#oh yeag also

[aierie--dragonslayer]

happy last day of pride

[halflifebutawesome]

I am a good person. I am a powerful person, I don't believe in evil. I think that evil is an idea created by others to avoid dealing with their own nature. I understand my own nature, good and evil have nothing to do with it.

[beatcroc]

there's no way the bathroom at peppino's pizza is actually that big but ¯\_(ツ)_/¯ . hey ummm anyway.... i care them...... anyway there's a lil ramble on my take on fake pep's like psyche or whatever in tags on the og post if ur into that kinda thing :y

hey! it's a series! fake peppino world tour: [noise] [noisette] [peppino]<- u are here [gustavo] [gerome] [noisette again]

[premamelody]

i think they'd be somewhat friends

[purpleleafsyt]

Figured I should post these here too! These are pieces for a daily account I'm a part of over on Twitter and all three have finally posted :]

All done in MS Paint, btw

[spotaus]

Hi guys, this is usually what a doodle page ends up looking like <3 (oh, and @ancha-aus thought you might like this! Not writing but certainly fuel to my fire lol-)

This one is New Age filled!!! (Close-ups abd Lore beneath the cut!)

1) Night and Cross!

Night is actually very clingy once he's a teen. He doesn't usually realize it, but around the castle he'll snake to be closer to his Knights so long as there's no one he needs to keep his composure infront of is nearby. Cross is the one who's not used to physical touch (when it's not Ink ofc) so Night in his personal bubble makes his heart melt but also scares tf out of him <3

2) Error and Night's Meeting!

Error was carrying his whole life on his back and trying not to get arrested for unintentional property damage at this point, so when he saw the chance to get back at his brother and prove he was strong enough? Yeah, he got that on chance instantly. And was VERY smug when Nightmare chose him. (Also, Error is wearing gloves, so less Haphephobia)

3) Dream and Blue designs!

I think these are good tentative designs! Dream probably has a more regal fit, but he likes to play up that rugged exile look- He's inspired by Archers, while Blue takes on that classic Knightly-vibe. Their equipment is mostly stolen from Night's troops or brought with them from Blue's home kingdom.

Also, Dream is approx Killer's height at this point, shorter than Cross and *much* shorter than Apple!Nightmare. (Hc that Skeletons tend to be tinier in stature thanks to weird monster beauty standards. Horror and Geno's fam are outliers.)

4) Horror and Dust designs!

Horror is naturally a very *large* monster. He's very malnourished when Nightmare meets him, but by the time he's a Knight Nightmare has made sure that's no longer the case. He actually loves comfy, simple clothes, but to play up the whole 'strong mysterious' bit he wears a more barbaric Knight's garb. He doesn't mind acting scary, it's more fun that way :]. Dust is very very small, and envies horror sometimes for his size, but his tiny stature let's him control his body and move a lot quicker. He's very much based on a rogue, and usually covers the lower part of his face w/ a black cloth, and the upper part w/ his hood or mask. Dust only removes both to bathe, eat, or relax in a safe location. (Ignore that I can't draw the stupid gaster blaster lmao-)

These last two were space-fillers, but Cross and his Borzoi (Windmill, otherwise known as Milly (Killer named her-)) and really bad first wips of Ccino! I think Ccino was a chubby, happy toddler, but lost a lot of 'weight' (bone mass? Magic?) due to stress and pressure and bad eating habits. So it isn't until a while after the Coronation that he starts to relax abd feel safe enough to eat normal meals (Nightmare used to guilt him into eating snacks together, but as his boss (and younger brother) he can encourage it more often). By the time Killer shows he's still not quite healthy, but he's better. As more weight is lifted off his shoulders, the better he is. (That 'beauty' most people saw was a more stereotypical slimness, but Killer never stopped seeing Ccino as beautiful-) I think he never looked traditionally underweight, so no one noticed, and it was only much later that Night processed it. (And maybe it's why Dream hardly recognized him later on-)

[sugarcoatednightshade]

Israels actions against Palestine make me sick to my stomach. Every time I look at the news I see some new horror they are committing, and see how they are justifying the inexcusable, I feel sick to my stomach with rage. But now, in the heart of Ramadan, the word angry feels too small for the fire I feel in my chest.

