#okay they have been for several years don't @ me

[nsharks]

bleeding blue | apocalypse au

part thirty-two —other parts

pairing: Simon “Ghost” Riley x fem!reader words: 5.1k tags: death. blood and gore. zombies of course. AFAB reader. single dad ghost. enemies to lovers. SA and implication of child SA (very subtle). summary: After losing your companions, you run into a skull-masked man and his daughter. They are your last hope for survival. a/n: clearly I am bad at estimating how long this story will take lol

The tray of food crashes to the floor at her feet. Salome gasps. Her hand shoots back, fumbling for the doorknob, and her lips part, ready to call the guard you know is just outside.

"If you call for the guard," you stop her, "I’ll cut deeper."

She clamps a hand over her mouth. "Please—stop! Hurting yourselves is a sin, a great dishonor to the body God gave you—"

“It is,” you agree calmly. You press the shard deeper into the cephalic vein, ignoring the bite of pain. Blood spills in a fresh, startling curtain down your arm, the wound mimicking the severity of an arterial cut. “And she’ll blame you for it. You’re the one she entrusted to watch over us, and you didn't notice we broke one of the mugs."

"I did not think you would—"

"What happens to you,” you cut her off, pointing the bloody shard at her stomach, “—and your baby when the two new child-bearers die because of your failure? Because I will die, if I cut any deeper. This artery,” you lie, tapping the wound for emphasis, “is important. If I finish slicing through it, I’ll bleed out in less than a minute. Not enough time for you to get help. Not even enough to try saving me yourself.”

Her lashes flutter rapidly through a swell of tears. "You could have a good life here—"

"Answer me. What happens to you if I die?"

She swallows hard. "She’ll punish me," she whispers frightfully. "I have seen what happens to those who fail her. She might take my child and I will... never see them. Please, don’t do this—”

"Why should we care about you and your child when you are okay with them killing an eleven-year-old girl tomorrow?"

A flash of shame crosses her face. "I'm sorry. I-I didn't know Maman would want the girl. The offering has never been so young before. But it is God's will, there is nothing I can do to—"

"What you can do is open the cell. Open it and we will kill Maman, then you won't have to worry about anyone taking your baby. But if you don't open it, then we die in here and you will face her punishment."

Her lips part, but nothing comes out. She looks between you and Nereida, eyes darting wildly, fingers twitching against her stomach. 

"Decide before I bleed out!"

"I... I can't," she says pitifully.

With a glance at Nereida, she takes her cue, digging into her vein.

"Open the cell," Nereida urges far more soothingly than you can, blood dripping to her elbow. "We won't hurt you. We want Maman gone, not you."

Salome whimpers under her breath, but her fingers move before her mind catches up, reaching inside her robe to retrieve the key, gripping it like it might burn her. She shuffles closer but pauses, inhaling deeply before finally reaching the door. Her hands shake so violently that the key rattles against the lock. It slips against the metal, failing to match the hole, and your finger twitches when she nearly drops it.

"Mais si elles ne parviennent pas à la tuer..." The whisper leaves quietly, lost beneath the veil. "Sa punition pour moi sera pire."

Then, her hand curls back around the key.

She swallows hard—and steps back.

No. 

You see red.

A growl curls at your mouth and you snap forward, grabbing onto her dress through the bars before she can retreat too far, and pulling her flush against them, her forehead banging into the metal. Before she can scream, you clamp a bloody hand over her mouth and then press the piece of broken mug to her neck with just enough pressure to make her panic. She gasps into your palm, struggling. You dig it harder, forcing her body to turn still and rigid.

"Twix—"

"I tried doing things the nicer way," you speak in a low snarl, veering off the script you and Nereida conjured. Round, glossy eyes stare into yours. "You should have made up your mind before getting within my reach. Now give her the key. I’d hate for my hand to slip."

Another sharp press into her skin wrings a squeak from her, her breath coming out jagged and uneven against your palm. Trembling, she extends an arm through the bars, offering the key to Nereida.

The moment Nereida takes it, she fumbles to find the lock from the outside, her fingers searching blindly. The key scrapes against the metal—once, twice—before a soft click finally reaches your ears.

The door swings open.

You don’t hesitate. Keeping your grip firm over Salome’s mouth, you shove through the opening and swing around to the other side. Before she can react, you force her back into the cell, driving her onto the bed. The veil tears free from her head as you pin her down, your weight pressing her into the mattress, the sharp fragment still poised at her throat. When her legs begin to flail helplessly, you order Nereida to grab them. She clasps Salome's ankles to keep her from bucking you off.

"You were afraid of the wrong person," you hiss, your nose nearly brushing hers. "Maman may have spared your life because she values her baby makers—but I don’t. Answer everything I ask, or I’ll show you just how merciless I can be."

