring? You think. Since you’re obviously not the only one affected.

“Oh! Y/N!” 

Sigewinne’s sudden call of your name draws you from your thoughts, and you look over at her. She smiles.

“I forgot to ask, but are you dating anyone?”

“Sigewinne,” Wriothesley gently scolds. He leans forward and sets his teacup on the table, the cup now empty.

His tone practically says “It’s not appropriate to ask questions like that” without actually saying it. Sigewinne pouts.

“Aww, c’mon. We’re all friends here! I wouldn’t ask otherwise.”

Hearing that the melusine considers you to be a friend, you decide to grace her with an answer—ignoring the tingling of the taste buds on your tongue.

“No, I am not seeing anyone,” you inform her with a polite smile. Sigewinne nods happily at your answer, which makes your smile waver.

Is she happy you’re single?? Ouch.

“Okay, good,” she says. “I’d feel a little bad, otherwise.”

You blink in confusion at her words, watching her as she pops off her chair and heads towards the door. Wriothesley raises an eyebrow at her.

There’s sweat beading on his brow.

“Where are you going?”

“Away,” she responds. “To give you two some privacy.”

You and Wriothesley glance at each other, mirroring each other’s confusion.

Your tummy starts to ache.

“Why are you leaving us alone, exactly?”

Stopping just in front of the office doors, Sigewinne turns on her heel to face the two of you. There’s a smug grin on her face. 

“This is what happens when you don’t follow doctor’s orders.”

You frown, raising a hand to your chest, wondering why your heart is suddenly racing. 

What’s this about doctor’s orders?

You glance over at Wriothesley…only to see that he’s frozen in shock—his eyes wide with realization.

His pants feel too tight.

“Sigewinne, you did not—”

There’s an edge to his voice when he speaks, his eyes narrowing. He plants his feet on the floor and prepares to stand and confront her, but before he can blink, Sigewinne has drawn her pistol—a tranquilizing bullet hitting him square in the chest, where a little patch of skin is showing. 

He makes a noise of surprise, and quickly flops back into his chair to avoid falling on the floor—his limbs immediately going numb.

“Sigewinne!” you gasp. You’re not sure what’s going on, but the fact that she’d just shot Wriothesley is…

“It’s okay,” she says with a little sigh. “The effect will wear off in a few minutes. And…I’m sorry I scared you. Let me explain…”

She holsters her gun and smiles at you, trying to calm you down.

“As the nurse of the Fortress of Meropide, it is my duty to look after all residents, including Your Grace. And over the last few months, I’ve noticed him becoming more… irritable.”

“Sigewinne…,” Wriothesley mumbles, but the girl waves him off.

“After observing him for a while, I realized that his stress levels were getting high. And as his doctor, I recommended him a way to manage his stress, but he refused. He insisted tea was enough to soothe his nerves, but that’s simply not true. So…when you started working here, and I saw how well the two of you were getting along, I…got an idea.”

Sigewinne glances over at Wriothesley, noticing how he’s begun to shift his boots against the floor. 

Her tranquilizers won’t be in effect much longer. They never work as well on people Wriothesley’s size…

So, she decides to cut to the chase.

Reaching into her pocket, Sigewinne pulls out the DO NOT DISTURB sign you’d seen her making the other day. She holds it in front of her, and beams at you.

“Simply put, the Duke needs to have sexual intercourse to relieve his tension. After watching the two of you and seeing you interact on both physical and intellectual levels, I determined that you would be ideal partners for each other. So, I invited the both of you to partake in an aphrodisiac made from the herbs you gathered for me.”

“You…you drugged us?” you gape, completely thrown by everything she’s just told you. She immediately gets defensive, her cheeks puffing.

“I medicated you,” she corrects. “And in the end, I’m only acting as a doctor. This all could have been avoided if Your Grace had just taken care of his own needs, as I’d insisted. Since he didn’t, I could only logically assume it's because it’s his preference to have a partner, rather than going at it solo. So, if you want to blame anyone for this, please blame him.”

“Sigewinne—” 

Gripping the arms of his chair, Wriothesley breathes out a heavy sigh and begins to push himself up. You can’t help but notice his face is much redder now, and you’re not sure if it’s from embarrassment, the effects of the drugs, or both.

Seeing that Wriothesley has nearly regained his strength, Sigewinne hurries to exit his office.

“Anyway! The effects of the tea should wear off in a few hours, but only if you relieve yourselves. Otherwise, it will last much longer. So I suggest you let loose and indulge yourselves. You like each other! Enjoy this time!”

Wriothesley opens his mouth to say something, but his words catch in his throat the second Sigewinne opens his office door. He doesn’t want anyone outside of his office walls to hear him or know what’s going on.

“I’ll hang this sign on the door,” Sigewinne continues, her voice hushing. “So no one comes in while you two are…busy. Just remove it once you’re done, okay? Have fun!”

With a supportive little fist pump, Sigewinne then closes the door, leaving you and Wriothesley alone.

A few long beats of silence pass, then Wriothesley finally sighs.

"I…apologize for this. I never meant for you to get roped in."

You turn to look at him, only to find that he's standing with his back to you, his hand raising to rub at the back of his head.

You can see his muscles flexing as he does so, and you hate to admit that it causes the heat inside you to grow.

"It's…not your fault," you respond, laughing a little awkwardly. "I doubt it's easy to follow directions when your doctor tells you to jack off to rectify your hardass-ness."

Wriothesley glances at you over his shoulder.

"Have I been acting like a hardass?"

"You've been a little snippy at times," you tell him, smoothing your sweaty palms down your legs. Seriously, your clothes are starting to make you feel claustrophobic…

"Not to me, specifically. But I've noticed it towards some of the prison residents."

"Shit," he sighs, rubbing his temples. You continue to watch him, your eyes wandering the expanse of his back. For a second, you don't understand why he won't face you. Then it clicks.

"...are you…hard? Is that why you're not turning around?"

"It's…pretty bad," Wriothesley admits, his shoulder sagging in defeat. "I don't know what all was in that tea but…as an aphrodisiac, it's doing its job."

"Yeah…," you agree, swallowing heavily. You can feel wet arousal pooling on the fabric of your panties. His office has also started to feel like a sauna, but you're not sure if it's the air that's hot, or your body.

However, you're still not willing to breach the topic of "relief" with him. You haven't reached that level of desperation…yet .

So, you think of something else to carry the conversation in the meantime.

"So…Sigewinne said you like me?"

"Ah, you caught that."

He laughs a little, and begins pacing around the room, still careful to keep his back to you. You can't help but notice his stride is a little…impeded.

"If I'm being frank—yes, I do. You've been…a pleasure to have around, since I hired you. Actually, one of the reasons I picked you in the first place was because of how you acted during your interview. Most people are scared of me and therefore talk cautiously. You're certainly respectful, of course, but…you're a bit playful, as well. And I found that quality to be attractive."

"Ah, so I charmed you," you respond playfully. "Remind me to add that point to my resume later. "Managed to woo the Lord of the Fortress of Meropide". That sounds pretty good—"

"And there you go again," Wriothesley laughs. He steps behind the chair he'd been sitting in previously, and then finally turns to face you—the back of the chair tall enough that his lower half is out of sight. 

"Although, if I recall her words correctly, Sigewinne stated that we "like each other". So, is there something you'd like to say as well?"

Your eyes go wide, and you feel more blood rush into your head. Wriothesley smiles, wide enough to show teeth. 

"C’mon now. It's not fair that I praise you and get nothing in return."

You pout.

"To be fair, I didn't know why Sigewinne suddenly asked me what I thought of you…"

"That’s understandable, but still. I'd like to know what you told her."

Wriothesley maintains his playful demeanor, despite the way his knuckles begin to turn white at his sides—a deep-seated need slowly sinking its claws into him.

You sigh.

"I just…told her that you're a good boss, and are deserving of your titles and the respect you garner…"

You trail off, suddenly remembering the last thing you'd told Sigewinne during that conversation. Wriothesley clearly notices there's something you're leaving out, one of his eyebrows raising.

"And?"

You take a deep breath.

"That you're a cute puppy."

He blinks in shock.

"...excuse me?"

Oh god, you wanna phase through the floor.

"I said that even though you look scary, you're really just like a big…cute…puppy."

For a moment, Wriothesley can only stare at you. Then, he throws his head back and laughs. 

Embarrassed, you plant your palms on your thighs and push to your feet, instinctively wanting to run away…only to realize that your legs have gone weak. 

With a distraught noise, you flop back into your chair. 

Out of the corner of his eye, Wriothesley notices.

He coughs, pulling himself back together.

"Well, I've certainly never heard myself described in such a way before. I can't say I totally hate it, but I'm not sure if I agree with the term "puppy"."

You force an awkward laugh, finally losing steam as the arousal inside you begins to cloud your thoughts. Sigewinne obviously wasn't messing around when making her aphrodisiac…you've never felt so horny before that it has literally hindered your mental and physical faculties.

