#old projects: the haunted ones

[foxclcves]

A rib cage is a cradle. Bones, curved as a dead spider’s legs, bar the escape of a frantic heart and bloating lungs, keep entrails coiled and secure like a snake exposed to broad daylight. A casket of preservation, an accordion for breath and a nest for a drumming organ which fills us, and then leaves us. To find one in disarray should cause wariness. I’m alone with my carcass, with bone not yet bleached.

[sunderwight]

Hualian Idol AU where instead of the statues the big reveal of Hua Cheng's longstanding amorous fixation on Xie Lian is all of his self-insert "my mom sold me to One Direction" style fanfics located in the depths of some boyband RPF archive.

[astranauticus]

soliloquy

(edit once again i drew something with my ipad screen brightness too high and now that i've posted it nothing is visible. sad!)

[fluffypotatey]

y’all help i’ve got two hangster x twister aus haunting my brain and one is mostly silly and fun while the other is angsty Bradley character study

[coline7373]

[boydykepdf]

hello beloved mutuals...who wants 2 listen 2 my old song abt vita sackville-west & virginia woolf...

[arolesbianism]

Oh oxygen not included printing pod we're rly in it now

[novelistwriter]

Phantom Owl

The Nightingale Family, a family of old money in Gotham, so much older than the Wayne's, their fortune lies in wait, as the ones living in Gotham have died. The Fentons are part of the Nightingale family, the Fentonightingale's were a branch of the family that were part of the magical side of the world, while the regular Nightingale's handled the scientific part of the world.

Jazz found out about the Nightingale's when doing some research for a school project, she told Danny and his friends about it and convinced them that it would be a good idea to have that as a contingency for if their Parents don't take kindly to Danny being Phantom.

Danny ended up having to use that plan, he just didn't expect to do it alone. His parents did attack him when he told them about him being Phantom, but he didn't expect GIW Agents to be hiding in their home. It took the lives of Jazz and his best friends for Danny to escape Amity and make it to Gotham.

Danny had solid evidence of him being a Nightingale, thanks to Jazz and Tucker, and was welcomed into the Manor that belonged to the Nightingale's. A Gala was planned for Danny to welcome him, and to celebrate that the Nightingale Family still lives. It's a good thing Vlad had drilled it into him about proper etiquette for Galas whenever the Fruitloop took him to one (He still can't believe that he's become a Fruitloop himself as he too has a basement lab in his Manor).

At the Gala, one of the Wayne Boys catches his eye, he spends time with him during the Gala and manages to get his number. Running the company he inherited, Nightingale Pharmaceuticals, is so much easier than his Ghost King duties, he's also got a replica portal in his basement, something he took from the Fentons along with the rest of their blueprints, that takes him to the Ghost Zone.

The Court of Owls had reached out to Danny, requesting him to he part of their organization. Danny had agreed, but mainly to gather information on them, who they are and what they've done, so he could reveal their crimes to the world, plus the many Talons that were forced to follow their rule is against a few rules the Infinite Realms has in place, and the Court need to pay.

One day, when Danny was doing something in his Manor, he could feel some people enter it. He left a duplicate in his place and went to the see who had entered his haunt without permission. What he didn't expect to find was Mr. Wayne and a few of his kids sneaking around, including the Wayne Boy he got close to, he also learned that the Wayne's are Gothams Vigilante Family this way.

[jakubrozalski]

Grey Reaper ( Lanius excubitor ) " My sweet summer child, what do you know about horror, about fear? Let me tell you a story about the Grey Reaper. The story of how I lost my only brother. It happened on the last day of October, long before you were born and I was still a young girl. My grandfather told me a story about an old beast, he called it the Grey Reaper. The beast appeared only during the autumn preceding the most harsh and long winters. Reaper hunted during the day, while everyone was working in the fields, members of our tribe disappeared without a trace. I always thought these stories were just fairy tales, until one day I saw him with my own eyes! Together with my brother and father we were gathering nuts for the winter in an old orchard. Suddenly everywhere fell eerily silent, in the forest and the field. Then, I heard a terrifying croak, the air whistled, the grass around me bent. I turned around and looked into the cold, black eyes of the beast. Those black empty eyes haunt me to this day. One moment later the beast flew away with my brother in its claws. Everything happened so fast, and at the same time as if time was frozen. My father grabbed his backpack and a spear and ran after the beast, straight to its lair, trying to save my brother! It was a place from the worst nightmares. The smell of blood and death was everywhere. To reach the place where the beast rested, one had to fight their way through a maze of thorny branches on which the Reaper impaled his victims. I tell you my child, many beasts roam these forests, many predators threaten us and hunt us for food... but the Reaper did it for fun! Father returned to us badly wounded, unfortunately it was too late for my brother. Father never spoke of what happened there and we never asked. No one has seen the Grey Reaper since. But I'm still afraid to go out into the fields and orchard in the fall, the beats still haunt me in nightmares, I'm still afraid he'll come back..."

I remember when many years ago, I first heard about the Great Grey Shrike and its habits, I couldn't believe it! Since then, this bird has always fascinated me and stimulated my imagination. Especially in the context of how terrifying its habits must have been for the creatures like gnomes. I always wanted to place this bird in the "Furry Demon" stories / universe, and I finally did! Nature is truly extraordinary. If you haven't heard of the Great Grey Shrike ( Dzierzba Srokosz ) before, I recommend checking it out, but it's not for the faint of heart :)) Cheers! work process: https://jrozalski.com/projects/AZQqZN

[lullabyes22-blog]

"I think the cycle only ends when you find the will to walk away."

Got a lot of Q's for this in my inbox. Figured I'd just address them here.

tw: mentions of suicide, suicidal ideation

Re: the ending of S2:

Jinx did not die.

She symbolically killed her old self, and with it, her last ties to the past that imprisoned her. She understood that for her sister to move on and live her life - be happy without guilt - she'd have to renounce the bonds that held them together.

Her talk with ghostly Silco was the 'sign-off' she'd been waiting for, ever his dutiful daughter. Throughout S2, she kept hoping he'd haunt her, and in doing so, offer some impetus given her aimlessness. Maybe just straight up boss her around, and tell her how she's supposed to exist now that he's no longer there to be a (subversive if loving) guiding hand.

But it was the promise of time (as represented by Ekko) healing old wounds, and the courage to feel, as she once had - a hopeful child with a hopeful future - that allowed Jinx to commit impetus to action.

Her blimp-ship in the climactic battle is a tribute to Isha - but also to the child in Jinx's own fractured psyche: Powder. She's letting both little girls have one last hurrah before she takes care of business - and cuts off the last oaths, duties and commitments that bind her to a past whose parameters she's outgrown.

Better still, she knows she's got the capacity to outgrow them.

That was the point of Jinx's arc with Isha, and why, no matter my misgivings on Isha's character herself, I found Jinx's trajectory towards a more nurturing and fun-loving figure more life-affirming and positive than the straightforward 'Daddy's Villain Goes Postal' shtick.

It's even why there's a minigame titled Jinx Fixes Everything. It's Jinx, struggling and stumbling, as she tries to rewrite her narrative, and finds in herself the capacity to do good.

