#on the entire story context

[arcanetoymakerau]

Hmm... 🤔

Now, with the hype fire down and after another series rewatch, I can say that I honestly prefer Season 1 over Season 2.

Why?

So! S2 is cool, but it's so... rushed >_> like, there was plot there for at least two seasons, if not three! Most of it feels like a summary of events, while in S1, everything is told so well.

Heavy spoilers and rant alert for after the cut!

Another thing that bothered me was how Isha's death was written, and Jinx not coming back to Ekko (and I'm not saying this because I'm a timebomb shipper, I'm saying this from a writing standpoint).

The way Isha faced her own sacrifice was so... mature, like, how come a 10(?) years old be so under control of their emotions in a situation like that? The first time I watched it already felt so odd that I couldn't even get teary.

If they had shown Isha acting on pure instinct and panic, it could have been a parallel of when Powder used the monkey bomb to (try to) help her family, thus, reinforcing the idea of how Jinx sees her young self on Isha and how now she's an older sister figure.

If Isha survived somehow* and got in a severe comatose state, we could have had Jinx going full Joker mode. Imagine that she got done for good with everything and decided to create a deadly weapon to wipe Piltover (and possibly Noxus, too) off the map, and that's when Ekko would have shown up to make her change her mind about her next step.

*shit was going to explode anyway, so why not simply THROW IT INSTEAD?!

Unfortunately, the way they showed the many time rewinds actually made the scene low-key sort of comical, I saw myself snorting when I definitely shouldn't have! Plus, Jinx trying to trigger a massive weapon instead of killing herself could have been a parallel to the end of S1: Jinx is again firing off a deadly weapon because she's severely mentally hurt again, but this time someone managed to talk her out of the idea... IT WOULD HAVE BEEN A PERFECT "BREAKING THE CICLE" KINDA THING.

Also, why the hell didn't Jinx come back to Ekko?! Like... WHY?! That end of her deciding to sacrifice herself was SO RANDOM* to me! Because... she made amends with her sister, she had a place to come back after the war (the hideout), she finally had someone taking care of her how she truly needs it, leading her to finally achieve self-acceptance... we were supposed to have a parallel to epi 7 of main Jinx and Ekko bounding and that indeed happened because of how Jinx and Ekko are on epi 9...

*While I did cry when the explosion happened, it didn't take me too long to stop and go like, "Wait a minute!"

So why leave?! WHY?! SHE FINALLY HAD WHAT SHE NEEDED AND DESERVED... SO WHY FUCKING LEAVE?!

I can go over she trying to leave Vi's life so she can move on, but I can't accept her departure. Was that also for Ekko to move on? After all that bonding??? Like... WTF?! Did she tell Ekko she would leave for a while? Was the name he had wrote on the paper "Powder"? Showing how he finally accepted Jinx? That's why we didn't see what he wrote?

Now imagine that adding to the fact that Isha is in coma, Jinx would have another reason to come back to the Firelights and Ekko.

Urgh... okay, rant is over. I'll be back to writing my AU.

If you want to start a discussion with me, do it politely like a decent human being. I do like to discuss and theorize about Arcane, but I'll only lend you my attention and time if you are nice and chill, I'll not tolerate any form of hating and offencive behavior/discourse (also, be mindful that I'm not an english native speaker, so please, use tone indicators!).

[vynnyal]

Finally finishing totk

[misspermitted]

I’m on board with the “Adar was/is Celeborn” theory purely because I want this crack exchange -

Adar/Celeborn: You cheated on me with Sauron!

Galadriel: Well you also cheated on me with Sauron so the scales are balanced

Adar/Celeborn: What?? In what-

Galadriel: You left me, your wife, for 1000 years, to have a family and children with him

Adar/Celeborn: Okay, well, you fell in love with him. Which means you weren’t even in love with me in the first place. Which is worse

Galadriel: YOU LITERALLY HAD HIS CHILDREN

Adar/Celeborn: You married me for all eternity wiTHOUT EVEN BEING IN LOVE WITH ME

High King Gil-Galad, to Elrond: Still think he’s fake and they’re not married?

