#of course ill need a lot more of research BUT I PLAN TO INCLUDE THIS one way or another somewhere | Explore Tumblr posts and blogs

quirkypossum · 1 year ago

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personal life shit ahead btw

gonna talk about some personal life bullshit under the cut so if you're not interested in my life drama or potentially triggering shit then I'd scroll past. Content warning for talking about disturbing/self-destructive thoughts, chronic pain and illness, and trans stuff..

well, I'm at the point where I am second-guessing myself again. my mom and her husband actually think I'm a hypochondriac and I didn't help my own thought spiral by watching a bunch of videos on people who supposedly made up their own chronic illnesses for crime or other reasons...

like i genuinely think there has been stuff going on with me for years now, but because i never brought some of it up to doctors at the time they tend to not believe its that serious.. Half the time they blame my symptoms on my weight (something that has changed very little over the last five years not including getting the tits chopped earlier this year) or they will blame it on my diet (another thing that has if anything gotten healthier over the last five years as I've explored more veggies and fruits).

Most recently, I went in after doing a bunch of research on POTS and hypermobility without really saying anything specific, keeping the most specific description at general hypermobility while describing my joints and pain and other problems. Well, the outcome I thought was going to be better because normally they dismiss it and don't do anything but this time it seemed different because my doctor actually ordered new blood tests that I haven't had before to rule out things like arthritis and lupus and stuff. The problem was that she said she would follow up and never did and its been like a month now since then and still nothing. Based on the ranges they show with the tests I'm within range for everything pretty much so part of me wonders if that's why she never reached out to confirm the results or what, but I am planning on sending her a message to ask what the next step is.

I know it's not smart to self-diagnose and do a ton of research into symptoms because you could be wildly off but given the fact that the doctors I keep getting just dismiss everything as normal without really doing anything to check most of the time I just can't forget about it and move on. I shouldn't be dealing with all the health problems that I am at the age that I am. Older adults always say stuff like "wait til you're older, then you'll really know pain" and it makes me so disheartened for my future if I'm already overwhelmed by it all rn. Like I really am at a "whats the fucking point?" type of mental state because of all this.

I feel like no one in my life really believes that the issues I have a real and everyone just thinks i make it all up because I complain a lot. Part of me wonders if I am faking it all and I'm just so delusional that i don't know I'm faking it. It's the same kinds of thoughts I have about being trans sometimes or about money. I've been really trying to avoid self harming lately because of all this shit.... Its so weird cause I'll have a great awesome day where I got all the shit done I needed to do, did something fun, socialized, showered, ate, all of it and at the end of it all I feel like the biggest piece of shit on the planet... Like everything I said and did was wrong and of course my doctors don't believe me Im just making it up, of course my brother said no to sitting outside with me, I'm being annoying as usual. idk....

I have so many wishes for my life and my loved ones' lives and my mom always says that obnoxious response of "you wish in one hand and shit in the other and see which fills up faster" to try and bring me back to reality and make me feel better I guess but obviously it never works. it just makes me feel worse about it like I shouldn't even complain in the first place. I really do wish things were different.

I wish I wasn't in pain every day, I wish I didn't have stomach problems every day, I wish I didn't feel like I might pass out every day, I wish my anxiety was the normal amount and not the terrifying heart palpitations I get every day, I wish I had enough money that these health problems wouldn't worry me so much, I wish my mom didn't have to work her soul-crushing job just to keep a roof over our family's heads, I wish that things were different....

If you read through all of this I applaud you and hope you can't relate to any of it.

#idk man #might not have needed the content warnings but better to put soemthing rather than nothing.#may delete later if i hate this later #the possum speaks #chronic illness #chronic pain #hypermobility #i realized i didn't even touch on the autism shit either lol #oh well just another thing that i keep second-guessing myself on

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thewisecheerio · 5 months ago

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Yes they do! It's rad. More Bloodborne and DS1-3 details below.

I love that Gehrman in Bloodborne is an ambulatory wheelchair user. It's quite rare to see acknowledgement that some wheelchair users do still have varying amounts of limb control, as most stories tend to lean toward depicting only full time users. But they have that angle covered, too: there are also the wheelchair huntsmen enemies that are full time chair users.

DS1-3 also has a lot of representation. All three games have Fire Keepers, which are basically sages or stewards of the bonfires (equivalent to graces in Elden Ring). Every single one of them is disabled: some are nonspeaking, some are blind, some are chronically ill, etc. In some cases, you are able to provide an accommodation or occasional cure. Perhaps the most dramatic comes in the form of an organ replacement (e.g. one Fire Keeper has her sight restored by giving her literal eyes).

In DS1, Seath the Scaleless is disabled. He is a dragon born without the rock-hard scales that make other dragons immortal and resistant to damage. His entire backstory revolves around his desire to have this disability accommodated, allying with the side that offers him a way to research it. Eventually, his research yields results and he is able to create a synthetic form of immortality akin to what other dragons had from birth. While he is written as a villain by virtue of being at cross-purposes with the player character, I find him to be very sympathetic. After all, would you not ally yourself with whichever side made it possible for you to live with maximum independence and agency?

DS3 has the Twin princes, of whom the Final Boss of the Elden Ring DLC seems to be a near copy-paste. Younger Prince Lothric is chronically ill, having been born sick. Elden Prince Lorian is both nonspeaking and physically disabled, having become disabled as an adult. In order to defend themselves, Lorian allows Lothric to ride on his back. This allows some movement, as Lorian is still more ambulatory than the frail Lothric, while also allowing Lothric to cast magic from his supported position. In this way, they accommodate each others' needs. They're also a great representation of agency, in that their arc revolves around choosing their own destiny aside from what was planned for them.

As with Elden Ring, there are of course many more that I haven't included here. So you're completely correct: there is definitely a long history of disability representation in FromSoftware games.

Elden Ring and Disability

Elden Ring is filled with disabled characters. What I love about the specific way that Elden Ring uses disability, though, is that there is almost always a lore-compliant accommodation provided to the disabled character. This world filled with magic doesn't erase disability, but rather finds magical and lore-compliant ways of accommodating it, much like Star Trek:

Here is some of the disability representation within Elden Ring.

First Generation Albinaurics

First generation albinaurics are synthetic humanoids. Their legs do not function normally, so they are unable to locomote by walking. In the worst cases where no accommodations are provided, we see them crawling to move. But we get two really cool examples of ways to accommodate this disability:

First, we have Latenna the Albinauric. Normally when you summon her as a spirit ash, she functions as a static archer due to the state of her legs. However, if you summon her near a wolf, she will climb onto the wolf and ride it around to avoid enemy attacks and even gains a new attack (freezing mist) with the help of her ride. This puts the onus on you, the player, to make sure that you summon her under accommodating circumstances if you want her to be able to move. And of course, you could also choose not to, accepting her disabled self as-is as a perfectly great battle companion.

You can see a video of the wolf companion in action here: https://www.youtube.com/watch?v=st6vGIpsHLs

Second, we have Commander Gaius. Gaius is also a first generation albinauric with non-functional legs. But you'd almost never know without reading his lore or looking closely at his model, because is accommodated. He rides his Battle Tank Boar into your fight and has absolutely no problem wiping the floor with your sorry ass.

In both cases, a support animal functioning as a mobility aid allows the first generation albinaurics to locomote.

Malenia, Blade of Miquella

Malenia is missing some limbs due to the Scarlet Rot infection she was cursed with at birth rotting. She is also blind due to the sickness taking her sight. However, Malenia is still able to fight you (and win and win and win and win and...). There are two accommodations at play, the first of which is canon and the second of which is a canon-compliant fanon.

The first is the prosthetics made by the Shaded Castle. Malenia's iconic blade is physically attached to her arm prosthetic, allowing her to wield it in battle regardless of the lack of (natural) limb.

Fun fact: this is based on a real, historical practice with armor where old armor was recycled into prosthetics! There was even a mercenary famed for using a prosthetic limb to hold his sword after an accident that damaged his arm. You can learn more here (timestamp 16:58): https://youtu.be/PJwNjOvn-Ow?t=1018

The second accommodation that allows Malenia to be battle-functional is the water in her battleground. Because she is blind, she can listen for the player character's movement in the water, responding in a Daredevil-esque way. This is probably helped by the fact that her blade instructor--the blind swordsman named in the Blue Dancer Charm--was also blind and likely taught her how to accommodate that disability.

