#narrative quilts
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Chick has been loving getting to work with the exhibition Stephen Towns: Declaration & Resistance with paintings and quilts by Stephen Towns and curated by Kilolo Luckett. Reynolda House is hosting the exhibition through May 14, 2023 - come see it if you are in or near North Carolina!
Chick is here with some of her favorites:
1️⃣ Ona Judge Escapes, 2021. Natural and synthetic fabric, polyester and cotton thread, crystal glass beads, resin buttons. Read Never Caught, by @ericaarmstrongdunbar to learn more about the fascinating story of Ona Judge and her self-emancipation (I read the young readers edition she wrote with Kathleen Van Cleve)
2️⃣ Built of Rich Earth, 2020. oil, acrylic, fabric, buttons, Bristol paper, mica flakes, graphite, glitter, and charcoal on panel
3️⃣ Flora and Lillie, 2022. Acrylic, oil, metal leaf on panel
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I was very sad to hear the news of artist and activist Faith Ringgold’s recent passing. Throughout her incredible career she created work in a variety of mediums including painting, sculpture, and narrative quilts. She also wrote and illustrated several children’s books- including the wonderful Tar Beach, based on one of the quilts, which won several awards.
Pictured above is American People Series #20: Die, 1967, currently on view at the Museum of Modern Art in New York.
From the museum about the work-
Recalling her motivation for making this work, Ringgold has explained, “I became fascinated with the ability of art to document the time, place, and cultural identity of the artist. How could l, as an African American woman artist, document what was happening around me?” Ringgold’s American People Series confronts race relations in the United States in the 1960s. This mural-sized painting evokes the civil uprisings erupting around the country at the time. On the canvas, blood spatters evenly across an interracial group of men, women, and children, suggesting that no one is free from this struggle.
#Faith Ringgold#Art#Artist#Children's Books#MOMA#Museum of Modern Art#Narrative Quilts#NYC Art#Painting#Quilt#Quilts#RIP#Tar Beach
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Today on Posts That Will Serve As A Blocklist but whatever:
It's genuinely at the point where people who act all dismissive and superior about the Star Wars animated series, and ESPECIALLY of Ahsoka specifically as a character--snidely dismissing anything that involves TCW-original characters or arcs--are just. Objectively hysterically wrong.
Like.
Phantom Menace released in 1999.
Revenge of the Sith was six years later, in 2005.
TCW started airing in 2008. Ahsoka started existing in the narrative literally three years after RotS dropped.
Even if you start counting as far back as you possibly can, back in TPM (wherein Anakin was an actual baby), the prequel era only existed at all without her for nine years.
Ahsoka Tano has been a narratively significant, load-bearing major protagonist of the Star Wars franchise for, as of this post, sixteen (16) years. Very nearly twice as long as her era ever existed without her! At this point, if you are determined to act like she's some handwavey 'new' star war idea whose impact on the living tapestry of the GFFA can be easily dismissed, that's...
...like, full offense but that's kind of on you, man.
#'but anakin wasn't originally planned to have--'#fuck no he wasn't!#this is star wars my friend 90% of this shit was never planned#like fucking christ THE SKYWALKER TWINS weren't even Originally Planned TM#(in OR out of universe lmao amirite)#that's how the star war has ALWAYS worked#adding things to the narrative that echo backward and forward#retroactively giving meaning to throwaway lines or one-off locations#Alderaan wasn't the galaxy's foremost provider of humanitarian aid in the OT#'Skywalker' being a traditional Tatooine slave-name was absolutely not baked in when Luke was named#the entirety of R1 wasn't 'planned' in the OT but it exists NOW#it's a patchwork quilt of a living story and that's what makes it work#we did NOT make a folk hero out of That Guy With The Ice Cream Maker for you to disrespect Ahsoka Tano's central role in this narrative--#remember your fucking ROOTS
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working in an art gallery and talking to a lot of full time artists has given me CRAZY imposter syndrome btw lmao
#i went to a local gallery today (not the one i work in)#and i was looking at this one artists work#and she used a lot of patterns but didnt go up to her#she came up to me as i was looking at her work like ' hi i see youre looking at my work which one do u like most' like okay#i had my headphones on at the time so it did scare me#anyway im really stuck thinking about her work#like shes got this lovely cluttered and messy and chaotic style with still life in one dimension#and she uses pattern and quilt-like grids and so much colour#and the chaos of her work is by far the best part#how nothing stays in their boxes andeverythings falling#its homely and DRAMATIC. which is a mix that doesnt always go together but is held together by the chaos of her work#AND THEN SHE PUTS COLLAGE QUOTES ON IT 'fly high in the sky like a butterfly'#AUUUGGGHHH it pisses me off so much. REALLY? THATS THE BEST QUOTE? no song lyrics no deepp meaning nothing to express the narrative? bitch#love her style but its KITCH shes KITCH her quotes are KITCH her subjects are KITCH <- lives in kitch central of the uk but WHATEVER#by the way im not exagerrating with fly high like a butterfly she really thought that was the quote to describe this chaotic scene like she#eight years old like what the hell. there ere others too the pissed me off#and then i talked to her and she was like. WEIRDLY insistant tht even though she used stencils and that her dughter and husbnd drew anythin#mildly complicated that she had still done a lot of work I HADNT SAID ANYTHING#but she was just BRUSHING OVER whenever i mentioned her patterns and stencils like she was ASHAMED#like what the hell im all for having fun with what you draw but youre three times my age and i can draw a bird better than our adult daught#also i spoke to her turns out she knows my stepdad so that was an odd link but whatever#anyway artists that give me imostersyndrome are my boss who does realism in WATERCOLOUR#oh the woman in the gallery also gave me a printed card whcih was cool since i was going to buy one just to be mad at
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I'm actually glad I listened to the first season of shelved by genre earlier this summer because learning about how people on 90s forums transmogrified 'sevarian is an unreliable narrator' into 'sevarian is lying and every microscopic detail must now be analyzed and Solved' is really hitting with regard to some of the whale meta I'm finding lol
#or the whale#expanding on prev (just a little)#like yes we're being invited to play in the gaps and oddities of the narrative (again- patchwork quilt)#but I don't think that means every chapter needs a 'THEORY-'
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slides this fic across the table to you all - this just delighted me to my core these are the lance and keith that live in my head ok it’s unfinished but it doesn’t matter it was worth it
#the dialogue...... they're so stupid in the way that they should be#the perfect combo of goofballs and too mature for their age soldiers#and it's a season 5 fix it fic.....#i will say bc its unfinished it feels a bit like looking at a half done quilt cause some narrative lines dont get finished but#idc i'll be rereading it for infinity#colleen thoughts#im coming back to say more I CANT GET OVER IT!!!!!!!!#The tender caring for each other with the front of being stupid bc their friendship is so new.....................#just so in character idk!!!!!!! im pointing at this version of lance and hanging my fucking head in my hands#like THATS HIM!!!!!!!!!!
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Over the years, I've crafted more than 60 quilts, with a particular affinity for incorporating themes inspired by the captivating universe of Star Trek. While my passion extends to various science fiction narratives, Star Trek holds a special place in my heart. Enclosed, you'll find a collection showcasing some of the quilts I've meticulously created, each reflecting my deep admiration for this iconic franchise.
#quilt#quilting#handquilting#star trek#made with love#hand quilting#startrek#applique#orionemeraldchain
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Echoes of the Ocean by Chitra Mandanna, 142cm tall by 128cm wide
Why I like it: apart from just being an insane show of technical skill in the realm of quilting, this quilt is captivating in person. There is something crammed into every corner, and the colours, while starkly bold, work together so well. The negative space in the background where the fabric has been cut away brings to mind comic book panels, further bringing a narrative quality.
This one was a Judges' Pick.
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𝗦𝗧𝗜𝗧𝗖𝗛 𝗠𝗬 𝗛𝗘𝗔𝗥𝗧!-𝐑𝐨𝐧𝐢𝐧 𝐱 𝐂𝐚𝐧𝐧𝐢𝐛𝐚𝐥 𝐑𝐞𝐚𝐝𝐞𝐫 𝐱 𝐀𝐧𝐠𝐞𝐥-(Part 1)
Words:7000
Genre: Dark Horror, Psychological Thriller, Gore, Obsession & Obsessive Love, Psychological Abuse, Crime & Thriller
(Reader is G.N) (A cannibal Reader, I don't support these! Just writing them!)
Summary :
Follows a twisted, sadistic you who presents themselves as a sweet baker but harbors a gruesome obsession with murder and cannibalism. Your appearance is grotesque, with stitches all over their body, and their bakery serves as a cover for a far darker purpose—using human flesh in your pastries. You met Angel who became your dear person. You get invited to the server,
The story is filled with graphic violence, disturbing themes of control, obsession.
Trigger Warnings and Content Warnings:
Violence and Gore: The content features explicit descriptions of violent actions, including graphic depictions of murder, dismemberment, and physical injury. The themes of torture and the pleasure derived from violence are present throughout.
Mental Health and Obsessive Behavior: There are elements of unhealthy obsession, possessiveness, and manipulation, particularly in the relationships between the characters. Themes of emotional trauma, self-doubt, and psychological instability are explored.
Cannibalism: References to cannibalism are present, with detailed discussions of cutting, eating, and dissection of bodies.
Sexual Themes: There are implied themes of dark and twisted romantic relationships, including non-consensual dynamics, manipulation, and obsession. This includes sexualized violence and threats.
Self-Harm: References to physical injury, mutilation, and self-inflicted harm, including the imagery of stitches coming undone and body parts falling off, are depicted.
Dark Romanticization: The portrayal of relationships is toxic, with power imbalances, manipulation, and destructive behavior.
Death and Murder: Graphic depictions of death, including the murder of both fictional and real people, are central to the narrative. The thrill and pleasure derived from killing are explored.
Emotional Abuse: Themes of manipulation, psychological control, and emotional manipulation are present in the interactions between the characters.
Disturbing Imagery and Themes: Content involving body horror, the macabre, and disturbing imagery related to the human form is featured.
Please proceed with caution if these triggers could cause distress. If you experience any discomfort during our exchange, feel free to pause or end the roleplay at your discretion.
EXTRA: Made a playlist!
I stitch myself every time
You re-name me...
This is my world, now- I wouldn't let you control me.
Their fate is my hands
If it's ronin, You're in for treat <3
Known as "Stitched Delights," it was a cozy haven filled with the sweet aroma of freshly baked goods and the comforting hum of quiet chatter. Its owner, you, were as much a mystery as you were a beloved figure. Your body bore countless stitches, crisscrossing like a delicate patchwork quilt—a detail no one dared ask about, for your warm demeanor and unparalleled pastries charmed away any curiosity.
Children adored your cookies, adults craved your pies, and the elderly swore by your cakes. The love you poured into each creation was palpable, as sweet as the frosting that adorned them.
The warm scent of vanilla, caramel, and freshly baked bread wafted through the little bakery on the corner of a quiet street. The walls were painted a cheery pastel yellow, decorated with whimsical illustrations of pastries and cakes. Shelves lined with cookies, tarts, and cakes gleamed under the soft glow of the lights.
Behind the counter, you stood, the picture of sweetness. Your smile stretched wide—perhaps too wide—beneath your bright eyes. The soft apron tied around your waist was dotted with flour and sugar, a testament to your hard work. But the most striking thing about you wasn’t the aroma of your baked goods or your delicate manners. It was the network of stitches crisscrossing your skin.
Lines of rough black thread connected patches of flesh, like a macabre patchwork doll. Some were tiny and neat, while others were thick and jagged, looking as though they were holding together pieces that shouldn’t fit. Despite this grotesque appearance, you were beloved. Customers whispered about how charming you were, how your treats always seemed to hit the perfect note of sweetness. No one asked about the stitches. No one dared.
Tonight, the shop had been busy, as always. The glass display cases were nearly empty, save for a few stray crumbs. The last of the customers had trickled out, bell jingling cheerfully as they left. All but one.
You glanced at the clock on the wall. 10:05 PM. The sign on the door clearly read “CLOSED,” but the man sitting at one of the corner tables didn’t seem to care. He was loud, vulgar, and obnoxiously drunk.
"Hey, you," he slurred, slamming his fist on the table. "Get over here and bring me something good. None of that cheap crap you serve everyone else."
You turned toward him, smile unwavering. "I'm sorry, sir, but the shop is closed. Perhaps you could return tomorrow?"
"Don't play dumb with me," he sneered, his voice cutting through the cozy ambiance like a rusty blade. "I said bring me something to eat!"
Your smile didn’t falter. If anything, it seemed to grow wider, though your eyes remained calm, almost serene.
"Of course, sir," you said sweetly. "Please, wait right here."
You disappeared into the kitchen, humming a soft, haunting tune under your breath. The light from the oven cast long, flickering shadows on the walls, illuminating jars of mysterious ingredients. A sharp knife gleamed on the counter. Your hands—stitched together at the knuckles—moved deftly as you prepared something special. Something just for him.
When you returned, a steaming plate rested in your hands. The man didn’t even look at you, just grabbed the fork and shoved the food into his mouth with a grunt.
"Took you long enough," he muttered around a mouthful of cake. "Tastes like crap."
"Is that so?" you asked, tilting your head. "I'm sorry to hear that. Perhaps you would like to stay a little longer? It's so late, after all."
The smile never faltered. Instead, it grew wider, the stitches on your lips pulling slightly apart at the seams. A faint trace of something red—darker than strawberry jam—beaded along one of them. “I do apologize. Let me prepare something special just for you.”
“Yeah, yeah, just make it fast,” he grumbled, flopping into a chair near the window and pulling out his phone. His voice grated on you, sharp and dismissive, as he muttered curses under his breath.