Palestine will not be able to properly celebrate Ramadan this year. Trying to explain the situation to people who have never interacted with the community is difficult. Even when thinking to myself, I have the urge to compare it to what I know. "Imagine if there was no Christmas." "Imagine if someone took away Easter." "Imagine there was no food on Thanksgiving."

But Ramadan is not any of those things. The fact that there is no Ramadan in Palestine should be enough to make you angry.

I've been living in a muslim country for six months now. Ramadan is not nearly as festive as Eid was, but its presence is unmistakable. You can taste the joy in the air. Children here get out of school early this month. There is a school across from my home; I hear their laughter every day. String lights hang from the balconies of my neighbors, wrap around palm trees, dangle from streetlights. In the news I read that the Sheik has pardoned hundreds of prisoners, paying off their fines himself in the spirit of charity. Shops here are decorated to match, with cut out stars and crescent moons and streamers. Many shops offer discounts. "70% off home delivery."

There are festivals in the streets and lectures in the colleges.

It is wonderful. And the people of Palestine do not have this. Their fasting is forced, their children out of school by force, their houses lit by firebombs and not crescent moon LEDs, homes that smell of gunsmoke instead of oud.

I hate Israel. It feels childish to admit this. It feels like a shortcoming; hate is what causes this crisis, I should be able to focus on loving Palestine instead of adding more hate to the world. But it is a word I can't help but feel when I think about what Isreal has done, is doing, will do to the people of Palestine. What injustices they will force upon them next. Hate. It's not something I say lightly, but it is something I feel I must say.

I am not disappointed in Israel. I am not sympathetic to their 'cause.' I will not censor myself to sound more moderate, to convince the undecided. I hate Israel. I hate Israel. I hate Israel.

[gilliontidestriderchampionoftheu]

drew my ocs as riptide characters :3

[krynutsreal]

wgat

what

[marvel-unofficial]

@namorweek free choice! aka keep sucking on his fish face

[id in alt!]

[butterflieswhisper]

looping echidna beastlife gif from trying to figure out toonboom

[bacchuschucklefuck]

Can you expand on what you mean by Baron being "too cool" to really fit a horror monster? It's a very interesting concept and I'd love to hear your thoughts. Is it that they're too active/involved/tangible and it detracts from their scariness?

I feel like I should preface this with a wall of disclaimers lmao 1/I am a hardcore, down-to-the-marrow, avid, deeply sincere horror enthusiast, esp. horror creatures. this usually means my mileage is vastly different from the average populace's, and my scaredy bone has been disintegrated by longterm exposure. most things in a piece of horror media won't scare me! so I practically never use that on its own as the scale to talk abt horror experiences, but when something does scare me it's always a special occasion to be treasured. 2/canon d20 is never really meant to be horror horror, and for good reasons: it doesn't fit the company's output, it takes a kind of carelessness in production estimation that is always a huge risk, it's often vulnerable in a way that kinda goes against how TTRPGs usually facilitates vulnerability, and for most people it's just! stressful! d20, even with the "horror-themed" seasons, generally just plays with horror tropes and stays focused in its goal of being a comedy improv tabletop theater show. 3/fantasy high's chosen system is DnD, which as I've mentioned before is before all a combat-based game system, which means the magic circle of play is drawn based on stats that facilitate and prioritize combat. want or not this affects every interaction you have in the game, and given fantasy high's concept from the ground up (everyone's going to school of DnD stuff to get better at DnD) it's doubly relevant. 4/This Is Fine I have no quarrel with this. my meters are internal, I do not ask this show to be anything it doesn't advertise itself to be, and what it is is fucking great! I like it! when I expand on this ask's question it will be like a physicist going insane in a lab. that's the mindset we're going in with.

disclaimers done. my stance on horror as a genre is that it's a utility genre rather than a content genre or a demographic genre; it is the discard of narratives. it's the trash pile. horror, above being scary, is about being ugly and messy, it's the cracks on the ground any story inevitably steps over to stay a genre that isn't horror. the genre's been around long enough to develop a codex and a general language that medias and makers and enthusiasts of the genre can use to talk about and build onto, but if you go into individual pieces there's really no unifying Horror Story. one person's beautiful life can be another's horror story, it's just how it is.

