#office trope

[bonbonbee]

Hello!

Can I request a list of prompts based on the trope of an office romance? Also if possible can you add the trope of rivals to lovers, that is if you are ok with it. 😊

sure ૮ ˶´ ᵕˋ ˶ა !!

office rivals to lovers

prompt list by @bonbonbee

they're your superior and have been assigned to manage you. "you're a mess." "correction. i'm your mess."

"here's the report you wanted." flip, flip "2 pages? that's cute cupcake, it's also not going to make the cut."

"i got zero sleep last night completing my paperwork. i feel like crap." "you look like it, too." they did not think that, in fact, they wish they were with you in bed that morning to see your adorable morning face.

pov: you had to stay at the office working overtime on a company project. they see you at your desk on their way out, your eyelids drooping. sigh "i know we're not friends or anything, but we are coworkers so let me help."

gulp "hey, uhm, you want coffee or something? they fixed the coffee machine yesterday." "you want to get me coffee?" i want you. "correct."

"you are possibly the most vexing individual i've ever met. and mind you i know a lot of people! and don't even get me started on the way you speak."

pov: you're telling your work-best friend about your newest talking stage until they hear. "this isn't show and tell, miss." "you're just jealous." "maybe i am." "what was that?" "go back to your work, (last/name).

"shoot! i missed the bus!", you yell out. "stranded, ms. (l/n)?" you sigh, it just had to be them, right? turning around you spoke, "no." obviously you were stuck, for god's sake, it was raining in a big city! "need a ride then?" they smirked, and you caught onto the obvious innuendo. the car ride was silent, but those gossiping hens at the office definitely were not.

you were currently on cloud 9, floating in the clouds. oh, how you wished you could nap like this for the rest of eternity. unfortunately, you were getting woken up by some honeyed voice you must say. who was that angelic being? "ms. (l/n)?" they tapped your shoulder. "ms. (l/n), please wake up." oh.

(meeting) "i'm pretty sure the presentation is on the screen not on ms. (l/n)'s face." "apologies, sir," they uttered.

"hey, what time do you get off?" "6 PM." "what a coincidence, me too!" "what exactly are you trying to pull here, (last name)?"

[kiwiandmint]

Halloween at Kim Dokja’s Company ✨

[catboyglover]

born to be the token sarcastic character in a sitcom, forced to be a real person

[demelzathemer]

I think Edwin enjoys classical music concerts. Charles not so much (he thinks they're too long and boring, but what does a ghost have if not time?) but he enjoyes seeing Edwin happy and content.

They would find empty seats on a cozy corner of the concert hall, where they could sit close together. It wouldn't take long before Charles would rest his head on Edwin's shoulder and close his eyes, staying like that for the entirety of the concert. Basically getting free pass for cuddling because he sure loves Edwin's personal space.

One time Edwin takes him to see a philharmonic orchestra performing music from the Star Wars movies as a surprise. (You can't tell me Charles didn't sneak into the movies as a kid to see the original trilogy) Charles was too excited to nap that time and it was Edwin's turn to watch him being happy.

They have a gramophone in the office and loads of records from the decades, as well as a cassette player, a radio and some CDs. Over the years they have managed to hunt down all of Charles' favorite tapes from his original collection. (Crystal has tried to introduce them to the idea of Spotify, but the boys love their physical pieces.)

Just one of their hobbies apart from board games, detective movies, books and sports!

[livelovecaliforniadreams]

#When Season 3 Starts Off Messy As Fuck

[ghcstao3]

office setting au where ghost is the boss, who is elusive and maybe a little prickly at best, though never unprofessional even when his attitude is a bit tetchy. things get done, his employees can agree on that, and they’re all treated relatively well (save for the really bad mood days), and it’s common consensus that ghost isn’t the worst boss someone could have.

that isn’t saying he’s particularly great, though, either. he’s made more than one personal assistant cry and/or quit if he hadn’t yet fired them. he can trust staff, but anyone closer never, ever lasts long. if it weren’t for corporate, he’d do away with the whole assistant thing.

but then soap comes along. a complete clash of personality with ghost, but he’s qualified for the job, more so than the other candidates, so he’s the choice.

most of the office workers don’t think he’ll last long. soap seems too happy a person to deal with ghost, or to be able to put up with the boss’s moods.