The office is silent for a few tense moments, but finally, Wriothesley heaves a heavy sigh. His tongue darts out to wet his lips, his shoulders slumping as he hangs his head.

"You may revoke your good opinion of me, considering how inappropriate it is for a boss to even consider such a thing, but…I think my dick is gonna explode soon, so I'll just come out and ask."

You swallow, anticipating his next words.

"Would you be…interested in having sex?"

Your body shivers in excitement at the idea, the lustful part of your brain screaming at you to jump him already.

"I…would," you admit, managing to keep it together. Wriothesley's entire body jolts impatiently at your words, but he’s able to keep himself grounded. 

"I don't think I'll be able to survive…this without some relief. And…I trust you. So…"

"So we're in agreement," Wrioslethely supplies, waiting for your confirmation. You nod your head. 

"We are."

In the next beat, he's is crossing the space between you, a "thank god" barely making it past his lips before he crashes them into yours.

Immediately, you’re groaning into him—your arms wrapping around his neck and his hands finding the backs of your thighs. He lifts you from your chair easily—your chests pressing together as he holds you close.

You’ve always been acutely aware of how large Wriothesley is, but you don’t think it fully sinks in until now—as he manhandles you with ease, quite literally carrying you with one arm as the other sneaks beneath your shirt and tugs it over your head.

You’re forced to break the kiss as he does so, but the second the fabric has been discarded, you’re tangling your fingers in his hair and dragging him in for another. 

Your action evokes a pleased little rumble inside his chest.

“You taste sweet,” he mumbles, his palm roaming over the exposed skin of your back. The warmth of his skin against yours makes you ache.

“It’s probably the aphrodisiac,” you reply breathlessly, a shiver raking your spine when you feel his fingers toy at the waistband of your pants.

“Hmm, shall we posit your theory?”

Before you can even think to ask what he means, the room is spinning—too many things happening at once. However, it’s nearly impossible to miss the feel of your pants being shucked down your legs.

When everything settles, you find that you’re no longer chest to chest with Wriothesley, but rather, face to dick.

“Wh—”

Your cheeks heat up as you finally digest the position he’s put you in—your ass in his face, and his crotch in yours—his body now firmly planted in a chair as he spreads his thighs and makes himself comfortable.

“Wriothesley!” you say in shock, your palms gripping his legs for support as you attempt to turn and face him. However, you quickly realize with the position he has chosen, you’re fairly helpless to do anything—completely at his mercy as he locks his arms around your legs and grips your ass in his hands.

“Hm?” he responds nonchalantly, one of his fingers slipping under the edge of your panties. You shift a little, trying to glare at him, but only succeed in having his clothed dick poke you in the cheek. He tenses at the sensation, and you feel his cock strain helplessly against the fabric of his pants—begging for more friction.

“I’m just testing your theory, like I said,” he continues, a surprised mewl tearing from your throat as he leans his head forward and nuzzles his nose in the damp fabric of your panties.

“If you think it’s the aphrodisiac making you sweet, let’s see if it’s also having that effect elsewhere—”

Before you can protest, Wriothesley is tugging the crotch of your underwear aside—his tongue licking a hot, languid strip between your folds. You gasp at the feeling, your nails digging into his thighs through the layer of clothes that he wears.

Above you, the Duke makes a pleased sound, repeating his previous action—noting the way your body writhes against his hold. His fingers grip your ass tighter, his brows furrowing as he presses his tongue inside your entrance—your arousal quickly coating his taste buds.

“Yep,” he mutters after a moment, his voice tight and his throat bobbing as he harshly swallows. “You taste…addicting.”

His words have your cunt squeezing around nothing, although he quickly dives back in and rectifies that problem—stretching your walls out around his tongue. 

“Fuck…,” you pant, your head dropping as your strength wanes. Your muscles progressively start to feel like jelly, thanks to his ministrations. Especially, when he moves his mouth to your clit and begins rolling his tongue around it—a whine escaping you as the desire inside of you sears white hot.

And yet, despite the way Wriothesley presses on—groaning into your pussy as he eats you out—you’d be remiss to forget about the fact that he’s currently affected by the aphrodisiac as well, and has his own needs that need to be taken care of.

So, gathering what strength you have, you manage to push yourself up onto your forearms—your hands moving to the waistband of his pants. You frantically work open the button and zipper of his slacks, and then hook your fingers under the elastic of his underwear, tugging the band down.

…only to have his freed cock immediately spring up and smack you in the face.

Your eyes go wide, and in normal circumstances, you’d expect Wriothesley to laugh at the comedy of what has just occurred. However, too immersed in the way your cunt tastes and feels, and the way your body continues to twitch in his hold, he doesn’t even notice. And, too amazed by the sheer size of Wriothesley’s dick as you finally lean your head back and get a good look at him, you don’t bother saying anything.

No, instead you simply part your lips and take the head of his cock into your mouth—sucking lightly, your tongue teasing at his slit. The groan that’s immediately torn from his throat is involuntary—the sound becoming muffled by your pussy as he momentarily stops to savor the feeling of your mouth on his dick—your tongue flattening on the underside of his shaft as you slowly take more of him into your mouth.

Then, he goes back to eating you out with renewed fervor—your eyes nearly rolling back into your skull when he sucks at your clit.

The room quickly fills with the sound of sloppy and messy oral, your head bobbing up and down Wriothesley’s cock. Saliva drips down his length, his pre-cum smearing against your tongue, and you can’t help but moan.

Everything feels so good—from Wriothesley’s tongue on your cunt, to the way his cock fills up your mouth…

“Fuck,” Wriothesley growls. His fingers move to pull at the folds of your pussy, spreading you open wider. You can feel his hot breath on your skin as he moves his mouth back to your clit, where he then stays—his tongue flicking rhythmically against the sensitive bundle of nerves.

The pace and motion he settles on is one that you know will very quickly damn you, and he figures this out as well based on the way your thighs begin to shake in his grasp. Your body attempts to jolt away from him—trying to escape the onslaught of pleasure he intends to give—but he leaves no wiggle room. He holds you tighter, enjoying the feeling of your mouth on his cock, and how your efforts slowly start to crumble along with your sanity.

“I…,” you mumble the word around dick, trying to warn him of the orgasm you can feel quickly approaching. Your entire body swims with arousal, your head feeling light. 

“Keep going, sweetheart,” he pants. “Let’s cum together.”

You feel his cock throb against your tongue, and, dutifully, you do your best to continue sucking him off—your lips once again suctioning around his shaft. Your actions immediately evoke a pleased groan from the Duke, and you feel his thighs tense in your grasp—his own orgasm quickly approaching.

However, despite your best efforts to continue, everything falls apart the second your climax finally crests.

With a cry, you come undone—your body writhing in his hold. You go brainless almost immediately, the strength in your arms wavering, and Wriothesley’s cock stuffing into your cheek—your hot breath fanning over his length.

Luckily, the vulgarity of the entire situation is enough to push Wriothesley over the finish line—his dick painting the inside of your mouth with his cum. And to his surprise, once he’s spent, you actually pull your head back, close your lips, and swallow.

Shit, he thinks. 

His dick is just starting to soften, and yet somehow, it’s also already getting hard again.

There’s a few beats of quiet that are filled only with the sound of you and Wriothesley panting. Then, once he’s caught his breath, he says—

“Let’s get you right side up.”

—and the world spins again.

Honestly, the fact that he can manhandle you this easily is criminal.

“You okay?” he asks, sitting you on one of his thighs. He brushes a few stray hairs from your face, staring at you with a hint of concern.

You nod your head, grateful that the carnal desire you’ve been afflicted with is clearly less, now that you and Wriothesley have both gotten off. But…even despite that, you still feel hot and tingly. Like you want more.

You glance down at his lap.

“Mmm. Seems like you’re in the same predicament as me.”

“Think you can handle another round?” he asks. You meet his eyes, playfully raising your eyebrows.

“I’m almost tempted to say no, and see what you do.”

Wriothesley rolls his eyes, his hands grabbing your waist, and in the next moment, you find yourself slung over his shoulder.

“Hey—!” you protest, attempting to look at him, but he only caresses your ass with his free hand.

“If you have that much spunk left in you, you can handle another round,” he says, carrying you down the nearby staircase, to the floor below his office. “But, I’ll be kind this time and make you more comfortable.”

His boots echo against the metal floor as he walks, and for a second, you wonder where exactly he’s taking you. But, soon after, Wriothesley pushes through a nearby door, and you find yourself in a moderately sized bedroom.

It must be his, you realize, feeling a little silly that you’d never pondered before now where the Master of the prison actually sleeps.

“Here we are.”

Wriothesley gently deposits you onto his bed, and then immediately reaches for his tie. You watch him with bated breath, your heart doing a tiny flip as you realize that he’s finally stripping out of his clothes. He opts to leave on the leather belts encircling his arms and neck, instead focusing the bulk of his time on shedding his suit, and undoing the many buckles on his boots. 