The dishonest threat rolls off your tongue with enough force to make her nod frantically, fear widening her eyes. But what she doesn’t need to know—what you won’t let her see—is the part of you still holding back. Because even now, even as you pin her down and press the shard to a vital piece of her throat, you’re careful. You don’t dig hard enough to damage. You don’t let your weight bear down on the swell of her stomach.

"I'm glad we understand each other. I am going to lift my hand, and you're not going to scream. You're going to tell me everything we need to know about the guards out there."

Her lips are puffy and raw when you set them free. 

"There is only one outside the d-door," she sputters in a whisper. "B-but there are more... more by the... h-homes and the keep."

"The keep?"

"Where they keep the new m-males," she chokes out, snot dripping from her nose.

"That's in the old slaughterhouse, right?"

She nods.

"How many guards are over there exactly?"

"I do not know." At your glare, she rushes out, "B-but there are less after d-dinner ends. Many go to sleep, and switch shifts at sunrise."

You mull over the information, eyes darting across her face. “And the child—the offering? Where is Maman keeping her?”

A terrible look of fear ripples through her eyes. "Only few are allowed near the offering b-before her ascension. 

"So you're telling me you don't know?" you seethe in her face.

She sobs. "I know they... they will offer her to the démons right before the sun rises. The night is when God’s wrath is strongest, but it’s in the morning—when hope ascends—that we seek atonement."

Despite further pressing, that seems to be the extent of what she knows—or she's still withholding. Either way, you're satisfied enough. You rip strips of the sheet, using one to gag her and two more to bind her wrists and ankles. You and Nereida wrap your wounded wrists tightly to stop the flow. Then, you remove her white gown. You’ll need something to wear that doesn't easily mark you as an escapee, but there’s only the one white dress and veil. You hurriedly slip into them, making sure all of your hair and face is hidden, leaving Nereida still in the thin slip. The shoes Salome wears are thin and made of unsupported leather, but they are all you have to tuck your bare feet into.

Salome said there will be fewer guards after dinner. You and Nereida listen carefully to every sound that bleeds through the window. When you hear a few exchanges of bonne nuit, you figure people are starting to retire for the night. You take this as your cue to grip your makeshift weapon. The guard outside the door is expecting Salome to leave at some point, giving you the perfect opportunity to catch him off-guard while dressed as her.

You quietly open the door to the warm summer night, the long gown ghosting around your ankles. As expected, a well-built man leans against the side of the building, arms crossed languidly. No one else is in sight, which brings you some relief. When his gaze shifts to you, he raises a brow.

"Tout va bien, mademoiselle? Vous êtes restée là-dedans un moment."

The last word barely makes it out of his mouth. Within a heartbeat, you spring at him like the head of a snake, one hand over his mouth and the other stabbing his neck with the shard, then sweeping it through the thick of his trachea. A gush of blood oozes out in one thick stream, before he gargles out a strangled choke and turns to dead weight against the wall. 

With Nereida's help, you quickly push his body inside the building to keep anyone from spotting it. 

"Wear this," you usher, already starting to undress him. Like the man who visited you, he's wearing a grey cloak. Though it's too big for her, and bloodied, it will be enough to keep her discreet in the dark, her long hair safely tucked beneath the hood.

Two things race through your mind: the ticking time toward sunrise and the fact that you still don’t know how many more men you’ll have to take out to reach Ghost, Price, and Kyle. The knife you find on the guard adds a small weapon to your shitty arsenal. You have no idea where they could’ve stored the guns and ammo they took from you, or your bow. How you'll manage to fight through a community of cultists without those is a worry you can’t afford to dwell on right now—one step at a time.

After a few minutes of collecting yourselves, urgency pulls the two of you outside, free from the barred enclosure for the first time in almost four days. In the blanket of night, you quickly scan the area, taking in what you’re up against. The community appears fairly spread out, with only six small farmhouses like the one you just escaped from, along with a few larger structures in the near distance—likely where they house the men. You catch a glimpse of a fenced pasture’s perimeter and the unmistakable stench of cattle fills the air. Despite the faint shuffle of hooves and grey plumes of smoke from a few of the chimneys, everything is eerily still, leaving an unnerving amount of quiet for your heart to shatter through.

From what you can see, there aren’t many places to hide Blue, but there could be more to this place beyond what’s visible, especially since the chapel you first saw is nowhere in sight. But none of that matters right now; you need to find the others first if you’re going to have any real chance of saving her and getting out of here.

The next male you encounter spots you first as you make your way up the gravel road towards the barn, the sound of his boots making your hand tighten on the knife's handle. He greets you unassumingly in French, causing Nereida to startle beside you as his shadow approaches. Then he stops in front of her, his shoulders tensing and his hand hovering near a knife at his waist.

