#okay so maybe something maybe nothing

[shittygothbitch]

-_-

[egophiliac]

So.... what are your thoughts on Ace's UM, if you haven't been asked this already?

sneaky magic for the sneakiest boy

no but really, I think it fits him really well! I had thought his UM would probably involve something kinda sleight-of-handy or pickpockety! and I looooved that it made such a nice loop-around back to episode 1. ❤️ I was. kind of half-expecting him to just run out and punch Riddle in the nose again. but instead this time 'twas he who offed the queen's head! it was great! and he did it while stone-cold terrified out of his mind! because Ace is the only remotely normal or well-adjusted person at NRC and therefore the only one who is like "we're going to literally die, this is super effed up". but he did it anyway!!!! I AM SO PROUD

[somegrumpynerd]

Killer's nightmare

He has many, but the one he has most often is of coming out of stage 3 and finding he's killed his new family too alone again. Or maybe worse, that he'll never quite be without someone from his past.

Luckily, it is just a nightmare, and he has a different Nightmare he can see to help him calm down.

[nadiajustbe]

I'm almost certainly sure that every time Sophie describes "that" smile Howl has that Lettie and his other past girlfriends have fallen for, he's actually just... smiling. No anger or moodiness, just a warm Howl's smile and nothing more.

But the whole story is that no matter how much she grumbles about how he shouldn't use his smile on all these people and what a jerk he is, the truth is that no one actually fell for it. Except for her. And no one finds that crooked grin all that attractive. Except for her.

[synthshenanigans]

I miiiight color this properly but have a funky soul design i did for fun :}

[close up + a small text about the guy below and then some]

While it is mainly just for fun & not my main design for Soul, i think Soul's form would change throughout Cacophony a fair amount. There's still some things it cant change but depending on its view on himself, Heart & Mind, or Whole would alter how his apperance looks. Not necessarily a bad thing either, just a form on how he feels or views himself. Kinda like when you make a persona i guess? He just swaps a lot between them.

Also smaller thing being that it's "tail" can change as well! More obvious being the relation to the instrumental album cover but also it can changed into other things as well. An Umbrella for Spring and a Storm, a gavel for parts of Mucka Blucka, TSE & The Bidding, or it being one of those bid cards youd hold up to bid your amount [also during The Bidding]. Can also change to the trident during TSE & The Bidding too, the red guitar in Two Wuv as well. Just generally whatever he want/feels like!

[aerithisms]

i think my problem with this dw season arc accusing the audience of fanbrain for theorising about ruby is that it both feels deceitful and isn't actually that compelling from a character perspective. the season goes out of its way to build up supernatural mystery around ruby and even invokes susan more heavily than ever before in a way that is deliberately trying to get the audience to make those connections. and then it turns around and says you stupid idiot why would you ever try to connect these dots i have deliberately tried to get you to connect.

building up a mystery only for the character to be ordinary is an impossible girl arc redux only this time accusing the viewer of failing to see the humanity of the companion, whereas the impossible girl arc was turning that accusation on the doctor. 7b didn't really blame the audience for viewing clara as a puzzle and in fact several times spells out the fact that clara is perfectly ordinary before the big reveal to give the audience a chance to catch on. as 7b goes on, instead of laying the mystery on thicker, the audience just gets more and more affirmations that clara is a normal human being (rings of akhaten, journey to the centre of the tardis, hide). i found this approach compelling because it was rooted in character, focusing on the doctor's disconnection from humanity/the gendered dynamic of a man treating a woman as his manic pixie mystery to pull him out of grief. s14's meta approach of accusing the viewer feels both unfair, given it has deliberately led the viewer towards theorising, and personally less compelling to me because it wasn't tied into character in any way.