The kitchen was your domain, and tonight, it hummed with a peculiar energy. Metal utensils gleamed under the dim light, and the cleaver on the counter caught your reflection in its blade. Your hands, adorned with gloves to hide the seams crisscrossing your palms, moved with practiced grace.
A splash of something thick and red stained the cutting board, the scent of copper faint beneath the sugar and spice. You hummed a soft tune, one you couldn’t quite remember learning, as you worked.
When you returned, a plate in hand, the man barely looked up. “About time. What is this?”
“Just a little something I made just for you,” you said sweetly, placing the plate before him. The dessert—a small tart with a golden crust and a glistening ruby center—was flawless.
He didn’t thank you. He dug in immediately, barely tasting the delicate layers. “Not bad,” he muttered around a mouthful, crumbs spilling onto the table.
You stood by, hands clasped neatly in front of you, watching. Your stitched fingers flexed slightly, the faintest tear threatening along one seam.
When he finished, he pushed the plate aside and stood. “Guess that’s the only decent thing about this place. Whatever. I’m outta here.”
You tilted your head, your smile stretching impossibly wide. “Oh, but sir… it’s closing time.”
“Yeah, I know.” He rolled his eyes. “You don’t have to tell me twice.”
You stepped closer, blocking the door. “It’s quite late. You really shouldn’t be wandering out alone at this hour.”
He frowned, his bravado faltering as he noticed the subtle glint in your eyes, the way your body seemed to loom closer than it should. “The hell are you talking about? Move, freak.”
Your gloved hands shot out faster than he could react, gripping his wrist in a vice-like hold. The stitches along your arms strained as you dragged him back, his shouts muffled by the sudden press of something soft and chemical-smelling against his mouth.
“Shh,” you cooed as his struggles weakened, his body slumping against you. “It’s too dangerous outside. You’ll stay here where it’s safe.”
The man lay on the table now, his arms and legs bound with thick ropes. His head lolled to the side as he groaned, the last effects of the sedative wearing off.
“Wha—what the fuck?” His voice was hoarse, panic flooding his tone as he struggled against his restraints.
You stood over him, the ever-present smile on your face illuminated by the flickering bulb above. You’d removed your gloves, and the full extent of your stitching was on display. Patches of skin of varying tones and textures were held together with thick black thread, forming a grotesque mosaic. Some seams oozed faintly, the strain of movement reopening old wounds.
“I told you,” you said softly, running a stitched finger down the side of his face. He flinched. “It’s closing time. You should stay here.”
“You’re insane!” he spat, his voice breaking. “Let me go!”
Your smile faltered for the first time, the edges of your mouth twitching. “That’s not very polite,” you murmured, your voice tinged with something darker. “I worked very hard to make something nice for you, and you were so ungrateful. Do you know how much effort it takes to make something perfect?”
You turned away, reaching for a tray of tools. The man’s eyes widened as he caught sight of the gleaming instruments—knives, saws, and needles of varying sizes.
“Please,” he whimpered, his bravado crumbling. “I’m sorry. I’ll leave. I won’t tell anyone—”
“You’ve already seen too much,” you interrupted, your smile returning, more unhinged than ever. “But don’t worry. I’ll make good use of you. Waste not, want not, as they say.”
The first cut was precise, your hands steady despite the trembling of your latest canvas. Blood flowed freely, staining the table and dripping to the floor in rhythmic splatters. You hummed as you worked, your stitches straining and tearing in places as you bent over him.
The room filled with the metallic scent of blood and the man’s muffled screams. You worked methodically, carefully preserving the best parts. His cries grew weaker with each passing moment until, finally, there was silence.
The sharp, metallic scent of blood filled the kitchen, thick and heady as it mingled with the faint sweetness of leftover batter and vanilla. The man’s body lay limp on the steel table, limbs dangling like the slack strings of a marionette. Your needle worked methodically, threading sinew through torn skin with a precision born of practice. Every tug of the thread made a faint squelching sound, the tension in the stitches pulling his flesh taut, creating a masterpiece of grotesque artistry.
Humming a soft, eerie tune, you reached for your cleaver, its blade gleaming under the fluorescent light. With a practiced swing, you brought it down on his arm. The bone cracked beneath the weight, splitting apart with a sound like a thick branch snapping in two. Blood sprayed across your apron and face, warm and sticky. You giggled, the sound high-pitched and giddy, as if you’d just unwrapped a delightful surprise.
“Don’t worry,” you cooed, patting the man’s severed hand like it was a cherished pet. “You’re going to be so useful. Much more than you were alive.”
You continued to dismember him, your movements efficient, almost clinical. The cleaver sliced through flesh and cartilage, separating the legs from the torso, the head from the neck. Each piece was meticulously prepared, the jagged edges smoothed with a smaller knife. His face, frozen in an eternal scream, stared up at you. You couldn’t help but grin back, wide and manic.
One by one, you hung the pieces on meat hooks that dangled from the ceiling. The other bodies swayed gently in the cold air, their forms reduced to pale, butchered remnants of humanity. Some were fresher than others; their blood still dripped onto the tiled floor in soft, rhythmic plinks. Others had begun to dry out, their skin leathery and taut, their eyes hollow sockets staring into the void.
The room was your gallery, a place where flesh became art. The hanging bodies swayed in the dim light, their shadows casting long, distorted shapes on the walls. It was beautiful in its own grotesque way, a testament to your dedication and craftsmanship.
Once the man’s body was fully integrated into your macabre display, you took a step back, wiping your bloodied hands on your apron. You gazed at your work, your stitched smile stretching impossibly wide. The threads across your face tugged, pulling your cheeks into an unnatural grin, but you didn’t mind. Pain was a friend you had long since grown to cherish.
With a sigh of satisfaction, you walked to the center of the room and sat down on a small stool. Your gaze swept over the hanging bodies, each one a story, a memory. Some had been rude, like tonight’s guest. Others were simply unlucky, wandering into your shop at the wrong time. But all of them had served a purpose. They had become part of you, quite literally.
The faint creak of the meat hooks was the only sound in the room, a soft, haunting rhythm that matched the beat of your heart. You tilted your head, watching the bodies sway like macabre wind chimes. Your stitched hands rested in your lap, fingers interlocked. A sense of calm washed over you, a moment of peace amid the chaos of your work.
“Ah,” you murmured, your voice barely above a whisper. “So beautiful.”
You reached out, your fingers grazing the closest body. The skin was cold, the texture rough under your fingertips. A small giggle bubbled up from your throat, growing louder until it echoed through the room. It was a sound of pure delight, unrestrained and wild.
“AHAHAHAHAHAHA!” you cackled, throwing your head back. The stitches on your neck pulled tight, some of them oozing faint beads of blood. “Look at all of you! So perfect, so helpful! You’ll keep me together, won’t you?”
The bodies didn’t answer, of course, but you didn’t need them to. Their silence was its own kind of companionship. They were yours, every piece of them stitched into your being, a patchwork quilt of flesh and bone.
Hours passed as you sat there, basking in the glow of your creation. The blood on your hands dried, cracking against your skin like old paint. The smell of death was overwhelming, but to you, it was comforting. It was home.
Eventually, you stood, stretching your arms above your head. The stitches across your joints pulled taut, some of them threatening to snap. You made a mental note to reinforce them later. For now, there was work to be done. The bakery would open again in a few hours, and the display cases needed to be restocked.
Humming once more, you began to clean the room. The floor was scrubbed until it gleamed, the tools were washed and placed back in their proper spots. The man’s face—his terrified expression frozen forever—was carefully peeled and set aside. Perhaps it would make a nice decoration for the shop’s back room.
. You stood in the center of your gallery, a rusted bucket in one hand, the other tapping your chin thoughtfully.
The bodies hung like grotesque chandeliers, swaying gently in the chilled air. Your eyes roamed over them, taking in the patchwork of flesh, the twisted limbs, the faces frozen in their final moments of terror. One, in particular, caught your attention—the newest addition. His bulkier frame seemed promising, the meat fresh and unmarred by time.
"Hmm," you murmured, tilting your head. "Yes, you'll do nicely."
Setting the bucket down, you grabbed his torso, your stitched fingers digging into the still-warm flesh. With a grunt, you dragged it toward the butcher’s table. The sound of wet, sticky meat sliding across the tiles was music to your ears. His head lolled to the side, eyes wide open in a stare that saw nothing.
You hummed softly as you reached for your cleaver, running your thumb along its edge to check its sharpness. Satisfied, you brought it down on the man’s wrist with a satisfying crunch. Bone splintered, blood oozed from the severed stump, pooling around the table legs. One by one, you dismembered the body, severing fingers, hands, arms, and legs with methodical precision. Each piece was tossed into the bucket with a wet thud.
Once the body was reduced to manageable chunks, you reached for your bone saw. The teeth glinted in the overhead light, promising efficiency. You began cutting through the larger pieces, separating bone from meat. The saw’s rhythmic scraping filled the room, blending with the faint sound of your humming.
"Perfect," you whispered, holding up a cleanly severed thigh. The meat was vibrant, unmarred by fat or imperfections. “You’ll make such delicious treats.”
The pile of meat grew, you turned your attention to your baking station. A large bowl sat waiting, already filled with flour, sugar, and other ingredients for your special batter. You cracked eggs into the mix, their golden yolks oozing lazily down the sides. But this time, there was a special addition.
From the bucket, you grabbed a handful of freshly cut flesh and fed it into the grinder. The machine whirred to life, the blades tearing through muscle and fat, reducing it to a fine, pink paste. The scent of raw meat mingled with the sweetness of vanilla extract, creating a heady, nauseating combination.
You scraped the meat paste into the batter, stirring it until it was fully incorporated. The mixture turned a faint pinkish hue, small flecks of red dotting its surface like confetti.
“Beautiful,” you cooed, your stitched smile pulling tight as you spooned the batter into cupcake molds. Each tin was filled with care, the batter smooth and even. You placed the tray into the oven, setting the timer before stepping back.
The heat from the oven warmed the room, the glass door glowing softly as the cupcakes began to bake. You crouched down in front of it, resting your chin on your hands, your wide eyes fixed on the tray inside. The batter puffed up, golden edges forming around the tops.
The scent of the baking cupcakes filled the air, masking the lingering metallic tang of blood. You couldn’t help but giggle, the sound childlike and sweet, completely at odds with the macabre scene behind you.
“Ah,” you sighed, tilting your head as you watched the cupcakes rise.
Time ticked by, the minutes stretching into eternity as you stared at the oven. The warmth of the glass seeped into your skin, but you didn’t move, transfixed by the transformation taking place. The meat, the batter, the sugar—it was all coming together, melding into something beautiful.
When the timer dinged, you practically skipped to the oven, pulling on a pair of mitts before retrieving the tray. The cupcakes were perfect, their tops golden brown, little flecks of pink meat visible if you looked closely enough. You placed them on the counter to cool, your smile never faltering.
One cupcake caught your eye, its surface cracked slightly, revealing a glint of meat within. You picked it up, turning it in your hands. The warmth seeped through the paper wrapper, and you felt a giddy thrill run through you.
Lifting the cupcake to your mouth, you took a bite. The sweetness of the sugar and vanilla mingled with the savory, iron-rich taste of the meat. It was divine, the flavors dancing on your tongue in perfect harmony.
You swallowed, a contented sigh escaping your lips.
“Delicious,” you whispered, your voice barely audible.
The sun had fully risen now, its light filtering through the bakery’s windows and illuminating the pristine display cases. The bell over the door jingled as the first customer of the day walked in.
“Good morning!” you chirped, spinning around to face them. The blood on your apron was hidden beneath a fresh layer of flour, the stitches on your face pulling into a welcoming smile.
“What’s the special today?” the customer asked, their eyes scanning the display case.
“Cupcakes,” you said sweetly, gesturing to the tray behind you. “Freshly made. They’re… one of a kind.”
The customer grinned. “I’ll take a dozen.”
“Coming right up!”
You boxed the cupcakes, your mind wandered back to the bodies hanging in the back room. There was still so much to do, so many recipes to try. But for now, you were content.
After all, the sweetest things always came from the heart.
The streets were quiet, the dim glow of streetlights casting long shadows as you made your way down the cobblestone path. The black garbage bags slung over your shoulder dripped faintly, leaving a dark trail behind you. The scent of iron clung to the air, but the world around you remained oblivious. It was just another walk in the early hours of the morning.
You turned the corner, a figure caught your eye. A girl with blonde hair, peeking out from under a poorly fitted wig, stood hesitantly by the edge of the street. She glanced around nervously, her hands buried deep in the pockets of her oversized jacket. You stopped mid-step, your stitched smile growing wider as recognition dawned.
“How do I meet the strangest men, They always seem to find me…”
Her face was familiar, unmistakably so. You’d seen her on YouTube, her bright personality a stark contrast to her current, jittery demeanor. She had a large following—too large to be here unnoticed, yet here she was, poorly disguised and alone. What a treat.
You adjusted your grip on the garbage bags, the movement making a faint squelching sound that caught her attention. Her eyes met yours, wide and wary. She took a small step back, but it was too late. You’d seen her hesitation, her discomfort. It was delicious.
“Good evening,” you greeted cheerfully, tilting your head. “Out for a walk, are we?”
She stiffened, her hand brushing the edge of her wig as if to ensure it was still in place. “Just passing through,” she mumbled, her voice soft but edged with unease.
You took a step closer, your eyes sparkling with curiosity. “I recognize you,” you said, voice dripping with sweetness. “Don’t I? From online?”