By the time he’s finished—his erect cock once again sitting heavy between his legs—you’re practically drooling at the sight of him.

His lips twitch into a little smile.

“I’m happy to know that you like what you see. However, in the time I spent undressing myself, you couldn’t be bothered to remove what little clothing you have left? C’mon now, are you waiting for me to wrestle you out of them?”

Still feeling cheeky, you flash him a grin.

“Hm, I’d like to see you try.”

Wriothesley immediately cocks an eyebrow, his eyes glinting at the challenge you’ve just issued, and your attitude wavers, realizing what it is you’ve done. You open your mouth to say you’re only teasing—your hands already raising behind your back to undo the clasp of your bra—but it’s too late.

In one swift motion, Wriothesley grabs your ankle and twists you onto your stomach—his weight settling above you as he kneels onto the bed. You shiver when his knuckles brush against your skin—his fingers swiftly undoing your bra.

“You’re just a little brat, aren’t you…” 

He speaks the words fondly, with a hint of amusement, and yet, they still go straight to your cunt. 

“Don’t say things like that,” you respond, instinctively raising your hips when Wriothesley hooks his fingers on your underwear and begins tugging them down your thighs. He stares intently at your backside as he does so, an idea popping into his mind.

“Why? Because you like it too much?”

He discards your panties on the floor along with the rest of the clothes you’d both shed, and then grabs your knees, forcing you to spread your legs, so he can properly settle between them. 

Another blush rises on your face at his words, your tongue feeling heavy in your mouth. At your lack of response, Wriothesely continues.

“In my understanding, brats tend to like it a little rougher, so…” 

His hands ghost up your thighs, to your hips, and he grips you tightly—forcing your lower half off the bed until you’re propped up on your knees—his cock sitting heavy against your ass.

“...what say we continue like this, hm?”

Bracing yourself on your forearms, you turn your head back to look at him—your body tensing as you watch him fist his cock and drag it downward, between the lips of your pussy. 

His icy eyes catch yours.

“Any objection?”

“...no,” you mumble, your fingers anticipatedly fisting in the sheets. 

Wriothesley nods—

“Good.”

—and then presses the head of his cock inside you.

Immediately, you drop your forehead against the mattress—willing your body to relax for him as he slowly inches inside of you.

His tongue had certainly been enjoyable, but this? Fuck. Nothing compares to the sensation of him slowly stuffing you inch by inch—the girth of his cock positively delicious as he forces your cunt to stretch to accommodate him.

It’s so much that by the time he’s fully seated inside of you, your body is shaking—your breath coming out in quick, desperately little pants.

Seeing your reaction, Wriothesely soothes a hand up your spine, his warm palm settling between your shoulder blades. He decides to start slow—to give you a little more time to adjust to him. 

And honestly, he’d love to take his time in general—to really savor the sight of you beneath him, your cunt swallowing his cock so perfectly, but alas. The effects of the aphrodisiac make him impatient with need, and it’s not long before he’s moving faster—little gasps and whines finding their way past your lips as he begins fucking you back onto his cock.

“Ahh…seriously you’re…so fucking tight,” he curses. His fingers dig into the plush of your hip—his jaw clenching, and his racing heart pumping lust through his veins.

Your cunt clamping on his dick seriously might be his personal slice of heaven.

“Wrio, I—,” you can’t even get the words out, your brain short-circuiting. You can’t think straight anymore—not with his cock rubbing you in all the right spots, making a mess of your insides, and quickly rocketing you towards another—

Wait, no, it’s only been a minute—!

“Fuck! ” 

You choke the word out, your spine curving and your knuckles turning white as your second orgasm of the night is unexpectedly forced out of you—your pussy spasming around Wriothesley’s dick.

The last of your strength officially drained, you collapse forward onto the mattress, your cheek smushing into the covers.

…however, Wriothesley doesn’t allow your lower half to fall along with the rest of you—his hold on your hips keeping your twitching pussy firmly planted on his still-hard dick.

“We’re not done yet, sweetheart,” he reminds you, his cock continuing to languidly drag between your walls, drawing out the tail end of your pleasure.

You can’t help but whimper at his words, already feeling a bit oversensitive thanks to two consecutive orgasms. Wriothesley does his best to soothe your frayed nerves.

Leaning over you, he gently tangles his fist in your hair—coaxing your head off the mattress so he can kiss you. 

The kiss is messy, but sweet—the angle of your bodies forcing his cock deeper inside of you, his hips completely flush against your ass.

“You’re doing so good,” he tells you, peppering a trail of kisses against your cheek, and across your jaw. His praise causes you to whimper, a shiver raking up your spine when his tongue drags across your skin—his teeth nipping at the nape of your neck.

His actions successfully get you to relax—your body becoming more pliable in his grasp as he once again begins to move. And soon enough, the wet sound of sex fills his bedroom once more.

Wanting to help him cum (and to feel his seed fill you), you do your best to help Wriothesley along—purposefully flexing the walls of your pussy as he fucks you. However, in doing so, you accidentally start yourself down the path of yet another orgasm…

Feeling the familiar, aching pleasure beginning to build inside of you once again, you quickly stop what you’re doing. You think that a third orgasm honestly might kill you, but…it’s too late.

Wriothesley has already noticed your growing arousal, and decides that he likes it better when the two of you cum together.

So, he sneaks one of his hands between the apex of your legs, and begins rubbing at your clit.

The garbled, desperate cry that leaves your mouth immediately becomes seared in his mind for a long time to come.

“No, Wrio, I…I can’t. I—”

Your words come out jumbled, tears beading on your lash line.

Momentarily removing his hand from your clit, he once again reaches forward and grips your hair—pulling your head back so he can kiss you. His lips swallow up your worries.

“You can,” he insists, his voice whispering in your ear, and his hot breath fanning over your skin. 

“I want you to cum with me, pretty girl. You can do it.”

You give no protest aside from a cute little whine, and that's good enough for Wriothesley.

Releasing your hair, his hand finds your clit once more.

He then proceeds to fuck you into the mattress—pursuing his orgasm with abandon. A groan leaves his mouth at the way your pussy starts clamping on his dick once again—tightening up with each pass of his fingers across your clit—your pussy slick and messy with your own arousal.

Unable to think straight, you can only hold on for dear life—clinging to his sheets like a lifeline. You can’t even process the sounds that are coming out of your own mouth—a damned, desperate symphony moans.

To Wriothesley, it all sounds like a siren's cry—beckoning him closer to the edge.

“Shit,” he pants, feeling his cock throb, and his balls tighten. The motion of his fingers on your clit quickens—your toes curling as the coil of pleasure in your tummy continues to wind—so close to snapping.

Sweat beading on his brow, Wriothesley leans forward, curling his body against yours. His teeth nip at the shell of your ear, his husky voice sending goosebumps across your skin.

“So good for me…,” he breathes, his hips smacking into your ass. His broad strokes deteriorate into needy rutting, and the sensation has you quite literally sobbing—his cock now incessantly grinding into your g-spot.

You can’t take it anymore.

Shoving your face into the mattress, you bite the sheets and scream—your entire body shaking as you cum for a third time, your cunt milking around Wriothesley’s cock.

He curses at the feeling, his face burying in your neck. Wrapping his arms around you, he hugs you to his body—fucking inside of you a few more times before finally joining you in ecstasy. 

His teeth sink into you as his orgasms peaks, a heady groan muffled against your skin as his balls empty—pumping you full of his cum.

It’s not until the intensity of his pleasure has died down that Wriothesley ultimately releases you from his hold—your lower half immediately flopping down onto the bed, and his softening cock slipping out of you.

The Duke takes a moment to simply look at you, and how fucked out you are. Your eyes bleary, skin flushed, and the imprint of his teeth engraved in your flesh.

He grunts at the sight, and settles in beside you—his arm curling around your waist as he tugs you back against him. His tongue immediately begins lapping at the bite mark he’d inflicted, attempting to soothe the sting.

After a few seconds, you begin shaking, and Wriothesley immediately pauses, scared that he’s hurt you in some way.

…only to realize that you’re laughing.

“...puppy…”

He props himself up, glancing at you.

“What?”

“You really are like a puppy,” you giggle, your finger lifting to brush a stray tear from your eye. “The way you bit me, and then immediately started licking at it in apology. So cute…”

You break into another tiny fit of laughter, and Wriothesley rolls his eyes, yet can’t help cracking a smile.

“Well, I’m glad to know I didn’t break you, at the very least.”

His hand rubs against your waist.

“...right?”

Finally getting ahold of yourself, you roll onto your back and smile at him, your hand reaching out to cup his cheek. He immediately leans into your touch, and it makes your heart flutter.

“I’m not broken, no. Just…sore. And gross. And sweaty.”

Wriothesley chuckles.

“Well, I think I can rectify some of those issues. I do have a bathroom, with a tub.”

