#okay i should stop now

[king-crawler]

Anyways Blank room soup except the Turbo Twins replace the RayRay costumes and King Candy is the one sobbing while eating soup (His personal hell)

[chexmixup]

Bathed in your radiance, even pain is a blessing.

Again, please check out Covenants and Other Provisions by @geniusboyy, in dedication of the latest chapter.

[alma-artts]

I've always had the "I know that deep inside I'm really cool and a good person to be friends with but I don't think anyone will ever bother to get to know me well enough to know that so I will never have good friends" kind of self depreciation but after recent events I started having the "I know people think I'm cool when they meet me but soon they will find out I am actually super annoying and a burden and just difficult to be around so everyone will leave me eventually " kind. it is not fun. it's definitely worse. I hate this

[arrgh-even-more-whatever]

just thoughts. I hear so much about "I'll betray my own morals for you" trope but GOD how I love the opposite of that trope. "I love you but duty comes first". love it when characters betray their loved ones for the sake of loyalty to their family or their country

[reineydraws]

saw this quote off a v cute ushiten comic first haha check it out

i just drew them over a screenshot of hitsugibune from the back 'cuz i was lazy lol soz

[linkedin-offficial]

yay! stew!

[katsukiloathing]

I was just trying to replicate the art style… 😭

[eveledoze]

it's always the right eye

[badly-gravity-blog]

Wooohoo !! Monster x Reverse Falls au with ultra dupa new lore.

[1/2] — Because next up is ; Stan, Ford, Pacifica anddd Gideon ! Link here when it happens.

I’ll add more info under the cut but here are the basics —

Mason -> Tufted Deer

Mason ‘Dipper’ Gleeful was taken in along side his twin sister by Stan Gleeful. Together with Mabel, they help Stan with attractions.

Mabel -> Caecalia

Mabel ‘Ursa’ Gleeful has a lot of trouble getting around, as such where her and her brother lives, the floor and certain walls are made out glass filled with water to allow for safe travel.

Will -> Elf

William Cipher, also nicknamed Will, is an Elf who was enrolled by ‘pressure’ to work for the twins and help them with their deeds. Behind the meek/shy appearance, he’s not very nice or kind.

I had SO much trouble figuring out a coherent storyline….

But here’s what I figured out so far !

Human and fantastic creatures are far from living in harmony; some of the creatures have made their own town cut off from the rest of the population.

One of the only towns is named Gravity Falls. It’s very diverse !

Gideon and Pacifica Southeast are childhood friends, Pacifica having acted as the one Gideon could rely on for the longest time.

Gideon is a phantom, while Pacifica is an unicorn.

Ursa and Dipper are the main event of the town, living in a previously abandoned mansion that was restored and rebuilt by Stan Gleeful.

Ursa is nicknamed that due to matching with her twin — ‘Ursa major’ being a constellation.

While twins, they’re from different species ; their creations was artificial.

Will is…. Well I can’t say he’s planning nothin !!

PS : if you have any questions, go ahead ! It helps with worldbuilding and characters <3

[royaltea000]

they should scissor

[luck-of-the-drawings]

EDYN TIDESTRIDER, CHALLENGER OF THE UNDERSEA, RIVAL OF THE DEEP. WHAT WOULD YOU DO IF YOUR BROTHER WAS CHOSEN TO BE A WEAPON OF THE GODS? HOW WILL YOU UNDO WHAT THEY HAVE DONE TO HIM?

[aterfish]

Being ace is an opposite of fuck around and find out:

Fuck nobody and never know for sure

[usurper-of-heavens]

What a perfectly good day to be completely normal

first pic from/for: Aquarium by master_of_records

Second pic from/for: "I do": The long term deal by MoonlightMav and Mind_Me_Not

[inkskinned]

maybe i'm a bitch but if i hear you go out of your way to judge someone's weight, i immediately lose trust in you & will probably forever find you a little unbearable . yes also the little floating bar over my head will start reading [hostile]. this is natural and u caused it.