Elrond: Oh no, I take it back, they’re definit- oh my god Galadriel do not challenge him to a duel there is nothing wrong with your womb gods above

[rookflower]

thinking about the character again (cinderpelt) and it's likely unintentional and a result of either her shifting narrative role from young go getter to wise mentor or a shift in how the books display their own politics but i find something really tragic in-universe in how she develops from a character who will actively and willingly break the warrior code when it conflicts with her own morals (immediately lying to cover for graystripe and silverstream, acting in direct defiance of her leadership to nurse littlecloud and whitethroat back to health) but overtime through her role she gradually grows more god-fearing and pious and embodies somewhat of a "starclan is always right, even when they are cruel, and we need to accept that" position

[solitary-bones]

so dndads live show St Paul! idk how much of this is a spoiler for anyone else going to shows so I'ma cut here!

we had!

- so many gay people in the audience that as I was walking in to the venue I said to my friend damn this is like a pride parade and a bunch of gay people in front of me were like TRUEE

- a live performance of both! dead and gone and rocks rock! it was so incredible. Beth and Will both POPPED OFFF!!!!!! they were so cool oh my god. and Freddie fucking shredded it on the electric guitar it was so sick.

- silly St Paul themed dad facts plus Ron just uhh thinking all manual labor is called a hand job.

- the people royally fucking up the dice roll (not my fault I was in the balcony I cannot be held responsible)

- the people absolutely manifesting the complete improv prompt as the live show topic. and all of the cast going into mourning over it (will fell to his knees on the stage so dramatically it was so funny)

- the cast deciding to do a DND game with their characters! Starring: Will Campos as Henry oak as Mr Chris (later Dr Chris), by the book health inspector! Matt Arnold as Darryl Wilson as Darryl, ex football quarterback now accomplished priest searching to remember all 10 commandments! Beth may as Ron stampler as Nor Relpmats, doctor (the best health inspector of them all)! and Freddie Wong as Glenn Close as Glenn The Closer, weed enjoyer moonlighting as a health inspector relying on his gut! Anthony Burch as Patrick as Patrick the shit (among other characters)!

- the audience not being able to stop being horny when giving suggestions for what their location, bad guy, and theme were gonna be (bdsm dungeon, just a guy from the audience named Patrick, and a 10 commandments dildo)

- an abundance of flashbacks and one single flashforward

- butt spanking competition to get past the second door (it is a bdsm castle ig)

-mr Chris tests to see if the floor has been cleaned recently and thinks it hasn't. Glenn the closers gut says it's fine but Mr Chris says if he tastes some of what's on the ground he'll be able to tell better. Glenn the Closer bites his fingers and Mr Chris is into it.

- Mr Chris finding a dead cockroach on the ground and revives it using CPR and mouth to mouth (Anthony is the cockroach and also when will tried to fake the mouth to mouth yelled DO IT PUSSY so yeah they actually kissed like twice at least) and revived it to ask about the cleanliness of the floor and found it not very.

- none other than paeden bennets on the second level, who Darryl proceeded to obliterate with a holy football. I'm not lying (not before asking how Patrick the DM knew about their friend Paeden who was long dead and us getting a lively npc on npc scene by Anthony of Patrick meeting Paeden and getting punched in the balls and saying "I'll never forget you")

- Test by the health inspectors to see if the blood of paeden would get cleaned up. all of the soots from spirited away came in with little mops to clean it and cleaned all the party. Glenn rolled to see if he's into it and got a 9 but the crowd gave inspiration and he got a 6, which is 69 so he was and wanted to stay there forever with the soots. Henry as Mr Chris used his persuasion to get Glenn the closer to leave the soots by saying that whatever they're doing he could do it better. because apparently they're ex lovers now. (Anthony yelled something about Will wanting to kiss another boy)

- Flashback reveals that they were highschool sweethearts but were going to health inspection schools on opposite sides of the US and were talking about how their relationship would progress from there when Mr Chris' secret lover barges in and informs them that they're pregnant and he's the father! Glenn the Closer gets upset and asks what happened and Mr Chris proceeds to another, extremely graphic, flashback where Ron the doctor commentates the uhhh conceiving of said child. and Glenn is understandably upset at the graphicness of this explanation about being cheated on. They end with bitter words, stating they're now nemesis in health inspection.