“Wow,” you respond, watching him as he scoots to the edge of the mattress and gets to his feet. He waits a second for you to join him, but you don’t move.

“My…limbs feel like jello,” you admit, raising your arm and flopping it back down bonelessly for emphasis. Wriothesley rolls his eyes, but nonetheless leans over the bed and scoops you into his arms.

You rest your cheek against his chest, admiring for the first time how soft it really is.

“Whatever shall I do with you,” he playfully sighs, carrying you into the adjacent bathroom. He sets you on the vanity, moving over to the tub and turning on the tap for the hot water. You hum.

“Mmm, I can think of a few things you can do. The first of which is helping me into the bath once it’s ready.”

Wriothesley quietly chuckles. Returning to your side, he takes your hand, and brings it to his lips.

“Yes, ma’am.”

Once the tub has filled, the Duke keeps true to his word—once again carefully cradling you in his arms as he seats himself in the tub basin, before positioning you in the space between his legs.

The steaming water immediately soothes the ache of your body, and you sigh in relief—sinking back against Wriothesley’s body. He lightly wraps one arm around your waist, the other resting on the edge of the tub.

For a few long minutes, the two of you bask in silence, simply enjoying the refreshing feel of the bath. 

…then, you start to notice something beginning to grow—pressing at your back.

“...really? Is the aphrodisiac still getting to you that much?”

“No,” he admits after a beat, leaning forward to kiss your neck. “I think this one is actually all me.”

You roll your eyes, but nonetheless crane your head to the side—allowing him access to more of your skin as his mouth begins to wander.

“I thought I made it clear that my limbs are jello right now.”

“I can work with that,” he responds, and you feel him grin. His hand slowly trails down your stomach, and between your legs.

“I’ll do all the work. You just get to make pretty sounds and feel good.”

His fingers slide between the folds of your pussy, and you jolt as he passes over your overly-sensitive clit. But seriously…how are you going to say no to him?

“What am I going to do with you?” you sigh, echoing his earlier words. His chest rumbles with laughter, and he grabs your chin with his free hand—turning your head so he can kiss you.

“Mmm, I can think of a few things.”

The next morning, you find yourself in a back in your clothes, standing beside Wriothesley just inside his office door.

“I’ll go first,” you say, to which he nods. “I have some errands to run anyway. You can wait a minute and then come out after me.”

“Sounds good.”

The two of you stare at each other for a second, before you finally square your shoulders, and reach for the door handle. 

Before you can twist it, Wriothesley catches your wrist. When you look back at him, you find that there’s a blush on his cheeks.

“So, I’ll…see you later?”

His suddenly bashful demeanor causes you to smile. Pressing onto your toes, you cup his cheeks and softly kiss him. He immediately grabs your waist—deepening the kiss.

“You’ll see me later,” you promise. 

With that, the two of you finally separate, and you disappear through his office door.

Wriothesley takes a deep breath at your departure, combing a hand through his hair as he waits for the right moment to make his own exit.

To be safe, he decides to wait a good few minutes. But finally, he opens his door—preparing to venture into the main area of the fortress, and make his normal rounds.

…however, he only makes it a step before remembering the sign Sigewinne had made.

With a sigh, he immediately backtracks and tears the DO NOT DISTURB sign off of his door, crumpling it between his palms.

When he turns back around, he nearly jumps—Sigewinne standing right in front of him.

“So,” she says, a pleased grin on her face. “How’d it go?”

Narrowing his eyes, Wriothesley only stares ahead, and walks past her. She easily follows after him.

“The fact that you’re out and about this early in the day means something likely happened between you and Y/N.”

“No comment,” Wriothesley responds, which makes Sigewinne giggle. They pass by a few prisoners as Wriothesley makes a B-line for the elevator to the production zone. Once there, Sigewinne squeezes herself in along with him.

As the elevator begins to descend, only a few seconds pass in silence, before Sigewinne asks one last question.

“As your doctor, it’s my recommendation that you continue to regularly relieve your stress. So, are you going to be dutifully carrying out my orders from now on?”

Wriothesley makes a little face, glancing away from her.

“...maybe.”

Sigewinne smiles. 

That’s good enough for her.

[A Dragon's Constitution] ->

[prokopetz]

Quibbling about etmology in fantastical settings is usually of limited interest because, well, every word has some origin, and – unless we're given some reason to believe that the setting's inhabitants are truly speaking modern English – we must assume that some notional localisation is taking place; the text's use of an English word which has, for example, a French origin does not inherently imply that the actual, literal country of of France exists in this setting, and so forth.

No, the interesting part is when the text decides to throw in a whole other real-world language. If everybody speaks English, clearly we're localising for the benefit of the Anglophone reader; and if everybody speaks either English or some invented language, we may conclude that English is standing in for a specific language which exists within the setting, with other languages being left unlocalised; but if most speech is in English, except some characters speak Russian, now we have a question on our hands.

A fantastical setting which represents its inhabitants as speaking the language of the work's target audience suggests nothing other than that the author wanted it to easily be read, but the presence of additional real-world languages represents a more significant choice. Why are we localising some but not all of the setting's languages as one spoken by the work's target audience? How was it decided which fictional languages should be represented by which real ones? Why Russian in particular? What exactly are we implying here?

[steveseddie]

when the clock strikes twelve

written for @steddieholidaydrabbles “midnight” & @steddiebingo 12 days of christmas mini event “carol” | rated: t | wc: 1000 | tags: different first meeting, post season 2, new year’s kiss

read on ao3

It’s five minutes to midnight when Steve steps into the bathroom at Tina’s house.

If he’d known that coming to her New Year’s Eve party would mean welcoming the new year alone in the same bathroom where his girlfriend called their relationship bullshit, Steve would’ve stayed home.

“If it isn’t the King of Hawkins,” a voice says, startling Steve and making him turn around, his heart hammering in his chest. But it’s not a demodog or fucking Billy Hargrove, just Eddie Munson sitting on the sink with his legs swinging back and forth.

“Munson.”

“Welcome to my office, Your Highness,” Eddie says with a dorky salute.

Steve glances around them. “Your office?”

“This is where I do business, you see,” he says, flipping the lid of his metal lunchbox. “Isn’t that why you’re here?”

Steve hangs a hand from his neck. “No, uh, I’m hiding from someone.”

Eddie perks up with interest. “Who?”

“Carol Perkins.”

“Your buddy Tommy’s girl?”

Steve’s nose wrinkles. “He’s not my buddy anymore and she’s not his girl either. And for some reason Carol thinks the best way to get back at him for being a dick is to kiss me at midnight.”

“And you don’t want that?” Steve shakes his head. “Thought you and Wheeler were done– or are you not over her yet? Don’t worry, big boy. There’s still time for that New Year’s resolution.”

“Shut up,” Steve says, a blush creeping up his cheeks. “It’s not about Nancy, I just don’t want to kiss the first girl who throws herself at me, you know?”

“I do not, Your Majesty,” Eddie says with an amused snort. “I’ve never participated in such activities.”

Steve tilts his head in question. “Kissing someone on New Year’s?”

Eddie looks away, nervously playing with a rip on his jeans. “Or you know, ever.”

He can’t see the way Steve’s eyebrows shoot up but he probably hears the surprise in his voice when he asks, “You’ve never kissed anyone?”

Eddie purses his lips. They’re nice lips, Steve observes. It’s a shame no one has kissed them. “No, Harrington. Go ahead and laugh it up,” he says, his voice clipped.

“I’m not laughing! I’m just–” Confused that someone as hot as you hasn’t kissed anyone. Steve clears his throat, his blush getting worse with that thought even if Eddie can’t read his mind. “I mean. Why haven’t you?”

Eddie scoffs. “People aren’t exactly lining up to kiss the town’s freak,” he says. Then hesitates before he adds, “Specifically guys.”

So the rumors about Munson are true. “Oh.”

The confession makes Steve blush, despite Eddie being the one who admitted something. He doesn’t know what to say. He’s afraid he’ll open his mouth and something stupid will come out. Something like– ‘I’m here! I’m a guy!’

So he stays silent, which makes Eddie wary.

“That’s it? You’re not gonna run? Call me names? Punch me?”

Steve can see that his shoulders are tense, his knuckles white where they’re gripping the sink tightly. It’s like he’s getting ready to run in case Steve reacts badly.

But running away or punching Eddie couldn’t be further away from what Steve wants to do right now.

“No, I–”

“Ten seconds to midnight!” Someone yells downstairs.

“I– I want to do something else,” Steve admits, his voice wavering slightly. He hesitantly steps closer to Eddie, who narrows his eyes.

“What?”

“Five seconds!” The same voice yells and the crowd joins the countdown.

“Four!”

Steve stands directly between Eddie’s legs.

“Three!”

He puts his hands on Eddie’s waist.

“Two!”

Steve raises his eyebrows in a silent question– is this okay?

“One!”

Eddie gives a tiny nod.