To fix things that seem irreparably broken.

And to understand why she's reached this stage, we've got to let go of our tendency to project our own stuff onto Jinx (precious meow meow, unrepentant terrorist, manic pixie crazypants, edgy hot psycho) and acknowledge the purpose she plays in Arcane's thematic structure.

Jinx's character comes off as a death-seeker, and that's no shocker. She is hounded by terrible guilt and loss. She's got blood on her hands, and ghosts on her heels, and no matter what she does, she can't seem to be rid of them. Her inner mind's fractured, her mannerisms ooze pure chaos, and she seems a creature of pure feral impulse and no mercy.

That's the Jinx we're accustomed to seeing in S1 - except that's also both the front she's most likely to put on during that timeline, and the persona that is necessary for her to inhabit to survive, as Silco's daughter and his top enforcer.

Then Silco kicks the bucket, she symbolically fulfills his dream by shooting at the Council HQ, she accepts that she must inhabit this path of shadows and loneliness (as symbolized by her starkly decorated chair in the tea party scene), she accepts the fragmented push-and-pull between past and present, and...

And now what?

Silco's given her a semblance of direction for six years, and he's gone. Vi, the sister she'd hoped would return, and whom she'd hinged so many childishly idealized hopes on, is herself traumatized, and afraid of what her sister's become.

Jinx has her shadows and her loneliness. Jinx is traumatized. Jinx is suicidal.

But Jinx is still, whatever else, alive.

And all living things need connections.

That's why we as the audience enjoy her little found family dynamic with Isha and Sevika. It's Jinx, taking the first tentative steps to reach out to people beyond Silco and Vi, and realizing, wow, she enjoys the pay-off.

And all throughout S2, we see Jinx growing more and more comfortable in this newfound space - even jealously guarding it at the expense of Zaun's liberty, and Silco's wishes, because she can't bear to lose what she's found.

And what she finds empowers her enough that, when Warwick shows up, she's actually willing to reach out to Vi, and call upon their family connection, because Jinx is learning the value of bonds, not as baling hooks of guilt, but as buoys to carry her forward.

That's the story Jinx's relationships serve to tell in S2. Each one shapes the choice she makes in the finale. Until she learns to accept the past (Vi), to lay the monsters to rest (Silco and Vander/Warwick), forgive herself (Caitlyn) trust that time heals all wounds (Ekko), and hope for happier new beginning (Isha), she'll never trust herself enough to just seize the chance.

Jinx's culminating arc is not about death, much less self-erasure. It's about resurrection, and embracing the sublime chaos of a freed mind, and a lightened spirit. That's what she craves beyond simple death, and what her baptism by fire, blood and riverwater, has been about.

Each trial grinds her down into someone else. Someone new.

Someone closer to who she is meant to be, rather than who she's expected to be.

That's why she's so glad to make the sacrifice for Vi. She's not dying as an act of self-immolation. She's giving her sister - the one who's proven she'll never give up on her - the ultimate gift, and showing Vi that she deserves to live.

She needs Vi to live, so Jinx, the persona, can finally die.

"He (Silco) didn't make Jinx. You did."

She's basically saying, "I love you, I will always be with you, but you are no longer responsible for my actions. Please move forward with your life, and grant me the choice to do the same."

It's two sisters embracing everything they've meant to each other, acknowledging the pain weighing them down on both sides, and welcoming the new so they can each slough off old paradigms and live life as a whole person - or at least take steps to remembering what wholeness feels like.

That's the reason the show's final shots linger on the Hexgate tunnels, Jinx's monkey bomb, and the aircraft.

It's the show's way of reminding us that Jinx has ascended to a different version of her identity - one removed from the past that haunted her. It's Jinx, finally striking out alone, away from the sister whose memory she clung so desperately to, and who was, in turn, horrified by her hand in making Powder a monster (perceived guilt or real, fandom may debate ad nauseum) due to past mistakes and abandonment.

The ending of Arcane isn't tragic. It's deeply hopeful, and serves as a reminder that no matter how damaged you think you are, and no matter how monstrous the world finds you, there are still ways to come back to yourself - or to walk the path toward a new you.

Jinx is symbolized by crows. Jinx is shown with firelights emerging from her mouth. Jinx is depicted holding a torch like Janna ushering in the winds of change.

Thematically, Jinx is change.

And the best way she can embody that change is to write her story, and make it her own.

[foxclcves]

I hold a red leaf up to the sun to see the blood inside of it; the elongated veins, stretching from the spine of stem to jagged curling ends and how they split into more. And as I hold my free hand up to the sun, too, I see nothing different. Running dry. Changing pigment.

[shinmiyovvi]

I have so many things to do for this Summer as I feel a bit tired at the moment and busy with something else so I'm gonna drop the plans that I'm working on with:

Continue making Noemi and Len's ref sheet.

Make changes on Arthur and Self Insert's outfit.

Create Dragomir's ref sheet.

Draw a design for Saborū Masaki. (The guy that has his name on Takeo's sword I believe)

Literally make the Main Ocs and Salvatorix Crew's information on Carrd.

Redraw my ocs' icons for their information files.

Finish making Ryuji's fanart [He has 3 outfits and I am not risking myself to draw him wearing a kimono as a 4th (truth?)]

Try and draw my chidlhood crushes [Please don't end up becoming another f/o (lie)]

[lilyprettyremy]

10 Bad Habits to Let Go of for a Beautiful Life (Trust Me, You’ll Thank Yourself)

We all have those habits that hold us back — some sneakier than others. And while no one’s perfect, a little spring cleaning of your daily habits can unlock a happier, healthier life. Ready to drop the bad vibes and level up? Here are 10 bad habits to leave behind for good!

1. The Comparison Game — It’s Gotta Go

We’ve all done it. Scrolling, looking at someone’s perfect life, and feeling like we’re not enough. But honestly? Comparing yourself to others is a losing game. Focus on your own growth, and unfollow anything or anyone that makes you feel less-than. Your journey is yours alone, and it’s beautiful in its own way. Keep your eyes on your own lane!

2. Procrastinating Like It’s a Sport

We get it — that “I’ll do it tomorrow” energy feels good in the moment, but it’s also a trap. The more you put off tasks, the more they pile up and haunt you. Trust, the best feeling is getting stuff done now and freeing up your mind for the fun stuff later. Break it down, set a timer, and just start. You’ll feel like a boss when you’re done.

3. Saying Yes to Everything (Even When You Don’t Want To)

No is a full sentence, babe! If you’re constantly saying yes to things that don’t align with your goals or drain your energy, it’s time to stop. Overcommitting leads to burnout, and life’s too short for that. Start setting boundaries and prioritize what makes you feel good. Your time is precious, so treat it like gold.

4. Relying on Everyone Else’s Approval

We all love a little validation, but depending on it? That’s a recipe for insecurity. Your worth isn’t measured by someone else’s likes or approval. The only validation you really need is your own. So hype yourself up, celebrate your wins, and be proud of the progress you’re making, regardless of who’s watching.