Her breath hitched, and she glanced around, her movements sharp and anxious.
“Remember that time way back when I, Kissed a guy who ate his women friends…”
You couldn’t suppress the giggle that bubbled up, high-pitched and unhinged. “Funny, isn’t it? Running into someone so familiar on such a quiet night.”
“I don’t know what you’re talking about,” she said quickly, her words tumbling over each other. She turned as if to leave, but her hesitance betrayed her. She wasn’t sure whether to flee or stay and feign normalcy.
Your stitched fingers twitched, the urge to reach out and grab her almost overwhelming. But you held back, savoring the moment. “It’s a small world,” you mused, shifting the garbage bags onto the ground with a dull thud. “Even smaller when you have… particular hobbies.”
Her eyes flicked to the bags, her nose crinkling as the faint scent of decay wafted toward her. “What’s in those?” she asked, her voice shaking despite her attempt to sound indifferent.
“Oh, just waste,” you replied nonchalantly. “Leftovers from the bakery. I run a shop, you see. Very popular on certain… platforms.”
Her face paled, and you knew she understood. Of course, she would—her disguise wasn’t perfect, but her reasons for wearing it were written all over her nervous posture. Perhaps she’d seen your little storefront on the dark web, the infamous “human cakes” with their chillingly cheerful descriptions.
“Now only dogs will follow me, (Is he following?)”
You took a deliberate step closer, your grin widening until the stitches across your face pulled painfully. “It’s fascinating, isn’t it? How people find themselves drawn to the darkest corners, even when they know better.”
“I don’t know what you’re talking about,” she whispered, her voice trembling.
“Don’t you?” you asked softly, leaning in until your stitched fingers brushed her sleeve. “After all, you’re here, aren’t you? And not by chance, I’d wager.”
She flinched at your touch, her wide eyes darting between you and the bags at your feet. “I should go,” she stammered, stepping back. “I… I have somewhere to be.”
“But we’re just getting to know each other,” you said, your tone sweet but laced with something darker. You crouched down, opening one of the bags slightly. The glint of bone and a hint of flesh peeked out, the air around it heavy with the scent of rot.
Her hand flew to her mouth, a strangled sound escaping her lips. “Oh my God—”
You straightened, your stitched smile now impossibly wide. “Don’t worry,” you said softly, almost soothingly. “You won’t end up like them. Not yet, anyway.”
Despite her earlier hesitation, the blonde girl found herself seated at a small, intimate table by the counter. Her poorly fitted wig was slightly askew, and her nervous energy buzzed under her skin, but she kept her smile plastered on, mirroring your own stitched grin.
“Sit, sit,” you said cheerfully, your voice sugary sweet. “I’ll bake something special for you.”
Her hands fidgeted with the hem of her jacket as she glanced around, the faint scent of vanilla and something darker lingering in the air. The tray of cupcakes you’d set aside earlier sat prominently on the counter, their golden tops glistening faintly under the light.
“I bite at the hand that feeds me, I slap at the face that eats me…”
You hummed softly as you worked, your hands deftly mixing a new batch of batter. The flour puffed up in small clouds, mingling with the sheen of meat paste you spooned into the mix. You turned to glance at her, your stitched smile never faltering.
“I think you’ll really like this one,” you said, your tone dripping with enthusiasm. “It’s… unique.”
Her eyes flicked to you, curiosity and fear warring in her gaze. “What’s in it?” she asked, her voice attempting to sound casual.
You giggled, a high-pitched, lilting sound. “Oh, just the usual. Sugar, spice, everything… nice.”
The oven clicked as it preheated, and you poured the batter into molds with meticulous care. As the cupcakes baked, the scent grew richer, sweeter, and yet faintly metallic. She watched you closely, her hands still trembling faintly.
When the timer dinged, you carefully removed the tray, the cupcakes steaming and golden brown. You placed one on a delicate plate, garnishing it with a dollop of frosting and a single cherry. With a flourish, you set it in front of her.
“Here you go,” you said sweetly, tilting your head. “Freshly made, just for you.”
She hesitated, staring at the cupcake like it was a loaded gun. But then, with a nervous smile, she picked it up. Her hands were unsteady, but she took a bite, her teeth sinking into the soft, warm cake.
For a moment, she chewed in silence, her expression unreadable. But then, as she swallowed, her eyes widened. A small sound escaped her lips—a mix of surprise and something darker. She took another bite, and as she did, a small, round object tumbled from the cupcake, landing on the table with a soft plop.
An eyeball.
“Some kind of animal cannibal, Made impressions on me…”
Her breath hitched, her gaze darting from the eyeball to you. You didn’t flinch. Instead, your tongue flicked out, running along your lips as your stitched smile widened.
“Well?” you asked, leaning forward slightly. “Do you like it?”
She stared at you for a long moment, her lips trembling. Then, to your delight, she began to laugh. It started as a soft giggle but quickly grew into a wild, unrestrained cackle. Her head tipped back, her eyes shining with something feral.
“Have we met before? (Possibly in Michigan) In some strange department store, (We won’t see him anymore)”
“I see you have a taste for the finer things,” you said, licking your lips as you picked up the eyeball. You held it delicately, inspecting it like a jeweler admiring a precious stone, before slipping it into your mouth with a grin.
She leaned forward, her disguise slipping further. “So, you know,” she said, her voice low and almost giddy.
“I do,” you replied, your stitched face splitting into a grin that felt too wide for your skin. “You’re my kind, aren’t you? A fellow… connoisseur.”
She nodded, her eyes glinting with a dark light. “I’ve tried to hide it, but it’s always there..."
You leaned in closer, resting your chin on your hands. “No need to hide here,” you said softly. “Here, you can be yourself. Fully. Freely.”
Her gaze lingered on the empty cupcake wrapper before meeting yours. “What’s next?” she asked, her tone dripping with anticipation.
You clapped your hands together, your smile stretching impossibly wide. “I knew it!” you exclaimed. “I knew you were my kind!”
After, that..
It took a while.
She grew on you.
You always sold your gifts to the world and your website in dark web. You can say. In a way, you're a serial killer.
For some reason, Angel invited you to a server she called it.
Why??
The First Day on the Server
Your hands hovered over the keyboard, the warm glow of the screen bathing your stitched face in pale light. The server pinged incessantly as the messages rolled in, welcoming you to the digital den of chaos. Angel had extended the invitation—a rare kindness from someone who saw through the sweet façade to the horrors beneath.
The welcome was... overwhelming.
<goreboy> Welcome to the Newly Christened @Y/n!
The chat erupted.
<LUCA_IS_SO_COOL> WELCOME! WELCOME!
<Angelic> Y/n! You actually joined!
<goreboy> Oh? Angel invited you?
<K9> Wait, Angel invited them? Did you not know?
<goreboy> Oh, I knew. V, meet Mx Baker Killer. Could call them the rebirth of Pinkie Pie—but y'know, darker.
<K9> …Pinkie Pie? What the hell, Ronin?
<goreboy> Wait, wait. That cannibal shop everyone’s been whispering about on the deep web? That’s you, right, darling?
You let the pause linger, fingers lightly pressing the keys. You typed without hesitation:
<Cupcake-slasher> Yes.
The server’s collective silence stretched out for a few moments too long before the chat ignited again.
<goreboy> Not good? How about this, then?
<Zombie> What?
<goreboy> Angel mentioned your stitched skin—reminds me of a zombie. Fitting, no? I'm changing your username!
<Zombie> Thanks.
More pings.
<hitmeuppp> Wait, stitched skin??? That sounds kinda... sad and cool?
<Zombie> Yeah, I was dead as a baby. Someone contacted a demon, and voila—here I am. Just recycled parts stitched back together.
<LUCA_IS_SO_COOL> HOLY SHIT. THAT’S SUCH A GOOD JOKE. WELCOME, WELCOME! I’M LUCA!
<Y/n> Sure.
Your username flickered—an automatic change. A twisted sort of christening.
<goreboy> Angel saved you. What an angel.
<Angelic> Ronin, you’re unbearable. Y/n, I’m so sorry. I stepped away for one minute, and he’s already—
<Strawberryguts> It’s fine.
Another ping.
<goreboy> C’mon. Your motives are unhinged; mine are simple. Just trying to give you a good username.
You stared at the screen.
Rebirth of Pinkie Pie, huh?
The stitched flesh of your hand ghosted over the scars across your neck, the faint scent of vanilla and iron still clinging to you. Maybe Ronin had a point.
Your new username, Zombie, sat mockingly beside your messages, and while you didn’t mind, it seemed to spark something mischievous in Ronin.
<goreboy> Actually, hold up. Zombie is fine, but we can do better. Something... spicier.
<Angelic> Ronin, don’t start.
<goreboy> What about... hmm... Sewn-Sweetie? Or maybe Meat-Master?
<K9> goreboy, I swear to God.
<HITMEUPPP> Wait, I got it—CupcakeCadaver! Perfect, right? Y/n, it’s like you, but with ✨flair✨.
Your lips twitched in amusement as Angel’s reply came in almost immediately.
<Angelic> Stop.
<goreboy> Oh? You don’t like it, Angel? How about SweetFleshStitcher? C’mon, it’s a masterpiece.
<Angelic> Ronin.
Your username suddenly changed again, this time to CorpseConfectioner.
<goreboy> SEE? I’m on a roll.
<Angelic> You are not.
Your name flickered as Angel swiftly intervened, changing it back to Y/N
<goreboy> NOOO! Angel, what are you doing? You’re killing my creativity!
<Angelic> I’m saving Y/n from being a walking horror-themed dad joke, that’s what.
<goreboy> Oh, come on. y/N's boring! It’s so… uninspired.
<Angelic> It’s better than the nonsense you keep spouting.
<goreboy> You wound me, Angel. Fine. What about Bake-and-Take? Huh? Huh? Y/n gets to bake and take lives. It’s poetic!
<Angelic> Ronin.
<goreboy> Angel-Hater69. No? Too much?
Your username flickered again—Angel’sProblem.
<Angelic> RONIN!
<LUCA_IS_SO_COOL> LMAOOOOOOOO THIS IS SO FUNNY KEEP GOING RONIN YOU’RE A LEGEND
<goreboy> Listen, if you hate fun, just say that. But I’m fighting for Y/n’s branding.
<Angelic> Branding is not your job.
<goreboy> Tell that to Angel’sProblem.
Your username changed back to Y/n, and Angel added a lock icon next to it.
<goreboy> Haha, Funny angel.
<Angelic> I win.
<goreboy> You’re no fun.
<Angelic> And you’re relentless.
<goreboy> Fine. Zombie it is. For now.
It changed again
You finally typed, your message cutting through the chaos.
<Zombie> Zombie is fine.
The server practically erupted.
<LUCA_IS_SO_COOL> YESSS OMG THIS IS EVERY DAY WELCOME TO THE CIRCUS
<Felicite> It’s their love language.
<goreboy> Don’t drag me into Angel’s drama.
<Angelic> MY drama? You’re insufferable.
<Zombie> You’re both terrible at this, but it’s entertaining.
Angel’s private DM appeared moments later:
<Angelic> Ignore Ronin. He’s a menace, but he means well... sort of.
<Zombie> Noted. But don’t worry—I’ve seen worse.
<Angelic> Somehow, I believe you.
Back in the main chat.
The server chat was unusually lively today, and you couldn’t resist jumping in, a twisted smile tugging at the corners of your stitched mouth. You typed, the rhythmic creak of your office chair echoed in your quiet shop, a perfect contrast to the chaos of the chat.
<Zombie> So, I’ve been thinking. If everyone here were... ingredients, what would you all be?
The chat immediately lit up with reactions.
<goreboy> Oh, this is gonna be good. Go on, darlin’, I gotta know what kind of gourmet masterpiece I am.
<K9> This is gonna be disturbing, isn’t it?
<Angelic> Y/n, don’t encourage him.
<hitmeuppp> WAIT, ME TOO, ME TOO!!
You let your fingers hover over the keyboard, a wicked gleam in your eye as you started typing.
<Zombie> Alright. Let’s start with Misaki.
<hitmeuppp> YESSSSS OMG OKAY OKAY GIMME
<Zombie> Misaki is like a... sugar rush. Chaotic sweetness that leaves you dizzy if you have too much. Like that one cupcake in the batch that’s been overfilled with sprinkles, frosting, and edible glitter. Pretty, but if you don’t pace yourself, you’ll regret it.
<hitmeuppp> 😭 THAT’S SO CUTE BUT ALSO RUDE
<Angelic> That’s disturbingly accurate.
<K9> Yeah, I can’t even argue.
<Zombie> You’re also like pop rocks in a macaron. Unpredictable, bubbly, but with a hidden intensity.
<hitmeuppp> Pop rocks?? AAAAA I’LL TAKE IT 🥰
You couldn’t help but smirk. Misaki’s energy always amused you, even through the screen. You glanced at Ronin’s username next, your smile sharpening.
<Zombie> V (K9): Ground peppercorns. Sharp, earthy, and with just the right amount of bite. Subtle, but you notice when it’s missing. A good base to balance out stronger flavors.
<K9> Pepper? Really? I thought you’d go for something weird like… I don’t know… blood oranges.
<Zombie> Hmm, I considered it, but you’re too steady for that. Peppercorn fits.
<goreboy> Boring. What about me?
<Zombie> Patience, Ronin. I’m saving the best for last.
<goreboy> Oho, flattered.
Okay, Zombie, now spill. What ingredient would you be?
You paused for a moment, your fingers hovering over the keyboard. Then, with a grin tugging at your stitched lips, you typed:
<Zombie> Oh, I’m the whole dish.
The server erupted.