[synthshenanigans]

a friends mom said funky jash looked like hes from the 70s & i got bored sooo

theyre rlly cool u should follow them btw...

she make s such amazing art. u should go eat said art :D

[applestorms]

ok, well. if last time i talked about parallels between near & light, i guess it’s only fair that this time i talk about parallels between mello & misa. yap central on this blog lately.

the main thing that stands out the most about mello & misa, and the reason why i will forever Defend them and their place in the story, is that in my mind they both function in a similar way on a narrative level: namely, both of them are incredibly active wild-card characters that keep the action going and the story moving forward when the other main characters like light, L, & near start getting too passive.

notably, while i often see this trait praised in mello, usually in the context of a comparative criticism of near for his overly-abundant passivity, i have also seen it used as a criticism of misa's character, that she breaks up the status quo of DN too significantly and thereby makes the story feel less realistic. this last point in particular is an odd argument to make imo, as if anything misa's presence only increases the realism of DN by adding some extra luck/random chance into the story in a way that is ultimately still character-motivated and thus easier for the audience to go along with-- something DN in general is very good at, often introducing elements through pure chance but keeping them grounded in characters enough that you almost don't even notice.

take light meeting naomi misora, for example: the only reason he runs across her at all is because he offers to run an errand for his mom on a bored laundry day, literally stumbling across her right at the exact moment she is divulging important insights she is literally the only person capable of making about kira. yet this moment does not stand out as particularly aggravating or out of place in the story, as ultimately the only reason why light is able to get out of that situation is his own quick thinking and ability to calm himself while under immense pressure, squeezing his way out of a potentially run-ending situation he didn't even know existed moments prior.

(not a fan of that big joel video, if you couldn't tell. lmao.)

point is, mello & misa both fulfill about the same narrative function in the story by being so aggressive in their actions, catching the others off guard even if their plans aren't as well thought out or careful as they could otherwise be. they're both incredibly passionate, dedicated characters as well, tough enough to take the hit when it inevitably comes, and in my opinion neither of them are nearly as stupid as the other MCs like to make them out to be. to some degree, i think both of them are aware of the fact that they can't win at the Mind Game Cold War Bullshit the others are inclined to get involved in, so they instead choose to carve out their own place in the story through sheer perseverance alone.

which, speaking of passion: one of the most interesting parallels i think you can make between mello & misa is the ways in which they idolize their respective heroes, misa's obviously being light while mello's is L. allow me to elaborate.

as this post points out, DN has some very interesting use of its religious imagery & theming, and in particular its use of christian/catholic gothic imagery in its story and especially its art. however, as op notes, a lot of this is quite superficial, ascribing to an aesthetic of "kitschy Catholicism," that was characteristic of a lot of early 2000s japanese goth style. yet, while i admit that a more serious consideration of religious elements in the art & story could add some interesting flavor to the story, i also think that, regardless of intention, the superficiality of DN's religious elements works really well in the context of this particular story. as i stated in my tags on that post: light is a superficial god. he is a fake, a scam, some idiot human that stumbled across the powers of a real shinigami and got his head up his ass about it. and a lot of the arcs of other characters in DN is about their reaction to light's claims-- whether they choose to follow him (e.g. misa, mikami), follow somebody else (e.g. mello), or follow nobody at all (e.g. near, also kinda soichiro?), and the implications that has for their lives and personalities.

this is all to say that while you can, on a surface level, connect misa & mello pretty easily as the two aggressive, fashionable blondes of the series, i also think that these somewhat superficial traits betray a greater connection between the two of them. if we understand the christian/catholic elements of misa & mello's fashion as a demonstration of their connection to not just a higher power but a lie, a superficial deity simply reflecting the sunlight of powers greater than himself, then i think we have great insight into another key element of both their characters.

