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The thing I don’t understand about Gravity Falls discourse is that everyone has just decided that Mabel is Stan’s parallel and Dipper is Ford’s parallel. Because when I first watched Gravity Falls years ago I always thought the opposite. Like I get the Dipper is the “intelligent sibling” while Mabel is the “troublemaker sibling” parallel, I do. But also, like, personality wise let’s just consider:

Similarities between Ford and Dipper

Fucking love mysteries and the supernatural

The “intelligent” sibling (featuring: if I’m not intelligent then what am I?)

Badass™

Does not need constant social, would rather be left alone right now, actually

🎵 Gonna be the very best like no one ever was 🎵

Will categorise anything

Autistic

Whereas:

Similarities between Ford and Mabel

Also autistic

Get so obsessed with something it consumes their every waking thought and makes them ignore the needs of others (yes Dipper also gets obsessed with things but it doesn’t consume him, he can do other things)

Inventive problem solvers

Can and will infodump at any opportunity (even if it is a really really bad idea)

-100 Wisdom stat

Don’t care what nobody thinks! Unless they admire someone. Then they will devote their life to impressing them (otherwise put: boy crazy)

Sweaters

Absolutely unshakeable confidence in their own abilities

Extra™

Painfully unaware of social cues and incapable of blending in

Fucking love guns

If they faced the grim reaper their first thought would be “Hey so what’s that scythe for?” and not “Oh no I’m gonna die”

Artistic ✨

Will try anything once. And twice. And a third time just to make sure it’s definitely a bad idea

Princess Unattainable beckons you 💕

Proud keepers of the moral high ground. Unless you piss them off. Then they will kill you 🥰

On the flip side:

Similarities between Stan and Dipper

Absolutely will kill someone if necessary. They will then be consumed by guilt. Yet another reason they’re terrible! Yay!

Struggle with masculinity What!? I don’t struggle. I’m a man! Why wouldn’t I be a man?? Come over here I’ll fight you-

Will make one mistake once and never ever make it again

Why would I feel bad for scamming people? It’s their fault for being dumbasses

If they faced the grim reaper they would really like to focus on not dying thank you

Will do anything to prove a point

Priority list: 1) My family 2) Everything else

“I’ll put all my feelings in here and then one day I’ll die”

Absolutely aware of social cues and will use this awareness for evil

“Wow revenge feels great!”

+20 Wisdom stat

*insert deadpan scathing remark here*

Kings of falling in love with the absolute wrong people then immediately and repeatedly sabotaging it

Punch 🥊

Why would I admit that I feel insecure when I could just save face by yelling at people? Yep. This is what good coping looks like

“She’s rich Mabel, she’s cheating at life”

As opposed to:

Similarities between Mabel and Stan:

Chaotic™

The “troublemaker” sibling (featuring: you’re so successful and I don’t wanna be left behind)

If I’m out of pocket and funny no one will notice how insecure I am

Absolutely no desire to unravel the mysteries of the universe. A dragon could fly past them, and if its got no relevance to what they’re doing, they won’t care

Will go from apathy to being obsessed with something in 10 seconds flat

“I absolutely know better than this qualified professional” *proceeds to fuck up*

They will not be taking criticism at this time (or any time)

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I really like the take that Bill doesn’t like Stan because he reminds him of himself (ie. strikingly different from his parents to the point where he decided instead of fitting in he’s gonna be the absolute opposite of what anyone wants, decimating any chance at meaningful relationships and happiness purely out of spite, pretending to be blindingly confident and selfish, while feeling so so lonely and guilty but being too far gone in the bit to change his ways now) purely because of the fascinatingly tragic implication that gives Bill and Ford’s relationship. Ford seeing bits of his brother in Bill’s off putting comments and bravado. First trusting and liking Bill not just because Ford’s an egomaniac, but also because Bill reminds him of his long lost twin, friendly banter almost muscle memory. Laughing off insults and nicknames and threats a relic of an earlier time when Ford felt whole and safe.

(Kinda like how Stan favours Mabel so much because her gremlin moderately insane demeanour reminds him of Ford but that’s a topic for another day)

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On one hand, more openly gay media and less queer baiting is obviously so cool and absolutely necessary

On the other hand, now I have to watch more people kiss :(

[Contextual Information: I am very asexual]

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YES!! I LOVE THIS TAKE!!!!

It’s so amazingly set up by the writers as well. Because he does act like a typical male lead and we as an audience do kinda fall for it. Which is so cool because it puts us in the same position as ‘the public’ in KPDH.