Millicent

Like her mother Malenia, Millicent is also afflicted by the Scarlet Rot. We find her alone and largely non-functional in the Church of the Plague at the beginning of her questline, writhing in pain. We then bring her the Unalloyed Needle, which keeps the Scarlet Rot at bay, relieving pain and allowing her to travel once more. Toward the end of her questline, Millicent removes the needle, which brings the Rot back in full force and ends her life.

In this way, the Unalloyed Needle functions as a treatment regimen for a chronic illness. It does not cure her, but it keeps the illness in check well enough for her to function.

The fact that Millicent chooses to remove the needle at the end of her quest is Important! Disabled people aren't under any obligation to "meet their potential" or continue treatment because it is convenient for others; if they wish to stop their treatment—even to accept palliative care—that is their right. Anything less disrespects their bodily autonomy and choice to make their own decisions. The fact that we get this representation in Millicent, who actively chooses against continuing her treatment after a certain point, is Good and Important.

And of course, we also provide Millicent with a prosthetic from the Shaded Castle, same as her mother. Once properly accommodated in this way, she can fight by your side as an NPC summon.

Messmer the Impaler

A lot of people speculate that Messmer is blind. This is because his left eye is (as far as we know) permanently shut, while his right eye appears to be a grace-filled synthetic seal rather than an eyeball. It's entirely possible that the grace seal does allow vision, but there are a couple of reasons to consider why it might not:

1) When we first arrive, Messmer is sitting in the dark. You could interpret this as being a Sad, Broody, Wet Blanket (which he is), or you could interpret this as evidence that things like light and dark are of less consequence to him than to a sighted person. Or, you know, both. A Sad, Broody, Blind, Wet Blanket.

2) Shortly after he lights candles--probably for your benefit--he sends one of his snakes into your face. He is able to tell from what the snake sees that you are Tarnished and comments on it. We can tell this means he can see what the snake sees, because he would have to figure this out from looking at your eyes and only the snake is close enough to do so.

This suggests that the snakes function as a remote viewing aid, providing a sight accommodation. And yes, again you could choose to interpret the snakes as existing in addition to a sighted right eye, but it is still interesting to consider what they mean if they are simply Support Noodles.

Ranni and Melina

There is a syndrome in our world called Locked-In Syndrome, in which paralysis prevents the entire body from moving with (usually) the sole exception of the eyes. As a consequence, the disabled person is unable to affect the physical world without help due to an inability to physically interact with the world around them.

Ranni and Melina have a similar situation going on, but with different ways of dealing with it. They are both disembodied spirits, having lost their physical bodies.

Ranni chooses to deal with the problem by incarnating herself into a doll's body at least twice: once as the doll's body we spend most of her quest interacting with, and later as a tiny actual-doll-sized doll that the player can interact with. Essentially, she has given herself a prosthetic that allows her to interact with the physical world once more.

Meanwhile, Melina goes a different route. Rather than incarnate physically, Melina requests that the player character help her reach her goal--the foot of the Erdtree, and then the Forge. In this case, we provide the physical support necessary for Melina to interact with the world, much as support workers do for those unable to care for themselves.

Goldmask

Goldmask never speaks to us in words. Rather, he communicates largely via physical movements. Brother Corhyn, a pupil of Goldmask, refers to his master's communication as "the movement of his finger". When Goldmask stops his movements, Corhyn reacts with distress, "I'm a little shaken since the master ceased his movements." He then proceeds to translate what the movements meant up to that point for us.

The fact that Corhyn is distressed at the master's lack of further communication after his movements cease suggests that this is his *only* mode of communication with him.

This is entirely a canon-compliant headcanon, but I like to believe that this means Goldmask uses sign language that Corhyn is learning to interpret in order to communicate with him. Additionally, the fact that we cannot necessarily interpret it ourselves and must rely on Corhyn to translate means that Corhyn is also acting as a support worker by being Goldmask's translator.

And yes, I think this is largely to poke fun at the Gesture system in the game, but it's also fun disability representation!

This list isn't exhaustive. There are yet other characters that either are disabled or could be easily argued to be so, like Roderika (grief and/or PTSD, given a space to heal and process), Rennala (depression and/or grief, NOT accommodated AFAICT), and Hyetta (blind, accommodated with...uh..."treatments"). But the fact that this post is already over 1400 words and has yet to touch upon all of the disability representation in the game just shows you how much there is.

#bloodborne #fromsoftware #soulsborne #dark souls #dark souls 3 #disability #disability accommodations #elden ring #disability representation #seath the scaleless #twin princes #lorian elder prince #lothric younger prince #fire keeper

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softprincesso · 4 years ago

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✨ HOW TO BECOME A WEALTHY MIDDLE AGED MAN✨

PT.2: Overview to understanding different saving/retirement methods, investments, and forms of income

Pt. 2.2 Overview of Investments

Welcome lovelies to (what I hope will be) a helpful series on gaining wealth and becoming financially literate and independent!

Disclaimer: Check other posts. It's too long to keep typing out.

Now comes (what I believe) is the fun part of money. Making it grow.

Investments are defined as “an asset or item acquired with the goal of generating income or appreciation.” Essentially, anything you purchase with the belief that in time it will be worth more. This includes the entire stock market, cryptocurrencies, art, real estate, jewelry, vintage coins, designer bags, etc. Of course, some of these take more time and each comes with some amount of risk. These variables change according to your strategy as an investor.

✨THINGS TO KEEP IN MIND✨

Begin as a Beginner

Do not overwhelm yourself during your financial literacy journey by trying to learn everything, all at once, while also trying it all out. The thing that creates the most confusion when learning is believing the lie that you can multitask well. Yes, start with a brief overview of the systems and institutions (what we are currently doing in the series) but literally all you need to start is definitions and a gist so that you can comprehend how they connect later on. Learning an entire world that has never been taught to you is going to take time, and I’m talking years. And then, when you think you have something down your going to mess up or read an article about how the stock you saw yesterday for $6 is now $1000 and you’re going to be frustrated (this happens a lot). But, If you want to learn about the stock market, focus on the stock market. Retirement still scares you, focus on that until you master it and have a plan. And for Christ’s (or whatever deity/person/universe you believe in) if you do not have a steady stream of income do not put your last pennies trying to get into crypto (or any investing truly). This is something to start after you have income, a savings, a retirement, and have paid off at least most debts.

Recommended sources to learn more:

Netflix has a great series called “Explained” where (you guessed it) they explain things. While I recommend every episode because you can never learn too much, there are ones specifically dedicated to the stock market, cryptocurrencies, and billionaires each that helps to uncomplicate the history and purpose of each of these things.

✨Let’s get started✨

The Stock Market

“Stock markets are real and electronic exchanges that enable the buying and selling of securities. The most popular include the NYSE, Nasdaq MarketSite, and Tokyo Stock Exchange.” Let me, let you, in on a little secret-the stock market is essentially fantasy football (sorry, my American is showing) but with companies. When you buy a security, you are betting that (in the long run or short run, depending on your strategy) that a certain company will perform well and gain profits, which in turn will gain you money on what you bet. There are two categories of players in the market which include the assets (the football players) and the investors (the betting public). Of the assets you can categorize further by what position they play on the field…

Stocks

Most well-known, but the riskiest. The “star” player that everyone hypes up and takes all the credit. Stocks are fractional pieces of publicly traded companies, and by buying a stock you own a relative size of that company. They are either “paying you” through growth (when their stock price rises) or through dividends (when they send you a piece of their profits directly).

Mutual Funds

Less known but a safer bet than single stocks. Popular among those in middle age. “Mutual funds are baskets of stocks or bonds. They come in all different shapes and sizes, from covering broad stock market indexes to focusing on specific sectors.” When you buy a mutual fund, you are saying that you believe on average that pile of stocks/bonds are going to do well, instead of betting on a single player. Usually they are actively managed by people who are trying to “beat” the market for you. Statistically good for the short term, long term are less effective than ETFs.