the thing about rey's parentage in tlj is that the reason rian johnson chose to go for that reveal was that it was the only answer that was interesting. none of the theories - rey is a skywalker, rey is a kenobi, and even the eventually canonical rey is a palpatine - were interesting or satisfying because they brought nothing compelling to the table for the story being told. the only satisfaction to be gained from those answers was a fanbrained "omg rey is important because she's related to that guy from the other movie." on top of that, rey desperately wants her parents to have been important, to give her life and her abandonment some kind of significance. so them being ordinary provided the most compelling trajectory for her character because it was the thing she least wanted to hear. it forced her to do the most introspection and growth, as well as tying into the film's themes about the capacity of ordinary people to be special. it wasn't just a choice made to "gotcha" the viewer, it was rooted in character.

i don't think ruby's mother being ordinary accomplishes the same thing. by invoking susan, s14 is engaging with the most egregious example of the doctor's streak of abandonment, which has potential to be very compelling in relation to ruby (and now also the doctor's) own abandonment issues. theories that ruby might be susan, or be somehow related to susan, or somehow related to the doctor, weren't just fanbrained "omg she's related to that guy i know from the classic series." they were theories genuinely rooted in character and the potential to explore both the doctor and ruby's issues with abandonment. and this is something the show willingly led fans towards by invoking susan so much in the first place. so for the show to turn around and act like they were shallow out of nowhere ideas when they were not shallow and were based on potential character conflicts the show itself deliberately invoked, feels misguided.

as well as that, ruby's mother being ordinary does not require that same growth from ruby as it did for rey because it is exactly what ruby wanted to hear. she never wanted her mother to be important, she just wanted to know who her mother was and have a connection with her. so finding out she was a normal woman who still loves her and wants to be a part of her life is everything she's ever wanted. it doesn't introduce interesting conflict for her the way rey's parents being ordinary did for her, because they were written as different characters with different hangups over their abandonment.

tl;dr i don't necessarily dislike ruby's mother being ordinary as an idea but compared to the things it was inspired by - 7b and star wars - it is not nearly as compelling in terms of how it relates to the characters or themes. and the meta angle, while conceptually interesting, doesn't quite work for me because it feels a little manipulative of the audience.

[vigilskeep]

re what you said about lucanis fan art. REAL. i have been remarking to my friends he’s been getting the thorin oakenshield fanart treatment (eg wider shoulders, bulkier to look more ‘sexily imposing’, face altered to look more… muscular for lack of a better term) & its been driving me insane. i’m back in the fucking building again (seeing a favorite character be made into some chiseled brooding muscle man)

scary stuff!

[icewindandboringhorror]

A little costume with eyebrow whiskers again.. making their return lol..

[catocappuccino]

A pointless tumblr post titled

"Assigning furby colours (specifically 1st gen) to Murder Drones characters without giving any explaination for my choices" part 1

Uzi - juicy grape

N - labrador

V - banana peel

J - bumblebee

Cyn - angel

🔥🔥🔥If you enjoyed this post leave a like and follow for more PEAK content like this🔥🔥🔥

/j

[twisting-in-wonderland]

oh boy! 30 cat carvings, only 20 thaumarks each?? what a steal !

(being jamil is suffering-)

just 'lineart' lol

[hunnicute]

“Hello! You there, in the cot. I know you’re feeling sleepy, but I wonder if you’d mind taking a brief survey. I’m sure it will make you feel right as rain. Five questions.”

There’s a crackling over the speaker. Or maybe it’s in his head. Everything feels at once itchy and gloopy. He tries to sit up as the speaker fizzes, there’s mumbling on the other side but it’s indistinguishable as language.

“Where am I?” The man asks, pushing up from the bare cot, looking around the room which seems to be made up of concrete walls and little else.

“Close, the first question is actually: who are you?”

Where was it coming from? The voice seemed to echo off all of the walls, its source at the moment unknowable. The man jumps off the cot, barely that - it’s only some green canvas stretched over a metal frame, an intense prickling filling his brain and sinking down his spine. What was that called? Anxiety. This wasn’t right.

“What is this place, where am I?” He asks again, pacing the room. There’s one exit. A metal door set into the concrete walls. Beside it a black panel with dozens of tiny holes. The speaker. Beside the cot he woke up on there’s a chair made of metal. Florescent lights beam from the ceiling causing the man to squint as he zeros in on the speaker grill. He nearly trips over his feet reaching for the door. He tries the handle, it doesn’t budge. He pulls. Nothing. Pushes. More of the same. Not even any give in the hinges or lock. Whatever was holding it in place wasn’t something he could get past.