but he survives a lot longer than anyone expects—mostly because this isn’t soap’s first rodeo, and otherwise because he’s unafraid to talk back whenever ghost is being unnecessarily rude, which ends up, to everyone’s surprise, making ghost like soap more.

because ghost is just astonished at having someone argue for once, and, in all honesty, appreciates being knocked down a peg—once he gets used to it, of course. the first time soap puts his foot down, ghost does nearly fire him. but seeing soap undeterred by the threat, not willing to grovel for a job, keeps the man around.

eventually, everyone notices ghost’s bad moods appear to be less and less. he starts being just the tiniest bit more social with the office, even getting to know everyone a little better. and with soap alongside him, everything has never run so smoothly in the company before.

when soap quits, it takes everyone aback. they all thought he loved the job, and feared ghost might fall back into his old ways with soap gone.

but thankfully, the fear is all for nothing—as everyone soon finds out after his departure, soap had only quit for reason of conflict of interest.

…he couldn’t exactly be working as his husband’s assistant, now could he?

[thisghosts-obsessions-again]

Not Olric handing you his old axe so you could befriend March 💀

[absolutebl]

TOP 10 BL Trends of 2023

This is just me with my analysis hat on. 

1. 2023 = the year EVERYONE went outside their lanes

Everything went topsy-turvy this year in BL. 

For example, Korea gave us agonized yearning and outright queerness (The 8th Sense, The New Employee) while Japan served up soft office workers and tender family (Our Dining Table). 

The BL world went askew for a while, especially in the spring of 2023. 

Not that we still didn’t still get Korea’s soft angsty bubbles or Japan’s “what are you doing and why does it hurt?” kink-fests. But there were quite a few BLs that made us chronic watchers sit up in confusion and wonder if Korea was dabbling in Taiwan’s territory or Japan in Thailand’s. Then they fudged the kisses and we were like... okay, back in familiar territory. 

In contrast, Thailand stayed course-correcting for the damage they’ve done in the past with tropes (2022) and self referential meta criticism (2021), but also almost aggressively returned to their BL roots after last year’s series of shockers. Certainly, they are reexamining those roots, transplanting some, aerating others. But they really went back to classic Thai university and high school BL and pulps in a big way in 2023. 

Taiwan is always difficult to gage because they produce so few but they seem to have stuck with what they do best with no deviation while producing more this year than they have in ages. I’m happy for that, why change a good thing? But there is a tiny part of me that really wants them to hit it out of the part with a quality piece soon. For me, We Best Love still reigns supreme, but I would really like the HIStory franchise to give us that level but longer - like a happy version of Your Name Engraved Herein. I think Taiwan has the chops to give us something as good as The 8th Sense or Old Fashion Cupcake but in their style, and I would like to see them exercise their talent for good rather than just profit. 

I know, what a very odd thing for me to say. But if any BL is going to break into the mainstream American market, I genuinely think it’s most likely come from Taiwan. 

Vietnam and the Philippines are falling behind, in general. They just didn’t bring out very many shows in 2023, and what the brought out tended to fub the endings. This is forgivable in Japan (because of their style and quality) but not what watchers want in the lower production value propositions. In other words, if you do a pulp, you can’t mess up the ending (by romance standards). that doesn’t look to be changing anytime soon. 

2. The Office Romance Dominated

After years of Thailand serving us an endless (and slightly bland) buffet of university (and a few high school) BLs, this year Korea was basically like...

Ofiice. We like the Office. It’s cheap to film we can use grown up actors, acting (mostly) their actual age. 

And yeah... it totally worked. 

To be fair, Japan has always given us office live action yaoi from the beginning (they had the source material) but this year everyone else, including Thailand, seriously started playing in this setting. 

3. Boys Danced with Boys

The darling @heretherebedork​ was a big fan of this one, and I rather like it myself. Prior to this boys dancing together was very very rare in BL, but this year we got way more than our fair share. It was lovely. 

Never Let me Go

My School President 

Bed Friend 

The Day I Loved You 

Step by Step

Be Mine Superstar

Tie the Not 

Dangerous Romance

I think there were a few more. These are the ones I remembered to write down. 

4. Getting (even more) Meta With Tropes 

BL has been getting more and more meta over the past few years but this year they really focused in on tropes specifically. Calling out their own biggest and most favorite tropes in a massive way, especially Thailand and especially GMMTV. 

Like they tunneled in on damaging tropes with Bad Buddy and the like over the past 2 years, and now they are just having fun with us. 