And then Steve swoops in, pressing his lips against Eddie’s as the crowd downstairs cheers and Eddie’s watch starts beeping.

Somewhere in the distance, fireworks go off but Steve could swear he can feel them inside him when Eddie kisses back, looping his arms around his neck.

Steve tilts his head, determined to give Eddie a good first kiss. He licks softly at his bottom lip, making him gasp. Then he kisses him a little harder, softly touching Eddie’s tongue with his, feeling the way he shudders.

He knows this is probably longer than the usual New Year’s kiss but Steve doesn’t care. He doesn’t want to stop. And apparently neither does Eddie, who pulls Steve closer and drags his teeth across his bottom lip.

It’s only when they need to breathe that they break apart.

Eddie’s eyes stay closed longer and only flutter open when Steve cups his neck and strokes an idle thumb against his jaw.

He decides that dazed and kiss-drunk are a good look on him.

“Happy New Year,” he says with a lopsided grin.

Eddie snorts amusedly. “Yeah, Happy New Year.”

The noise downstairs starts to die down. People are probably going back to drinking and dancing, maybe even leaving. He could easily slip out without running into Carol, but he doesn’t want to, not unless–

“Hey, uh, do you wanna get out of here?” Steve blurts out.

Eddie blinks. “Me?”

He can’t help but roll his eyes. “No, the other guy I just made out with in the bathroom.”

“And here I thought I was special,” Eddie says with pouty lips– fuck, Steve wants to kiss them again.

So he does. Just a quick press of lips.

When he pulls back, he places another small kiss to the corner of Eddie’s mouth.

“Say yes,” he says before doing the same on the other side. “And I’ll show you special.”

Steve hears the way Eddie’s breath hitches and feels a smirk teasing at his lips.

Only for it to be wiped away by Eddie grabbing him by his neck and pulling him in for more than a press of lips.

Damn, he’s a fast learner.

“Yes,” Eddie says once he pulls back, giving him a shit-eating grin.

Steve sends a silent ‘thank you’ to Carol Perkins before reaching for Eddie’s hand to drag him out of there.

[creetchure]

i thought this was about medieval politics and was gonna argue. carry on

It strikes me that the process for converting a princess into a maid is far more streamlined than the reverse. Though i suppose it is an efficient use for those princesses further down in the line of succession. Likely a defence mechanism to deal with potential pretenders? it needs more research.

[savanir]

DP x DC prompt [16]

Danny has been with the Wayne’s for a while now and his status as a halfa is starting to affect some things he comes in contact with a little bit.

At first he thought this only happened back in his old home in Amity Park because the ectoplasm samples were kept in the fridge, and though that does speed up the process, it turns out Danny causes the same things to happen just fine on his own. It just takes a lot longer.

This means he now occasionally has to replace or decontaminate some of his things every once in a while. and with the electronics the same applies but usually the protections that Tucker has made do the trick too.

Danny has been very careful, he never borrows anything that’s highly susceptible to ecto-contamination from the others and whenever he needs something from the kitchen he just goes to Alfred (he really doesn’t want to see how the old man might react to the coffee machine starting to act weird because of Danny). Just, the last thing Danny wants to do is inconvenience the Wayne’s by ecto-contaminating something of theirs.

It’s really only when Danny slips back into vigilante-ism that things go sideways.

And Danny really tried. His obsession is space, not heroism, so he figured he’d be fine just focussing on his education. But he kinda forgot about the fact that he just really really loves being a hero.

He loves the thrill, the danger. He loves giving a smackdown and just in general having a good fight, he loves helping people, he loves being a force of good. And yeah, he kinda also likes the praise, but nothing weird and overbearing (some people go way too far in their hero worship, but that’s a story for another day)

So after some back and forth and arguments with Bruce who, contrary to popular belief, was absolutely not thrilled that his latest traumatized kid who was being kept safe in the mansion so far now decided that no, he wants to be part of the family business too please.

Danny eventually threatens to just go out anyway without any of his help and that just gives Bruce flashbacks to the time when he had just taken Dick as his ward. Not to mention some of his other kids and… dammit.

Well then… Danny can go explain things to Jason himself once he finds out and is probably going to be mad about it, Bruce is not taking the blame this time.

So Danny (name pending, he could just go with Phantom again, but he also wouldn’t mind using something bird or bat related) gets back into the game once again! And that’s fine that’s cool. But back to the original point.

Danny figured that he would just do what he’s been doing so far with any bat gadgets as well, and maybe it would be even less of a problem cause he’s pretty sure that these things break a lot more often because of all the fights and stuff.

What Danny had not really thought about though is potential intense high emotion situations. Like for very specific example; Scarecrow taking an obsessive interest in him because of Danny’s ghostly ability to feed on fear (somewhat) and the situation getting out of hand, him getting very hurt, Batman having to carry him out of there while Danny was kinda bleeding a bit (a lot). Bruce being worried and Danny wanting to be anywhere but there anymore and-

Well, you get the point.

So, take all that and add high tech bat armor and what you get is suddenly sentient batsuit.

It actually took a bit for anyone to catch on that something was going on, but it was eventually figured out. and once that was the case Danny couldn’t really help his seemingly endless stream of apologies.

But how can anyone ever blame him for bleeding out on Bruce and the weird reanimative properties of said blood making it so Bruce’s suit can now “talk”

Bruce described it more as like a martian mind link, which would explain why only he could hear things. it’s probably only for the wearer.

It can’t move on it’s own, it needs someone to wear it. But it can sense things and react for the wearer and honestly all that alone is more than enough reason to find a way to exorcise it… if not for the whole,

“but if it’s a sentient ecto entity now we can’t just ‘kill’ it, we literally abolished the anti ecto acts just so that can’t be done anymore”

it’s probably a good thing the suit has grabbed all the ‘Batman’ and made that what it is. All the core values are there, so there isn’t going to be any risk of it killing someone at least.

Still though… what to do now?

[tobiasdrake]

Which DBZ antagonist do you like the most?

Boring opinion, I know, but I gotta give it up for the Obvious Choice.

And I'm not just saying that because I haven't had a chance to talk about him yet.

Frieza runs a real estate empire that carries out genocidal acts of gentrification, purging tracts of land of their native inhabitants so he can sell their land for profit. Commenting on this choice for his ultimate villain, Akira Toriyama stated that he made this decision because real estate speculators are the worst people there are.

Fucking based.

From the moment we meet Frieza, he is a monster. Toriyama likes this Big Guy Little Guy dynamic where the Little Guy is the one you really need to watch out for. Frieza is the Littlest Guy ever.

He's so tiny. And yet you know exactly who the most dangerous person in this group is. Zero question.

By the end of this altercation, Frieza reveals one of his signature attacks, giving us our first glimpse of the kind of person and the kind of fighter he is. This is such an important moment for his character and I'm kinda mad that the anime had Dodoria do it instead.

Muri destroys the Scouters and blinds Frieza. I've talked before at length about the devastating impact that this move and the Namekian warriors' attack has on Frieza's campaign.

But once it's done, he has to face the music. He's not getting out of this alive.

In one last desperation play, Muri tells Cargo and Dende to run while blocking them with his body. And that's when it happens.

This is Frieza.

Specifically, this is Frieza's Death Beam. It's never actually given a name, but is generally referred to as Death Beam. We've seen a move like this only once before.

The Dodonpa, signature technique of Tsuru-senryu, first introduced by the assassin Taopaipai, was built for extreme lethality. This is not a technique for fighting; It's a technique for killing.

What makes Frieza's Death Beam stand out from the Dodonpa, however, is its accuracy and its speed. He threads the needle around Muri to hit Cargo before anyone even has a chance to react.

We see its accuracy and speed again six days later, when it finally catches up to the other child fleeing from him here.

The panelwork here calling attention to everyone's reactions as Frieza's ki bullet shoots past them, as his shot threads the needle between all obstacles in his path to strike his target far behind them. Dende is dead before anyone can even process that Frieza fired.

This is the difference between the two techniques. The Dodonpa is a gun. The Death Beam is a sniper rifle. Faced with the physical hurdle of bodies impeding his path, Frieza point-clicked Cargo and Dende to death.

He later executes Vegeta this same way.

Done with you.

All of this context for Frieza's sniping shot serves to set up the stunning subversion when Goku arrives to fight.

Frieza's never seen this before. Goku shouldn't even be able to see the shots coming until they've perforated his lungs. That's how Death Beam works. It's this moment that lays it out: Frieza's about to be tested like he's never been tested before.

Speaking of cool techniques, I've always been partial to this move from his Third Form.

The anime gives Frieza little ki bullets coming out of his fingers but I want to note that we never see a physical projectile when he's doing this. Frieza jams his fingers back and forth in the air while something pulverizes Piccolo.

I've always imagined he's poking the air so fast that it's hitting Piccolo with pressurized air currents. Similar to Goku's Mazoku air current punch from the 23rd Tenkaichi Budokai.

But that's just me.

