#ok the story is going well
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bizarrelittlemew · 1 year ago
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calling it right now that season 3 starts like this
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r-aindr0p · 6 months ago
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Read dungeon meshi up to vol.8 so far, so here you go Can't stop taking back the (vol.8) book and looking through the pages again and again and I'm wondering why does Mithrun just... grab Not even to use his magic, he just... grabs...
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eyrieofsynapses · 11 months ago
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why Aurora's art is genius
It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.
And
 y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.
I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. 
and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details
 aaaaaand it turned into its own giant-ass post.
SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so
 I get to be a nerd about pretty things
???
All positive feedback btw! No downers here. <3
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I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!
Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.
Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.
THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)
Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:
Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:
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Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.
I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.
If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!
Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that
 unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:
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Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.
A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):
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(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)
The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—
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—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.
(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)
Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!
One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like
 outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!
And another thing re: rain, the use of it to establish perspective, particularly in panels like this—
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—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)
Additionally, the misting here:
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We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.
A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).
Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):
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First panel, listed in numbers because these build on each other:
The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.
The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.
The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.
A handful of miscellaneous notes on the second panel:
The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)
The flowing of fabric in the wind and associated variation in the lineart
The way Erin's tattoos interact with the fire he's pulling to his hand
The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)
I could go on. I won't because this is a lot of writing already.
Third panel gets paragraphs, not bullets:
Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.
Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)
And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.
Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.
Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):
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It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:
Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.
And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.
One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.
A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.
Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?
Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):
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The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:
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What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P
Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):
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They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.
Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is
 probably more to this, but I'm not deep enough in yet to say.
And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3
...brownie points for getting all the way down here? Have a cookie.
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buqbite · 2 months ago
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Halo
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antigonesghosts · 3 months ago
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What I loved about Cinderella's Castle is it is so entirely about Ella. We know starkid can handle a show with tons and tons of characters but I found it quite refreshing for it to be so wholly her story? I think it was a lovely choice for this show and man Bryce did such a perfect job of it, she is truly such a star
#starkid#cinderella's castle spoilers#cinderella's castle#cc#cc spoilers#I think I want to rewatch it a couple of times to actually ascertain how I rank it with other starkid shows but. yeah what a great show#they used that money well too every aspect was STUNNING#and I could go on and on about the choreography maybe the best from any starkid show it looked so fucking good#anyway. justice for my girls Justine and Lucy I miss you#OH more things I loved! no romance! starkid write fantastic romances which I love dearly but again it was so nice#to just see Ella discover herself and her power. and yes I know her and Tadius are heavily implied but! I love that it was allowed to#just be the very beginnings of whatever they might become!!!#I will say that I predicted the Justine and Lucy thing which is heartbreaking I miss them#but anyway I loved it as a version of Cinderella and I loved it as a musical and MAN the music FUCKING SLAPPED#I made like 7 pages of notes because I regret that I don't remember my immediate reactions to bf and npmd#they are insane and most of them are just 'oh my god' and 'he's just a little boy' whenever crumb was on#ALSO WHO THR FUCK WAS THAT MASTER DWARF CAN WE GET MORE DETAILS ON THAT!!!!!!!!!!!!!!!!!!!! WHI IS HE AND HIS WOODBLOCK#OK ALSO ALSO oh my god there are too many thoughts in my brain. also. so it's basically confirmed they want to be Beauty and the beast and#snow white now right?#were there any other fairytale references?#ok fuck it finally last thing verrrry intrigued by how much the audience were clearly part of the story
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gobstoppr · 6 months ago
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Tetris Fanart.
I've been playing tetris while listening to horror podcasts. and yeah
#text#art#eyestrain#cw eystrain#bright colors#cw bright colors#tetris#nintendo#god i dont know what to tag this with. i dont wanna tag it with the podcasts themselves cuz that feels disingenuous. swagever#i actually started this piece a while ago. ok yeah looking at the date that was almost 3 weeks ago wow#but i finally decided to bring it back and finish it#ive been getting back into digital art and its been really nice. its nice having finished pieces.#ive been trying to get weirder with my art. like this piece was weirdly 'personal' in a sense#its been my unique experience listening to these pieces of media. the game in the bg is jsut as important to my experience as the art itsel#the looming sense of dread these podcasts give fit weirdly well with the high tension of some of these games of tetris#i wanted to have that sorta weird ominous vibe to it. have even the pieces feel loud and threatening.#and the gameplay being Past the ds itself is something i thought could be neat#ykno the tetris effect? where you play a bunch and then after you see the shapes everywhere;you play it in your mind?#that was part of what i wanted to channel there. but also like; how your attention works with this stuff#i might be looking straight at the ds but my attention is elsewhere; my brain is in another world#the game is still inescapable tho. tetris effect whatever. these stories stick in my brain just as much.#its all given me some. very very annoyingn anxiety. but i have to go back to them. like a moth to a flame etc. hince the moth climbing out#but uh yeah. that set up was my life for a few weeks whenever i had free time.#the main podcast this is about was magnus btw <- not typing full name so im not on the tag#and uh.#objectum#yeah i think. i think yeah.
