#on the forth to be specific‚ which is interesting

[keepingitformyself]

older (and wiser): i

synopsis: in which time could have never undone what she left.

A/N: FIRST WANDA FIC!!! had this idea long ago when i was crushing hard on this girl from the theatre program at my uni; around that time i had also seen ‘past lives’ and i wanted to do something similar with that film. also at my core i know wanda maximoff would’ve totally been a theatre kid, this is me paying ode to that. while this specific part doesn’t go into that, i am gonna work on a sort of prequel to this Short Series…anyways enjoy!!!

pairings: wanda maximoff x reader

genre: angst?

warnings: it’s sad. but it gets hopeful…

MASTERLIST

please do not repost my work anywhere for any reason at all. if you do see this happen to any of my stories, please let me know. thank you x.

it had been years.

wanda had finally decided to take a breather. she’d been working non-stop ever since she left for work all those years ago after college.

she didn’t think she’d get so lucky off that one job, that it’d immediately get her into another, or another, and so on and so forth.

she loved her work, sure, but now it was catching up to her. everyone in her life, her manager, her agent, her family had all begged her to slow down.

“take some time off, wanda.” her agent, daniel had said to her during a meeting. wanda’s eyes traveled between daniel and her manager, samara.

the meeting had all been a set up. what wanda thought was supposed to be a discussion on a new project, was actually a ploy. she had no idea the meeting was meant to convince her to take a break.

“yeah right.” she scoffed. not believing in what they were saying.

“we’re serious, wanda.” samara stated, her eyes stern but with genuine care. “when was the last time you had time for yourself?”

wanda remained silent at the words. all of a sudden she felt like a kid being scolded by their parents. and she wished to be anywhere else but in the room with them.

“really.” daniel starts. “go be a real person. smell the flowers, meet people, fall in love, take in the view—”

“i meet people all the time, daniel.” wanda quickly cut in.

all daniel could do was shake his head, a sigh escaping his lips as he tried his hardest to make the woman in front of him understand.

“you know that’s not what i meant, wanda.” he gives her a pointed look.

with a jaw clenched, she crossed her arms over her chest and looked off to the side. the windows overlooking los angeles now seeming more interesting than this conversation.

“we know how much it means for you to work, we know how much you enjoy it, but you’ve been doing it for so long. we just want you at your best.” she hears samara say. and as much as she hated to admit it, daniel and samara were right.

wanda hadn’t stopped working since she started. in fact, it’s all she can think to do. she didn’t have anyone outside of work—no partner, no obligations except to her family. why stop when there was nothing waiting for her?

wanda knew the answer but wouldn’t admit it. she might as well never have fully faced it.

the truth was, she’d loved someone once. she’d loved you. and no matter how much time had passed, the thought of you still gnawed at her.

though everything was perfect for a while, her career was well off, she was successful, and her family was proud.

but wanda couldn’t help asking, is this really it?

of course, she tried meeting people. she really tried. she didn't like being miserable over someone she hadn't been in contact with for years. but even that wasn't enough. it was honestly a bit pathetic. it had happened years ago. four years, to be exact. wanda should’ve been well moved on by now, but she isn’t. at least not entirely.

so, she poured everything into her work to distract her from that gnawing feeling inside her. the one that had been lit up all those years ago. the one that was tamable with you around.

but you’re not around, and wanda couldn’t help but throw herself into more work hoping she could get rid of it, get rid of you. but she hasn’t.

“listen, wanda,” daniel cuts her train of thought. “your work is important and people need it, but to keep it up to that degree, you need to go out and just be a human.” he finishes.

wanda sighs. she leans forward on her knees and drops her head into her hands. daniel was right. they were both so right.

wanda never properly dealt with things. maybe it's time she finally did.

she looks up from her hands, a look of defeat yet understanding, with pursed lips she finally says,

"fine."

and now, two months later, wanda finds herself back in los angeles, in an empty home, eating expensive sushi.

she had gotten off the phone with her brother, pietro, who had just joined her on the recent trip she’d been on.

a trip that he insisted he’d join her on to make sure wanda would do all the resting and touristy things she should.

she had done all the traveling she could do in the last two months, jumping from plane to plane. talking to strangers, being a tourist in european cities, and befriending random people in planes.

now, wanda actually had time for herself, time with her brain. a thing she honestly didn't want to face. because even thinking about anything made it even more real.

but now wanda was bored, and the movie playing on her eighty-inch television wasn't doing much to entertain her. and it also didn't help that it was eleven pm on a thursday night and all wanda could do was feel bad for herself.

so she does the next thing she had been really trying to avoid,

stalking your social media.

wanda herself wasn’t much active online these days. she had much to do day-to-day and week-to-week, rarely would she ever have the patience to sit down and scroll through her phone much. that and she honestly tried to stay off of it.

but now she has the time. and the patience. and honestly, she’s a little scared at what she could find.

she tells herself it doesn't have to mean anything. just a little check-in to see how you were, after that she'd really work on trying to forget about you altogether.

and with the simple type in of your name, wanda finds your instagram. your profile picture, a professional headshot of you, and a bio that reads,

editor in chief.

New York Times contributor.

something that shouldn't have made wanda's chest burst with joy, but it does. and as she scrolls further and further, she finds that you now reside in new york city, that you've moved on well without her and that you have a cat and a boyfriend.

boyfriend.

she shouldn't care so much, but she does.

you were living your best life. the one you had always wanted.

just not with her. not with wanda.

but she doesn't stop there, and she ignores the lump in her throat as she exits your profile and searches for your mother's name.

and maybe she feels her heart break a little when it turns out the boyfriend you had is actually your fiancé. she finds out through a photo your mother posted.

the picture shows you, and a handsome man next to you. you’re both sat outside some restaurant in the city, his arm is thrown over your shoulder while your right hand clutches his left, and there it is. in all its glory—with the diamond on it catching the suns light perfectly. the ring on your finger.

it doesn’t help that he looks so in love with you.

out for lunch with y/n and paul again! i promised them an engagement lunch and we were NOT disappointed. make sure you try Jack’s Wife Freda if you are ever in SoHo!!#motherinlaw #NYC #loveinnewyork

is what the caption reads.

wanda freezes at the fact and immediately throws her phone on the empty seat beside her. she stares at it like it had just offended her.

many things go through her brain. how did you meet him? was it shortly after you broke up? was it really him you wanted to spend forever with? how long did it take for him to ask?

wanda had always loved your mother. a sweet woman who always had your best interests in mind. she had always pushed you to do what you loved. and wanda had always seen that some of her favorite traits of yours had come from her.

after the break up, your mom made sure to check in on wanda. without you ever knowing, wanda and your mom kept in touch, until eventually wanda had cut her line for the sake of fully moving on.

though, she never really fully did.

wanda evaluates what to do next. was this her sign? she doesn’t want it to be sign.

wanda doesn’t want to admit that it seems like you had moved on so completely.

on impulse she looks up your fiancé’s name. “paul” is all she had to type out in your mother’s following before she found his account.

she finds that paul is just as successful as you are. he’s an investigative journalist, born in ireland. he briefly worked at a publication in london but transferred to a firm in new york after a year.

he’s gorgeous, she thinks. he has blue eyes, a kind smile, and he has an accent. it would make perfectly good sense why you would choose him.

wanda’s stomach twists with a mix of happiness and regret.

“fuck!” She whispers to herself.

“of course, you’re happy. of course the man you’re engaged with is actually a decent man! fuck.” wanda says to no one in particular. in frustration, she burries her hands in her hair.

wanda is annoyed at herself.

“i need a drink,” in an instant she’s on her legs making her way to the kitchen. she finds a bottle of wine that has been kept cool in the fridge and she wastes no time in popping it open, she pauses briefly, debating on whether she’d need or glass or not.

to hell with a glass. she thinks, and makes her way back to the couch, she holds the bottle by its neck and takes a long swig from it.

it’s all so perfectly miserable. wanda maximoff stalking her ex-girlfriend on social media while she gets wasted. the self loathing has got the best of her. she finds it all ironic.

wanda maximoff could have anyone she wanted. she knew this. she has everything she could ever want or need. she has credibility, a nice home, the luxury of traveling at any moment she wants.

yet, her mind kept coming back to one thing. the one thing she’d decided she’d leave behind all those years ago. it isn’t fair, she thinks. wanda was young and stupid back then, but she was so so in love. she knew that for sure.

but sometimes…sometimes she really wishes she had fought harder.

briefly, wanda wonders if your number was still the same. if you had ever changed it or at least tried calling her. she wouldn’t know, she had changed it years ago once she started getting more attention for her work.

wanda was really drunk at this point. her better judgment had gone away as soon as she’d picked that bottle out the fridge. there was no better time than now.

she taps on her phone until she lands on the number keypad. her fingers hover over it, would she regret it if she didn’t? probably. would she regret it if she did? probably.

but if there was one thing wanda had, it’s that she’s got nerve and audacity.

so she types in the number that she doesn’t think she could ever forget, and lets it ring.

your fiancé answers the call.

“hello?” an irish accent sounds through the speaker. paul. wanda’s blood runs cold and she stays silent for a moment. all of sudden she feels incredibly sober and regretting making the call.

“hi.” she pauses. “uhm, i’m looking for y/n?” wanda manages to squeak out.

“right! who is this? your number isn’t saved.” paul says,

“an old friend. i changed my number a while back.” wanda replies smoothly.

“oh! let me pass her to you, she’s just in the kitchen.” the line goes quiet for a few moments, and she’s able to hear a few words exchanged between you and paul.

“hello?”

wanda freezes again, a hand covers her mouth as she tries not to shake at the sound of your voice. it’d been so long. she grips her phone tighter.

“hey…” her voice shaky and unmistakable. you know it’s wanda.

“wanda?” your voice betrayed the surprise you felt. from the couch paul caught your eye, a raised eyebrow on his face. everything okay? he mouthed.

you shook your head.

“i wondered if your number was still the same.” wanda says after a moment. her tone light, but with an undercurrent of something else.

your mind raced. why was she calling you? why now? your fiance was in the other room, you were getting married soon. you’d built a life perfectly fine without her in it. so why was she calling you now?

“how have you been?” her voice cuts through the line again. wanda holds the phone close to her ear, wanting to make sure she could hear every word you say.

and all you can think of is how confused you were.

“i- i’m fine. i’m good. yeah.”

“that’s good—”

“i’m sorry, uh…why are you calling?” you find yourself cutting her off. your fingers press against your forehead in act of trying to understand what was happening.

wanda pauses. she realizes just how impulsive this whole thing was. she’s on the phone with her ex of four years, while your fiancé was probably in the other room. she goes silent again. her words have to be carefully measured.

she gulps,

“uhm…i just—i just wanted to know how you were. heard you’re based in new york now...so…” wanda trails off. you don’t miss the tone in her voice as she says those words. the familiar rasp, the lowness of her voice, she’d used it many times on you when she wanted something.

you close your eyes with a sigh, “yeah. yeah, i live in new york now, engaged and everything.”

wanda smiles through the phone, her eyes almost prick with tears at the corners.

“i saw," she says just above a whisper. "congratulations, you…you’ve always wanted that.” and she means it. she knows better than anyone how much you’ve wanted this.

suddenly a wave of nostalgia hits you, and you’re brought back to when you were both in college. so young, so dumb, but god, it was one of the best times of your life. you try not to let it affect you, how much this call seems to be doing for you. you haven’t yet figured out if it’s a good or bad thing.

“thank you." your voice softens. "how have you been?” you find yourself asking her next.

wanda smiles at your question, “life has been…insane, you know?” she pauses on the line. “still missing some pieces, but overall i’m doing well,” you pretend not to hear the sudden shift in her voice when she said that.

you exhaled quietly, unsure of what to say. the air between you felt charged with unspoken words, old memories stirring to the surface.

“can i see you?” she asks, her tone hesitant. “catch up in person? i’d really like to see you.”

with your bottom lip between your teeth, you contemplate your next words. paul notices your tick from the other his seat on the couch, despite you telling him it was okay he couldn’t help but worry. he’d heard enough of the call to know something was wrong. still he knows you had it down, so he waits until you need him.

you struggle to find your words for a moment, the question being so…why?

“oh, wanda, i don’t know if—”

but wanda ever the stubborn woman she is, doesn’t relent.

“please. Just for some coffee and conversation.”

your mind is torn between keeping your peace or taking wanda up on her offer. but you were curious.

with a sigh you finally decide.

“where and when?”

you can hear wanda’s smile through the phone,

“i can fly to new york anytime you’re free. you can pick a spot and i’ll be there.”

you think for a few moments.

“okay, meet at caffe reggio in greenwich. i’ll be in touch with when.”

wanda’s heart stutters, something she hadn’t felt in a while. her eyes flutter closed, she breathes in— out. her eyes open again. and though you can’t see it, there’s a new look in her eyes.

“i’ll be there.”

[sunshineram]

i dont think ill finish this emerald comic but i really like it still 👉👈

based on this techno clip :)

[dennisboobs]

plain and simple i am not going to be able to remain in this fandom long-term if i have to keep putting disclaimers on every single one of my posts that say i don't condone dennis' bad, bad actions and that i am in fact aware he's got a history of sexual assault and dubious/nonconsent. the entire gang has done heinous shit. why is dennis the only one who needs to be treated like this? if some rando wants to post about how dennis is pookie pie that doesn't automatically mean they're blind to his crimes. every single member of the gang is a piece of shit. that's kind of the point.

draw dennis with cat ears who give a shit

[butchdomesticwhore]

why is it so hard to recognize that all this info about bills and such is something you can acquire via googling and making phone calls to people who work in these departments and--yes!--asking them questions on what your best next step is? how does making this about systemic oppression help you or anyone else complete practical, adult tasks? when you point at a paper bill from a medical institution and declare it fundamentally classist, does the bill magically crumple into the dust, the issue dealt with and over because you aptly named the systemic issue at play? no!

do you get angry at mechanics when they tell you they have an idea regarding how your car could be fixed, also? how does that help you? what have you learned from deciding to be angry as opposed to using the information dealt to you? perhaps you should not be told by cashiers either about when the sales happen or how items are put on clearance lest their Insider Knowledge tell you something you don't know and--gasp--come from a place of privilege.

the point of my info and OP's is practical use. "if you have this problem, [x] might solve it." privilege or no, how the info is acquired doesn't matter as much as whether or not it's accurate and helps people. and despite your daftness, i very much hope any of this info helps YOU. or if not you, then someone you know. or someone completely random, i don't give a damn.

Ok so my kid had an ear infection, right? As kids often do.

The doctor scraped out a bit of earwax to have a better look inside.