5. Avoiding Your Finances Like It’s Scary

Finances don’t have to be terrifying! Ignoring them might feel easier in the moment, but getting a handle on your money situation is so empowering. Start small — track your spending, create a budget, and set a savings goal. The sooner you take control, the more stress-free your future will feel.

6. Holding Grudges Like They’re Trophies

Honestly, holding onto grudges only weighs you down. Letting go of past negativity isn’t about excusing people’s behavior — it’s about freeing yourself. Don’t let old situations control your peace. Forgiveness is for you, babe. The less baggage you carry, the lighter you’ll feel.

7. Talking Down to Yourself

Would you say those mean things to your best friend? Didn’t think so! So why do we let ourselves get away with it? Cut out the negative self-talk and replace it with something a little more kind and uplifting. You deserve better from yourself. You wouldn’t believe how much your mindset can change once you start being nice to yourself.

8. Expecting Everything to Be Perfect

Perfection is a myth, and chasing it will only leave you stressed and frustrated. Life happens in the in-between moments — the imperfect, messy, beautifully real ones. Give yourself some grace and celebrate progress, not perfection. A “good enough” life is often a perfect one in disguise.

9. Staying in Your Safe Bubble

Your comfort zone might feel cozy, but nothing grows there! Stepping outside of it might be scary, but it’s where all the magic happens. Whether it’s trying something new, starting a project, or meeting new people, discomfort leads to growth. Don’t let fear hold you back — take the leap!

10. Blaming Everything Else for What’s Not Going Right

It’s easy to point fingers and blame outside circumstances, but taking responsibility is where real change starts. You’ve got more control than you think! Instead of dwelling on what’s going wrong, focus on what you can change. You’ve got the power to turn things around — it’s all in your hands.

These bad habits? They’re not serving you, and it’s time to leave them in the past. Letting go of what’s holding you back will clear the way for bigger, better things. You’re already halfway there just by recognizing what needs to change. So let go, level up, and watch your life get a little more beautiful, one habit at a time.

[fishnapple]

🔞 Channelled message:

The first time that they feel desire for you & their fantasies

(lover/partner/future spouse)

This is an old reading, I actually have this type of readings stashed away in my draft from months ago but could never find the right time to post them. So here is one of them. Enjoy.

Disclaimer : Contain mature contents. Minors (under 18y/o) do not interact.

This is a general reading meant for multiple people. Take only what resonates and leave out the rest.

Your feedback is much appreciated. If you find the reading resonated with you, leave a comment, I’d love to know 🎐

About me | Masterpost

Book a reading with me - KO-FI (→ personal reading)

AGATE

Are you generally this flirty and aggressive with other people or only with me? I'm worried. Other people shouldn't be able to witness this side of yours. Am I a possessive person by nature or I'm only like that towards you? I don't know anymore.

I was perfectly contented with my daily life, structure and routine bring peace to my mind. I could be a very repetitive person, don't find me boring, I won't be like that with you. Do you know why? You jolted me out of this safety shell and plunged me into a strange land by that playful and straightforward way of yours.

The moment you came closer to me with that broad smile and that heat, oh, that heat, I could feel it in my skin even when you were not touching me at all. Thanks to you, I've discovered that I have the hot for aggressive people, or it's just you. I imagined you grabbing me and bestowed me with a passionate kiss, then whispered into my ears how much you wanted me. It sent a shiver down my spine. I'm not gonna lie, I felt instantly aroused, I hope that I didn't make a fool of myself in front of you. Just know this, I will have no problem getting aroused whenever you initiate it.

You protested that it wasn't how you behave? Well, it's true, you weren't exactly that sexually aggressive towards me like that, not yet, not in the beginning. You probably were just having some fun, playing some games, tackling some creative projects, or recounting some fun stories while I looked at you and wished that passion of yours would be directed at me instead.

You were so brilliant, a walking flame. You awaken my desire like lightning striking down a tree. My mind went into fantasy land and imagined what it would be like, holding you in my arms, naked, both of us, our chests pressed against each other, touching that soft skin, both outside and inside. What we could discover about each other, what we could experience together. I wanted to be risky, to pour all of my desires on you, to taste you everywhere, to do it until we're both overwhelmed, to see where the limit is, and push through it.

Another thing that I have to confess is that at that time, that feeling was pure lust. I hadn't developed romantic feelings for you yet. But my desire for you will haunt me, I won't be able to decipher the reason. Until someday, when I finally looked deep into my feelings, after questioning it thoroughly, I will arrive at the conclusion, the inevitable, that you are the one for me.

Note: this person will develop sexual desire for you when they see you putting effort into something creative, when you were having fun, showing jest and passion for life, being assertive in a playful, flirty way. It may be a random moment, not a big event. That attitude will be a contrast to their usual way in life, so they will find it exhilarating and freeing. That will also affect their fantasies about you, wanting to be free, having no limit, indulging in each other, touching your deepest place. There could also be some exhibitionistic desire, somewhere a little open with the risk of being seen. Other than that, they don't really have any specific kink or particular fantasy. They are mostly go with the flow style.

FLOURITE

Does me saying I love your tears turns you off? Don't worry, I will never be the one that makes you cry, or at least I will try not to be one. We can cry together, you can cry in front of me. The sight of your tears will tear my heart open and let out this feeling that I myself wasn't aware of before.

I was really grateful that you chose to be open with me, telling me your pains that no one else had ever known. It's my honour. At that moment, I felt as if our hearts had been bridged, your emotions flowed into mine, I won't even know what was yours, what was mine. I will feel this rage inside, toward life, maybe? How could life give you so many pains like that. You were just yourself, yet people couldn't have the bravery to face that realness. Please don't ever dim your light for other people or for anything.

But that rage will be accompanied by desire. My desires are tied to my emotions. The more intense the emotion, the more intense my desire will be. I will feel this instinctive urge to protect you. Destruction and protection go hand in hand. I wanted to force all those painful memories out of you and burn them, to replace them with memories of me.

I felt a war inside me. I wanted to touch you softly, caressing every part of you, to tell every inch of you that it's okay, to wrap you with pleasure so much that those tears will be tears of pleasure (oh no, will that make me the one that makes you cry? I'm willing to be the offender then). But I also wanted to grab and take you into me, to push you so hard that we would become one, whatever I do, you still feel so distant to me. I got impatient.

But I won't act on that desire. I will be gentle, I will be the comfy bathtub that you drown yourself in after a long day. To be the warm water in the tub, lapping over you. Can you feel my heat? You don't need to do anything. Let me take care of you.

Note: This person will feel an intense desire to protect you and to soothe you. To them, emotions go hand in hand with sexual desire. So the moment that their emotions and yours are heightened will be the point where they feel sexual desire for you. At that time, you could be telling them about past pains of yours, likely from childhood, it related to being an individual, isolation, not fitting in, of loss. You will be crying, the tears will be the trigger.

This person has the ability to connect emotionally with other people. The connection of emotions will lead to the connection of bodies. They are gentle but have a more aggressive side to them, a little extreme. I feel like the moment they feel desire for you will lead to your first time with each other. The fantasies will stay in their head, but they won't act on them completely. It could also come as a surprise for you. You may not be fully aware of the extent that is their desire for you.

