#old irish money

[oldcurrencyexchange]

Irish Coin Daily: Confederate Catholic Sixpence - Counter-marked on a Silver Sixpence of James I

Date: 1642-43 Kilkenny (countermarked once) Sixpence on a Sixpence of James I (Second Coinage, 3rd bust, mm Rose) Description: Kilkenny Rebel Money Sixpence; issued by the Catholic Confederacy of Kilkenny from 1642-43 and counter-marked on a silver Sixpence of James I (his Second Coinage, 3rd bust, mm Rose 1605-06) for Ireland, in 1558); one counter-mark struck on the monarch’s bust in the form…

[banrionceallach]

Holy shit, someone attacked Roderic O'Gorman while he was canvassing.

For context he's the leader of the Irish Green Party, one of the parties in the current government coalition.

[orangerosebush]

not to invade ur inbox with af headcanons but I love the idea that minerva and artemis did date for a while and artemis was really oblivious that he was bisexual until minerva was like "you are bi. you like men. also I like women."

I have no doubt in my mind that Minerva and Artemis had a short-lived teenage fling — that results in them primarily communicating with the other through a neutral third party that is willing to put up with the eerily similar neuroses they have (Butler).

[alwaysahiccupandastrid]

Me: God I fucking hate the UK, it’s a racist, xenophobic shit hole and it’s impossible for me to move out of my parents house or have my own place because of how bad the cost of living crisis is, I would so much rather we just move to fucking Ireland like my grandparents did

My family: *actually start talking about possibly moving us to Ireland*

Me:

[jacks-weird-world]

The then 14-year-old Jack reunited on an excursion with other children from the Kennedy family and Ted Kennedy. (2010).

[boldlyygo]

"it's only 5 gigs, it won't be that bad" I thought. and I was right! sort of.

[sentienttoast]

I am going to murder the ceo of one4all vouchers

[rootbeerfloats]

Im on the raven king finally in my trc reread and it makes me sad how henry was just like... Squeezed into the narrative 😭 like its REALLY obvious maggie stiefvater wrote him in last minute because of complaints abt how white the main cast is

[overthegardenwirtt]

funniest things in interview with the vampire:

the fact that we got reverse-queerbaited and there was levitating gay vampire sex in episode 1 and then never again :(

"he ain't white he french!"

lestat showing up to louis' family dinner in the gayest outfit he could wear in 1910, pretending to eat, and hypnotizing paul when he really was trying to make a good impression

florence du lac clocking louis as gay because of his acrylic nails and tinted glasses

"what's wrong with that man?" @ lestat

louis with the "no whites allowed" sign despite lestat being inside the building

"i'm not sure how i feel about that pleated skirt" "it's chiffon it has movement"

grace calling lestat louis' white daddy

louis, lestat, and claudia treating nosferatu like a comedy

louis telling the police they should be ashamed of how they treated "law-abiding, taxpaying citizens" and forgetting that it's illegal to be gay

"we sell...incinerators. to various american cities." "we bring our clients here to demonstrate the product"

louis throwing lestat's coffin out the window

tom anderson not seeing louis and lestat for 17 years but for some reason he has a picture with them in his desk drawer

the fact that rashid was not just a character armand made up but a real employee of theres who was mysteriously absent for a week while seemingly consensually being played by his boss

armand and louis walking up to daniel holding hands like two people who have never held hands before in their life

armand had a threesome with a father and son while watching now, voyager, something louis didn't even know about

armand telling daniel his own armandstat fanfiction, stopping at the scene where they fucked in the theatre box, and daniel wanting more

"are you schizophrenic louis?" "...no"

the insinuation that the real irish playwright samuel barclay beckett was a vampire. not only that, but that his most well-known work, "waiting for godot," was originally written for the theatre des vampires. not only that, but that he is now an unspecified DJ

french man yelling at louis and armand that they should blow each other when they're kissing in the public park

daniel molloy being so unbelievably gay in the 1970s and being immediately into fucking louis in the coffin

daniel molloy having his body comandeered by armand and still offering to suck his dick

daniel molloy trying to escape from armand and immediately running into the wall

armand walking back into the dubai penthouse being the silliest he's ever been, nourished, happy only to find out that his husband and weird gay boy situationship have unionized

armand gaslighting his way out of the situation he gaslit himself into by telling louis he asked him to erase his memories

armand animating the raccoon into the projections during the trial

santiago small dick reveal

lestat still wearing a 150 year old leyendecker robe and playing a wooden piano, but somehow having the money for an ipad, speakers, and wifi

"siri pause"

[roseverdict]

it is 4 AM which means it's Desperately Claw At Hobbies In An Attempt To Make Some Form Of Money To Set Aside So I Can Go Be An Adult Instead Of The Parentals' Puppet time!