It kinda reminds me of Heathers a little bit. Where the male lead is actively manipulative as hell but just romantic enough that you kinda overlook it until the end (And then the ML sacrifices himself to fix a problem that he caused. And the FL finds peace afterwards with herself by learning not to repress who she is. And helps others realise they don’t need to hide their problems and being vulnerable is normal. And embraces connection in the face of the ugly sides of humanity. Wow they’re actually shockingly similar stories now I think about it.)

I’m so unbelievably feral for the idea that, while the rest of the Saja boys are singing to the audience in Your Idol, all of Jinu’s verses are directed towards Rumi. I mean, in all fairness, the entirety of Your Idol is filled with jabs at Rumi and Huntrix, but while the others are singing to the audience directly counteracting Huntrix’s influence, Jinu is just talking to Rumi. Actually just the pure fact that Jinu 100% wrote Your Idol right after singing Free with Rumi drives me insane.

In fact, it makes me so insane I’m gonna meta analyse the entire song right now:

The Pop Industry Commentary

Let us begin with the base level analysis that we shall build off for the stuff that my shipper heart goes feral for:

So naturally the entire point of this song, which is why it’s such a good villain song, is to straight up just tell everyone watching that they’re planning to kill them and the audience not giving a fuck because of the power of celebrities. But what makes this song extra awesome is that it’s also essentially explaining about how teach member’s k-pop trope has manipulated the audience.

Abby and Escapism

Like you got Abs McGee going:

“Keeping you in check

Keeping you obsessed

Play me on repeat kkeuteobsi (endlessly) in your head”

Which is SO COOL because it totally fits with what we’ve seen from Abs. Which is that both Mira and Zoey get repeatedly distracted by him and stare at him (“keeping them obsessed, playing endlessly in their head.”) And one of his only lines is “I know they would (follow us in here), that one keeps looking at me” ie. keeping them in check.

Then his next line:

“Anytime it hurts

Play another verse

I can be your sanctuary”

Really clearly explains how him being, literally, eye candy distracts from things being serious. And further, a meta commentary on using media and simping over pretty abs to escape from life and things that do matter.

Romance and Parasocial Relationships

Then you’ve got Romance’s lines are:

Yeah you gave me your heart

Now I’m here for your soul

Now we don’t see much of Romance but what we do see is really interesting, and very much expands on my interpretation of him. Which is mainly his interactions with Mira (namely, staring) which the movies actual audience went crazy about as cute and romantic.

And that’s really funny because that’s totally what Romance supposed to be. He’s supposed to be the soft sweet one who people transfer onto and trust “Look at him looking at her, surely he’ll get a redemption arc” (he doesn’t)

Making me think this audience reaction was 100% intentional is Romance’s next lines:

Nae hwangholui chwihae (intoxicated with my ecstasy) you can’t look away

Don’t you know I’m here to save you

God the fun meta commentary on K-pop and fandom culture in this song and movie is so awesome. Like Romance being a whole satire on the one band member that has a relationship and gains peoples trust by sharing their personal life. This movie is so good!!

Mystery and Making Celebrities Superhuman

I won’t fully go into Mystery because I’m only analysing the movie song and not the full song which gives him more lines, but my reading of his small amount:

No I’m the only one right now

I will love you more when it all burns down

More than power, more than gold

Is that he’s about the celebrities that are put on a pedestal and have to remain carefully mysterious to stay there, whose fans do literally anything to try to impress them. I could go into how him being Zoey, the established people pleaser’s favourite is a really interesting exploration of who the act of “pedastal”-ing celebrities appeals to, but that. Is. Not. The. Point.

The point is that, in this song, the Saja boys are taking to the audience about, essentially, how they manipulated the hell out of them.

The only exception to this rule is Jinu, and this is because he isn’t a satire of K-pop bands. Jinu’s character is a narrative foil for Rumi.

Jinu’s Lines as Directed Towards Rumi

Now the counter argument to Jinu actually singing to Rumi is that he’s “just singing his master’s song/on behalf of Gwi-Ma). And at some points this is true, especially in the latter half of the song, ie.

I will set you free

When you’re all apart of me

Where “me” is clearly Gwi-Ma. (You may notice the “free” mention here. We shall address the little jabs at Rumi throughout this song in p2).

However there are other parts, particularly the first half, where Jinu is clearly not singing for Gwi-Ma because his tone is wildly different. At least in my opinion.

