#of course it is going to be long

[erigold13261]

What was/is Team Sayu and Neon J’s childhood like? (Is it bad) (most likely bad) (is it any different in canon and FRAU)

The Sayu Crew's childhoods are relatively the same with just some minor changes to choices, Remi has some major changes because of Eve. Neon's childhood is vastly different from OG to FRAU.

But uh, for the most part they are not good. Please read the trigger warning. Also it's really long.

[Trigger warning for abuse(financial, physical, emotional), transphobia, homophobia, fatphobia, hate crimes/murder, eating disorders, forced unnecessary medical surgery (mention of lobotomies), ableism, suicide/suicidal thoughts, alcohol/drug use, underage drinking, drunk driving/car crash]

OG Tila and Sofa have relatively the same childhoods as their FRAU counterparts.

Tila's family put her into singing classes at a young age and pushed her to keep her voice up in the hopes she will make it big as a singer. She obviously does because of Sayu, but shortly before that her family finds out she is a lesbian. OG Tila was able to run away from her family and get emancipated from them when the Crew signed up with NSR thanks to Eve's help. FRAU Tila though never had a connection to Eve through Remi, so she (and the others) were never emancipated. So now her family basically take her money as compensation for a "disgrace" of a daughter (there are no real laws to this because she is a minor in their care, so they technically have a right to take her money). Tila is too afraid of her parents to really fight back or say anything and is terrified of them trying to force a guy into her life if she starts trying to date other girls so she just focuses on work.

Sofa's family was always pushing them to lose weight and try to look better or be "healthier" even though their weight was never a problem and didn't impact their health. The constant belittling and comparing of their body caused them to isolate and start delving into computers where they learned they liked programing and editing videos. Which just made their family even more judgmental of them. They sorta accepted Sofa for coming out as nonbinary, but they kept making remarks like "no one will ever take your gender seriously when you look like that" (basically saying only skinny people are nonbinary, which is not true at all). Sofa honestly thought a lot about ending their life, especially when being forced to exercise to the point of throwing up sometimes.

Once the Crew was formed and they joined NSR, OG Sofa was able to get away from their family and learn how to love their body the way it is. They even started exercising more out of enjoyment with Dodo than being forced to. Unfortunately for FRAU Sofa, they were still stuck with their family. Who hired personal trainers for Sofa with their own NSR money along with restricted their allowance and food intake (basically starving Sofa) to try and make them skinnier. Sofa ended up developing an eating disorder and started forcing themselves to puke to try and satisfy their family just so they would leave them alone. Sofa's family even started suggesting cosmetic surgery to try and "fix" Sofa's body for them, but thankfully Sofa has enough power to flat out deny those suggestions.

Dodo was never a talkative child even though he could respond physically to people perfectly fine. He was developing perfectly fine except for being non-verbal. His parents put him into speech therapy classes and tried to force him to talk, which he did end up doing even though he would get severe panic attacks out in public and have meltdowns that only further annoyed his parents. OG Dodo's parents ended up following the advice of someone who told them to enroll Dodo into sign language classes. They did but refused to learn sign languag, making Dodo still talk or at the very least write down what he was trying to say. It got to the point that Dodo just stopped trying to communicate with his parents (or anyone really) at all. It also didn't help that Dodo was into wearing dresses and skirt along with dancing. His parents tried to force him to stop but thankfully by the time they saw this part of Dodo he was joining the Sayu Crew and was able to leave his family.

FRAU Dodo was the same up until his parents' taking someone's advice. Instead of putting him in sign language classes he was forced to get a surgery for a new voice because his parents thought his voice was wrong. It didn't help Dodo to voluntarily keep talking, but it did give his parents the ability to guilt him into talking since they "spent so much money trying to fix him" that he just forced himself to talk. Especially once he overheard them thinking about doing another surgery on his brain to see if that would "fix" him. It was technically easier for him to physically talk but the mental aspect of it just really hurt Dodo. By the time he joined the Crew he was too afraid to ever truly express himself because his parents were willing to basically lobotomize Dodo in the hopes of getting rid of anything they deemed abnormal.

Remi's story is the most different out of the Crew compared from OG to FRAU. Both Remis' fathers had Eve with one woman and then Remi with another. OG Remi lived with his parents with Eve coming to visit her father almost every weekend and some holidays (she was 12 when he was born). The two were able to grow a pretty good relationship, especially when Remi started showing signs of liking art like Eve. Once Eve went off to college she saw less of Remi but was still a supporter for him. Once Remi joined NSR he also came out as trans to friends and family, which his mother heavily disapproved of and tried to kick Remi out while his dad was trying to tell Remi that he wasn't a guy. Thankfully Eve was able to help him out, made sure he got away from that environment, and even helped the rest of the Crew get away from their toxic families. She set them up in a big apartment and helped each of them get situated into their new lives.

FRAU Remi on the other hand did not have Eve to help him. Eve only ever came around on very select holidays. She only saw Remi like once or twice a year, and when she visited she was basically being forced to go which only soured her mood and made it difficult for the two of them to form any kind of meaningful bond. Once she left for college Remi never saw her again until he joined NSR, other than, you know, seeing her on the TV which pushed him to try and follow her footsteps. So he worked very hard to try and hone his artistic skills to try and be a graphic designer for NSR. His parents told him to not hold his breath because he won't make it far considering Eve is so much better than him and he shouldn't be looking for handouts from his half-sister (which he wasn't, he just wanted to follow her footsteps).

Once he became friends with the Crew and they made Sayu, they were able to join NSR but not get away from their families. Remi tried coming out as trans, but quickly realized that was a mistake as his parents disapproved and even tried to hit him. They almost forced him to quit NSR because it was "obvious that the fame was messing with Remi's head" but Remi was able to persuade his parents (with money) to let him keep working and stay with his friends. He even promised to never talk about being trans again and admitted he was a girl and would never try to be a guy. That was the only way he was able to still stay onboard as Sayu's lead designer. Thankfully the Crew respects Remi but they've had a few close calls of almost using masculine pronouns for him while in the presence of his family.

For Neon J, his childhood and life basically hinges off of one decision he decided to make which drastically changes the outcome of his and many other people's lives. Firstly though, let me talk about his life in both OG and FRAU before the change.