I mean they just started the dancing trope and already they are calling it out? That’s like rapid-fire regurgitated meta there, GMMTV. 

5. Cameos are the norm now 

Taiwan has always loved cameos but in the past the other countries have been show and steady with only one or two a year. (Unless Japan does a parody.) 

This year Korea got in on the game.

Korea rarely starts trends but they do adopt smaller and lesser known existing ones and make them super popular. 

This year they did that with cameo couple appearances, even borrowing a few of Thailand’s pairs (TutorYim and MaxNat traveled north). They did it so much I stopped tracking. Love Class 2, Why R U?, and Jun & Jun were the heaviest hitters. 

Taiwan, of course, came back swinging. Kiseki was the gum-ball machine of pair cameos. (In Taiwan mafia = gay.) 

6. We are entering the cross pollination age

The number of remakes picked up or started this year was startling, not just countries revisiting their own content (Thailand, Japan) but countries revisiting OTHER countries stuff.

Lemme explain...

Korea has started remaking Thai content (Why R U?) alongside cameo'ing Thai pairs.

Thailand is doing Korean IP (My Dear Gagster Oppa) and has 2 Chinese ones slated for next year. 

GMMTV acquired a lot of Japanese IP (Cherry Magic, Ossen, and My Love Mix Up) - and then had problems distributing it. 

This is probably the most surprising trend for me. Especially the Japanese stuff. I would have thought these properties well outside of Thailand's price range (even GMMTV's) not to mention Japan’s legendary IP issues (I swear I typed this pout before the pulled TayNew’s excellent Cherry Magic). 

Also why not option some of the older popular manga instead? Bet that's much cheeper. (I did see a NEW Thai translation of Finder into Thai, which is 90s yaoi, so I have my fingers crossed on that front.)

I shouldn't be too surprised. 

Thailand is running out of y-novel content. Their publication industry is just not robust enough (I was just talking to a friend about this at length recently). But I didn't think they had the funds to option, especially from Japan. 

Perhaps the option deals are for peanuts?

7. Korea got cheeky

I’m not sure quite how else to put this. 

After finally figuring out boys can kiss, Korea started to do not just higher heat but playful higher heat, with more aggressive word play and linguistic innuendo, like they are entering their racy rom-com teenage years (Why R U? Love Class 2 and Jun & Jun in particular.) 

I guess: Welcome to your BL teens, Korea? 

It’s cute of them. I am very much enjoying it. 

And now that comedy is warming them up, we get to see them play with actual queer burgeoning physicality in shows like The 8th Sense. 

It’s nice. I like seeing Korea stretch its wings. They still stick to their bubble, but that bubble seems to be expanding. 

8. The Amnesia Trope is back

And I, for one, would prefer to forget about it. 

9. BL got trendy 

I’m not quite sure how to articulate this category but basically we started seeing a lot of “modern” romance trends out of the west (like a/b/o) show up in our BL. Not a ton and sometimes quite small, but there has a been a steady rise of things like: no seme/uke, femme gay, out gay, condom use, messy gay. 

We also got an increasing range of sub genre frameworks (like mafia, office setting) that’s moved BL pretty firmly (even in Thailand) out of school and into the workplace, whether actual working is involved or not. 

It’s not to the point where it feels like we get more non-school BL than school BL (if I include all countries in this assessment).

Japan, in classic Japanese fashion, quietly started moving in the opposite direction. It’s what they do. 

10. The Vampires are coming 

This is an announcement trend, which I don’t usually report on but it’s so CLEAR. 

So last year we had a spate of announcements of possible Omegaverse (2 from China, 1 from Japan, 1 from Thailand - the only one that’s happened). 

This year we got 5 Vampire (or vampire-esk) Thai BLs announced including one from GMMTV. 

Whether all 5 will actually get made is unlikely, but having had (basically) none prior to this (Kissable Lips), I’m pretty confident that we will get at least 2 of them. And I wouldn’t be surprised if at least one other country made one as well. (Side eyes Taiwan with interest.) 

Final thoughts

It feels like we are also seeing a decline in BL (both by quantity and quality) from Vietnam and the Philippines. As you all know, I don’t track or really watch either of these two very closely. But it feels like, now, no one else is either. 

I think we have likely seen the BL heyday already in both places and their industries are now on the decline. 

We might be witnessing a thinning in the players in the BL field. 