I was sent a bill for $200 PER EAR for this 5 second procedure which I did not give permission for them to do.

That was key- they did not ASK me if they could do this "procedure". And, as I OWN a medical practice (it's me. The medical practice is me, sitting in my house on video calls) I knew to call them when this bill came in to be like "You did not obtain informed consent for this procedure, and it was not en emergency procedure. You had full ability to gain my consent and didn't. I'm not paying."

And the massive hospital who owned the bill said "yuh-huh you do have to pay."

And I said "I own a practice. I know these laws. I do not owe you money for this."

And they conducted an "internal review" and SURPRISE! Decided I totally owed them money and they had never done anything wrong ever.

And so I called my state's Attorney General office, and explained the situation because, as I mentioned, I know the law. The AG got in touch within a couple days to say they were taking the case and would send the massive hospital conglomerate a knock it off, guys letter.

Lo and Behold, today I have a letter where said hospital graciously has agreed to forfeit the payment.

"How not to get screwed over by companies" should be part of civics class.

Know your rights and know who to call when they're infringed on. This whole process cost me $0 and honestly less effort than I would have expected.

May this knowledge find its way to someone else who can use it.

[joonie-beanie]

Doctor's Orders | [Wriothesley x Reader]

Summary: “Simply put, the Duke needs to have sexual intercourse to relieve his tension. After watching the two of you and seeing you interact on both physical and intellectual levels, I determined that you would be ideal partners for each other. So, I invited the both of you to partake in an aphrodisiac made from the herbs you gathered for me.” In which a simple tea time turns heated, and you get caught up in the consequence of Wriothesley not listening to his doctor. Content: Smut, Consensual Sex, Oral Sex, Aphrodisiacs, fem!reader Word Count: 7.9k

Sigewinne is evil.

You would have never suspected that such a tiny, cute body could contain so much malevolence. (Although, Sigewinne would personally argue that you’re confused, and that the word you’re looking for is actually benevolence. But, you digress.)

It all starts a few weeks into your employment at the Fortress of Meropide.

You’d spotted a job listing for a “personal assistant” in passing one day, and had immediately become interested thanks to the very generous salary listed on the paper. Seeing the job was located in Fontaine’s unofficial prison had, of course, caused you to have some second thoughts about applying, but at the end of the day, money is money.

Which is how you’d found yourself down on the ocean floor, waiting with a few other candidates outside the Duke’s office.

You’d be lying if you said that you weren’t nervous—waiting there to meet the head honcho of the prison. That when he stepped out to call you inside for your interview—all tall and beefy and scarred—your heart didn’t nervously flutter inside your chest.

…but to your surprise, he’s actually much softer than he appears.

“So,” he says, sitting down across from you at his desk. He folds his arms and smiles at you. “Why should I hire you? ”

Having been through this process before, you had immediately rattled off your qualifications and experiences. A few of which Wriothesley had proceeded to comment on and inquire about further. But it wasn’t until he asked—

“What benefit will I receive from picking you specifically?”

And you’d responded with—

“Errand girl.”

“What?”

“I can run errands for you. I’m sure the guards can be slow, going back and forth. But if you’re my direct employer, I can do whatever you want. Drop documents off, check in on things…pick up more tea.”

—that Wriothesley finally makes up his mind.

“Hmm. Very convincing.”

The next day, you receive a letter with the terms of your employment, and your official start date.

So, since then, you’ve been working for Wriothesley. Which is actually kind of…nice.

Your job mostly consists of going back and forth between the prison and the surface, so that Wriothesley can stay in the Fortress and better monitor his domain. The autonomy the job grants you is very rewarding, and in the same breath, Wriothesley also feels rewarded by how you take care of things without him needing to ask more than once.

Safe to say, the two of you get along.

…which Sigewinne notices.

You, of course, meet Sigewinne on your first day. Wriothesley makes a point of introducing you and showing you where the nurse’s office is located, in case you get hurt, or need to drop something off.

The human-like melusine enthusiastically welcomes you, and, at first, you see her as…someone sweet, and caring. A treasure of the prison.

However, over time, your opinion of her slowly starts to change.

Because she keeps looking at you. Specifically, whenever you’re standing next to Wriothesley.

“Why is she doing that?” you ask him one day, nudging him gently with your elbow. He immediately looks up from his meal, over to where Sigewinne is waiting in the lunch line, her pink eyes boring into you.

“She’s probably just double checking that you’re healthy,” Wriothesley responds, paying her no mind. “I often catch her staring at me, too. You must be growing on her.”

Despite his reassuring words, you can’t help but feel a little…put off…by the look in her eyes. Like she’s plotting something.

The second weird thing you notice is when you walk into the infirmary to drop off some herbs she’d asked for, and find her drawing. At first, you assume she’s doodling, since she seems kid-like a lot of the time.

But instead, when you lean over her shoulder and look, you see that she’s writing words. A big, black “DO NOT DISTURB”...with pink hearts and a few flowers drawn around it.

“What’s that for?” you ask her, forcing a smile.

“Oh! It’s just for a project I’m working on,” she responds, swiveling in her chair to face you. She happily kicks her feet, her eyes darting to the herbs you’re carrying with you.

“Ah, are those what I asked for? Thank you!”

You hand her the small bundle of dried flowers and grasses, watching as she immediately turns and places them on her desk next to some string, and cheesecloth.

“You’re welcome,” you respond, taking a small step backwards. “If that’s all, I’ll keep working on the rest of the tasks on my list—”

“Wait,” she says, grabbing your wrist. You instantly freeze, your eyes going wide as you turn back to face her. There’s a serious look on her face.

“How do you feel about Wriothesley?”

Her question makes your heart skip—heat rising on your skin.

“What?”

She doesn’t bother elaborating or giving you context, just waits for you to respond. You cough a little, feeling awkward, and wondering what kind of answer she’s looking for.

“Well…I mean. I think he’s a good boss. He’s friendly, and devoted to his job. He runs the prison well.”

Sigewinne nods, but doesn’t comment. Just keeps…staring.

Feeling pressured, you force yourself to think of more to say.

“Um…he’s deserving of his title and the respect he garners. I…enjoy speaking with him? Like when he invites me to partake in tea breaks. I dunno…he just kinda reminds me of a big, fluffy puppy. He looks scary but he’s actually pretty…cute, y’know?”

Finally, Sigewinne smiles. She takes your hand in her tiny ones, giving it a squeeze.

“Thank you for answering my question. You can go now.”

You blink at her dumbly, but nonetheless excuse yourself from the room.

Two days later, Wriothesley invites you to his office for tea. And to your surprise, when you walk in, you find Sigewinne waiting there as well.

“Thank you for coming!” she says as you enter the room. You flash her a smile, taking a seat in one of the open chairs around the table.

“Of course!”

“Sigewinne has a tea she wants us both to try,” Wriothesley explains, a fond look in his eyes as he watches the resident nurse flit around—pouring hot water into the teacups that have been set out.

You nod.

“I see.”

“Although, I don’t know why you won’t just steep the tea in the pot,” Wriothesley complains to her, just as Sigewinne places individual tea bags in each cup. “Are we not all being served the same tea?”

She cutely huffs.

“For your information, no we are not. Your and Y/N’s tea is unique.”

“Oh?” Wriothesley leans forward to look into the teacups as the colors from the herbs begin to bleed into the water. “What’s so unique about it?”

“You’ll see,” she responds with a playful look, one that causes Wriothesley to amusedly raise his eyebrows. However, he doesn’t say anything more—simply waiting for the tea to appropriately steep.

“...are you using the herbs I brought you?”

You can’t help but notice the smell wafting from the cup in front of you is a little familiar. Sigewinne nods.

“Wow! I’m surprised you noticed.”

“Ah, so this must be the reason you wanted me to lend you Y/N for a task the other day,” Wriothesley chimes in, his icy blue eyes once again shifting to Sigewinne.��

“Do I get to know what herbs you requested Y/N to bring you, exactly?”

The resident nurse shakes her head, quietly laughing when Wriothesley sighs and deflates back into his chair. 

“It’s meant to be a surprise! I want to see what you think about the taste without knowing the ingredients.”

“I suppose that’s fair.”

Folding your hands on your lap, the office descends into silence for a brief moment, the three of you intently watching the teacups in front of you. Then, Sigewinne finally claps her hands and declares—

“Okay, they’ve steeped long enough. Go ahead!”

“Finally,” Wriothesley happily mumbles, reaching forward to pick up the pristine little plate on which his cup of tea resides. He brings the cup to his nose, inhaling deeply, and then takes a tentative sip.

“Hmm…”

He frowns, his brows pinching as he tries to discern the flavors he’s tasting. 

Curiosity getting the better of you, you take a sip from your own cup—wincing as the hot liquid accidentally burns your tongue.

“So?” Sigewinne prompts, staring excitedly between the two of you.

“It’s…pleasant,” you respond, clearly not as big of a tea connoisseur as the Duke. “It has a hint of sweetness.”

“It tastes like a Rainbow Rose smells,” Wriothesley adds, taking another sip. His gaze slides to you. “Did you pick some for her?”

You shake your head.

“No, I didn’t. Or…at least I didn’t pick any fresh ones. I did go to a vendor and purchase something in a bottle that looked like crushed, pink dust.”

Sigewinne cutely laughs. 

“As expected of you, Your Grace. Yes, one of the ingredients is dried Rainbow Rose petals. Do you like it?”

Wriothesley makes a pleased sound.

“I do. The taste is light, but pleasant—like Y/N said.”

“Good! I want both of you to drink up.” 

Sigewinne finally picks up her own tea, and you can’t help but notice the difference in color when compared to yours and Wriothesley’s. She really is drinking something different…but why?

“Aye aye, captain,” Wriothesley responds, which makes Sigewinne laugh. You smile at the cute interaction between them, and have some more of your tea as well.

Together, the three of you engage in friendly conversation—catching up about recent topics while indulging in tea and a few different snacks that Wriothesley had pulled out for the occasion. As you drink, you can’t help but notice you feel…warm. A heat that spreads out from your stomach, and slowly creeps into your limbs.

You’ve never felt this way before but…maybe the tea is just extra hot today? 

You glance up to Wriothesley and notice that he’s a little flushed as well. Which is…reassuring? You think. Since you’re obviously not the only one affected.

“Oh! Y/N!” 

Sigewinne’s sudden call of your name draws you from your thoughts, and you look over at her. She smiles.

“I forgot to ask, but are you dating anyone?”

“Sigewinne,” Wriothesley gently scolds. He leans forward and sets his teacup on the table, the cup now empty.

His tone practically says “It’s not appropriate to ask questions like that” without actually saying it. Sigewinne pouts.

“Aww, c’mon. We’re all friends here! I wouldn’t ask otherwise.”

Hearing that the melusine considers you to be a friend, you decide to grace her with an answer—ignoring the tingling of the taste buds on your tongue.

“No, I am not seeing anyone,” you inform her with a polite smile. Sigewinne nods happily at your answer, which makes your smile waver.

Is she happy you’re single?? Ouch.

“Okay, good,” she says. “I’d feel a little bad, otherwise.”

You blink in confusion at her words, watching her as she pops off her chair and heads towards the door. Wriothesley raises an eyebrow at her.

There’s sweat beading on his brow.

“Where are you going?”

“Away,” she responds. “To give you two some privacy.”

You and Wriothesley glance at each other, mirroring each other’s confusion.

Your tummy starts to ache.

“Why are you leaving us alone, exactly?”

Stopping just in front of the office doors, Sigewinne turns on her heel to face the two of you. There’s a smug grin on her face. 

“This is what happens when you don’t follow doctor’s orders.”

You frown, raising a hand to your chest, wondering why your heart is suddenly racing. 

What’s this about doctor’s orders?

You glance over at Wriothesley…only to see that he’s frozen in shock—his eyes wide with realization.

His pants feel too tight.

“Sigewinne, you did not—”

There’s an edge to his voice when he speaks, his eyes narrowing. He plants his feet on the floor and prepares to stand and confront her, but before he can blink, Sigewinne has drawn her pistol—a tranquilizing bullet hitting him square in the chest, where a little patch of skin is showing. 

He makes a noise of surprise, and quickly flops back into his chair to avoid falling on the floor—his limbs immediately going numb.

“Sigewinne!” you gasp. You’re not sure what’s going on, but the fact that she’d just shot Wriothesley is…

“It’s okay,” she says with a little sigh. “The effect will wear off in a few minutes. And…I’m sorry I scared you. Let me explain…”

She holsters her gun and smiles at you, trying to calm you down.

“As the nurse of the Fortress of Meropide, it is my duty to look after all residents, including Your Grace. And over the last few months, I’ve noticed him becoming more… irritable.”

“Sigewinne…,” Wriothesley mumbles, but the girl waves him off.

“After observing him for a while, I realized that his stress levels were getting high. And as his doctor, I recommended him a way to manage his stress, but he refused. He insisted tea was enough to soothe his nerves, but that’s simply not true. So…when you started working here, and I saw how well the two of you were getting along, I…got an idea.”

Sigewinne glances over at Wriothesley, noticing how he’s begun to shift his boots against the floor. 

Her tranquilizers won’t be in effect much longer. They never work as well on people Wriothesley’s size…

So, she decides to cut to the chase.

Reaching into her pocket, Sigewinne pulls out the DO NOT DISTURB sign you’d seen her making the other day. She holds it in front of her, and beams at you.

“Simply put, the Duke needs to have sexual intercourse to relieve his tension. After watching the two of you and seeing you interact on both physical and intellectual levels, I determined that you would be ideal partners for each other. So, I invited the both of you to partake in an aphrodisiac made from the herbs you gathered for me.”

“You…you drugged us?” you gape, completely thrown by everything she’s just told you. She immediately gets defensive, her cheeks puffing.

“I medicated you,” she corrects. “And in the end, I’m only acting as a doctor. This all could have been avoided if Your Grace had just taken care of his own needs, as I’d insisted. Since he didn’t, I could only logically assume it's because it’s his preference to have a partner, rather than going at it solo. So, if you want to blame anyone for this, please blame him.”

“Sigewinne—” 

Gripping the arms of his chair, Wriothesley breathes out a heavy sigh and begins to push himself up. You can’t help but notice his face is much redder now, and you’re not sure if it’s from embarrassment, the effects of the drugs, or both.

Seeing that Wriothesley has nearly regained his strength, Sigewinne hurries to exit his office.

“Anyway! The effects of the tea should wear off in a few hours, but only if you relieve yourselves. Otherwise, it will last much longer. So I suggest you let loose and indulge yourselves. You like each other! Enjoy this time!”