[oldcurrencyexchange]

Irish Coin Daily: Confederate Catholic Shilling - Counter-marked on a base Shilling of Elizabeth I

Date: 1642-43 Kilkenny (Rebel) Money (counter-marked twice) to denote a Shilling on a base Shilling of Elizabeth I Description: Kilkenny Rebel Money Shilling; issued by the Catholic Confederacy of Kilkenny from 1642-43 and counter-marked on a base Shilling of Elizabeth I (her first issue of base coinage for Ireland, in 1558); the counter-mark is struck on either side of the monarch’s bust in the…

[froody]

Imagine you hired an obscenely drunk Union soldier in a saloon to kill your husband. He manages to accomplish the deed by removing the bullets from your husband’s gun through a sleight of hand trick before challenging him to a duel. This is somewhat impressive but what is more impressive is his strong work ethic, ingenuity, Irish accent, subtle chivalry and big brown eyes. You marry him and move onto the 15 acres of semi-arid land on the edge of the Chihuahuan Desert he stubbornly wants to farm. He wants to name your firstborn daughter after his cavalry horse in the Civil War and your firstborn son after his commanding officer. He calls you widow woman as a term of endearment. He’s a good shot, he’s a good cattleman, a great husband and a subpar father. But what else can you ask from a man who lost his entire family in the Famine and came to this country alone at the age of 14?

Imagine you are a former Union soldier. You are 22 years old. You were only 19 when you enlisted, an Irish immigrant who worked in a livery stable in Cleveland until the outbreak of the war. You fought valiantly. You survived. In lieu of wages, you accepted a parcel of land in New Mexico territory. You’ve never had anything that was truly your own. Except for, perhaps, your horse. You arrive in New Mexico for the first time in your uniform, your horse goes lame the second you step onto your parcel, it’s so dry and rocky and red and you do not think it’s arable. You have to put down your horse. She dies with her head in your lap and you cry so hard you think you’ll die with her. When you’re done giving her a wake, knowing you have no ability to bury her, you begin walking in the direction of Las Cruces. Maybe you can sell this cursed land. Maybe you can get a job. First, a toast to Lula, the mare, the closest thing to family you have had in this country.

You’re seeing double by the time a little woman with an appraising expression approaches you. She is the most beautiful thing you’ve ever seen, perhaps even better in double. A little older than you. Long, dark wavy hair that cascades over her shoulders, a perfect round face, a warm brown complexion and the most troubled eyes you have ever seen on a woman. What is most miraculous is that she wants to talk to you. You, drunk, sunburnt, covered in dust, the blood of your horse soaked into your pant leg. She motions to your pistol. She says she will pay you to do a job, pay you handsomely, enough to buy another horse. She says her husband is rich, he enticed her away from her family when she was very young, he holds her captive in his hacienda, he hurts her. He must be killed so that she can return to her sisters and live without fear. You will do it, you must do it. You do not care how much of the story is factual. You do not care if she intends to have the sheriff string you up after the deed is done. You do not care if she cannot pay the money she promised. You would do anything to remove the sorrow from her eyes. You kill her husband and sleep fine afterwards.

You do not buy that horse. You stay in the hacienda while she is out selling the bits and pieces of her husband’s life. You meet her sisters when they come, you help her pack away the pieces of her life so that she may start anew. You tell her of your own plans to start anew, of the patch of rocky soil that is your own. She tells you she grew up on land like that, tells you that it has always been her dream to work it. When her sisters leave for the mountains, she leaves with you.

[an-spideog]

Don't Use Duolingo if You Really Want to Learn Irish

That title is a bit dramatic, but I really don't think that duolingo is a useful tool for Irish, especially in its current state, so I want to talk a bit about why, and I'll also talk about some alternatives.

Pronunciation

The first and most egregious issue is that at some point recently-ish, duo decided to start using Text-To-Speech for their Irish course, rather than recordings of a native speaker. The problem here is that their TTS is not trained on native speakers of Irish and pronounces words incorrectly. It doesn't make consistent distinctions between broad and slender consonants for example.

Irish has no standard pronunciation, so I understand how it can feel weird to choose just one dialect for the purposes of pronunciation (the old recordings were from a speaker of Galway Irish), but having just one dialect is much better than TTS which sounds like a learner, imagine if they had TTS for the French course which sounded like an anglophone schoolkid trying to pronounce french, and claimed they were teaching you how to speak french!

Grammar

Duo tends to be correct on grammar at least, which is a start. But often people using it get very confused about the grammar because duo doesn't explain any of it. I think there's a place for immersion in language learning, and I don't think everything has to be explained like that, but within duo's system of sentence testing and exercises like that, not having any explanation for why it's "mo chóta" and not "mo cóta" can be really confusing. Duo used to have more grammar information, it's a shame that they removed it, I wonder why they did it.

Money and Motivation

Duolingo is a business, and their motivation is not to help you learn a language 'fully', but to keep you using their app and hopefully have a higher chance of sharing it with others, competing with others, buying or causing others to buy memberships or lingots or any other in-app purchases.

I don't want to make it out like duo is some big conspiracy and they're tricking people, I don't think that's the case, but it's good to remember that their primary motivation is to keep people using the app, rather than help people move to a level in a language where they don't need the app anymore.

Keep this in mind whenever you see people trying to sell you stuff for language learning.

Why do people use Duolingo

I do get it, and I don't want to make anyone feel bad for using duo, there's a ton of reasons people tend towards it at first 1. It's really well known, so especially if you're learning a language and haven't heard of other resources for it, you'll check duolingo 2. It's very motivating for a lot of people, checking in every day and forming that habit is a really good way of sticking with a language 3. It's fun, people enjoy it

If you use it for reason 3. and you still like it, then don't worry about this post, I'm not trying to yuck anyone's yums, keep having fun!