They have a liking for water and wetness, be it the water around you when you are having sex or the water coming from you. So they might like to give you oral, shower sex, licking, dripping, spilling. They will also like to talk to you to instil their own fantasies into your mind so that you will share the same fantasies for each other. They want to achieve oneness.

CARNELIAN

I suppose that I wasn't being honest with you. Hiding all my problems and weakness, my insecurities were many, you know, they weighted heavily on my mind. Every night, they would come in, haunting my sleep. Life is heavy to me, I'm a fearful person. I've never felt safe in this world. My foundation is lacking. It felt like I was living in a castle made from cardboard, ready to collapse at any moment. And how can I welcome another human being into this shabby castle of mine? That was how I thought about our relationship. I wasn't courageous enough, I let my demons whisper in my ears while you were there, caring, with the gentlest love that I've got.

It was until we had our first serious argument with the possibility of you leaving that I was awakened. It felt like hearing something exploded. I was disoriented, the first thought that sprang to my mind was to hold you, firmly, to drag you into my cardboard castle, to let you see it all, without care how it could collapse with both of us inside.

I thought that if I prepared enough, I would be confident, I would be able to show you our bright future together. But when will be enough? I'm ashamed that it had to take an argument for me to realise it, that my desire for you would be ignited in such a negative situation, human sure are weird creatures, don't you think?

No, I didn't act out that first thought, I just grabbed your hand and apologised, like a good and polite human. My heart was awakened, but that doesn't mean my mind would just quietly follow suit.

After that incident, I found myself thinking about it again and again. I would relive the argument but put an erotic twist to it. (TW: dubious consent) I imagine me being rough and acting all assertive. Without a second word, I would pull your turning back close to me and kiss your neck and shoulder from behind, arms caging you so tight, you would feel a little suffocated. Then, as I feel you getting softer, I would let my hands trace every inch of your body, with you still a little miffed but can't resist my touch. I imagined you being pleasured until you let out a soft moan, shaking in my arms.

Then I would turn your head around to face me and kiss you with my all, without being afraid that you would find out all my insecurities and all that unsightly parts of me.

Note: This person could be quite emotionally distant, afraid to commit because of their insecurities. They are restrained and tend to overthink everything, to the extent of being paranoid. They are in their head more than their heart, their heart is a dangerous place for them.

There will be a point where you are tired of the uncertainty and distance in this relationship. The situation would be when you go on a date with them, something not quiet right will happen, something small, but you will argue and the argument leads to a bigger issue. You will want to walk away. This is when they realise the possibility of losing you, like a Tower moment. They don't want that to happen, so they will grab your hand and apologise, explaining their problems. Some kind of commitments will be formed. And also the desire for you.

They have a more aggressive and earthy side to them that is hidden and only comes out in their fantasies. They would want to pleasure you from behind, making you feel their feelings for you through physical touch. The focus is on you. They imagine themselves to be more brave, to open their heart for you to see without a care in the world.

AMETHYST

Ah, our first kiss, our sweet, sweet, first kiss. I can still recall the taste of you exactly, just like being on that day again.

Do you remember it too? We even took a picture of us kissing, to solidify our memory together, a celebration for our love. I felt so warm, like a sun has found refugee inside me. The kiss transported me into a magical land, into our future together, our journey has started.

I will be thinking way far ahead, about how our wedding will be, where will our honeymoon be spent, how our first night as a married couple will be, how our kids would look like, how we would be worried about their future and finally have some rest together in the old age. I didn't know that I was such a planner, or was I a dreamer? No, I'm a magician, I will make our dreams come true. Yes, brace yourself and start looking forward to it.

I have a commitment kink. There, I've said it, loud and clear. The moment we solidify our commitment to each other (I like the word 'solidify', like heavy concrete that we could sit on) will be the moment all my passion broke free and come running to you.

Do you think our lifetime plan in my head is just some innocent planning? No, I'm a sucker for details. No detail of our life will escape my mind. Including our sex life. What kind of domestic life could be without the pleasure.

Just like when we were dating, we will continue on being smitten with each other well into our trembling-hands-and-hair-whitening era. You and I will make sure that passion is never lacking in our relationship.

We will talk about it a lot, seriously and flirtatiously, teasing each other, then sit down and discuss it, like a research project. We will try many different things, getting feedback from each other, then calibrating the system until it reaches perfection. We will also tell each other about our deepest fears and painful memories, then we will kiss each other better every time.

Let's grow together. Let's run our naked bodies along the seashore like little kids, collecting seashells, giggling then colliding into each other.

Let's have our late night debate about the metaphysical then tearing out clothes in the process.

Let's grow trees together in our garden, let's get dirty (literally) as we embrace each other (I can't help using 'each other', I also like this word) on the soft, damp earth. Then, many years later, we will embrace each other under the shade of our grown-up trees.

Note: There's this warm and bubbly, exited energy to this person. The moment you first kissed will be when they start imagining your life together. They get turned on by commitment and the future prospects of your relationship. When they're dating, they definitely have long-term commitment and marriage in mind.

They are quite cerebral, love to think, and plan ahead. But those thoughts don't just stay in their head. They got put into reality. They like to think about the relationship as a project to build and to perfect with their partner. But they are not rigid. They like spontaneity. They want to feel the pleasurable aspect of the relationship with their partner everywhere, to make memories, to celebrate the love. Everything can lead to sex. They seem to have a preference for the outdoor and nature.

ROSE QUARTZ

Hmm, do you have some kind of superpower? The kind that can lower other people's intelligence? I felt like a toddler learning to speak for the first time when I'm around you. And this mind of mine did not feel too well about that. I'm usually the one that people look up to. I can say with some confidence that I'm an intelligent person, but being in front of you? My intelligence seemed to take a strike and went for an infinite vacation. I don't think you've noticed this dilemma in me. Thanks goodness, at least I could still appear as a good enough debate opponent for you. What's with all this talk about intelligence anyway? Because I want to know the cause and effect of things. I want to know the cause of my desire for you and the effect of it.

To put it plain and simple, you challenged me mentally. Who would have thought that I could get turned on by debating about the present school system with you? Talking about vehicles turned me on, talking about religious matters turned me on (wait, that doesn't sound right). I know you didn't do it to rile me up. You simply share your view and ideas with me, innocently. But I also know, our debates turn you on too, you can't hide that twinkle in your eyes whenever I say something controversial or go against you view. We flirt by words, our words, they clash then kiss each other. Is 'arguing' in public considered a type of PDA?

I thought I was the absolute ruler of my own mind, sitting smugly on the pile of gold, getting praised by commoners, confident that no one can match me (I'm a vain and arrogant human being okay). Then the gate was blasted open. There stood you, alone, with that bazooka for a mouth and an equally smug face. I thought that you came to steal my gold, no, that wasn't the true horror, you came to tell me that my gold was fake. Ah, how I slipped and fell, face kissing the ground. How dare you? I had to bravely stand up and charge at you, to kiss you? (Eh, I didn't expect that twist. Is this some kind of cheesy romance web novel?). Don't take it the wrong way, it's not like I'm worshiping you or anything, I just want to get close to you to study you, to pull out all of your secrets, and then? To sit at your feet and admire them, maybe? While we are in the mood, may as well dress the parts. Let's turn ourselves into characters of our own novel. Let me regain some of my dignity in my fantasies. Let me be the teacher, and you be the student, nodding admiringly at my every word. Then, while I'm drunk in your adoration, you would turn all bratty and tease me, strip me of my dignity again.