Neon used to have an older brother (by a few years, maybe 3) who he looked up to. They were very close and did everything together. As they grew up, his brother started showing interest in boys. The parents disapproved and would yell and scream at Neon's brother. They would belittle and embarrass him for years, making his life a living hell and trying (but failing) to get Neon to join in on hurting his brother. They were trying to "force the gay out" of Neon's brother. It all boiled over to the point that Neon found his brother dead in the closet after coming home from dance practice one day. His brother had killed himself from years of abuse and self hatred. Everyone was devastated. Even the parents because in their eyes, they were just doing what they could to "fix" their son.

As both OG and FRAU Neon started to become teenagers, they started to realize they liked girls. Both were obviously terrified to even try and talk to their parents, but this is where the change takes place.

OG Neon hid this side from his parents. Pushing them away and never opening up to them (they had suspicions but never really found out). He let his anger for himself and his parents fill him. Taking it out on other students who messed with him or his small group of friends. He started going out with his friends more, partying and drinking to try and mask the pain he was feeling. Experimenting with different substances and people. Even racking up a reputation for being a whore in his school. While all of this was happening, he was also making music with his friends, to the point they were able to go to a Lights Up audition as 15-16 year olds. They lost, and were humiliated by the judges only triggering Neon's anger more.

He ended up in a fight with his parents about his behavior where he stormed out of the house and picked his friends up in a car (his or his parents', doesn't matter). The group went out drinking and partying, trying to forget their worries and pain. Only for Neon to swerve while driving and hit a tree. Two of his friends died that night, and another was put into a coma. He was the only one to not be severely hurt (his chest was all torn up from his seat belt, but he was alive). After recovering, his parents were able to settle things behind the scenes with the other families (who were not as angry as they should have been since they could not give two shits about their kids, one family was even happy to be rid of their burden). Neon ended up just leaving his family at 16, dropping out of high school, and going to work as an apprentice toy maker until he decided to join the navy. He would never talk to his parents again, but he would tell his wife Martha about them and she would go to them out of desperation years after their divorce to escape an abusive relationship.

For FRAU Neon J, instead of hiding himself away from his parents, he decided to just tell them he liked women, but he also liked men! He came out because he didn't think he could ever fully hide this part of himself and was afraid to make things worse if he got caught later on. And his parents... they accepted him. As best as they could, they accepted Neon because they did not want to lose another child and regretted what they did to his brother. They saw this as a second chance to do what was right and support their kid. Because of this, Neon never pushed himself heavily into rock/music as an outlet and so he and his friends never went to the Light Up audition. They never started drinking or doing drugs because there was a safe place for all of them now. If any of Neon's friends needed a place to stay for the night, they had him and his family.

On the night that OG Neon and his parents had a fight and went out partying, FRAU Neon was home with his parents. He had declined an invitation to go out with his friends so he could work on homework, or some music, or dance, just something that kept him in that night. And the next day he woke to the television talking about a hate crime that killed a lot of people at a local gay club. Neon's friends were out there that night and were some of the victims of the attack. None of them survived and Neon felt distraught at the fact he could have offered them to come over to his house that night and possibly save them from this horrible fate.

In the end, FRAU Neon went on with his life, leaving home when he graduated high school and went to work as a candy maker. He dabbled in toy making a bit, and fixed machines that he worked with. He also ended up getting top surgery at some point (OG Neon's car accident gave him a make-shift top surgery that the surgeons had to clean up. They were going to reconstruct his breast but Neon never got that far into the healing process). He joined the navy a year or two after OG Neon. He still keeps in touch with his parents at times (less so after building 1010 and joining NSR), so does Martha as she had met them during their marriage and they still see her as a daughter-in-law even after the divorce.

[So yeah. That is "basically" the differences. Neon's life has such a high importance on the story of NSR. Just him not going to the Lights Up Audition with his friends is what leads to Tatiana being the way she is. And probably why the Sayu Crew's family is the way they are, as FRAU Neon joining the navy later actually leads to an extra year or two of wartime.]

[theoldkyokodied]

[Hi Dennis. How was the lion feeding?...?]

This has been something I've been working on for quite a while now, as some people who look at my insta story might know, but I'm finally done!! those text messages from s14ep5 are so unhinged, they haunt me every goddamn day. To drop "i love you so much" just to follow it with what essentially is a "no homo.. for u... even tho u r so hot and i like you so much!". exploading them with my mind into a million pieces, okay?

[starboundsingularities]

the jurist system seems really cool i hope they keep using it :-)

27 notes

🌈 lawsbian Follow

hey girl. am i a suspect. because you can "court" me any time

🧊 just--ice Follow

try.

🌈 lawsbian Follow

hey girl. am i a suspect. because you can "try" me any time

🌈 lawsbian Follow

hey girl. are you a lawyer. because you can "try" to "court" me any time

🌈 lawsbian Follow

hey girl. am i on trial.

🌈 lawsbian Follow

i'm determined to make this work btw

🌈 lawsbian Follow

hey girl. law

🔪 violencekilling Follow

hey girl. are you a murderer. because ow ough ouch agh stop stabbing me

732,390 notes

🌟 rockliker270 Follow

guys watch out hes gonna shelly de kill you

293,485 notes

🎀 copiicat Follow

they called me to the witness stand and the defense attorney just shouted "BOOOOOO WE HATE YOUR PUSSY"

43,618 notes

🧇 edible-evidence Follow

look if i was on trial and the guy prosecuting me started advertising his music i'd just plead guilty. avoid the embarrassment of getting put in prison by a guy who basically used the trial to say "this blew up btw here's my soundcloud"

97,384 notes

⚖️ courtofpublicopinions Follow

💞 lawveyourself Follow

didnt miles edgeworth defend someone in a case once

⛲ fountainoftruth Follow

do you know the difference between a prosecutor and a defense attorney

270,934 notes

💟 longingforyou Follow

being rivals isn't enough i need to kiss you

💟 longingforyou Follow

who the fuck is evil magistrate

💟 longingforyou Follow

STOP TAGGING THIS WITH LAWYERS?????

584,769 notes

🐈 nyattorney Follow

they hired a guy to stand in court and shout "GET A ROOM YOU TWO" whenever the lawyers start getting a little too homoerotic

976 notes

💥 courtroomchaos Follow

your honor i know all the evidence points to my client being guilty. but come on you have to admit he kinda ate right

💼 courtofwaw Follow

mia fey when they had phoenix wright on trial

20,475 notes

🔍 thuthseeker Follow

ok hot take but i feel like these lawyers should maybe not be allowed to drag literal children to court with them?? how many people have gotten genuinely actually fucking SHOT in court and they're just ok bringing fucking 8 year olds in?