Index Funds: a subset of mutual funds that are passively managed and track indexes like an ETF but trade like a mutual fund (once at the end of the day and without reliance of supply and demand)

ETFs

Exchange traded funds. The up-and-coming underdog that’s gaining popularity. These are passively managed baskets of stocks and bonds that track over a specific index like the S&P 500. They work like stocks, being traded throughout the day, relying on supply and demand, while giving a lot of the advantages that mutual funds do. They also come with their own set of disadvantages but are still a great way to diversify a portfolio inexpensively.

Bonds

The reliable bench players you know you can put in to save a game. Great safe bets that can generate a steady income. Bonds work like a loan for a regular person, except for a company. You can loan your money to a company which will pay you a principal plus a fixed interest back every specified period. There are different types which come with different advantages and strategies, so make sure to read the fine print.

Commodities

Tangible goods that go into manufacturing-Gold, oil, metals, corn, soybeans, etc. A good defensive team to have in the game for a hedge against inflation or economic troubles. They trade in a commodity exchange. You can still access them through most brokers.

Source to look into for deeper understanding and questions: https://www.investopedia.com/terms/i/investment.asp

Easy way to get started quickly:

1. Create a brokerage account: There are lots of accounts to choose from, but I would go for accounts that have zero fees and no minimum, this is starting to become the norm but once upon a time you had to give a minimum investment of $5000 to get started. I personally use Charles Schwab and Robinhood. I love all of the tools and accounts Schwab has and Robinhood is just easy to use.

2. Sign up: this may take a day or two to finalize, especially with banks but it shouldn’t be a big deal

3. Connect a card or account to transfer funds

4. Buy your first security: I would start off with simply looking up beginner investments on google. I recommend either an ETF, index fund, or choose a company that you have an interest in because you will be more likely to keep up on their news

5. Tip: think long term as a beginner. Sure, once you start learning and understanding you can change your strategy to gain more in a shorter time, but this comes with much more risk. Do not be an idiot and sell all of your stock when you see your investment plummet nor sell as soon as you see it go up a little. The best advice for a beginner: Buy a stock and leave it alone (for YEARS)

Property/Real Estate

There are many ways to invest in real estate-you can buy a property, you can invest in a property fund, you can become a landlord,or you can flip a property. Again, depending on the strategy, will change the risk and reward you have taken on. All of these options are usually on the more cash heavy side but can reap a lot of rewards if done right.

Source to look into:

https://www.nerdwallet.com/article/investing/5-ways-to-invest-in-real-estate

Easy way to get started quickly:

1. Buy a real estate ETF or fund, you can just look this up on google or through your brokerage

2. OR you could look into buying a property near you and renting it out if you have that much cash (Make sure to do your research, this can get pretty complicated)

Art

Also considered property but until recently it was incredibly hard to invest in art without significant cash and contacts available. Now, there are platforms like Masterworks where you can buy a fraction of a piece like a stock of Monet and you get the rise in appreciation. However, it still is for those with money already available, I believe you have to invest a minimum of $2500 to get started on MW.

Sources to look into: https://www.investopedia.com/articles/pf/08/fine-art.asp

Crypto

Cryptocurrencies are digital currencies that are not backed by real or tangible assets or goods, but on the trust and value of the people that use them, and supply and demand. They can be traded like stocks on an exchange and are tracked with a digital ledger on the blockchain. The first cryptocurrency was Bitcoin and the rest that have followed are categorized as altcoins (alternative coins).

The stage of cryptocurrencies we are in is likened to the early 90s with the internet. Not a lot people truly understand the blockchain (the vast ledger space which contains every transaction made securely in encrypted “blocks” that are then “chained” together so that if one block is compromised the whole chain shuts it down.) It is decentralized and written simultaneously on thousands of super computers. The beauty of it is that if one ledger on one computer is somehow hacked or wrong the rest of the computers storing the ledger interrupt and either fix it or shut it down. A way to understand it is blockchain is to the internet as bitcoin is to a website, but the internet runs off people trusting the system, blockchain runs off trusting no one.

The currencies that run on blockchain can have a multitude of purposes, but bitcoin was really just the starting solution to fix the problem of trust on the internet. People wanted a secure, anonymous, untraceable way to spend money online, like cash is in the real world. And while for the most part it is just that, it isn’t completely anonymous. Like in the real world if you buy something from Mcd*nalds with cash that transaction is still recorded in their system and through a receipt. Your crypto transactions are recorded in the blockchain, but most people don’t even know how to access the ledger so for now any ill*cit purchases you make are pretty safe.

I HIGHLY recommend looking into a cryptocurrency course or training just because there is so much that goes into it and lots of details that can help you. This investment is incredibly risky and volatile! I only would suggest investing an amount you are completely comfortable to lose ALL of.

Sources to learn more:

https://www.investopedia.com/cryptocurrency-4427699

Easy to get started quickly (Please dear lord do your research first):

1. Sign up on a crypto exchange like Coinbase or Binance, some brokers (like Robinhood) also allow you to trade crypto but it’s a very limited selection

2. Do lots of research!! (I’m going to say it until you get it, and I don’t think you get it yet)

3. Think of it like stocks, if you read up on the coin and its purpose, and think that it’s going to be useful soon or in the future, then invest

4. Tip: the crypto market moves MUCH faster than the stock market and is much more sensitive. In just these last few days (literally hours) bitcoin was trading at $40,000+, the following day, for whatever reason (people got scared, people wanted to sell to get profits, etc.) it will barely hold $33,000. So, invest wisely!

This is very brief list of the main investments. There is still a lot of depth each of these goes into and especially with things like crypto, information changes 24/7. I hope you have learned by now that you should be continually learning as well. Instead of spending your morning looking at your Instagram feed of bum friends, dusty men, and “models” spend it reading the paper and catching up on the market. Follow investors and billionaires like you follow celebrities and see how much smarter you become. At the end of the day winners focus on winning, losers focus on winners.

With love,

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five-rivers · 3 years ago

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Danger First

Chapter 10

@pocketramblr :)

One day - and not even a whole day, because of travel time and Inko wanted Izuku home for dinner- simply wasn't enough time to master a quirk. Although he could turn Float on and off, now. So, they made plans to come back next week, and the next, up until the sports festival. Which. Wow. Really was only two weeks away.

Izuku had never realized how close to the beginning of the school year it was.

He was going to die.

"You're not going to die," said Mr. Yagi. "I'm not going to say the sports festival isn't important, because it is, it's one of the best ways to make professional connections for students, but not doing well isn't the end of the world, especially not in your first year. No one expects you to be perfectly polished."

"But," said Izuku, "I'm supposed to be the next you! I've got to stand out, right?"

Mr. Yagi looked very guilty. "I... may have given you that impression when we were first training, yes. But, since then, with all my research into the past holders... few of them were popular, flashy heroes. If you want to walk the same path as me, that's great. But you don't have to. Even I didn't really start that chapter of my life until after college."

Izuku looked down at his hands, letting silence fill the space between them as he contemplated Mr. Yagi's words. "This isn't about me manifesting One for All differently, is it?"

"What? No, no of course not, my boy. I mean, it certainly helped me come to this conclusion, I wouldn't have done so much research without it! But I certainly hope I would have come to the same conclusion eventually, even so."

"Okay..." said Izuku, still dubious.

"I mean it," protested Mr. Yagi. "Most of my work is essentially underground, you know. There's a reason the battle trial was what it was."

"H-huh? You? Underground? But you're so recognizable!"

"Am I? I firmly believe in bringing all my resources to bear in the fight against evil! Ha ha!"

His laugh devolved into a cough, and he fumbled for a handkerchief. But he recovered quickly enough.

"I guess that makes sense," said Izuku, cautiously, once he thought Mr. Yagi wasn't going to start coughing again.

"You didn't think I stayed number one by popularity alone, did you?"

"I- the formulas the Hero Commission uses to determine rankings are secret, and it only includes spotlight heroes, so when I extrapolated the hero billboard rankings, yes, I assigned a high weight to popularity. There were always some discrepancies between my predictions and the end results, but I figured I missed some events, or the commission assigned them different values…"

"That's quite impressive, my boy. But, though popularity is a factor, the HPSC does take unpublicized fights and rescues into account. Assuming you report them…"

That was the second time Mr. Yagi had mentioned not telling the commission something.