In any case, Frieza's got some fun moves. He's something of a hobbyist martial artist. Which is to say, Frieza has an interest in martial arts. In addition to his Death Beam, Frieza's concocted a litany of other interesting techniques.

He even invented the Kienzan, independently of Krillin.

Though he can remote operate his Kienzan so it's strictly better than Krillin's. Frieza, in his spare time, has come up with a bunch of cool moves. Too bad he has no idea how to use them.

Frieza's greatest weakness is his inexperience. He practices martial arts the way a business CEO who bought a log splitter so he can cut some wood and feel woodsy practices agriculture. Frieza has never had a proper chance to truly experience martial arts, because he was born too powerful.

The only partner who's ever even dirtied his skin was his dad.

And even that isn't much. Frieza's too strong. He wants to pursue martial arts. He wants to hone his technique. But when you win every fight by blinking too hard in the opponent's direction, what even is there to practice?

Frieza created a transformation to seal away his immeasurable ki because he was born with so much ki flowing from him that he can't even contain it. At his peak, Frieza's ki bleeds out of him. He simply can't contain it.

Goku wonders aloud why Frieza took so long, even after the fight turned against him, to go to 100%. Frieza's been all "Oh I'm only using 10% power this is my 50% you made me go to 75%" and Goku's like, "Okay. My dude. What's this about, for real?

This, incidentally, is not a great translation. What Goku's saying here is supposed to be basically, "Perhaps when you use your full power, your body can't handle it."

He is correct.

Frieza's Full Power has a lot in common with Super Saiyan 3. His theoretical maximum ability is wildly different from the reality of what he's capable of, because he bleeds ki like it's going out of style.

So, while other characters wound up earning transformations that make them more powerful, Frieza created a transformation to seal away some of his incomprehensible ki.

Then he created a couple more because even though he could now control his strength and even manipulate the amount of ki he's releasing at a time, he was still too powerful for anyone to ever compete with and needed even more ki sealed away.

Again, not a fantastic translation from the people who brought us "bottom-tier boy", as Frieza's statement here could be interpreted as saying that he gets taken by a berserker rage or something.

What he's saying is more like, "My power is so great that I can't properly contain it."

Point is, Frieza transformed to lock down his ki and seal parts of it away, so he could control the rest better. Then he kept going, locking away more and more and more of his ki. And even at his most nerfed, he's still five times more powerful than the Second Strongest Guy in the Universe.

Frieza has never in his life had the opportunity to be pushed. That's what makes Goku so enthralling to him.

Frieza plays with Goku because he's genuinely having the time of his life. This guy can fight him in his Final Form. Nobody can fight him in his Final Form. He's so happy, he straight-up forgets that he's trying to complete a genocide against Goku's entire race.

He said that five minutes ago. Gohan's hidden power freaked Frieza the fuck out. Saiyans are too strong now. They've gotten too strong. Frieza cannot permit them to keep existing because they're getting strong. Every last Saiyan, every last one, must die. Every single one. Scorched earth, no survivors.

But then he meets a Saiyan martial artist who's a technical master and pushes him more than he ever thought possible and suddenly:

He goes from "Saiyans are TOO STRONG and they all must die because they might threaten me" to "OH MY GOD I'M HAVING SO MUCH FUN CAN I KEEP YOU!?"

It's this desire for a true rival, this opportunity to satisfy his amateur's curiosity about martial arts, that ultimately unravels him. Frieza has one ruthless and pragmatic option for ending this fight once it starts to be too much for him. He can technically stop the fight any time he wants.

But he can't bring himself to do it. He wants to fight. He wants to compete. Frieza's been on the outside looking in at martial arts for his entire life and even when his greatest fears are fulfilled and the Super Saiyan is in front of him, he wants to try.

So when he does attempt to pull his Lethal Ragequit, he pulls back at the last second. He can't bring himself to do it. Goku initially assesses that Frieza held back out of fear of hurting himself.

But later, as Frieza begins unlocking the final chains on his ki, Goku changes his assessment. Noting that if Frieza really held back simply out of a mistake, he could have shot the planet again at any point to finish the job. He's been letting this play out because he can't bring himself to end the greatest fight of his life that way.

This fight is still happening because Frieza wants to compete. I mean, he wants to win, of course, but he wants to win as a martial artist. He's never truly gotten to be a martial artist before.

He is not the guy winning the gold medal at the Tenkaichi Budokai. He has never been that guy. He's the guy who buys up the land the Tenkaichi Budokai is held on and then bulldozes all the people off of it. But in his heart of hearts, he wants to be that guy. That guy is so cool. Frieza wants to play too.

In a sense, by hosting the Cell Games, Cell got to live Frieza's greatest fantasy.

This is who Frieza is. He's the cruel and wicked heir to Genocide Realtors Inc., who is in love with the idea of being Tenshinhan - A desire that exists at odds with - and undermines - his pragmatic business sense, so to speak.

He is the most vile character in the history of Dragon Ball. The worst kind of person. He is also an overeager child whose wealth and privilege prevents him from ever truly enjoying his hobbies, to an extent that he'd be almost pitiable but for all the genocides.

And he is Dragon Ball's greatest villain.

[princessbrunette]

pogue!rafe who you call over to fix every minor inconveniences.. theres a cockroach bothering you or your ac’s acting up and rafe is the first guy you call 🙂‍↕️ he acts all nonchalant being “you could literally call the ac guy or your neighbor or someone. youre saying i come all the way here for this?” but you js go “but you’re the only one i trust rafey!!” and he eats that shit UP 🙂‍↕️🙂‍↕️🙂‍↕️

: ・ෆ・┈・┈・ᕱ⑅ᕱ・┈・┈・ෆ・ :

perhaps you have strict kook parents who don’t let you bring men into the house — but rafe has worked on the house, they trust him — so he’s allowed right? he really doesn’t wanna come all that way just to press a few buttons on your ac that he knows you could do yourself — but he can’t help it, he’s just a man and you’re feeding his ego when you say stuff like “i’m not good at this kinda thing rafe, you’re all smart n’know how to fix things. oh, and my parents like you so they wouldn’t mind if you come here whilst they’re not home!” which makes his ears perk up like a rabbit of course. he reluctantly agrees and heads straight out.

it’s a specifically hot day, so when he turns up you’re walking around in just the tightest tiniest bikini because the ac is broken and you just couldn’t bring yourself to put clothes on.

he’s being his usual mean self, telling you to stay out of his way whilst he figures out the problem, and then once he figures it out starts telling you that you could have done it yourself — but you’re just smiling, barely listening, staring up at him looking all soft and grabbable which makes it hard for him to concentrate. you’re finding ways to get him to stay longer, offering him iced tea and food to which he declines every offer. before he leaves you get all upset, brow furrowed and pouty and he can’t stand it.

“what, huh? why are you looking at me like that?” he throws his arms up from the doorway to your bedroom, watching you sit on the bed sulking.

“why do you wanna leave so bad?” you mewl, genuinely sounding like you’re on the verge of tears and he sighs, scratching behind his ear.

“doin’ my job, kid. you’re not payin’ me to hang out and besides — m’not taking your money today.” he waves a hand and for a second you lose focus of your goal.

“wh— why?”

“i came over n’pressed a few buttons. s’not rocket science.”

“i’m still gonna pay you.” you cross your arms stubbornly and he spreads his palms carelessly, looking around.

“well uh, i’ll send it back.” he sarks and you huff, staring at your feet. he watches you for a moment, before giving in just a little and leaning on the door frame. “still upset? huh?”

“yes.” you pout.

“whats the problem now? you kook girls have got plenty’a shit to entertain yourself with alright you— you don’t need me for that. not a god damn babysitter.”

“you’re not babysitting. not even that much older than me, anyways.” you whine, only seemingly proving his point and he huffs out a laugh.

“jeeeesus christ.” he drawls under his breath before he strolls over to stand infront of you. you don’t look up at him, pointedly, so he taps beneath your chin twice. “hey.”

looking up, you look so sweet — he couldn’t deny it. “whats the issue?” he reiterates, and from his clipped tone you can tell he’s not gonna ask again if you refuse, he’ll just leave.

“want you…” you murmur, eyes getting hazy and low, pupils dilating before his very eyes like you’d flipped a switch. it’s tempting, very tempting but he backs off anyway.

“nah, nah you want a toy. go fuck on a dildo, m’not your slave.” he huffs tiredly as he drags his big body over to the doorway again. in almost a panic you let out a devastated noise, tears welling up.

“no i want you. rafey, c’mon… you have no idea. s’hurting.” you complain, and now his interest is piqued, turning around once more he licks his lips irritably at the back and forth, blinking at you.

“you think that shits not gonna hurt with me? huh?” he tilts his head, reaching down and boyishly grasping at the shape of himself through his jeans. “this shits bigger than any of the other suckers you’ve had. trust me, you don’t want this kid. go back to playing with kook boys.”

fed up and whiny, you bring your feet up onto the bed, spreading your thighs as you pull your bikini bottoms aside. he freezes on the spot, eyes locked in to the sight, only just taking in the pained look on your face. you weren’t lying, your cunt is a mess of slick, practically pulsating and clenching around nothing infront of him.