Note: I don't have much to say about this person other than you may want to save up to buy lots of costumes later on.

This person is quite arrogant and used to being admired and put on pedestal by other people. But you won't be like that to them. You challenge their world view, kick them down the pedestal, and they like that. There could be a masochistic streak in them. Wanting to be put down, to be humbled. They will want to be lured into a trap by their partner and be tricked into submission (willingly, with consent, of course). They like you to act bratty while they pretend to be frustrated and have to give in to you.

They have fantasies about role-playing, could be related to medieval themes. I don't see any particular actions, just them liking the mental stimulation and talking back and forth. To them, pleasure comes from the mind.

OBSIDIAN

Do you know about the ducklings imprinting? About how in the early period of a duckling, they capture the image and sound of a moving being into their mind, permanently solidifying this being as the object for the duckling to follow? I was like that with you.

You came into my life during my most transforming period. I felt like I was born again, leaving behind all the bad memories and disappointments. I felt weak and lonely, lost in this new world, literally, I had to move to a new place, getting used to the new environment from the start. And you were there, gently walking side by side with me. It's bittersweet how I had to go through the darkest moment in my life to meet you, but it's all worth it. You made the pains feel like distant memories.

I still remember that moment perfectly. You came to me, asking if I had eaten. I said no, and you proceeded to cook a speedy warm meal for me. I wanted to cry, honestly. Never in my life had I ever thought that food could be such a multipurpose thing, a miraculous balm, a pouring melody, a comfy blanket, a word of love. I felt full and nourished, by you.

Let me put you on the pedestal a bit, let me see you through a rose coloured glasses, let me dream about you every time sleep comes to me, temporarily or eternally. Let me return the love equal to that you've given me, or even more than that. I want to give you my all, at the same time, I want to be all that you have, as you are mine.

Sometimes, I wished that there's only the two of us in this world. How I wanted to muffle all other noises, smear all other colours, air out all the scents so that the only remaining things are your voice, your colours, and your scent. Let me paint you. Though I can't be confident that there exists a kind of paint that can convey the brilliant of your skin, your eyes, your hair. It's frustrating how I can see you crystal clear in my mind yet unable to translate the image into the canvas. In this case, could you be my canvas and let me paint myself onto you?

Note: This person has a sensitive and artistic soul. They will meet you when they've just come out of a dark tunnel, starting a new life, moved to a new place. They will get attached to your kindness and warmth. I feel like the situation when they develop desire for you for the first time will be when you are comfortable with each other already. You could come to their place, cooked for them. They could see your care, which will trigger their emotional desire for you. Their physical desire is tied to their emotional desire.

They will want to serve you, to put you on pedestal and cater to your every desire. They could be a little possessive, wanting you for themselves. They want to have sex in somewhere secluded, private and quiet, with a sparse surrounding or even empty. All of their focus will be on you. They will want to stay silent to hear your moans, eyes fixing on you all the time, and breathing in your scents everywhere. Then after the sex, they want to paint you, on canvas, you could be their muse, or paint on you with their marks. It's like your existence in their mind and in front of their eyes are still not enough.

[stevie-petey]

but don't you remember? (august, honey, you were mine)

﹂ season four of "come home"

it's senior year and everything has changed. though steve harrington is now your boyfriend, not all of the change has been good. jonathan is gone, dustin is pulling away, the party is divided, and max's sunken eyes remind you of her brother's. all the change threatens to suffocate you. then one phone call, multiple dead bodies, and a song from your past changes everything you thought you once knew. time has never been your friend, especially when it reopens old wounds. (which only complicates things between you and steve). (and the upside down makes everything worse). (as usual).

episode one - the hellfire club: el writes to you as if youre her husband away at war, you debate the intricate nature of liking boobies with robin and steve, lucas is your beloved while eddie munson is your sworn enemy, steve accidentally exposes your (horribly hidden) daddy issues, dustin is an angsty teen, and jonathan really loves to drop emotional bombshells on you. can you believe this all happens in one day ? lol cheers to senior year !

episode two - vecnas curse: you and billy play marco polo, max interrupts a saturday morning breakfast at the henderson household, robin crushes steves dream of becoming a 1950s housewife, reefer rick has an odd taste in movies, boathouses are creepy in the dark, and eddie munson likes it when you pull his hair.

episode three - the monster and the superhero: you and steve can never have a normal conversation, dustin threatens nasa, eddie sadly eats his cereal because youre mean to him, youre once again nancys biggest fan, dustin and steve have an awkward heart to heart, and you and max become felons together and trauma bond (again) !

episode four - dear billy: steve almost hits lucas with a lamp, you try to trick your boyfriend into a gloomy arrangement, steve and nancy have a Talk, robin suddenly becomes an academic weapon, and max threatens legal action, gets really into hallmark cards, and levitating. all in that order.

episode five - the nina project: you and dustin steal pancakes to spite ted wheeler, steve just wants one morning of peace, nancy takes you to a haunted house, cobwebs are surprisingly intimate to remove from someone, and vecna decides to play flashlight tag with everyone. hes so sweet :)

episode six - the dive: dustin rejects the pity pringles you offer, eddie is straight up not having a good time, nancy does some investigative journalism about you and steve (gossips with robin), and steve suddenly decides he wants to take up scuba diving. for some reason. but hey ! title drop time !

episode seven - the massacre at hawkins lab: bats are really fucking annoying to fight, you always somehow end up critically injured, nancy carries the group on her back as always, eddie gives steve relationship advice (embarassing, tbh), interdimensional bike riding is lowkey fun, and you take a trip down memory lane.

episode eight - papa: steve is on the brink of a constant nervous breakdown, eddie questions your taste in music, you and max go halfsies on your lives, angry hicks are scary, and the end of the world is near so of course now is the time for every emotional conversation ever. duh !

episode nine - the piggyback: operation save hawkins is a go. youre eagle one, steve is currently doing that, eddie is youd be lying if you said you havent thought about it, nancy is it happened once in a dream, robin is if you had to pick a girl, and dustin is eagle two. what could possibly go wrong ? spoiler alert: everything. literally everything goes wrong. might as well break a few promises while youre at it. for the plot. but at least its over, right? .... right?

