#oil and metal leaf on panel

[marejadilla]

Rosso Emerald Crimson (Rosso Art), “Red Locks”, 2022, oil and metal leaf on panel, 70x45 cm.  Italian born, Rosso has been living in London, UK.

[fyblackwomenart]

Fortuna by Rosso Emerald Crimson

[ruinedholograms]

march of the pigs (1994)

halo seven: uk limited edition 9″ vinyl

I admired this act of quiet, non-violent subversion and felt it to be a relevant metaphor for the 5 track single March of the Pigs. The work is made of plaster, acrylics, oils, gold leaf, metal and smoked rose petals on a wooden panel - Russell Mills

[xi4oyan]

┊ 2 ┊ Cold Lights, Dead Carnations

He awakens in a body of metal, but his eyes are still made of sun. You swear you’ve never seen him — yet you dream of his voice speaking your name in another tongue.

Cold lights stretch across the ceiling like veins of glass. The lab breathes in precise cycles: zzzhum—click. zzzhum—click. There is no sky here. Only gray concrete, suspended panels, and the endless whisper of machines dreaming.

You’ve lived in this rhythm for years. With hands stained in oil and skin made pale from the absence of sunlight. Gears are more honest than people. Circuits don’t lie. Memories do.

 

He lies on the central table, still dormant.

An experimental alloy body, brushed-metal skin. There’s something ancient in the slope of his shoulders, something that doesn’t belong to this century — as if the mold had been carved by divine hands and then forgotten among the stars.

 

You’re supposed to treat him like a machine. Project W: fragment 061.

But you can’t.

 

There’s something in his closed eyes that makes you hesitate. A soft weight in the air, as if the silence between you two is old. As if he’s been waiting for you… longer than any logic would allow.

 

Days ago, when you activated the neural system, the sensors picked up something strange: fluctuations that resembled dreams. He whispered in extinct languages, with a cadence that made your skin tremble. A deep, warm sound, impossible — like a name being remembered for the first time after the end of the world.

 

Your name.

 

Since then, you’ve dreamed of him.

Always behind a veil of gold.

Always saying your name as if guarding it.

Never with this face — but the same sun in his eyes.

 

Now, before you, he moves.

Just a little. Like a leaf trembling in an autumn that’s already gone.

 

Red lights flicker on the panels. The biocircuit is active.

You hold your breath.

His eyes open.

 

There is no mistake: they are golden. Intense. Absurdly alive.

The heart of the machine pulses once.

 

And then you see yourself — reflected in them.

 

He says nothing. But something inside you crumbles like an old dam.

You step closer, slowly. You touch the metal chest with trembling fingers, as if searching for a trace of warmth.

 

“You weren’t supposed to be here,” you whisper, almost in prayer.

“Neither was I.”

 

The table where he rests is surrounded by artificial flowers. Someone left them there. White carnations, already faded, almost dead. You don’t remember bringing them.

 

But he looks at them. As if he remembers.

 

The room remains silent. And yet, everything sounds different now.

As if time is waiting.

As if he’s waited for you since before metal ever dreamed.

 

𖦹 Maybe you created him.

Maybe you only remembered.

[xpuigc-bloc]

Lauren Brevner

Kiku 菊

2016

Oils, acrylics, metal leaf, resin and mixed media on wood panel

[chimaeras501st]

Excited to finally get some decent pictures of my small star wars paintings! (5"×7")

Here are the first 3

The bottom two are scaled down freehand reproductions of Ralph Mcquarries concept art- I was experimenting using glazes on a metallic acrylic painted canvas. I want to try painting on aluminum panels and gold leaf next to see which i like best of the 3.

I like to do small paintings in between my more "serious" pieces to maintain what i learned with oils, but also because they take less energy, and are a great way to use up whatevers left on my pallet.

My Etsy if anyones interested 😊

[storm-in-the-serpentin]

"Tsubaki", by Lauren Brevner, 2016

Oils, acrylics, metal leaf, resin and mixed media on wood panel.