FYI we had approximately 

136 BLs in 2023

Previous Years

2022: 117

2021: 95

2020: 62

2019: 40

2018: 30 

2017: 44 (China’s last gasp)

2016: 27

2015: 17 (50% micro)

2014: 17 (50% micro)

And that’s it! Let me know in the comments if you’ve spotted any additional trends you want to call out.

Last year, 2022′s trend report

2021′s Trend report

Last Year’s Stats & Predictions

(source) 

[gojoest]

sorry for thinking about ceo gojo satoru who makes you work overtime every day so you have no personal life and time to date he needs all of your attention focused on work and maybe if you’re constantly stuck with him you will finally notice him

[shortnotsweet]

Logan and Louise meet the professional objective of maintaining focus and developing a consensual workplace relationship of mutual torment.

[transcript]

“Having a hard time, huh, Slowgan? I heard it through the water cooler. Way to keep your crap together and not overreact in front of the board. Really inspiring stuff.”

“Fuck off.”

[kingkatsuki]

Thinking about one of those moments where Bakugou’s had to stay late at the agency because of someone else’s fuck up, and he’s in such a foul mood about it. Especially when he knows he could be at home with you in a nice, warm bed. The sidekick responsible already long gone, his team sending him home hours ago because they were worried he’d make things worse (he would’ve, Bakugou decides).

And he’s ready to say “fuck the paperwork,” when he hears his door click open, his deep frown immediately softening when he notices you step inside his office. Clad in an oversized coat as you give him a sultry smile, vibrant red lips glistening under the harsh light in his office. The huge window shows cases the perfect view of the city, buildings glow in the darkness of night but all Bakugou can look at is you.

But then your hands move to unfasten the coat, letting it fall open to reveal the pretty intricate lingerie you were wearing under it. Bakugou can already feel his cock throbbing beneath his slacks, did you get public transport here? The thought of you dressed like that surrounded by dozens of people commuting through the city has his adam’s apple bobbing and his heart clenching.

Either way, he can’t take his eyes off you. Paperwork long forgotten as he steps around his desk to get a closer look, rough hands immediately disappearing beneath the coat to trace against the delicate lace.

“You just walk into any old Pro-Hero’s office dressed like this so late, sweetheart?” His hand gropes the fat of your ass as he swallows the groan that rumbles deep and guttural in his chest, “Or am I just lucky?”

[silvermoon424]

Twisted Tropes: An Examination of How Magical Girl Tropes are Subverted in Puella Magi Madoka Magica

(this is a long one, clocking in at over 1600 words. Enjoy!)

Madoka Magica has often been called a “deconstruction” of the magical girl genre, and while many fans refute that claim, it’s clear that it at least offers a darker twist on many of the tropes beloved and well-known in the genre. These tropes include the transformation trinket, the cuddly mascot, the monster of the week, magical girls having a secret double life, magical girls themselves being child heroines, and even the concept of why magical girls fight in the first place.

One of the biggest examples of these tropes being twisted is the magical girl transformation trinket, which in this series are Soul Gems. In more conventional magical girl series, transformation items are pretty, flashy items that enable the girl to transform from her civilian form to her magical girl form- and to be frank, serve the double purpose of selling toys and merchandise in the real world.

In PMMM, Soul Gems are beautiful Faberge egg-like items that serve the same purpose. It turns out though, that their name is very literal; they are gems that serve as containers for the magical girl’s soul (or may even be her crystallized soul, it’s not really made clear). Soul Gems are formed when magical girls make a contract with Kyubey and are the source of their powers. Moreover, because her soul has been ripped out of a magical girl’s body, her body cannot function unless her Soul Gem is within a few hundred feet of what is now her soulless husk.

In more traditional magical girl shows, transformation trinkets sometimes get stolen, misplaced, etc with no ill effect for their users except for an inability to transform. In PMMM, this is a literal death sentence unless the Soul Gem can be recovered (as displayed in episode 6, when Madoka tosses away Sayaka’s Soul Gem in an attempt to prevent her and Kyoko from fighting). The consequences of this are actually explored in one of the routes of the Madoka Magica PSP game; Sayaka is separated from her Soul Gem in a Witch’s barrier, and it takes Kyoko days to find it. In that amount of time, her body began to literally rot.