⌑ status: COMPLETE (for now)

⌑ season four title based on this song x

⌑ blurbs set within "come home" can be found here x

⌑ “come home” season masterlist

*note: this is a part of my stranger things rewrite, “come home”, and other seasons can be found linked above :)

[lowpolynpixelated]

Bloodborne PSX One of the best fanworks on the web

Though the PS4 boasted and still boasts an impressive library of releases, for many (myself included) the system served to be bought for initially one purpose, to be the Bloodborne Machine. Most of the people in my life who had a PS4 during its generation either bought one exclusively to play Fromsoftware’s Nightmare Hunting Adventure or had initially got one solely to play the game and ended up getting more games afterward. It’s a phenomenon the game industry sees time and time again, with previous generations having swathes of fans buying entire consoles for one or two games. As far as games go though, Bloodborne is at the very least worth the price of entry. At the time, it was heralded as Fromsoftware’s most cutting-edge and impressive game to date. A gorgeous gothic world filled with creatures ripped straight out of H.P Lovecraft’s nightmares, a haunting soundtrack showcasing beautifully composed choral scores and a combat system that incentivized aggression and speed to achieve brutal and bloody efficiency. It’s no wonder then why Bloodborne still has such a large following behind it. Fans of Fromsoftware have hoped for a sequel or PC port year after year to largely disappointing results. But where the community shines is in its fanworks. 

From fanart, comics, music, animations, and even fan-made video game spinoffs, the game has been shown a monumental amount of love since its debut in 2015. One of these fanworks was released back in 2022 and has since become one of the most famous pieces of fan-made content surrounding the game, this of course, being BloodbornePSX by LWMedia. An incredibly impressive feat of coding and art direction, the game serves as a “Demake” of Bloodborne’s first Yharnam segment, made to look like and play as if it were made on the very first PlayStation console. With some custom-made areas and an entirely unique boss to boot the perfectly paced experience is both a treat to fans who have been orbiting the game since its earliest days and new fans looking for the best and brightest fanworks to interact with. 

The game has since gone on to be covered by a variety of news outlets all over the web, along with its creator receiving much-deserved attention for her efforts. One Lilith Walther (AKA b0tster on social media) holds the title of developer for the project. A long-time video game enthusiast and FromSoftware fan herself, she’s had quite an impact on the community I’m sure she’s very proud to be a part of. Later in the article, we’ve got an interview with Lilith herself about both Bloodborne PSX and her current project, “Bloodborne Kart”, but first, let’s talk a bit more in-depth about BBPSX.

(Official launch trailer for Bloodborne PSX, uploaded January 31, 2022 by LWMedia on Youtube)

Bloodborne PSX:

So, what exactly is Bloodborne PSX? To start, let’s answer what precisely a “Demake” is first. Demakes often have the goal of remaking the likeness of a game either stylistically, mechanically, or both, as if it was developed on retro/outdated hardware. Famous examples of Demakes include “The Mummy Demastered” developed by Wayforward as a sort of tie-in to the 2017 film “The Mummy” in the stylings of a 16-bit run and gun adventure against armies of the undead, and “Pixel Force Halo” by Eric Ruth games which take the prolific XBOX franchise and shrinks it down to a Mega Man-esque platformer reminiscent of the NES’ 8-bit days. Demakes are intensely attractive looking, not only into the past of video games and their developments but just how creative developers can be with games that they love and appreciate. Bloodborne PSX hits as hard as a Demake can in my opinion, blending masterfully recreated graphics with perfectly clunky early PSX gameplay quirks that go above and beyond to make the game not only LOOK like it belongs on the nearly 30-year-old console but feel right at home on it as well.

(A screenshot depicting the player character “The Hunter” facing off against two fearsome Werewolf enemies. Screenshot sourced from the Bloodborne PSX Official itch.io page)

Gameplay:

Starting off with the masterfully recreated clunk in the gameplay, Bloodborne PSX “shows its age” by hearkening back to a time when being seamless just wasn’t an option. Much like adventure action games of the past (and much UNLIKE its modern inspiration), you’ll be cycling through your inventory delightfully more than you’d expect. Equipping keys, checking items, and even the trademark weapon transformations are all done through the wonderfully nostalgic menu and inventory screens. Taking one of the foundational parts of Bloodborne’s combat system and making it such a more encumbering mechanic is nothing short of sheer genius when it comes to ways to really make you feel like it’s 1994 again. On top of this, the Hunter’s movement itself has been made reminiscent of classic action titles. Somehow, both stiff enough to feel dated and fluid enough to make combat that same rush of bestial fun found in the original, it goes a long way towards the total immersion into that retro vibe the game sets out to give the player. Anyone who grew up with Fromsoftware’s earlier titles like Armored Core and the King’s Field series will be very familiar with this unique brand of “well-tuned clunk”.

(A delightfully dated looking diagram showing off the controller layout for Bloodborne PSX’s controls. Image sourced from the Bloodborne PSX Official itch.io page)

Graphics:

Speaking of old Fromsoftware games, though, let’s talk about the absolutely bit-crushingly beautiful graphical work on display. As I’m sure you’ve seen from the videos and screenshots included in the article, BBPSX’s art style and direction are nothing short of perfect for what it aims to be. While playing, I couldn’t help but notice every little detail (or lack thereof) in the environments meant to emulate the experience of a game made on 30-year-old hardware. Low render distances, chunky textures, blocky polygonal models, just the right amount of texture warp, it all blends together to create an atmosphere that I can 100% picture being shown off on the back of a jewel CD case with a T for Teen rating slapped into the lower corner. While playing, something rather specific that called out to me was the new way enemy names and health bars were displayed in the bottom right corner of the screen while fighting. As a big fan of the King’s Field games, this small detail went (probably too much of) a long way toward my love of how everything’s meant to feel older. Other games trying to match the more specific feel of King’s Field, like “Lunacid” created by KIRA LLC, also include this delightful little detail, a personal favorite for sure. 

(A screenshot depicting the second phase of Father Gascoigne’s boss fight, showing off the game’s perfectly retro art style. Image sourced from the Bloodborne PSX Official itch.io page)

Sound design/Soundtrack:

But where would a game be without its sound and score? No need to fear, however, because Bloodborne PSX comes complete with a chunky soundscape that will make you want to check and see if your TV is set to channel 3. A haunting set of tracks played by fittingly digital-sounding MIDIs ran through filters to sound just as crackly as you remember backs up crunchy sounds of spilling blood with low-poly weaponry. Original sounds from Bloodborne have been used for an authentic sounding experience, but have also been given the CRT speaker treatment and sound like something you remember playing on Halloween 20 years ago. If you watched the launch trailer featured above then you know exactly what I’m talking about. The Cleric Beast’s trademark screech and Gascoine’s signature howl after his beastly transformation have never sounded so beautifully dated, and I’m here for every bit of it. Even the horrific boss themes we know and love from the original Bloodborne have been brought through this portal to the past. One of my favourite tracks, the Cleric Beast boss theme, might just sound even better when played on a 16-bit sound chip. It really cannot be understated just how much weight the sound design of the game is pulling. In my opinion, the only thing missing is that sweet sweet PSX startup sound before the game starts crackling through the speakers of a TV in the computer room.

(The Bloodborne PSX rendition of the Cleric Beast’s boss theme. Created by and uploaded to Youtube by The Noble Demon on March 20, 2021)

Interview with the developer:

Before writing this article, I had the absolute pleasure and privilege of talking with Lilith Walther about some developmental notes and personal feelings about inspirations and challenges that can come with the daunting task of being a developer. Below are the nine (initially ten, but unfortunately, a bit of the interview was lost due to my recording software bugging out) questions I posed to Miss Lilith, along with her answers transcribed directly from the interview. 