Wriothesley opens his mouth to say something, but his words catch in his throat the second Sigewinne opens his office door. He doesn’t want anyone outside of his office walls to hear him or know what’s going on.

“I’ll hang this sign on the door,” Sigewinne continues, her voice hushing. “So no one comes in while you two are…busy. Just remove it once you’re done, okay? Have fun!”

With a supportive little fist pump, Sigewinne then closes the door, leaving you and Wriothesley alone.

A few long beats of silence pass, then Wriothesley finally sighs.

"I…apologize for this. I never meant for you to get roped in."

You turn to look at him, only to find that he's standing with his back to you, his hand raising to rub at the back of his head.

You can see his muscles flexing as he does so, and you hate to admit that it causes the heat inside you to grow.

"It's…not your fault," you respond, laughing a little awkwardly. "I doubt it's easy to follow directions when your doctor tells you to jack off to rectify your hardass-ness."

Wriothesley glances at you over his shoulder.

"Have I been acting like a hardass?"

"You've been a little snippy at times," you tell him, smoothing your sweaty palms down your legs. Seriously, your clothes are starting to make you feel claustrophobic…

"Not to me, specifically. But I've noticed it towards some of the prison residents."

"Shit," he sighs, rubbing his temples. You continue to watch him, your eyes wandering the expanse of his back. For a second, you don't understand why he won't face you. Then it clicks.

"...are you…hard? Is that why you're not turning around?"

"It's…pretty bad," Wriothesley admits, his shoulder sagging in defeat. "I don't know what all was in that tea but…as an aphrodisiac, it's doing its job."

"Yeah…," you agree, swallowing heavily. You can feel wet arousal pooling on the fabric of your panties. His office has also started to feel like a sauna, but you're not sure if it's the air that's hot, or your body.

However, you're still not willing to breach the topic of "relief" with him. You haven't reached that level of desperation…yet .

So, you think of something else to carry the conversation in the meantime.

"So…Sigewinne said you like me?"

"Ah, you caught that."

He laughs a little, and begins pacing around the room, still careful to keep his back to you. You can't help but notice his stride is a little…impeded.

"If I'm being frank—yes, I do. You've been…a pleasure to have around, since I hired you. Actually, one of the reasons I picked you in the first place was because of how you acted during your interview. Most people are scared of me and therefore talk cautiously. You're certainly respectful, of course, but…you're a bit playful, as well. And I found that quality to be attractive."

"Ah, so I charmed you," you respond playfully. "Remind me to add that point to my resume later. "Managed to woo the Lord of the Fortress of Meropide". That sounds pretty good—"

"And there you go again," Wriothesley laughs. He steps behind the chair he'd been sitting in previously, and then finally turns to face you—the back of the chair tall enough that his lower half is out of sight. 

"Although, if I recall her words correctly, Sigewinne stated that we "like each other". So, is there something you'd like to say as well?"

Your eyes go wide, and you feel more blood rush into your head. Wriothesley smiles, wide enough to show teeth. 

"C’mon now. It's not fair that I praise you and get nothing in return."

You pout.

"To be fair, I didn't know why Sigewinne suddenly asked me what I thought of you…"

"That’s understandable, but still. I'd like to know what you told her."

Wriothesley maintains his playful demeanor, despite the way his knuckles begin to turn white at his sides—a deep-seated need slowly sinking its claws into him.

You sigh.

"I just…told her that you're a good boss, and are deserving of your titles and the respect you garner…"

You trail off, suddenly remembering the last thing you'd told Sigewinne during that conversation. Wriothesley clearly notices there's something you're leaving out, one of his eyebrows raising.

"And?"

You take a deep breath.

"That you're a cute puppy."

He blinks in shock.

"...excuse me?"

Oh god, you wanna phase through the floor.

"I said that even though you look scary, you're really just like a big…cute…puppy."

For a moment, Wriothesley can only stare at you. Then, he throws his head back and laughs. 

Embarrassed, you plant your palms on your thighs and push to your feet, instinctively wanting to run away…only to realize that your legs have gone weak. 

With a distraught noise, you flop back into your chair. 

Out of the corner of his eye, Wriothesley notices.

He coughs, pulling himself back together.

"Well, I've certainly never heard myself described in such a way before. I can't say I totally hate it, but I'm not sure if I agree with the term "puppy"."

You force an awkward laugh, finally losing steam as the arousal inside you begins to cloud your thoughts. Sigewinne obviously wasn't messing around when making her aphrodisiac…you've never felt so horny before that it has literally hindered your mental and physical faculties.

The office is silent for a few tense moments, but finally, Wriothesley heaves a heavy sigh. His tongue darts out to wet his lips, his shoulders slumping as he hangs his head.

"You may revoke your good opinion of me, considering how inappropriate it is for a boss to even consider such a thing, but…I think my dick is gonna explode soon, so I'll just come out and ask."

You swallow, anticipating his next words.

"Would you be…interested in having sex?"

Your body shivers in excitement at the idea, the lustful part of your brain screaming at you to jump him already.

"I…would," you admit, managing to keep it together. Wriothesley's entire body jolts impatiently at your words, but he’s able to keep himself grounded. 

"I don't think I'll be able to survive…this without some relief. And…I trust you. So…"

"So we're in agreement," Wrioslethely supplies, waiting for your confirmation. You nod your head. 

"We are."

In the next beat, he's is crossing the space between you, a "thank god" barely making it past his lips before he crashes them into yours.

Immediately, you’re groaning into him—your arms wrapping around his neck and his hands finding the backs of your thighs. He lifts you from your chair easily—your chests pressing together as he holds you close.

You’ve always been acutely aware of how large Wriothesley is, but you don’t think it fully sinks in until now—as he manhandles you with ease, quite literally carrying you with one arm as the other sneaks beneath your shirt and tugs it over your head.

You’re forced to break the kiss as he does so, but the second the fabric has been discarded, you’re tangling your fingers in his hair and dragging him in for another. 

Your action evokes a pleased little rumble inside his chest.

“You taste sweet,” he mumbles, his palm roaming over the exposed skin of your back. The warmth of his skin against yours makes you ache.

“It’s probably the aphrodisiac,” you reply breathlessly, a shiver raking your spine when you feel his fingers toy at the waistband of your pants.

“Hmm, shall we posit your theory?”

Before you can even think to ask what he means, the room is spinning—too many things happening at once. However, it’s nearly impossible to miss the feel of your pants being shucked down your legs.

When everything settles, you find that you’re no longer chest to chest with Wriothesley, but rather, face to dick.

“Wh—”

Your cheeks heat up as you finally digest the position he’s put you in—your ass in his face, and his crotch in yours—his body now firmly planted in a chair as he spreads his thighs and makes himself comfortable.

“Wriothesley!” you say in shock, your palms gripping his legs for support as you attempt to turn and face him. However, you quickly realize with the position he has chosen, you’re fairly helpless to do anything—completely at his mercy as he locks his arms around your legs and grips your ass in his hands.

“Hm?” he responds nonchalantly, one of his fingers slipping under the edge of your panties. You shift a little, trying to glare at him, but only succeed in having his clothed dick poke you in the cheek. He tenses at the sensation, and you feel his cock strain helplessly against the fabric of his pants—begging for more friction.

“I’m just testing your theory, like I said,” he continues, a surprised mewl tearing from your throat as he leans his head forward and nuzzles his nose in the damp fabric of your panties.

“If you think it’s the aphrodisiac making you sweet, let’s see if it’s also having that effect elsewhere—”

Before you can protest, Wriothesley is tugging the crotch of your underwear aside—his tongue licking a hot, languid strip between your folds. You gasp at the feeling, your nails digging into his thighs through the layer of clothes that he wears.

Above you, the Duke makes a pleased sound, repeating his previous action—noting the way your body writhes against his hold. His fingers grip your ass tighter, his brows furrowing as he presses his tongue inside your entrance—your arousal quickly coating his taste buds.

“Yep,” he mutters after a moment, his voice tight and his throat bobbing as he harshly swallows. “You taste…addicting.”

His words have your cunt squeezing around nothing, although he quickly dives back in and rectifies that problem—stretching your walls out around his tongue. 

“Fuck…,” you pant, your head dropping as your strength wanes. Your muscles progressively start to feel like jelly, thanks to his ministrations. Especially, when he moves his mouth to your clit and begins rolling his tongue around it—a whine escaping you as the desire inside of you sears white hot.

And yet, despite the way Wriothesley presses on—groaning into your pussy as he eats you out—you’d be remiss to forget about the fact that he’s currently affected by the aphrodisiac as well, and has his own needs that need to be taken care of.

So, gathering what strength you have, you manage to push yourself up onto your forearms—your hands moving to the waistband of his pants. You frantically work open the button and zipper of his slacks, and then hook your fingers under the elastic of his underwear, tugging the band down.

…only to have his freed cock immediately spring up and smack you in the face.

Your eyes go wide, and in normal circumstances, you’d expect Wriothesley to laugh at the comedy of what has just occurred. However, too immersed in the way your cunt tastes and feels, and the way your body continues to twitch in his hold, he doesn’t even notice. And, too amazed by the sheer size of Wriothesley’s dick as you finally lean your head back and get a good look at him, you don’t bother saying anything.

No, instead you simply part your lips and take the head of his cock into your mouth—sucking lightly, your tongue teasing at his slit. The groan that’s immediately torn from his throat is involuntary—the sound becoming muffled by your pussy as he momentarily stops to savor the feeling of your mouth on his dick—your tongue flattening on the underside of his shaft as you slowly take more of him into your mouth.

Then, he goes back to eating you out with renewed fervor—your eyes nearly rolling back into your skull when he sucks at your clit.

The room quickly fills with the sound of sloppy and messy oral, your head bobbing up and down Wriothesley’s cock. Saliva drips down his length, his pre-cum smearing against your tongue, and you can’t help but moan.

Everything feels so good—from Wriothesley’s tongue on your cunt, to the way his cock fills up your mouth…

“Fuck,” Wriothesley growls. His fingers move to pull at the folds of your pussy, spreading you open wider. You can feel his hot breath on your skin as he moves his mouth back to your clit, where he then stays—his tongue flicking rhythmically against the sensitive bundle of nerves.

The pace and motion he settles on is one that you know will very quickly damn you, and he figures this out as well based on the way your thighs begin to shake in his grasp. Your body attempts to jolt away from him—trying to escape the onslaught of pleasure he intends to give—but he leaves no wiggle room. He holds you tighter, enjoying the feeling of your mouth on his cock, and how your efforts slowly start to crumble along with your sanity.

“I…,” you mumble the word around dick, trying to warn him of the orgasm you can feel quickly approaching. Your entire body swims with arousal, your head feeling light. 

“Keep going, sweetheart,” he pants. “Let’s cum together.”

You feel his cock throb against your tongue, and, dutifully, you do your best to continue sucking him off—your lips once again suctioning around his shaft. Your actions immediately evoke a pleased groan from the Duke, and you feel his thighs tense in your grasp—his own orgasm quickly approaching.

However, despite your best efforts to continue, everything falls apart the second your climax finally crests.

With a cry, you come undone—your body writhing in his hold. You go brainless almost immediately, the strength in your arms wavering, and Wriothesley’s cock stuffing into your cheek—your hot breath fanning over his length.

Luckily, the vulgarity of the entire situation is enough to push Wriothesley over the finish line—his dick painting the inside of your mouth with his cum. And to his surprise, once he’s spent, you actually pull your head back, close your lips, and swallow.

Shit, he thinks. 

His dick is just starting to soften, and yet somehow, it’s also already getting hard again.

There’s a few beats of quiet that are filled only with the sound of you and Wriothesley panting. Then, once he’s caught his breath, he says—

“Let’s get you right side up.”

—and the world spins again.

Honestly, the fact that he can manhandle you this easily is criminal.

“You okay?” he asks, sitting you on one of his thighs. He brushes a few stray hairs from your face, staring at you with a hint of concern.

You nod your head, grateful that the carnal desire you’ve been afflicted with is clearly less, now that you and Wriothesley have both gotten off. But…even despite that, you still feel hot and tingly. Like you want more.

You glance down at his lap.

“Mmm. Seems like you’re in the same predicament as me.”

“Think you can handle another round?” he asks. You meet his eyes, playfully raising your eyebrows.

“I’m almost tempted to say no, and see what you do.”

Wriothesley rolls his eyes, his hands grabbing your waist, and in the next moment, you find yourself slung over his shoulder.

“Hey—!” you protest, attempting to look at him, but he only caresses your ass with his free hand.

“If you have that much spunk left in you, you can handle another round,” he says, carrying you down the nearby staircase, to the floor below his office. “But, I’ll be kind this time and make you more comfortable.”

His boots echo against the metal floor as he walks, and for a second, you wonder where exactly he’s taking you. But, soon after, Wriothesley pushes through a nearby door, and you find yourself in a moderately sized bedroom.

It must be his, you realize, feeling a little silly that you’d never pondered before now where the Master of the prison actually sleeps.

“Here we are.”

Wriothesley gently deposits you onto his bed, and then immediately reaches for his tie. You watch him with bated breath, your heart doing a tiny flip as you realize that he’s finally stripping out of his clothes. He opts to leave on the leather belts encircling his arms and neck, instead focusing the bulk of his time on shedding his suit, and undoing the many buckles on his boots. 

By the time he’s finished—his erect cock once again sitting heavy between his legs—you’re practically drooling at the sight of him.

His lips twitch into a little smile.

“I’m happy to know that you like what you see. However, in the time I spent undressing myself, you couldn’t be bothered to remove what little clothing you have left? C’mon now, are you waiting for me to wrestle you out of them?”

Still feeling cheeky, you flash him a grin.

“Hm, I’d like to see you try.”

Wriothesley immediately cocks an eyebrow, his eyes glinting at the challenge you’ve just issued, and your attitude wavers, realizing what it is you’ve done. You open your mouth to say you’re only teasing—your hands already raising behind your back to undo the clasp of your bra—but it’s too late.

In one swift motion, Wriothesley grabs your ankle and twists you onto your stomach—his weight settling above you as he kneels onto the bed. You shiver when his knuckles brush against your skin—his fingers swiftly undoing your bra.

“You’re just a little brat, aren’t you…” 

He speaks the words fondly, with a hint of amusement, and yet, they still go straight to your cunt. 

“Don’t say things like that,” you respond, instinctively raising your hips when Wriothesley hooks his fingers on your underwear and begins tugging them down your thighs. He stares intently at your backside as he does so, an idea popping into his mind.

“Why? Because you like it too much?”

He discards your panties on the floor along with the rest of the clothes you’d both shed, and then grabs your knees, forcing you to spread your legs, so he can properly settle between them. 