<hitmeuppp> ICONIC OMGGG
<goreboy> Okay, that’s a power move. Respect.
Your fingers danced across the keyboard, the text pouring out as if possessed by your fascination.
<Zombie> You know… Ronin’s the most interesting ingredient of all.
The response was instant.
<goreboy> Oh? Do go on, darling. Enlighten me.
You leaned closer to the screen, your stitched lips curling into a grin as your thoughts spiraled, erratic and almost feverish.
<Zombie> You’re like... the rotting core of a fruit. At first glance, you look appealing—bright, ripe, even a little seductive—but the closer you get, the more you realize you’re rotten. Spoiled. Putrid. But oh, the flavor you bring... it’s unforgettable.
<K9> ...I don’t know whether that’s an insult or a compliment.
<goreboy> Shh, V. Let the artist work.
<Zombie> It’s the decay that makes you potent. You’re sharp, acidic, and dangerous in all the best ways. The kind of ingredient that doesn’t just sit in the dish—it dominates it. You make everything about you. Every bite is a risk. Every taste burns, but you keep coming back because there’s something so addictive about it.
Ronin typed almost immediately.
<goreboy> Darlin’, you’re makin’ me blush. Keep going.
You kept typing, the words pouring out in a chaotic frenzy.
<Zombie> But you’re also… versatile. You could be a poison, a cure, or even just the spice that turns a dish unforgettable. You’re the ingredient that could ruin the meal, but if you’re handled just right, you could make it a masterpiece.
<Zombie> ...But who could ever handle you perfectly? No one. Because you don’t want to be handled, do you? You want to unravel, to rot, to consume. You want to break apart and spread, infecting every single thing around you with your essence.
<Zombie> You’re chaos, Ronin. The kind that tastes like a nightmare you can’t stop dreaming about.
The server went silent for a moment, the eerie kind of quiet that only happened when people didn’t know how to respond. Then:
<goreboy> I could cry. That’s the sweetest thing anyone’s ever said to me.
<hitmeuppp> YOU’RE SO WEIRD OMG THIS IS AMAZING
<K9> Yeah, that’s not unsettling at all. Totally normal.
<Angelic> ...Well. That’s certainly a description.
Ronin wasn’t done, of course.
<goreboy> You’re not wrong, though. I am addictive, aren’t I? I mean, you’re the one typing out an essay about me. You sure I’m not already in your bloodstream, Zombie?
<Zombie> Maybe.
The server erupted in laughter and chaos, but Ronin’s message came in shortly after, quieter than the others:
<goreboy> You see everything, don’t you?
<Zombie> Everything that matters.
There was a long pause, the server buzzing with its usual noise, but Ronin stayed quiet for once. When he finally replied, it was almost… amused.
<goreboy> You’re gonna be fun.
You grinned at the chaos you'd caused, fingers hovering over the keyboard like a maestro about to conduct the next movement of this darkly delightful symphony.
<Zombie> You know, Ronin, for all your charm, I wouldn’t use you in a dish.
The response was immediate, almost predictable.
<goreboy> Excuse me? That’s rude.
<hitmeuppp> OMG WHY NOT?? HE’S LIKE, PRIME MATERIAL FOR YOUR “WEIRD INGREDIENT” THING.
<Zombie> Oh, Misaki, he’s too rotten. Spoiled goods. Completely useless as an ingredient. He’d overpower everything, turn it sour and bitter. You couldn’t make anything worthwhile out of him even if you tried.
<goreboy> Oh, so now I’m useless, huh?
<Zombie> Yes.
<goreboy> Darlin’, you wound me.
Misaki didn’t let up, her curiosity dragging the conversation in another direction.
<hitmeuppp> Okay, but what about Angel? Is she an ingredient?
You paused, the grin on your face growing wider as you typed, your words curling with twisted affection.
<Zombie> Angel? Oh, no. Angel could never be an ingredient.
The server went quiet for a moment. Then:
<hitmeuppp> Why not?? She’s like… perfect.
<Zombie> Because Angel is too much. She’s too precious, too complex. You wouldn’t eat a diamond, would you? You’d admire it, covet it, keep it safe. She’s the kind of thing that would ruin you to consume because she could never truly fulfill the craving.
<goreboy> That’s the creepiest compliment I’ve ever heard. Congrats.
<hitmeuppp> WAIT SO YOU LIKE ANGEL?
<Zombie> I admire her. She’s untouchable. Not because she’s fragile—oh no, Angel isn’t fragile—but because it would be a crime to use her for something as fleeting as a dish. She deserves better.
Angel’s reply came after a moment, her tone carefully measured.
<Angelic> I… think that was nice?
<Zombie> It was.
<hitmeuppp> You’re so weird about Angel, omg. What’s even the point of this if you can’t use her??
Your tone twisted, playful yet sharp, the words tumbling out like they were meant to unsettle.
<Zombie> Oh, Misaki. Some ingredients aren’t meant to be consumed. They’re meant to be admired, adored, even feared.
<Zombie> Ronin, on the other hand, is just… waste. A fascinating waste, but waste nonetheless. He’s the kind of thing you’d throw out before it infects the rest of the kitchen.
<goreboy> Keep talking, sweetheart. I love hearing how much you think about me.
The server laughed, the tension lifting slightly, but you weren’t quite finished.
<Zombie> You know, cannibal cuisine is all about balance. The cuts of meat have to be clean, precise. The flavor has to shine, but not overpower the rest of the dish. Angel would be impossible to balance. Too much of her would ruin everything. And Ronin? He’d never fit. He’s too… unruly.
<K9> This is so messed up.
<Zombie> Of course it is. But isn’t it fascinating?
The server erupted in responses, a mix of laughter, discomfort, and Ronin’s ever-present flirting. But Angel’s quiet reply, tucked in amidst the chaos, caught your eye.
<Angelic> ...I think you’re fascinating too.
<K9> Okay, Zombie, real talk. What are your motives? Like, why do you do what you do?
You tilted your head, your stitched skin tugging as you grinned. Your fingers tapped out a response, unbothered by the directness.
<Zombie> Motives? I don’t think it’s that complicated, V. I kill because I want to. Because I can.
The server erupted.
<hitmeuppp> WHAT??? OMG THAT’S SO WACKY
<goreboy> Darlin’, I’m startin’ to like you even more.
<K9> That’s not just messed up. That’s so messed up.
You leaned back for a moment, letting the replies pile up before leaning forward to add more, your words sharp and deliberate.
<Zombie> At least I don’t lie to myself about it, V. I don’t wrap it up in a bow and call it “justice.” That’s what you do, isn’t it?
V’s reply was quick, defensive.
<K9> Excuse me?
<Zombie> You heard me. You play the vigilante, but killing someone and pretending it’s righteous doesn’t change what it is. It’s killing. It’s messy. It’s human. The only difference between us is that I don’t need a moral excuse to justify it.
<hitmeuppp> THAT’S SO WACKY OMG. Do you, like, get messy? Like really messy??
You laughed softly to yourself as you typed your response.
<Zombie> Of course. It’s part of the process. The blood, the guts, the gore—it’s all a part of the art.
<hitmeuppp> OMG THAT’S SO ME FR!!!
Ronin chimed in, clearly reveling in the conversation.
<goreboy> I saw some of your handiwork on the news, darlin’. Real nasty stuff. Truly a person after my own heart.
You didn’t bother responding to him directly, but your eyes flicked to Angel’s message when it popped up.
<Angelic> I think it’s… cool.
For the first time, your reply was immediate, simple, and strangely devoid of your usual edge.
<Zombie> Thanks.
The others noticed.
<hitmeuppp> WTF YOU’RE LIKE NORMAL TO ANGEL???
<K9> Yeah, what’s that about? To everyone else, you’re like... super weird.
Your reply was sharp but carried an undercurrent of genuine emotion.
<Zombie> Because Angel’s the only one who deserves it. The rest of you? You’re just noise.
Ronin, never one to miss an opportunity, cut in with his usual flair.
<goreboy> Now, now, darlin’. That’s no way to treat the rest of us. But I’ll admit, you’re startin’ to grow on me.
You didn’t reply to him, your focus staying on Angel’s quiet presence.
<Angelic> Okay, everyone! y/n! #killer-shit. Post about your, well… y’know, “work” here.
The reaction was instant.
<hitmeuppp> OMG THIS IS GONNA BE SO FUN!!!
<goreboy> This is a place to spill guts. Literally. Y/n, think you can handle it?
You smirked, already knowing how your reply would land.
<Zombie> Oh, Ronin, I’ve been spilling guts since before you crawled out of your first sinner’s ribcage. Sometimes, though, it’s my own.
That caught everyone’s attention.
<K9> What the hell does that mean?
<Zombie> I mean my stitches. They’re… temperamental. If I move too fast, too hard, or smile too wide, they come undone.
You paused for dramatic effect, then added the next part, your words dripping with grotesque detail.
<Zombie> Once, I laughed too hard, and the stitches on my abdomen split wide open. I tried to hold it in, but my insides slipped out like a burst bag of viscera. I had to sew myself back together while everything steamed on the cold floor.
Misaki was the first to react.
<hitmeuppp> WTF THAT’S SO GROSS I LOVE IT OMG
You weren’t finished, though. Your next words came slowly, deliberately, designed to make them squirm.
<Zombie> It’s worse when I smile too hard. The stitches on my lips can’t hold, and they snap one by one. My mouth opens too wide, my teeth fall out like broken porcelain, clinking onto the floor. And sometimes... sometimes my left eye pops out. It dangles there, swaying, until I shove it back in.
The silence was palpable, broken only by Misaki’s nervous laughter.
<hitmeuppp> OKAY THAT ONE MADE ME FEEL SICK OMG
<K9> What the actual hell, Zombie.
But Angel’s reply cut through the noise, soft and filled with something close to pity.
<Angelic> That’s… awful. I’m so sorry.
You tilted your head at the screen, a strange warmth stirring in your chest at her words. Before you could respond, Ronin decided to chime in.
<goreboy> Aw, come on. Don’t feel bad for them, Angel. They’re practically a walking horror movie. That’s the dream, right?
You rolled your eyes, waiting for him to keep going.
<goreboy> I mean, if you’re falling apart that much, maybe you should just... stay down next time? You’re like a bad patch job that refuses to quit.
Typical Ronin. Sharp, biting, and almost offensive—until his tone shifted slightly, his words taking on an edge of something… else.
<goreboy> But hey, I get it. Takes a lotta guts to keep putting yourself back together. Literally. Guess I can respect that. Sorta.
<goreboy> You’re tougher than you look, Zombie. And I kinda dig that.
The unexpected turn made you pause, fingers hovering over the keyboard. Before you could type anything, Angel spoke again.
<Angelic> I still feel bad. You shouldn’t have to go through that.
Your next reply was quick, your usual edge softening just slightly.
<Zombie> Thanks, Angel.
The others immediately latched onto your uncharacteristic tone.
<hitmeuppp> WAIT YOU’RE BEING NORMAL AGAIN WTF
<K9> Yeah, this is getting weird.
Ronin, of course, couldn’t let it go.
<goreboy> Careful, Zombie. You keep acting all soft with Angel, and people might start thinking you’ve got a heart in there somewhere.
Suddenly, a call....
You barely had time to process the abrupt call request when Ronin's face filled your screen, his devil-may-care grin almost daring you to hang up. Instead, you leaned back and stared, taking him in.
Burgundy wine hair, messy and effortless, poked out from beneath a beanie tailored with two stitched-on horns—an obvious nod to the Devil he so gleefully tried to embody. His neck sported a spiked dog collar that looked sharp enough to draw blood, resting against the dark fabric of his jacket. Rings and piercings glittered in his ears and tongue, every piece calculated to scream rebellion.
His shirt featured a decayed skull graphic, paired with black-painted nails that clicked rhythmically on his keyboard. He oozed edginess, a walking contradiction of emo with a holy necklace—a simple Christian cross dangling around his neck, daring anyone to comment on the irony.
“You done ogling, or should I give you a spin?” Ronin broke the silence, his voice dripping with mockery as he tilted his head, one dark eye catching the faint glow of his monitor.
“What are you looking at, sweetheart?” He leaned closer, his grin widening, as if he could crawl through the screen to demand an answer.
You met his gaze unflinchingly, letting your eyes narrow. “It doesn’t matter,” you replied, your voice cutting through his theatrics. “What’s outside isn’t important. It’s what’s inside that counts.”
The faintest flicker of offense flashed across his face, quickly masked by a teasing pout. “Ouch,” he said, his voice dripping with faux hurt. “You wound me, Pinkie. You don’t like what you see?”
“It’s not about like or dislike,” you replied, your voice steady. “If what’s inside is rotten, it’s waste. No matter how pretty the packaging.”
The grin froze on his face for a moment, his head tilting as if to process your words. Then, slowly, it crept back, sharper, hungrier. “Damn. You really know how to twist the knife, don’t ya?” His laugh was low and rough, but his eyes betrayed something more—a flicker of challenge, intrigue.
“You’re a real piece of work, Zombie,” he said, leaning back with an exaggerated sigh. “But don’t think I didn’t notice you staring. Could’ve sworn you liked what you saw for a second there.”
“I observe,” you corrected, a smirk tugging at your lips. “Don’t flatter yourself.”
His laughter filled the call, rich and full of wicked delight. “Too late for that, sweetheart. I was born to flatter myself.”
It was hard to ignore the way your aesthetic clashed with his. You, in your sugary pink hues, with pastel highlights that seemed to light up the screen. Him, drenched in dark tones, every inch of him screaming chaos and rebellion.
“By the way,” you added, motioning toward his necklace, “what’s with the cross? Playing both sides, are we?”