“Who are you?”

Calm down, breathe. The man tries to order his thoughts into rationality, fighting the building rage and stress that's filling his entire body. Find out what they want, if you can give it to them then you may make it out alive. If you can’t… convince them you can. The man analyses the voice. Young, most likely male, tone what could be called chipper. It doesn’t seem threatening, or deceptive. Still best to be cautious.

“Who are you?” The voice comes once more, some of the cheerful edge is dulled this time, like it expected an answer by now and doesn’t know why it’s not getting a response. Like turning on the radio and expecting a song but only getting static when everything seems to be in working order.

Play along for now, the man thinks. He goes to answer, only to find out he can’t. Nothing’s physically stopping him, there’s air in his lungs and his lips are free to move. But he can’t answer. The simplest of questions, he reaches for the information in his brain and it’s just- gone. He clamps his jaw shut, teeth clicking together. His veins turn to ice.

What the hell is going on here.

“If you can’t answer, feel free to say unknown.”

He needs to get out. He needs to get to- Make sure- Is safe- It’s his job to- Home is-

There’s only one way out of this room, built of concrete and smelling of freshly printed pages and antiseptic (how does he know that?) and it’s through that door. Whoever is talking through the speaker can open it. He picks up his hat and runs a hand through his sandy blonde hair.

“I don’t know.” The man says, voice floating out of him like it doesn’t even belong to him. Maybe it doesn’t, how would he know?

“Unknown. Okay. Second question, in which US state or territory were you born?” He reaches for it. Nothing again. The ice in his veins spreads again, as the anxiety builds. His breath speeds up and his fists clench. He takes a step back from the door. Stay calm. He shakes his head. They must be watching him because the voice goes on.

“Unknown! Great.” Some of the chipperness has returned. He didn’t notice the round black bump above the door before, like a beady eye staring him down. How does he know that it’s a camera? He’s never seen one before, but he knows exactly what it is and what it does. The urge to run begins to overwhelm him the longer this goes on. His stomach twists with nausea. Commonly caused by motion sickness, intense pain, early pregnancy, food poisoning, various enteroviruses or in this case emotional distress.

“Question three, please name any US state or territory.”

“Uh- I don’t know… Delaware.” Delaware? Where did that come from? What else? Georgia. Iowa. Alaska.

“Delaware.”

New York, California, Virginia, New Mexico.

“Question four, what is Mr. Eagan’s favourite breakfast?”

Illinois, Rhode Island, Texas, Idaho. There’s another voice in the background, one he hasn’t heard up until now. It’s deeper, exasperated. God, he thinks it says. The chipper voice ignores it. So there’s someone else there. Maybe someone higher up, someone in charge?

“I don’t know who that is.” He reaches for the handle of the door again and jiggles it futilely. “Maybe we can have a conversation and you can tell me face to face.”

“I’d love to chat with you, after we finish the survey.”

He lets out a terse laugh, a smile tightening his lips - but not with amusement. The action feels familiar.

“And would you look at that, we’re on the final question! To the best of your memory, what is or was the colour of your mother’s eyes?” Does he even have a mother? He must. Everyone has a mother. The nausea threatens to take over and the man turns around looking for a bucket or a trash can. There’s nothing but the cot and the chair. He stumbles towards them.

“I don’t remember.”

“Unknown! Wow!”

“What the hell is this?”

“Unknown, unknown, Delaware, unknown and unknown right?”

“Look if you don’t tell me what the hell I’m doing here I-“

The door swings open and out of it comes a kid who can’t be older than 17, holding a clipboard and grinning behind large circular glasses.

“Gee sir, you got a perfect score! And quicker than most too, that first question is usually what really trips people up but you done it just swell.”