"Do you, um, do you do that a lot? Not tell the commission things, I mean."

"Eh? No, no, I try to stay up on my paperwork. I get a lot of help from Naomasa, though. Some heroes, especially independent ones, without an agency, do have trouble keeping up, sometimes."

"It's just… the other day you said something about not telling the commission about All for One."

"Ah," said Mr. Yagi. He drummed his fingers on the steering wheel. "You're quite right. How should I put this… The HPSC knows All for One exists, and I have made them generally aware of his modern exploits. I haven't told them about his ability to give quirks, though they may know through other avenues, there are certain battles I've had with him that I haven't told them about, and they do not know about One for All."

“Why not?”

“Villains aren’t the only ones who seek power,” said Mr. Yagi. “The HPSC provides a vital service, and I think what one does matters more than why one does it, but… it is my observation that many of the people there are more concerned with personal power than doing the right thing. And positions of power and authority tend to draw in those who would abuse those things."

"Even heroics?"

"Especially heroics. The HPSC Ethics Review Board is supposed to stop that, but no system is perfect." He shook himself. "But look at me! I was trying to give you a pep talk, not saddle you with doubts about the government!"

Izuku laughed, nervously. "I mean, you've definitely distracted me from the sports festival…"

“Yes. The sports festival. Don’t worry about making a big spotlight combat debut. If you want to focus on rescue, or investigation, or the underground, I’ll support you all the way.” He paused. “You do need combat, though, because, because of-”

“All for One?”

“Yes, exactly. All for One.”

“Way to kill the mood, guys,” said Banjo.

“I think the mood was thoroughly dead already,” said Yoichi.

“Unlike your brother,” said En. “Ninth’s father.”

“Come on, it was just a little omission of information. It wasn’t even a lie!”

“It was definitely a lie. You’re so lucky that my relief about you not being a pedophile eclipsed my righteous fury regarding your mendacity.”

“You know, the fact that you’re delivering that completely deadpan gives me doubts about the fury part.”

“I’m mad at you.”

“You love me.”

“Doesn’t mean I can’t be mad at you.”

“Hey, hey, wait a minute,” said Nana, making a ‘T’ shape with her hands. “Time out. Ninth’s father is All for One.”

“Yes,” said Yoichi, hanging his head, “I thought that had been established.”

“So, are we… What Toshinori is saying is completely valid, by the way… but, are we expecting this kid to fight his father? Is that a thing we’re doing?”

“Uh,” said Yoichi, “in our defense, we did think he was dead.”

“Maybe Eighth will get ‘im before Ninth has to deal with it,” suggested Banjo. “He’s got to have a better chance of that, now what with Fa Jin and all.” He paused. “But, you know what would give Ninth an even better chance, if he does have to fight his deadbeat dad-”

“He’s not a deadbeat,” interrupted Hikage.

“What?”

“Calling him a deadbeat would imply that he is neither supporting the Midoriyas financially nor regularly in contact with them. He is on both counts.”

“What?” squealed Bango.

“Did you miss his phone call with his father immediately following his return home after the USJ attack?”

“Oh,” said Yoichi, “no, I was very aware of my brother’s evil, evil voice. It’s just that these guys were too focused on scolding me to listen to anything I had to say. I still can’t believe he sent someone like that to attack his own son’s class.”

“Didn’t he, like, kill you?” asked En.

“No, my death was largely unrelated. You’ve got to remember, I was a chronically ill fugitive from the law with no money. Who told you that he killed me?”

Everyone looked at their immediate predecessor. Yoichi tracked the path back to Third, who had gone very stiff.

“What the heck, Third? You were there when I died. Why would you tell Hikage that?”

Third did not answer.

“Actually, what did he tell you, Hikage?

“Oh, it was very moving and heroic. It happened while you were saving a busload of metahuman orphans. You sacrificed yourself to let them get away from All for One. I even cried a little.”

“Is it weird that I’m now disappointed in myself for not dying like that?”

“Very,” said Nana.

“What were we talking about before this?” asked En.

“I have no idea,” said Banjo.

Izuku delayed going to class, nervous about everyone's reactions to his quirk. It wasn't that he thought they'd reject him, but more that he had no answers for the inevitable questions.

But he also didn't want to be late.

"Todoroki was so cool!" Hagakure exclaimed as he opened the classroom door. "He was all like, blam, bam, swish! And- and he checked whether or not I was there first, before attacking, which was super cool of him."

Todoroki's expression was halfway between 'statue' and 'help, I've been hit by a truck.' "Cool?"

"Very cool."

"You've grown since the first day, kero."

"Ah! Midoriya!"

All heads turned towards him. In the next second, he was hugged by several people, which was more friendly skin contact than he'd had since… ever, probably.

"Eep," he said.

"We were so worried about you," said Uraraka. "We made a group chat, after, but since you were unconscious…"

"Hm," said Monoma, "your quirk still is definitely a stockpile…"

"Monoma!" shouted Iida. "Did you join this hug just to copy quirks?"

"And what of it?"

"But speaking of quirks," said Jiro, "you can fly now? We kind of went along with it at the time, but that's kind of different from a sensory quirk."

"I know," said Izuku, "and I have no explanation."

"Maybe your quirk stockpiles danger," said Monoma, contemplatively. He rubbed his chin with one finger. "That could be why you can sense danger- you're stockpiling it. Then, when the danger gets over a certain threshold, you can release it as flight… why are you all looking at me like that?"

"Oh, nothing," drawled Kaminari. "Just that you're more thoughtful than you look, pretty boy."

"I don't want to hear that from you."

"Th-thank you, Monoma! I'll have to mention it when I go to quirk counseling next."

Which may or may not be this afternoon, depending on how Mr. Aizawa felt and- His head snapped to the door. "Mr. Aizawa's coming!"

They all rushed to their seats. The door creaked open.

"Oh my gosh, he's a mummy."

"Iida?"

"What is it, Midoriya?"

They were having a bit of a break during English while Present Mic cycled them through for short sessions with Hound Dog.

"I didn't have a chance to ask you earlier, but how's your brother?"

“He’s alright! It’s the first really major injury of his career, so he’s going to take it easy for the rest of the month, to make sure his engines heal properly. He’d prefer not to of course, but, ah, there is a silver lining.”

“That’s good,” said Izuku, encouragingly.

“I really shouldn’t be happy about it,” said Iida, rubbing the back of his neck, “but he’ll be able to come see me during the sports festival, and he probably would have been too busy if he were active.”

“I think it’s okay to be happy about good things, even if they happen because of bad things,” said Izuku. “It isn’t like we can go back and make the bad things not happen, after all…”

“That’s very true, Midoriya! What a mature way of thinking about things.”

Izuku didn’t know about that, but he was willing to take the compliment.

“Midoriya,” said Shouta, who was absolutely and unquestionably recovered enough to teach. Even if he had zoned out in the corner of the room in his sleeping bag all morning rather than trekking back to the teacher’s lounge… or teaching any of his other classes… shut up. “What are you doing at the window?”

“O-oh. Mr. Aizawa. I didn’t know you were awake?”

It was, maybe, a little unfair to single Midoriya out like that, since the entire class was standing by the window, and the way Uraraka, Sero, and Midoriya were closest to it, with Monoma a close fourth, was concerning, but Midoriya was the first one Shouta saw, and the one most likely to to cave and tell him what was going on.

“Midoriya.”

“R-right. Well, going out the door seems a little unpleasant today, so we thought we’d switch it up?”

What did that even mean?

“We were going to bring you with us, of course,” continued Midoriya.

What did that even mean?

“Out the window.”

“Um. Yes.”

“What kind of unpleasant are we talking about?”

“Battle trial unpleasant?”

Shouta groaned and hauled himself up, walking over to the door. He looked out the window and made note of all the students from other classes standing out there, circling like sharks. Great. Maybe they needed to have an assembly about respecting boundaries or whatever, especially if the people whose boundaries were being crossed were potentially traumatized.

Something to bring up at the next staff meeting he attended. Which… would probably not be soon.

Anyway.

He opened the door.

(“A mummy,” whispered someone.)

(First his kids, then these kids… he wasn’t that wrapped up.)

