#ok so this got really long

[daisybell-on-a-carousel]

Being someone who read Under The Red Hood and came out with the firm belief that, for Jason, it's not about killing Joker, it's about Jason wanting proof Batman would choose him over the Joker (bc shelia chose the joker). Makes seeing any other media where it's all about just wanting the Joker dead is a teeny bit frustrating. to be honest

Jason could've killed the Joker himself, really, really easily. Jason kidnaps the Joker before the confrontation. I can't open my comic for a reference right now, but it felt like he had the Joker for quite a bit before the confrontation. He had him. He beat him up with a crowbar. He had every single opportunity to kill the Joker himself, but he didn't because that wasn't his goal. Make no mistake, he did plan for the Joker to be dead by the end of it, but do you see what im trying to say here

Edit: If I knew this post was gonna get 1000+ notes I would've tried to word it better or something, this was a rant I made on the way to the grocery store 😭

It's not about making Batman kill either. When Batman says he won't kill, Jason adjusts and goes, 'Let ME kill the Joker or kill me to stop me' instead. The test is all about Batman choosing him. The whole final confrontation is Jason's first death again. The parent, The Joker, and the explosives. It even ends with Jason unable to move as a bomb goes off right next to him again because the parent didn't choose Jason. And instead tried finding an option that'd benefit them and (consequencely) letting the Joker walk, again, lol, lmao <-in agony

[francy-sketches]

sorry I got posessed by the wattpad demon I'm normal now (lying)

+alt version that didnt fit the #aesthetic but it better represents my #vision of them ^_^ hashtag couplegoals

[ruporas]

feast (ID in alt)

[cptnbeefheart]

this old world may never change and sometimes i wonder: do you ever think of me?

[deoidesign]

I met the me who made different choices

[feroluce]

Made a FANTASTIC discovery today regarding the meaning behind Boothill's fourth eidolon, I'm so happy!!! Most of it is just cowboy references, like

Eidolon 1: Dusty Trail's Lone Star- cowboy lingo, the Lone Star of Texas

Eidolon 2: Milestonemonger- more cowboy lingo, someone who roams and wanders

Eidolon 3: Marble Orchard's Guard- yet more cowboy lingo, a term for a graveyard (a fave of mine, because for me it evokes the image of a Church Grim <333)

Eidolon 4: Cold Cuts Chef- ????

Google didn't really provide much on Eidolon 4 like for the first three. Before today I had assumed it was just another movie reference of some sort, since Boothill is like entirely based on/inspired by old Western films.

"Cold cuts" are basically lunch meat/deli meat. It's precooked meat that doesn't need any kind of preparation- you can literally just eat it cold. Since it didn't seem to be a movie reference, I thought oh, maybe it's a nod to his lifestyle? Boothill is unhoused and lives on the run from the IPC with little rest, he doesn't really have the means to cook. Precooked, easy food like that would be a godsend for someone in his circumstances.

Anyway the original Chinese text gives it an entirely different, MUCH wilder meaning fjadskljfkld

love how they chose "celebrity chef" to show his expertise and/or fame in this fjkdlsja

Because no, "cold cuts" isn't cowboy lingo for anything, but cold meat specifically is.

It's how you refer to a corpse.

"Cold Cuts Chef" is not a title talking about his cooking ability, or his life's circumstances, or anything as mundane as that, IT'S ABOUT THE FACT THAT BOOTHILL SPECIALIZES IN DEALING DEATH, THIS MAN IS EXTREMELY SKILLED, AND GOOD AT WHAT HE DOES, AND WHAT HE DOES IS MURDER!!!!!

[moeblob]

FRECKLING CONTINUES.