“i can take it. make me take it.” you request quietly, peering up at him. he exhales hard out his nose, looking around the room helplessly before storming towards you.

“yeah? alright. i’ll make you fuckin’ take it.”

: ・ෆ・┈・┈・ᕱ⑅ᕱ・┈・┈・ෆ・ :

[keepingitformyself]

older (and wiser): i

synopsis: in which time could have never undone what she left.

A/N: FIRST WANDA FIC!!! had this idea long ago when i was crushing hard on this girl from the theatre program at my uni; around that time i had also seen ‘past lives’ and i wanted to do something similar with that film. also at my core i know wanda maximoff would’ve totally been a theatre kid, this is me paying ode to that. while this specific part doesn’t go into that, i am gonna work on a sort of prequel to this Short Series…anyways enjoy!!!

pairings: wanda maximoff x reader

genre: angst?

warnings: it’s sad. but it gets hopeful…

MASTERLIST part ii

please do not repost my work anywhere for any reason at all. if you do see this happen to any of my stories, please let me know. thank you x.

it had been years.

wanda had finally decided to take a breather. she’d been working non-stop ever since she left for work all those years ago after college.

she didn’t think she’d get so lucky off that one job, that it’d immediately get her into another, or another, and so on and so forth.

she loved her work, sure, but now it was catching up to her. everyone in her life, her manager, her agent, her family had all begged her to slow down.

“take some time off, wanda.” her agent, daniel had said to her during a meeting. wanda’s eyes traveled between daniel and her manager, samara.

the meeting had all been a set up. what wanda thought was supposed to be a discussion on a new project, was actually a ploy. she had no idea the meeting was meant to convince her to take a break.

“yeah right.” she scoffed. not believing in what they were saying.

“we’re serious, wanda.” samara stated, her eyes stern but with genuine care. “when was the last time you had time for yourself?”

wanda remained silent at the words. all of a sudden she felt like a kid being scolded by their parents. and she wished to be anywhere else but in the room with them.

“really.” daniel starts. “go be a real person. smell the flowers, meet people, fall in love, take in the view—”

“i meet people all the time, daniel.” wanda quickly cut in.

all daniel could do was shake his head, a sigh escaping his lips as he tried his hardest to make the woman in front of him understand.

“you know that’s not what i meant, wanda.” he gives her a pointed look.

with a jaw clenched, she crossed her arms over her chest and looked off to the side. the windows overlooking los angeles now seeming more interesting than this conversation.

“we know how much it means for you to work, we know how much you enjoy it, but you’ve been doing it for so long. we just want you at your best.” she hears samara say. and as much as she hated to admit it, daniel and samara were right.

wanda hadn’t stopped working since she started. in fact, it’s all she can think to do. she didn’t have anyone outside of work—no partner, no obligations except to her family. why stop when there was nothing waiting for her?

wanda knew the answer but wouldn’t admit it. she might as well never have fully faced it.

the truth was, she’d loved someone once. she’d loved you. and no matter how much time had passed, the thought of you still gnawed at her.

though everything was perfect for a while, her career was well off, she was successful, and her family was proud.

but wanda couldn’t help asking, is this really it?

of course, she tried meeting people. she really tried. she didn't like being miserable over someone she hadn't been in contact with for years. but even that wasn't enough. it was honestly a bit pathetic. it had happened years ago. four years, to be exact. wanda should’ve been well moved on by now, but she isn’t. at least not entirely.

so, she poured everything into her work to distract her from that gnawing feeling inside her. the one that had been lit up all those years ago. the one that was tamable with you around.

but you’re not around, and wanda couldn’t help but throw herself into more work hoping she could get rid of it, get rid of you. but she hasn’t.

“listen, wanda,” daniel cuts her train of thought. “your work is important and people need it, but to keep it up to that degree, you need to go out and just be a human.” he finishes.

wanda sighs. she leans forward on her knees and drops her head into her hands. daniel was right. they were both so right.

wanda never properly dealt with things. maybe it's time she finally did.

she looks up from her hands, a look of defeat yet understanding, with pursed lips she finally says,

"fine."

and now, two months later, wanda finds herself back in los angeles, in an empty home, eating expensive sushi.

she had gotten off the phone with her brother, pietro, who had just joined her on the recent trip she’d been on.

a trip that he insisted he’d join her on to make sure wanda would do all the resting and touristy things she should.

she had done all the traveling she could do in the last two months, jumping from plane to plane. talking to strangers, being a tourist in european cities, and befriending random people in planes.

now, wanda actually had time for herself, time with her brain. a thing she honestly didn't want to face. because even thinking about anything made it even more real.

but now wanda was bored, and the movie playing on her eighty-inch television wasn't doing much to entertain her. and it also didn't help that it was eleven pm on a thursday night and all wanda could do was feel bad for herself.

so she does the next thing she had been really trying to avoid,

stalking your social media.

wanda herself wasn’t much active online these days. she had much to do day-to-day and week-to-week, rarely would she ever have the patience to sit down and scroll through her phone much. that and she honestly tried to stay off of it.

but now she has the time. and the patience. and honestly, she’s a little scared at what she could find.

she tells herself it doesn't have to mean anything. just a little check-in to see how you were, after that she'd really work on trying to forget about you altogether.

and with the simple type in of your name, wanda finds your instagram. your profile picture, a professional headshot of you, and a bio that reads,

editor in chief.

New York Times contributor.

something that shouldn't have made wanda's chest burst with joy, but it does. and as she scrolls further and further, she finds that you now reside in new york city, that you've moved on well without her and that you have a cat and a boyfriend.

boyfriend.

she shouldn't care so much, but she does.

you were living your best life. the one you had always wanted.

just not with her. not with wanda.

but she doesn't stop there, and she ignores the lump in her throat as she exits your profile and searches for your mother's name.

and maybe she feels her heart break a little when it turns out the boyfriend you had is actually your fiancé. she finds out through a photo your mother posted.

the picture shows you, and a handsome man next to you. you’re both sat outside some restaurant in the city, his arm is thrown over your shoulder while your right hand clutches his left, and there it is. in all its glory—with the diamond on it catching the suns light perfectly. the ring on your finger.

it doesn’t help that he looks so in love with you.

out for lunch with y/n and paul again! i promised them an engagement lunch and we were NOT disappointed. make sure you try Jack’s Wife Freda if you are ever in SoHo!!#motherinlaw #NYC #loveinnewyork

is what the caption reads.

wanda freezes at the fact and immediately throws her phone on the empty seat beside her. she stares at it like it had just offended her.

many things go through her brain. how did you meet him? was it shortly after you broke up? was it really him you wanted to spend forever with? how long did it take for him to ask?

wanda had always loved your mother. a sweet woman who always had your best interests in mind. she had always pushed you to do what you loved. and wanda had always seen that some of her favorite traits of yours had come from her.

after the break up, your mom made sure to check in on wanda. without you ever knowing, wanda and your mom kept in touch, until eventually wanda had cut her line for the sake of fully moving on.

though, she never really fully did.

wanda evaluates what to do next. was this her sign? she doesn’t want it to be sign.

wanda doesn’t want to admit that it seems like you had moved on so completely.

on impulse she looks up your fiancé’s name. “paul” is all she had to type out in your mother’s following before she found his account.

she finds that paul is just as successful as you are. he’s an investigative journalist, born in ireland. he briefly worked at a publication in london but transferred to a firm in new york after a year.

he’s gorgeous, she thinks. he has blue eyes, a kind smile, and he has an accent. it would make perfectly good sense why you would choose him.

wanda’s stomach twists with a mix of happiness and regret.

“fuck!” She whispers to herself.

“of course, you’re happy. of course the man you’re engaged with is actually a decent man! fuck.” wanda says to no one in particular. in frustration, she burries her hands in her hair.

wanda is annoyed at herself.

“i need a drink,” in an instant she’s on her legs making her way to the kitchen. she finds a bottle of wine that has been kept cool in the fridge and she wastes no time in popping it open, she pauses briefly, debating on whether she’d need or glass or not.

to hell with a glass. she thinks, and makes her way back to the couch, she holds the bottle by its neck and takes a long swig from it.

it’s all so perfectly miserable. wanda maximoff stalking her ex-girlfriend on social media while she gets wasted. the self loathing has got the best of her. she finds it all ironic.

wanda maximoff could have anyone she wanted. she knew this. she has everything she could ever want or need. she has credibility, a nice home, the luxury of traveling at any moment she wants.

yet, her mind kept coming back to one thing. the one thing she’d decided she’d leave behind all those years ago. it isn’t fair, she thinks. wanda was young and stupid back then, but she was so so in love. she knew that for sure.

but sometimes…sometimes she really wishes she had fought harder.

briefly, wanda wonders if your number was still the same. if you had ever changed it or at least tried calling her. she wouldn’t know, she had changed it years ago once she started getting more attention for her work.

wanda was really drunk at this point. her better judgment had gone away as soon as she’d picked that bottle out the fridge. there was no better time than now.

she taps on her phone until she lands on the number keypad. her fingers hover over it, would she regret it if she didn’t? probably. would she regret it if she did? probably.

but if there was one thing wanda had, it’s that she’s got nerve and audacity.

so she types in the number that she doesn’t think she could ever forget, and lets it ring.

your fiancé answers the call.