- Nor asks Mr Chris how long it's been since he saw his son Patrick. (not since birth lmao)

- they go up to the final level, find Patrick using the commandment dildo, on the 8th one I think, and upon seeing his absent father run in and ask "are ya winning, son!?"gets extremely turned off. he understandably asks what he's doing there after being absent his whole life. Mr Chris explains that he's finally ready to be back in his life, with his husband Glenn the closer, and his newfound belief in Christianity from Darryl the priest who's really good at football.

- Flashforward to Mr Chris and Glenn the Closer living together and apparently "they're bougie enough to have their own priest" so Darryl lives with them too. Nor comes to visit and we see the commandment dildo hanging above the mantle.

and that's that on that.

[lasnevadaslaborunion]

I think part of why I'm a little bit softer towards Quackity's finale, or simply unsure of how to criticize it, is that, perhaps more than any other ending we've seen, the meta elements are... very difficult to ignore.

DSMP was a roleplay server. Even at its most highly produced and pre-written, it was still a roleplay server. Moreover, it was a roleplay in which all of the characters shared a name with their player, the lines between the fiction and the OOC friendships were frequently blurred, and very few people had much if any experience with roleplay and its associated pitfalls such as the dreaded "character bleed." That is an environment ripe for joy and excitement. It's also an environment rife with turbulence and wounded feelings.

So, the first thing is that this doesn't just represent an ending for c!Quackity, it represents closing a chapter in cc!Quackity's career. When he got the chance to stream in his native language without fear of being judged or mocked for it, k!Quackity was born. When he embarked on a project that reconciled his two audiences, there was q!Quackity. c!Quackity was a storytelling triumph as far as MCYT goes, but where was he to go next?

On a narrative level, I find it interesting that the two survivors, and the traits portrayed that helped them decide to continue living, represent what were once c!Quackity's best traits - k!Quackity's determination and sense of justice, and q!Quackity's love and desire to connect with others. Combined with c!Slime's parting words of "Thank you for teaching me what it's like to be human," this might underscore a point that c!Quackity was ultimately a learning experience, both for the writer and the other characters. He might be gone, but he still left some positive impact. The ones who came after him chose not to continue a negative cycle.

However, the other snag here is... the other people. Yeah. No need for detail, you know who I mean. The controversies, the racism mentioned above, the legitimately awful treatment of those within and without the DSMP circle. A lot of us won't excuse the writing because of that. And I get it - we, the audience, can easily separate the story from the people behind it. If this were a film franchise or television show, it would be easy to replace the actors and move on. Not so in a roleplay. Not so when the actor and character have bled together so much.

I've got to get a little personal.

Within the last few months, I've dealt with a similar experience - someone who I frequently roleplayed with and who I considered a close friend became incredibly abusive to one of my other friends, to the point where he needed to be distanced from our lives and cut from future plots entirely. Logistically, that is a hard thing to deal with, especially when your character was closely entwined with theirs and dozens of others. But emotionally, it's even harder. You start questioning past interactions, wondering whether the signs were always there. You start noticing strange details in their writing that you know you might be reading too much into, but still make you sick to think about. In extreme cases, the thought of even playing your own character again becomes unbearable, because they were so clearly impacted by the choices of people you no longer want anything to do with.

I had an easier time adapting my character to the new course of events. My other friend, the one who had suffered his betrayal firsthand, nearly had her character disappear alongside his.

Sometimes, people cope with endings the way Tommy did. By saying, "No, I'm going to go back and end on a happy note, because my character deserves that, and the goodness was there." Sometimes, that just... doesn't feel possible. I really truly have to wonder if c!Quackity, for all the pride and care that was clearly taken in crafting his story, was just a holder of too many negative experiences and attributes for the writer to do anything but throw up one last cathartic hurrah and shelve him forever.