If you use it for reasons 1. or 2. you can still keep using it if you like, but I want to suggest some other things which you might find helpful in trying to get to a higher level in Irish.

Other Resources

To address the pronunciation issue, I'd heavily recommend you disregard the pronunciation in duolingo, if you're looking for more reliable sources of pronunciation, I'd look towards recordings of native speakers, you can find that on:

Teanglann and Foclóir (they use the same recordings)

Fuaimeanna

and a really useful and underused one: https://davissandefur.github.io/minimal-pairs/ where you can hear the difference between similar sounds that English speakers often mix up in Irish.

A lot of people like duolingo because it's nice to have a clear path forward, a progression that you can get into without too much decision-making. For this I recommend getting a good textbook or course and working through it, the ones I'll recommend also have native speaker audio on them.

Learning Irish by Mícheál Ó Siadhail, this book teaches Galway Irish, not just in pronunciation but in grammar too. It's quite dense but it's well thought out and well explained.

Teach Yourself Irish (1961) this book is available for free online, and is a really good option if you're interested in Cork Irish (Munster), and have some experience with grammatical terminology. I used this book myself and really liked it, but it's very intense and not for everyone. (If you do end up using it, feel free to skip the appendices at the start, they're more of a reference and sometimes put people off from actually getting to the first chapter. Also if you have any questions about it or need any help just let me know.)

If you want a video course, there's a great course called "Now You're Talking" which is available for free online, along with audio files and worksheets here. It features Donegal Irish and leads into the more intermediate level course called Céim ar Aghaidh also available online.

There's other textbooks that I have less experience with (Buntús na Gaeilge, Gaeilge/Gramadach Gan Stró, etc.) but if they work for you, stick with them, there's nothing worse than not making progress because you keep switching resources trying to find the "perfect one"

Whether or not you continue to use Duolingo, I would really really encourage you to try engaging with media in Irish. People often shy away from this when they're learning because they don't feel like they're "ready" yet. But you basically never feel like you're ready, you just have to try and find something near your level and try to get comfortable with not understanding everything. This is where you learn a huge portion of the language, you hear how things are pronounced you see what words mean in what contexts, getting input in your target language is so important!

I know content can be kind of hard to find, so I'll make a few recommendations here: There's a wealth of content available for free online (more if you're in ireland but some internationally) on TG4 If you're still starting out, I'd recommend trying to watch some kids shows since they'll have simpler language and will be easier to follow. I wouldn't recommend using English subtitles when you watch them. Some good options include:

Dónall Dána: an Irish dub of Horrid Henry, silly and childish but the actors have good Irish and importantly the show has Irish language subtitles, they don't always match but if you're still beginning and can't necessarily get everything by ear, they're really useful. (Mostly Galway Irish)

Curious George: another dub, again with Irish language subtitles (I can't remember what dialects were in it off the top of my head but I'd assume mostly galway again)

Seó Luna: No subtitles, but a good option if you're aiming for Munster Irish, the lead character has Kerry Irish

Miraculous: No subtitles but a better show than most of the other kids' ones and more bearable to watch as an adult (Mostly Galway Irish)

Ros na Rún: Moving away from kids shows, a long running soap opera, this has Irish subtitles and a really good mix of dialects within the show. If you're finding the kids shows boring or too easy I'd really recommend it, but it can be complex because of the amount of characters, dialects, and plotlines. I'd recommend starting at the beginning of a newer season and just trying to catch on to what's happening as you go.

There are a lot of books, if you live in Ireland you can get nearly any Irish book for free from a library, so please check out your local library or request some of these from other libraries in the system:

There's a series of fairytales (Rápúnzell, Luaithríona etc.) by Máiréad Ní Ghráda which are illustrated and for children, which are a really good option for when you're just starting out reading

There's kids books about Fionn and the Fianna by Tadhg Mac Dhonnagáin

There's a cute little kids' book in Kerry Irish about a cat named Mábúis

Leabhar Breac has a lot of graphic novels, some of them based on Irish mythology, some on other stuff. The fact that they're illustrated can make it a lot easier to follow even if you don't understand all the words at first.

Gliadar has just released their Scott Pilgrim translation

If you're looking for something a bit more advanced you can look at some of the books for adult learners by Comhar, they contain simplified language and glossaries but have full original adult stories.

And if you're wanting full, natural, native-level Irish there's a load of books by those same groups, and others like An Gúm, Cló Iar-Chonnacht, Oidhreacht Chorca Dhuibhne, Éabhlóid, Coiscéim, and more.

And don't shy away from older books written in Seanchló either, they can be more challenging but it's a whole extra world of books

If you're trying to improve your listening comprehension, I definitely recommend listening to shows on Raidió na Gaeltachta, hearing native Irish speakers talk at full speed is really good practice. But I get that it can be overwhelming at first. Here are some things you can do as you build up to that:

Watching those same TV shows I mentioned without subtitles is a good way to build up listening skills.

Vifax is a website where you can practice listening to short news segments and answer questions on them, then getting to look at the transcript with notes afterwards.