“hello?” an irish accent sounds through the speaker. paul. wanda’s blood runs cold and she stays silent for a moment. all of sudden she feels incredibly sober and regretting making the call.

“hi.” she pauses. “uhm, i’m looking for y/n?” wanda manages to squeak out.

“right! who is this? your number isn’t saved.” paul says,

“an old friend. i changed my number a while back.” wanda replies smoothly.

“oh! let me pass her to you, she’s just in the kitchen.” the line goes quiet for a few moments, and she’s able to hear a few words exchanged between you and paul.

“hello?”

wanda freezes again, a hand covers her mouth as she tries not to shake at the sound of your voice. it’d been so long. she grips her phone tighter.

“hey…” her voice shaky and unmistakable. you know it’s wanda.

“wanda?” your voice betrayed the surprise you felt. from the couch paul caught your eye, a raised eyebrow on his face. everything okay? he mouthed.

you shook your head.

“i wondered if your number was still the same.” wanda says after a moment. her tone light, but with an undercurrent of something else.

your mind raced. why was she calling you? why now? your fiance was in the other room, you were getting married soon. you’d built a life perfectly fine without her in it. so why was she calling you now?

“how have you been?” her voice cuts through the line again. wanda holds the phone close to her ear, wanting to make sure she could hear every word you say.

and all you can think of is how confused you were.

“i- i’m fine. i’m good. yeah.”

“that’s good—”

“i’m sorry, uh…why are you calling?” you find yourself cutting her off. your fingers press against your forehead in act of trying to understand what was happening.

wanda pauses. she realizes just how impulsive this whole thing was. she’s on the phone with her ex of four years, while your fiancé was probably in the other room. she goes silent again. her words have to be carefully measured.

she gulps,

“uhm…i just—i just wanted to know how you were. heard you’re based in new york now...so…” wanda trails off. you don’t miss the tone in her voice as she says those words. the familiar rasp, the lowness of her voice, she’d used it many times on you when she wanted something.

you close your eyes with a sigh, “yeah. yeah, i live in new york now, engaged and everything.”

wanda smiles through the phone, her eyes almost prick with tears at the corners.

“i saw," she says just above a whisper. "congratulations, you…you’ve always wanted that.” and she means it. she knows better than anyone how much you’ve wanted this.

suddenly a wave of nostalgia hits you, and you’re brought back to when you were both in college. so young, so dumb, but god, it was one of the best times of your life. you try not to let it affect you, how much this call seems to be doing for you. you haven’t yet figured out if it’s a good or bad thing.

“thank you." your voice softens. "how have you been?” you find yourself asking her next.

wanda smiles at your question, “life has been…insane, you know?” she pauses on the line. “still missing some pieces, but overall i’m doing well,” you pretend not to hear the sudden shift in her voice when she said that.

you exhaled quietly, unsure of what to say. the air between you felt charged with unspoken words, old memories stirring to the surface.

“can i see you?” she asks, her tone hesitant. “catch up in person? i’d really like to see you.”

with your bottom lip between your teeth, you contemplate your next words. paul notices your tick from the other his seat on the couch, despite you telling him it was okay he couldn’t help but worry. he’d heard enough of the call to know something was wrong. still he knows you had it down, so he waits until you need him.

you struggle to find your words for a moment, the question being so…why?

“oh, wanda, i don’t know if—”

but wanda ever the stubborn woman she is, doesn’t relent.

“please. Just for some coffee and conversation.”

your mind is torn between keeping your peace or taking wanda up on her offer. but you were curious.

with a sigh you finally decide.

“where and when?”

you can hear wanda’s smile through the phone,

“i can fly to new york anytime you’re free. you can pick a spot and i’ll be there.”

you think for a few moments.

“okay, meet at caffe reggio in greenwich. i’ll be in touch with when.”

wanda’s heart stutters, something she hadn’t felt in a while. her eyes flutter closed, she breathes in— out. her eyes open again. and though you can’t see it, there’s a new look in her eyes.

“i’ll be there.”

[linddzz]

Sat here and combed through all your jayvik analysis posts giggling and kicking my feet but PLEASE tell me more about the whole dom/sub thing, especially the whole “they have absolutely not discussed that this is the dynamic, it just happens and neither of them acknowledge it” because that is genuinely so interesting. Like I could already tell Viktor had hella ‘quiet calm collected dom’ vibes especially compared to jayce’s ‘excited protective puppy who would FOLD at being called a good boy’ energy…

But the whole bit on the bridge where Viktor smacks his hand away without even looking? And Jayce EARNS BACK TOUCHING PRIVELEGES? Fucking scrumptious please tell me more.

god i need to get to writing my fic bc I feel like "talk more about it" would be solved just by me dropping the link This ended up being TOO LONG so I split it between me going feral about that bridge scene and then me going feral at other moments of nonverbal communication that I use to feed my Dom/sub "oh you two are just LIKE THAT" interpretation. So. here's part one

That bridge scene tho...im so normal about it

hhhggg god that bridge scene is one that I rotate in my brain so much because it is such a small moment that makes so much of their dynamic click. For me, specifically, it clicks the "submissive like a guard dog is submissive" dynamic, where Jayce is, on a surface level, the stronger and more forceful of the two while Viktor is the one actually holding the leash (until he's too tired to because he's dying, and I only half joke when I say that their issues at the end of season 1 are because Jayce is suddenly the equivalent of a dog holding it's own leash and getting stressed out about it.

Jayce's touching before the bridge come across as pretty overbearing honestly. He's holding his hand out to keep Viktor from speaking out...

Heck, while the still screenshot doesn't show it too well, Jayce slings an arm around Viktor with enough force that it knocks Viktor off balance for a second and shoves him forward a little.

Viktor got dragged to the hexgate when Jayce is looking into shipping discrepancies happening there, even though it obviously doesn't involve him and he does NOT want to be there.

(In hindsight this is a hilarious bit of showing that it did not occur to either of them that there's no goddamn reason for Viktor to be here. This is council business, Jayce outright says "I'm a councilor now Viktor" which does not answer why tf Viktor needs to be there. these twits just handle all problems as a unit lmao. The tragic flip is that this is could then be a breaking moment when Viktor goes back to the lab, realizing that him and Jayce are not, in actuality, a single unit anymore. because Jayce got a second job that is not Lab With Viktor oh my god you codependent dweebs)

Up until that point it would be really easy to see Jayce as being presumptive and unintentionally overpowering Viktor in personality. Heck, it's what I thought the dynamic was as I was watching Season 1, though even as I thought that it seemed somehow...not quite correct.

And then the bridge scene.

Even before the hand-smack, there's a flip on the reading up to this point that Jayce has been accidentally bowling over Viktor by force of personality/physicality. Jayce comes in hot, upset, angrily standing over Viktor and chewing him out, and Viktor is just like "....and??"

Viktor is calm if baffled and annoyed at Jayce's frustration (also; Viktor just rolling his eyes and shaking his head at the actual riot happening a few yards away? hilarious. i love him.) His almost nonchalantly confused tone when he asks "what difference does that make?" always gets me. the entire back and forth says, to me anyway, that Jayce may be more brash and socially competent, but he's not overpowering Viktor at all, actually.

Viktor is going to do whatever the fuck Viktor wants.

This is immediately made clear by the much beloved hand smack. Viktor doesn't even look up, and his smack shows that he is perfectly capable of setting a hard boundary on Jayce's touching, and that Jayce will IMMEDIATELY fold and apologize when that boundary is set. That smack makes it suddenly clear that when Jayce goes for the shoulder touch right after apologizing, Viktor consciously allows it.

idk WHY but I also love this little tiniest moment when Jayce is going for the second touch. Viktor glances back as Jayce approaches him (looking like a cat with its ears pinned back lmao), then looks away as he accepts the second touch and they move on. It's such a tiny detail of showing Viktor, who is still pretty pissed at Jayce, seeing the touch as it comes in and then deciding to let it happen. im rotating them in my mind. please send help

In my framing of them being a guard dog/handler dynamic, the bridge scene is us seeing a moment of the leash getting a sudden sharp tug to bring the guard dog to heel. It resets all the earlier instances as being ones that Viktor allows to happen, because he doesn't see a need to correct it.

fuck man this doesn't even get into the bridge scene as a major crack between them as the moment Viktor loses his trust that Jayce will understand his decision. i am unwell