"Que fais-tu avec la femelle? C’est interdit!"

Again, you go for the throat, desperate to silence any screams that could cause alarm. You get a good swipe at the base of it, but he is at least a head taller than you, making it difficult to stab fully. He grabs you by the waist, clearly in shock that a veiled female just sprung on him with a knife, but swipes a fist at your face nonetheless. The force spreads through your temple, thrusting your head to the side. 

"Take the knife from him," you hiss at Nereida through the pain, who until now was effectively frozen. She finally moves, using the distraction you've caused as he clutches his bleeding neck, and snatches the knife still hanging at his waist. Once she has it, you leap at the disarmed man again, this time stabbing his liver. With a muffled grown, he face-plants into the gravel, quickly soaking it with blood. 

"The body," she stutters worriedly. "We need to hide it."

You look around, spotting stacks of chopped wood.

"Over there. Help me drag him."

Once the body is heaved behind the logs, you pat him down in search for anything else, but there's nothing.

"Keep that on you," you tell her, and she gives a quick nod, hiding the knife under her sleeve.

You keep following the road up to the fence, your white dress splattered with crimson, resembling the dotted stars overhead. The 'keep' is somewhere by the barn that man said, but you notice smaller buildings to the right and to the left of it. Which one looks like an old slaughterhouse? It's too difficult to tell even when you squint, so you grab Nereida's arm and quickly lower by a bush.

"Watch that one, and I'll keep an eye on this one. Whichever building has more guards patrolling is probably where they're holding them."

"Okay," she whispers, peering around the bush.

Minutes pass. The building on the right has more shadows skirting around it—three guards total. You take a moment to study their movements. One is stationed near the back, the other two at the front.

"I want you to take the one at the back and wait for me. I'll handle the other two."

"How do I take him?" she whispers uncertainly. "He’ll see me coming."

"You’ll come at it from an angle." You point toward a stack of hay. "Sneak over there, quietly. Once you're behind it, circle around and approach where he can't see."

She hesitates, rubbing the back of her hand across her forehead. "I’ve never—"

"Never killed anyone?" 

The way she grips the knife, her fingers white on the handle, confirms it.

"These people deserve it, Nereida," you say, forcing her to meet your gaze. "John is in there."

She closes her eyes, and for a moment, the weight of it all presses down on her. When she opens them again, her jaw is set, and her grip on the knife tightens.

After reminding her where to strike, you pause for a moment, watching as she sneaks over to the hay. Then, you move toward the other two, slipping behind a tree for cover, but your foot catches on something and you almost trip, catching yourself against the bark. Your breath hitches and you steal a peek at them to make sure they didn't hear you. No—they are too busy murmuring to each other, laughing in a low exchange.

When you glance down, you spot a shovel half-buried into the ground, its handle sticking out. Carefully, you wriggle it free, having to grit your teeth to fully remove it. This will let you stun one while you deal with the other. Inhaling deeply to center yourself, palm tight over the splintered wood handle, you close in on the two guards.

The shorter one with curly hair spots you just before you take a swing, his eyes widening. The shovel slams into his skull, effectively making him stumble to the ground, but slips from your grip from the force. The other guard whirls around, hand slapping for the pistol at his belt. You deliver three consecutive stabs to his stomach, heart, and cheek. The gun never leaves his waist before he falls dead.

You suck in a gulp of air just as the curly-haired one regains his footing. His head is still heavy from the blow, and before he can draw his knife, you shove him in the chest, sending him crashing to the ground. You pin him easily beneath you, his movements sluggish and weak. The two of you wrestle in the grass, jagged breaths mixing with frantic, scraping nails, until, with a snarl, your knife finds purchase in his neck, stealing the life from his eyes in an instant. You stab him again and again, shaking, until the ticking urgency pulls you back into control. With a deep breath, you steady yourself and wiggle the knife lodged in his trachea, your hands slippery with blood.

"You got death," you spit in a whisper, thumbing his lids shut.

You lift up.

Now you have a single gun.

It is an old thing. Outdated and far from the military-grade weapons Ghost has. It takes a moment to figure out the parts—your fingers fumble for the small magazine, which is stocked with three bullets. You pull the slide to chamber a round with a click and keep it ready in your hand as you circle the building toward the back, praying that Nereida managed. When you find her, she is stood over the man's body, a deep cut oozing on her cheek.

"He saw me," she says, swallowing. "But I did it."

You nod. "We need to hide them before we go in."