Source:

[longlistshort]

Center sculpture by Claire Falkenstein- “Point as a Set #10, c.1962, copper

Large painting on the right- Bettina Brendel, “Particles or Waves?”, 1969, acrylic on canvas

Palm Springs Art Museum is currently showing Particles and Waves: Southern California Abstraction and Science, 1945-1990 a selection of abstract work created by Southern California artists influenced by that era’s scientific ideas and breakthroughs. These explorations are divided into sections focused on optical science, mathematics, color in motion, and space age abstraction. The exhibition also includes several experimental films created during this period.

From the museum-

Beginning in the 1920s and 1930s, scientists at institutions near Los Angeles including Mount Wilson Observatory, the California Institute for Technology, and the Jet Propulsion Laboratory in Pasadena, generated groundbreaking experimental research in astronomy and particle physics. During and after World War II, the region remained at the forefront of scientific inquiry in theoretical physics and its applications within aerospace engineering, industrial manufacturing, and communications technologies. Between 1945 and 1990, many artists in Los Angeles produced visually abstract artworks while closely engaging with scientific ideas, mathematical theories, and materials or processes derived from physics and engineering.

The exhibition unites several generations of artists working in diverse materials and styles to examine how subfields of scientific investigation inspired a range of non-figurative artworks by practitioners concerned with light, energy, motion, and time. By drawing interdisciplinary connections between the work of early abstractionists and contemporary practitioners, the exhibition considers abstract artwork from Southern California in a new way.

Below are a few selections along with information from the museum.

Claire Falkenstein, “Orbit the Earth”, 1963, Oil and metallic paint on nine canvas panels

Through both abstract paintings and sculptures, Falkenstein explored subjects inspired by astrophysics. In Orbit the Earth, she conveys a sense of motion through patterns of curved points in metallic paint and sweeping lines that reveal traces of the painting’s black background. The artist referred to her small gestural marks as “moving points” and explored how arrangements of these painted forms could express types of motion and energy in the universe. In her hanging sculpture Sun represents a dynamic celestial form that shifts in appearance as viewers move around the work. The sculpture’s open, webbed structure creates a continuum between the work and its surrounding space, parallelling interconnections between the Sun and other cosmic phenomena in the solar system.

Helen Lundeberg, “Untitled (Sectioned Planet)”, 1969, Acrylic on canvas (left) and Eva Slater, “Galaxy”, 1954, Oil on panel (right)

Oskar W. Fischinger, “Space Abstraction No.3”, 1966, and “Multi wave”, 1948, Oil on canvas

Hilaire Hiler, “Parabolic Orange to Leaf Green”, 1942, Oil on board

Inspired by the idea of enlivening artwork with electricity, Malina developed a range of kinetic paintings like Mitosis beginning in 1956. This work exemplifies the artist’s Lumidyne system of works where illuminated colors shift through cycles generated by an encased motor, rotating components, and electric light sources. A founder of Caltech’s Jet Propulsion Laboratory in 1936 and a preeminent American specialist in rocketry, Malina turned to creating artwork in the early 1950s after relocating to France.

DeWain Valentine, “Vertical Section”, 1979, Laminated glass

Bettina Brendel, “Prisms”, 1982, Acrylic on canvas

Miriam Schapiro, "Computer Series #3", 1969, Acrylic on canvas

Bettina Brendel "A Numbered Universe", 1966, Oil on canvas

Lee Mullican, "Computer Joy", 1987, TGA file 512 x 428 pixels

In Computer Joy, repeated and overlaid sections of lines and geometric forms produce an all-over field of pixelated patterns. While teaching at the University of California, Los Angeles in 1986, Mullican explored the artistic posibilities of new computer imaging technologies. The ability to readily duplicate digital shapes using the computer complemented his long-standing practice of applying repeated striations of pigment into patterned arrangements in paintings like Source from 1981.

Lee Mullican, “Source”, 1981, Oil on canvas

James Turrell, “Afrum (White)”, 1966, projected light

In Afrum (White), a modified projector casts a rectangle of white light onto the corner of the otherwise darkened gallery, creating the illusion of a floating three-dimensional cube. The crisply defined area of light changes in appearance depending on how viewers move in the space. Through his precise manipulation of light within specific spatial environments, James Turrell creates opportunities for viewers to engage with nuanced processes of perceptual experience.