(Was he?)

“What are you all doing here?” he asked, voice rasping rather more than he wanted it to.

The students didn’t seem inclined to answer. Someone did mutter something about the sports festival, but it was far from the complete answer that Aizawa wanted.

“Right. Whatever. Scoping out the competition is one thing, but you are aware that class 1-A is recovering from a traumatic experience. And you’re blocking traffic. Clear off.”

The crowd slowly dispersed. Shouta sighed. He knew this would only be the first of many such incidents. He made a note to talk to Nemuri about whether or not she’d be willing to donate some of her class time to talk about public relations.

“You know,” said Nemuri, “if you actually rested, Recovery Girl would be able to heal you.”

“I know nothing of the sort,” said Shouta, glaring at his desk in the staff room. “I’m forgetting something.”

All Might walked in. “Er, young Aizawa,” he said. He paused for a painfully long, awkward moment. “Are you still meeting with young Midoriya today?”

“Crap.”

Did Izuku expect Mr. Aizawa to come to their meeting? No. The man had casts on all of his limbs. But, he hadn’t cancelled it either. So, better safe than sorry, right?

But it had been a while, now. Izuku could probably safely assume he wasn't coming after a half hour. He got up, packed his bags, and reached out for the door handle-

Only to freeze as Mr. Aizawa yanked it open and pulled Mr. Yagi into the classroom after him.

Izuku scurried back to his seat.

"Nothing physical today," croaked Mr. Aizawa. "We're going to figure out your quirk."

“O-okay,” said Izuku.

Aizawa collapsed into the seat behind the teacher's desk. “To be short, this quirk, One for All or whatever, is complete nonsense.”

“Uh,” said Mr. Yagi. “Sorry?”

“Sorry,” whispered Izuku.

“You should be. Not you, Midoriya. You’re fine.”

“Okay?”

“Right. So. You’ve got two quirks right now. Danger Sense and Float. Unless something else showed up over the weekend?”

“No, it’s, um, it is just those two right now.”

“And you’ll most likely get Smokescreen, Blackwhip, and that strength enhancement eventually. Plus two mystery quirks.”

“That is what I’ve been able to find out,” said Mr. Yagi.

“So, we have to figure out some way to get all those under a coherent umbrella that can account for the mystery quirks, and before the sports festival, so the evil immortal supervillain doesn’t notice that you have quirks just like a bunch of people he had personal beef with.”

Mr. Yagi cursed in English. “I hadn’t thought about that.”

“Yeah, I wonder what else you haven’t thought about. Maybe this year I can get Nezu to take my suggestion about doing hero names before the sports festival seriously. You know we’ve had people stalk students before because for some godforsaken reason we use their real names? I need a drink.”

“Ah, water?”

“No.”

“Young Aizawa, you’re a teacher…”

“A career choice I question daily. Midoriya, do you have any thoughts about how to make your quirk make sense in a way that won’t get you killed or abducted by the HPSC?”

“I- Does that happen?” despite his conversation with Mr. Yagi over the weekend, he still had generally positive thoughts about the hero commission.

“I have no idea. Wouldn’t put it past them.”

“Well, um, I was talking to Monoma earlier, and he said something about stockpiling danger, and how it might let out the stockpile as the energy necessary to levitate- which, really, would be a fascinating quirk if it did work that way- but I thought it might also work for Smokescreen and the strength enhancement? I mean, general responses to danger are fight, flight, or hide, so the strength enhancement is fight, Float is flight, and Smokescreen would be hide…”

“That might work. What about Blackwhip.”

“Yeah, that one has kind of stumped me.”

“Blackwhip sure is a problem,” agreed Mr. Aizawa.

The ghosts started laughing. “You’re a problem, Banjo,” chortled Nana.

“Come on, guys, that isn’t funny!”

"It is! It's hilarious!"

"They were just talking about All for One tracking the kid down and killing him!"

The mood sobered quickly.

"Considering that he is Ninth's father," said Hikage, "I suspect it's far too late for that."

"Yeah," said Yoichi. "But, just to be safe, and in case there are other weirdos out there, new rule: no giving him new quirks in public. Not that we can do anything about when he eventually manifests the stockpile…"

"What if he's going to die?" asked Hikage, raising his hand.

"He already got your quirk, why do you care?"

"We'd like to hear it," said Banjo, somewhat forcefully.

"Well, if he looks like he's going to die, do whatever you can to stop that from happening, I guess. But chucking a quirk he doesn't know how to use isn't always going to be the beat answer."

"Wait," said Nana. "Hold up a second. A few days ago we were talking about the potential for multiple quirk brain damage, weren't we?"

"Oh, good catch," said Yoichi. "I guess I forgot to mention it, which means Nana is the only one I'd trust babysitting my nephew in the event a quirk rewound him to elementary school age-"

"That is a suspiciously specific scenario," said En.

"-and all the rest of you are fired. You didn't even question giving him more quirks? Really?"

Hikage raised his hand. "I assumed you had discovered that Ninth had a constitution capable of handling multiple quirks, similar to yourself and your brother."

"That is true. Okay, Hikage would be another exception, but he's disqualified from babysitting for other reasons."

"That's fair."

"So we need something that can do all that, and has tentacles," said Izuku, squeezing his bottom lip in thought.

"Yeah," said Mr. Aizawa. "Honestly, even really dumb ideas would be welcome right now."

"Why are you looking at me?" asked Mr. Yagi.

"You know why."

There was only one creature Izuku could think of that could do all the things Izuku one day might be able to while maintaining room for the two mystery quirks. "Cthulhu."

Mr. Yagi looked mildly scandalized at the suggestion.

"Nah, it'd have to be something like eldritch. Cthulhu's trademarked in Japan, and that can give you aboveground types trouble."

"What is it a trademark for?" asked Mr. Yagi.

"Ask Midnight. I don't want to talk about it."

"Ah," said Mr. Yagi.

"The problem with that is that you currently have no justification to call it that. Now if you already had Smokescreen…"

The adults looked at him.

"... I don't think it's going to just show up like that," said Izuku.

"Why not?" asked Banjo, staring at En. "They practically asked you for it."

"Well, first off, I live for drama, so jot that down."

"Huh? What about me?" asked Yoichi.

"Nothing, it was just an idiom. Second…"

"...Right," said Aizawa. “For now, then, we’ll have to give it a temporary name, because it’s starting to get to the point in time where it’ll actually be illegal for you to not register it.” He shuffled his casts. “Yagi, start filling out those forms with what he can do currently. Midoriya, make sure you check him when he’s done. For now, we’ve got to come up with a name.”

“Um,” said Izuku. “Float’s the only one that’s really visible, so I could just call it Float?”

“Vetoed. You aren’t picking a name that the immortal supervillain knows.”

“He did seem to only refer to people by quirks unless he really hated them,” said Mr. Yagi. “Except his brother, who he always called ‘my foolish brother.’”

“Focus on the paperwork.”

“And he called himself by his quirk name as well,” mused Izuku. “Do you think it was a side effect? Quirks have document impact on people’s personalities-”

“Focus.”

“R-right. Um. Feather Fall? No, that’s part of a game. Flight Reflex?”

“Good enough for now,” said Aizawa. “Flight Reflex it is.”

#bnha #boku no hero academia #danger first #danger first au #fic #fanfic

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lick-me-lennon22 · 3 years ago

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George caring for a sick Dhani 💜

(thank you to @pmak2002 for this request!! it was supposed to be just a blurb but I did a little research beforehand and it ended up pretty much becoming a whole fic 😅 oops... either way, I hope you enjoy this one! 💕)

When Dhani wakes up for school on Monday morning, he immediately knows something his wrong. His throat is sore, his nose is runny, and his muscles ache like nothing he's felt before. He painstakingly drags himself out of bed, clutching the sheet around him, and heads straight to his parents' bedroom where he finds his mum Olivia still in bed. Dhani notices that the bathroom door is cracked open and cautiously steps inside to find his father, George, brushing his teeth. "Dad..?" he says quietly, voice hoarse. George startles, turning around to see Dhani in his unfortunate state and spits his mouthful of toothpaste into the sink, letting the water wash it down the drain before turning the tap off. "What is it, my boy? You sound bloody awful..," he gently presses the back of his hand to Dhani's forehead to assess his temperature. "You seem to be running quite the fever, son- let's get you to the doctor, all right? Just let me finish up in here and I'll be right out to take ye" George says. Dhani nods weakly, coughing into his elbow, and shuffles out of the room. George jumps into action- he swishes and spits some mouthwash, changes out of his sleepwear into a button-up and jeans, and sprints to the car, his son following close behind him and hopping into the passenger's seat.