Another blush rises on your face at his words, your tongue feeling heavy in your mouth. At your lack of response, Wriothesely continues.

“In my understanding, brats tend to like it a little rougher, so…” 

His hands ghost up your thighs, to your hips, and he grips you tightly—forcing your lower half off the bed until you’re propped up on your knees—his cock sitting heavy against your ass.

“...what say we continue like this, hm?”

Bracing yourself on your forearms, you turn your head back to look at him—your body tensing as you watch him fist his cock and drag it downward, between the lips of your pussy. 

His icy eyes catch yours.

“Any objection?”

“...no,” you mumble, your fingers anticipatedly fisting in the sheets. 

Wriothesley nods—

“Good.”

—and then presses the head of his cock inside you.

Immediately, you drop your forehead against the mattress—willing your body to relax for him as he slowly inches inside of you.

His tongue had certainly been enjoyable, but this? Fuck. Nothing compares to the sensation of him slowly stuffing you inch by inch—the girth of his cock positively delicious as he forces your cunt to stretch to accommodate him.

It’s so much that by the time he’s fully seated inside of you, your body is shaking—your breath coming out in quick, desperately little pants.

Seeing your reaction, Wriothesely soothes a hand up your spine, his warm palm settling between your shoulder blades. He decides to start slow—to give you a little more time to adjust to him. 

And honestly, he’d love to take his time in general—to really savor the sight of you beneath him, your cunt swallowing his cock so perfectly, but alas. The effects of the aphrodisiac make him impatient with need, and it’s not long before he’s moving faster—little gasps and whines finding their way past your lips as he begins fucking you back onto his cock.

“Ahh…seriously you’re…so fucking tight,” he curses. His fingers dig into the plush of your hip—his jaw clenching, and his racing heart pumping lust through his veins.

Your cunt clamping on his dick seriously might be his personal slice of heaven.

“Wrio, I—,” you can’t even get the words out, your brain short-circuiting. You can’t think straight anymore—not with his cock rubbing you in all the right spots, making a mess of your insides, and quickly rocketing you towards another—

Wait, no, it’s only been a minute—!

“Fuck! ” 

You choke the word out, your spine curving and your knuckles turning white as your second orgasm of the night is unexpectedly forced out of you—your pussy spasming around Wriothesley’s dick.

The last of your strength officially drained, you collapse forward onto the mattress, your cheek smushing into the covers.

…however, Wriothesley doesn’t allow your lower half to fall along with the rest of you—his hold on your hips keeping your twitching pussy firmly planted on his still-hard dick.

“We’re not done yet, sweetheart,” he reminds you, his cock continuing to languidly drag between your walls, drawing out the tail end of your pleasure.

You can’t help but whimper at his words, already feeling a bit oversensitive thanks to two consecutive orgasms. Wriothesley does his best to soothe your frayed nerves.

Leaning over you, he gently tangles his fist in your hair—coaxing your head off the mattress so he can kiss you. 

The kiss is messy, but sweet—the angle of your bodies forcing his cock deeper inside of you, his hips completely flush against your ass.

“You’re doing so good,” he tells you, peppering a trail of kisses against your cheek, and across your jaw. His praise causes you to whimper, a shiver raking up your spine when his tongue drags across your skin—his teeth nipping at the nape of your neck.

His actions successfully get you to relax—your body becoming more pliable in his grasp as he once again begins to move. And soon enough, the wet sound of sex fills his bedroom once more.

Wanting to help him cum (and to feel his seed fill you), you do your best to help Wriothesley along—purposefully flexing the walls of your pussy as he fucks you. However, in doing so, you accidentally start yourself down the path of yet another orgasm…

Feeling the familiar, aching pleasure beginning to build inside of you once again, you quickly stop what you’re doing. You think that a third orgasm honestly might kill you, but…it’s too late.

Wriothesley has already noticed your growing arousal, and decides that he likes it better when the two of you cum together.

So, he sneaks one of his hands between the apex of your legs, and begins rubbing at your clit.

The garbled, desperate cry that leaves your mouth immediately becomes seared in his mind for a long time to come.

“No, Wrio, I…I can’t. I—”

Your words come out jumbled, tears beading on your lash line.

Momentarily removing his hand from your clit, he once again reaches forward and grips your hair—pulling your head back so he can kiss you. His lips swallow up your worries.

“You can,” he insists, his voice whispering in your ear, and his hot breath fanning over your skin. 

“I want you to cum with me, pretty girl. You can do it.”

You give no protest aside from a cute little whine, and that's good enough for Wriothesley.

Releasing your hair, his hand finds your clit once more.

He then proceeds to fuck you into the mattress—pursuing his orgasm with abandon. A groan leaves his mouth at the way your pussy starts clamping on his dick once again—tightening up with each pass of his fingers across your clit—your pussy slick and messy with your own arousal.

Unable to think straight, you can only hold on for dear life—clinging to his sheets like a lifeline. You can’t even process the sounds that are coming out of your own mouth—a damned, desperate symphony moans.

To Wriothesley, it all sounds like a siren's cry—beckoning him closer to the edge.

“Shit,” he pants, feeling his cock throb, and his balls tighten. The motion of his fingers on your clit quickens—your toes curling as the coil of pleasure in your tummy continues to wind—so close to snapping.

Sweat beading on his brow, Wriothesley leans forward, curling his body against yours. His teeth nip at the shell of your ear, his husky voice sending goosebumps across your skin.

“So good for me…,” he breathes, his hips smacking into your ass. His broad strokes deteriorate into needy rutting, and the sensation has you quite literally sobbing—his cock now incessantly grinding into your g-spot.

You can’t take it anymore.

Shoving your face into the mattress, you bite the sheets and scream—your entire body shaking as you cum for a third time, your cunt milking around Wriothesley’s cock.

He curses at the feeling, his face burying in your neck. Wrapping his arms around you, he hugs you to his body—fucking inside of you a few more times before finally joining you in ecstasy. 

His teeth sink into you as his orgasms peaks, a heady groan muffled against your skin as his balls empty—pumping you full of his cum.

It’s not until the intensity of his pleasure has died down that Wriothesley ultimately releases you from his hold—your lower half immediately flopping down onto the bed, and his softening cock slipping out of you.

The Duke takes a moment to simply look at you, and how fucked out you are. Your eyes bleary, skin flushed, and the imprint of his teeth engraved in your flesh.

He grunts at the sight, and settles in beside you—his arm curling around your waist as he tugs you back against him. His tongue immediately begins lapping at the bite mark he’d inflicted, attempting to soothe the sting.

After a few seconds, you begin shaking, and Wriothesley immediately pauses, scared that he’s hurt you in some way.

…only to realize that you’re laughing.

“...puppy…”

He props himself up, glancing at you.

“What?”

“You really are like a puppy,” you giggle, your finger lifting to brush a stray tear from your eye. “The way you bit me, and then immediately started licking at it in apology. So cute…”

You break into another tiny fit of laughter, and Wriothesley rolls his eyes, yet can’t help cracking a smile.

“Well, I’m glad to know I didn’t break you, at the very least.”

His hand rubs against your waist.

“...right?”

Finally getting ahold of yourself, you roll onto your back and smile at him, your hand reaching out to cup his cheek. He immediately leans into your touch, and it makes your heart flutter.

“I’m not broken, no. Just…sore. And gross. And sweaty.”

Wriothesley chuckles.

“Well, I think I can rectify some of those issues. I do have a bathroom, with a tub.”

“Wow,” you respond, watching him as he scoots to the edge of the mattress and gets to his feet. He waits a second for you to join him, but you don’t move.

“My…limbs feel like jello,” you admit, raising your arm and flopping it back down bonelessly for emphasis. Wriothesley rolls his eyes, but nonetheless leans over the bed and scoops you into his arms.

You rest your cheek against his chest, admiring for the first time how soft it really is.

“Whatever shall I do with you,” he playfully sighs, carrying you into the adjacent bathroom. He sets you on the vanity, moving over to the tub and turning on the tap for the hot water. You hum.

“Mmm, I can think of a few things you can do. The first of which is helping me into the bath once it’s ready.”

Wriothesley quietly chuckles. Returning to your side, he takes your hand, and brings it to his lips.

“Yes, ma’am.”

Once the tub has filled, the Duke keeps true to his word—once again carefully cradling you in his arms as he seats himself in the tub basin, before positioning you in the space between his legs.

The steaming water immediately soothes the ache of your body, and you sigh in relief—sinking back against Wriothesley’s body. He lightly wraps one arm around your waist, the other resting on the edge of the tub.

For a few long minutes, the two of you bask in silence, simply enjoying the refreshing feel of the bath. 

…then, you start to notice something beginning to grow—pressing at your back.

“...really? Is the aphrodisiac still getting to you that much?”

“No,” he admits after a beat, leaning forward to kiss your neck. “I think this one is actually all me.”

You roll your eyes, but nonetheless crane your head to the side—allowing him access to more of your skin as his mouth begins to wander.

“I thought I made it clear that my limbs are jello right now.”

“I can work with that,” he responds, and you feel him grin. His hand slowly trails down your stomach, and between your legs.

“I’ll do all the work. You just get to make pretty sounds and feel good.”

His fingers slide between the folds of your pussy, and you jolt as he passes over your overly-sensitive clit. But seriously…how are you going to say no to him?

“What am I going to do with you?” you sigh, echoing his earlier words. His chest rumbles with laughter, and he grabs your chin with his free hand—turning your head so he can kiss you.

“Mmm, I can think of a few things.”

The next morning, you find yourself in a back in your clothes, standing beside Wriothesley just inside his office door.

“I’ll go first,” you say, to which he nods. “I have some errands to run anyway. You can wait a minute and then come out after me.”

“Sounds good.”

The two of you stare at each other for a second, before you finally square your shoulders, and reach for the door handle. 

Before you can twist it, Wriothesley catches your wrist. When you look back at him, you find that there’s a blush on his cheeks.

“So, I’ll…see you later?”

His suddenly bashful demeanor causes you to smile. Pressing onto your toes, you cup his cheeks and softly kiss him. He immediately grabs your waist—deepening the kiss.

“You’ll see me later,” you promise. 

With that, the two of you finally separate, and you disappear through his office door.

Wriothesley takes a deep breath at your departure, combing a hand through his hair as he waits for the right moment to make his own exit.

To be safe, he decides to wait a good few minutes. But finally, he opens his door—preparing to venture into the main area of the fortress, and make his normal rounds.

…however, he only makes it a step before remembering the sign Sigewinne had made.

With a sigh, he immediately backtracks and tears the DO NOT DISTURB sign off of his door, crumpling it between his palms.

When he turns back around, he nearly jumps—Sigewinne standing right in front of him.

“So,” she says, a pleased grin on her face. “How’d it go?”

Narrowing his eyes, Wriothesley only stares ahead, and walks past her. She easily follows after him.

“The fact that you’re out and about this early in the day means something likely happened between you and Y/N.”

“No comment,” Wriothesley responds, which makes Sigewinne giggle. They pass by a few prisoners as Wriothesley makes a B-line for the elevator to the production zone. Once there, Sigewinne squeezes herself in along with him.

As the elevator begins to descend, only a few seconds pass in silence, before Sigewinne asks one last question.

“As your doctor, it’s my recommendation that you continue to regularly relieve your stress. So, are you going to be dutifully carrying out my orders from now on?”

Wriothesley makes a little face, glancing away from her.

“...maybe.”

Sigewinne smiles. 

That’s good enough for her.

[A Dragon's Constitution] ->

[polyamoryprincess]

I mean… yeah, that was a huge part of the underlying plot. The beginning of the movie is about how Bal is literally a poor orphan who was only given a chance at success by joining the army and was immediately used as propaganda for child soldiers for the next ~10-15 years up until he’s used as a scapegoat. Even Nimona’s whole backstory is about them using Gloreth, a child, and painting her as an adult woman defeating a monster. You could even assume the child soldier stuff started specifically because of that fight with Nimona and is probably Nimona’s main tangible goal - to end the child soldiers program.

Which is how Nimona, who is literally a Permanent Child, brings all of those themes together. She’s brash, loud, chaotic, and a unique individual, everything a child is that being a soldier would take from you, and that the society tries to take from you, (goldenloin’s big internal monologues and his general dorkiness when not in public is a big example of this) and they paint her as a monster for it. Her entire goal is to tear down the institute, specifically as it pertains to gloreth and she chooses the main subject of the child soldier propaganda who is chewed up and spit out, and I genuinely think the only reason Nimona doesn’t explicitly say to Bal, when he’s still iffy about hurting the institutes image, “dude… you’re literally a child soldier. They’re making kids into killers,” is purely to keep the plot from being too short and to avoid ever explicitly mentioning it in the movie for the sake of audience participation.

Like the director was a villain, but so was the queen, so was the society handing over their kids. So was everyone who kept letting this happen and acting like it was normal and fine.

A line I don’t think gets talked about enough:

“He didn’t cut off my arm. He was disarming a weapon. It’s how we were trained.”

The Institute took young kids and turned them into weapons. The Knights were trained to view themselves and their bodies as weapons.

Ambrosius cutting off Ballister’s arm was ingrained instinct. You can see in his face that he doesn’t realize what he’s doing until it’s too late, until the blade is already too far along in it’s swing. And after, he drops his sword like he didn’t realize how it got into his hand in the first place. He looks at Ballister with a dawning horror of what he’s just done, on instinct.

And then, the big fight. There’s a reason Ballister was top of the class. When fighting the guards he isn’t touched. In the middle of fighting Ambrosius, he cloths-lines a guard behind him WITHOUT EVEN LOOKING. Ambrosius doesn’t even look surprised that Ballister won, as if it’s normal, as if Ballister had always won their duels before.

I just. I have a lot of thoughts about this and I don’t have the words to express them. I just want other people to see what I see and talk about it too. To think about the implications of that line and how it’s delivered in a matter-of-fact way.

[prokopetz]

Quibbling about etmology in fantastical settings is usually of limited interest because, well, every word has some origin, and – unless we're given some reason to believe that the setting's inhabitants are truly speaking modern English – we must assume that some notional localisation is taking place; the text's use of an English word which has, for example, a French origin does not inherently imply that the actual, literal country of of France exists in this setting, and so forth.

No, the interesting part is when the text decides to throw in a whole other real-world language. If everybody speaks English, clearly we're localising for the benefit of the Anglophone reader; and if everybody speaks either English or some invented language, we may conclude that English is standing in for a specific language which exists within the setting, with other languages being left unlocalised; but if most speech is in English, except some characters speak Russian, now we have a question on our hands.