His grin stretched impossibly wider, like a predator toying with its prey. “Oh, this?” He fingered the cross lazily, his rings catching the light. “Just a little reminder. Gotta keep things balanced."
“Rot and decay,” you added pointedly.
“Exactly,” he said, leaning closer again, the edges of his voice dipping into something darker. “You get me.”
The video feed was grainy but clear enough to catch Ronin's cocky smirk as he leaned back in his chair, the screen lighting his sharp features. The beanie still sat crooked on his head, and his dark eyes glimmered with something unreadable.
"So, what’s the deal with you and Angel?" you asked, voice light but probing. It was the natural question, the obvious one, considering the way he’d been snapping back and forth in her defense all night.
Ronin tilted his head, the smirk softening slightly but never quite leaving. “You noticed, huh? Angel and I...we’ve got history.” His voice dipped, casual but carrying an undertone of weight, like he was telling a joke he didn’t expect anyone to laugh at.
“She’s... important. We were a thing once, way back when. Thought it was love. Turns out it wasn’t—at least not the kind of love that lasts. More like we were thrilled to find someone just as twisted as we were, and we mistook that for romance.”
He shrugged, but his expression betrayed the complexity behind the words. “It was fun until it wasn’t. I made her worse; she made me realize...some shit about myself. Then we split, stayed friends. Better this way.”
The pause hung heavy, and he leaned forward slightly, his tone dropping into something more deliberate. “She’s been spamming my DMs, though. About you.”
You blinked, caught off guard. “Me?”
“Yeah,” he said, grin twitching back to life. “Apparently, I’ve been mean. She thinks I’m scaring you or some crap. Says I need to ease up. Real concerned, you know? Angel always cares a little too much.”
You narrowed your eyes. “Why?”
“Why?” he repeated, raising a brow as if the question was absurd. “Because that’s Angel. She’s like that. Her manager put her through hell; I guess she’s got a soft spot for anyone she thinks needs saving. Doesn’t matter now. I’ve got a job for you.”
You tilted your head, studying him carefully. “A job?”
“Yeah.” He leaned closer, his face filling the screen. “Keep an eye on Angel. Make sure she’s okay. And I mean actually okay. She’s got this martyr complex, always trying to save everyone else while letting herself get crushed under the weight of it. I’m not about to let her drown herself, you get me?”
You blinked at him, processing the odd sincerity in his voice. “Why me?”
His grin sharpened. “Because you’re crazy enough to care about people the way she does. And because I know what you’ve been up to.”
“What do you mean?”
“Oh, don’t play dumb, sweetheart.” He laughed, low and wicked. “You’ve been trying to hack into the server, haven’t you? Looking for addresses, names...Am I warm? You just joined!”
Your stomach flipped, but you held your composure. “How did you—”
“I know everything,” he interrupted, eyes glinting dangerously. “And let me tell you something: if anyone—anyone—gets hurt because of you? I’ll be abusing a crowbar on that pretty little head of yours, darling. Don’t test me.”
You stared at him for a long moment, his threat hanging in the air like the faint smell of copper. Then, unexpectedly, you giggled.
your eyes sharp and unblinking, cutting into him like knives. His smirk wavered slightly under your intense gaze.
“You’re not completely rotten,” you said suddenly, your voice low and deliberate.
His grin twitched back into place. “You keep saying that, sweetheart, but I’m telling ya, I’m as bad as they come.”
“No,” you countered, tilting your head, the movement slow, almost mechanical. “You care about Angel. I’ve noticed it. The way you check on her, the way you talk about her. You don’t want her to drown in her own martyrdom. You notice everything about her. You want to protect her, even from herself.”
Ronin’s smirk softened into something almost unsure. “What can I say? She’s my favorite Angel. Someone’s gotta keep her wings clean.”
“You pretend you’re only chaos,” you continued, ignoring his quip, your tone growing more deliberate, more intense. “But you’re not. You’ve got something in there. A little sliver of...something. A little less rotten.”
You tilted your head the other way, a smile spreading across your lips—too sweet, too wide, too unsettling. “I want that kind of care. Someone who sees me like you see her. But...” Your smile faltered, and your eyes seemed to gleam with something darker. “I can’t get it, can I?”
Ronin let out a low whistle, leaning back in his chair. “You’re somethin’ else, darlin’. Really are.”
“Guess that’s a deal then,” you said, your smile returning with a sharp edge. “But in return...” You leaned closer to the camera, your voice dropping to a whisper. “I want to see more of you.”
Ronin raised an eyebrow, clearly amused. “More of me, huh? What, you want me to start livestreaming my kills for ya?”
“No.” You shook your head slowly, your grin widening. “You’re such a unique ingredient.” Your voice carried an eerie sing-song lilt as your eyes lit up, almost sparkling with manic glee. “A fascinating one. I’d love to see how you’re put together.”
“Holy shit,” Ronin said, laughing as he leaned back again, the sound loud and sharp. “You’re crazier than I thought.”
You didn’t flinch, your gaze still locked onto his. “I want to see your insides.”
Ronin froze mid-laugh, his grin faltering just enough to catch. “Come again?”
“I want to see your heart,” you said, your voice unnervingly calm. “I want to know how rotten it is. I want to cut you open. I want to carve you apart, piece by piece, until there’s nothing left but the truth inside you. I want to see if you’re really as rotten as you pretend to be.”
The air between you felt thick as Ronin blinked, watching you with something caught between amusement and genuine disbelief. Then, to your surprise, his face flushed—just the faintest hint of red across his cheeks.
“Darlin’, you’ve got some ideas,” he said, his voice low and gravelly, laced with amusement.
You leaned forward, your grin widening even further. “You like it, don’t you?”
“What?”
“You like people who want to murder you,” you said bluntly, your head tilting in that same slow, unnerving way.
Ronin’s laughter burst out again, sharp and unrestrained. “You’re insane. Completely unhinged.” He wiped at his face, shaking his head. “But I can’t lie, I’ve never met anyone like you.”
Your voice dropped into a whisper, dripping with a dark, almost intimate intensity. “I’ll cut you open, Ronin. I’ll cut and cut and cut. I’ll carve you down to nothing.”
His grin grew, sharp and full of teeth, as if he were watching a show just for him. “And what would you find, huh? What’s left of me once you’re done?”
“I’ll find you,"
"You're a diseases." He looked at you grinning.
"I do have a disease, . THAT DISEASE ONLY TOOK AWAY MY SENSITIVITY. BUT I CAN STILL SMELL THINGS. LIKE THE BEAUTIFUL SMELL..."
"Flowers, because you're pink?"
"BLOOD."
"I'll admit that smell is pretty cool...I feel bad for you tho. What kind of shitty person has this society turned you into?" Ronin asked ever so...
"Ah...H....."
"You're smiling too much now Mx Baker."
"I'M JUST AMUSED BY YOUR COMPASSION FOR ME. I'M LITERALLY GOING TO KILL AND EAT YOU AND YOU KNOW IT PERFECTLY WELL. AH, POOR ME! YOUR BLOOD, STUPID. I WANT TO EAT YOU, I WANT TO TASTE EVERY BITE AND CHEW IT WITH YOUR SWEET BLOOD. GOD, THE THOUGHT OF IT IS DRIVING ME CRAZY!"
you said, deadly serious, your gaze unwavering.
He stared at you, his grin fading for a split second before returning, softer this time. “You’re a real freak, sweetheart.”
“And you like it,” you replied, your voice dripping with certainty.
“We’ll see,” he said, his grin sharp as he reached for the call button. “Don’t go fallin’ too hard, Zombie.”
With that, the call ended, leaving you staring at the blank screen, your smile unwavering.
Character Introduction: Y/N (The Cannibal Baker)- Character notes on them if you wanna read!
Alias: Zombie (By ronin), Honey (Angel), Freakshow (Misaki) Y/n (V)
Appearance: A twisted vision of stitched perfection, Y/N is a haunting figure of pale pink and soft pastels juxtaposed with grotesque details. Their stitched skin is meticulously patched, a macabre quilt of recycled life. Their wide, eerie smile is framed by scars, and the occasional tooth slips loose, revealing the horrors underneath. Eyes that sparkle with unnerving glee belie their darker nature.
Personality: A duality of sweetness and sinister intent, Y/N is as charming as they are horrifying. They speak with a syrupy kindness that feels just a little too sticky, a little too wrong. Their obsession with "ingredients" extends to everyone they meet, dissecting people in their mind, categorizing their potential usefulness in a culinary metaphor.Y/N has a sharp wit, a playful edge to their cruelty, and an unnerving calmness when speaking of the unspeakable. Their fascination with gore and murder is matched only by their twisted sense of care—caring deeply about the people they’ve deemed important, even if their ways of expressing it are unsettling.
Motivations: Y/N kills for pleasure and perfection, seeing it as an art form. They’ve convinced themselves it’s about crafting the perfect “dish,” but deep down, it’s their way of maintaining control and finding meaning in a chaotic existence.
Character Relationship Thoughts
Ronin (The Devil’s Butcher):
Y/N’s thoughts on Ronin: "He’s like a rotting masterpiece—so vibrant and decayed, I can’t look away. Every joke he cracks is a layer peeling back, every threat a promise I’d love to see fulfilled. He’s not completely rotten, though. He pretends to be, but I see it. The way he cares for Angel—it’s fascinating. It’s beautiful. I want to cut him open and see what makes him tick. I want to carve out the truth of him with my own two hands. He’s a unique ingredient, one I’d never waste on a single dish. He’s the kind of flavor that lingers, haunts you long after the meal is done."
Ronin’s thoughts on Y/N: "Sweetheart’s a goddamn freak, and I mean that in the best way possible. They’ve got that look in their eyes, like they’d gut me and giggle while doing it—and hell, that’s kinda thrilling. They’re dangerous, no doubt, but not just in a kill-you kind of way. They notice things, things they shouldn’t. Makes me feel...seen, in a way I don’t know if I like yet. They’re crazy as shit, but damn if they aren’t my kind of crazy. I’d love to see them try to crack me open. Let’s see who breaks first."
Angel (Heartsick Angel):
Y/N’s thoughts on Angel: "She’s too good to be eaten. Too precious, too sweet, too much. I could never ruin her by turning her into a meal. No dish would do her justice; she’s a perfection I’d never desecrate. But oh, the way she cares, the way she looks at people with that soft gaze—it’s maddening. She makes me feel...small, like I could be something other than this. And that’s terrifying."
Angel’s thoughts on Y/N: "They’re broken, but not beyond saving. I see them the way I wish someone had seen me before I became this. They’re terrifying, sure, but there’s something sad about them, too. They talk about people like ingredients, but there’s a care in the way they don’t talk about me that tells me they’re not as gone as they think. I just hope they don’t drown in the darkness they keep running towards."
V (Vigilante):
Y/N’s thoughts on V: "He’s so self-righteous, so blind to the truth of what he is. He kills and calls it justice; I kill and call it art. At least I’m honest. He’s like a bitter spice, overpowering and trying too hard. He’s useful, though—ingredients like him bring out the best in a dish when balanced correctly."
V’s thoughts on Y/N: "They’re messed up. Totally deranged. But the worst part? They don’t lie about it. They look you in the eye and tell you exactly what they are, and it’s terrifying. There’s a darkness in them that even Ronin doesn’t have—it’s colder, more calculated. I don’t trust them, but I can’t stop watching."
Misaki (HitMeUpp):
Y/N’s thoughts on Misaki: "So excitable, so easily impressed. She’s like sugar—sweet, but too much of her would rot your teeth. Still, she’s fun, in a bubblegum kind of way. Not my usual flavor, but every dish needs a little contrast."
Misaki’s thoughts on Y/N: "They’re so wacky! Like, scary wacky, but also fascinating. The way they talk about killing like it’s an art form—it’s freaky, but you can’t help but listen. I mean, they’re a little too creepy sometimes, but I think they’re cool in a way I don’t wanna admit out loud."
The Messed-Up Love Between Y/N, Ronin, and Angel:
Y/N & Ronin:
Dear ME Their bond is a twisted dance of obsession and control, where love doesn’t exist in the traditional sense. It’s a game, a performance where each step is an act of domination and submission. Y/N is entranced by Ronin’s chaotic nature, drawn to the dark, twisted energy he radiates. They see him as a puzzle they want to solve, a broken, rotting thing that’s too beautiful in its disintegration to ignore. It’s not love, but something darker—an addiction to the thrill of their interactions, the danger they present to each other.Y/N's idea of love is warped by their need to "break" the things they care about. In their mind, to truly love someone is to carve them open, understand them piece by piece, and turn them into something they can possess—control. With Ronin, they find a kindred spirit in destruction, but Ronin doesn’t allow himself to be completely consumed. The tension between them is electric, but neither of them will allow the other to dominate entirely. There’s a mutual respect in their brokenness, but there’s also a game of manipulation—one trying to outsmart the other.Y/N wants Ronin to crack, to let them in, to show them that there's something more under the devilish exterior. Ronin, on the other hand, plays the role of the untouchable figure, the force of nature, the devil who refuses to bow to anyone, including Y/N. Their relationship is marked by moments of twisted affection, sharp words, and even sharper smiles. It’s not love in the purest sense—it’s ownership, obsession, and a constant struggle for dominance.
Ronin’s Perspective: “You think you know me, sweetheart? You're just another fucking weirdo who's trying to find the truth in a world that doesn't have it. But you’re also... fun. Maybe a little too fun. I can’t decide if I want to kill you or keep you. Hell, maybe I’ll do both. What do you think of that? Huh?”