[beeduoo]

wonderful

[kettle-flakes]

k so slay the princess is rotting my brain but currently one big thought is chilling in my brain, and like- hear me out (sorry if my wording doesn't convey my thoughts well skskfjdjg)

but I don't think the damsel is entirely as shallow as some may see her as. HEAR ME OUT- compared to the other princesses, yes, she definitely more shallow. and she is also (at least when looking at deconstructed) poking fun at those trying to have an easy and work free romance route where the princess does whatever you like and loves you so, so much. i'm not saying she's supremely deep and that no one understands her but me, but I also don't think she exists solely to mock players with absolutely nothing to say about the nature of human permanence either.

does that make sense? more thoughts below- they're a bit disjointed though so warning ^^;

I personally think the damsel can also represent a very real form love, so to speak.

gimme a min to explain. I think what initially led me to this is a line from the narrator equating the smitten and the damsel to acting like teenagers in love. and that line sorta shifted my perspective a bit on her a little? seeing that kinda made me go "ohhhhhhh makes sense" like it really did remind me of two kids who don't entirely get what dating entails but still want to be together, and given the endgame sequence the damsel's section just kinda cemented this mindset for me.

for clarification the damsel has two(?) bits of dialog depending on whether she's deconstructed or not. If she isn't she says something along the lines of (iirc) "you had a desire and you set that desire free/not caring about what it took or costed you in the process" annnd?? like that's kinda wholesome to me?

like the damsel's love with the player isn't nearly as in depth, complicated, or complete as say the thorn, but it's a passionate love. it's also a naive love. the sort of love you'd find with, well, teenagers having a crush. of course when people get older they see those old crushes as frivolous and flat, but to the people experiencing them in the moment, it's real! it's serious! they were still willing to risk a lot just to be together. and at least at the start, you're willing to be killed by the princess if it means she's safe after having a battle of control against the narrator. it just reads as very human to me. they truly felt that their love could conquer anything.

I feel the thorn is a more 'adult' version of the damsel. it's that passionate love taking on a more mature form. it has more hardships to go through and way more pitfalls and mistakes that one can make compared to the more childish love like the damsel's. there's less theatrics and fanfare, and to me it feels more somber and quiet. it's a contrast between the high stakes emotion filled damsel, and the more intimate, tense, and self-aware thorn. ultimately in the end for both of them, they come to a realization that love is a powerful tool almost in a way that mirror each other.

some of the same occurrences leading up to the route are also shared between the two. like having the princess stab you in the prior route. I also think it's worth noting that in the thorn, the thistles can be seen as/can be referred to a prison of her own making. something she can leave if she was willing to make the effort to do so. it's similar to the damsel's shackles being easily slipped off her wrist. she could free herself.

also by extension, say what you will about the smitten but he loves the princess no matter what form she takes. even when she kills him he still adores her. he is content with being cooked alive by the princess if that's what she wants. i think he's a lot like the damsel in that sense. whatever she wants, she will have. if the damsel is molded to love the player, the smitten is absolutely molded to love the princess in the same way.

[the-crimson]

I’m just spinning q!bbh in my mind rn I’ve got theories and analysis and bits of it are a stretch and it is rambly and long so it’s going under a cut but here we go XD

Everything he’s done since the eggs were taken has been so incredibly deliberate and he developed this plan when he was in the depths of the greatest despair. According to what he told Baghera today, he developed this plan before the anger stream when he lava cast the presidential office as that was part of the plan to draw out the workers.

So Bad blatantly lying and gaslighting and just being incredibly suspicious to everyone today feels deliberate. It feels like he’s intentionally burning these bridges. The whole gun debacle is a great example of this. I saw a post that suspected bbh took Ron to test Baghera and her loyalty to him by doing something he knows she’d disapprove of and while I don’t think that’s why he took Ron, I defiantly think that’s part of it.

The whole gun thing I feel is Bad’s test for Forever. Bad has lied to his face and changed the story so many times that even when Bad tells him the truth Forever doesn’t care. I think Bad is intentionally pushing Forever just like he is Baghera. He’s pushing him to see what it would take for Forever to cut ties. It’s brutal and is actively hurting Forever just like how Baghera was hurt learning what Bad had done to Ron.

Bad feels no guilt for what he’s done to Ron. All he cares about is what others would think of his actions. He knows what he’s doing is “wrong” but he doesn’t care. Such black and white morality is beneath him. He’s doing what he thinks is necessary.