I saw a comment that really succinctly summed up the tone of Your Idol as someone who has already gotten what they wanted. They’re not asking for the audience’s adoration, they’ve already got it. They’re literally just bragging about it. And you’ll see that’s congruent with my interpretation of the other Saja boys who are just explaining how they’ve gotten such control.

Jinu is the only one who actually asks the audience to do something. And it doesn’t actually make sense that he does:

Listen cause I’m preaching to the choir

Can I get the mic a little higher?

Give me your desire

I can be the star you rely on

Why is he asking the already enamoured audience to listen? Why is he asking them to give him their desire when they clearly already have? Why is he saying that he “could” be their idol when he already is? It’s a completely different tone from the others’: “You gave me your heart” and “You can’t look away” and “I’m here to save you”

Also the phrase “listen cause I’m preaching to the choir” really doesn’t seem like something you’d say to the choir. Just saying.

Let’s Just Assume Because it’s Fun

In all fairness, no matter how much I try to justify it, I can’t actually prove that he’s singing to Rumi But let’s just head canon it because then we get to have some fun.

So Jinu’s first chorus is:

I’m the only one who’ll love your sins

Feel the way my voice gets underneath your skin

Listen cause I’m preaching to the choir

Can I get the mic a little higher

Give me your desire

I can be the star you rely on

Yeah I’m all you need imma be your idol

Now what I love about this is firstly, Jesus Christ the “I’m the only one who’ll love your sins” is so close to “I understand what it’s like to have patterns, I’m the only one who will.” Which is crazy shit. But also so clear in how shame is isolating and Jinu purposefully uses that tactic against Rumi to isolate her while also believing it himself.

Like before that first interaction with Rumi Jinu tells Gwi-Ma he’ll use Rumi’s shame to isolate her from her friends. And his “I’m the only one who understands” is absolutely the first step in doing that. And it works. She questions her order and feels isolated as hell.

But that tactic slowly morphes into something that actually makes Rumi and Jinu healthier, love and acceptance. While Gwi-Ma’s whole thing is seeing your sins and guilting you, Jinu sees Rumi’s patterns and accepts her. And in Free, which Jinu sings like right before writing this one, it gets explicitly stated that Rumi felt like the only time she’s felt like she could breath and like she could be more than her sins is with Jinu.

Jinu’s lyrics here is such an interesting response to “Free” in that he is saying, from this reading: “We can’t fix our sins, but I love you for them.” And, especially with him exposing her in front of her friends, “I’m the only one who will love your sins.”

In fact, it could be said that the entire of his chorus is him saying that Rumi is worshipping a false idol as a hunter. That she is a demon not a hunter. That he can be the code she follows, “the star you rely on.” That what Rumi desires, to “fix” them both, is wrong. Which, though incredibly concerning, is also not wrong. Rumi does realise that the hunter code is wrong, that the thing she is protecting is wrong. That she doesn’t need to be fixed. To a certain extent, Jinu’s points about Rumi and him always being demons, that she can’t fix it, is correct.

I love that if you read the lyrics in this way, you can hear the frustration in some of his lines. Like “Give me your desire” and “No one is coming to save you!” Taken in the context of his lines in Free, where he says that no one sees him the way she does, that it feels right to let her in, that he wants to be free with her, but doesn’t sing along to her chorus about healing what is broken and fixing him. And their later argument where he says that they can’t be fixed.

Why would he be singing to her?

What is also interesting is that Jinu clearly doesn’t expect Rumi to be there. When he hears her voice you see panic flick over his face. So why would he be singing to her?

I think this really gives a bit of insight into Jinu’s character as someone who is way more comfortable singing his feelings then saying them. And someone who is so scared of rejection. Almost every time him and Rumi have a conversation she gets the last word and he is usually quite frustrated with himself about it.

But he doesn’t want to be vulnerable with anyone. Even if he could communicate his feelings he’s incredibly hesitant to because he has been told for 400 years that he’s a terrible person and is both certain and terrified or rejection.

So when Rumi gets mad at him, like in their third meeting or in the argument before this, he leaves before she can say anything else. And probably cries like the boy failure he is. But the entire point of Your Idol is to counteract Huntrix’s influence so he can say what he wants to. About how he doesn’t like the hunters code, about how he wants Rumi to join him. And it’s actually incredibly useful song wise.

I also keep in mind with this headcanon that Jinu wrote this song after Free. Incredibly internally conflicted.