I'm not saying it was the ideal ending for c!Quackity. I'm not saying it was perfectly written, or that the absence of certain characters wasn't baffling or frustrating. I'm not even saying people aren't justified in hating how our favorite character's story concluded. Hell, I'm still not sure whether I like how brutal, how final, how bitterly tragic it was.

I'm just saying it's hard for me not to empathize.

[greensaplinggrace]

the darkling says “fine, make me your villain” because he is. what’s not clicking

[domokunrainbowkinz]

shipping yhk not in a romantic or platonic way but a secret third way (⬛️⬛️)

[gingermintpepper]

hi, i haven't read the iliad and the odyssey but want to - do u have a specific translation you recommend? the emily wilson one has been going around bc, y'know, first female translator of the iliad and odyssey into english, but i was wondering on if you had Thoughts

Hi anon! Sorry for the somewhat late response and I'm glad you trust me with recommendations! Full, disclosure, I am somewhat of a traditionalist when it comes to translations of the source text of the Iliad + Odyssey combo wombo, which means I tend to prefer closeness in literal verbiage over interpretation of the poetic form of these epics - for that reason, my personal preferred versions of the Odyssey and Iliad both are Robert Fitzgerald's. Because both of these translations (and his Aeneid!) were done some 50+ years ago (63 for his original Odyssey tl, 50 flat for his Iliad and 40 for his Aeneid) the English itself can be a bit difficult to read and the syntax can get confusing in a lot of places, so despite my personal preferences, I wouldn't recommend it for someone who is looking to experience the Iliad + Odyssey for the very first time.

For an absolute beginner, someone who has tried to read one or both of these epics but couldn't get into it or someone who has a lot of difficulty with concentrating on poetry or long, winding bits of prose, I fully and wholeheartedly recommend Wilson's translation! See, the genius of Emily Wilson's Iliad + Odyssey isn't that she's a woman who's translated these classics, it's that she's a poet who's adapted the greek traditional poetic form of dactylic hexameter into the english traditional poetic form of iambic pentameter. That alone goes a very very long way to making these poems feel more digestible and approachable - iambic pentameter is simply extremely comfortable and natural for native english speakers' brains and the general briskness of her verbiage helps a lot in getting through a lot of the problem books that people usually drop the Iliad or Odyssey in like Book 2 of the Iliad or Book 4 of the Odyssey. I think it's a wonderful starting point that allows people to familiarise themselves with the source text before deciding if they want to dig deeper - personally, researching Wilson's translation choices alone is a massive rabbit hole that is worth getting into LOL.

The happy medium between Fitzgerald's somewhat archaic but precise syntax and Wilson's comfortable meter but occasionally less detailled account is Robert Fagles' Iliad + Odyssey. Now, full disclosure, I detest how Fagles handles epithets in both of his versions, I think they're far too subtle which is something he himself has talked at length about in his translation notes, but for everything else - I'd consider his translations the most well rounded of english adaptations of this text in recent memory. They're accurate but written in plain English, they're descriptive and detailled without sacrificing a comfortable meter and, perhaps most importantly, they're very accessible for native english speaking audiences to approach and interact with. I've annotated my Fagles' volumes of these books to heaven and back because I'm deeply interested in a lot of the translation decisions made, but I also have to specifically compliment his ability to capture nuance in the characters' of these poems in a way I don't often see. He managed to adapt the ambivalence of ancient greek morality in a way I scarcely see and that probably has a hand in why I keep coming back to his translations.

Now, I know this wasn't much of a direct recommendation but as I do not know you personally, dear anon, I can't much make a direct recommendation to a version that would best appeal to your style of reading. Ideally, I'd recommend that you read and enjoy all three! But, presuming that you are a normal person, I suggest picking which one is most applicable for you. I hope this helps! 🥰

[borgialucrezia]

it seems like cesare being conventionally attractive has done damage to society because i'm sorry but like why am i getting the "he deserved better :((" type of tags under my gifsets as if he isn't the anti-hero whose narrative of the show is heavily biased in his favor and he never faced any consequences of his murders and betrayals and by the end of the show he had literally Everything he coveted and was at his pinnacle so like...how did he Exactly deserve better than all of this because i feel like we're watching different shows atp

[rawliverandgoronspice]

behold: my least favorite string of words in the entirety of Tears of the Kingdom.