All three bodies are hidden behind the hay stacks. You cover them with manure to mask the smell, not wanting a horde of Greys to materialize. You'd spotted a door at the back and hope it may be more discreet then blazing in through the front, given that you don't know who all is in there. Finger ready on the trigger, you hold your breath as you lead Nereida into the old building, instantly met with the rich smell of pennies. The space quickly unfolds into an old butcher house, rusted hooks hanging from the stone ceiling, the air cramped and cold. 

"Une femme? Maman ne voudrait pas de toi—"

The voice echoes in your ear as you round the corner, and then a fiery bullet rips into the owner's chest. Nereida flinches. Another guard comes barreling over, shouting, but you slide the chamber and shoot him in the head.

You don't linger by the bodies, itching to check the first steel door you see. You lower the gun only to pull at the handle, but it won't budge.

"Check him for keys," you motion to the dead guard.

Nereida crouches, hands rifling through his pockets until she yanks free a ring of keys. Her fingers shake as she tries them one by one, the lock stubborn—until, at last, it gives. With a sharp tug, the door groans open, revealing a windowless chamber. In the center, a lone captive hangs from chains.

It’s Price. Shackles bite into his wrists, his bare chest mapped with deep bruises against pale skin. Beaten, but unbroken—his gaze sharp as it lifts to meet yours. Nereida chokes on a sob, ripping the hood off her head and sinking to her knees before him, cupping his jaw.

A weighted baritone manages: "Duchess."

"There is nowhere I will not find you," she croaks. Teary kisses find the corner of his mouth. "I'm here, I'm here."

"How did you—"

"We got out. Where are the others?" you ask.

His jaw grits. "I haven't seen them since they knocked us out."

"They must be here somewhere. We need to move quick before someone notices the bodies."

After finding the small key to undo the manacles, you leave them to each other for the moment, continuing down the hall until the next door. An undeniable pull rises in your chest, something that has nothing to do with the adrenaline rushing through you—something you can’t quite name. But when you open the door, your heart falters with unwelcome disappointment at the sight of Kyle. He looks equally battered, but still aware enough to lift his head as you step in.

"Who are you?" 

You lift the veil.

"It's me," you answer, the words almost lost in the rush of emotions. Only when you fully take in the room do you notice Ari, curled in the corner. They’ve put them in here together. While there are no obvious injuries on the boy, the sight of the open Bible on his lap, and the empty dinner plate beside him, sends a cold shiver down your spine. You touch his cheek, feeling warmth, and reassure him he’s safe.

You release both of them. "Price and Nereida are through the door down the left. I need to find Ghost. I’ll be back."

Kyle rubs his wrists and manages to stand despite his black eye and shaky legs. "I’ll come with you."

"No. I’ll get him." The words come out sharper than you mean to, but you turn away before he can question them.

You are pulled further through the tight, cold hallway, movements turning more hurried as you look around. There are a few more half-opened doors, but they only lead to supply closets filled with whips and metal batons and empty chambers where old blood stains the floors. Something sharp tugs at your heart, and for the first time since initiating your escape, your fingertips succumb to a tremor of fear. 

Where is he?

The hall spits out into a room where dried animal carcasses hang from the walls.

One final door sits on the far end.

The rusted lock resists, swears hissing from your lips—until a sharp kick forces it open.

The smell thickens with fresh blood, and a cold pit sinks into your stomach at the sight of him—bound in chains, his body slumped haphazardly. Unlike the others, he doesn’t lift his head. You rush forward, a shaky breath catching in your throat as you take in the blood caked on his shoulder blades, deep welts splitting through the inked skin. His back, too, is covered in wounds. He looks worse—so much worse—that a bite of anger swells moisture in your eyes.

"Simon, you idiot. What did you do?" The words slip out on a sharp inhale as you lower yourself in front of him. "Simon," you whisper again, silent tears hot against your lips. You thread a hand through his hair, tilting his jaw up with careful fingers. His eyes are heavy, but relief finds you when they flutter open. He’s alive. The reddened whites flicker over your face, unfocused—until something strange sharpens the haze. A flicker of fear.

"It's me, Simon. We're getting out of here."

The brief fear shifts into shock when he recognizes your face, and only after you fumble with the key ring does understanding click into place, causing his jaw to flex. "Where... where is she?"

"I don't know, but we need to hurry. They have her." You undo the manacles, and his body rolls heavily into you, face falling onto your collarbone. You struggle to hold him up, gripping his shoulders without touching the wounds. A low groan bleeds through his teeth, and his eyes flutter shut again. No, no, no. "Please, you have to... you have to get up, Simon. I can't—she's going to fucking die!"

His upper chest rapidly expands with a breath, and he musters the strength to lift his weight off you and slap a hand against the wall. As he leverages his weight up, you help by grabbing beneath his other arm, until a final rush of adrenaline gets him on his feet. Urgency snaps tension into his limp shoulders, and he growls out another, more steady, breath.