Snas is kind of the evolution of vifax, now using clips from both the news and Ros na Rún.

I really hope that this post can help people move away from duolingo if they're looking to take their Irish learning to the next level, if you've got any questions, just let me know!

[maidservant-hecubus]

My father is an Ashkenazi Jew. His parents were first generation Americans. Their parents escaped the pogroms in Russia and Ukraine and came to find their American dream. They fought in wars and opened businesses and assimilated and my generation barely has a few words of Yiddish between us. My mother is as much of a WASP as it gets. American Revolutionaries and Signers and some household name civil war feature players. Not old money, but old America and undoubtedly white. I'm patrilineal. Not a Jew to a lot of Jews. Not a Jew to a lot of my Jewish family. Even though i was raised Jewish. Even though I look like my father. Even though i got enough of something in my DNA to get asked "What are you?" more often than not. More often than I'm just accepted at face value as "white". When i was little we lived in an Irish Catholic neighborhood. Like the 5-10 kids in every family sort of Irish catholic neighborhood. The kids calling me a christ killer and refusing to play with me because they heard it from their parents sort of irish catholic neighborhood. For some reason my parents tried to send me to the catholic school down the street. I lasted less than a week because i didn't understand their rituals and their language and they found out my father was a Jew and they couldn't have a christ killer in their midst. I was just sad i didn't get to wear the cute plaid skirt anymore. So i went to the public school and my well meaning shiksa mother who never converted but learned the Chanukah prayers and helped cook Seder dinners came to the school to teach the class about Chanukah. She taught them songs and all the kids got dreidels and had so much fun spinning the top for chocolate coins. It was nice to feel normal. A few weeks later a boy in a higher grade attacked me on the way to the bus and smashed my art project (we had made pig noses from solo cups to celebrate reading charlotte's web) into my face and called me a filthy jew. I didn't understand, i was more upset to lose the project i was so proud of. Other things happened. Things I wont talk about because putting them in context would doxx me. But a million reminders that i wasn't one of them. I wasn't welcome because i was Jewish. My parents divorced. My mother left. Far away so I'd only see her a handful of times growing up. And I went to live with my Dad in a city that seemed like it was overflowing with Jews. Everyone knew my holidays! In public school the teachers looked like my family and had familiar sounding names. We had the high holy days off just like christmas or easter. We sang Chanukah songs in the winter recital and nobody's mom had to come teach them to the class. Finally I belonged! My friends and cousins started planning for their b mitzvah celebrations and i asked for my own. I asked to go to hebrew school so i could be more like the people i belonged with and celebrate the things i loved about myself and them. "But you're not jewish." My father would say. This was news to me. The christ killer. The filthy jew. But a 10 year old has little power over their lives. So i didn't go. I didn't have a bat mitzva while my cousins had theirs. It was okay because i still belonged more than i ever had. But i was still jewish enough to keep the holidays and pray and fast and get sent with a box of matzo to my WASP grandmothers for easter, and have matzo packed in my lunch to eat in AP algebra in 7th grade and get asked if I'm a "Yid" by the teacher. And still to this day not know if it was endearment or insult but by then I knew even in this magical city being a Jew wasn't always safe. in highschool I tried to take hebrew lessons with a friend in a similar situation as me. She was also hungry to reconnect. I don't remember why the classes or the friendship fell through, but they did. My next "friend", a goy raised catholic from another neighborhood, liked to accuse me of being money driven when i picked up a penny on the sidewalk or tried to ask who was going to pay for the zine's she wanted to publish.

 "What are you?" I'd get asked a lot on the street by curious strangers, "Where are you from?" "Are you Italian?" Always Italian. I never really understood that, but its become code in my head for "You look like you're white but something about you is very not white and I just can't place it, so Italian seems safe and polite." I'm not here to unpack the Italian part of all that. I don't even know what I'm unpacking for myself by writing this except I've been sick for days and I'm so tired and this is all that my foggy brain can wrap itself around. Later I'm an adult and on my own and getting bloodwork done. The Nurse is a black woman and so sweet to me. She can tell I'm nervous about the needles because I've already stumbled through my apologies for my herd to find veins. So she distracts me with small talk. Where do i live? I tell her. She looks worried for me. Tells me that it used to be a nice neighborhood before white people took it over and she warns me like she's my own mother to be careful because they aren't safe. I doublecheck the skin she's putting a needle into. Whatever she sees isn't white. I love her for it. For a moment I belong there with her. She doesn't ask what I am or where i'm from, but she knows what i'm not. I'm the only one keeping the holidays with my family. We celebrate Passover because I go home to my fathers and cook the dinner and print out the Haggadah and lead the Seder to the tune of my drunk catholic stepmother eating my food and telling me i'll never be a jew. She's more of a jew than I'll ever be because she grew up in a jewish neighborhood and her friends were all jews and she married a jew and i was just playing pretend. I stopped going home for holidays and they stopped observing anything except Christmas. I marry a goy. "Is he a jew?" is the first thing my father asks and he's disappointed when i say no. He's abusive, i run. I end up living in the attic of this older old money WASP couple who need a live in house sitter. They're pillars of their church and they know someone from the WASP side of my family very well and its a funny coincidence and they think i belong there. I know from their divest from Israel bumper stickers that i don't. Then they find out I consider myself Jewish and i see the light in their eyes die and its replaced by something hard and disappointed. Now, while writing this, i can laugh about being the jew in someone's attic. But then, it was only a few months after that they started coming up with excuses for why I needed to move out. I did, their excuses never manifested into reality. I got married again. A jew this time! a Jewish medical professional liek grandma always wanted. She's a convert and her ex was a rabbinical student. I think maybe i'm home finally. She has to understand. I'm not Jewish enough for her. We don't keep holidays at home because i'm not a jew. I cry every year when pesach comes and goes and i haven't recited the plagues or eaten matzo piled high with horseradish. She insists on putting up a christmas tree. She turns abusive. I run.