12,475 notes

💼 courtofwaw Follow

happy almost christmas to all who celebrate

💫 dizzydreamers124 Follow

it's march

🎄 holidazed Follow

happy almost christmas :)

😈 knownjaywalker Follow

WHO is putting this on my dash

👁️ cymorgue Follow

STOP POSTING THIS. IT IS JUNE.

🐼 pandastar91 Follow

ITS ALMOST CHRISTMAS!!!!!!!

1,589,589 notes

💽 platinumcourtrecord Follow

evil gavinners be like. innocent hate. this is a nothing post

19,384 notes

🥚 eggvidenced Follow

STOP asking me about the dl-6 post idc idc look even phoenix wright forged evidence once shut up

📕 lexculpatory Follow

he didn't forge the evidence, though. it was kristoph gavin who ordered the forgery. this was covered in the trial of vera misham. if you're going to try to compare yourself to well known figures, you could at least check the veracity of your claims.

🥚 eggvidenced Follow

yeah well. he might have. on a different case or something.

73 notes

🃏 thecourtjester Follow

i tried to take the bar exam but they didnt let me because i wasnt cunty and traumatized enough

57,384 notes

😇 innosense Follow

683,876 notes

🦀 mad_libz_87 Follow

when will global studios realize that i do not WANT another shitty steel samurai spinoff i just want the original show back

7,094 notes

⚖️ courtofpublicopinions Follow

she present on my evidence til i reach a verdict

⚖️ courtofpublicopinions Follow

WRONG BLOLG. DON'T REBLOG THIS. DELETE POST DELETE POST DELETE POST I SWEAR WE'RE PROFESSIONALS HERE

17,283 notes

👑 courtroyals Follow

"we need more great prosecutors" you guys couldn't even handle manfred von karma

🧊 just--ice Follow

didn't he kill someone?

👑 courtroyals Follow

irrelevant. you guys couldn't handle him.

587 notes

📋 lawandwhoreder Follow

law: i'm so law

lawyer, who needs to one up everyone no matter what: i'm more law than you

🏛️ lawyest Follow

hi

📋 lawandwhoreder Follow

you've got to be fucking kidding me

183,834 notes

🧊 just--ice Follow

why is it always murders with lawblr. why don't we ever talk about divorce or something

[fictionadventurer]

I love libraries.

I'm browsing the WWI shelves (as you do) and notice a very old book about the war. I glance at the first pages that talk about how one day the war will be over and we'll look at this place and not see any signs of the battlefield.

Then it hits me. And I check the publishing date.

This book was printed before the war's end. Not written. Printed. The physical object was created in 1918, while the war in question was raging and the end was as yet uncertain.

Now I'm standing on the other side of the apocalypse, with this physical link to that era in my hands. I'm living proof that the war did end and life did go on and we can all look at the end of the world as a long-ago memory.

Reading old books is cool enough, connecting our minds and hearts through the ideas of people who lived long ago, but there's something extra profound about holding a copy of the book that comes from the time that it was written. It's a physical link between the past and the present connecting me to those long-ago people. A piece of the past come into the future that gives me the chance to almost take the hand of some long-ago reader, to hold something they could have held, connecting not just mentally but physically to their era, a moment of connection across more than a century.

Excuse me while I go weep.

[methoughtsphantom]

Jason “my family doesn’t know im alive” Todd and Danny “my family doesn’t know I’m dead” Fenton going alongside each of their plans my beloved. like Danny will absolutely go head-to-head with all of Gotham to support his new best friend on all his crime lord endeavors while he drags Jason to also attend collage with him. They are roommates and there never seems to a mention of family from either side. It’s an unspoken understanding they have. They met because Crime alley as a ghost lair thrummed with so much loneliness, it was at first the perfect place for Danny to hide his ecto signature in. But then he saw the dumbass whose lair it was lean his motorcycle just a tad too much when making a sharp turn to an alley, he sweeped the floor through a lifted chain link that passed his body but not his helmet. Yep that’s right the red thing got stuck. Danny who at the moment happened to be watching through his window snorted. Much to his horror because if not a ghost that dude could’ve gotten his head flung off.

Still, the scene was ridiculous.

On a whim he irrationally sees the police closing in on the guy and panicked at the thought of the guy using intangibility to free himself so Danny phased them both through his apartment wall and left the guy sprawled in his couch. Jason didn’t freak out but that’s normal when one’s got a concussion, one the guy immediately denied having as Danny laid out the medical supplies. The idiot proceeded to almost flatten four steps to the door with his stubbornness. He also said “I’m asexual” in the most deadpan voice as Danny dropped him back in the couch.

Danny sighed. Clearly though, he’d done so too early in the night because the guy kept trying to go, kept trying to knock Danny out, kept trying to slash him with knifes Danny didn’t know he had stashed. He’d only disarmed the guy from his guns. The visible ones apparently, cause at one point the guy did take out a gun and shoot until the ammo ran out and then teetered the thing like it was an art prop and hit his moon lamp.

Danny "yeah you aren’t officially my friend until you’ve tried to kill me" fenton my guys.

Anyways both keep having the same argument over if Danny technically kidnapped Jason or not. Danny holds the fact that the police at least didn’t see the guy make the ridicule. Jason argued that happened cause he was sporting a concussion. Danny argued he got that after.

Jason at first thinks the guy's a meta, but no. Danny introduces himself, sheepily now that he recognizes this is who the lair he invaded is from. He bandages him and tries to cook for him. If Danny didn’t have ice powers he most certainly would’ve burned the apartment. Jason then proceeds to kick him out of his own kitchen and make them both enchiladas. It’s the most normal both had in a while with another person and the air seems oddly settled. From then on, Jason constantly invited himself over, under the pretense that this was his territory and therefore he could drop in unannounced. Danny who has actual powers says he only allows this because Jason cooks very well.

Danny stays away from the crime fighting business unless his buddy is in deep shit he can’t get himself out. Also it’s Danny’s turn to cover for his vigilante friend which Sam and Tucker give him so much shit for. (but also advice)

And they were roommates. (omg) Danny effectively derails Jason’s big comeback plans by casually dropping ghost lore every two days. Like,

Jason, talking about how he doesn’t want Bats snooping on his territory:

Danny: Just don’t let them in

Jason: ??