A fantastical setting which represents its inhabitants as speaking the language of the work's target audience suggests nothing other than that the author wanted it to easily be read, but the presence of additional real-world languages represents a more significant choice. Why are we localising some but not all of the setting's languages as one spoken by the work's target audience? How was it decided which fictional languages should be represented by which real ones? Why Russian in particular? What exactly are we implying here?

[savanir]

DP x DC prompt [16]

Danny has been with the Wayne’s for a while now and his status as a halfa is starting to affect some things he comes in contact with a little bit.

At first he thought this only happened back in his old home in Amity Park because the ectoplasm samples were kept in the fridge, and though that does speed up the process, it turns out Danny causes the same things to happen just fine on his own. It just takes a lot longer.

This means he now occasionally has to replace or decontaminate some of his things every once in a while. and with the electronics the same applies but usually the protections that Tucker has made do the trick too.

Danny has been very careful, he never borrows anything that’s highly susceptible to ecto-contamination from the others and whenever he needs something from the kitchen he just goes to Alfred (he really doesn’t want to see how the old man might react to the coffee machine starting to act weird because of Danny). Just, the last thing Danny wants to do is inconvenience the Wayne’s by ecto-contaminating something of theirs.

It’s really only when Danny slips back into vigilante-ism that things go sideways.

And Danny really tried. His obsession is space, not heroism, so he figured he’d be fine just focussing on his education. But he kinda forgot about the fact that he just really really loves being a hero.

He loves the thrill, the danger. He loves giving a smackdown and just in general having a good fight, he loves helping people, he loves being a force of good. And yeah, he kinda also likes the praise, but nothing weird and overbearing (some people go way too far in their hero worship, but that’s a story for another day)

So after some back and forth and arguments with Bruce who, contrary to popular belief, was absolutely not thrilled that his latest traumatized kid who was being kept safe in the mansion so far now decided that no, he wants to be part of the family business too please.

Danny eventually threatens to just go out anyway without any of his help and that just gives Bruce flashbacks to the time when he had just taken Dick as his ward. Not to mention some of his other kids and… dammit.

Well then… Danny can go explain things to Jason himself once he finds out and is probably going to be mad about it, Bruce is not taking the blame this time.

So Danny (name pending, he could just go with Phantom again, but he also wouldn’t mind using something bird or bat related) gets back into the game once again! And that’s fine that’s cool. But back to the original point.

Danny figured that he would just do what he’s been doing so far with any bat gadgets as well, and maybe it would be even less of a problem cause he’s pretty sure that these things break a lot more often because of all the fights and stuff.

What Danny had not really thought about though is potential intense high emotion situations. Like for very specific example; Scarecrow taking an obsessive interest in him because of Danny’s ghostly ability to feed on fear (somewhat) and the situation getting out of hand, him getting very hurt, Batman having to carry him out of there while Danny was kinda bleeding a bit (a lot). Bruce being worried and Danny wanting to be anywhere but there anymore and-

Well, you get the point.

So, take all that and add high tech bat armor and what you get is suddenly sentient batsuit.

It actually took a bit for anyone to catch on that something was going on, but it was eventually figured out. and once that was the case Danny couldn’t really help his seemingly endless stream of apologies.

But how can anyone ever blame him for bleeding out on Bruce and the weird reanimative properties of said blood making it so Bruce’s suit can now “talk”

Bruce described it more as like a martian mind link, which would explain why only he could hear things. it’s probably only for the wearer.

It can’t move on it’s own, it needs someone to wear it. But it can sense things and react for the wearer and honestly all that alone is more than enough reason to find a way to exorcise it… if not for the whole,

“but if it’s a sentient ecto entity now we can’t just ‘kill’ it, we literally abolished the anti ecto acts just so that can’t be done anymore”

it’s probably a good thing the suit has grabbed all the ‘Batman’ and made that what it is. All the core values are there, so there isn’t going to be any risk of it killing someone at least.

Still though… what to do now?

[steveseddie]

when the clock strikes twelve

written for @steddieholidaydrabbles “midnight” & @steddiebingo 12 days of christmas mini event “carol” | rated: t | wc: 1000 | tags: different first meeting, post season 2, new year’s kiss

read on ao3

It’s five minutes to midnight when Steve steps into the bathroom at Tina’s house.

If he’d known that coming to her New Year’s Eve party would mean welcoming the new year alone in the same bathroom where his girlfriend called their relationship bullshit, Steve would’ve stayed home.

“If it isn’t the King of Hawkins,” a voice says, startling Steve and making him turn around, his heart hammering in his chest. But it’s not a demodog or fucking Billy Hargrove, just Eddie Munson sitting on the sink with his legs swinging back and forth.

“Munson.”

“Welcome to my office, Your Highness,” Eddie says with a dorky salute.

Steve glances around them. “Your office?”

“This is where I do business, you see,” he says, flipping the lid of his metal lunchbox. “Isn’t that why you’re here?”

Steve hangs a hand from his neck. “No, uh, I’m hiding from someone.”

Eddie perks up with interest. “Who?”

“Carol Perkins.”

“Your buddy Tommy’s girl?”

Steve’s nose wrinkles. “He’s not my buddy anymore and she’s not his girl either. And for some reason Carol thinks the best way to get back at him for being a dick is to kiss me at midnight.”

“And you don’t want that?” Steve shakes his head. “Thought you and Wheeler were done– or are you not over her yet? Don’t worry, big boy. There’s still time for that New Year’s resolution.”

“Shut up,” Steve says, a blush creeping up his cheeks. “It’s not about Nancy, I just don’t want to kiss the first girl who throws herself at me, you know?”

“I do not, Your Majesty,” Eddie says with an amused snort. “I’ve never participated in such activities.”

Steve tilts his head in question. “Kissing someone on New Year’s?”

Eddie looks away, nervously playing with a rip on his jeans. “Or you know, ever.”

He can’t see the way Steve’s eyebrows shoot up but he probably hears the surprise in his voice when he asks, “You’ve never kissed anyone?”

Eddie purses his lips. They’re nice lips, Steve observes. It’s a shame no one has kissed them. “No, Harrington. Go ahead and laugh it up,” he says, his voice clipped.

“I’m not laughing! I’m just–” Confused that someone as hot as you hasn’t kissed anyone. Steve clears his throat, his blush getting worse with that thought even if Eddie can’t read his mind. “I mean. Why haven’t you?”

Eddie scoffs. “People aren’t exactly lining up to kiss the town’s freak,” he says. Then hesitates before he adds, “Specifically guys.”

So the rumors about Munson are true. “Oh.”

The confession makes Steve blush, despite Eddie being the one who admitted something. He doesn’t know what to say. He’s afraid he’ll open his mouth and something stupid will come out. Something like– ‘I’m here! I’m a guy!’

So he stays silent, which makes Eddie wary.

“That’s it? You’re not gonna run? Call me names? Punch me?”

Steve can see that his shoulders are tense, his knuckles white where they’re gripping the sink tightly. It’s like he’s getting ready to run in case Steve reacts badly.

But running away or punching Eddie couldn’t be further away from what Steve wants to do right now.

“No, I–”

“Ten seconds to midnight!” Someone yells downstairs.

“I– I want to do something else,” Steve admits, his voice wavering slightly. He hesitantly steps closer to Eddie, who narrows his eyes.

“What?”

“Five seconds!” The same voice yells and the crowd joins the countdown.

“Four!”

Steve stands directly between Eddie’s legs.

“Three!”

He puts his hands on Eddie’s waist.

“Two!”

Steve raises his eyebrows in a silent question– is this okay?

“One!”

Eddie gives a tiny nod.

And then Steve swoops in, pressing his lips against Eddie’s as the crowd downstairs cheers and Eddie’s watch starts beeping.

Somewhere in the distance, fireworks go off but Steve could swear he can feel them inside him when Eddie kisses back, looping his arms around his neck.

Steve tilts his head, determined to give Eddie a good first kiss. He licks softly at his bottom lip, making him gasp. Then he kisses him a little harder, softly touching Eddie’s tongue with his, feeling the way he shudders.

He knows this is probably longer than the usual New Year’s kiss but Steve doesn’t care. He doesn’t want to stop. And apparently neither does Eddie, who pulls Steve closer and drags his teeth across his bottom lip.

It’s only when they need to breathe that they break apart.

Eddie’s eyes stay closed longer and only flutter open when Steve cups his neck and strokes an idle thumb against his jaw.

He decides that dazed and kiss-drunk are a good look on him.

“Happy New Year,” he says with a lopsided grin.

Eddie snorts amusedly. “Yeah, Happy New Year.”

The noise downstairs starts to die down. People are probably going back to drinking and dancing, maybe even leaving. He could easily slip out without running into Carol, but he doesn’t want to, not unless–

“Hey, uh, do you wanna get out of here?” Steve blurts out.

Eddie blinks. “Me?”

He can’t help but roll his eyes. “No, the other guy I just made out with in the bathroom.”

“And here I thought I was special,” Eddie says with pouty lips– fuck, Steve wants to kiss them again.

So he does. Just a quick press of lips.

When he pulls back, he places another small kiss to the corner of Eddie’s mouth.

“Say yes,” he says before doing the same on the other side. “And I’ll show you special.”

Steve hears the way Eddie’s breath hitches and feels a smirk teasing at his lips.

Only for it to be wiped away by Eddie grabbing him by his neck and pulling him in for more than a press of lips.

Damn, he’s a fast learner.

“Yes,” Eddie says once he pulls back, giving him a shit-eating grin.

Steve sends a silent ‘thank you’ to Carol Perkins before reaching for Eddie’s hand to drag him out of there.

[tobiasdrake]

Which DBZ antagonist do you like the most?

Boring opinion, I know, but I gotta give it up for the Obvious Choice.

And I'm not just saying that because I haven't had a chance to talk about him yet.

Frieza runs a real estate empire that carries out genocidal acts of gentrification, purging tracts of land of their native inhabitants so he can sell their land for profit. Commenting on this choice for his ultimate villain, Akira Toriyama stated that he made this decision because real estate speculators are the worst people there are.

Fucking based.

From the moment we meet Frieza, he is a monster. Toriyama likes this Big Guy Little Guy dynamic where the Little Guy is the one you really need to watch out for. Frieza is the Littlest Guy ever.

He's so tiny. And yet you know exactly who the most dangerous person in this group is. Zero question.

By the end of this altercation, Frieza reveals one of his signature attacks, giving us our first glimpse of the kind of person and the kind of fighter he is. This is such an important moment for his character and I'm kinda mad that the anime had Dodoria do it instead.

Muri destroys the Scouters and blinds Frieza. I've talked before at length about the devastating impact that this move and the Namekian warriors' attack has on Frieza's campaign.

But once it's done, he has to face the music. He's not getting out of this alive.

In one last desperation play, Muri tells Cargo and Dende to run while blocking them with his body. And that's when it happens.

This is Frieza.

Specifically, this is Frieza's Death Beam. It's never actually given a name, but is generally referred to as Death Beam. We've seen a move like this only once before.

The Dodonpa, signature technique of Tsuru-senryu, first introduced by the assassin Taopaipai, was built for extreme lethality. This is not a technique for fighting; It's a technique for killing.

What makes Frieza's Death Beam stand out from the Dodonpa, however, is its accuracy and its speed. He threads the needle around Muri to hit Cargo before anyone even has a chance to react.

We see its accuracy and speed again six days later, when it finally catches up to the other child fleeing from him here.

The panelwork here calling attention to everyone's reactions as Frieza's ki bullet shoots past them, as his shot threads the needle between all obstacles in his path to strike his target far behind them. Dende is dead before anyone can even process that Frieza fired.

This is the difference between the two techniques. The Dodonpa is a gun. The Death Beam is a sniper rifle. Faced with the physical hurdle of bodies impeding his path, Frieza point-clicked Cargo and Dende to death.

He later executes Vegeta this same way.

Done with you.

All of this context for Frieza's sniping shot serves to set up the stunning subversion when Goku arrives to fight.

Frieza's never seen this before. Goku shouldn't even be able to see the shots coming until they've perforated his lungs. That's how Death Beam works. It's this moment that lays it out: Frieza's about to be tested like he's never been tested before.

Speaking of cool techniques, I've always been partial to this move from his Third Form.

The anime gives Frieza little ki bullets coming out of his fingers but I want to note that we never see a physical projectile when he's doing this. Frieza jams his fingers back and forth in the air while something pulverizes Piccolo.

I've always imagined he's poking the air so fast that it's hitting Piccolo with pressurized air currents. Similar to Goku's Mazoku air current punch from the 23rd Tenkaichi Budokai.

But that's just me.

In any case, Frieza's got some fun moves. He's something of a hobbyist martial artist. Which is to say, Frieza has an interest in martial arts. In addition to his Death Beam, Frieza's concocted a litany of other interesting techniques.

He even invented the Kienzan, independently of Krillin.

Though he can remote operate his Kienzan so it's strictly better than Krillin's. Frieza, in his spare time, has come up with a bunch of cool moves. Too bad he has no idea how to use them.

Frieza's greatest weakness is his inexperience. He practices martial arts the way a business CEO who bought a log splitter so he can cut some wood and feel woodsy practices agriculture. Frieza has never had a proper chance to truly experience martial arts, because he was born too powerful.

The only partner who's ever even dirtied his skin was his dad.

And even that isn't much. Frieza's too strong. He wants to pursue martial arts. He wants to hone his technique. But when you win every fight by blinking too hard in the opponent's direction, what even is there to practice?

Frieza created a transformation to seal away his immeasurable ki because he was born with so much ki flowing from him that he can't even contain it. At his peak, Frieza's ki bleeds out of him. He simply can't contain it.

Goku wonders aloud why Frieza took so long, even after the fight turned against him, to go to 100%. Frieza's been all "Oh I'm only using 10% power this is my 50% you made me go to 75%" and Goku's like, "Okay. My dude. What's this about, for real?

This, incidentally, is not a great translation. What Goku's saying here is supposed to be basically, "Perhaps when you use your full power, your body can't handle it."

He is correct.

Frieza's Full Power has a lot in common with Super Saiyan 3. His theoretical maximum ability is wildly different from the reality of what he's capable of, because he bleeds ki like it's going out of style.

So, while other characters wound up earning transformations that make them more powerful, Frieza created a transformation to seal away some of his incomprehensible ki.

Then he created a couple more because even though he could now control his strength and even manipulate the amount of ki he's releasing at a time, he was still too powerful for anyone to ever compete with and needed even more ki sealed away.

Again, not a fantastic translation from the people who brought us "bottom-tier boy", as Frieza's statement here could be interpreted as saying that he gets taken by a berserker rage or something.

What he's saying is more like, "My power is so great that I can't properly contain it."