I'm alone now and no longer in that magic jewish city. I'm far away and surrounded by mega churches and cows and the bagels suck and people quote the bible at me like some call and response that i don't have the cheat code for and I don't belong here at all but i'm finally finally free to light my menorah and recite the plagues and study torah with the group i found here on tumblr who love and accept me even though i'm patrilineal. Oct. 7th happened a few weeks after I moved here. I worry about my family back home and i think no one will look for Jews here among the cows and mega churches, so I can be a safe place for them to run if things get bad again. But i still don't fit in here. I don't look right. The last name I have now is common here and too white for whatever people see when they look in my face. I get interrogated about it a lot. But i learned quickly how to smile and say "have a blessed day". I hide my menorah when maintenance comes to work on my apartment. I flew home last month. Just for a visit. I've never been away from home this far or this long. And I'm the type that covers nerves and anxiety with chattiness, so at the airport i made a for-now-friend while we both waited for the plane to board. She's Puerto Rican. We talk about our lives. Our families. Her twin sister and i go by the same nickname and so we're family now. We talk about food. So much food and how much we love cooking and how important food was at home. "Are you Italian?" she asks as we're stepping through the hatch into the plane. Why always Italian? I wonder for the millionth time in my life. And I freeze up for a moment between fighting my carry-on over the gap and terror that I'm about to see the light go out behind her eyes and i'll lose this for-now friend. "No," i laugh but its not a real laugh and i see the concern in her face as we squeeze through the aisle because she can hear the apprehension in my voice, "I'm Jewish." And something strange happened because her face lit up and she smiled and said "No way?! You guys have GREAT food!"

[queenshelby]

AMERICAN GIRL (PART ONE)

Pairing: Tommy Shelby x Grace's Stepdaughter!Reader

Warning: Grace is a bully, infidelity, taboo

On a brisk autumn day, you and your younger sibling Emma sailed into Liverpool harbor. You each carried a large, old-fashioned cart filled with towering brown suitcases, with a satchel casually slung over your shoulders.

The journey had left Emma exhausted, clinging to you as she marvelled at the unfamiliar sights of the port with wide eyes.

"I'm afraid," she confided in you, her words barely audible as they grazed your ear.

"I understand Em, but we have each other, and I will always look after you," you comforted her, putting on a smile. You promised to always take care of Emma, and true to your word, you have been her guardian angel since the day she arrived in this world.

Shortly after Emma was born, your mother sadly passed away due to unexpected complications during the pregnancy at her age.

It was a shock to everyone and left you to step into the roles of both mother and sister to Emma at the young age of 12.

Even in your youth, you held onto the hope that your father would one day find love again. Little did you expect that it would come in the form of Grace Burgess who was a young Irish woman with no money to her name after fleeing England in a haste. Grace had cleverly leveraged his wealth and power to her benefit despite their significant age difference.

Your father fell head over heels for her the moment he laid eyes on her at the corner grocery store in New York, just after your 13th birthday.

Their romance blossomed quickly, leading to marriage in less than a year.

At the tender age of seventeen, your father's love for her tragically transformed into heartbreak as she started a romantic relationship with a man from England - the very same man you were about to start living with.

Thomas Shelby was a name that sent shivers down the spine of those who knew of him - an enigmatic and formidable figure who held significant sway in the depths of England.

In the streets of Birmingham, he controlled his own illicit kingdom, bending the rules to his liking. And yet, your stepmother Grace couldn't help but be drawn to him, just as she had been to your father all those years ago when they first crossed paths.

Just before ending his life due to a broken heart, your wealthy father decided to cut ties with his second wife, leaving all his possessions to you and your sister for your 21st birthdays. This decision left Grace boiling with rage.

Soon after, she vanished to be with her lover in England and the two of you were forced to reside with a cruel family member instead as you had not yet turned 21, being the age of adulthood in America.

Within less than a year of living with this man however, you brought about his demise with a single bullet to the head, all because he dared to touch your sister Emma. It was in that moment that your entire world began to shift.

After a series of run-ins with the law leading to stints in juvenile detention, your father's lawyer came to the rescue, securing your freedom at the age of nineteen, albeit with the catch that you had to leave the country for good.

Of course, you gave your consent, but you were taken aback when it was revealed that your grandparents had struck a deal with Grace, out of all people, to care for you and Emma until you turned 21 and inherited half of your father's wealth.