[sonknuxadow]

my honest reaction

[colorfuldream]

Okay so I've seen it a few times now and there are people who genuinely believe the Squid Sisters have the least content out of every group. I mean, I get forgetting Deep Cuts but the Squid Sisters do have as much as Off The Hook. Sure, OTH is starting to look like favorites now but the SS aren't left behind. Here's an itemized list:

They're in every main story mode. They have three whole games about them. The concept of story mode revolves around them. Just because they aren't proactive in them doesn't make it not count. Their quips and banter are what made us care and learn about them. It did flesh them out. They don't have to actively help to be main characters and receive development. The only game you could argue that is Splatoon 3 but it has a writing problem in general. It did close their story, subtle but interesting and well-written (for what Splatoon is), across the three games.

A short story. They're the only ones who have that. That has insane development, providing a lot of details about them. Like, that's a MAJOR thing that's lore-dumping so many things.

They're in almost every concert. They're in all but two concerts. They're canon too. This gives them a lot of presence in the franchise.

Lots of illustrations. Makes sense. Of course they are with how long they've been around. Still an important sign that they're a major part of the franchise (obviously, the main story is about them). It's always nice to see them in different situations anyways. They also get some lore out of them, fleshes them out and whatever. Which brings me to my next point.

Different outfits. It's not only giving us a sense of how they dress, but it's telling a story. Said it before but, for example, we know Marie likes dressing up for Story Mode and be a mentor of some sort. If you pull that string, you can get that she's someone who puts on a façade depending on the occasion and likes teaching/guiding people, her idea of mature and cool is a traditional outfit from her hometown.

Special Fest variants. Yes, they all do. However, the thing that differentiates them is that this is outside their game and, even though they were mostly reskins, they did get fully new outfits and hairstyles which neither other groups did.

Technically, they got a DLC. Even if it's the old hub and basically promo for Side Order.

They're in Smash Bros. That's not nothing. They're not spirits, they're full-on assist trophies. They better be in it honestly, but it's still something they have over the other two groups. It solidifies their status in the franchise.

Many songs, including remixes. Obviously, but they're also on the Splatfest list which never happened before outside of special events. They started it in Splatoon 2's Final Fest and started it in Splatoon 3's regular Fests. They're trend setters! Which leads me to...

Boss Fight. Final Boss, even. Callie started it. Literally. She fought us. The fact that she was The Final Boss™ puts her above the others. They wish they were her.

Solos. They did it first. They've also got not one but two mash-ups of their solos so it gotta count. I would argue that theirs are special too as they're meant to be solo pieces while the Anarchy Poisons are always put together be it on the soundtrack or the concerts. They were made to, and it's lovely, as Deep Cut's continuing the trend OTH's set: a united group that values each other and their work over fame. Their music is made to be together. Anarchy Rainbow and its Poisons is just that, something that's all of them, always. They were also fused in every live version, and the in-game live version, unlike Tide Goes Out and Bomb Rush Blush. These were forcefully mashed up as each sang over the other, desperately trying to drown out their will and win this fight. It's only now, years later, that they get an unexpected mash-up, joyful and harmonious —which in a way is a part of their story, them reclaiming this song as they bring their solos together. The Squid Sisters are working for themselves, they now do whatever they want with their careers and what they sing, how they sing, when they sing is up to them and only them.

They're the end credits of every game. Special mention to Splatoon 3 that just sacrifices its own idol group for them. Unlike Splatoon 2, Deep Cut was involved in Story Mode and for all the 10 minutes they spent in it, the end credits should have been theirs as they sure as hell didn't get a DLC. Their equivalent was a last minute addition at that, unceremoniously added later on without much spotlight. Jeez, they could have had a second collab song instead or something!

They've got the final battle song for every game. Makes sense because it's their story and their games, it's the culmination of their work every single time. Unlike the credits, they at least shared the spotlight with Deep Cut... Hey, if Marie's their boss, doesn't that make her a part of their group or vice-versa? She better be, she's the one handling their paperwork after all (poor woman, it's a mess too and they're not spending wisely. Shouldn't have been talking about becoming a manager, Marie, you're getting roped up in too much silliness and Callie won't help).