"Price," he says.

"He's alive. Come on."

It takes some effort to help him walk at first, but eventually, he manages on his own. You guide him to the first room, where the others are pacing, murmuring in low voices.

"Simon, Jesus," Price mutters when he sees him.

Ghost brushes it off, his eyes narrowing. "They're going to kill her."

"At sunrise," you add, your voice tight. You pull out the pistol and show it to them. "I have one bullet left. I don't know how many more men are in this cult, but we've killed six so far."

"We have one shitty old gun." Kyle growls in frustration. "They took all our shit. How are we going to—"

"We find the weapons. They must have stored them somewhere," Price says.

"We can't just go searching through every building here. We don't have the time," you press. "And how are we supposed to get it back without everyone noticing we're gone?"

"I don't give a fuck about the guns. We find her first," Ghost grits, nostrils flaring. 

"We can't help her if we don't think things through. We can't just start a war with these people empty-handed, Simon," Price says.

"We find her first!"

"Simon," you say, reaching for his arm, but he pulls it away, clenching his bloody fist. The energy radiating from him would scare you if you didn't feel the same way.

Just then, there is the faint sound of a door opening and footsteps clanging through the hall. You tense up, two male voices shouting in echoes, one of them vaguely familiar.

"Quelqu'un les a tués ! On doit régler cette merde avant que Maman découvre quoi que ce soit."

"Les putains de prisonniers!"

Before you can react, Ghost snatches the pistol from your grip. The second they rush toward the open door, he launches at them—an elbow to one’s face, the butt of the gun breaking the nose of the other. Price uses Nereida's knife to stab the fallen guard, while Kyle helps Ghost subdue the second one. You only recognize him as the man who made you strip when they forcibly drag him toward the manacles, the sight of his blonde hair making your nails curl into your palms.

"You stupid fucking Brits!"

Ghost strikes the gun into his left eye, making him jerk within the constraints, howling as the socket turns into bloody pulp. 

Kyle grips the man's scalp from behind to hold his head up, while Ghost presses the gun into his cheek, where you notice a wound shaped like a bite mark.

"Tell us where she is," he roars. "Or I'll take the other eye."

Nereida cowers into the corner, holding onto Ari's arm. 

"I don't know!" the man spits blood, and Ghost digs the gun into his cheek, ripping it open further until the bitten flesh hangs as a torn flap, exposed all the way to his eye. The scream that follows feels inhuman. "I swear, I don't—I don't fucking know!"

Fresh blood drips to the floor. Price, much more calm, lowers at the man's side. "How many people live here?"

The man grits his teeth, struggling to answer, "T-thirty males, and six females. Plus the infants."

Twenty-two now, you count in your head.

"And the weapons we had. What about those?" Price questions further.

When only staggered, pained breaths fills the room, Ghost tosses the bloody gun and grabs the knife from Price, stabbing the man's kneecap without hesitation. Another scream ensues, and there is the small itch to cover your ears, but you steel yourself against the wall to keep watching.

"Answer the fucking question." Ghost twists the knife in his knee.

He cries out, more bloody spittle flying from his mouth. "All of the ammo is hidden. Only A-Alexandre knows!"

"Who is Alexandre?"

“Maman's son, he enforces her commands and oversees the males.”

"Where is he?" Price asks, voice hard.

“He… he resides in the work shed, while the rest of us sleep in the quarters within the barn.”

You step forward. "We saw another building outside with just one guard, that must be it."

There is a beat of silence as Price processes the information, giving Ghost a satisfied nod. With pain still contorting his face, the man's eye drifts past Ghost's shoulder toward you. His lips twitch into a faint, bloody smirk that makes your skin crawl. Ghost follows his gaze, snarls, and abruptly slashes the man's throat from ear to ear.

B

It is still dark when Eloise comes to awaken her, though Blue's eyes never once fell shut with sleep. She spent the short-lived night alternating between staring at the crescent moon outside the window, and fiddling with the knitting needles left on the table. There is a new dress in the woman's clutch, beautiful white fabric embroidered with flowers, and a pair of beautiful leather shoes in the other hand.

"See? I told you the dress would be nicer." She smiles and hands it over, as if to offer something to be thrilled for. "You must change quickly. There is a lovely breakfast of framboises and milk waiting for you. Put these on as well." She sets the shoes on the floor.

Blue thinks it strange, to bother feeding her just before her death. Blankly, she asks, "How many people will be there? To watch me die."