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cipher-the-sidhe · 7 months ago
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@pluck-heartstrings things always look a little different under a spotlight, huh?
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forestgloss · 4 months ago
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i feel like something aphblr doesnt often address about mcd is that. aaron genuinely was the best for aphmau 😭 im so sorry but just going off of canon interactions in mcd, they were the only relationship of the main three where it was completely and naturally mutual without any pushiness or persuasion or possessiveness or immaturity on the guys part. i know plenty of you have your opinions on aarmau and the way it was executed and the way laurance and garroths characters were treated as a result and i agree with some of those points but i think we need to recognize. if ur gonna go off of canon. aaron and aphmau were the healthiest option and really the only way it couldve gone.
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corpsentry · 8 months ago
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breaking the law and outing myself on the internet because i'm showcasing my senior dance thesis on april 28 at 6:30 and 8:30 pm Eastern Standard Time and i want You to see it
we don't have a livestream link yet but we will. in the meantime look at these cool posters and this cool blurb. ok now save the date SEE YOU SOON
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olasketches · 2 months ago
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so because we have only three chapters left, I’ve decided that I’m going to wait for the official release instead of going through the leaks as I’ve been doing for
 almost the past 2 years. I don’t want the leaks and the fandom discourse to ruin my last experience with jjk as a still ongoing manga
 plus I thought it would be more fun and enjoyable this way... more special ig (I’m being so sappy ik) wish me luck guys!!
#Plus I want to know what it feels like to read a jjk chapter without the leakers’ wonky translation and shitty panels quality#also
 I’m soooooo tired of the discourse I’m genuinely over it.#I’m trying really hard to avoid it and just enjoy the chapters#cause even if I had my own doubts (that expressed here) about certain things#they were more or less later addressed in the next couple of chapters#so at this point I’m like ok I still don’t know what to expect or how gege is going to tackle all of it.#I have more questions than answers regarding characters like sukuna yuuji or megumi.#yes I loved sukuna’s conclusion and no idk how certain his ending it is as everything about it felt quite vague and unclear.#so yes I’m happy but I’m also open to whatever gege has planned for the last three chapters
#and basically whatever. just you do you gege I really don’t know what to expect. AT ALL.#all I know is that I want to let gege finish his story so I could have a full picture in mind#I’m tired of reading and going through assumptions criticism about new released chapters#while knowing that there are still more (now just three) chapters left#this was basically my whole jjk fandom experience after EVERY new chapter “this is bad and doesn’t make sense” like
#the story is not even finished yet 😭#I just want gege to finish the manga and then we can talk about what went well or what went wrong
 and all#but in the meantime I just want to enjoy the story for as long as I can#that’s all#jjk#personal
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skyeslittlecorner · 8 months ago
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Can I request a Raphael x angel MC please đŸ„ș
The Gabriel x Michelle and Lucifer x Michael were so good 😭😭
I'm stuck with you and your scenarios now 😠
You're welcome, dear~! I see my total eclipse of the brain bring some good after all. I hope I will be able to fulfill this request. Rafael is on the verge of being a character I dare write for, but let's try.
It was all your fault, that you make Raphael feel so special, then forget about it, and after all, you died. Lowly, pathetic human being. How dare you? Do you think he will forgive you for this? Tsk. Not only stupid, but naive, too. You are lucky that you chose to be reincarnated in heaven. Maybe there's still a chance for your pitiful soul.
And *maybe* you will repent if stop teasing him and start to suck.
Even though you were below him, licking his piercing and letting him tug at your hair, you knew who was boss. Poor, unaware angel. Blessing? Being the chosen one? Good joke. Only few strokes and his tip was already covered with whitish ooze. You raised an eyebrow and snickered.
“And who is the pathetic one?” 
He grabbed your hair harder. 
“Shut... up. Do your work.”
“Truly pathetic
” Your tongue stroked his trembling manhood. “Swayed so easily.”
“Enough!” 