I’d like to start this section of the article by saying Lilith was an absolute joy to talk to. During the interview, I really felt like she and I shared some common ground on some topics regarding how media can have an impact on you and what sorts of things come with video games as an art form. After some minor technical difficulties (and by that, I mean my video drivers crashed), I started off with something simple. The first question posited was: “What got you into video games initially?” Lilith’s response was as follows: “When I was a kid, the family member of a friend had a SNES lying around. I turned it on and didn’t really understand. I was a guy on top of a pyramid, I walked down the pyramid, and some big ogre killed me. Later I learned that was A Link to the past.” and after a brief laugh continued, “A couple years later my parents got a Nintendo 64 with Mario64 and Ocarina of Time and that was it. Never put the controller down since then.” 

She then went on to describe what precisely about Nintendo’s first foray into 3D Zelda had hooked her. “I’ve heard this story so many times. It’s like you’re not even playing the game. You’re just in the world hanging out in Kokiri forest collecting rupees to get the Deku shield, and the game expects you to! It was just, ‘run around this world and explore,’ and that really hooked me.” I couldn’t agree more with her statement about her experience. Not just with a game as prolific as Ocarina of Time but many experiences from older console generations that could be considered “the first of their kind”, or at the very least some of the earliest. Lilith also described her first experience with a PlayStation console, stating: “Later on I got a PS2 which played PS1 games. I didn’t end up getting a PS1 until around the PS3 era, so I guess I’m a poser. I remember my sister bringing home Final Fantasy 9 when it was a relatively new game. If it wasn’t my first PS1 game it was definitely my first Final Fantasy game. Of course I went back and played 8 and 7 afterwards.” A solid answer to a simple question. 

The second question I asked was one starting to move toward the topic of Bloodborne PSX and its namesake/inspiration. Or at least the family of systems it was released on: “What PlayStation console was your favorite and why?” Lilith’s answer surprised me a bit. Not because I disagreed, quite the opposite, actually. But with such a big inspiration for her work being games from the PSX-PS2 generations, what followed was a pleasant bit of insight into one of her favourite eras of gaming, to quote: “I can give you two answers here.” To which I assured her she was more than welcome to, but she was set on having something definitive. “No no I’m only going to give you one answer. I can give you the correct answer that I don’t want to admit, but it was the PlayStation 3. It’s so embarrassing but I genuinely was hooked into the marketing of the whole ‘The cell processor is the smartest thing in the world’ and all that. It really seemed like the future of gaming and I was all about it. I think I owned an XBOX360 before but I did eventually get it and really enjoyed it. It took a couple years for some of the best games to come out but I really did.” A few examples she cited as being some of her most memorable experiences on the console were Uncharted 2, Journey, Call of Duty 4: Modern Warfare, and Warhawk. All games I’ve seen on several top 5 and top 10 lists throughout my life within the gaming space. A delightful show of affection for a generation personally very dear to me as well, in which she ended the segment by declaring “Hell yeag”, a bit of a catchphrase she’s coined online.

Getting into the topic proper, my third question was one about her personal relationship with Bloodborne: “How did Bloodborne impact/appeal to your interests?” A question that received perhaps my favourite answer of the whole interview. From her response: ”Oh that’s a big one. Going to the opposite end of the poser spectrum, I was a Fromsoftware fan before it was cool. One of the games I played religiously on my PS2 was Armored Core.” A statement which made more sense than perhaps anything else said during my time with her. “Then later in the PS3 era everyone was talking about Dark Souls, this was when I was in college. I finally caved and got it and saw the Fromsoftware logo and thought ‘Oh it’s the Armored Core people!’ I played and beat it, really enjoyed my time with it. I skipped Dark Souls 2 because everyone told me to hate it, I still need to go back to that one.” 

It’s something I would recommend anyone who hasn’t played Dark Souls 2 to go and do. “Then Bloodborne came out and I thought ‘Alright this is the new one, gotta play this one’ and I was a huge fan of all the gothic stuff in the aesthetic. And how do I explain this, I do really like Bloodborne. I like the design, and the mechanical suite of gameplay, as a video-gamey video game it’s very good.” The tone shifted here to something a bit more personal. “But as well, I was playing it at a specific time in my life. I came out in 2019, I know Bloodborne came out in 2015 but I was obviously just playing it non-stop. It was just one of my ‘coming out games’, you know?” For those who maybe don’t understand the statement there, “coming out” is a very common term used within the Queer community to describe the experience of revealing your identity to those around you. Whether it be to family, friends, or co-workers, almost every queer person has some sort of coming out story to tell. Lilith is speaking in reference to her coming out as a trans woman. She elaborated: “Obviously I can only speak for myself, but I just feel like when you make a decision like that, that part of my life just ended up seared into my brain, you know? Bloodborne was there, so now it’s just a part of me. And it definitely influenced some things about me. It was there because I was working on Bloodborne PSX at the time, but it had an impact on something I’ve heard a lot of other Trans people describe.” She went on to describe the concept of “Coming out a second time” as sort of “finding yourself more within your identity” and becoming more affirmed in it. She described both Bloodborne and her development on Bloodborne PSX influencing large parts of her life, a good example being how she dresses and presents. As a trans woman myself, this answer delighted me to no end. I, for one, can absolutely 100% relate to the notion of media you experience during such a radical turning point in your life sticking with you. There are plenty of games, shows, music, and books that I still hold very near and dear to me because, as Lilith stated, they were there. All the right things at the right time.

Halfway through our questions, we’ve finally arrived at one pertaining specifically to the development of Bloodborne PSX: “What are some unique challenges you’ve faced developing a game meant to look/play like something made on retro hardware?”

Lilith answers: “So there’s two things, two big things. One is rolling back all of the quality of life improvements we’ve gotten over the years in gaming. Not automatically using keys is always my go-to example.” Something as well I mentioned in my short talk about the game’s gloriously dated feeling gameplay above. “That was definitely very very intentional. Because it’s not just the graphics, right? It was the design sensibilities of the 90s. Bringing that to the surface was very challenging but very fun. Another big part was, since it was one of the first 3D consoles, I wanted to recreate the hype around the fact that ‘ITS IN 3D NOW!’ So if you go into your inventory you’ll see all the objects rendered in beautiful 3D while they slowly spin as you scroll through them.” This is a feature I very much miss seeing in modern video games. 

She continued, “I think the biggest one was the weapon changes. Bloodborne’s whole thing was the weapon transformations. Like, you could seamlessly change your weapons and work them into your combo and do a bunch of crazy stuff, and I kind of said ‘that needs to go immediately.’ So now you have to pause and go to your weapon and press L1 to transform it, that was extremely intentional. So once I had those three big things down it all just sort of fell into place. Like the clunky UI and the janky controls. You need jank and clunk, and I think that’s why Fromsoft games scale down so nicely, because they are jank and clunk.” 