Eloise's smile quivers slightly, a slight crack in her composure. "Not too many, I assure you. Only a few of us women, and one or two worthy men. Most are still sleeping." After a pause, she adds even quieter, almost ashamed, "Be thankful you don’t suffer through childbirth instead. It is... a painful thing. Long, too. At least this pain will be honorable and swift."

Blue's fingers tighten around the dress. "Okay. Do you mind if I change alone, please?"

Eloise bows her head. "Of course."

She casts one last gentle glance her way before shuffling out of the room, locking the door behind her and leaving Blue with only the dress and shoes. Once the door is closed, Blue quickly slips the dress on, shuddering as the cold fabric caresses her limbs. It’s more beautiful than anything she can remember ever wearing, and that disgusts her. Swallowing the churn in her stomach, she grabs the needles and sits back on the bed.

The wounds on her feet are shallow, her fingernails only able to pierce the thick skin slightly. Using the needles, she digs into them deeper, trembling from the pain that throbs as fresh blood begins to seep from the soles. She cuts and cuts furiously, teeth gritted, praying it’s enough to soak into the shoes she slips on over the new wounds. She covers the blood stains on the sheet with the blanket, then stands, almost crying out from the agony of walking on her torn feet.

"Please dad," she whispers, closing her eyes briefly, before calling to Eloise that she is ready.

"But if they don't manage to kill her... her punishment for me will be worse." "Is everything alright, miss? You've been in there for a while." "What are you doing with the female? It’s forbidden!" "A woman? Maman wouldn’t want you—" "Someone killed them! We need to fix this shit before Maman finds out anything." "The fucking prisoners!"

[lynn-tged-posting]

tged webtoon ep 171 spoilers and thoughts but i'm mostly just going "YAY I LIKED THIS MOMENT" and more below the cut

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DEMON KING LLOYD HELLO. HELLO?? WHAT. WHY?? BUT WOW. HOLY SHIT. I REALLY REALLY LIKE THIS

I LOVE WHEN CHARACTERS GAIN WINGS AND HORNS AND . GHGHHGHGHHG AAAHHH ITS MY FAVORITE THING if you didn't already know dragon lloyd was like one of my favorite all-time panels so this is VERY AWESOME FOR ME YAYYY YAAAAYYY HAHAHA

LIKE SERIOUSLY LOOK HE GOT FANGS N SHIT AND. OH MY GODD THE SMOKE SLIPPING PAST HIS LIPS IM SO??? THAT'S SO COOL. I LOVE WHEN THEY DO THAT WITH SMOKE AND MONSTROUS FORMS OF CHARACTERS

genuinely i need to draw this asap. pacing issues aside i am obsessed with how sick this is. i love this a LOT

ok ok back to the top bc theres some stuff i wanna touch on from before demon king lloyd got revealed! because...

"master lloyd taught us". "master lloyd taught us". "master lloyd taught us". "master lloyd taught us".

EXCUSE ME WHAT

YOU'RE TELLING ME THAT OFF SCREEN, LLOYD TOOK TIME OUT OF HIS BUSY ASS DAY. TO TEACH THE KIDS HOW TO PLAY SOCCER. AND THEY HAVE PLAYED ENOUGH TO BE FAMILIAR ENOUGH TO PLAY ON THEIR OWN. WHICH MEANS THAT LLOYD . PLAYED SOCCER WITH THEM . AND WE FIND THIS OUT. NOW?? I. GGHH. THATS SO. CUTE. IM GOING TO BITE HIM. THE FUCKER. WHY WOULD YOU DO THIS TO ME

the fact that they go up to ask him im going to EXPLODE?!?!?

he looks so nonchalant abt it here im cryinf

AND LOOK AT THEM GO THIS IS SO SO SWEET IM VERY GLAD LYRA GOT TO PLAY WITH THEM I LIKE THIS A LOT

this scene, and the beginning scene where the adults were just so casual with her and treating her as a living person with feelings and someone that they can talk to was so so heartwarming i oooghhh my heart

AND THEN THERE HE IS. SMILING IN THE BACK. YOU ASS.

I SEE YOU BEING KIND AND EMPATHETIC AND SELFLESS LLOYD. YOU LOST THE NONCHALANT WAR. YOU CAN'T ESCAPE

christ. i fucking HATE him /j /aff

it is also VERY silly that they're so casual abt. destruction like that HELPPP they got it from someone sob sob, though i imagine since most of the estate consists of people who have done construction it probably isnt that big of a deal when things get destroyed every now n then

and lyra looks so damn happy,,, god im so glad she had a good experience, she really needed one :')

also i completely LOST it when the kid got mad at lyra for not responding with a yes or no HELPPP JESUS CHRIST

again they,,, got it from someone HAHA though honestly i think it tracks. kids can be straightforwardly brutal in their language, especially when they don't really have biases or cares for who they are speaking to. as crazy as this instance looks (LMFAO) i think this fits well with the context of the straightforwardness of children and considering the person who they look up to at the estate. i think it was good for lyra to meet a human child her age who can speak straightforwardly and not skirt past things, if that makes sense? i hope it does!