Y/N’s Perspective: “You’re a rotting masterpiece, Ronin. I want to carve into you, see what makes you tick. You think you’re untouchable, but we both know—there’s something in you that wants to break. And when you break, you’ll be mine.”
Y/N & Angel:
TWISTED With Angel, it’s a different kind of twisted affection. There’s a genuine care in Y/N’s desire to protect her, but it’s muddled by their own fractured psyche. Y/N sees Angel as something pure, untouchable, a perfect contradiction to their own broken soul. But that purity is something Y/N feels compelled to defile, not out of hatred, but out of a need to possess everything they find beautiful and unattainable.Y/N’s love for Angel is possessive and suffocating. It’s not that they want to hurt Angel, but they want to understand her, to know every secret she hides, to rip through her facades and uncover the raw, human parts that Angel doesn’t want anyone to see. They know how much Angel means to Ronin, and that fuels their need to control and shape her into something they can possess.Y/N wants to save her, but not in a way that would make her whole. They want to keep her fractured, like them—because only then would they feel truly connected. They want to be the one who heals her, but in doing so, they’d break her a little more.
Angel’s Perspective on Y/N: “You’re twisted. You say you want to protect me, but you’ve got this way of making everything feel like a game—like I’m just another one of your little experiments. But I can’t say I don’t care. There’s something in the way you look at me, something that feels like you really want to be... with me."
Y/N’s Perspective on Angel: “You’re too pure, Angel. Too soft. You make me want to ruin that purity, to twist it, because I can’t have you thinking you’re better than me. But I’ll never hurt you the way I’d hurt someone else. You’re special... in a way that makes me want to hold you close and crush everything good about you just to see how it fits inside me.”
Lemme know if I should do part 2!!!
#killer chat#killer chat ronin#killer chat ronin x reader#killer chat x reader#ronin beaufort#ronin beaufort x reader#ronin killer chat#ronin x reader#killer chat vn#killer chat angel#maria de rosa#killer chat angel x reader#angel x reader#visual novel#kc x reader#kc angel#kc ronin#kc#Spotify
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2009 Persona Club P4 Profiles
I've posted Adachi and Yukiko's before, but this is a collection of all their "YHVH" (Yasogami High Visual H) social media profiles.
The protagonist doesn't have a profile due to him being the silent protagonist.
Yosuke
Nickname: Isn't "Prince Walking Disappointment" kinda mean?
Greeting: Yo!-Sup? This is Yo!-Su?-Ke's room (... I tried ...)
Favorite music: Something you can listen to and play. Guitar owns!
Favorite Food: Fruit flavored throat drops cause they're good for karaoke (Yosuke can give the protagonist a Fruity Fruity Throat Lozenge in dungeon chats; also in the evening hangouts during Golden)
Least Favorite Food: Tofu - sorry Rise!
Dislikes: Cockroaches they're black and rustle around and move so quickly ugh
Clubs: People who commute on bikes, Wanna go to Junes?, Delicious Homemade Food, Trial of the Dragon
Inbox: "DVD!!! DVD!!!" (from Chie)
Parting words: Saving up for a scooter (these profiles are before Golden came out)
Chie
Nickname: Kung Fu Girl
Greeting: Check this! Hyah!
Gender: Girl!!!
Favorite food: Meat
Favorite animals: Hamsters, bunnies, and other tiny animals
Dislikes: Math, insects - the enemy of all mankind
Favorite movies: Kung fu
Clubs: Trial of the Dragon, Burning Dragon, Fans of Animals w/Tiny Eyes, Meat Lovers
Inbox: "Return my world history notebook" (from Yukiko)
Yukiko
Nickname: Yukiko, the lady of the house... Sigh...
Greeting: Hello~ Chie invited me
Likes: Japanese food, dogs (you see, one fateful day on the Samegawa... [omitted]) (Talking about her and Chie meeting due to a dog from Chie's SLink and the Golden audio drama)
Dislikes: Nothing in particular, but I don't take well to sex jokes / dirty talk
Special skills: Kimono dressing and table / place setting
Clubs: Japanese clothing fans, the Go Home club (for people who aren't in clubs), Let's visit the dam, Fans of Showa Era music
Inbox: "Lemme bathe in the hot springs again" (from Yosuke)
Kanji
Nickname: If you call me bald, imma punch you in the face
Greeting: I'm Inaba's Runaway Train
Likes: Ototo (animal crackers), Homerun Bars (topsicles)
Hobbies: Sewing, knitting, peeling the wrappers off of Homerun Bars
Clubs: Let's Sew, Knitting Cafe, Delicious Shops in the Central Shopping District, Hawaiian Quilt Enjoyers
Ideal fight: One without rules
Inbox: "Hey, I got the rare submarine!" (from Yosuke; this was "rare penguin animal cracker" in English)
Rise
Nickname: Risechi / Risette, duh!
Greeting: Where a young maiden's secrets get revealed
Likes: Hagakure special from Hagakure Ramen
Hates: Japanese ginger and royal fern
Favorite people: Senpai / the protagonist, grandma
Least favorite people: Indecisive and unreliable people
Clubs: Cafes and Sweets of Okina city, Tofu Lovers, How about Kanami Mashita?, Fans of Animals w/Tiny Eyes
Inbox: "The best sweets around are..." (from Teddie)
Naoto
Nickname: The detective prince
Greeting: Hi there, my upperclassmen invited me
Gender: No comment (As in, Naoto wrote "no comment")
Favorite book genre: Detective novels due to work
Likes: Putting myself in danger (longer explanation of what it says in Japanese)
Dislikes: Women's clothing - especially anything revealing
Specialty: Working with machines, been doing it since I was young
Clubs: Linux Fans, DIY PC Builders, Fans of Mystery Novel Narrative Tricks, Beginners Fashion
Inbox: "Let's get a bucket ice cream parfait tomorrow" (from Rise)
Lastly, Nanako, Dojima, and Adachi don't have the high school social media profiles, but they still have regular profiles nonetheless.
Nanako
Likes: Dad, big brother, Risechi / Risette, everyone else in the Investigation Team, Junes
Dislikes: Fighting, shiokara (fermented fish guts; it seems that Dojima keeps these in the fridge in P4 lol. She uses some of them to make the Slime chocolate in Golden.)
Specialty: Singing the Junes theme
Dojima
Likes: Nanako, beer
Dislikes: Working, physical tasks that require attention to detail (I'm clumsy)
Specialty: Judo, reading one's character
Adachi
Likes: Sushi (especially uni), beef, cabbage dishes
Dislikes: Paperwork, cleaning his room
Specialty: Revolver maintenance
Here's the full post of Adachi's profile w/the fanart pages too
Teddie's is. Uh. An experience. I'll post his sometime else cause I think I'm not 100% sure how it should be handled. Like he fills out [gender/sex] (they're the same character in JP) as an emoji of a woman and the words "I live for love". Which I feel like is best interpreted as, "Sex: Yes please". But hmmmMMMmmm.
#persona 4#p4#persona 4 golden#p4g#yosuke hanamura#chie satonaka#yukiko amagi#kanji tatsumi#naoto shirogane#rise kujikawa#tohru adachi#nanako dojima#ryotaro dojima#persona club p4
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Veilguard Companion First Impressions
So, I’ve finally recruited all the companions for the Veilguard! And as such, I thought I’d share my initial thoughts on them each.
Please keep in mind that as the title says, these are just my first impressions. I am nowhere near finishing the game yet. My thoughts very well may change after getting to know the characters more as the story progresses. Also, please do not take any opinions you do not share as a personal attack against you.
Bellara
Bellara might be my #1 favourite.
I’ve seen some people just say Bellara is “a Merrill rip-off” but I don’t think that’s fair at all. If all it took was a few similarities to say a character is a rip-off of another character, than I can think of so many boring white cishet male characters who would be guilty of that. But heaven forbid we get more than one elven woman who is passionate about her people’s culture and history!
Frankly, I think Bellara is a breath of fresh air in terms of Dalish characters specifically. Finally, a Dalish elf who isn’t punished for being proudly Dalish by the narrative.
I also really appreciate that so much of her can be easily understood by her backstory, too. Like, her feelings of never being good enough is reflective of the very realistic grief she is experiencing.
Lucanis
If Bellara isn’t my #1 favourite, then Lucanis is. They really both dominate that spot neck in neck. I can’t decide if I want to put him in a jar and shake it to see what happens, or wrap him up tight in a quilt and give him some good coffee.
I’m just a sucker for Lucanis’s character archetype, is the thing. I love taking him out simply because he’s so much fun to have around. And in terms of companion arcs, his is the one I am most intrigued to see where it goes.
Taash
(While I haven’t personally gotten to Taash’s non-binary plot yet, I am aware Taash switches to they/them pronouns, so that’s what I’ll be using.)
The moment I met Taash felt my heart skip a beat. The only thing hotter than their appearance is their voice. I know BioWare probably left Taash out of a lot of the advertising because they wanted to keep Taash’s gender stuff a surprise, but oh my god, because of this I was taken by quite the surprise. And so far Taash seems to be the type to keep a hard outer shell to protect a much softer side, and that is yet another character archetype I really love.
Davrin
My initial gripe about Davrin’s writing being so exclusively about Assan rather than Davrin himself is slowly peeling away, I hope. While I still think its bullshit that you can welcome Assan into the Veilgaurd but not Davrin, at least I’ve finally gotten a few bits of dialogue to get to know more about him finally. I just want to keep this momentum! Because Davrin as a concept has so much potential, in my opinion, and what little bits I have gotten from him have captivated me. But I can’t tell yet if it’s intentionally part of his character that maybe he’s just a closed off person who takes a while to trust others, (a little like Taash?) Or if the writer just cared more about griffons than the actual guy. I’m really, really holding out hope for the former.
Emmrich
Emmrich is so much more charming than I expected, and I found him instantly endearing the moment we met him. I also really like that we’re finally hearing some different stances and insight on death and necromancy than we ever had before from a companion! It makes him feel so fresh and completely new!
Harding
I’ll be real with you: I was not anticipating caring about Harding so much. She was who I was originally least interested in, when the companion line-up was announced. But the direction they’re taking her in has me questioning so much about bigger lore questions.
Unfortunately, I still don’t see much in her except being a vessel for those bigger lore questions, though. Like, Harding as a person has me mildly curious at best.
Neve
I’m really sorry Neve fans, but I just find her really boring so far, in comparison to everyone else. She doesn’t have a lot going on, and what she does have going on, doesn’t really captivate me much. Maybe I was just hoping she’d have stronger stances on things than she does? I don’t know.
It could be that I just really fucked up with Neve, and it won’t be until another playthrough that I’ll get to experience more that will change my mind. Because I will admit I am very good at picking choices she disapproves of, with my first Rook.
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The finale of Fellow Travelersis now streaming, ahead of its Sunday night airing on Showtime—a conclusion to one of the year’s best series that is gorgeous, devastating, and cathartic in equal measure.
The story of a tortured-yet-beautiful romance between two men over decades, the show waltzed through those emotions throughout the entire season, as Matt Bomer’s Hawk and Jonathan Bailey’s Tim weather the historical circumstances that prevented their deserved happily ever after. Bomer’s nuanced performance as an infatuated, conflicted man is the best work of his career, and, in the emotion-packed finale, Bailey is a revelation. Across multiple timelines, he showcases how intertwined grit, defiance, and joy in spite of darkness are for gay men determined to make their lives mean something in a world that actively works to strip them of dignity.
The series spans Hawk and Tim’s meet-cute during the Lavender Scare and McCarthyism-led panic of the 1950s through the AIDS crisis of the 1980s. The final scene, set at the unveiling of the AIDS Memorial Quilt at the National Mall in D.C. that might as well have been an anvil plummeting straight onto my heart, it shattered me so much.
There are two images in the final episode that have seared into my brain since I first watched, tableaus charting the arc of a doomed, yet life-changing relationship. First is Hawk and Tim slow dancing naked in the privacy of a secret apartment and, later, Tim’s head nestled on Hawk’s chest as they take a post-coital nap—moments of bliss stolen in a society that won’t allow them that pleasure. Then there’s a mirror of that position decades later, when Hawk climbs into Tim’s hospital bed to cradle him, as Tim struggles through a rough night during his last days battling AIDS.
The power of those moments is amplified by Bailey’s performance. In the earlier timeline, his wide, giddy eyes betray a man fully aware of his good fortune to be so madly in love, cognizant of how precarious and fleeting the feeling could be and determined to live in the splendor of it. Later, as he faces death, his resignation to fate is not one of defeat, but a catalyst for clarity.
So much of his life was impacted—some might say ruined—by his inability to move on from his connection to Hawk. But in a sensational monologue delivered after Hawk questions how much pain he’s caused Tim, Tim corrects the narrative: “I spent most of my life waiting for God to love me. And then I realized the only thing that matters is that I loved God. It’s the same with you. I’ve never loved anyone but you. You were my great, consuming love. Most people don’t get one of those. I do. I have no regrets.”
Bailey’s performance of this monologue stunned me. It is spoken with such certainty, an outpouring of a lifetime of emotion funneled into a searing, pointed declaration. He’s speaking to not only a complicated romance with his lover, but also on behalf of generations of gay men whose great loves were colored and, it often seemed, marred by the misfortune of the times in which they were kindled. That’s the revelation that Tim, through Bailey’s delivery, speaks to: There’s no misfortune when it comes to love; we may now be aware of the hideousness with which society treated (and still treats) the gay community, but how dare we assume that the love found was any kind of misfortune.
I’ll be thinking about this episode, that monologue, and Bailey’s performance for a long time. Do yourself a favor and watch it.