What also came as a shock was the discovery that for the past two years, your family had been colluding with the Shelby Family, smuggling liquor into the United States without your knowledge and you knew that this must have been Grace's doing.

Grace had always been fascinated by the concept of wealth, much like your grandparents and uncle who shared her passion. Therefore, it didn't come as a shock to you when you recently stumbled upon the name 'Shelby Company Limited' in multiple transaction records within your grandfather's office.

While you understood the reasons behind everything relating to the business deals between your family and the Shelbys, the mystery still lingered as to why Grace decided to take you and Emma in after all the turmoil she had caused. After all, she had found herself entwined with a man of considerable wealth, so she had no need for the money that your family would have been willing to pay her for looking after you and your sister unless, of course, she was worried it wouldn’t last.

After two years had passed, this man still hadn't made her his wife, leaving you to ponder whether she harboured any doubts about his commitment to ever tying the knot.

Your stepmother may have been anxious about her partner abandoning her once the business arrangement in the US came to an end, a deal that she likely orchestrated and this, in itself, made you think that, perhaps, you would now finally have the upper hand.

As any young woman in your situation would, you nurtured a deep-seated anger towards Grace. She was the last person you wanted to rely on, let alone live with.

But you shoved those emotions down as you and Emma disembarked the large ship, weaving through the bustling crowd, ready for what lay ahead.

Just as instructed, outside the dock, you were greeted by a young man named Finn.

Finn, in his early twenties, extended his hand to take your luggage with a friendly smile as you approached.

"I am Finn, and you must be Y/N and Emma, right? Tommy has sent me to pick you up," he told you and Emma clung to you tightly, before peering at Finn suspiciously.

"Nice to meet you, Finn," you replied, offering a warm, polite smile.

Once your luggage was stored securely in the back of the Bentley, the three of you set off on the two-hour journey from Liverpool to Birmingham.

Emma's head rested on your shoulder as she slowly drifted off to sleep, her energy depleted from the journey, while Finn was attempting to make small talk with you while, occasionally, looking back through the rear-view mirror.

It was obvious to you that he had already taken a liking in you, but his youthful charm and charisma was not enough to sway you, not after everything that had happened in the past.

You acknowledged his attempts with brief responses, unable to fully engage in the conversation until he brought up the fact that you had killed a man.

"So, my brother mentioned that you had to leave New York because you killed someone. Is it true?" Finn questioned earnestly and without any filter whatsoever.

Your heart raced as you contemplated the best way to respond to his question.

"Yes, it's true," you finally admitted bluntly, looking straight ahead, not wanting to engage in a detailed conversation about it.

Finn, seemingly surprised by your response, paused before shifting the Bentley into a higher gear.

"Did you shoot him?" he asked, curiosity piqued.

You nodded, your jaw set.

Finn didn't press for more details, for which you were grateful. But you could sense his intrigue as he glanced at you through the rearview mirror.

Emma stirred in her sleep, mumbling softly, drawing your attention back to her peaceful face. You smoothed her unruly hair back, your heart swelling with protectiveness.

You would do anything to keep her safe. After all, you had already lost so much in your life already, so you could not lose her as well. 

***

Eventually, the streets of Birmingham came into view, appearing as a striking contrast to the glamour and elegance of your hometown. 

"Wow, this is different," you murmured to yourself, your gaze locked on the sprawling slums that lay outside the car window. There were workers fighting each other and whores selling themselves on the cobblestone streets, while children ran in all directions, many of them ragged and filthy.

"Don't worry. I am taking you somewhere nice," Finn assured you, seeing the look on your face and you could only hope that he was right, because if this was what Birmingham looked like everywhere, you wondered how you could possibly survive here for the next two years.

Despite Finn's enthusiasm, something about the place left you feeling uneasy, like a predator lurked in the shadows and you could see the appeal for criminals to operate here.

Before long, the Bentley turned into the private road of a luxurious home outside of Birmingham  .

The driveway was long, shielded by trees, and it wasn't until the last bend that you caught a glimpse of the mansion at the end.

The house was stunning, with intricately carved mahogany furnishings, rich velvet curtains framing large bay windows, and marble floors polished to a high sheen.

The structure exuded opulence while maintaining a cozy air with its plush décor.

Upon arrival, Finn hopped out of the driver's seat and opened the back door for you and Emma.

You carefully stepped out onto the cobblestone driveway, feeling the weight of this new world pressing down upon you. Emma rubbed her eyes and slowly emerged from her drowsy state, taking in the splendor of the ornate mansion with fascination and open admiration.

Finn led you through the imposing oak door, which creaked slightly as he pulled it open. As soon as you entered, you were met with a grand foyer adorned with chandeliers that cast an amber glow upon the walls.

"You made it," Grace 's stern voice eventually echoed off the marble tiles, causing you to turn around.

She stood there in a long-sleeved maroon blouse and black pencil skirt, her piercing blue eyes sizing you up like some sort of puzzle she couldn't wait to solve.

Emma, seemingly intimidated by her appearance, slowly retreated behind you as Grace approached with determination.

"You look well, given the circumstances," she then said to you, her voice laced with a noticeable hint of sarcasm, causing you to roll your eyes.