The next concept I want to explore is that of the cuddly mascot. Magical girl mascots are a common feature in many shows, from the Moon Cats in Sailor Moon to Cerberus in Cardcaptor Sakura to the many, many mascots in the Precure franchise. In all of these series, the mascots act as friends and often mentors to their magical girl companions; in most series, they are also responsible for empowering/awakening their magical girls.

In PMMM, Kyubey initially seems to be much the same. He is a cute, cuddly creature who is responsible for creating and guiding magical girls. Pretty soon however, it becomes clear that Kyubey is a sinister figure. His contracts don’t seem very benevolent; they seem exploitative, taking advantage of girls when they’re at their lowest point. And unlike the Senshi in Sailor Moon or the Cures in Precure, it quickly becomes apparent that the magical girls in PMMM are dealing with much higher stakes- at least, when it comes to their own wellbeing.

PMMM almost seems to ask the question: what kind of creature would give superpowers to children and send them to fight monsters that could very easily kill them? Even Kyubey’s appearance is highly implied to be a carefully calculated façade meant to lure teenage girls into a false sense of security and make them feel drawn to him. For example, Kyubey uses this to his advantage when he plays up his helplessness to Madoka in episode 1 when he’s being hunted down by Homura. In reality, the Incubator’s true appearance- as seen in Rebellion- are implied to be mechanical structures with giant eyes in the middle; a very alien appearance suiting their alien origins and psychology.

Speaking of child heroines, PMMM also addresses the magical girl tropes of the child heroine and the double life. In most magical girl shows, being a teenaged (or even child/preteen) magical girl is portrayed as an exciting, glamorous, heroic position. The role of magical girl is often contrasted against the mundane, yet still charming and school and civilian life. Magical girls often work hard to maintain the secret of their alter egos from their (non-magical girl) friends and family, although in some series the secret does come to light. However, the girls are usually able to enjoy a healthy balance between their personas.

In PMMM, magical girls seem more like child soldiers than glamorous heroines. Being young girls and not hardened adults, many magical girls face severe psychological trauma from the life they’re thrust into- much life real-life child soldiers. Most magical girls made their contracts without truly getting to think about their wish or the consequences of being a magical girl for the rest of their lives. And because getting enough Grief Seeds is literally life-or-death, they must spend most of their free time patrolling for Witches.

We get a good look at the toll being a magical girl takes on one’s social life through Mami’s character; supplementary materials reveal that she was once a popular girl who had a lot of friends, but after she was forced to contract in the same accident that killed her parents, she slowly lost all her friends because she had no time to do anything else but train, hunt Witches, fight Witches, etc in her free time. In episode 3, when Madoka talks about how she wants to be a magical girl, Mami outright tells her that the life of a magical girl is a lonely one and Madoka will no longer have time for things like boys or hanging out with her friends after school. Even in Magia Record- an alternate timeline that offers a much more positive look at the PMMM-verse- most magical girls are only friends with each other.

Another major example of a trope being twisted is that of the “monster of the week.” Most magical girl series have the girls fight monsters, and in many of those series the monsters are created from human beings. Sailor Moon and the Precure franchise are two standout examples of this. For example, in the fifth season of the 90s anime adaptation of Sailor Moon, people who don’t have “true” Star Seeds will turn into monsters called Phages if their Star Seeds (ie, souls) are ripped out. A similar phenomenon happens in Heartcatch Precure, with the added bonus of the victim’s consciousness eternally reliving the same state of despair that made them vulnerable in the first place. In all of these series, however, the magical girls are able to heal the victims and restore them to their former selves. Sometimes, if the monster/victim is a loved one or someone else known to them, they can even do a “I know you’re in there somewhere” plea to help them to break free.

PMMM takes the true horror of this concept up to eleven. Moreover, the victims aren’t regular people- they’re the magical girls themselves, and this fate is inevitable. Every magical girl, if she doesn’t die in battle against a Witch, will become a Witch herself who spreads despair and kills innocent people until the day she is put out of her misery by another magical girl. And she will be in misery; the Rebellion movie shows that Witches relive the worst moments of their lives over and over again and are psychologically tortured. A lot of Witches also seem to be in ironic hells. For example, Charlotte can create any dessert she wants except for cheese or cheesecakes, which is her favorite food. Roberta is surrounded by lascivious men (her familiars) who annoy her. And of course, every Witch was once a magical girl who once spread hope and saved people and now does the opposite.