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Welcome to another round of W2 Tells You What You Should See, where W2 (me) tries to sell you (you) on something you should be watching. Today's choice: 鬓边不是海棠红/Winter Begonia
Winter Begonia is the tale of the intertwined lives of a wealthy, westernized businessman and a bratty, dramatic Peking Opera performer as they navigate the historical landscape of 1930s China.
It is a slow historical ramble of a show, to the point where I couldn't really say it has a single plot. Events just happen in their lives, and the show follows them with a pleasant steadiness. Characters go away, and sometimes they come back. Interpersonal conflicts rise and then get resolved. Sometimes you just get to sit and watch part of an opera happen. The last third of the show develops a slightly more cohesive narrative, but even then, it's still mostly a loose constellation of events related to larger goings-on in the culture.
So if you're looking for tight plots and fast-paced action, you'll want to look somewhere else. But if you're the kind of person who likes to wrap up sometimes in a gentle warm blanket of a beautiful show, I have five reasons you should give this one a try.
1. Oh, they're in love
Perhaps the most notable thing about Cheng Fengtai and Shang Xirui is that they spend the entire show smiling at one another, staring longingly at one another, and/or making each other laugh.
A lot of danmei couples depend on having at least one partner who, if not outright tsundere, is at least stoically long-suffering -- which is romantic, sure, but also exhausting in real life. These two read about as married as any danmei pair I've ever seen because they make one another smile all the time. They're incredibly touchy and affectionate from basically the moment they meet. They're not just in love, they actually like one another.
Now, don't get me wrong: These two are both absolute exhausting gremlins who deserve one another so they don't have to be anyone else's problems. But they're good-natured enough about their respective gremlin natures that when one of them lets loose with his rascality, the other tends to think it's hilarious.
They don't even have the mandated danmei breakup! They're never mad at one another for more than the length of an episode. Most of the time they're just refreshingly normal about one another (or, you know, about as normal as two drama queens can be). And when they're being not normal about one another, it's because the circumstances they are currently enduring are not normal either.
They're so in love that by the time you get to the last episode, everyone in their lives is like, gee, those two sure are in love. For the main couple in a Chinese-censored BL adaptation? That's pretty darn in love.
2. The costumes!!!
Of course I have to gush over the costumes. Several major characters are professional opera performers, and their wardrobes are just stunning in complexity and detail -- and accuracy, apparently.
But they're not even where all of the wardrobe budget went! Everyone looks great, from the dapper upper class to the household servants to the street performers.
I also can't get over how everyone looks so cozy in their winter outfits. The show really wants to hammer home how cold Beijing is, and so most non-opera clothes are either heavily quilted or furry. Not a single outfit in this show is slimming (except maybe for some of the gorgeous gowns Cheng Meixin wears). It's all about conserving body heat, which means a lot of people walk around basically wearing mildly tailored quilts all the time. I love it. I envy it.
3. Oops! All bottoms!
This is a show of very soft men. It helps that very many of them have spent their whole lives playing female roles, but even those that haven't tend to be pretty darn soft.
(And I'm not even talking about the way people keep handing Cheng Fengtai babies and he loves it.)
Du Luocheng and Shang Xirui are absolutely what happens when you get two soft gay guys who are kinda into one another, but they're both too lazy to top, so they just become best friends instead.
Fan Lian stands as a testament to how you can be the only heterosexual in the show and still be soft as hell.
The old married gays. Softness level: off the charts.
Chen Renxiang's role is that of the opera frenemy, and he's incredibly soft about it. (This actor is also apparently in the Sha Po Lang live-action adaptation! Maybe someday it will be released...)
Opera underling La Yuehong hardens up later in the show, but even when he does, there's still a tragic softness to it.
Even the baddies are soft! Pretty much all the rival opera bitches fall into the "love to hate" category -- and nearly all of them win at least some sympathy from you before they leave the story for good.
There's one more soft boy whose presence surprised me, and that is Xue Zhicheng/Kujo Kazuma, a sympathetic Japanese character. Every other Japanese character in the show is sinister somehow -- not surprising, considering the drama is set during the brutal Japanese occupation of Beiping/Beijing.
But this little guy is a gentle, well-meaning opera fan who just wants to watch his favorite performers! When his actions cause trouble, it's only because he's so well-meaning that he couldn't see how anyone could disapprove of his attempts at cross-cultural undertanding. He even comes to the rescue a few times, at significant personal cost!
Moreover, the show uses him to make it clear that there's a difference between the Japanese occupying force and Japanese people and culture. In fact, the show is pretty critical of people who conflate the two and use interest in the latter as evidence of support of the former. That is not a level of nuance I've seen from other dramas set in this time period, and I was pleased to see it.
In conclusion, the critial war shortage in 1930s Beijing was not food or medicine or ammunition, but tops.
4. A whole lotta ladies
Again, not even counting the fact that one of the two main guys, many of his buddies, all of his heroes, and several of the antagonists professionally dress as women.
The most notable of them is Cheng Fengtai’s wife, Fan Xiang'er. They've been married for years by the time the show starts, and they have a son together. Theirs is an arranged marriage that they've managed to make work so well that they've actually wound up liking one another ... most of the time. Remember what I said earlier about his being exhausting? She knows that better than anyone.
(Sidebar: If you are uncomfortable with a love story where one of the participants is canonically married to someone else, this may be one you want to skip. That said, there are several male characters in this show who have multiple wives and/or mistresses, so the metric of what counts as infidelity in this setting is ... loose.)
Beyond her, though, there are many more female supporting characters in this show, from all different socioeconomic levels, in all different kinds of situations.
A caveat: Some of the women (one in particular) are at times frustrating as hell because they're too often written as jealous shrews who believe all the terrible gossip they hear and act on it without having actual adult conversations with anyone first. I dislike this trope, mostly because it relies on making some smart women artificially very stupid for the sake of forwarding the plot. I have little patience for situations that could have been solved five episodes ago if somebody had just been willing to ask clarifying questions.
That said, I can't be too mad about that, because there are many, many more women who are not written like that. Some of them are good and loyal! Some are sneaky and self-interested! Some are callous and manipulative! Some are meek and traumatized! Some make terrible decisions! Some make terrible decisions but, like, you get it! You know, just like in real life?
The answer to better representation is almost always more representation. When a character is the only one of whatever they are, everything they do is kind of an indictment of that category, especially when that category has a history of stereotypical negative representation. When there are several others, the characters stop being representatives of that category and start being just plain characters.
5. It just feels good to watch
Don't misunderstand: This is not a happy fun time show where everything in sunshine and roses all the way down. There are plenty of tense and emotional parts. Not everyone we like makes it out of the drama alive. Not all love stories get a happily ever after. People disappoint one another all the time. Awful things happen when soldiers occupy civilian populations. Poverty is a bitch.
But the show itself remains a nice viewing experience. It's absolutely a feast for the senses, what with all the music and costumes and sets and props and old-fashioned cars and everything.
The story is very straightforward. It's never trying to do any complex schemes or mislead you before some big reveal. I imagine this could be a good show to put on in the background while you're doing something else. You're never going to be too desperately confused about what's going on if you zone out for a minute -- and if you are, just hang on for a bit, because by next episode, it'll probably be onto whatever storyline comes next.
I have not read the novel, and I cannot judge anything against its standards. However, my friend who has read parts of the novel tells me that the adaptation is much preferable, because in the novel, you get to hear everyone's internal narration -- and everyone's internal narration makes it clear they're all bratty, insufferable assholes. That is not the case here! Or, rather, they are often bratty and/or insufferable, but from outside their heads, it's a lot more charming.
Finally, it's legitimately a very good love story. Shang Xirui is the only person in Cheng Fengtai's life who loves him for who he is, not what someone else needs him to be. Cheng Fengtai goes from being enraptured by this beautiful little weirdo to basically wanting to wife him. They spend a lot of time taking care of one another, sometimes in the only ways they know how. They're capable of operating independently -- there are several episodes where their storylines diverge completely -- but they'd prefer not to. They've just each found their soulmate, and that's all there is to it. (The red thumbprint in the palm is about the most romantic thing I've ever seen.)
I'm a little surprised by how little I hear English-speaking fandom talk about this one, especially since (see below) it's a widely available, high-budget show that even has a Shang Xirui figurine, and there's no question about how in gay love these two are. But if you hop over to AO3, there's only 257 works total in the Winter Begonia tag, a scant 57 of which are in English, and if you've tried looking into the Winter Begonia tag on Tumblr, you know it's pretty quiet 'round here.
I can't be sure, but I'd assume that's partly because this is both a) a relatively low-stakes drama, and b) so enmeshed with actual historical events and concepts that you'd have to do at least a baseline amount of research before making any fan media. I would imagine that for some folk, this is a barrier to entry.
And it is 49 slow, gentle episodes long. I saw Tumblr posts asking which episodes are important, because the posters don't want to or can't commit to watching the whole thing. But the answer is ... all of them? none of them? There's no plot you'd be getting or missing with specific episodes. There are very few things I can think of that would even qualify as spoilers. It's just a walk through a couple very eventful years in the main pair's lives. I understand if folk aren't up for that, but if you are, this is really a gem.
Have I convinced you to give it a try?
I would say that Winter Begonia is perhaps the most easily watchable of any c-drama I've come across. Here's where you can find it:
iQiyi
Viki
Amazon Prime
YouTube
We watched most of it on YouTube, where the subs were perfectly fine. However, there was one episode where we had to switch platforms because the English subs were all out of synch, so we went to Amazon and they were fine there too. Other than that, I don't really have a sense of which translation experience is the best. Try them all!
(PS: If you feel like putting on a tinfoil hat, I'm just going to say, they look at one another like that in real life, too.)
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I MISSED YOUUU AND YOUR WRITING :(
SO GLAD TO HAVE YOU BACK!!!!
When, or if you’re comfortable with sharing fics from your stash again, could you please revive these? (or perhaps secure them at ao3?):
The one where Matt was growing (but then failing to) some type of melon in cold dreary rainy England sometime in the late 18th / early 19th century
19th century Baby fight: Wee Jack standing up for baby Zee and punching Wee Ludwig , Matt swooping them up later to deescalate
Mid-19th century fight: Teen jack vs Angry livid Arthur because of a broken statue? Then he drops deceased because Zee and Laudanum
21st century London: Drunk Matt involved in a bar fight cuz he flirted with a girl, and her boyfriend was not having it lol - Jack came to pick him up afterwards
I’m not sure if these were head canons or if you just briefly mentioned these, but they’re in my memory, and I can’t find them anymore from reblogs of your older/deactivated blogs and I still think about them to this day :(((((
Thank you! and Ah! Yes! I can get those written out or back on the blog in some form. Though, unfortunately the first three are what I've kind of started to call 'pseudo-short stories' because they're definitely getting detailed enough to be fics but have not been written out in any true narrative. I've put the ao3 link to the 4th in the comments and below the cut as its a 'real' short story in that its at least a narrative lol.
Whiskey, no so neat.
The woman before Matthew spread herself out on the barstool and looked at him like he was the first apple of autumn in his red toque and brown jacket. He liked it when they did that. There were coloured lights all around the door, a crowd of people, and house music everywhere. A good lager only cost 3 pounds, polished sterling, and he'd had a lot of them. The used glasses on the bar top behind them reflected pretty party lights until they looked like the aurora borealis in his smudged-up vision.
One-night stands made Matthew feel like something had just been invented, something brand new and worth a look at across the bar—valuable, even if only as an ephemeral novelty. Even if it was only because he was pretty.
She swung her arms around him and wound a loose bit of his hair around her fingers. Matthew kissed her and slid himself between her short skirt and black tights and the bar, kissing her again until he was panting and his heart was throbbing to the music at all the pulse points. He looked up at them in the mirror behind the bar, him and the woman. A man stood behind him, glaring murderously from under a ball cap.
"Problem?" Matt asked, looking over his shoulder, arms still slung around the woman's shoulders. He was drunk. He was far too fucking drunk.
"That's my girl."
Matt looked back at the woman.
She shrugged. "An ex,"
"You heard her," Matt laughed. That would have been the end of it at home.
"Get off her!"
"No, thank you," Matthew said, and the woman nudged him closer. They ignored the man. He swung himself around and hitched her up. It was the smoothest floor he'd ever been on, or he was wasted, and he slipped, had to keep adjusting and pushing forward to keep his arms around her and his mouth on her neck. Her moans drew up, and he sighed into her jaw. It's another twenty minutes, maybe twenty-five. They get more drinks. Matt drinks whiskey neat. His fourteenth glass or so. Time doesn't mean much. It clumps up like chunks of ice, making a whole solid in a glass. He's about to ask if she wants to return to her place or his when he's clocked in the face. He's still thinking about how he hopes it's her place because his place is his father's 19th-century sofa and a few quilts half the city over when he pushes her out of the way, hopefully to safety. He cracks an elbow into the glaring bastard's jaw, the way that makes even Alfred fucking hurt and is about to drag the asshole who hit him outside and high stick a few ribs until they're good and dented when Jack's in front of him. He'd forgotten this was a family outing.
"All right, mate, that's enough," He said, gripping Matt's shoulders and steering him towards the door.
The cold night air hit their faces, and they shivered. Matt's baby brother had been in his sunshine-drenched desert continent home until a week ago, and he felt terrible. He curled an elbow around Jack's neck, suddenly wobbly.
"I wasn't finished!" He hiccoughed. "And you should have worn a jacket,"
"Yeah, nah, you're done," Jack said, sounding beyond annoyed.
"I told you to wear a jacket, bud," Matt proclaimed, not responding to Jack but, like all of London, needing to hear him if his brother didn't.