Danny: yeah!! Hasn’t Batman died and got revived??? You can totally kick out death touched people you don’t want entering on your lair.

Jason: …I can?

Danny: Yep dude, your lair’s supposed to feel safe.

Jason: wait does that mean I can kick you out?

Danny: First this is my apartment. Second, im dead, not dead touched. Third, it’s too late to get rid of me. bitch.

Anyways Jason is super excited. You mean to tell him he can actually deny people over to his territory haunt?? (Yes it’s only to people who have died and came back but still!! The sample size is exactly the type of people he doesn’t want to see—!)

Joker my beloathed can’t step foot in Crime Alley.

(Jason’d feel a lot safer if the clown was dead but the possibility of his murderer turning into a ghost and their little loophole not applying on the clown is too scary to contemplate.)

Anyways, Jason loves experimenting with the power. It can go from simply making people shudder and not want to enter crime Alley to straight up not letting them enter like there’s an invisible wall blocking the way.

Jason because he’s hurt that Bruce never even patrols Crime Alley and also because he’s petty put B under the category of “invisible wall” blacklist. His reasoning is that the man doesn’t even attempt to enter Crime Alley. To him it’s surely just a place shadowed in tragedy. (anyways that’s it’s the place he met Jason)

Ironically, Jason totally forgets that Batman does venture into Crime Alley one day in the whole year. The day he met Jason.

Okay. He didn’t forget at first. The first year Jason remembers cause it was only a few months till then but then the next— Jason forgets that today’s the anniversary of the day’s Bruce’s parents died. He forgets to allow B in when he feels a slight tug and dismiss the feeling that prompts Bruce to investigate because he literally can’t enter Crime Alley. He starts the trialsTM, he scouts on the very edge and sees people the whole day enter and get out and cross with no problem but Bruce can’t.

It’s literally just Bruce.

Time to call Constantine, i guess.

[bunnieswithknives]

Wow Dale I didn't know you liked entomology! 💕

[sunderwight]

Bingqiu roleswap where disciple Shen Yuan knows he's gay, and figures out that he has a big huge crush on his handsome Shizun, but also concludes nearly at once that he's not going to be drawing Luo Binghe's eye any time soon. Firstly, Luo Binghe is notoriously straight. Secondly, even if he weren't, he wouldn't go for his scrawny untalented nerd of a disciple! Shen Yuan's not bad looking, not before or after transmigrating, but he's neither a beautiful nor a hot manly man, and he assumes if Luo Binghe were into dudes he'd be into the same kinds of twunks that Shen Yuan likes. Guys on his own level, etc etc.

Plus Luo Binghe hated the original disciple Shen, and only started to warm up to the transmigrated version after Shen Yuan got injured in front of him trying to stop the other disciples on the peak from killing a small animal. For some reason, Luo Binghe brought Shen Yuan medicine. He got even nicer after Shen Yuan distracted the skinner demon by trying to convince it to take his skin instead of Luo Binghe's, and then again when Shen Yuan successfully fought off a demon invader -- though initially when Luo Binghe volunteered him for that job, he thought it was an assassination attempt. His heart was in his throat when Luo Binghe nearly took a poisoned blow for him, but luckily he reacted more quickly and got hit by the thorns instead. His heavenly demon blood took care of the poison, and he managed to convince everyone that he narrowly avoided getting cut at all.

Shen Yuan's careful not to read anything into it when Luo Binghe finds out about his, erm, uncomfortable dormitory situation and moves him into the side room, or when he completely messes up trying to make dinner and Luo Binghe takes over cooking and bans him from the kitchen (he swears he's not actually that bad at cooking, he just never had to use a kitchen without a microwave or an electric hot plate before...)

After all, it's not like Luo Binghe is cooking for him, he's just making food he likes and letting Shen Yuan eat it too! Because he's nice! He's way nicer than the book gave him credit for being, see, clearly Shen Yuan was correct in signing up for his defense squad, "top ten worst villains of all time" his ass that poll was nonsense...

Unfortunately, though, the plot's still gotta plot. Shen Yuan is heartbroken when the Immortal Alliance Conference rolls around and his shizun stabs him and throws him down into the Endless Abyss. Heartbroken, but not surprised. After all, it was always going to go this way, wasn't it?

But at least, now that it's done, he has some agency in how he reacts to it. He's changed the story enough that he doesn't need to go get revenge. Maybe Luo Binghe's still the villain of his story, maybe that was inevitable, but some heroes let the villains get away. Don't they? It's all part of that noble, breaking the cycle of abuse type stuff. He can be that kind of hero. He can let it go. As long as he avoids Luo Binghe altogether, it should be fine, right? It's not like he's obligated to turn people into human sticks. He asked the system, he's definitely not!

Technically he's not even required to conquer the demon realms. He just has to get out of the Abyss and the be sufficiently cool and/or tragic. Conquest is just one means of doing that, and not even Shen Yuan's preferred, since he doesn't exactly want to rule over anybody. Going around the demon realms beating up some jackasses and rescuing some damsels in distress and becoming sworn brothers with Shang Qinghua, one of the current demon kings, is suitable. He definitely doesn't want to marry any of the damsels he encounters (thank fuck the system lets him off the hook for that!)

But eventually he has to go back to the human world. Not only is it mandated by the system, but he also misses living there. The demonic realms are in many ways better than expected, plus a lot of the monsters are really cool, but he misses the weather and plants and the people he's more accustomed to being around.

He misses Qing Jing Peak, if he's being honest with himself. Shizun's cooking and the bamboo forest and the crisp mountain breezes, the comforts of home.

Not that he can actually go back there in specific. Of course not. If he did that, Luo Binghe would try to kill him, or else the system would try and make him kill Luo Binghe. Bad ideas all around. No, he can't go back to Qing Jing Peak, but he can go find someplace nicer than the demon realms at least. He just has to keep a low profile, which shouldn't be hard since the original goods did that even while actively scheming to kill his former master!

Except.

Everywhere he goes, suddenly Luo Binghe is also there?!