And that includes his own self destruction. He is testing all of these relationships knowing full well that he might destroy them. He knows Baghera is so much more moral than him and has such a higher value of life so he intentionally showed her something that would shatter her perception of him. Bad knows that trust is very important to forever so he intentionally lies and gaslights him knowing full well that Forever may never trust him again.

Bad created this plan when he was at his lowest point. On an average day, Bad’s value of his own life is nonexistent. He designed a plan to uncover how the federation spies on them knowing full well that it could turn everyone against him. That sure sounds familiar doesn’t it? Bad’s proposed this exact same plan under different circumstances(“joining” the feds to make them worse so everyone revolts against them inspired by his building inspector bit”). He doesn’t care about himself and is willing to throw himself to the wolves and make everyone hate him if it means defeating the federation and getting their children back. Previously, bad never went through with the plan because he wasn’t as desperate but now… during the depths of his grief after the kids were stolen, there was nothing holding him back from complete self annihilation.

I think Tubbo discovering/catching on to bbh’s kidnapping put a hitch in Bad’s plans because now his tests for others are being influenced by an outside variable he can’t control, that’s why he spent the whole day doing damage control. He’s trying to spin the story in such a way that he’s still somewhat in control of the situation. He knows that the cats out of the bag. Everyone is going to suspect him now so what does he do? He spends the day making himself even more suspicious. He admitted to torturing foolish in the past. He admitted to imprisoning forever during the happy pills arc. He admitted to planning on abducting a player in the future. He’s making himself look so much more guilty.

Everything he does is with intent. What could be the intent here? He’s told several people that he wants to be arrested so he has access to the federation prisons/facilities. He’s told several people that he is capable of kidnapping/torturing someone. He denies he’s guilty of Ron’s disappearance while simultaneously making himself look guilty. Is he trying to push the federation? To see if they actually will arrest him? All fingers point to bbh and the federation knows this - they basically say so in the journals Tubbo found. But they continue doing nothing. The workers are warned to stay away from him at all costs but… why wouldn’t they just arrest him? They’ve done so to others for less. That’s the question I want Tubbo to be asking. He’s smart enough to realize there’s something off here. Yes bad has a guy in his basement but why hasn’t the federation done anything about it?

Maybe that’s Bad’s test for Tubbo. Bad knows Tubbo is fiercely intelligent and that he can’t bullshit has way past him so he gave Tubbo so much. Yes there was a lot of bullshit but Bad intentionally gave Tubbo more ammunition against him. Is that Bad’s test? If Tubbo finds proof that Bad has Ron in his basement and the federation continues not to act, will that clear Tubbo of suspicion in his eyes? Tubbo knows the worker Bad is trying to find, is Bad giving Tubbo a chance to unknowingly prove himself by uncovering Bad’s secret? “Has anyone ever told you your too smart for your own good, Tubbo?” It sounded like a threat but it could have been an invitation.

Fred has become an incredibly important npc and I have a feeling he is the key to unlocking the mysteries of the eggs and the great evil. I’m pretty sure he’s the one in the radio transmission that talks about why the eggs disappeared and Ron said he overheard Fred talking about the evil. Fred knows so much more than he lets on and one way or another, the players are gonna find out.

I’m also fascinated by Bad’s conversation with Bagi about Boo. Only after Bagi confessed to telling Forever about the secret did Bad put in his clipboard that she passed the test. We’ll how did she pass the test? She told someone about his secret. We’ll, she came clean about it. She told someone she thought was Bad’s best friend then admitted it. She wasn’t trying to go behind his back and thus was trustworthy. However, as the day went on and Bagi learned about Ron, this changed. Her perception of Bad changed and Bad updated his notes about her in response. She went from trustworthy to sometimes trustworthy to be careful what you tell her. She still passed the test but the level of trust dropped dramatically - which is so fascinating.

At the end of it, I think… through all of this, Bad is gonna burn all his bridges in order to find the eggs and destroy the federation. He’s accepted that at this point. He was so dismissive of Baghera’s concerns for Ron and Bad and almost felt like he was placating her, just telling her what she wanted to hear. If Baghera interferes with Ron, I don’t think Bad will accept that and he would sacrifice their relationship to continue his plans. If anything, I could see him releasing Ron into Baghera’s hands only to capture Fred in his place - and this time he wouldn’t tell a soul.