"This is ridiculous.." George mutters under his breath as he walks his son out of the clinic and gets into the driver's seat of his car. They had been able to see the doctor almost instantly upon arriving; he had taken some swabs, run a few tests, and determined that Dhani had contracted the flu: "He probably picked it up from school," the doc had said. When George had requested a prescription of some kind to alleviate his son's symptoms, the doctor simply shook his head: "I'm afraid there isn't much we can do for him. The flu's been going around at many schools, I've seen a lot of children this past week with the same complaints. As it stands, all I can tell you is to give him some over-the-counter medicine, bring him some saltwater to gargle for that sore throat, and be sure he gets plenty of fluids and bedrest." George tried to argue, stating that there must be something he can do to cure Dhani of his illness sooner- but as the doc's hands were tied and George didn't want to subject his son to more stress, he took Dhani by the hand and led him out of the office, through the lobby, and back to the car. "Alright, my boy," George sighs- "seeing that the doctor was no help whatsoever, we're headed straight to the drugstore for anything that'll help you feel better. Sound good?"

"Yeah Dad, sounds good" Dhani croaks out and smiles weakly, glad just to spend some time with his father. Being a famous musician and all, George isnt able to spend as much time with his son as he'd like to, a lot of it consumed by work and media-related endeavors. Dhani admired his Dad more than anyone else in his life and though they rarely got the chance to hang out nowadays, they were practically best friends and had formed a close bond throughout his childhood. George was always a fun parent, bringing his son along to festivals and such ("Don't tell yer mum," he'd say with a grin), and sticking up for Dhani to authority figures and even other kids at his school- he was fiercely protective of his boy. However, he was also a gentle parent who allowed Dhani the chance to explore and express himself, and had fostered a mutual respect between the two of them since his son was but a toddler.

"I'm pulling you from school for the whole week" "But what if I'm- *cough*- all better before then?" "Just in case, Dhani- it's not like you really need them and their indoctrination, anyway.." George grumbles, never having been a fan of traditional schools or their teachings. Dhani however has always cared about his grades and paid close attention to the lessons he's been taught, in spite of what his father thinks. "...Okay, Dad" he says meekly, wanting to protest but unwilling to sacrifice more quality time with his famous father. George pulls into the parking lot of the nearest drugstore and marches in, intent on gathering all the supplies his sick boy could need: tissues, lozenges, cough syrup, pain medication, ice packs, and even more tissues- 'just in case.' He makes his way to the checkout, queuing up, paying for the items and hauling his bags back to the car. He drives Dhani home as quickly as possible, carrying him to bed and tucking him in before calling and cancelling any studio time, interviews, or collaborations he'd previously planned. There's only one committment he can't cancel- dinner with Paul tonight for the first time in ages. George sets his son up with all of the remedies he'd bought and tells his wife Olivia everything about the situation, including the "unhelpful and useless" doctor they had gone to see. She of course agrees to care for Dhani, sending her husband on his way to dinner with one of his long-time best friends.

The following day George rises just before noon, having stayed up late to pal around with Macca. He runs the few errands on his agenda, including grabbing his family some lunch, and pulls into his driveway back home where he spots the vehicle of none other than Richard Starkey parked outside. He makes his way to his son's room to discover that Uncle Ringo had come to visit the sick young lad (having found out from Paul that Dhani had come down with a bad case of the flu), joking and cheering him up to distract him from his poor state. The two close friends chat for some time in the living room before Ritchie departs, Olivia checking up on Dhani in the meantime. George thanks his wife and dismisses her from her nurse duties, taking on the responsibility himself. He tiptoes to his son's bedroom cautiously and enterd to see that he's been tucked in, the ice pack George had picked up from the store the previous day resting on his forehead, half-lidded eyes trained onto the telly. "Dhani..?" "Oh- *cough*- hey, Dad"

George approaches the bed and sits down carefully, holding a paper bag out to Dhani. "I brought you a burrito- your favorite," he grins down at his son, who takes the bag: "Really? *cough*- Thanks Dad, you're the best!" he says, hands emerging from the blankets to tear into the treat. George stays sat on the bed, determined to spend time with his sick boy and make sure he knows how loved he is. Glancing around the room at the piano and guitars he's bought and played with Dhani, then back to the young man, Ringo's words from earlier echo in his mind: "He's growing up into such a wonderful lad. He's just like you, ye know- good looks and all."

Olivia had always said they were very alike, but he'd usually dismissed the observation... until now. George couldn't help but realize that they were right- though he was but eleven years old Dhani was already becoming a very talented and creative musician, having learned much about music from his dad. He'd certainly taken after his Beatle father in that regard, and they were in fact very similar- not to mention their near identical looks. Sharing his Dad with the world had been difficult and a bit isolating for Dhani despite his many school mates. He admired and looked up to George from a very young age, always striving to be just like him. As Dhani grew up before George's eyes, he became more and more like his father by the day and George was immensely proud.

His train of thought was broken suddenly when Dhani finished the burrito, crumpling the paper bag and tossing it into the bin. He landed the throw, earning a hearty laugh and a high five from his father. He closed his eyes and laid back, George stroking his hair gently, the two of them cherishing this moment of father-son love. "Are you gettin' sleepy, Dhani?" he asked tenderly- his son nodded in response, already drowsy despite the brightness of the late afternoon sun. "Tell you what- I'll play you a lullaby, that way you can rest easier and know that I'm here beside you." "Dad," Dhani chuckled, "aren't I a little too old for that?" he lied, secretly longing for the affectionate gesture. George grabbed his son's acoustic guitar from its stand and begin to tune it: "You're never too old for yer old man's love and attention, eh? Now you just relax, close your eyes, and rest." Dhani didn't protest any further, heeding his father's instructions with a soft smile on his face. With that, George began to play- he chose "Here Comes The Sun," fingers strumming the strings gently and with care, dedicating the sweet words to his beloved son. By the time he was finished Dhani was fast asleep- grin faltering as he drifted off, but still visible on his lips. George placed the guitar back on the stand gently, taking care not to wake the sleeping lad. He smiled to himself, tears welling in his eyes as he turned to admire his son's peaceful face. "I love you, my boy," he whispered, placing a gentle kiss on Dhani's forehead before tip-toeing out of the room and shutting the door cautiously. Back pressed against the wooden door, George let his eyelids fall shut and sighed: "Sweet dreams, Dhani." ♡

#beatles fanfiction #beatles fandom #the beatles #beatles #george harrison #george harrison imagines #dhani harrison #beatles fluff #LMLBeatles

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fakecrfan · 4 years ago

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POV: You wake up in the TMA universe at the start of season 1.

You find yourself on the streets of London, cold and confused.

You try to figure out what happened and get home. You discover the place you lived no longer exists. The place you worked no longer exists.

You try to call the numbers of family, friends, anyone you knew. Baffled voices that you don’t recognize answer you, and then hang up.

As you're wandering around the streets getting increasingly terrified, you pass by the Magnus Institute. Then, everything makes sense.

You hurry in and blurt out: "I would like to make a statement"

Rosie smiles politely.

“Alright, let’s get you the proper forms then.”

She tells you that the Archivist, Jonathan Sims, will see you in a moment. As you are waiting for him, you recall what happens to people who give statements to Jonathan Sims. Unceasing bad dreams. Unrelenting panic attacks. Enough that Jess Tyrell stopped being able to go out in public.

"Ah," you think. "I will not do that then."

You leave in a hurry. Outside, you realize:

oh, I'm the only one who can stop the apocalypse now, aren't i

You shiver. That thought can wait, you think. For now you need to find... somewhere to stay. You are effectively homeless. No, not effectively. You are straight up homeless.

You pull out your wallet to pay for food. Your card is declined. You try to use cash, only to be told it’s counterfeit. Everything is just a little too much to the left of your reality for you to navigate.