As you opened your lips once more, he thrusted deep inside your mouth. Smiled vindictively as you chocked. He wanted you to lose your breath, to finally be quiet, and obediently end the act of his ascension. As cruelly, as holy. New madness hitted his insides as you murmured with a trickle of saliva ran down your chin.
“Better
” Those full cheeks, clenched throat and murderous intent in your eyes make you both dirty and perfect. Perfect to be used. Clouded with pleasure, he thought that he found his new favorite toy.
All Raphael stans! Let me redirect you to @livelaughlovesubs and her wonderful fics - here you got first and second part. I assume you've already seen it, if not, check it out~ She can write and catch his personality way better than me
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ruvviks · 4 months ago
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Following the chilling conclusion of All That's Left's first season, Mac and Layla and their friends find themselves scattered across a divided Los Angeles a year after their successful return to town. Matrix Corp has taken control— "With humanity's best interest in mind"— but with our protagonists' knowledge of Opportunity's destruction and Houston's unexpected fall, they know better than to trust the corporation and its near military-sized security force. Closed district gates separate them from one another and a new threat lurks just outside the city's walls— but resistance is on the rise, and it is only a matter of time before truth comes out. [SEASON ONE HERE]
taglist (opt in/out)
@shellibisshe, @florbelles, @ncytiri, @roseeway, @stars-of-the-heart;
@lestatlioncunt, @katsigian, @radioactiveshitstorm, @estevnys, @adelaidedrubman;
@celticwoman, @rindemption, @carlosoliveiraa, @noirapocalypto, @dickytwister;
@killerspinal, @euryalex, @ri-a-rose, @velocitic, @thedeadthree;
@kanos, @swordcoasts, @ordinarymaine, @claudiawolf, @strafethesesinners
#all that's left#edit:misc#nuclearedits#OK HIII here is season two :D i hope you guys like ittt the playlist is very funky just like the one for season one heehee#reblogs encouraged btw!! i love reading your guys' thoughts on stuff like this especially my original stories :^)#the opening theme is so good it works so well. very similar to the first season opening with wouldn't it be nice#wide shot of los angeles from the sky with the closed districts and one district in ruins because they let ghouls in a year back#with the song playing in the background as the camera pans over to show how bad the situation is after like#a little text intro that explains what happened in season one and how they made it back to los angeles safely for their happy ending#but. well. now there's this! and then the title shows in the screen and the song continues playing while you get like#a sequence of random shots from what life inside town is like now that matrix corp has taken control. are you seeing my vision#anyway i have a lot to say about the whole playlist again like with the other one but i won't do that here right now#this season would be fun because it jumps around more between different guys whereas in season one it was all one group#now you get a lot more interesting perspectives and there's additions to the cast and gabriella gets her own storyline#because she's stuck in some neighborhood outside the city walls with like. HUNDREDS of ghouls in slumber#and there's no way for her to get out of there safely. but she's going to try anyway#obviously this is never gonna be an actual tv show but i wish it was. i really wish it was i have so many visuals for it in mind
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rarilight · 7 months ago
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I’ve been thinking a lot about how my mom told me she can’t accept I’m bi and just wishes I’d come out as a lesbian already
Which led to a discussion in my supporter server about how biphobia has become much more prominent everywhere
Therefore I henceforth want to say that unless explicitly said other wise, in all of my stories, the girlies (and rainbow dash since she is the third character I most write shipping stories about) are all furiously bi
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rawliverandgoronspice · 1 year ago
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behold: my least favorite string of words in the entirety of Tears of the Kingdom.
#totk critical#totk#tloz#gerudos#when will my brain return from the imprisoning war....#I just stumbled upon it again doing research yesterday and....#there's so many layers as to why it aggravates me#that it's spoken from the perspective of a masked woman as to embody all gerudos while removing her own identity#in the context of her loyalty to rauru as well#that giving birth to a bad man makes you responsible for his actions (he's not a toddler anymore he's an adult ok)#or more metaphorically that your initial conflict with hyrule makes you Sinful and cursed and you must Feel Bad Now *shame shame*#that she's passing on that ageless guilt with no expiration date onto the shoulders of *a teenager* and it's considered GOOD???#(wind waker shaking crying right now)#ALL OF THAT to prop her up to swear her loyalty to the people planning to go murder their ancient king (sure he's a Bad but still???)#using some sort of weird ass original sin scenario that is arguably not any gerudo's fault but Ganondorf's#(or if it is then it's not shown so ???)#the vibes are so so so off I just really !!!!! don't like#this is stuff like this that makes me reject that it's a good story about alliances being formed in good faith#because this is just manipulative#maybe the alliance angle everyone's stronger together was the intention but the execution is another story entirely#gerudos never benefited from ganondorf's actions also#so it's not even a case of making reparations for the way you benefit from systemic oppression due to your ancestor's actions#gerudos won literally nothing in ganondorf's war#apparently he even subjugated them if they weren't on his side (like.... a king would.... not to excuse it but the double standard here)#so it just instrumentalizes the ageless sin of motherhood + suffering under a bad monarch billion of years ago for war#so uhhh.... yeah that's not... that's pretty bad imo#the gerudo girl could have went “hey girl this man used us and still hurt us to this day let's kick his ass once and for all”#and this would have been a different story entirely#a little cheap but not.... That Bad
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semothekat · 5 months ago
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me when im crazy about two characters that dont even know each other.