"You're munted," Jack said, grinning. He tossed Matt's arm off and dragged the other over his shoulders like he didn't trust Matthew to stand up. "Just have fucken look at you,"
"But I'm right," Matt said, swerving and thrusting one hand out before him. He forgot to reach a finger out to make the point, lecture, and be the elder sibling. Shit. He hiccoughed.
"Let's find another pub," Matt said, turning around twice before he realized Jack was still to his left.
"You'll find someone to get in trouble over, you goddamn root rat," Jack said, tugging him down the sidewalk.
"Promise I won't,"
"Mate you just arc'd up at some random bloke," Jack said.
"Fucker hit me first!"
"Yeah, I'm sure Dad will love that explanation for why you almost took someone's head off over someone you've never met," Jack said, hailing a cab.
"But she was hot,"
Jack scowled at him.
"D'you even like girls?" Matt asked. He couldn't remember. "Tits are great,"
"Matt, how much did you drink?"
He blinked.
"Heh, too much." Curiosity crept up on him all of a sudden. "Do marsupials not have tits? Is that why you don't like tits?"
"Jesus Christ, mate," Jack was glowing in a street lamp halo of piss-coloured light.
"Come on, if we're out too late you'll still be hurling for that Honore Balzac lecture you wanted to see,"
"I wanted to honour my ballsack on that girl," Matt returned, giggling. Like a child. Like a girl. Except Zee never giggled. She was loud. She laughed as loud as she wanted. Good for her. Matt thought and wondered why his brain wasn't working anymore.
"The writer,"
He blinked. "Oh yeah, I knoooooow," He hadn't, but Matt pulled out the word and was very glad his baby brother held him fast by the waist and shoulder. Baby brother. Bouncy baby Jack hopped up the curb. He was tall. Jesus Christ, he was so tall. Matt grinned down at him as Jack tugged him along.
"I'm so proud of you,"
"How is it you are exactly the same drunk as you are sober?" Jack said, adjusting Matt's arm over his neck, but Matt could hear how pleased he sounded.
"What'stha mean?" Matt slurred.
"Means you're fucken gone, mate, doesn't it? Jesus but it does,"
"You sound," Matt hiccoughed and tried again. The last five shots were kicking in hard, apparently. "You sound Irish,"
"I am Irish you knob, c'mon Matt, make your bloody legs work would ya?"
He must have blacked out a little after that because they stepped off the curb and got into a car. But when the hell had Jack hailed a cab? No, not a cab. Dad's car. Hadn't that been left at the house? Shit.
"If I hurl—
"Do it out the window and I'll hose it off in the morning," A familiar voice said. Father. Dad.
"You called Dad?" Matt asked. His father raised a brow. "Shit! Shit! I didn't kill anyone!"
His father cocked an eyebrow in the rearview mirror. Jesus, Mary, and Joseph, when did Matthew find himself in the car? He was stashed in the back on his side, unbuckled. The car was moving.
"You picked us up?" he said, astonished. The soft seat felt absolutely delicious, and he propped his cheek on it, but his stomach was sour—with anxiety, not his bar tab.
"I called him," Jack supplied.
"Why?" Matt said.
"Because you got wasted, horked on the curb and I didn't feel like hauling you all the way home,"
"You didn't have to call Dad!" The world tilted. His guts lurched. He might have been sick all over the car, but then he sat up, and gravity was happier with him. Or was he happier with gravity? His head spun. Had he been this drunk in the bar? He clawed his way towards the other side of the car and leaned between the front seats, holding the center console. "I'm really sorry,"
"It's fine," his father said. At the next stop sign, his eyes flicked up in the mirror, and Matt thought he meant it but still felt terrible.
"I was irresponsible," He said quietly. "Sorry,"
"Really, it's fine,"
"Sorry,"
"Sit back down,"
"Dad,"
"Sit your sorry arse down and buckle up or we will be having words about it!" Arthur snapped. "I mean honestly, Matthew Williams! How irresponsible can you be?"
"Yes, sir," He hated when Arthur whipped out his name like that. Jack and Zee have long since chosen their own, but they'd been given one at least. It was a firm, concrete reminder whenever Arthur said his name in that tone. You're like this because you're not mine. Not really. Secondhand son. Oxfam offspring.
He was beyond drunk if he was thinking like that. He fastened the buckle and remained silent. Jack tried a couple of times to start a conversation, but it got nowhere. Eventually, they sat in sullen silence.
Matthew was quiet but wanted to cry a bit when Arthur glowered in the mirror at him. He averted his gaze and stared at his boots, ashamed of himself for indulging in the drink or the girl. When they got to the house, Jack heaved him up, dragging him out of the car, arm over his shoulder, even when he got his sea legs. This is why he never drank as much as he could actually tolerate. He looked everywhere but at Dad, humiliated enough to stare at his feet. Or he was just so drunk he had to watch his feet move. He'd fall flat on his face even with Jack's balancing
He must blackout again because the next he knew, he was awake in a dark room, convinced he was falling, half-folded onto a chair.
"You with me, mate?" Jack was holding a basin, damp inside. He must have just rinsed it out because his mouth tasted like puke.
"Yeah," Matt said. "I threw up?"
"Yup," Jack said and gave him a pat.
"I suck,"
Jack smiled sympathetically. "Just a bit. You think you're done puking?"
"Nothing left,"
Jack guided him through their father's dark house, somehow steering them both through without breaking anything or falling over. He shoved Matt into the shower, and Matt clumsily washed his hair, hosed off sweat and puke, brushed his teeth, and somehow found himself competently toweling himself off. Jack had found their father's stash of clothes in all their sizes and threw them at him.
"Here, joggers and a jumper for your gangly arse," Jack slapped him gently on the back and Matt snorted.
"Jumper," Matt rolled the word around his mouth. "You're the kangaroo,"
"Jesus Christ you're still hammered. It's like dragging dad off the docks." Jack shook his head, and they somehow managed not to die crossing the hall to the spare bedroom. As soon as he crossed the threshold, Matt's face-planted into the bed and thought the flannel pillowcase was a thousand times better than any tits he would have otherwise fallen face into that night. Jack had said he was like Dad out of annoyance but Matt had the small, and embarassing, flicker of joy. He wanted to blurt out thanks but instead he just laid there in a better mood than he'd been since the car.
"Sit up," Jack kicked him gently on the leg, and Matt rolled over, dizzy.
"Don't want to,"
"Yeah, well, you should have thought about that before you got this drunk," Jack gave him another nudge, and Matt did as he was told. Jack held out a glass of water and a handful of tablets. "Take those, and drink all of that,"
Matt knocked the pills back and drank it all. Jack took the glass from him and filled it again, putting it on the bedside table.
"You're not going to go and choke to death in your sleep, right?" Jack asked, sitting on the edge of the bed. He looked funny, and Matt felt terrible. His spiky hair was wilted, and Matt thought he should put him in the sun. But his head hurt, and light would make it hurt more, so he settled for flopping over and hugging his baby brother.
"I've literally never done that,"
Jack squeezed his shoulder and let go. "Dad has," Jack said, starfishing on the bed and shoving Matt onto the far edge.
"I'm not Dad," Matt said, sipping more at the water.
"You mind if I stay in here and make sure you don't?" Jack said. "You hammered is weird,"
"Sorry,"
"You're allowed," Jack said. "It's just weird,"
"Tell that to Dad, he hates me,"
"He wasn't happy, that's for bloody sure," Jack said. "But he wouldn't pop down to the shops at two in the morning to round up the full fry up if he hated you,"
Matt gagged.
"Sorry," Jack pat him on the shoulder.
"Saint Bibiana have mercy upon my soul," Matt groaned.
Jack snorted and gently shoved him onto his side. "Come on, get some sleep, you'll feel less like shit in the morning."
"You and I both know that's bullshit," Matt said, eyes shut against the spinning. "I deserve it,"
"You do not," Jack looked ready to smack him upside the head. "Don't be stupid. You're fine,"
"I'm sorry for being a prick,"
"You had fun for once, it wasn't your fault that whacker wanted a fight,"
"Still, I'm sorry,"
"Stop apologizing," Jack said again. "I puked on you plenty when I was little,"
Matt chuckled. "God, that's true. You vomited all the way to England like four times,"
"You're the one who never believed me when I said I wasn't done being sick!" Jack shot back, smiling.
"You'd been puking for ten hours straight that time, I didn't know how there could even be anything left in you," Matt's guts flipped. "Hgnn, no more puke talk,"
"All right, all right, mate, sleep time," Jack held the covers up, and Matt rolled under, burrowing under the duvet.
"Al right, all right. When did you get a brain cell?"
"Kiwi lets me have custody of it when she's off being the family shame," He snorted and flopped onto the mattress next to Matt. "Promise you won't puke on me, asshole,"
"Jackass,"
"Please, Jackass is my father. Call me Jack,"
Matt was snorting as he fell asleep.
#my writing || cacoethes scribendi#the ask box || probis pateo#matthew || my country is winter#jack || a land of summer skies
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Hello! Writeblr re-Introduction
hiiiii pals! I made my writeblr introduction last year and it was such a good intro to the community! but as time goes on and organizations fall i want to re-introduce myself and my writing without any associations.
my name is Charlotte, but you can call me Char as well. She/Her, I'm 25, queer, and live in the Pacific Northwest of the United States.
I write literary fiction with a special affection for surrealism and dream-like vibes. I do have a couple soft fantasy and short story projects that I've made posts for, but I'll stick to my litfic on this pinned post as they are my passion projects!
themes I often explore in these books are: isolation, anxiety, complex relationships between mothers and daughters, bisexuality, winter, dissociation, and overall rural misery!
I have a bachelor's degree in English Language and Literature and paid special attention to Gothic and Romantic movements.
on top of writing, I also love quilting/sewing, collage making, playing Stardew Valley and Baldur's Gate 3, and doing DIY home renovations.
Reading is my passion, even more so than writing! My favorite authors are Murakami, Mieko Kawakami, the Bronte sisters, Iain Reid, Han Kang, and Ottessa Moshfegh.
my three main WIPS can stand alone but are technically a trilogy. read about them after the cut!
The Ballad of a Blue Whale-- This novella was written in November, 2023. It follows Maren Hara, a recent college graduate who has to move back in with her father, a rigid and unfeeling doctor. To cope with the emotional distance of her father and the slow dissolution of her relationships she begins walking through the night. Both to be away from home and removed from her current life. It’s during these walks she finds a jazz bar in an adjoining city. The patrons, and especially the owner of this bar, captivate her. At the core of the narrative is her inability to open herself to others, and how attempts to do so are physically and mentally cataclysmic, although necessary. As she finds herself, she loses both her old life and this interim space.
I Want to Build a Home with You-- This novel is in the first draft/development stage. I began in December, 2023. Its events follow Leonie Richards as she walks her grandmother, famed novelist Hellen Barnaby, through the final weeks of her life then inherits her home. Leonie, once an infamous performance artist, decides to settle into a life of portrait painting for a small but wealthy pool of clients left to her by her grandmother. Her old peers. After Hellen’s death, Leonie’s final connections to the outside world are her strange clients, the art store clerk, and her uncle Ox who is embittered by his lack of inheritance. The longer she stays in the home, the stranger things seem to be. She wakes up ragged, dirt under her fingernails with memories of a rock formation in the forest she has never seen. Forest spirits or generational curse, there is a limerence threatening her life.
No Glory-- Special Agent Seth Barnaby has been tasked with investigating the mysterious, possibly cult-associated murders of young women across the state, but this one could be the key. To decode the newest set of clues he teams up with Director of Anthropology Dr. Miel Noh and they get into the field. The small town misleads them at every turn, from an odd boy named Calf to the corpse of a girl who was staying in his family’s motel. With Seth’s checkered past he recognizes the patterns, but time is of the essence and if they don’t find answers another woman could die. With no way out, they return to the only lead Seth knows: an institutionalized man who confessed to the first murder that brought Seth to the FBI years ago.
and that's a wrap! thank you for reading, would love to reconnect with writers from last year as well as new friends. feel free to slide into my asks, follow, or join the tag list.
tags: @annlillyjose @coffeeandcalligraphy @subtlefires @belovedviolence @onomatopiya @thelaughingstag
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We mourn the loss and celebrate the life of Faith Ringgold (1930-2024). A painter, mixed media sculptor, performance artist, activist, writer, teacher and lecturer, Ringgold’s impact on American art cannot be understated, and her legacy is especially felt in New York City. Born in Harlem, Ringgold attended City College for both her B.S. and M.A. degrees in visual art before travelling the world, which would inform the rich narratives in her work and the development of her iconic story quilts. She revolutionized notions of craft in fine art with her unique style of narrative quilt paintings while centering African American and feminist voices. The distinguished artist received more than 80 awards and 23 Honorary Doctorates throughout her prolific career. Ringgold’s work has been exhibited internationally and belongs in the collections of numerous institutions including the Brooklyn Museum, the Metropolitan Museum of Art, the High Museum of Art, the Studio Museum in Harlem, and the National Gallery of Art in Washington, D.C.
Ringgold’s mosaic artwork “Flying Home: Harlem Heroes and Heroines (Downtown and Uptown)” (1996) at 125 St (2,3) station honors Harlem notables and makes them fly. Ringgold has said of the work: "I love every one of these people. I wanted to share those memories, to give the community - and others just passing through - a glimpse of all the wonderful people who were part of Harlem. I wanted them to realize what Harlem has produced and inspired." Faith Ringgold herself is certainly a Harlem heroine who has inspired and will inspire many for years to come.
📸1: MTA A&D/Cheryl Hageman, 2: Trent Reeves
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