Man Ray, “Shakespearean Equation: King Lear”, 1948, Oil on canvas

While living in Hollywood in the late 1940s, Man Ray produced his Shakespearean Equations, a series of paintings depicting mathematical models that reference plays by William Shakespeare. King Lear highlights the aesthetic qualities of a particular form known in algebraic geometry as a Kummer surface with eight real double points. For the artist, the drips of paint on the mathematical form recalled the tears shed by King Lear after learning that his favorite daughter was killed, layering human emotion onto the geometric shape.

This exhibition, part of The Getty’s PST ART programming, closes Sunday, 2/23/25.

[omarhussainchicago]

Best Luxury Materials for Interior Design in Dubai

Dubai is synonymous with opulence and luxury, a city that embodies cutting-edge architecture and exquisite design. The interiors of Dubai’s most luxurious properties reflect this ethos, incorporating the finest materials from around the world. For those looking to infuse their spaces with a sense of elegance and sophistication, choosing the right materials is crucial. This article explores some of the best luxury materials used in interior design in Dubai, providing inspiration for creating stunning, high-end interiors says, Omar Hussain Chicago.

Marble: Timeless Elegance

Marble has long been a staple of luxury interiors, and in Dubai, it is used extensively to create grand and sophisticated spaces. Known for its timeless beauty and durability, marble comes in a variety of colors and patterns, each slab unique. White Carrara, Calacatta, and Statuario are some of the most sought-after types of marble.

In Dubai’s interiors, marble is often used for flooring, countertops, and statement walls. Its reflective surface can enhance natural light, making spaces feel more expansive and airy. For an ultra-luxurious touch, consider bookmatching marble, where slabs are arranged to mirror each other, creating stunning symmetrical patterns.

Gold and Brass: Gleaming Accents

Gold and brass are quintessential to Dubai’s luxurious aesthetic. These metals are used to add a touch of glamour and opulence to interior spaces. Gold leaf, gold plating, and brass accents can be found in various elements, from furniture and lighting fixtures to decorative accessories and hardware.

Incorporating gold and brass into interior design can be done subtly or boldly, depending on the desired effect. A common practice is to use these metals in light fixtures, door handles, and trim, where they can catch the eye without overwhelming the space. For a more dramatic impact, consider gold-plated ceiling panels or brass-clad walls.

Exotic Wood: Rich and Warm

Exotic wood species such as ebony, rosewood, and teak are prized for their rich colors and intricate grain patterns. These woods bring warmth and sophistication to interior spaces, making them a popular choice for high-end homes and commercial properties in Dubai.

Exotic wood can be used in a variety of applications, including flooring, wall paneling, furniture, and cabinetry. Its natural beauty and durability make it ideal for creating bespoke pieces that stand the test of time. To highlight the wood’s unique characteristics, it is often finished with high-gloss lacquers or oils that enhance its natural luster.

Crystal and Glass: Sparkling Details

Crystal and glass are essential materials for adding a touch of sparkle and elegance to luxury interiors. In Dubai, these materials are used in various forms, from chandeliers and light fixtures to decorative panels and furniture.

Crystal chandeliers, in particular, are a hallmark of luxury design, casting a dazzling array of light and creating a focal point in any room. For a modern twist, consider custom-made glass installations that incorporate LED lighting or intricate etching. Glass can also be used in furniture, such as tables and shelving, to create a sense of openness and sophistication.

Silk and Velvet: Luxurious Textiles

Omar Hussain Chicago: Silk and velvet are the textiles of choice for creating sumptuous and inviting interiors. These materials are associated with comfort and luxury, and their rich textures add depth and elegance to any space.

In Dubai, silk is often used for draperies, upholstery, and bedding. Its natural sheen and softness make it perfect for creating an opulent atmosphere. Velvet, with its plush texture, is ideal for sofas, armchairs, and cushions. It adds a sense of warmth and comfort, making it perfect for creating cozy yet luxurious living spaces.

Leather: Sophisticated and Durable

Leather is a versatile material that brings a touch of sophistication and durability to interior design. High-quality leather, such as full-grain or top-grain, is used in various applications, from furniture and wall coverings to accessories and flooring.

In Dubai’s luxury interiors, leather is often used to upholster sofas, chairs, and headboards, adding a sleek and elegant touch. Leather wall panels and floor tiles are also becoming increasingly popular, providing a unique and tactile experience. The natural patina that develops over time enhances its beauty, making leather a long-lasting and stylish choice.