Thank you to @oathofkaslana for writing the id for this!!
#Paper’s art#Paper’s genshin art#Sayu#amber#genshin impact#hey guys.#hey. Guys. What if i exploded#I could go on and on and on#If i was writing this a little earlier then i probably would#BUT !!#i lied im gonna talk now#Ok so sayus sensei. Ambers grandpa.#they were both mentor/ parental figures and very very important to amber and sayu#And then they left and never came back and didnt tell them much if anything at all.#And their leaving caused sayu and amber to get their visions.#Both of them were trying to figure what to do after their sensei/grandpa left#I feel like im not explaining this very well but whatever#Sauy and amber are soo similar guys#amber’s book about flying courage#Sayu’s vision story about weakness and strength#ALSO THE WINDDD#Sayu wouldve died probably if there wasnt wind!!#The wind blew and she got away by turning into leaves!!!!!!! Also anemo vision#The amber bird book!! The wind!!!!!!!!!!!!!!!! The bird had courage and jumped!! And it flew becuase the wind came!!! Also wind glider#Btw i put the leaves and the birds in the comic becaue of that but whatever#Also theres more but idk idk idk lets talk about who the sensei is#As far as we know from the game- we know like ntohing. The only things we know from sayu is that they’re taller than sayu and smiles pretty#So why did i make the sensei kazuha’s friend? Because why not.#When i first heard about sayus sensei thats who popped into my head so ill stick with it. It also explains why sensei didnt come back yet#Ok theres no more tag space left
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vaugarde · 3 months ago
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havent seen this take in a while thankfully but it popped up in my head and i wanna post this anyways. i think everyone who talks about how siffrin “got off too easy” at the end of isat and his friends should have abandoned him should go read warrior cats if they want an example of a character using their trauma as their god-given jailbreak card to treat their family and peers (a good amount of whom who were completely innocent) like dogshit, and who faces zero consequences from the narrative for it (and in fact bends over to blame their peers). like read all the shit jayfeather does while the narrative sobs over how tragic but awesome and quirky he is and then look me in the eye and tell me siffrin’s ending was poorly written.
#or look at titania from reborn. what who said that#at least siffrin’s trauma is actually developed and taken deadly seriously by the narrative and clearly isnt being used to excuse his behav#behavior#siffrin does some shitty things in the story but theyre very obviously in a horrible state mentally and physically thats been breaking them#down little by little by little until theyve exploded and broken down. and his family still holds him accountable for what he did#but they stay with him anyways because they love and respect and care about him and are horrified to learn his situation#meanwhile ivypool goes through trauma yeah but shes not really written like a realistic trauma victim#and when she hurts her sister over and over and over and over and over again its always her sister who has to make it up at the end#and we all gotta sob and coo over ivy because shes the fan favoriteand if you criticize her then you hate trauma victims#(ignoring dovewing’s trauma from the situation as well i might add)#while ivy never gets to grow or acknowledge how her attitude is hurtful to herself and others#its just ‘’well dovewing had it better so she better shut the fuck up and deal with the constant emotional abuse ivy throws at her’’#imagine if isat ended with siffrin going ‘’actually im not sorry bc you all havent suffered as much as me’’#and the party didnt object to that at all and they were like ‘’yes we do have it better so youre justified in hurting us#and also you are the most tragic character ever so you cant face emotional consequences ever’’#(and before anyone goes ‘’well dovewing left the clan and ivypool feels bad about that’’ the story doesnt position it as a consequence of#her behavior to her sister. canonically shes leaving to be with her baby daddy and SHES framed as the one hurting her sister#and shes the one whos gotta mend that rift. while the narrative doesnt acknowledge that that situation was partly her sisters fault at all#)#ok sorry for wc on main jumpscare. i wouldve posted over on the blog but i dont think people over there have played isat#echoed voice#isat spoilers
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