this makes The Monster a deeply intriguing piece of the genre. thing is a monster is in a decent percentage of any story - it's just when the antagonist force steps into something past a certain line traced out in the story's world. monstrousness is in pretty much every western fantasy story, it's in any story with a hero and something to vanquish or win; more than anything it's a proxy of that thing up there. the line in a narrative's world. the monster is the guard of the unknown lands, where heroic, civilized people don't tread.

what does this mean in the context of horror? the genre is about that perceived lawlessness, that "unknown land" so to say. we're in the monster's home. that's the literary context that we often walk into a horror piece with; the monster knows more than you about where you are. it may not understand you, but it holds more information than you, and with that it moves swifter than you, has more covered than you, and is more assured in its existence in this context than you. it's a struggle to catch up to it, it's nigh impossible to get one over it, and you're never sure it'll 100% work, because you just don't have the information necessary to.

with that framing you can kinda see where I'm coming from here: horror's often about the breaking of rules. I always think a monster's most effective when it breaks well-established rules of both existence and visual storytelling. think Possum (2018) or Undertale's Omega Flowey or the Xenomorph Queen - unique change in medium, unique change in graphic, unique change in design language, etc. in that sense I actually really like how canon baron plays out: they don't really function like anything else in the fantasy high universe, the bad kids have not managed to kill them when they've felled literal gods, their domain in fhjy literally introduces new mechanics to encompass their existence! from an experience design standpoint they slap mad shit. BUT! I can't help finding their character, like as a character riz (and the other bad kids, eventually) interact with, to be very... coherent? in design. this is kinda hard for me to articulate in words, it's more often a sense you get once you've looked at enough of these scrumptious fuckers, their general design and the way they show up is just kinda too clean, so to say. always kinda newly made? fresh unboxed. it, once again, makes sense for their lore - they are looking for more about themself from riz - and their function - they're an antagonist in a game experience, they're meant to be interacted with in a way that produces results and meshes with the existing magic circle - but that shininess takes away from the implied history they should have dominion over and the person they're haunting doesn't.

from another angle there is kinda something there about how put-together canon baron is as a concept; the domain they call home is riz's deep-seeded fears, extremely vulnerable things he's drawn borders around to quarantine and refused to walk into. things that from his perspective would irreversibly shatter certain pleasant fictions his world is built on top of. canon baron, While Extremely Cool, I feel is kinda too neat to connect with and signify the apocalyticized mess that'd result from this paradigm shift. the part where they're in riz's briefcase and looking through every mirror is Very Cool And Fucked Up! but ultimately the show draws a line around them as well, by making game-physical, tangible spaces they're in (the mirrors and the haunted mordred manor) and put riz and the bad kids there only when they need to confront stuff. riz is meaningfully narratively away from baron's unknown land for most of fantasy high.

with that and all of my disclaimers in mind my conclusion here is if canon baron wants to be a Horror Monster they'd have to cross way more lines. be a Lot more invasive. hence (holds up my class swap baron like a long cat)

[slumbergoblin]

I suddenly got obsessed with the idea that Stratos did baseball in high school

[subsequentibis]

made up some guys to engage in shrinking shenanigans. theyre terrible people and i enjoy them deeply

dr. alfred "alfie" kauffstein is a world class scientist who's committed all future inventions and progress to the ownership of a Shady Space Corporation in exchange for a lifetime of funding. he's working on perfecting true, reversible shrinking technology, none of the pseudo-compression that deep space transport companies are using these days. he has the formula down pat, and now it's just a matter of perfecting the method of application - rays, serums, pills, etc, etc.

robin "robbie" cosmique is a world class scumbag who needed a legit job while he laid low and let the legal consequences of his last get rich quick scheme blow over. the Shady Space Corporation is always looking for ways to keep costs low and the personnel budget is the first to get slashed, so instead of any kind of accredited or qualified scientific expert to assist dr. kauffstein, they hired robbie. he and alfie are always at odds, but nonetheless manage to work rather well together - though they're also the only guinea pigs around for alfie's experiments. robbie will eventually get fired when it's discovered he's been sneaking samples of the shrinking serum for yet another harebrained scheme, but for now they're making the best of it.

[belorussiandino]

testing style a bit maybe i keep it like this

[woeismywaffle]

I WATCHED TF ONE TODAY YIPPPPPPPPPPIEEEEEEEEEEEEEEE!!!!!!!!!!!!!! *EXPLODES*