Good thing Shen Yuan thought to take a page out of the book of Luo Binghe's actual love interest, Liu Mingyan, and start wearing a veil. He just didn't want any randos who might have seen him at the Immortal Alliance Conference or on any of the other missions his shizun sent him on to recognize him. But one minute he's investigating a strange case in Jinlan City, and the next the streets are full of Huan Hua cultivators (Shen Yuan has no intention of joining them, that's the path the original took to getting revenge! He doesn't want revenge!), and then Luo Binghe and Sect Leader MBJ and Peak Lord SHL show up, and SY is ducking down alleys and hiding behind columns, just trying to stay out of the way until the lockdown on Jinlan lifts and he can leave.

Except...

Luo Binghe really isn't acting like himself?

He looks like he hasn't been eating or sleeping well. There are dark circles around his eyes, and something almost melancholy in his countenance. And he's dressed entirely in white, none of the usual Qing Jing greens and blues anywhere to be seen. Of even greater concern, he's being reckless. Shen Yuan can't stop himself from rushing out when he sees his former shizun get infected by a sower demon.

Luckily, it's been some years since the last time they saw one another. Shen Yuan's gained a few inches in height, so he's almost at eye-level with his old master now, and though he's still more slender than bulky he's picked up some totally new styles from training the demon realms. He doesn't move the same way he used to. With that, plus the veil, it's enough for him to quickly swallow back his words as he grabs Luo Binghe and quickly administers a cure for the sower infection.

Well, he has one of course. He wouldn't need it himself, heavenly demon blood and all, but his time running around playing hero in the demon realms meant he rescued a lot of humans from such fates. Which is hard to do if you don't have a cure to their afflictions, but between him and Shang Qinghua, sourcing such things was almost easy.

Luo Binghe looks at him like he's just seen a ghost. The other Cang Qiong sect members are alarmed by SY suddenly accosting one of their own and of course find him suspicious, so he runs away right after, and then he has to lose Sha Hualing's pursuit in the city.

But what else could he do? He manages to evade the system's attempts to railroad him into meeting Gongyi Xiao, avoids the rest of the Cang Qiong crowd, and drops some of the cure through the current Qian Cao peak lord's window to get the incident sorted out. Then he flees and puts a good amount of distance between himself, Jinlan City, and every righteous sect he can think of.

The only problem is that after this point, Luo Binghe is everywhere.

Any time Shen Yuan stays in one place for longer than a few days, Qing Jing disciples start turning up. Any time he takes a job hunting some cool-sounding monster or pursuing some interesting tome of knowledge, the better to satisfy the system, it seems like Luo Binghe has selected and gone after the exact same target! Which is especially annoying because back when SY was a disciple, Luo Binghe was always assigning him to do this stuff. Since when does his chronic homebody master have an interesting in six-tailed scorpion lemurs or ancient spiritual kilns?

What's weirder, though, are the rumors.

It seems like any time SY stops at some well-populated place and asks for the latest gossip, he has to hear about how the Qing Jing peak lord lost his beloved disciple during the Immortal Alliance Conference, and mourned like a widow, and now wanders the earth in search of solace for his grief. Seeking something, possibly even the ghost of his dear disciple.

What nonsense! Luo Binghe threw SY into the Abyss himself. He had to do it, it was the plot! And also his obligation as a righteous cultivator, confronted with a "dangerous" half-demon. Does it sting? Yes it stings! That's why SY wouldn't just forget it! Despite logically knowing it's pointless, is there some part of him that wishes his master would have chosen differently? That thinks he should have known that no matter what kind of power Shen Yuan had, he would never use it to hurt people recklessly, or harm innocents, or especially not harm... well. It's pointless, his blood condemned him, and if there is some part of Luo Binghe which regrets what happened, it's doubtless just that he unwittingly harbored a monster for so long.

Which is fine and Shen Yuan would leave it at that, if the guy would just let him!

But no. Instead he has to deal with Luo Binghe turning up and asking him questions, trying to get him to talk (SY has no hope of disguising his voice, if he says anything he's not even sure it won't crack as he comes perilously close to tears instead, so he just stays silent), and then asking for his name, asking if he's mute, asking about his background, his sect, his kin. Is his a righteous cultivator? Where did he get that sword? (NOT Xin Mo, thanks, he used that thing once and then tossed it back into the Abyss before the portal finished closing behind him -- he knows a poisoned chalice when he sees one, although knowing the plot twist about that sword from the novel sure helped.) Where did he learn those forms? Is he... does he have a safe place to go home to? Someone to tend his injuries? Make sure he eats his meals?

SY, of course, stays silent. But it's difficult. Not only because Luo Binghe asks, but because he still looks... bad. Sunken, sorrowful, desperate almost. Shen Yuan can't figure out if he knows or not. Maybe he's unsure, maybe he's looking for SY to give him a sign, so that he can figure him out and then flip a switch and try to finish the job he started.

That can't happen. If they fight, SY will win, and he doesn't want to hurt Luo Binghe.

But even if Luo Binghe's not a heavenly demon, he is a highly accomplished cultivator, and it seems he's got his own breaking points to reach. Eventually he corners SY and gets a hand on his veil, and for a moment SY is sure he's going to rip it off, see his face, and confront him all "I knew it was you, you twisted evil demon, you won't escape justice a second time" and he feels a deep, icy terror close around his lungs--

Luo Binghe lets go of the veil before he can lift it.

But then something even worse happens. Because Shen Yuan's handsome, peerless, noble master breaks down. He falls to his knees, begging forgiveness, sobbing, clutching at his head like he's being driven to madness.

It all spills out of him, then. How he pushed his own dearest disciple into the Abyss, which obviously SY already knew, but also how he was apparently qi-deviating the whole time, and his senses could not differentiate between one kind of demonic "threat" and another. How he realized what he'd done only after he regained his senses hours later, and rushed back to the place where the tear to the Abyss had opened, but could not find a way in after the one he lost. How he had betrayed and thrown away the only person who cared about him, and couldn't even explain that he hadn't intended to. How he would accept anything, any punishment, hatred, penance, or revenge, if only he could see his disciple's face once more.

SY is stunned.

Apparently, Luo Binghe hadn't rejected him for his demon blood?

Not only that, but beforehand, he seemed to have valued Shen Yuan a lot more than Shen Yuan would have credited.

Is it a trick? Is he lying? SY would have guessed so, would have assumed that Luo Binghe's plan was to lull him into complacency only to turn on him once he finally had confirmation. But somehow, he just... doesn't think this is an insincere display. His old master is too cool for this stuff! He has too much dignity to just throw it away on a scheme! There are other ways to get what he wants.