Natural Stone: Organic Luxury

Beyond marble, other natural stones such as onyx, travertine, and limestone are also popular in Dubai’s luxury interiors. These stones are celebrated for their unique patterns and colors, which can range from subtle and earthy to bold and dramatic.

Onyx, with its translucent properties, is often used for backlit feature walls and countertops, creating a mesmerizing effect. Travertine and limestone are preferred for flooring and wall cladding, providing a natural and organic feel that complements both contemporary and traditional designs.

Dubai’s interior design scene is characterized by its use of luxurious materials that exude elegance and sophistication. From the timeless beauty of marble and exotic woods to the gleaming accents of gold and brass, these materials are essential for creating high-end interiors. Incorporating crystal, glass, silk, velvet, leather, and natural stone further enhances the opulence of these spaces, making them truly stand out.

Omar Hussain Chicago: For those looking to infuse their interiors with a touch of Dubai’s luxury, choosing the right materials is key. By understanding the unique qualities and applications of these materials, you can create spaces that are not only visually stunning but also embody the essence of luxury and sophistication.

Originally Posted: https://omarhussainchicago.com/best-luxury-materials-for-interior-design-dubai/

[globalworship]

Modern Black Saints Portrayed by Patrick Dougher (set 2)

Born and raised in Brooklyn NY, Patrick Dougher is a self-taught Artist, Musician, Poet, Educator & Spiritual Activist.

Through his art Patrick seeks to inspire and to celebrate the noble beauty and divine nature of people of African descent and to connect urban African American culture to its roots in sacred African art, spirituality and ritual. https://www.godbodyart.com/about-the-artist

He has created hundreds of collages and paintings and sculptures and mixed-media art.

Among his diverse subjects, he has portrayed many Black people with halos, implying they are all “saints” - reflecting a God-given divine nature. Some of these paintings are in overtly religious visual contexts, many are in everyday situations.

See Set 1 of of samples of his Black saints, and read more, at https://globalworship.tumblr.com/post/752554050292187136/black-saints-portrayed-by-patrick-dougher

Here is Set 2 of samples of Black saints from his website at https://www.godbodyart.com/ and his FB page at https://www.facebook.com/patrick.dougher.5

+++

QUANTUM DEVOTION I Acrylic / Spray Enamel / Oil Pastel / Bible Pages on paper - 19” x 24”

+++

PREPARATION Acrylic / Collage / Gold Leaf on Paper - 14” x 17”

+++

THE FAMISHED ROAD III Acrylic / Bible Pages on Paper - 14” x 17”

+++

EXODUS Acrylic / Graphite / Bible pages on Canvas Board - 20” x 24”

+++

THE TWO ON MY SHOULDERS Acrylic on Canvas - 30” x 40”

+++

INDIGO SAINT Acrylic / Collage / Gold Leaf on Paper - 18” x 24”

+++

SANCTUS AFRICAE I Acrylic / Designed Papers / Spray Enamel / Oil Pastel / Gold Leaf on Wood panel- 24” x 36”

+++

SANCTUS AFRICAE II Acrylic / Designed Papers / Spray Enamel / Oil Pastel /Gold Leaf on Wood panel - 24” x 36”

+++

ZEN (GOD ABOVE) Acrylic /Silver Leaf on canvas - 30” x 40”

+++

QUANTUM REFLECTION II Acrylic / Spray Enamel / Oil Pastel / Copper Leaf on paper- 19” x 24”

+++

QUANTUM DEVOTION III Acrylic / Spray Enamel / Oil Pastel / Bible Pages on paper - 19” x 24”

+++

QUANTUM DEVOTION II Acrylic / Spray Enamel / Oil Pastel / Bible Pages on paper - 19” x 24”

+++

'ROUND MIDNIGHT Acrylic / Designed Paper / Gold & Copper Leaf on Canvas - 18” x 24”

+++

ATONEMENT Acrylic / Bible Pages on Canvas Board - 20” x 24”

+++

VOLE MOUTE [Haitian Creole for 'Jump up'] Acrylic / Torah Pages on paper - 12” x 19”