Just the sudden switch in attitude when everyone triggered his radar was palpable. “Get out of my house or die” he was so furious that this test had been interrupted but he masked it while with baghera. When Bad went flying into the hall of grim shouting at everyone to get out and attacking them mercilessly, you could feel the rage (part of that was the lore secrets being accidentally revealed but still) the entire visit with Ron was a performance for both Ron and Baghera and I feel so bad for Baghera because she’s in an impossible position.

She wants to be there for Bad she wants to support him but this… this is so far beyond what she is willing to excuse from him. This has crossed so many lines but there isn’t any turning back. She doesn’t want to lose Bad either through breaking his trust or being taken by the federation but at the same time she can’t stand by and do nothing. She needs to help him. Unfortunately, that means it’s highly likely Bad will end up immolating their friendship if she pushes too hard.

And just the way Bad acts around Ron is so fascinating. It’s all a performance. The large furnished home. The fridge full of food. The fish. The weird attachment Bad shows - almost a reverse Stockholm syndrome - while simultaneously talking over/for Ron in such a dehumanizing way. It’s so fascinating in the moments when the mask falls away. When Bad was watching Baghera talk to Ron - idk if it was just me - but I felt like Bad was a hawk observing it’s prey. He plays up the sugary sweetness and dependence but he still feels like a tiger prowling the bars of his cage eyeing the snacks on the other side. It’s the way he moves and what he choosss to look at during these scenes idk bbh’s body language is insane and I could devote an entire essay to analyzing it

Like Bad’s stream title before he started stream, there are only two sides. Either ur with him or against him and the only thing he values is finding the eggs and tearing down the federation. He doesn’t care if everyone grows to hate him. He doesn’t care if he grows to hate himself. There are no lines he won’t cross. It’s all worth it. It’s all inevitable.

[bobbydabob]

hello. i love your art greatly. so much. huge inspiration. the shapes. everything about it. i hope you have a great day.

also. i saw your requests are open. feel free to ignore this but. how about some rikai and fumiya interactions. i think theyre so funny ..

either way. Have a beautiful day your art is so awesome thank you for sharing. i found your blog because of charisma house and i love just seeing whatever you draw of anything..

Sure thang, they are my favorite duo too. Sorry this took like 1 million years I didn’t feel like drawing cartoons and also I got a big post and it made me nervous.

[mayhemspreadingguy]

Beautiful Nightmare 🖤

[ricky-mortis]

A portrait of Sir John Herschel because I‘m normal about Pulp Musicals

[kettlekibble]

[ruvviks]

PLEASE DO NOT TAG AS YOUR OWN OC.

Vincent spends all his life searching for himself, searching for his spot in the world. He lives in the past and what will never be, longing for everything he has missed out on and everything he will never have. It is not until he learns he is dying that he comes to realize he has to live in the present, to enjoy life as it comes.; and despite his confusion, fear, and his regrets, he tries to live the rest of his life to the fullest, knowing very well he is living on borrowed time. OC WEB WEAVE SERIES: VINCENT "V" MAYER.

charles bukowski, pulp // by wiissa0 // loneliness for love; lovelytheband // louise glück, from 'unpainted door' // by biryuza // summer farah, i could die today and live again // tobia photographed by su yang // wake up; run river north // ruhlare // by julykings // lemonade; twin xl // ryan walker photographed by ryan pfluger // mary oliver, from 'marengo' // still not dead; dreamers // by lovelyopalite // by geloy concepcion // lemon drop; raynes // chris abani, ritual is journey // 'die milchstrasse', cover detail // louise glück, averno // i like cars; caroline kole // by cruellesummer // frances molina, o’death

[yeetusthemighty]

The creechur

The silly (crazy? I was crazy onc-)

So I got inspired to finally post this guy because of this post by @z4n3jul13n (cool person you should look at their stuff)

full version with my doodles under the cut

(I have a whole au based off of this guy)