"I was hoping not to see you again, but here we are," you murmured under your breath, drawing Grace's ire as she narrowed her bright blue eyes infinitesimally.

"You should be grateful that I took you in," she snarled sharply, causing you to chuckle.

"How much are my grandparents paying you to have us?" you said, unflinching, watching Grace's face for a reaction.

Grace's expression barely changed, merely raising an eyebrow as if amused before replying scathingly, "Nothing. At least not until you make it to 21, so you better behave," she warned.

You took a deep breath, realizing that this was not the time to engage in a war of words with your stepmother. You turned to Emma and noticed that she was trembling slightly and you could see the worry etched into her delicate features. You slipped your arm around her shoulders, pulling her close and offering what you hoped was a reassuring smile.

"Let's get you settled in," you said softly to Emma, who managed a weak nod in response as Grace turned and led the way down the grand hallway.

"The maids will show you to your rooms. You will be staying in the staffing quarters,"  Grace snapped as she pivoted and strode through an arched doorway, leaving you and Emma with two young women wearing crisp white aprons who appeared in your line of vision.

You watched silently as Grace disappeared before you turned to Emma, smiling despite the tension thickening in the air, and whispered gently, "She can't hurt us, Em. She needs us. So just ignore her." 

Emma nodded slowly, but it was clear that she wasn't entirely convinced.

You couldn't blame her - the past few years had been nothing but a series of harsh lessons for both of you, leaving you both vulnerable and wary. But deep down, you knew that things would be different here. This was a new beginning for the two of you, away from the cold-hearted family members who had mistreated you, and into the care of someone who, while intimidating and unpredictable, was bound to follow your father's final wishes for financial reasons.

You were determined to make the best of this opportunity, no matter how difficult that might be considering your complicated history with Grace and, with that in mind, you unpacked your suitcases and settled in.

The rooms were modest but comfortable, with the staff quarters being clean and well looked after, much to your surprise.

Soon enough, your first day in Birmingham was drawing to a close and after you put Emma to bed, you decided to have a warm bath before venturing out to explore this somewhat opulent mansion. 

You put on the satin robe which once belonged to your mother and strolled towards the grand staircase with bare feet, looking at all of the incredible paintings that lined the walls, showcasing various landscapes and portraits of people whose names you did not yet know.

As you reached the second floor, you came across a door which seemed slightly ajar and upon pushing it open, you discovered a library.

Your eyes widened at the sight of thousands of books neatly arranged on wooden bookshelves that stretched from floor to ceiling before, in the room next to it, finding a large piano.

You walked over to the piano and gently touched its surface, marveling at the intricate carvings before looking back at the books surrounding you.

The library was quiet, save for the occasional creak of the old wooden floorboards settling. You moved further into the room, running your fingers along the spines of various titles.

There were novels from authors you recognized like Charles Dickens, Jane Austen and the Bronte sisters but there was also an array of non-fiction texts ranging from science, philosophy to mathematics and history.

There was also a section dedicated to poetry where you spotted a few works by Lord Byron, Samuel Taylor Coleridge and William Wordsworth which intrigued you.

Despite the vast quantities of books in this room, the smell of old leather-bound volumes filled the air as if it was just yesterday when they were placed on these mahogany shelves.

Just as you were about to pick up a book of poetry, the door creaked open, and you heard a dark voice behind you.

"It's quite sad, really," the man said, his tone heavy with contempt. "The book, I mean," he clarified as you turned around, meeting the stranger's gaze.

"I am Thomas Shelby and you must be Y/N,"  he introduced himself, approaching you with a confident stride.

Your eyes widened as you took in the sight of the man who stood before you. He was handsome, there was no denying that, but it wasn't just his chiseled features or his magnetic blue eyes that caught your attention. No, it was the air of danger that surrounded him, like a cloud that warned others not to get too close.

You composed yourself, extending your hand towards him. "Yes, I am Y/N. It's a pleasure to meet you, Mr Shelby," you greeted him with a polite smile, determined to maintain your composure.

"Please, call me Tommy, eh,"  Thomas replied, his cockney accent more pronounced than you'd expected.

He took your offered hand, giving it a firm shake before letting go and stepping back to study you with his intense gaze which lingered a little longer on your bare legs than it probably should.

"Thank you for letting me and my sister stay here, with you," you said almost professionally , breaking the silence. You had to admit, Thomas was an intimidating man but you held your ground without flinching under his scrutiny.

"Well, it wasn't my choice," he chuckled. "Grace practically begged me and I find it rather difficult to say no to her these days,"  he admitted, his tone softening.

You couldn't help but raise an eyebrow at his candidness. "Well, my stepmother can be persuasive, I give her that," you told him while putting the book back into the shelf. 

"You could say that," he replied, offering little insight into their relationship. "Do you drink?" Thomas asked in a manner so casual that the question caught you off guard, but your curiosity was sparked, and you wanted to know more about him. Despite his intimidating presence, he struck you as an intriguing puzzle you couldn't wait to solve.

"I wouldn't say no," you responded with a slight tilt of your head, smiling coyly.

Thomas chuckled at your response before turning around to pour two glasses of whiskey from a crystal decanter on the leather-topped table nearby. With an elegant grace, he handed one to you.