[sauronism]

feeling vindicated by clark recent interview because i remember pointing out how galadriel is a mirror to sauron ( more specifically a reflection to one of his older aspect, mairon ). her ambition and pride, along with her relentless pursuit for justice, is a mirage to his past as he believe he is ALL of that aspect when he is not. his attachment towards galadriel has always been about what he personally desire and want in himself, rather than a mutual understanding to one another, as both of them deceived the other.

he sees himself as a bearer of true justice, despite the cruelty he commit. he believe in his cause to reshape the middle earth, and when he sees another being such as he, ancient and passionate of her own objective, he sees a manifestation of himself within her. he sees the being he was once and idealized. in return, he wants that. he wants her companionship because he wanted her to be his eyes where he had once lost.

[queenlucythevaliant]

Also for the record, the whole White Witch-enchanted food thing still would have worked regardless of when the story was set. Kids like sweets, especially magic ones that symbolize temptation. The WW2 sugar rationing is not the pivotal element here

[angelsdean]

i'll be honest, i truly do not understand when people get all up in arms whenever anyone involved with spn describes cas's love for dean as beyond the human understanding of love, as if there haven't been posts made on here for years by fans literally describing cas's love for dean / destiel's love as akin to worship, a powerful force greater than god, cosmic, all encompassing, profound, etc etc. i thought the outrage was silly when jensen expressed the idea of cas's love being more than romantic back in denver con 2021 and i think it's silly now with these bedlund tweets. not to mention being more than and beyond something imo means it encompasses the romantic AND more. it's romantic, it's platonic, it's cosmic, it's worship, it's everything. and i think that's beautiful. and yes, it's exactly what their love is. a huge profound force that changed the narrative, that wasn't meant to be there, that kept breaking through anyway.

and i understand what people are saying about this language being used for a queer ship etc etc, but like, there's nothing inherently wrong or negating their love in saying that it's a greater love. if anything i think it's saying, hey, see these two? yea their love is bigger than what we can even comprehend. idk i'm just going to continue to take these statements in good faith. and also, until the reboot happens, they can't really say more about destiel beyond the bounds of the confession. jensen, bedlund, misha, etc can't speak to dean's feelings, for instance, or confirm anything one way or another, because if those feelings are a major plot point to be explored and acknowledged in the continuation then to speak about them now with any kind of definitive statement would be spoiling / jumping the gun, and it's not their place to make those statements yet, if we are indeed going to see more of dean and cas's story in the future (which i mean, at this point based on their statements about the reboot it's really a When not If situation).

[violaextract]

fated highschool au, this is an au that was made by a group of us when the official discord server was still up and running, i redrew them in their teenage get up because i was reminded it existed

what kind of high school shenanigans are they gonna get up to??

some more doodles of the au for fun vvvv

[wundrousarts]

do you think we'll see corvus again but like in a more political role since he says to ornella at the end of nevermoor that he's "making inroads into federal government" and the involvement of the wintersea party and maud in hollowpox?

I would LOVE to see that. Although he doesn’t seem to know anything, I wonder if Maud would keep him around due to his connection with Morrigan. Would be crazy if there’s some sort of father-daughter reunion when Mog is like 15 or something and she’s in the Wintersea Republic for some reason. I would love to see his character get more involved into the political world of the Wintersea Republic and thus inadvertently getting more involved/closer and closer to his daughter (proximity, not bonding).

Part of me wonders if, deep down, Corvus knows that Mog isn’t dead. Also, I mentioned recently that he could be interesting to revisit re: what happened to Mog’s mom. I’d love to know some more information about him or from him in relation to his late wife.

Remember that part in Nevermoor where Squall makes Mog’s brother wave his little baby hand as he’s like “should I kill them for you?” regarding her family? Considering Squall is scared of Maud… I could see her doing worse. Actually following through on her threats in a way Squall might not. (Not saying she would kill Mog’s family as I think there’s 0% of that, but just… threaten Mog in a more serious way.)