do not forget: in the world of DN, heaven & hell do not exist. at least in the context of death itself, the realm & lore of the shinigami reign supreme, a point which the DN musical makes even more overt: "Isn't it a laugh? / Isn't it a shame? / Thinking there is someone in heaven to blame?" and "Going through the motions / as if there will be a reward / Oh, while we stay eternally bored!" (BEST SONGGG.) everyone is destined for the same fate of MU, the same void of nothingness awaits all. no reward, no punishment, no greater deity looking down upon us than the bored, slothful shinigami, lazing about in their realm and picking people off only when necessary (for the most part).

misa & mello are thus dedicating themselves to false idols, and we can see the negative effects this has on them in almost every facet of their character-- particularly for mello, who is perhaps more self-aware and has more of a mixed emotional outlook on his idol, but maybe even to a more extreme degree for misa. i keep going back to this idea of equating boredom with depression in DN, but where light/L/near are all "bored" in a very quiet, passive, stewing-in-bed late at night kinda way, misa & mello are characteristically a lot more aggressive and intense about it-- while neither of them are super overtly suicidal, necessarily, their actions still betray a distinct lack of care for their own safety or lives, expressing the same thematic sentiment as the others. even if they still don't straight up say it, through their actions they're a lot louder about not liking themselves, and seem to take the problems they see in the world more personally, shouldering the blame as a failure within themselves instead of projecting it outward like the others: e.g. light taking his unhappiness at the emptiness of his life at the start of the story & placing the blame on the world for "going to shit" & humanity's moral failings, versus misa being willing to literally & figuratively give up her life for KIRA the second he demands it, whether that be in the form of shinigami eyes or killing her own friends w/o second thought-- all because he was the only thing to bring justice to her own parents' deaths, an almost undoubtedly traumatizing/horrible experience for her considering how much value she places on KIRA/light afterwards.

to clarify, this is not to say that all of these characters are actually and literally depressed and/or suicidal, though you could certainly make that argument for some/all of them-- this is just one way that i think you could interpret their roles in the plot, and their thematic attachment to the story. even if DN isn't all that interested in considering the True Moral Answer to ethics/the justice system/human society/etc, it definitely takes at least some interest in the emotional viewpoints of characters in relation to those concepts, so i think this is a fair enough approach to take. or to say this another way, it's less about justifying the claim that "the world is shit," and more about trying to understand the emotional motivation & experience of feeling like the world is shit, if that makes sense.

that being said...speaking more on the whole "not liking themselves," thing: even if she doesn't say it aloud often, if ever, i think that misa is deeply aware of the fact that she was not supposed to live this long, that her existence at all is a pure stroke of luck that let her live on past her destined date. she dedicates herself to light so fully, not even necessarily expecting reciprocation (though she at least reserves herself the possibility of such), because being a disciple to her god at least gives her life some kind of purpose. similarly, i think mello is also aware of just how out of reach the one thing he wants is, how his desperation in and of itself is ironically the one thing keeping him from surpassing near and truly being #1. it's important to note that pre-time skip misa & post-skip mello are almost exactly the same age, around 20 years old at the time of their main arcs. they're immature, and in the case of mello especially, are lashing out at the world in whatever way they can because they know they don't quite fit into it in the way that they want to or should. regardless of the intent behind it, mello & misa both still make the conscious decision to kill with the DN-- perhaps in a way that still keeps their humanity, at least following near's logic, but it's a decision to end a human life either way.

anyways, going back to my previous point, this "worshiping of false idols," idea has some interesting implications-- for misa & mello yes, but also for L and the ways in which he contrasts again light, as under this logic mello's treatment kind of inherently gives L a similar status as a sort of false god/idol. which-- actually makes a lot of sense? or at the very least, viewing wammy's house as a kind of mystery cult a la the eleusinian mysteries is a neat approach to take. L & light's mutual alienation from humanity fits them both filling a false god status, anyway. also there's another thread of analysis you could follow here where near is instead fit into the role of the person mello is fixated on which AAAAAAAAA has interesting implications but jesus fucking christ, this post is long. some thoughts for another time, i suppose.