Point is, Frieza transformed to lock down his ki and seal parts of it away, so he could control the rest better. Then he kept going, locking away more and more and more of his ki. And even at his most nerfed, he's still five times more powerful than the Second Strongest Guy in the Universe.

Frieza has never in his life had the opportunity to be pushed. That's what makes Goku so enthralling to him.

Frieza plays with Goku because he's genuinely having the time of his life. This guy can fight him in his Final Form. Nobody can fight him in his Final Form. He's so happy, he straight-up forgets that he's trying to complete a genocide against Goku's entire race.

He said that five minutes ago. Gohan's hidden power freaked Frieza the fuck out. Saiyans are too strong now. They've gotten too strong. Frieza cannot permit them to keep existing because they're getting strong. Every last Saiyan, every last one, must die. Every single one. Scorched earth, no survivors.

But then he meets a Saiyan martial artist who's a technical master and pushes him more than he ever thought possible and suddenly:

He goes from "Saiyans are TOO STRONG and they all must die because they might threaten me" to "OH MY GOD I'M HAVING SO MUCH FUN CAN I KEEP YOU!?"

It's this desire for a true rival, this opportunity to satisfy his amateur's curiosity about martial arts, that ultimately unravels him. Frieza has one ruthless and pragmatic option for ending this fight once it starts to be too much for him. He can technically stop the fight any time he wants.

But he can't bring himself to do it. He wants to fight. He wants to compete. Frieza's been on the outside looking in at martial arts for his entire life and even when his greatest fears are fulfilled and the Super Saiyan is in front of him, he wants to try.

So when he does attempt to pull his Lethal Ragequit, he pulls back at the last second. He can't bring himself to do it. Goku initially assesses that Frieza held back out of fear of hurting himself.

But later, as Frieza begins unlocking the final chains on his ki, Goku changes his assessment. Noting that if Frieza really held back simply out of a mistake, he could have shot the planet again at any point to finish the job. He's been letting this play out because he can't bring himself to end the greatest fight of his life that way.

This fight is still happening because Frieza wants to compete. I mean, he wants to win, of course, but he wants to win as a martial artist. He's never truly gotten to be a martial artist before.

He is not the guy winning the gold medal at the Tenkaichi Budokai. He has never been that guy. He's the guy who buys up the land the Tenkaichi Budokai is held on and then bulldozes all the people off of it. But in his heart of hearts, he wants to be that guy. That guy is so cool. Frieza wants to play too.

In a sense, by hosting the Cell Games, Cell got to live Frieza's greatest fantasy.

This is who Frieza is. He's the cruel and wicked heir to Genocide Realtors Inc., who is in love with the idea of being Tenshinhan - A desire that exists at odds with - and undermines - his pragmatic business sense, so to speak.

He is the most vile character in the history of Dragon Ball. The worst kind of person. He is also an overeager child whose wealth and privilege prevents him from ever truly enjoying his hobbies, to an extent that he'd be almost pitiable but for all the genocides.

And he is Dragon Ball's greatest villain.

[princessbrunette]

pogue!rafe who you call over to fix every minor inconveniences.. theres a cockroach bothering you or your ac’s acting up and rafe is the first guy you call 🙂‍↕️ he acts all nonchalant being “you could literally call the ac guy or your neighbor or someone. youre saying i come all the way here for this?” but you js go “but you’re the only one i trust rafey!!” and he eats that shit UP 🙂‍↕️🙂‍↕️🙂‍↕️

: ・ෆ・┈・┈・ᕱ⑅ᕱ・┈・┈・ෆ・ :

perhaps you have strict kook parents who don’t let you bring men into the house — but rafe has worked on the house, they trust him — so he’s allowed right? he really doesn’t wanna come all that way just to press a few buttons on your ac that he knows you could do yourself — but he can’t help it, he’s just a man and you’re feeding his ego when you say stuff like “i’m not good at this kinda thing rafe, you’re all smart n’know how to fix things. oh, and my parents like you so they wouldn’t mind if you come here whilst they’re not home!” which makes his ears perk up like a rabbit of course. he reluctantly agrees and heads straight out.

it’s a specifically hot day, so when he turns up you’re walking around in just the tightest tiniest bikini because the ac is broken and you just couldn’t bring yourself to put clothes on.

he’s being his usual mean self, telling you to stay out of his way whilst he figures out the problem, and then once he figures it out starts telling you that you could have done it yourself — but you’re just smiling, barely listening, staring up at him looking all soft and grabbable which makes it hard for him to concentrate. you’re finding ways to get him to stay longer, offering him iced tea and food to which he declines every offer. before he leaves you get all upset, brow furrowed and pouty and he can’t stand it.

“what, huh? why are you looking at me like that?” he throws his arms up from the doorway to your bedroom, watching you sit on the bed sulking.

“why do you wanna leave so bad?” you mewl, genuinely sounding like you’re on the verge of tears and he sighs, scratching behind his ear.

“doin’ my job, kid. you’re not payin’ me to hang out and besides — m’not taking your money today.” he waves a hand and for a second you lose focus of your goal.

“wh— why?”

“i came over n’pressed a few buttons. s’not rocket science.”

“i’m still gonna pay you.” you cross your arms stubbornly and he spreads his palms carelessly, looking around.

“well uh, i’ll send it back.” he sarks and you huff, staring at your feet. he watches you for a moment, before giving in just a little and leaning on the door frame. “still upset? huh?”

“yes.” you pout.

“whats the problem now? you kook girls have got plenty’a shit to entertain yourself with alright you— you don’t need me for that. not a god damn babysitter.”

“you’re not babysitting. not even that much older than me, anyways.” you whine, only seemingly proving his point and he huffs out a laugh.

“jeeeesus christ.” he drawls under his breath before he strolls over to stand infront of you. you don’t look up at him, pointedly, so he taps beneath your chin twice. “hey.”

looking up, you look so sweet — he couldn’t deny it. “whats the issue?” he reiterates, and from his clipped tone you can tell he’s not gonna ask again if you refuse, he’ll just leave.

“want you…” you murmur, eyes getting hazy and low, pupils dilating before his very eyes like you’d flipped a switch. it’s tempting, very tempting but he backs off anyway.

“nah, nah you want a toy. go fuck on a dildo, m’not your slave.” he huffs tiredly as he drags his big body over to the doorway again. in almost a panic you let out a devastated noise, tears welling up.

“no i want you. rafey, c’mon… you have no idea. s’hurting.” you complain, and now his interest is piqued, turning around once more he licks his lips irritably at the back and forth, blinking at you.

“you think that shits not gonna hurt with me? huh?” he tilts his head, reaching down and boyishly grasping at the shape of himself through his jeans. “this shits bigger than any of the other suckers you’ve had. trust me, you don’t want this kid. go back to playing with kook boys.”

fed up and whiny, you bring your feet up onto the bed, spreading your thighs as you pull your bikini bottoms aside. he freezes on the spot, eyes locked in to the sight, only just taking in the pained look on your face. you weren’t lying, your cunt is a mess of slick, practically pulsating and clenching around nothing infront of him.

“i can take it. make me take it.” you request quietly, peering up at him. he exhales hard out his nose, looking around the room helplessly before storming towards you.

“yeah? alright. i’ll make you fuckin’ take it.”

: ・ෆ・┈・┈・ᕱ⑅ᕱ・┈・┈・ෆ・ :

[cupcakeslushie]

Is Donnie in love with Kendra? Or at least he think he should be? Sorry that one fic that sorta ends with him worshipping her got stuck in my brain but I know its not canon

Donnie sees Kendra as his entire world at the moment. She’s the only positive feedback he gets, and even when she’s slightly disappointed in his performance, it’s heartbreaking for him. He might not be in love with her, or even know the difference between love and his obsessive worship. But when she uses physical touch as a reward, it feels amazing. When she’s unhappy with him, he doesn’t spiral if he can fix it right away, which is usually the case, even if he has to push past his own discomfort or needs.

Kendra uses Donnie’s brothers against him all the time. Asking if Donnie thinks she’s being as mean as them, or why Donnie’s trying to pull away from her, when she’s so much nicer to him than they ever were. Ect.

She definitely enjoys the power trip more. The only reason she’s even so gentle with him, is because he’s so pathetically pliant and eager to follow her every whim.

I came up with this from a prompt from the febuwhump list, and idk I just like fucked up angst, and it seems like enough people do too, so Ive kept feeding it 😂 As crazy as it sounds, it’s probably my most grounded AU just because I have known a lot of manipulative people. So writing Kendra’s dialogue is an interesting exercise in getting it realistic and not too mustache twirling.

They work out of an abandoned warehouse. Donnie stays there, and usually, at least one of the dragons is present. Kendra and Jeremy live there, while Jason spends his time going back and forth, not being as eager to move away from home as Kendra was.

When he’s not doing anything specific for Kendra, Donatello follows whoever around like a little puppy—too scared to really talk much, but also unable to be alone with his negative thoughts. Jeremy and Jace try to act nonchalant, but it’s off putting—having a little creture that was once their enemy, moving in their peripherals constantly.

[skufdaddyswansea]

Mouthwashing, Dual Protagonists, and Captain Curly

While the vast majority of Mouthwashing is shown from Jimmy's perspective, the events leading up to the Tulpar's crash usually follow Curly. There are several interesting reasons for this, but there's one reason in particular that I'd like to focus on.

By setting Jimmy and Curly up as dual protagonists, we're invited to draw comparisons between them. Not only are they the lenses through which we view the story, they pass the role of Captain back and forth between their chapters.

It's easy to feel sympathy for Curly, given the state he spends the larger part of the game in. It can also be easy to gloss over his more subtle shortcomings when measuring him up against Jimmy.

In this post, I want to take a closer look at Curly's character. And more specifically, how he relates to one of the game's most obvious themes.

Is Curly able to deal with the consequences of his actions? Does he realize his own failures and how they harm the people around him? What does he do with the power he's granted over others?

Does Curly take responsibility?

Jimmy's fixation here gives us a good jumping-off point. It's certainly possible that he's only really been told this once or twice, but because he's Jimmy he's blown it out of proportion out of spite. It's also possible he's entirely making it up because he's projecting, but I think the former is more likely if anything.

And, if I had to take a guess where he heard it from, I'd put my money on The Pony Express itself.

In the eyes of The Pony Express, a "great leader" isn't someone diligent or able to meet the needs of his crew. The real reason Curly was able to rise to the top of the ladder and become captain is because he gets the job done without rocking the boat.

I'm establishing all this because I think it's worth examining by what metric he's being judged. Because, while it may be Jimmy who most often digs this point up, Curly doesn't disagree with him. Even in the depths of his ennui, it's important to him that not only is he the Captain, but a good one at that.

When comparing the two, that can again seem difficult to argue against. Jimmy is quick to lash out and shift blame. His resentment and insecurities often drive him to pick fights. Curly prefers to avoid conflict, but knows his position doesn't always allow him to do so. He tries to pick his battles, but when he has to get involved he focuses on de-escalating the situation.

But although their similarities are few, they do exist. And they greatly influence the narrative. Because it is from their shared selfishness, callousness, and cowardice that the entire story is born.

It's time to address the elephant in the room. We can't draw any conclusions about Curly's nature, his character, his role in the story, and his relationship to its themes without digging into his handling of Anya's assault, and the chain of events that follow.

I find it interesting that we never see the initial conversation Anya has with Curly about the assault. We simply know that she confided in him. He is the Captain, after all. The crew is his responsibility.

The thing is, we don't really need to know the exact conversation they shared, because we can imagine it went quite similarly to their conversation about her pregnancy.

She tells him how scared she is. She fears for her life. It never even occurred to him that she was upset about anything other than losing her job. He swears to her that everything will be fine. They'll fix this. All he has to do is talk to Jimmy.

He does not talk to Jimmy.

Maybe the first time he really did intend to. He just needed time. Jimmy has always had... struggles. If we want to, we can be generous to Curly, we can assume his old problems were much less vile. Otherwise, he would have never pulled the strings to get him this job, never put him in a position of power over vulnerable people. Right? But now, this was whole new beast altogether. Because he and Jimmy go way back, he had to process this, figure out what he was even supposed to say.

But at the same time, The Pony Express had just gone gone under. He'd been struggling with dissatisfaction and indecision for so long, and now his hand has been forced. He has his own problems. And Anya seems fine, doesn't she? If she hadn't said anything, he'd never have even known there was anything wrong. It just doesn't seem that important.

Anya talks to Jimmy herself.

She's scared, she fears for her life. But now she knows now that Curly won't defend her, nor give her the means to defend herself. Still, he promises her, they'll fix this. He just has to talk to Jimmy.

Things are different now. He can't sit by and wait for things to work out anymore. After all, it's not only her problem anymore.

Now it's Curly's problem too. How is he supposed to find another job with this on his record? There's only one other person on this ship who understands what he's going through.

He talks to Jimmy.

And he understands. Not that what he did was wrong, of course. Not that he'd done something horrific, irreversible, cruel. But that it now had consequences, and that he wouldn't suffer them alone.

Curly made his decision. He chose his paper-thin illusion of peace and his eroding friendship with Jimmy over the safety and well-being of his crew. And when it all came tumbling down, he decided it was better to bury them all under the rubble than to face the struggle to rebuild.

If Jimmy hadn't been there, hadn't been his co-pilot, Curly almost certainly would not have been able to bring himself to actually follow through with something so selfish and reckless.

But Jimmy was there, and Curly made sure of that.

So, it's time to ask again. Does Curly take responsibility?

Well, yes.

But it's too little, too late.

As much as Mouthwashing is about Jimmy fighting furiously against the consequences of his actions, it is also about Curly being forced to watch them unfold anyway. His silence and inaction, once a choice, are inflicted upon him by his mangled body.

Jimmy may have crashed the ship, but Curly gave him the keys. And so it's fitting in the end that Curly is made to take the full weight of responsibility by the man who he helped avoid it so many times.

[harryspet]

bambi eyes (3) r. cameron

[Warnings] soft!dark!rafe cameron x reader, daddy!rafe x little!reader older!rafe, crimeboss!rafe, rafe takes advantage of traumatized reader, DUBCON, dd/lg, sex trafficking, sexual slavery, sugar daddy rafe, stockholm syndrome, spoiling kink, unprotected sex, forced? age regression, little editing, 18+ READ AT YOUR OWN RISK

word count: 3.4k

In which you do your best to deal with your Daddy's mood swings.

main masterlist

bambi eyes masterlist

You felt like you were seeing Rafe less and less as the next two weeks went on. He was stressed about what was going on with work. He often paced back and forth in front of you, ranting, although he was never specific about the details of what was going on. 