Even if it is a lie, Shen Yuan is tired of running. He's the hero. He won't actually lose, and if it comes to it, it's still in his hands to decide if he wants to spare Luo Binghe or not (he does, of course he does, even if this whole spiel is an act). Plus he's got a backup plant body in one of Shang Qinghua's greenhouses if all goes to shit.

He takes the veil off himself.

Luo Binghe, teary-eyed, stares at him as if his face is the most beautiful he's ever seen.

Shen Yuan nearly puts the veil back on. His cheeks heat up. Dear Shizun, aren't you an immortal master? A noble peak lord? Isn't it your calling to vanquish demons? Get up off the dirty ground right this minute! Where did your dignity go? Shen Yuan did not spend all those nights doing the laundry to watch his teacher dirty his knees for no good reason!

There's a quaver in Luo Binghe's voice as he points out that Shen Yuan was terrible at doing laundry. Luo Binghe had to redo it the day after, all the time.

Shen Yuan chides at him that he should have made one of the other disciples do it then.

Luo Binghe just laughs, and stays on the ground, until finally Shen Yuan has to physically pull him up. Muttering about how he's being ridiculous, what's he crying for, why's he been moping so much, doesn't he know that handsome face should never look so bereft? Then he realizes what he's saying and shuts his mouth, but Luo Binghe just looks happy for the first time in years. Since the Abyss. How is it possible that SY, who actually had to slog through that awful place, can still smile more than Luo Binghe, who didn't?

They're standing so close. Holding on to one another. Almost as if... as if the scene's tone is... well...

Oh what the hell!

Shen Yuan closes the last little bit of distance between them, and kisses Luo Binghe.

[reksink]

A Gaggle of Masks

[startistdoodles]

I played a new game recently ⌛️✨

[lazylittledragon]

ok i swear i'm not going to talk about my breakup forever but the thing that just keeps bothering me:

i know that not getting what you need in a relationship is a COMPLETELY valid reason to end it but also. i feel like having a very vulnerable moment where i opened up about my struggles with intimacy and being relieved that i didn't have to keep doing things i wasn't comfortable with, then being dumped a YEAR later because of my lack of intimacy. is something i should be allowed to be very hurt by???

[poorly-drawn-mdzs]

Let the revenge games begin.

[First] Prev <–-> Next

[diwtara]

Sanjis love life can be summed up as a series of one night stands.

Thats never the way he wanted it to be though

He dreams of love, of a real connection, of building a home.

But it seems everytime he finds someone, all they want to do is fall into bed with him, then ghost.

He would almost convince himself that hes just bad at sex, but sometimes one of his ex's will text him, make it clear theyre not looking for anything serious just another 'fun night'.

So hes not a bad lover, just unlovable

He hates himself for everytime he agrees to meet back up with one of them. Eventually, when being seen as no more than a warm body begins to wear him down, when it begins to hurt to much to continue on, he will block that persons number, vow not to fall back into such a self destructive pattern.

Until he does.

Over and over.

When he meets Luffy and his friends, well, its not the type of love Sanji has always been searching for, but with them theres a connection and its real.

And from Luffy, Sanji meets Zoro. Their friendship may be unusual, but its there. Its there with their shared looks of exasperation at Luffys antics, its there through their bickering, its there in their shared silences.

Until Zoro goes and asks him out.

Sanji is pre-emptively hurt by this. He thought they got along -in their own unique way- but now he knows Zoros just going to be another person to take a tumble in his sheets, then forget about Sanji entirely. Maybe take all their other friends with him when he leaves.

Still, Sanji says yes. As painful as it will end, as it always ends, Sanji knows he wont ever get what he longs for if he doesnt grasp at any chance hes shown.

They go on a few dates. Zoro is not the most romantic person by any standard. But they have fun, they talk, they get lost, they get to know each other.

Its the fourth or fifth date when after walking Sanji home Zoro says goodnight, makes a face, darts in to smush their lips together, says 'goodnight' again and takes off at a brisk pace. It leaves Sanji standing stunned for a good minute. When he wraps his head around their first kiss he cant help but laugh fondly over how adorable and awkward Zoro can apparently be.

Its a few more dates after that when Sanji starts to get antsy. Zoro has never pushed for more, theyve only shared a few chaste kisses, but Sanji knows. He knows either he sleeps with Zoro and he loses him. Or he doesnt sleep with him, Zoro gets bored and Sanji loses him.

So after their next date Sanji brings him home. Bring Zoro to his room.

Its intense.

Zoro watches him, studies what Sanji likes. Makes himself vulnerable too.

Sanji has never had sex like it before, cant imagine having an experience like it with anyone else.

And in the morning Zoros still there. Snoring away beside him.

Sanji knows that that doesnt have to mean anything.

He cooks breakfast and Zoro wanders into the kitchen half asleep. But Sanji knows, once Zoro has some food, once hes a little more awake, the man will leave.

But he doesnt.

They spend half the day together, Sanji spending it in a confused daze.

They go out on more dates.

Zoro holds his hand in public.

Presses a kiss to Sanjis temple and only waves off their friends teasing when he does.

Its the morning after the third time they spend a night together when Sanji finally breaks down.

The early morning light is soft through his curtains. Zoro is snoring spread out beside him, and Sanji, sitting up, starring at him, bursts into tears.

Zoro wakes up confused, tries to ask whats wrong, but Sanji is sobbing too hard to explain. Not that Sanji would even know what to say.

So Zoro wraps his arms around him, pulls Sanji in close. Rubs soothing circles on his back and tells him "I've got you. I've got you."

And thats when it hits him.