It’s also made abundantly clear that once the Witch transformation happens, it’s over. There’s no saving someone. The only person in canon who is able to actually get results is Madoka- aka an actual goddess with huge karmic potential- and it comes with caveats (in one, later timeline she brings Sayaka back from the dead after she became Oktavia, and in Rebellion she is able to reverse Homura’s transformation into Homulilly- although afterwards Homura still needs to be brought into the Law of Cycles like any other magical girl about to become a Witch). In episode 9, when Kyoko and Madoka try to reach out to Sayaka’s inner self when Kyoko fights Oktavia, it ends in Kyoko’s death because nothing of Sayaka remains.

In most magical girl shows, the monsters of the week are just ineffectual mooks who are fodder for the evil organization opposing the magical girls. But in PMMM, they are mirrors of the magical girls themselves, agents of chaos and despair who present a very real threat to the magical girl’s lives- not to mention the lives of any unfortunate people who stumble across them.

Finally, I want to examine the topic of why magical girls fight in the first place. In most series, there is a group of villains who pose a threat to humanity/the Earth/etc and magical girls must oppose them. There is a very real external threat being faced.

In PMMM however, the beings that empower/perpetuate magical girls and are ultimately the threat are one and the same. Because the tragedy of PMMM is that magical girls are fighting against a self-perpetuating cycle; magical girls form contracts, magical girls become Witches, more magical girls form contracts and fight the Witches, and on and on it goes. Magical girls are their own enemy, in a sense.

I’m sure there are lots of tropes I’m forgetting, but this essay is already over 1,600 words long, lol. I might make a part 2 at some point, so give me your ideas!

[ladydanitar]

CEO Sesshoumaru is the GOAT

[livelovecaliforniadreams]

#DorkyDancing

[pyrepostings]

Teeth/dentist visit in whump (tw mouth whump, needles. Related dentistry triggers)

How much plaque buildup do you think happens after a few years of not being provided a toothbrush. And the cavities or dental surgery- oh fun.

Return of the blood pressure cuff! Does whumpee's panicked reaction mean they need to try again after a breathing technique or two, or do they forego it altogether?

The dentist giving orders. Lie down, stay still, open wide, spit-

A rubber bite block- texture to spark memories, maybe of chewtoys given to dehumanize. Maybe gags in general.

The bib feels dehumanizing.

"Oh the cavity isn't deep enough to need numbing." *almost immediately hits a nerve with the probe*

Does whumpee do the signal to stop (raise its hand) or in any way cry out, or does it bare it as it's used to pain?

If dentists or caretaker notices it's in pain, the numbing injection needle also hurts. And takes noticeably too long to deploy. Dentists mock whumpee's reaction to the pain.

The feeling of numbing could also be triggering. This could be the moment a medically traumatized whumpee fails to keep it together. Stroke symptoms are numbing on one side of the face. Does It worry about that?

As first the inside of its throat feels faint, then the side of the bottom lip. Maybe the air starts to taste just a little more sanitized (likely from the topical numbing that didn't stop the needle from hurting.) Eventually, the side of the tongue finally goes numb. It bites the other half to prove that it can still feel.

The dentists awkwardly waiting for the numbing to come into full effect. (Do they seem mad? They seem mad. Oh god I'm holding the procedure up they hate me. Why couldn't I just let them grind into the exposed nerve-)

The dentists talking to each other, about the weather and lunch and other smalltalk. Like It isn't even there.

Maybe the numbing drug isn't effective enough and needs another shot or more time to affect. Does It say anything this time?

Whumpee could go into a full flashback mode or disassociate and no one would even notice, if Its reaction is to just lock up and stare.

"Does your bite feel normal?" *panic as It can't give an accurate response because Half Of Its Face Is Still Numb*

Choices, what flavors of fluoride paste/toothpaste/toothbrushes/topical numbing does whumpee want? Would caretaker call ahead and get all the options beforehand so It can make those decisions before in a familiar place?

The instruction not to eat before numbing has worn off. Does It think It's being punished? Does this trigger anything else? Or is it already simply resigned to only eat when caretaker specifically gives it something to eat?

That instruction is usually meant as 'or only eat soft and cold foods so as not to bite yourself when you can't feel it'. Is this an excuse for ice cream? (Exercise in breaking rules and also treat)

Normally stoic whumpee making faces as It trys to stimulate numbed skin and tongue afterwards. Caretaker telling It to stop biting Its lip and tongue.

[accio-victuuri]

520 gu wei x chen yu video / source: 泡芙热水袋