A point I couldn’t agree with more. Despite all the modern streamlining and improvements to gameplay, Fromsoft’s ever-growing catalog of impressive experiences still contains some of that old-school video game stiffness we’ve (hopefully) come to appreciate. She went on to make a point I was very excited to share here in the article, “It was just a lot of trying to nail the feel of the games and not just the look, right? Like I’m not trying to recreate a screenshot; I’m trying to recreate the feeling of playing this weird game that’s barely holding together because the devs didn’t know what they were doing.” In my humble opinion, something she did an excellent job with. 

Fifth on the list was a question relating to her current project, Bloodborne Kart, a concept initially drawn from a popular meme shared around social media sites like Tumblr when the buzz of a Bloodborne sequel was keeping the talking spaces around Fromsoft alight: “Anything to say about the development of Bloodborne Kart or its inspiration?”

Lilith answers: “So first off Bloodborne Kart is less trying to be a simulation of a PS1 game and more just an indie game. It’s not trying to be a PS1 game, I just want it to be a fun kart racer first. Starting off of course is Mario Kart 64, that’s the one I played back in the day. But I looked at other games like Crash Team Racing and Diddy Kong Racing, but also stuff like Twisted Metal of course. I always used those as a template to sort of look at for design stuff like ‘how did they handle what happens to racers after player 1 crosses the finish line.” The next portion of her answer was initially a bit confusing but comes across better when you consider certain elements present in BBK’s battle mode. “And also Halo, like for the battle mode. I had to do a battle mode and it kind of just bubbled to the surface. Split Screen with my sister was such a big part of my childhood. Thinking about Halo multiplayer while I was making the battle mode stuff.” 

Her answer to the previous question began to dip into the topic of our sixth question: “Are there any unique challenges or enjoyable creative points that go into making something like Bloodborne Kart?”

As she continued from her previous answer: “One of the biggest quirks of the battle mode I had to figure out was how to tell what team you were on at a glance, and that came back to Halo again. I started thinking about how you could tell in that game and it hit me that the arms of your suit change to the color of whatever team you’re on. It was just something I never even thought of because it’s so seamless. So that gave me the idea to change the kart colours, and that’s the most recent example of me pulling directly from Halo. It’s wild how a small change like that can turn your game from something unplayable to something fun.” I would agree. Tons of small details and things you don’t think about go into making seamless multiplayer experiences. Some of which we take for granted nowadays. She then made a point about one of the most challenging aspects of BBK’s development, “The most challenging thing was definitely the Kart AI. AI is just my worst skill when it comes to game development among the massive array of skills you need to make a game. It’s really hard to find examples of people coding kart driving AI, You know? You need to make a biped walk around you can find a million tutorials online but if you need to make something drive a kart, not really. I was really on my own there. A lot of the examples out there are very simulation oriented. Like cars using suspension and whatnot, but I’m making a kart racer. So I started simple, I put a navpoint down and if it needs to turn left, turn left, if it needs to turn right, turn right. And I just kept adding features from there.”

Moving onto our last three questions, we started to get a little more personal. Question seven being: “What’s your favorite part of Bloodborne Kart so far?”

Her answer was concise in what she was excited about most, quote: “The boss fights.” Short and sweet but she did elaborate. “Translating a big part of Bloodborne is the boss fights. So I made a short linear campaign which is basically AI battles and races strung together. Some of those stages are just boss fights which are unique to the rest of the game. When you make a video game you sit down and you make all your different modes of interactions, and then you make a multi-hour experience mixing and matching all those different modes in more complicated ways. I think the most interesting part is when that style tends to fall away and it ends up building something entirely unique to that experience.” An example she gave was the infamous “Eventide Island” in Breath of the wild, it being a unique experience where the game’s usual modes of interaction are stripped or limited, forcing you into a more structured experience that ends up being a majorly positive one. “That’s what the boss fights are in Bloodborne Kart. They do multiple game mechanics like a chase that ends in a battle mode. Like Father Gascoine’s fight where he chases you, and after you blow up his kart he turns into a beast and picks up a minigun.” That sounds absolutely incredible. It’s very easy to see why she’d pick the boss fights as her favorite element when they’re clearly intended to be such unique and memorable experiences. 

Our last two questions veer away from the topics of development proper and focus more on our dear dev’s personal thoughts on the matter. Question eight posits: “What’s your personal favorite part of being a game developer?”

After some thought, she gave a very impassioned talk about something she considers to be the best part of the experience: “When people who aren’t game developers think about game development they think of things like ‘oh well you just get to play video games all day and have fun’ but it’s not! Except for the 2% that is, and it’s near the end of development. When all the pieces fall into place and you start actually ‘making the game.’ Game development, especially solo, you’re so zoomed in on specific parts. Because you’re not making a game you’re programming software that’s what making a game is. You spend months working on different systems and then you actually sit down and make a level, and you hit play and it you go ‘Oh my god, I just made a game’. That part is what sustains me. It’s magical. That’s the best part when it comes to true appreciation of the craft aside from the reception.” An answer that I don’t think I could’ve put better if I tried. 

My last question is one that I consider to be the question when it comes to interviewing anyone who works on video games. Perhaps a bit basic, but heartfelt nonetheless: “Anything to say to anyone aspiring to be a game developer?”

Lilith’s answer: “Yes. Just do it. For real. This is what I did and it always felt wrong until I looked at more established devs echoing the sentiment. You cannot plan a game before you’ve started making one. The example I always bring up is the team behind Deus Ex wrote a 500 page design document for the game and almost immediately threw it out when they started development. Just start! You’re going to have unanswered questions and I think that trips people up. Don’t start with your magnum opus idea, start with something simple and achievable. I feel like a lot of people set out with the goal of making a triple-A game, and that’s good! But it can’t be your first game. Game development is creating art, just like any other form of art, and it’s like saying ‘my first drawing is going to be the Mona Lisa’ and it just doesn’t work like that. You need practice and development, and it’s difficult to see that because games take so long and so much, so it’s definitely seen as a bigger undertaking. But it’s still art. You’re still making mistakes and learning from them for your first project. Your next game will be better. View your career as a game developer as a series of games you want to make, and not just one big game.” A perfect response to an otherwise unassuming question. 

Lilith’s passion and love for video games were reflected very clearly in every response she gave during my time with her. Her dedication and appreciation for the art form can be seen in every pixel of Bloodborne PSX, as well as the development logs and test builds of Bloodborne Kart. I really do think that the way she answered my final question speaks volumes to the type of attitude someone should take up when endeavoring to make art as intensive as a video game. Whether it’s fanwork of a game that’s important to you or an entirely new concept, do it. 

(developer of Bloodborne PSX Lilith Walther, image provided by Lilith Walther via Twitter)

Closing:

If you’d like to check out the positively phenomenal experience that is Bloodborne PSX  I’ve included a link to the official itch.io page below the article, as well as a link to the official LWMedia Youtube page where you can check out Lilith’s dev logs, test videos, and animations about her work and other art. Thank you so much for reading, and another very special thank you to Lilith for setting aside some of her time to talk to me about this article. Now get out there and cleanse those foul streets!

Links:

Bloodborne PSX official itch.io page: https://b0tster.itch.io/bbpsx

LWMedia Official Youtube page: https://www.youtube.com/@b0tster

Lilith Walther Twitter page: https://twitter.com/b0tster