Thats when Sanji knows; Zoros planning on staying

[starrysharks]

🤒🩷💙💉

close ups:

+ inspo (literally my fav miku fig ever):

[fatehbaz]

patience being tested. being forced by a bizarre unfortunate situation to adhere to university requirement technicality by taking this simple basic elementary "introduction to environmental history" class.

this class is from facilitators/program which do, like, "history of the American frontier" or "history of fishing and hunting" and still basically subscribe to that old-school twentieth-century idealization and celebration of characters like Teddy Roosevelt and reverence for a mythical arc-of-history-bent-towards-justice narrative of the often-clumsy but ultimately-benevolent US federal government and its mission to "save nature" through the miracle of "sustained yield," while heroic federal land management agencies and "heritage" institutions lead to way, staffed by exceptional individuals (appeals to nostalgia for the frontier and an imagined landscape of the American West; ego-stroking appeals to flattering self-image that center the environmentalist or academic). where they invoke, y'know, ideas like "ecology is important because don't you enjoy cross-country skiing in The Woods with your niece and nephew? don't you like hunting and fishing?" which makes it feel like a time capsule of appeals and discourses from the 1970s. and it invokes concept of "untouched wilderness" (while eliding scale of historical Indigenous environmental relationships and current ongoing colonial violence/extractivism). but just ever-so-slightly updated with a little bit of chic twenty-first-century flair like a superficial land acknowledgement or a reference to "labor histories" or "history from below," which is extra aggravating when the old ideologies/institutions are still in power but they're muddying the water and diluting the language/frameworks (it's been strange, watching words like "multispecies" and "Anthropocene" over the years slowly but surely show-up on the posters, fliers, course descriptions, by now even appearing adjacent to the agri-business and resource extraction feeder programs, like a recuperation or appropriation.) even from a humanities angle, it's still, they're talking at me like "You probably didn't know this, but environmental history is actually pretty entangled with political and social events. In fact, we can synthesize sources and glean environmental info from wacky places like workers' rolls in factories, ship's logs, and poetry from the era." and i'm nodding like YEP.

the first homework assignment is respond to this: "Define and describe 'the Anthropocene'. Do you think 'the Anthropocene' is a useful concept? Why or why not?" Respond in 300 words.

so for fun, right now in class, going to see how fast i can pull up discussion of Anthropocene-as-concept solely from my old posts on this microblogging site.

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ok, found some

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I think that the danger in any universal narrative or epoch or principle is exactly that it can itself become a colonizing force. [...] I’m suspicious of the Anthropocene as concept for the very reason that it subsumes so many peoples, nations, histories, geographies, political orders. For that reason, I think ideas like the Anthropocene can be a useful short-hand for a cluster of tangible things going on with the Earth at the moment, but we have to be very careful about how fluid and dynamic ideas become concretized into hegemonic principles in the hands of researchers, policymakers, and politicians. There’s so much diversity in histories and experiences and environmental realities even between relatively linked geographies here in Canada [...]. Imagine what happens when we try to do that on a global scale - and a lot of euro-western Anthropocene, climate change and resilience research risks doing that - eliding local specificities and appropriating knowledge to serve a broader euro-western narrative without attending to the inherent colonial and imperial realities of science and policy processes, or even attending to the ways that colonial capitalist expansion has created these environmental crises to begin with. While we, as a collective humanity, are struggling with the realities of the Anthropocene, it is dangerous to erase the specific histories, power-relations, political orders that created the crisis to begin with. So, I’m glad that a robust critique of the Anthropocene as a concept is emerging.

Text by: Words of Zoe Todd, as interviewed and transcribed by Caroline Picard. “The Future is Elastic (But it Depends): An Interview with Zoe Todd.” 23 August 2016.

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The Great Acceleration is the latest in a series of human-driven planetary changes that constitute what a rising chorus of scientists, social scientists, and humanists have labeled the Anthropocene - a new Age of Humans. [...] But what the Anthropocene label masks, and what the litany of graphs documenting the Great Acceleration hide, is a history of racial oppression and violence, along with wealth inequality, that has built and sustained engines of economic growth and consumption over the last four centuries. [...] The plantation, Sidney Mintz long ago observed, was a “synthesis of field and factory,” an agro-industrial system of enterprise [...]. Plantation legacies, along with accompanying strategies of survival and resistance, dwell in the racialized geographies of the United States’ and Brazil’s prison systems. They surface in the inequitable toxic burdens experienced by impoverished communities of color in places like Cancer Alley, an industrial corridor of petrochemical plants running along the Mississippi River from New Orleans to Baton Rouge, where cotton was once king. And they appear in patterns of foreign direct investment and debt servitude that structure many land deals in the Caribbean, Brazil, and sub-Saharan Africa [...]. [C]limatologists and global change scientists from the University of London, propose instead 1610 as a date for the golden spike of the Anthropocene. The date marked a detectable global dip in carbon dioxide concentrations, precipitated, they argue, by the death of nearly 50 million indigenous human inhabitants [...]. The degradation of soils in the tobacco and cotton-growing regions in the American South, or in the sugarcane growing fields of many Caribbean islands, for example, was a consequence of an economic and social system that inflicted violence upon the land and the people enslaved to work it. Such violent histories are not so readily evident in genealogies that date the Anthropocene’s emergence to the Neolithic Revolution 12,000 years ago, the onset of Europe’s industrial revolution circa 1800, or the Trinity nuclear test of 1945. Sugarcane plantations were already prevalent throughout the Mediterranean basin during the late middle ages. But it was during the early modern era, and specifically in the Caribbean, where the intersection of emerging proto-capitalist economic models based on migratory forced labor (first indentured servitude, and later slavery), intensive land usage, globalized commerce, and colonial regimes sustained on the basis of relentless racialized violence, gave rise to the transformative models of plantations that reshaped the lives and livelihoods of human and non-human beings on a planetary scale. [...] We might, following the lead of science studies scholar Donna Haraway and anthropologist Anna Tsing, more aptly designate this era the Plantationocene. [...] It is also an invitation to see, in the words of geographer Laura Pulido, “the Anthropocene as a racial process,” one that has and will continue to produce “racially uneven vulnerability and death." [...] And how have such material transformations sustained global flows of knowledge and capital that continue to reproduce the plantation in enduring ways?

Text by: Sophie Sapp Moore, Monique Allewaert, Pablo F. Gomez, and Gregg Mitman. "Plantation Legacies." Edge Effects. 22 January 2019. Updated 15 May 2021. [Bold emphasis added by me.]

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Geologists and other scientists will fight over [the definition of the beginning start-date of the Anthropocene] in scientific language, seeking traces of carbon dioxide that index the worst offenses of European empire which rent and violated the flesh, bodies, and governance structures of Indigenous and other sovereign peoples in the name of gold, lumber, trade, land, and power. [...] The stories we tell about the origins of the Anthropocene implicate how we understand the relations we have with our surrounds. In other words, the naming of the Anthropocene epoch and its start date have implications not just for how we understand the world, but this understanding will have material consequences, consequences that affect body and land.