Finally you find social services of some kind. They ask for your information, including your NIN. you aren't surprised when they say the info they have on file for that number is.... not you. You are disappointed though.

They help you to a homeless shelter. You sit on your cot and cry self-pityingly for a bit, and then that pressure comes back to your mind:

The world is going to end. You know the world is going to end. You're the only one who can do anything about it.

You turn over and decide that's something you can deal with in the morning.

----

The next day, you think about it again.

"That's something I can deal with when I have an apartment," is what you think then.

So that becomes your next project. Finding your footing as a displaced person. Social services helps but it's... sporadic. It takes months for you to get more stable housing.

When you lie down on the couch of the new, well, new associate you've made, you once again remember that the world is going to end. That you are the only one who can do anything about it.

"I'll think about that when I get a job"

-----

Time continues to pass. As you are trying to get on your feet, you make feeble attempts to... start something.

You go to the Magnus Institute a few times. But it's hard. You've always had terrible social anxiety,. And everyone there seems so cold. You can feel eyes on your back: staring, watching your every move. Normally that alone is enough to make you quit for the day.

A lot of times, the main cast you remember is out doing research. When they are there, you are about to walk up and speak to them when the anxiety hits you again.

What if Elias sees you talking to them? What if he kills you?

You decide to retreat for a little while, then. Just to think of a better plan.

You spend the next month getting your first job in this new world. You start a timeline of when you think the apocalypse is going to happen, but remembering the canon dates is hard. It's not a very helpful timeline, and so you give it up.

Eventually you think the best thing to do is to wait until Elias has been arrested and then talk to the others. When Elias is in prison, he can't murder you for revealing your plans.

This means Sasha and Tim will die. But--they might have died anyway, even with your intervention. Who’s to say? Anyway, you’re not the one who will kill them. It’s not your fault.

You scan the news every day for things about the Magnus Institute, particularly the head of it getting arrested.

During this time, you do a little better. You have a nice apartment now, you think. Nice by your own standards, at least. You decorate the place a little. Get some video games that you like--or well, they aren't the same ones as in your world, but close enough you think?

Months pass.

One day it hits you that maybe the papers would never actually report on Elias being arrested.

Oh shit, you think.

You go back to the Magnus Institute then. By this point, Rosie recognizes you. She grants you the same expression one grants a wayward alley cat. You ask who the current head is. You are told "Peter Lukas."

Shit.

"Can I make a statement?"

Rosie looks nervous. "Um, the Archivist is on medical leave."

"Okay can I talk to one of his assistants?"

Rosie gets this very tired look in her eyes.

"I'll... ask."

Rosie phones the archives extension

it rings

"They've all really been through it recently," Rosie tells you. "They don't--like to talk to anyone else, now."

"I have to talk to them," you say. "Um, can you--can you tell Martin Blackwood specifically that I need to talk to him? That it's about Jon?"

Martin is--you like Martin. Martin will be nice and safe. He'll be easier to talk to than Melanie at this point, or Basira. Still, Rosie looks tired again.

"I'll have a chat with him," Rosie says. "How about you go home for now, and I'll call you when I've talked to him."

"But--"

You're bad at this. You were always bad at this. You can barely sign up for anything on your own. Your mother has done so many calls and filled out so many forms for you.

You never cultivated the skill of standing in a lobby and insisting to talk to someone. Maybe you'll just irritate Rosie and she'll blacklist you if you dig in your heels now. Anyway, you're already so tired from this. You think about going home, and playing some Medal of Honour IV.

"Fine," you say.

You go home. You play the game. You sleep.

You're not giving up, you say to yourself. You're just--biding your time.

Rosie does not call you.

It pains you, but you realize you have to go back in and ask to speak to someone again. You'll go today after work, you decide.

No, wait, you're too tired from work today. You'll go tomorrow.

Maybe on the weekend.

----

You finally go back

Rosie tells you she just--hasn't been able to get a hold of Martin.

"Fine," you say. "Any of the other assistants."

Rosie actually looks a bit worried for you. "Um, they're not--they don't take well to unexpected visitors. Let me wait and chat them up about it."

You do not listen this time.

You march down into the basement level where the archives are. The door is--well. Shit. It's barricaded? You knock. You keep knocking.

"Melanie! Basira!" you say. "I have to talk!"

The door opens too quickly. You barely get a glimpse of Melanie's snarl before she strikes and your vision goes white.

She hits you a few times. No knives, just fists. You hear Basira in the backround, barking for Melanie to stand down. Once there is an opening and you can blearily see again, you run away in terror.

It's not--you didn't intend to run. You were just afraid.

----

You go home, and realize that Melanie didn't even really hit you in a super serious way. Nothing that would warrant a hospital trip, at least. Nothing that has left you with a lot of pain, outside of the immediate terror of physical violence.

You probably could have stuck it out there. You should have.

You think about all the months--no, years now--that have passed without you making any progress.

"But that’s not my fault,” you say.

"I was having a really hard time. I was homeless. I've been struggling with my mental health. I still have to keep the rent paid and feed myself."

"It's not my fault. It's not."

"I will do something. Just--I need some more time."

You sleep.

You decide to wait a bit for your bruises to heal up before going back.

When you do drag yourself back to the Institute, now there is a PTSD reaction to going into the Institute on top of the social anxiety.

You leave quickly. Rosie looks so sad for you.

You do try to go back. You do try to get back in contact with the Archives, or go back when Jon is back up. But there's always something. Not something directly stopping you. Just--

Tiredness. Work. Illness. Doctor's appointments. Panic attacks. The Archives staff being unreachable.

The world is going to end. You're the only one who can stop it.

"That's not true though," you think. "I mean, technically anyone could. I just have a little more information that could help."

"It's never one person's fault," you tell yourself as you crawl into bed after another flight of anxiety struck you as you were about to cross the street to the Institute. "It's everything. It's--a whole system. It's Jonah's fault really. If I don't--I'm not to blame."

“I’m not to blame.”

----

You are playing Medal of Honour V when your phone lights up with a notification that there was an outburst of violence at a place known as the Magnus Institute, and billionaire Peter Lukas has disappeared in the confusion.

You should get up. It’s going to happen, and happen soon. You hand twitches on the controller.

You remember a quote you saw before you ended up here, on Facebook of all things.

"Don't wonder what you'd be doing in Nazi Germany. Whatever you're doing now, is what you would have been doing then."

Because bad things were happening in the world all the time, your preachy Facebook aunt said. There is always genocide, and famine, and war. It’s not some movie fantasy from the past.

You think about that. About the horrors in your world. Those movements that you retweeted support for and occasionally donated $5 to. The protests you awkwardly passed by on your way to work.

You quietly realize what kind of person you are. What you would have been doing in Nazi Germany, or the civil rights era in the U.S., or during the catastrophes in your own world, or right now.

It's what you were always going to do.

And so you get back to Medal of Honour V.

----

You're still dreading the apocalypse of course. It won’t be easy. It will be around six months to a year of full on torture, specifically designed to be the worst you have ever felt. Something about that soothes you. Something about knowing you are a victim too, or maybe knowing that you’ll be punished.

But--it will end, and then you'll be alright. Everything will return to normal, and you can go back to your apartment and your job and your games. It’s not all that bad.

You feel a twinge of guilt for Martin and Jon, who you could ave intervened for. You feel more than a twinge for the worlds the Entities will infect after. But--maybe it will all work out okay. Maybe the universe is a kind place. Maybe other worlds will be able to handle the fears better.

Who knows! There is always hope!

----

[When the sky turns red and the great Eye opens, when you start to hear the howls of your apartment neighbors through the wall--

Nothing happens to you. You are fine. It does not touch you.

Oh.]

#the magnus archives #tma #tma fic #self insert #reader insert #my writing

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vsilas · 4 years ago

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Okay.... hear me out. T4T post-war Snarry where substance use starts them on the path to cracking their eggs and meeting as new people who are ready to give each other a second chance. A sickeningly self-indulgent fic idea, pure rambling. Target audience: me and me alone.