You took it with a slight nod, allowing your fingers to graze his before taking hold of the glass. The warmth spread from your fingertips and up your arm, causing a pleasant shiver to run down your spine.

"There you go, now you can keep me some company," Tommy said with a sly grin as he took a sip of his whiskey and sat down.

"Why don't you get Grace to keep you company?" you asked as you followed suit, feeling the alcohol burn your throat and spread through your body, warming you from the inside out. 

"Because, by now, I would assume that she is sound asleep," Thomas replied, chuckling wryly.

"Well, it is midnight already, which brings me to the question of why you are still up," you asked, raising an eyebrow at him.

"Because I can't fucking sleep, Love," he replied in a tone of voice that made your heart race, "there is always business on my mind, day and night." 

You stared at him for a moment, contemplating whether or not to ask more about his life. After all, you had heard stories about Thomas Shelby and his criminal empire. 

"Well, the booze doesn't export itself to New York now, does it?"  you replied, a small smirk playing on your lips.

Thomas chuckled at your response, finding amusement in your wit. He appreciated a challenge - it was something he hadn't encountered in a while. Grace had always been so timid around him, obedient almost. But you, on the other hand, didn't cower in the face of his daunting presence.

"So you know what I do, eh?" Thomas agreed, swirling the whiskey in his glass. "Did Grace tell you?" Thomas questioned, a slight glint in his eyes as he studied you intently. His gaze was unwavering, and you couldn't help but feel a sense of discomfort at his scrutiny. However, you refused to let him intimidate you, meeting his gaze head-on.

"Oh god no. My stepmother would not discuss matters like this, not with me anyway. She very much dislikes me," you told Tommy as he lid himself a cigarette, his gaze never wavering. "But I know more about my family's business interests than one might think," you admitted, reluctant to speak ill of Grace.

Tommy's lips quirked upwards before he exhaled a cloud of smoke. "That doesn't surprise me, Love. A little birdie has told me that you had some run ins with the law recently, which is why you are here now, in fucking Birmingham of all places,"  Thomas said, his tone laced with an underlying hint of mischief.

He leaned back against the leather armchair, his eyes never leaving yours as he took a long drag from his cigarette.

"Well, it's safe to say that I had made some mistakes in the past," you admitted, holding his gaze firmly. "But I had my reasons for doing what I did," you explained, and  Thomas chuckled at your response, finding your confidence endearing. He had always admired a strong-willed woman - and you were undoubtedly that.

"We all have our reasons, Love,"  Tommy agreed, his tone softening.

You took another sip of your whiskey, the fire in your throat becoming increasingly comforting, and you let out a sigh. The truth was that you had always been impulsive, driven by emotion rather than reason.

You took a moment to gather your thoughts before speaking. "I suppose you're right," you admitted, swirling the amber liquid around your glass before raising from your seat.

"It's getting late and I should probably get some sleep," you said before thanking Tommy for the drink.

Your gaze lingered on him for a moment, studying his features as he did the same with you. There was a spark of curiosity between the two of you, but you quickly tried to push your intrusive thoughts away. 

"Good night, Y/N,"  Thomas murmured, his gaze dropping to your lips for a fleeting moment before you turned around and walked towards the door, hiding your body's reaction to his intense gaze.

"Goodnight," you replied softly, taking one last look at the library before stepping out and closing the door behind you.

You couldn't shake off the feeling of uneasiness that clung to you like a second skin. You shook your head slightly as if to clear the thoughts away, telling yourself that you were only imagining things.

But the way he had looked at you, the slight hint of something deeply sensual in his gaze, lingered and left you with a curious sensation.

You made your way to your guest room, undressing slowly before slipping between the smooth sheets. Emma was already fast asleep, her gentle snores barely audible as you switched off the bedside lamp. The room plunged into darkness, leaving only the faintest gleam of moonlight to cut through the curtains and cast thin stripes of silver upon the walls.

You stared up at the ceiling, the alcohol swimming lazily in your veins and causing your thoughts to swirl with unclear notions.

As much as you tried to fight against the growing allure, Thomas Shelby had intrigued you. There was no denying it. He possessed an air of mystery and darkness that called out to that impulsive part of you like a siren's song which was a part of you which you knew you had to suppress. 

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[caffeinated-fan]

It was kind of weird to make the #not all nazis point with a commander, who probably watched and knew all of this was happening.

I brought it up to my mother, and she made some interesting points. That the point being made was less 'Nazis and jews can help each other' and more that Americans (these Americans at least) don't ignore when people need help. The older man (commander) couldn't march well and needed assistance. She also brought up what Shifty said in his interview: "Maybe he likes fishing, and maybe we could've gotten along", and while there is a difference between a drafted German and an Officer in Germany who ran a POW camp, they are both base level humans. Her point was less nazis aren't that bad and more this is what Americans did: Help people who need it.

Uuuuuuuughhhh do I want to say this NO but … I DO find it interesting in a je nais cest quoi way that hanks likes to have a Jewish character stumble upon concentration camps … thats two nickels

Suggesting another character couldn’t be affected by it without having a personal connection

And the Jewish character in the POW March helping up the Nazi commander … was that supposed to be poignant? it just made me feel sick