You noticed that he grabbed you tighter, pushed you harder into the mattress, and talked less during sex whenever something outside was affecting him. You were starting to accept it; it never hurt too much, and you’d be more scared if he weren’t interested in you in that way. If he didn’t want to be intimate with you, then there was a chance he wouldn’t want you anymore. 

As much as Rafe promised you this was permanent, you couldn’t fully believe him. He had done all of this just for you, so you had to be able to offer him something special in return. 

Like Rafe wanted, you established a routine. Every morning the birds would wake you up exactly at eight, and you’d make your bed which kept you from napping all day. Staying in your room was causing your imagination to stretch.  You found new ways to entertain yourself, including trying on all the clothes in your wardrobe and throwing elaborate tea parties with all your stuffed animals and dolls. 

One night that you thought would be like the last twelve nights, Rafe came to you after Lana had already brought you dinner. He wasn’t dressed in his usual khakis and dress shirt but in sweatpants and a pullover. You were curled up on the window seat, drawing flowers in a notebook, when Rafe came over to join you. 

“Hi,” You spoke softly. He placed a warm hand on your knee, and you slowly closed your notebook. 

“Hi, baby,” There was an ease and calmness to his voice that made you believe he’d actually had a good day, “What are you working on? Show me.”

You sat up, leaning closer, as you handed him the notebook. You hid slightly behind your knees as Rafe began to flip through the pages. At this point, you’d covered half of the pages in your doodles, “Oh wow, these are really pretty, Bambi,” He smiled with his entire face, including his bright eyes, “We should hang some of these on the fridge.”

You felt a bit of relief, hearing that he liked him, “I have more. Way more. I’ve colored a lot of the coloring books.”

“Go get them, I’ll pick my favorites,” Excitedly, you got up from the window seat. When you set several full coloring books in his lap, Rafe’s lips parted in shock, “Okay, wow, I don’t think I realized how much coloring you’d been doing.”

“I think it’s fun,” You said. 

“Good, I want you to have fun,” Rafe nodded, “But have you worn down all your color pencils? How come you haven’t asked for more?”

You shrugged when Rafe gave you an inquisitive look, “I try to take care of the ones I have.”

“Would you even ask Daddy for more coloring books if you ran out of pages to color?”

“Maybe,” You spoke honestly. 

The idea of asking for more than what Rafe had already given you did make your heart race. Rafe shook his head at something, “Daddy will get you lots more art supplies. Maybe you could try painting?”

“We could paint together?” You perked up. 

“Yeah, yeah,” Rafe assured you, “I’m really, really sorry I haven’t been here as much as I’ve wanted to. Needed to, really. It’s just … I’m working on a lot of things right now, you know?”

“I’ve been okay,” You said, “Lana has been kind to me.”

“Good, good, I want you to be happy here, you know? That’s why I want you comfortable asking for things,” You watched Rafe’s eyes wander towards the bookshelf, “Like your books. I never see you reading them. Do you not like them?”

“I do,” You said quickly.

Rafe started to stare deeply at you, “What-what is it?”

“I . . . “

“I can pick some different ones for you? What do you like?”

“I like it when you read to me, Daddy,” Rafe tilted his head and the mentioning of his nickname didn’t light up his features like usual, “It’s hard for me. I never needed to … do that.”

He paused, which made you think you’d done something wrong, “You’ve never needed to read?”

“I can do it,” You said, “It’s hard when they’re all together, and there’s so many… the words. I’m sorry you think I don’t like the books you picked. I really do. I will try harder–”

“Hey, hey, hey,” Rafe rushed to put the coloring books aside and grab ahold of your face, “I just didn’t know, that’s it. You didn’t do anything wrong. At all.”

It wasn’t something you’d ever felt embarrassed about, but now you couldn’t help but feel stupid. Deep down, you felt a guy like Rafe deserved someone better. He deserved someone smarter than you. 

You closed your eyes, wanting to hang your head, but Rafe said, “Look at me, hey,” Weakly, you did, “I’ve been thinking that you should spend more time with Lana instead of being cooped up in here. At least until I can take care of this … one problem I have. She’d be happy to have some company. And, if you want to learn, she could help you with your reading.”

“You don’t care?”

“Not at all, look, don’t worry. I’ve got you, sweet girl,” He said. Rafe leaned in to peck your nose before he brought your lips together. You melted into him, realizing then how much you missed him when he was gone, “You know what I was thinking?”

You stared back at Rafe, who had a mischievous look in his eye. 

“We should take the boat out.”

“Now? Where?” 

“Just on a short ride to get you some fresh air. It’ll be cold, so let’s find you some warmer clothes, yeah?”

It was a rhetorical question; Rafe was already making his way over to your wardrobe. You looked down at the small silk pajama set you were wearing. You’d seen all the boats out by the dock but hadn’t imagined that Rafe would take you out on one. “Lift your arms,” You did exactly as he said, pulling a light blue sweatshirt over your head. He also chose long pajama bottoms, helping you get into those, too, “You want to bring one of your stuffies?”

Your excitement mixed with your anxiety as you put on your slippers. It was a hard decision to make about which stuffed animal you wanted to bring, but you settled on Fin, your silvery-blue dolphin, “Excellent choice.”

Rafe grabbed your hand, leading you downstairs, “Do you think we’ll see a real dolphin?”

“Well, they tend to be more active during the day, and it’ll be dark soon … but maybe if you wish really, really hard.”

The air was much cooler outside than you expected, and you certainly didn’t expect it to feel so strange being in the fresh air. You turned in a circle just so you could take in the sky, the trees, the house, and everything around you. 

You followed a determined Rafe across the yard and towards the deck. He chose one of the smaller boats, although there was room for at least four more people. You yelped when Rafe grabbed you by your waist suddenly and lifted you inside. Another yelp escaped your lips as the boat rocked under the pressure of your weight, “You’re okay, don’t worry,” He didn’t have to tell you to take a seat or be still; you decided you wouldn’t move at all, “One . . . moment.”

You watched through the corner of your eyes as Rafe untied the roaps keeping the boat tethered to the dock. The boat rocked again as Rafe hopped inside, causing you to grip Fin in one hand and grip the side of the boat in the other. 

You sat in the seat right across from Rafe as the boat slowly pulled off towards deeper water. As the boat became more steady, you turned your head and watched Tannyhill get smaller and smaller. The orange and blue sky reflected off the water, creating an insanely beautiful view. You sailed towards the horizon, the son looking half submerged in the water, “How do you feel?” Rafe yelled over the sound of the motor, “Wanna go faster?”

You nodded, a smile growing on your face, “My little daredevil, huh?” You sat up on your knees, wanting to see more. You get a better look at Figure 8, seeing lots of huge houses along the beach, although none of them compare to Tannyhill. Rafe pointed out different landmarks for you, including the country club and a huge lighthouse out in the water. In your eyes, this night made every other night where you worried about your place with Rafe worth it. 

“Go ahead, you can give it a taste test,” Lana conceded, allowing you to dip your finger into the chocolate cake batter. A few days after your night out with Rafe, Lana was showing you how to make the perfect chocolate cake. You thought she might be exaggerating about how perfect it was until you were licking your finger. An excited moan left your mouth and you bounced on the balls of your feet, “It’s great, isn’t it? Espresso powder is the key.”

“It really is,” You agreed. 

“Now, wash your hands. It’s time to pour our batter.” 

The entire day Lana had told you exactly what to do and how to do it. You didn’t mind listening or following her directions as she usually spoke to you warmly. Besides that, you wanted to learn exactly how to take care of things around the house, knowing that Rafe would appreciate your help when Lana couldn’t be here. The two of you cleaned the entire downstairs, did several loads of laundry, washed the windows in the glass patio, and even had time for a reading lesson in the early morning. She informed you that she homeschooled her youngest son and that she would try to teach you in a similar way. 

As you washed your hands, you glanced out the side window towards the dock. You could see Rafe far out on the dock, standing with the same business associate who came to the house a few weeks ago. They weren’t alone like you were expecting; someone was on their knees a few feet ahead of them, their head slumped over. You squinted your eyes, trying to see more of them, although Rafe and his business associate shouting at each other blocked your view, “What are they doing out there? Who’s that?” Lana came over to where you were standing, peeking out just like you were. 

Whatever business Rafe was involved in, Lana didn’t seem to care for it, “Mr. Cameron and Barry, they’re always at each other’s throats,” She shook her head, “Come, dry your hands. The oven is heated.”

You did as she said, turning your head away. There were going to be several layers to your cake, meaning you had three pans to fill, and after that, you and Lana would make the icing. Just as your mind wandered back to Rafe, you heard him coming through the kitchen door. 

He wiped the sweat from his forehead, pacing for a moment before his dark eyes landed on you, “Bambi, let’s … uhm, go upstairs,” His voice was shaky and deeper than normal, “Come here.”

“We’re-We’re just about to put the cake in the oven. It’s for tonight, and we’re going to make homemade icing too–”

“Now …please,” He said the last word like it was painful, “It’s time for you to go back to your room.”

No, no, no, a voice repeated in your head. 

“But Lana was going to teach me how to ice the cake, too and she —”

“Fine,” Rafe snapped, his hand slamming against the counter before he rolled his eyes, “Just stay here.” 

As Rafe stomped away, you knew you had something horribly wrong. You’d seen him in a similar mood before but he never directed any of his vitriol towards you before. Whatever had happened on the dock had clearly upset him. You really wanted to finish working with Lana. More than anything, you didn’t want to be locked in your room for another long period of time. 

After taking a breath, or attempting to take one, you turned to Lana, “I didn’t mean… I-I should go say sorry.”

“You might want to let him calm down a little bit, sweetheart,” You’d already made up your mind. You reached behind your neck to undo the top of your apron, “Turn around, let me help you. He’s not mad at you.”

“How do you know?”

“I know who he is,” She spoke simply, “Don’t take anything too personally with Mr. Cameron.”

“You can finish without me; I’m sorry, but thank you for today,” You said as you started to walk away. After you saw her nod, a sad smile on her face, you turned away and sped for the stairs. 

You approached Rafe’s bedroom moments later, hesitantly turning the knob, “Daddy?” You called, peeking inside. You called him again. He wasn’t in the main room but the shower was running in the bathroom, “Rafe?”

You jumped when he suddenly appeared in the bathroom doorframe, shirtless and his belt undone. This time, you notice his bruised hands and bloody knuckles. 

“I didn’t mean to make you upset, Daddy.”

“Get down on your knees,” He stared you down. When you tried to come closer, he said, “No, drop to your knees right there.”

You felt your knees brush against the bedroom rug, “Crawl to me.” 

If Rafe wanted you to feel even smaller, then his plan was successful. You did as he said, seeing no other option, and crawled towards him. You watched as he palmed himself over his briefs, and you could already feel him stretching you, pulling your hair, and leaving marks on your bottom. This wouldn’t last, you told yourself; he would be gentle with you another time. 

Your sage dress had ridden up your body, exposing your floral patterned white panties. 

“You’re gonna suck my cock and swallow all my cum. And then you’re gonna thank Daddy for letting you.”

You’d do exactly as your Daddy wanted, hoping he’d take your sore throat and tears as a sufficient apology. 

Once you were soundly asleep in his bed, Rafe slipped out. He had a huge, bloody problem waiting for him in the cabin of his boat. Luckily, JJ Maybank was still the degenerate he used to be, and no one except his Pogue girlfriend would come looking for him anytime, “Son of a bitch isn’t talking,” Barry grunted out, meeting Rafe at the beginning of the dock, “Knocked two of his bottom teeth out and he’s still not motivated.”

Rafe had done everything possible to limit any competition he might face in Kildare. All small-time dealers would be working for someone who worked for Rafe. This was meant to be Rafe’s island yet somehow, Maybank was getting supplies from the mainland and was stealing his customers. 

“We could take his girl.”

Rafe contemplated Barry’s question before shaking his head, “If she comes around trying to find him, we might have no choice. I’m sure that will motivate him.”

Rafe could see Barry’s eyes wandering to Kie. Part of him would love to see JJ squirm if they got their hands on her. You were the reason he didn’t think too long about that. Barry, on the other hand, Rafe would let him do whatever he wanted with Kie. In the end, Rafe wanted JJ to talk, to give up his sources, but he’d be just fine killing him. 

“I hope,” Barry crossed his arms, “Not exactly looking forward to dealing with the body.”

“We don’t have to deal with that shit anymore; I know who to pay to handle it,” Rafe said, “Speaking of, I think I-uh need some more security here. I want guards all around the perimeter. Because of the amount of merchandise and if we’re going to be taking captives, you know. I want this place to be a fortress.”

“Your merchandise, huh?” Barry flashed Rafe a knowing look, “You got any liquor in that big house?”

Rafe gestured his head toward the house, signaling to Barry to follow behind him. 

“If Kie doesn’t come for him and if he still has no information to offer us, we kill him. No more torture, no mess, one gunshot to the temple,” Rafe instructed, his mind racing with what their next moves should be. The more planning beforehand, the better, and the less likely it would come back to them, “That’ll send a message to the rest of the Pogues too. They work for me, or they work for no one.”

“And after you’ve cornered the market?”

“That’s just the start of everything else,” Rafe led Barry through the first floor, towards his office. Ward always used to keep his office stocked with liquor as it came in handy for important meanings. Rafe learned people will often let down their barriers and concede to more under the influence of alcohol. He opened the door for him, allowing him to enter. 

“Whoa,” Barry said, walking inside just as Rafe heard a soft gasp from a familiar voice. Eyebrows raised, Rafe entered behind him to find what had shocked him, “Is this the new Mrs. Cameron?”

With wide eyes, Rafe took you in. You were in the same clothes Rafe left you in, one of his white button-ups and your knee-high socks, “What are you doing down here?” You slowly stepped behind Rafe’s desk, and he could tell you were trying to hide yourself.

“I-I couldn’t find you.”

Rafe’s jaw jutted forward, his arms crossed, as he said, “You’re supposed to be sleeping.”

Your lips parted to say something, but Barry interrupted, “C’mon, man, it’s not even midnight! Introduce me to your girl. We can all have a drink,” He grabbed ahold of Rafe’s shoulder. You would think Barry had one the lottery based on the look in his eyes. By complete accident, Barry had stumbled on Rafe’s biggest treasure, “I’ll behave, I promise.”

“She doesn’t drink.”

 Rafe was frustrated, mostly because he should’ve been keeping closer track of you. He’d given you that necklace for a reason. A new idea crossed his mind, one he wasn’t expecting, and some of his anxiety eased. He was far from embarrassed of you, he’d chosen you for a reason, but part of Rafe wanted Barry to envy him at that moment. 