I had other things to say about Baby’s part and all of the subtle digs Jinu put into the song but this has already been insanely and unnecessarily long so, part two incoming for that (maybe).

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Huntr/x as the Trix

Additionally:

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one of my favorite tropes is when the villain has a pet that really likes the hero, so you can imagine my joy watching this movie

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Local man thinks the woman trying to kill him asked him out. He shows up anyway.

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Guess who made some random alignment charts for Word of Honor characters with really bad image quality??

This alignment chart exists purely to explain why Zhou Zishu and Ah Xu are in fact different people.

Yes there are so little people in word of honor that wouldn’t kill people in an instant that I had to bring out ZZ’s old master.

Ye Bai Yi would hate being put in the same category as Wen Kexing and I love that for him

In conclusion, everyone needs therapy. Except for Zhao Jing who needs death. (And Cao Weining who is a shining beacon of sanity) (sorry I meant was haha *cries*)

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I’m so unbelievably feral for the idea that, while the rest of the Saja boys are singing to the audience in Your Idol, all of Jinu’s verses are directed towards Rumi. I mean, in all fairness, the entirety of Your Idol is filled with jabs at Rumi and Huntrix, but while the others are singing to the audience directly counteracting Huntrix’s influence, Jinu is just talking to Rumi. Actually just the pure fact that Jinu 100% wrote Your Idol right after singing Free with Rumi drives me insane.

In fact, it makes me so insane I’m gonna meta analyse the entire song right now:

The Pop Industry Commentary

Let us begin with the base level analysis that we shall build off for the stuff that my shipper heart goes feral for:

So naturally the entire point of this song, which is why it’s such a good villain song, is to straight up just tell everyone watching that they’re planning to kill them and the audience not giving a fuck because of the power of celebrities. But what makes this song extra awesome is that it’s also essentially explaining about how teach member’s k-pop trope has manipulated the audience.

Abby and Escapism

Like you got Abs McGee going:

“Keeping you in check

Keeping you obsessed

Play me on repeat kkeuteobsi (endlessly) in your head”

Which is SO COOL because it totally fits with what we’ve seen from Abs. Which is that both Mira and Zoey get repeatedly distracted by him and stare at him (“keeping them obsessed, playing endlessly in their head.”) And one of his only lines is “I know they would (follow us in here), that one keeps looking at me” ie. keeping them in check.

Then his next line:

“Anytime it hurts

Play another verse

I can be your sanctuary”

Really clearly explains how him being, literally, eye candy distracts from things being serious. And further, a meta commentary on using media and simping over pretty abs to escape from life and things that do matter.

Romance and Parasocial Relationships

Then you’ve got Romance’s lines are:

Yeah you gave me your heart

Now I’m here for your soul

Now we don’t see much of Romance but what we do see is really interesting, and very much expands on my interpretation of him. Which is mainly his interactions with Mira (namely, staring) which the movies actual audience went crazy about as cute and romantic.

And that’s really funny because that’s totally what Romance supposed to be. He’s supposed to be the soft sweet one who people transfer onto and trust “Look at him looking at her, surely he’ll get a redemption arc” (he doesn’t)

Making me think this audience reaction was 100% intentional is Romance’s next lines:

Nae hwangholui chwihae (intoxicated with my ecstasy) you can’t look away

Don’t you know I’m here to save you

God the fun meta commentary on K-pop and fandom culture in this song and movie is so awesome. Like Romance being a whole satire on the one band member that has a relationship and gains peoples trust by sharing their personal life. This movie is so good!!

Mystery and Making Celebrities Superhuman

I won’t fully go into Mystery because I’m only analysing the movie song and not the full song which gives him more lines, but my reading of his small amount:

No I’m the only one right now

I will love you more when it all burns down

More than power, more than gold

Is that he’s about the celebrities that are put on a pedestal and have to remain carefully mysterious to stay there, whose fans do literally anything to try to impress them. I could go into how him being Zoey, the established people pleaser’s favourite is a really interesting exploration of who the act of “pedastal”-ing celebrities appeals to, but that. Is. Not. The. Point.

The point is that, in this song, the Saja boys are taking to the audience about, essentially, how they manipulated the hell out of them.

The only exception to this rule is Jinu, and this is because he isn’t a satire of K-pop bands. Jinu’s character is a narrative foil for Rumi.