AND THE DEMON KING TRANSFORMATION i already talked abt it above but i wanna point out this blue system box here

a power outside of the system?!?? what does this mean for the protagonist of the new prequel bk_moon is writing?? is the weather forecasting included in this???

my first assumption right now is that the demon king power is just an in-world power system while everything else (ie the weather forecasting) is external, blue-textbox system. maybe? so lloyd got the demon king power which comes with skills separate from the ones that the system can provide? that would explain why there's no indication of lloyd trying to use the weather forecasting, he probably can't use it,,,? except i dont know why artanis can use it in that case. most likely i am overthinking it LMFAO

semi-related, i am a little confused as to why artanis did this? i guess she really, really trusted him w this power? or maybe her weather forecasting noted that this would be something good to do i have no idea,,, it Does feel a bit sudden i won't lie, i'm not sure how earned this is

also javier and everyone else not reacting that much to the demon king status. SENT ME HAHA "... nothing's changed." LOL

deadpan humor never fails to make me giggle ily javier

also loved the moment where the two of them were bein serious for a sec,,, they've got a job to do they've got people to protect. lloyd will stop fate and javier will be right besides him...

i think showing them at emily's wedding really cements how much they really, REALLY need to fight fate now. the novel events happening is very very bad, but it feels like now that so many people, emily especially, have found THIS much happiness in their lives,,, failing to stop fate will hit even harder. i really like the analogy of a taut bow that the dragon king used when he first described it, bc it's really REALLY showing how much the repercussions will hit if they fail. im praying they succeed,,, please,,, i need a happy ending or i will curl up and turn into an actual shrimp irl.

and now the demons have to build the pantara railroad,,, artanis's expression omfg

she really didn't,,, know,,, she trusted him that much,,,, girl,,,

but it's ok. it'll be a net positive trust! that's how lloyd does things!!! and then soon we'll get the happy ending where we can get the eye of summer and beat up fate and then silly fun times YAYY <- probably copium

some other thoughts of note that i had with a dear mutual (hi sprout :3) about this ep:

we were talking about how the plot seems to be paced right now, and honestly i'm of the opinion that while yes its Technically moving, the way they're ending each ep in this current arc makes it feel like it's going both very slow and very fast, that is to say it feels like it's not moving at all

bc they're like "okay NOW we're gonna do the build project" and it's been like that for several episodes now. pieces are moving but we're going past the point of it all too fast (especially the whole demon king thing. mentioned this before but while cool, doesn't feel as earned simply bc we're both tackling each point and yet blowing past all the points, so it's a lot less satisfying than it should be (despite how awesome it is,,, oh lloyd you give me so much internal conflict </3))

it does make me a lil worried that they're gonna timeskip the hell out of the pantara railroad build. however this episode, although it still has a weird pacing/movement issue, does feel a little bit better than the last two imo, so i have hope that it'll turn out okay, that it'll start heading up! i'm actually really excited to see where they go with this and i'm sure that even if the pacing is still goofy i'll have some kind of fun with it (seriously the panels this ep were wonderful HAHA)

anyway that's all for this week! extremely excited for the next ep,,, ill see yall then,,, lets go pantara railroad arc!!!

[tj-crochets]

future project idea: when I find my matching hot glue gun and hot glue sticks, I want to see if I can make some kind of dragon/snake/lizard out of a like crumpled paper base with thumbtack things as the scales (I found a box of shiny metal thumbtacks)

[stargazing-enby]

Can someone tell me to do it scared

[itz-pandora]

Huh. If my life was a quote, it'd be "one of those sad ones with a deceptively happy tune"

[gifti3]

infinity nikki is the last gacha game i promise

[asinglesock]

just realized my fatal flaw and the great struggle of possibly the rest of my life. while watching a cdrama.

[kerosene-saint]

so many things happening in my life in the next couple months and it feels like my life is turning around compared to how I felt this time last year which was complete and utter dread and burn out in every sense of the word

[cakemoney]

finding out that kaito and shinichi have been revealed to be cousins is like finding out there was a huge earthquake in the country you used to live in

[magpiesbones]

.

[keeps-ache]

the heels of my pants are wet !!

[knifefightandchill]

okay but i need to go to daiso more often because this egg light is the best thing ever rn and there was so much more i wanted to get.