Text by: Heather Davis and Zoe Todd. On the Importance of a Date, or Decolonizing the Anthropocene. ACME An International Journal for Critical Geographies. December 2017. [Bold emphasis added by me.]

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From Aime and Suzanne Cesaire, C. L. R. James, Claudia Jones, Eduoard Glissant, through Sylvia Wynter, Christina Sharpe, and so many others, critical anticolonial and race theory has been written from the specific histories that marked the Black Atlantic. [...] Glissant also reminds us, secondly, of how cunning the absorptive powers of [...] liberal capitalism are - how quickly specific relations are remade as relations-erasing universal abstractions. [...] This absorptive, relations-erasing universalism is especially apparent in some contemporary discourses of […] liberalism and climate collapse - what some call the Anthropocene - especially those that anchor the crisis in a general Human calamity which, as Sylvia Wynter has noted, is merely the name of an overdetermined and specific [White] European man. […] [T]he condition of creating this new common European world was the destruction of a multitude of existing black and brown worlds. The tsunami of colonialism was not seen as affecting humanity, but [...] these specific people. They were specific - what happened to them may have been necessary, regrettable, intentional, accidental - but it is always them. It is only when these ancestral histories became present for some, for those who had long benefitted from the dispossession [...], that suddenly the problem is all of us, as human catastrophe.

Text by: Elizabeth Povinelli. “The Ancestral Present of Oceanic Illusions: Connected and Differentiated in Late Toxic Liberalism.” e-flux Journal Issue #112. October 2020.

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The narrative arc [of White "liberal humanism"] [...] is often told as a kind of European coming-of-age story. […] The Anthropocene discourse follows the same coming-of-age [...] script, searching for a material origin story that would explain the newly identified trajectory of the Anthropos […]. Sylvia Wynter, W.E.B. DuBois, and Achille Mbembe all showed how that genealogy of [White subjecthood] was [...] articulated through sixteenth- through nineteenth-century [historiographies and discourses] in the context of colonialism, [...] as well as forming the material praxis of their rearrangement (through mining, ecological rearrangements and extractions, and forms of geologic displacements such as plantations, dams, fertilizers, crops, and introduction of “alien” animals). […] As Wynter (2000) commented, “The degradation of concrete humans, that was/is the price of empire, of the kind of [Eurocentric epistemology] that underlies it” (154).

Text by: Kathryn Yusoff. “The Inhumanities.” Annals of the American Association of Geographers, Volume 11, Issue 3. November 2020.

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As Yarimar Bonilla suggests in regard to post-Irma-and-Maria Puerto Rico, “vulnerability is not simply a product of natural conditions; it is a political state and a colonial condition.” Many in the Caribbean therefore speak about the coloniality of disaster, and the unnaturalness of these “natural” disasters [...]. Others describe this temporality by shifting [...] toward an idea of the Plantationocene [...]. As Moore and her colleagues write, “Plantation worlds, both past and present, offer a powerful reminder that environmental problems cannot be decoupled from histories of colonialism, capitalism, and racism that have made some human beings more vulnerable [...].” [W]e see that contemporary uneven socioecologies associated with the rise of the industrial world ["the Anthropocene"] are based [...] also on the racialized denial and foreshortening of life for the sacrificial majority of black, brown, and Indigenous people and their relegation to the “sacrifice zones” of extractive industry. [...] [A]ny appropriate response to the contemporary climate emergency must first appreciate its foundations in the past history of the violent, coercive, transatlantic system of plantation slavery; in the present global uneven development, antiblackness, and border regimes that shape human vulnerability [...] that continues to influence who has access to resources, safety, and preferable ecologies [...] and who will be relegated to the “plantation archipelagoes” (as Sylvia Wynter called them) [...].

Text by: Mimi Sheller. “Thinking Beyond Coloniality: Toward Radical Caribbean Futures.” Small Axe (2021), 25 (2 (65)), pages 169-170. Published 1 July 2021. [Bold emphasis added by me.]

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Indigenous genocide and removal from land and enslavement are prerequisites for power becoming operationalized in premodernity [...]; it was/is a means to operationalize extraction (therefore race should be considered as foundational rather than as periphery to the production of those structures and of global space). [...] Wynter suggests that we […] consider 1452 as the beginning of the New World, as African slaves are put to work on the first plantations on the Portuguese island of Madeira, initiating the “sugar-slave” complex - a massive replantation of ecologies and forced relocation of people […]. Wynter argues that the invention of the figure of Man in 1492 as the Portuguese [and Spanish] travel to the Americas instigates at the same time “a refiguring of humanness” in the idea of race. [...] The natal moment of the 1800 Industrial Revolution, […] [apparently] locates Anthropocene origination in […] the "new" metabolisms of technology and matter enabled by the combination of fossil fuels, new engines, and the world as market. […] The racialization of epistemologies of life and nonlife is important to note here […]. While [this industrialization in the nineteenth century] […] undoubtedly transformed the atmosphere with […] coal, the creation of another kind of weather had already established its salient forms in the mine and on the plantation. Paying attention to the prehistory of capital and its bodily labor, both within coal cultures and on plantations that literally put “sugar in the bowl” (as Nina Simone sings) […]. The new modes of material accumulation and production in the Industrial Revolution are relational to and dependent on their preproductive forms in slavery […]. In 1833, Parliament finally abolished slavery in the British Caribbean, and the taxpayer payout of £20 million in “compensation” [paid by the government to slave owners for their lost "property"] built the material, geophysical (railways, mines, factories), and imperial infrastructures of Britain and its colonial enterprises and empire. [...] A significant proportion of funds were invested in the railway system connecting London and Birmingham (home of cotton production and […] manufacturing for plantations), Cambridge and Oxford, and Wales and the Midlands (for coal). Insurance companies flourished [...]. The slave-sugar-coal nexus both substantially enriched Britain and made it possible for it to transition into a colonial industrialized power […]. The slave trade […] fashioned the economic conditions (and institutions, such as the insurance and finance industries) for industrialization.

Text by: Kathryn Yusoff. "White Utopia/Black Inferno: Life on a Geologic Spike". e-flux Journal Issue #97. February 2019. [Bold emphasis added by me.]

[esmes]

that wouldn't be too painful, would it? 🎥 @theriddletrades

[maskedriderrogue]

ankheiji but ankh gets to be a beastformer