Jinu’s Lines as Directed Towards Rumi

Now the counter argument to Jinu actually singing to Rumi is that he’s “just singing his master’s song/on behalf of Gwi-Ma). And at some points this is true, especially in the latter half of the song, ie.

I will set you free

When you’re all apart of me

Where “me” is clearly Gwi-Ma. (You may notice the “free” mention here. We shall address the little jabs at Rumi throughout this song in p2).

However there are other parts, particularly the first half, where Jinu is clearly not singing for Gwi-Ma because his tone is wildly different. At least in my opinion.

I saw a comment that really succinctly summed up the tone of Your Idol as someone who has already gotten what they wanted. They’re not asking for the audience’s adoration, they’ve already got it. They’re literally just bragging about it. And you’ll see that’s congruent with my interpretation of the other Saja boys who are just explaining how they’ve gotten such control.

Jinu is the only one who actually asks the audience to do something. And it doesn’t actually make sense that he does:

Listen cause I’m preaching to the choir

Can I get the mic a little higher?

Give me your desire

I can be the star you rely on

Why is he asking the already enamoured audience to listen? Why is he asking them to give him their desire when they clearly already have? Why is he saying that he “could” be their idol when he already is? It’s a completely different tone from the others’: “You gave me your heart” and “You can’t look away” and “I’m here to save you”

Also the phrase “listen cause I’m preaching to the choir” really doesn’t seem like something you’d say to the choir. Just saying.

Let’s Just Assume Because it’s Fun

In all fairness, no matter how much I try to justify it, I can’t actually prove that he’s singing to Rumi But let’s just head canon it because then we get to have some fun.

So Jinu’s first chorus is:

I’m the only one who’ll love your sins

Feel the way my voice gets underneath your skin

Listen cause I’m preaching to the choir

Can I get the mic a little higher

Give me your desire

I can be the star you rely on

Yeah I’m all you need imma be your idol

Now what I love about this is firstly, Jesus Christ the “I’m the only one who’ll love your sins” is so close to “I understand what it’s like to have patterns, I’m the only one who will.” Which is crazy shit. But also so clear in how shame is isolating and Jinu purposefully uses that tactic against Rumi to isolate her while also believing it himself.

Like before that first interaction with Rumi Jinu tells Gwi-Ma he’ll use Rumi’s shame to isolate her from her friends. And his “I’m the only one who understands” is absolutely the first step in doing that. And it works. She questions her order and feels isolated as hell.

But that tactic slowly morphes into something that actually makes Rumi and Jinu healthier, love and acceptance. While Gwi-Ma’s whole thing is seeing your sins and guilting you, Jinu sees Rumi’s patterns and accepts her. And in Free, which Jinu sings like right before writing this one, it gets explicitly stated that Rumi felt like the only time she’s felt like she could breath and like she could be more than her sins is with Jinu.

Jinu’s lyrics here is such an interesting response to “Free” in that he is saying, from this reading: “We can’t fix our sins, but I love you for them.” And, especially with him exposing her in front of her friends, “I’m the only one who will love your sins.”

In fact, it could be said that the entire of his chorus is him saying that Rumi is worshipping a false idol as a hunter. That she is a demon not a hunter. That he can be the code she follows, “the star you rely on.” That what Rumi desires, to “fix” them both, is wrong. Which, though incredibly concerning, is also not wrong. Rumi does realise that the hunter code is wrong, that the thing she is protecting is wrong. That she doesn’t need to be fixed. To a certain extent, Jinu’s points about Rumi and him always being demons, that she can’t fix it, is correct.

I love that if you read the lyrics in this way, you can hear the frustration in some of his lines. Like “Give me your desire” and “No one is coming to save you!” Taken in the context of his lines in Free, where he says that no one sees him the way she does, that it feels right to let her in, that he wants to be free with her, but doesn’t sing along to her chorus about healing what is broken and fixing him. And their later argument where he says that they can’t be fixed.

Why would he be singing to her?

What is also interesting is that Jinu clearly doesn’t expect Rumi to be there. When he hears her voice you see panic flick over his face. So why would he be singing to her?

I think this really gives a bit of insight into Jinu’s character as someone who is way more comfortable singing his feelings then saying them. And someone who is so scared of rejection. Almost every time him and Rumi have a conversation she gets the last word and he is usually quite frustrated with himself about it.

But he doesn’t want to be vulnerable with anyone. Even if he could communicate his feelings he’s incredibly hesitant to because he has been told for 400 years that he’s a terrible person and is both certain and terrified or rejection.

