#oh gods how do i tag this again

[de-attolis]

Greek myth class has an art final project so I had to do something based on Orpheus and Eurydice

[nailsinmywall]

Descendants of finwë (incl. kidnapped children): sons and daughters of fëanor, fingolfin and finarfin

[elizakai]

uhm idk what happened but apparently harem (reverse harem!????) time-???

[seventh-district]

Making Incorrect H:SR Quotes Until I Run Out of (hopefully) Original Ideas - Pt. 3 - Random Screenshot Edition

[Pt. 1] [Pt. 2] [Pt. 4] [Pt. 5] [Pt. 6]

[katabay]

Robin Hood and Little John walkin' through the forest--

alright! so! early robin hood ballads and narratives don't have an origin story for little john, but a later ballad (robin hood and little john) does. they fight on a bridge in it, but I like looking at illustrations, so I've swapped out the bridge for that tree peaking out of the panel in the first panel bc I enjoy louis rhead's illustrations a lot.

this is some kind of introduction scene after they fight and climb out of the river!

Robin Hood & Little John (edited by Stephen Knight & Thomas Ohlgren)

[sforzesco]

decimus wanted to wind cassius up a bit just to see how he would snap

uhhh. what else. you know!! caesar was collecting (and discarding) a new generation of romans, operating a new kind of roman imperium. political manipulation. "good" governance. conspiracies are forming in reply.

the collage art is all public domain/open access stuff from the met collections!

[ministarfruit]

local alley cat gets beaten up (colourised)

[pup-pee]

he is the dirt under my fingernails

[luck-of-the-drawings]

"And soda; runs off into the street..." "...and soda... is totally okay!"

[fairyofshampgyu]

he’s literally so beautiful and handsome

[shih-coulda-had-it]

rough draft for the all for one | abbey by mitski pmv ft. baby afo

[teddybeartoji]

o wait before i start posting any pics.. i was thinking that maybe.. you guys could help me liquify this gender some more by switching up what you call me.... DON'T GET ME WRONG I LOVE . LOVE LOVE LOVE WHEN YOU USE HE/HIM AND JUST OVERALL LIKE MORE MASC STUFF THAT'S SOOO MMMMMMMMMSO FUCKING GOOD like i don't get to feel that irl at all so it really does make me so happy but i've just been thinking abt TRYING to switch it up more yk? does this even make sense...... . hhhh anyway i might won't even like it and i'll want to just go back to hehim but i wanna try... JUST TO SWITCH IT UP.

[utilitycaster]

Three other thoughts:

Finally getting around to rewatching the fight. Orym hits Laudna four times. Three are without seeing who it is (she drops Darkness after the third hit, only because she loses concentration). The fourth is after he attempts to take the sword with Grasping Vine (would not deal damage) and Laudna counterspells it. He attacks Laudna once knowingly and only after attempting an option that would not be an attack, and the main goal is disarmament.

In talking warlock comparisons I really do feel like some people do not split "I enjoy this character's choices as a character in the story being told," "I think this character is morally right in their choices," and "I understand why this character is making these choices." Like, to be clear, Fjord is my favorite character. I think if he'd unsealed Uk'otoa during Campaign 2, it would have been narratively fantastic, extremely understandable, and also like, a really bad thing to do. Similarly, this was a banger choice from Marisha to do as Laudna, and I understand where she's coming from, but yeah it's not morally defensible. My comparisons between Laudna and Fjord have always been "if you have an evil patron telling you to do bad things you have to either actively lean in or actively lean out for the story to be good," and personally I do not actually care if the character makes morally good or bad decisions. I happen to think Orym has pretty consistently been morally in the right, but a big part of why I like him is that Liam made a guy whose whole thing is Trying To Do Good By Those He Lost and so this ties in narratively as well. As I said about villain stans, I don't care if you stan villains; I start minding if you do so by trying to twist the story into a pretzel by deliberately (or through stupidity, to be fair) treating them as the good guy.

it continues to be the funniest shit when the no-brains anti-god squad sees literally any character go "I don't much care for the gods personally" and be like SEE THE BAD GUYS ARE THE VANGUARD AND IMPERIUM ONLY even though it's quite a leap from "I don't care about this group" to "they should be annihilated" and then when one of the gods sends a sign to a member of Bells Hells and is like "hi, you're doing great" they're either like well the god didn't show up to the party member I care about so this doesn't matter, or simply do not at any point address it.

[itsnobodysproblem]

Most Sherlock Holmes adaptations I've seen tend to place their Final Problem towards the mid point of the series (or even a bit earlier) - it's also in my opinion the best way of going about it, so you have time enough for the characters to adjust after the reunion but they know each other well enough for the events of Fina to be devastating.

Sherlock & Co is done with 20 of the adventures. How many are there? Fifty-something? Almost sixty? Let's say we'll be entering mid-point territory after the 25th story.

So let's pretend for a moment that we have 5 more stories until The Final Problem. Ok.

Estimating an adventure at 3 episodes each, that would mean little over 3 months - maybe 3 and a half? Starting, of course, from the end of Sign of Four, which will be somewhere in December.

So let's say 3, maybe 4 months into 2025. That would be, what? Late march, early april?

Early april?

John having to tell the listeners that Sherlock is dead, in early april?

Quick calendar search reveals what I was praying it would - the 1st of april will be on a Tuesday next year.

So what I'm saying

What I'm saying is Sherlock &Co has the opportunity to do the funniest fucking thing

[varilien]

something that was missing, that isn't anymore

(you can get this one as a print!)

[gooperts-gunk]

im so crazy over the tragedy of everything q!bbh does being under a demon pretense even though he's a fallen angel.

do u think he just accepts the demon label because it's easier. do u think he believes it too, and catches himself in his thoughts with "oh, right. im not exactly that". and maybe he believes that he did this to himself? do u think what he did was to protect himself or someone? no matter the fall, he still has so much kindness to give and his brain just isn't wired the way a natural-born demon would be, he can't hold back instincts when time demands it, maybe that's why he fell in the first place.

and when he's finally bad, not good, it's treated like the end of the world, without empathy on why he would act out. do you think this keeps happening? the same scenario, multiple times, every timeline? he has to be used to it. so he has to take it in stride. he's good until he lashes out under extreme pressure, and suddenly he's called demon. and once again he's what heaven made him out to be. what he made himself to be, his brain would ruthlessly provide...

i don't think he wants to be that, though he hides secrets behind secrets of which neither identity is a home... but i don't think he wants to have to change, either. and i don't think that's wrong of him.

...you collapse atlantis ONE TIME and all of a sudden YOU'RE the bad guy and SURE it was FUN but REALLY now,--