[pyreshe]

once again i am thinking about luke c.astellan,

[sysig]

Looney Tunes-ass setup

[seventh-district]

ough i've been neglecting my side-blogs and tumblr in general so badly lately. i need more time in my day

[inkskinned]

I have to FAQ this post for once bc i got too many questions on it but genuinely wasn't expecting this gritty slush from my childhood to garner so many notes so like

yes, we had that much vanilla onhand. we often had huge amounts of staples at home bc in order to save whatever she could, my mom would order in bulk from places like costco and restaurant supply. also, we obviously were like. gonna use it. like you can tell she wasn't so much surprised as disappointed.

u can also tell it's real because the sibling knowledge "our mom wouldn't care if we used 3 cups of vanilla as long as we weren't WASTING it" seemed like a loophole we could exploit despite the fact that:

yes, this made us very very very sick. i didn't include it in the first post in case it gave ppl the Ick. so trigger warning for the rest of this bullet point (skip ahead to next for emetophobia) but i know we all threw up and i distinctly remember throwing up for like 2 days after. i will not go too into detail but. minty :/

"how did you not die" remember we split it, & i do not believe it was EVENLY split. i cannot promise we finished all of it, i do know we drank way more than we should have once we started getting sick. again, this was bc we were worried we would get in trouble for wasting it and yet:

we did (correctly) get in trouble for wasting it. my mom pretty much never got mad without good reason and this one was. a really good reason. we got SUPER in trouble. she STILL brings this up at every occurrence vanilla extract is being discussed, & no, she is (rightfully) NOT over the use of CUPS

yes there are three of us. out of all the ways i've had to explain myself on a post, being like "i am one of my brother's 2 little sisters did you forget middle children exist" is the most middle child answer i've ever concocted.

i cannot believe im saying this but to the people saying they're going to try this: do not try this. it was not meant to be a symbol of courage and a cinnamon challenge callback. i think i only survived bc our guardian angels covered god's eyes. i had the robust and forgiving liver and body of a child and this still nigh about wiped me clean off the face of this planet. most of us on this site are at an age where we throw our back out while sneezing. listen to me. i know you think it would be funny. i want you to understand fire lizards inhabited my alveoli. my flesh damn almost became soup.

This place is not a place of honor... no highly esteemed deed is commemorated here... nothing valued is here.....

ps. while this post would lead u to believe otherwise. we were actually all very grateful for the unrestricted access to the staples and in general extremely respectful of the kitchen and of food. all 3 of us are now pretty good cooks & bakers bc we had practiced skills early and were not generally a menace to humanity. although now that i'm writing this i am remembering that in like 2019 for thanksgiving our outdoor activity was competitive firebreathing which none of us had ever done before & the only form of safety was my dad standing by with our garden hose. i am realizing maybe too-often my life is just. choices made with the confidence of 3 grown siblings who all have now-officially-diagnosed "clinically extreme" ADHD

probably time for this story i guess but when i was a kid there was a summer that my brother was really into making smoothies and milkshakes. part of this was that we didn't have AC and couldn't afford to run fans all day so it was kind of important to get good at making Cool Down Concoctions.

we also had a patch of mint, and he had two impressionable little sisters who had the attitude of "fuck it, might as well."

at one point, for fun, this 16 year old boy with a dream in his eye and scientific fervor in heart just wanted to see how far one could push the idea of "vanilla mint smoothie". how much vanilla extract and how much mint can go into a blender before it truly is inedible.

the answer is 3 cups of vanilla extract, 1/2 cup milk alternative, and about 50 sprigs (not leaves, whole spring) of mint. add ice and the courage of a child. idk, it was summer and we were bored.

the word i would use to describe the feeling of drinking it would maybe be "violent" or perhaps, like. "triangular." my nose felt pristine. inhaling following the first sip was like trying to sculpt a new face. i was ensconced in a mesh of horror. it was something beyond taste. for years after, i assumed those commercials that said "this is how it feels to chew five gum" were referencing the exact experience of this singular viscous smoothie.

what's worse is that we knew our mother would hate that we wasted so much vanilla extract. so we had to make it worth it. we had to actually finish the drink. it wasn't "wasting" it if we actually drank it, right? we huddled around outside in the blistering sun, gagging and passing around a single green potion, shivering with disgust. each sip was transcendent, but in a sort of non-euclidean way. i think this is where i lost my binary gender. it eroded certain parts of me in an acidic gut ecology collapse.

here's the thing about love and trust: the next day my brother made a different shake, and i drank it without complaint. it's been like 15 years. he's now a genuinely skilled cook. sometimes one of the three of us will fuck up in the kitchen or find something horrible or make a terrible smoothie mistake and then we pass it to each other, single potion bottle, and we say try it it's delicious. it always smells disgusting. and then, cerimonious, we drink it together. because that's what family does.