Participation in 2 Final Fests. By that, I mean actually having a team and representing it. Otherwise, they're involved in every Final Fest.

Merch. I mean why wouldn't they have some?? But it had to be added. Special note for the concert CD and special edition. I guess I'd put there the interview bit Marie conducted in Splatoon 3's soundtrack bonuses. That's another bit of trivia/insight on her work. The Nintendo Magazine interviews also count as they're relevant to their characters.

Their song is a major part of their world and franchise. Calamari Inkantation has a special place in the lore and the franchise. It's THE song but also THEIR song.

4 amiibos. They might not give their outfits (which I kinda like because I'm not fond of how they did it for the others) but they give out gear related to their story, the game, and that we should have gotten. At least they're fixing that flaw I guess.

Storyline during the Splatfests. Not sure if it should be added but it did culminate into long lasting conflict between the two of them and started their storyline. Since it's missing in Splatoon 3, I think it should be noted. It fleshes them out and makes them feel a bit more alive, like they're affected by the results.

Most of these could apply to Off The Hook too. My point is that the Squid Sisters haven't been neglected, not from Nintendo's point of view. They're more than included, arguably the stars of Splatoon 1 and 3. The thing is that Off The Hook is the fan favorite right now so most of our attention is on them, not the others. The Squid Sisters have also been so ingrained in the franchise that we're used to it. We readily accepted they would be the stars of Splatoon 3 because they took over most of Splatoon 2 until Octo Expansion. We assumed the other two groups would get DLCs, or that Deep Cut would be involved in OTH's like in the Main Story, only to realize that Nintendo didn't give a damn and gave the spotlight to OTH alone in an attempt to replicate what Splatoon 2 did. Obviously, once we got over Side Order, we kinda realized this was unfair and that there was favoritism. It didn't help that OTH was featured in regular battles and that Splatoon 2 and 3 handled Splatfests differently, with special events and work done to the idols. We've come a long way since the first game, which itself had changed plenty during its time, so it feels unfair that the Squid Sisters didn't benefit from what the others got or for as long. That doesn't mean they didn't get a lot and weren't the favorites for a long time.

Now, I'm gonna address the thing that made me write this in the first place:

They do have a story and development. Just because it wasn't in your face doesn't mean it didn't happen.

Up until Splatoon 3, the story wasn't as obvious as it could be when it came to the idols. Marina's background is clear-cut, because you cannot be too subtle about it, but apart from some big lines, it wasn't directly stated, nor was her development in Octo Expansion (it's heavily linked to Agent 8 and the Octavian but the fact that she comes to be comfortable in what species she is and overcomes her fear of being found out and rejected should count as a story). She's fascinating and it's important to the world.

But that doesn't leave the Squid Sisters flat and boring. They had an arc! Them slowly resenting each other because of their time as Splatcast anchors, because they were always pit against each other, because of the way being an idol works, is a story in itself. It was bad enough to get Callie to free Octavio, who's a terrible, dangerous person as far as she knew then, and go to the Octarians, poor, underground enemies. The Hypno-Shades are more like heavily suggesting you to obey, we know that Callie had some sort of free will to put glitter, of all things, into their ink. She also was fully conscious of her actions when freeing Octavio, and we know this guy isn't a mastermind and world class manipulator. Marie wasn't doing much better, working a lot and being stressed. Fame drove them apart and broke Callie down to the point of going to people who wanted hers dead. She freed a war criminal. Once Marie saved her, mostly from her own despair, they decided to do their own thing. They didn't need fame or their careers. Family was more important. Tidal Rush was their solos crashing against each other, not listening and trying to sing over the opponent, until Marie blasted on a song that meant the world to them. The hymn of sea kind. The song that they won that fateful contest with when they were young, the reason why their dream came true. The song that they sang when safinf their dear grandpa, powerful enough to make Octolings give up everything and try to join the surface. A beautiful memory. Something that was theirs. And so they sang. Together. "I remember everything!" The innocent days they practiced for the contest, the terrifying ride to Inkopolis, the nervousness of their first Splatcast. But they were together. She wasn't alone. Marie had always been on her side. Neither of them wanted this. If it had been up to them, nobody would have compared them to each other. They wouldn't have been choices for their last Splatfest. It's a certain kind of cruel to ask which of the two teenage girls was the better one. Callie wasn't angry at Marie, she was angry at the system. She felt awkward, self-conscious, worthless because of her status as a celebrity, because she as a person didn't matter. Her comfort? Who cares. Take the photos, sing the songs, be careful to be perfect. She was overworked, isolated, and the only person she could count on was put in the same position and told she was a competitor.