+++

AS ABOVE SO BELOW Acrylic / Collage / Gold Leaf on Wood - 12” x 16”

+++

DIVINE PARADOX Acrylic / Collage / Gold Leaf on Wood - 12” x 16”

+++

ESTATIC STIGMATA Acrylic on Canvas - 16” x 20”

+++

GOD KING Acrylic on Wood - 24” x 24”

+++

THE QUIET ANSWER Acrylic / Designed paper / Gold Leaf on Wood - 14” x 20”

+++

ANOTHER MOTHER MOURNS [on found flat can]

+++

EARTH FLOWER [on flat found can]

+++

BLACK METAL [on found flat can]

+++

MLK [on found flat can]

+++

FRIENDS Collage on Paper- 9” x 12”

+++

ORDAINED II Acrylic/Collage on paper - 9” x 12”

+++

AFRICAN CHRISTIAN Collage/ Bible Pages/ Glitter on Paper- 8” x 10”

+++

LOOK HOW DEM A DO WE (The Homeless Messiah) Collage / Acrylic on Paper - 8” x 10”

+++

PENANCE Collage/Acrylic on Canvas- 18” x 24”

+++

FINAL CALL

+++

Patrick has painted hundreds of portraits like these - and many more without halos - and I’ve been thrilled to browse them online. See some at https://www.facebook.com/patrick.dougher.5 and his website at https://www.godbodyart.com/ and https://www.instagram.com/patrickdougher/

Patrick Dougher’s art reflects his life’s mission to inspire and empower by honestly and fearlessly holding up a mirror to society’s inequities and injustices. He seeks to celebrate through his art the noble beauty and divine spirituality of people of African descent and to connect urban African-American culture to its roots in sacred African art and ceremony.

+++

Find Set 1 of a compilation of his Modern Black Saints at https://globalworship.tumblr.com/post/752554050292187136/black-saints-portrayed-by-patrick-dougher

Find a compilation of his Black Madonna art at https://globalworship.tumblr.com/post/752574989558054912/black-madonna-art-by-patrick-dougher

[sheltiechicago]

Mary McLeod Bethune, 2021

This Little Light of Mine (I Am Gonna Let It—): Stephen Towns

Paintings and quilts that depict Black labors.

I am the Glory, 2020, acrylic, oil, metal leaf on panel, 48 × 36 inches.

The Bakers, 2021, acrylic, oil, metal leaf on panel, 48 × 36 inches.

Ona Judge and Her Family, 2021

[adventuresofchick]

Chick has been loving getting to work with the exhibition Stephen Towns: Declaration & Resistance with paintings and quilts by Stephen Towns and curated by Kilolo Luckett. Reynolda House is hosting the exhibition through May 14, 2023 - come see it if you are in or near North Carolina!

Chick is here with some of her favorites:

1️⃣ Ona Judge Escapes, 2021. Natural and synthetic fabric, polyester and cotton thread, crystal glass beads, resin buttons. Read Never Caught, by @ericaarmstrongdunbar to learn more about the fascinating story of Ona Judge and her self-emancipation (I read the young readers edition she wrote with Kathleen Van Cleve)

2️⃣ Built of Rich Earth, 2020. oil, acrylic, fabric, buttons, Bristol paper, mica flakes, graphite, glitter, and charcoal on panel

3️⃣ Flora and Lillie, 2022. Acrylic, oil, metal leaf on panel

[huariqueje]

The Bakers   -   Stephen Towns , 2021.

American, b. 1980 -

Acrylic, oil, metal leaf on panel ,  36 x 48 in.   91.4 x 121.9 cm.

[a-treatise-on-velociraptors]

I love the rabbit hole of arts/crafts. One minute you're crocheting and the next you're handspinning yarn. One minute you're using a metallic gel pen the next you're looking up gold leafing techniques. One minute you're oil painting on cheap canvas panels the next you're looking up how to prime and stretch linen. It goes on and on

[notchainedtotrauma]

Stephen Towns, Shaping Up,

acrylic, oil, metal leaf, silver leaf on panel

[dorothycreative]

Champagne at Breakfast by Dorothy Siemens. Oil and gold metal leaf on 20 x 20 inch cradled wood panel. Sold. Instagram: @dorothy.siemens