So when Rumi gets mad at him, like in their third meeting or in the argument before this, he leaves before she can say anything else. And probably cries like the boy failure he is. But the entire point of Your Idol is to counteract Huntrix’s influence so he can say what he wants to. About how he doesn’t like the hunters code, about how he wants Rumi to join him. And it’s actually incredibly useful song wise.

I also keep in mind with this headcanon that Jinu wrote this song after Free. Incredibly internally conflicted.

I had other things to say about Baby’s part and all of the subtle digs Jinu put into the song but this has already been insanely and unnecessarily long so, part two incoming for that (maybe).

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Not to randomly blab about BBC Sherlock, but I find it hilarious that, during their first meeting, Moriarty is like:

Moriarty: Okay, I wanna see Sherlock working on my puzzle, but I need a disguise distracting enough that he won’t suspect me. Best disguises are half truths, so I’m gonna pretend to be very very gay for him while also dating his friend

And he nails this so hard that Sherlock says “gay” out loud

I don’t think you get it. Moriarty understands how Sherlock’s brain works so well that he got it to scream “gay” immediately. Out loud. Accidentally.

We have literally never seen Sherlock do that. Before or after this moment. It’s so funny.

Petition for the scene beforehand where Moriarty spends 2 hours in the bathroom like adjusting his socks: “If I cuff them just like this he’ll definitely think I’m gay.”

Hard cut to Sherlock saying matter of factly “Please John, did you see the way he cuffed his socks? Gay.”

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Don’t forget the:

5. tranquility of a forest

6. a fire within

7. finding your centre

Then you’ll be sure to win!!

These transphobes are the saddest bunch ive ever met, and they haven’t got a clue.

Only you can make a man out of youuuu 🎵

things you DO NOT need to be a man

a dick

he/him pronouns

XY chromosomes

things you DO need to be a man

the swiftness of a coursing river

the force of a great typhoon

the strength of a raging fire

the mysteriousness of the dark side of the moon

^this post was brought to you by LGBT^

Let's

Get down to

Business

To defeat the huns

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Had a dream that Shrek came out now and people were making videos like “10 Signs that Fiona was an Ogre” and it made me realise that Shrek is actually a superb example of a plot twist. Not only do you not see it coming, but the reason you don’t see it coming (your assumptions about what a princess and what a love story is) enrich the plot and message of the movie immensely. And it’s so obvious afterwards (like, even at the intro of her character, why isn’t Fiona scared of Shrek like literally other human when they see him?? Also she’s been in a tower forever why does she even know what an ogre is? And so quickly too? Because she is one!)

Anyway another reason Shrek is a masterpiece

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Every so often I remember how cringe fail Xie Wei was and I laugh.

Seriously dude this is why she thought you supported Yan Lin over her and wanted her dead wHAT IS WRONG WITH YOU

Immaculate character. I love him

I was trying to figure out how Xie Wei is connected to Yan Lin. Are they brothers? Uncle/ nephew? Cousins?? But turns out, Xie Wei is actually Yan Lin's biological mother bc what in the boy mom kind of jealous mother in law behaviour is this???

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Having a weird computer-like pattern recognising brain is all fun and games until someone accuses you of being ChatGPT

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What? My shipping is predictable and “mainstream”? You want a weird absolutely unknown bonkers pairing??

Well, for one, being mainstream and popular has absolutely no bearing on whether something is good and TWO: the monk and the scoundrel from Diablo III

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Hey op how does it feel to be both more accurate and more funny than me in the tags of my own post

Fan Yu, a literal demon god: Humans are so beneath me and I haven’t cared about a single mortal matter in, well, ever, and-

Bai Shuo, some random human: *marches into his demon den, insults him to his face, single-handedly causes so much chaos it blows his cover, successfully blackmails him multiple times, figures out his entire plan after one interaction, literally stabs him*

Fan Yu: I’ve only had Bai Shuo for two days but if anything happens to her I’ll kill everyone in this room and then myself

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Fan Yu, a literal demon god: Humans are so beneath me and I haven’t cared about a single mortal matter in, well, ever, and-

Bai Shuo, some random human: *marches into his demon den, insults him to his face, single-handedly causes so much chaos it blows his cover, successfully blackmails him multiple times, figures out his entire plan after one interaction, literally stabs him*

Fan Yu: I’ve only had Bai Shuo for two days but if anything happens to her I’ll kill everyone in this room and then myself