Fresh Start is the two of them reconnecting away from show business. Going back to their roots. They stop being idols afterwards, they don't sing much anymore. They get their own careers. Callie slowly finds the strength to be in the spotlight after so long and goes back to acting, unlike Marie this seems to be more of her thing. Marie keeps on with her podcast, now using it to hype Callie up. Splatoon 3 even shows us that Callie is some sort of spokesperson, announcing that an Inkopolis stage will undergo reconstruction. She's rebuilding her career on her own and making it her own. The Squid Sisters, while some of the most people in the world, weren't recognized in the Splatlands. Sure, Shiver and Frye probably didn't give a damn about Inkopolis musicians but Big Man is a fan, he's even showed them their music, and he still didn't recognize them. They're known for their music, their names possibly for themselves. Splatoon 3 is the only game not to give them a story, even its details don't imply much. But the previous two games did.

It's a story of two girls who got famous too soon, too suddenly, and got eaten by showbusiness. It's two young women taking their power back and breaking free from the idol life. It's a family that managed to heal from the damage fame caused over the years.

I dunno but I think it's beautiful and I'm a sucker for stories that criticize being an idol and family coming together. The Squid Sisters' entire thing was being idols, that's their entire concept, especially identical ones which is dehumanizing enough. It's fitting and not something you'd expect out of Splatoon of all places but it's the kind of franchise that gets surprisingly deep and dark in its smallest details.

No, they're not neglected or underdeveloped. Their story is there, just not as flashy as you'd expect. Their presence is something we're so used to that we don't clock it anymore, moreso when the other group gets attention too. Splatoon 3 didn't handle the writing well, as fun and silly as it gets, and it shows in a lot of ways. It's easy to go "so what was the point of the Squid Sisters being there?" when the story didn't bother doing anything with them for once but they weren't the only one neglected nor did they not get content in other ways!

[simcardiac-arrested]

i’m on that. nothing

[yepmadness]

I wonder if. Maybe. Since we are back in an unfamiliar forest setting… this all might be a sort of mirror to s3? Or at least we are getting to one.

Back in the woods fresh off the cusp of death, though he did actually die this time to be fair, still injured but there is help this time. Arthur is still, despite it all, tentatively happy. Not like he was back in Addison.

The blood covered snow in the dark versus the green of a bright afternoon.

Last time Arthur was the most alone he has ever been, at least that we have directly been around for, with Yellow. A bitter partnership formed on lies and threats. Versus now, filled with a sort of hope for the future, not alone.

I just don’t think the parallel is unintentional. I just think it’s nice. Because there was so much hopelessness in that time—but he isn’t stuck in that anymore. At least not right now.

The forest is still isolating, yes, it still pushes off the path and leads deeper into a sense of uncertainty. But we don’t seem heading into the forest? We are coasting it, beside the path, but not on it. Still grounded to reality, not wandering aimless with no direction. Not falling deeper into it, heading for a point, not to be stolen away and tucked deeper.

Is that, perhaps, part of the theme of rebirth we have been leaning heavily on? Forced back into the unknown but it is better, and safer than it was before.

This forest is a place of security in contrast to the all the threats it previously provided because the situation has changed, the company has changed, their mentalities have changed.

They more or less know what they need, where to go, having a sense of direction and purpose. And I just think that’s a notably nice change.

[lesbiansforeddiediaz]

Where my Eddie meta differs from the popular fanon is I don't think all his problems are because he's gay and I don't think kissing a man would heal him or really benefit him much at all. (He is gay but that's not important right now)