Rafe sighed, waving you closer to the two of them, “Bambi, this is Barry. Barry, this is Bambi,” Smoothly, Rafe grabbed ahold of your waist, pulling you into him. 

“Hi,” You said shyly, “It’s nice to meet you.” 

 When Barry held his hands out to you, your eyes darted towards Rafe as if to ask permission. Agreement crossed his face, and Rafe watched you shake his hand. Barry was fully taking you in, of course, but Rafe knew a handshake would be the extent of his closeness with you. 

“The pleasure is all mine, beautiful.”

“Chill out, dude. Sit down,” Rafe instructed Barry, pulling you along. 

Barry made himself comfortable on the leather couch and Rafe motioned you to sit across in one of the leather chairs. 

“How you liking Kildare?” 

“It’s really nice,” Rafe heard you respond as he poured two glasses of whiskey for him and Barry, “There’s so many big houses, and … it’s just really pretty.”

“You ain’t seen much then, have you?” Rafe handed Barry his glass, flashing a warning with his eyes, “All the girls where you’re from, they as pretty as you?”

“I . . . I don’t know,” You laughed nervously. 

Rafe placed a hand on your shoulder, and you looked up at him,  “Why don’t you go get Barry a slice of that chocolate cake you made?” 

Rafe assumed it would ease your nervousness if you could share what you made. “Okay, Daddy,” You smiled at both men, and both men watched you closely as you walked out of the room, “I’ll be right back.”

“Pretty and obedient,” Barry whistled, “I need to travel more.”

A/N: Thank you all so much for your support on the first two chapters BUT psa you will not be added to my taglist if you're not reblogging the fic and letting me know your thoughts! It is crazy to me that people will ask me to tag them in the next chapter when they have neither liked nor reblogged the fic. Constructive feedback is more encouraging than just commenting "PART 4" or "tag me in part 4" :)

PART 4

[the-crooked-library]

Creative Lineage - Dracula, Orlok, and the others

Here's the thing: the relationship between Nosferatu and Dracula is incredibly interesting - especially considering that Nosferatu (1922) was based on Dracula the book (1897), and most subsequent visual adaptations of Dracula for some reason used aspects of that film as inspiration, instead of adapting the original novel directly. As a result, there have always been endless comparisons between the two; but, in light of our most recent Nosferatu (2024), I must expand on what I personally think is their most significant (in regards to both plot development and analysis) difference.

TL;DR: it's characters. The main source of divergences between Dracula and Nosferatu is that these stories consist of vastly dissimilar characters, stuck in relatively similar situations.

I could go into heavy detail, and I will - under the cut, for the sake of all our dashboards.

At first glance, the stories of Dracula and Nosferatu are almost identical. The beginning sections follow the same essential plot beats - a young, newlywed solicitor travels to a creepy castle in Eastern Europe to assist a reclusive Count in his immigration to the West. This Count is, in fact, a vampire (otherwise known as a nosferatu), and terrorizes the young man for weeks, before departing and leaving him imprisoned; the solicitor escapes, is rescued from the wilderness by a nunnery, and returns home - where the Count has already begun his murderous process of settling in.

Here, in my opinion, is where the similarities end.

The key to understanding Nosferatu is remembering that Orlok is not Dracula; Thomas is not Jonathan; Ellen is not Mina, and so forth; and despite the mutual inspirations that affect each film adaptation of either story, the characters never react to the plot as a viewer would expect, if their precursory experience has been limited to only one or the other version.

Naturally, there are reasons for the continued addition of Nosferatu elements to Dracula adaptations. The most prominent of them is that, quite simply, audiences enjoy a fated, dangerous, inadvisable monster romance. By and large, we are titillated by the taboo; and - without adapting Le Fanu's Carmilla (1872), or adding a vampiric element to an adaptation of Leroux's The Phantom of the Opera (1910), or expanding on the queer elements of Jonathan Harker's sojourn in Transylvania - the easiest piece of classic media to sample for this sort of theme is Nosferatu (1922).

The 1922 film was, in a sense, an adaptation of Bram Stoker's Dracula (at least, enough to get the creators sued by his estate). In its efforts to circumvent copyright laws, it plays fast and loose with Stoker's lore and characters, renaming the Harkers, the Count, and everyone else - and, crucially, adding an element of erotic fixation that the vampire develops upon seeing a portrait of his solicitor's young wife. While still overseas, he builds a psychic connection with the melancholy and sensitive Ellen; it is both horrifying and sensual, and ultimately what she uses to destroy him - sacrificing her own blood and life to keep him out of his coffin until cock-crow. Ellen dies, but the sunlight annihilates Count Orlok, and the ending is a bittersweet new dawn.

This fixated, possessive, murderous eroticism (first displayed in its currently recognizable form by Carmilla) has become a cornerstone of the vampire genre. Elements of it are recognizable even in relatively modern media like Interview with the Vampire, Buffy the Vampire Slayer, Twilight, as well as numerous Dracula adaptations (of which the 1992 Coppola film might be the most well-known); it is even present in other, indirect offshoots like NBC's Hannibal TV series. It is, therefore, essential to note that these overtones did not exist in the same way in Dracula the novel; and the reason for that is, specifically, a difference in character.

Count Dracula, while dangerous, vampiric, and psychic, does not possess that same singular fascination with any given character in Stoker's book (save perhaps for Jonathan Harker, temporarily). He does drain Lucy night after night, and his method of killing, like with all vampires of his type, is allegorically sexual; but it isn't personal. She keeps receiving blood transfusions - effectively, refills!.. Other than her blood, he has little interest in her. He has companionship enough already - after all, he lives with three female vampires, who may be courtesans or wives, but are colloquially referred to as Vampire Brides; and, additionally, he maintains ongoing communication with some of the people and animals that live on his land. As such, when he does bite Jonathan's wife Mina, it is a practical decision - made in order to establish a potential spy in a group of people who appear to be intent on hunting him down.

Similarly, Mina herself - despite the usual characterization of her film portrayals, which are in many ways epitomized by Coppola's 1992 version - was not originally a vulnerable maiden. She is confident and educated, she has worked for a living as an educator prior to her marriage, and she knows how to use a typewriter as well as shorthand. She has no emotional connection to Dracula whatsoever beyond pure incandescent hatred; and, frankly, forcing her into any sort of romance with him is deeply inaccurate to her character - because Mina Harker is endlessly in love with her husband Jonathan.

They may be on the lower end of middle-class, but relatively stable and planning a life together - not only as husband and wife, but as solicitor and secretary, as well. It's as close to a power couple as a novel from the 1890s will approach.

This is not the case for Ellen Hutter, largely because her social circumstances are far more precarious.

Unlike Mina, she has been forcibly isolated for the majority of her life. In that, she is yet another in the line of tragic madwomen of the gothic genre - mostly due to her eccentricities and her psychic gift, which (as the Eggers version specifies) manifested early in her childhood and became socially inexcusable during her teenage years, much like any real-world form of neurodivergence. It is implied that she has been institutionalized at some point as a result; and even prior to that, her father kept her confined indoors and away from other people in efforts to control her.

This isolation is what originally leads to her connection with Orlok - who was woken from his centuries-long deathlike sleep when he heard her reaching out into the ether, begging for a friend. Then, later in her life, the same circumstances unfortunately have a direct effect on her relationship with her husband Thomas, too; while she is attached to him, she cannot ignore that she is also utterly dependent on him as her ticket to a stable life, as well as out from under her father's thumb. Again, unlike Mina, she has no marketable skills or opportunities outside of this marriage; and while Thomas never shames her for her past, he still pressures her to ignore and repress it. The manifestations of her psychic ability concern, then unsettle, then frighten him - and, ultimately, there is a transactional aspect to their union. Thomas expects himself to move ahead in the world, like his friend Friedrich; and Ellen is expected to eventually become normal. She is expected to become a happy, pretty wife and mother like Anna Harding - because, while Thomas cares for her and fully intends to provide for her, he refuses to actually understand her.

Furthermore, it must be noted that leaving her father's estate for her husband's house did not entirely save Ellen from her isolation. Unlike Mina, she has no real friends of her own. Her only friend in the 2024 film is Anna, her husband's best friend's wife; and in the 1922 original, even that tentative affection is unclear. As such, Orlok remains the only character that truly knows and accepts her as she is - which inevitably complicates their dynamic.

While Orlok is, by his own admission, incapable of a human love, he is overwhelmingly and exclusively obsessed with Ellen. Unlike Dracula, who even in death keeps the company of his women and his people, Orlok exists in utter solitude. Prior to his death, he was also heavily avoided due to his being in "covenant with the devil." The 2024 film especially makes it clear that Ellen's call, which woke him from his slumber, is exceptional; their connection is intensely personal, and it is as close to love as he can ever feel.

This aspect of the vampire's characterization fundamentally alters the context of his behaviour throughout the film. While Dracula moved to England in search of new hunting grounds and little else, Orlok goes to Germany specifically to find Ellen. By marrying Thomas Hutter, she broke the covenant she made with Orlok in her youth; thus, knowing that his claim has been infringed upon, the Count makes contact with Hutter's real estate law firm, summons him to the Carpathians, crosses the sea, and arrives to Wisborg as a physical manifestation of every dark urge and ability she has been attempting to repress. He torments her husband, tricks him into signing a marriage annulment, plagues the city, and murders the Hardings - all of it for her. She is his unique and all-consuming motivation. Again and again, he insists upon their covenant, reminding her that she has never truly belonged to the human world, and he is not incorrect in his assessment. Ellen's surrounding society infantilizes and binds her, often literally. She has nothing to lose by leaving it, except for her own sense of morality; and that is why Orlok, who represents her own abnormality, remains a beautiful, nightmarish temptation.

The other characters diverge from Stoker's just as much.

Thomas Hutter has little in common with Jonathan Harker beyond his choice in career and his time at a vampire's castle. Despite his careful attachment to his wife, he does not actually take her opinions into consideration when he plans their life - he prioritizes his social and financial advancements, which are of no interest to her, and which he sees as his duties to her and to himself; and, when she exhibits any of her unusual or melancholic traits, he does his best to try and move past them as quickly as possible. He does not experience the same attraction to the horror that she does; he cannot bring himself to understand it; and both in 1922 and in 2024, he is also largely oblivious to her eccentricities, gifting her flowers despite the fact that she does not like to see them picked and dying in a vase. That is a far cry from Jonathan - who knows his wife's love of train schedules, who is practicing shorthand with her, and who is willing to join her in cursed, godforsaken undeath when faced with the possibility of her turning. Ultimately, Thomas exists too firmly within the same societal constraints that Ellen abhors, and their relationship has none of the foundation that is unshakably shared by Jonathan and Mina.

At the same time, while the Anna is a parallel to Lucy, and her husband is a corresponding Arthur, the Hardings (once again) have no particular commonality with them. Their characterization remains undeveloped in the original 1922 film - and while Eggers does grant them some definition, it is still in no way similar to Stoker's.

Stoker's Lucy is a charming, cheerful, flirty, and a little coquettish young girl; she exists on the cusp of womanhood and marriage, and her pre-vampire arc revolves around her choice between three almost-equally delightful suitors. She adores and idolizes Mina, she is childishly excited about her future; and in these things, she is very different from Anna, who is already married, a mother of two with one on the way - and who does care for Ellen, but in a motherly, rather than girlish, fashion.

Her husband, too, is quite different from Arthur Holmwood.

In 2024, Friedrich Harding is - above all else - the film's personification of the trap that is patriarchy. He is the epitome of what a man is expected to be: a successful business owner with a pretty blonde wife and 2.5 kids (I thought Anna's pregnancy was very much on the nose. Quite literally, 2.5 kids!). He is generous, he cares for his family, and he is firmly Rational. On the surface, Harding appears to be an ideal made flesh; and as the film progresses, it becomes evident that this ideal is designed to crumble.

Much of Harding's rationality is heavily hypocritical. While he claims to be making all his decisions based on pure logic, Ellen's - an outsider's - perspective exposes the truth behind his motivations. He ignores her warnings because he does not like her and considers her impudent; he kicks his own sick best friend out of his house with only his similarly sick wife to care for him, because he is annoyed and unsettled by their references to the supernatural; he refuses to listen to Von Franz and ignores the danger his family is in, because he is frightened of losing them to something he cannot comprehend, rather than a mundane, potentially treatable illness. All of these decisions are emotional, rooted in his misogyny and closed-mindedness - and so, Harding loses his daughters, his wife, his unborn son, as well as the unflappable, rational facade he had been so carefully maintaining. He ends the film a wreckage of himself, having committed necrophilia with the corpse of his wife because he was emotionally, irrationally unable to let go of her even in death; he dies of the plague that came to Wisborg through his own ship yard, holding her in his arms. Even under the guise of benevolence, his patriarchal worldview undermines and fails him entirely. It is a terrible thrill to watch him fall apart, and the ruin that is left in his place is one of the most obvious illustrations of the story's principal themes.

The other characterizations follow a similar sort of pattern. Sievers, unlike Seward, has no romantic rivalry with Harding; and beyond a professional connection, they are not really friends. Von Franz is far less knowledgeable about vampires than Van Helsing - for the majority of the film, he is stumbling in the dark with the rest of the cast, only finding a way of destroying Orlok in Herr Knock's codex. Knock, too, is far less noble than Renfield - even though he is just as insane as his counterpart, he sees Ellen as an object to be traded for money and power, rather than a kind soul that he would die to protect.

(Quincey Morris, unfortunately, does not exist in Nosferatu. Murnau hadn't found a place for a cowboy in his production; consequently, Eggers could not, either.)

The point is, really, that while Dracula and Nosferatu share a common premise, a comparison between them cannot be made without acknowledging the glaring differences between their characters. For instance, even though Orlok's relationship with Ellen is toxic in the usual vampiric way - part sex, part horror, part possession, part liberation - Thomas is by no means a perfect partner for her, either, because he is not Jonathan Harker, and Ellen is not Mina. Similarly, Von Franz, Sievers, and Harding are not a brave vampire hunting team - they are all blind, each in their own specific way (Von Franz, lacking straightforward knowledge; Sievers, trusting Von Franz without question; Harding, unable to think outside of societal rules). Expecting them to react to their situation the same way as the cast of Dracula is an exercise in futility.

As such, if you do get the chance to see the film again, or if it merely plays in the darkness of your skull when you close your eyes - instead of fixating on the few surface-level similarities between two different vampires and the people they haunt, allow the story of Nosferatu to seduce you on its own terms. Whether it is 1922 or 2024, we, as viewers, deserve its living blood - rather than the shadow of its predecessor.