Transfemme Snape is on probation after the Death Eater trials and is stripped of her magic. It's temporary and much better than Azkaban but it also means that Snape is essentially a Squib for three years following the sentence. One of the things that happens as a result of this is that all of the subtle "notice-me-not" charms on the area around Spinner's End wear off and the local authorities finally decide it's time to get rid of that slum. Snape is forced to move, which is probably for the best, all things considered. Living with your abusive parents' ghosts isn't conducive to healing... and there's a lot that Snape needs to heal from. As things stand Snape really doesn't want to have anything to do with the wizarding world so she moves to a muggle town somewhere on the coast. What with not being able to do magic she also turns to muggle solutions for a lot of her problems. She makes a living tending bar (she's basically nocturnal, doesn't drink, and can quell unruly customers with a look, so it's a good fit). She starts taking medical marijuana for the chronic pain caused by her encounter with Nagini and it stops her from feeling mildly suicidal for the first time in ages. It's nothing like her life was before and so she slowly starts shedding some of the fear and pain that kept her in line and an effective tool... basically her whole life.

Trans guy Harry goes a bit wild after the whole "I died to save the wizarding world" thing. He feels like he's been robbed of his childhood, his adolescence, and basically all the experiences that "normal kids" should have, so he lets go of his remaining impulse control and starts to spiral. The summer of 1998 is rough. There's the funerals, the trials, everybody trying to pick up the pieces of their life. Harry doesn't think he has any pieces of himself left to pick up. He didn't really plan for a future after the war... he could never see himself grown up. Harry breaks up with Ginny because the way they are together makes his skin crawl, even if he can't put a finger on why that is. Ron gets really mad at Harry for dumping his sister and even more so when Harry says that he doesn't want to be an Auror anymore. He briefly goes back for his 8th year with Hermione but drops out in November when he only manages to turn in two assignments and spends most of his time finding ways to sneak off the grounds to get drunk in London clubs. Harry's friends worry about him but there's only so much they can do to help somebody who really doesn't want to be helped. Harry moves into Grimmauld Place, cuts his hair really short, and spends his nights "living" which mostly just means doing party drugs and having a few ill-advised one-night stands. When there is no one to party with, Harry gets drunk alone in Grimmauld Place and punches mirrors. He doesn’t see a future for himself so he decides to just live in the present, however long that's going to last him. He can feel a break coming, something terrifying but necessary. It feels like the only way to forward is to spiral down.

Snape, who has known something was off since she was a kid, finally lets herself accept what that thing is. It isn’t an earth-shattering revelation, just part of slipping off the masks of professor and spy and Death Eater until all that's left underneath is her. How the fuck did she fool everybody into thinking that she was a man for all these years? Maybe that’s why she was such a good spy. Started young. Hid it even from herself. It’s not really an easy thing to accept, but inevitable. Snape is already grieving everything else about her life so what's another lie, another chance at happiness that slipped away before she even knew what it was? She spends a lot of time in her shabby little flat getting stoned but she also walks along the beach and starts planning the rest of her life.

Harry cracks on another of his drunken nights out to some rather unpleasant consequences, including ministry officials having to obliviate dozens of muggles in a Camden club and a hangover so bad even potions don't help with it. Most of it gets hushed up but the yellow press takes the opportunity to start saying how the "Girl-Who-Lived" finally went off the rails, complete with an unflattering picture of Harry's new haircut (granted Harry was about to throw up when the picture was taken...). Harry lays low for a while but he is also a man of action and so he begins to research ways he could transition. St. Mungo's doesn't provide that kind of healthcare so if he wants to go the magical route he would have to figure it out himself or find an expert in gender magic... who doesn't seem to exist. There are references to a witch who brewed a potion to change her gender, but she lived in the 18th century. Being trans is stigmatized in the wizarding world so he assumes that wixen who have transitioned probably don't advertise the fact. Harry doesn't trust himself to do any magic or potion work that advanced without killing himself, so he decides to keep searching. He swears Madam Pomfrey to secrecy and asks her if she can help him. She's taken aback and tells him this kind of magic is not well studied and she doesn't know if there's a potioneer alive, other than Severus Snape maybe, who would even try working on something like that. However, even if Snape wasn't a squib and unable to brew anymore, Harry certainly isn't planning to have anything to do with his old potions professor. He decides that maybe he should just try muggle means.

Meanwhile Snape has been doing theoretical research on magical transition but hits a dead end. She needs access to a magical library, she needs to be able to actually experiment... Not to mention that she still has years of her probation left, which means years before she can even attempt transition. The only thing to do is turn to muggle means to both manage her dysphoria and maybe inspire the next stage of her research. It takes a while to secure an appointment, but one fateful day Snape walks into the reception area of a London clinic... right as Harry Potter is exiting the doctor's office after his check-in for being 3 months on T. To say that there is a moment of shocked silence would be an understatement.

They meet up for coffee and cautiously become a two-person support group for trans wixen who got fucked over by fate (and Dumbledore) and miraculously survived a war. Harry lets Snape use the library at Grimmauld Place and Snape promises to expand her research to try and develop something for him too. Harry apprentices to a curse-breaker and weathers the press dragging him through the mud every chance they get. Snape might have mellowed out a bit but she still gets on Harry's case about the drinking and not finishing school. They bicker a lot and sometimes Harry overcompensates on the machismo and acts like James, or Snape feeling a blinding rage that Harry is so fucking young and has his whole life ahead of him... but they end up coming around to each other every time. On some level, they are the only people in the world who can really understand each other.

Over the course of the next year and a half, they slowly get their lives sorted. And through that process, they become the most important people in each others' lives. What started out as reluctant solidarity grows until one day Harry can't imagine a future that doesn't have Snape in it, and Snape starts thinking of "home" as being wherever Harry is. It's not easy, considering how many issues both of them have, but it's the easiest thing in the world compared to the alternative. Cue resolution of them both magically transitioning, dealing with public perceptions, and leaning into being a scandalous power couple who doesn't take shit from anybody.

Now, if only I could write this as an actual story....

#the target audience for this is me #i feel like if i ever write a fanfic this would be it #except i can't make myself write #and if i ever do i will probably turn this into an original story #but here #i can think of maybe two people who will be into this #severus snape #serverus x harry #snarry #trans snape #trans harry potter #substance use cw #alcohol cw #self-harm cw #weed cw #idk #ask to tag

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byologee · 4 years ago

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an actually practical guide to being premed and getting into med school by someone who did it successfully

Majors and Classes:

Personally I feel you should choose a major that will be complementary to your premed studies-- something STEM or social science based that overlaps with your premed classes and will allow you to take upper level science classes that relate to physiology, disease and illness, pharmacology, etc. HOWEVER do not let this deter you from majoring in a non-bio STEM area like biochem or from pursuing a different science or liberal arts major.

That being said, consider double majoring in Public Health because it is very relevant to premed and going into medicine.

Make sure you take the correct order of bio and chem classes. This is important so that you take classes at the appropriate time when you have the appropriate skill level and so that you do not have any gaps in your premed education or major classes.

Be aware of what upper level bio and chem classes require prereqs that are not a part of your major requirements or premed requirements; for example some upper level bio classes require microbio which is not a premed requirement at all schools NOR always a major requirement. Plan your underclassmen years accordingly to allow you to fit in certain prereqs for upper level classes.

If you plan on taking lower level lab intensive courses, take them as an underclassman-- they will prepare you with basic lab skills you can apply to upper level classes and to irl lab work, plus most of your classmates will be underclassmen. You do not want to take these lower level lab intensive courses as an upperclassman. You will be bored and probably annoyed.

Take an intro level public health class as an underclassmen to see if you are interested in public health; this will also be relevant to your med school apps.

Gen chem 1 and orgo 1 are weedout classes. Many people will switch from premed and/or bio to public health or prePA after taking gen chem 1 and orgo 1. This is normal; don’t be judgemental. If you’re the one switching to public health or prePA, don’t feel bad or ashamed.

Do not take orgo 1 or 2 with super hard progressors. It’s just not worth it. Many people say that harder orgo progressors prepare you better for the MCAT, but this is false as the MCAT does not have a lot of orgo on it. Many people will fail out of orgo even without super hard professors. Set yourself up for success by taking orgo profs with good reputations, not profs with reputations for failing everyone, being purposefully difficult, or just nasty.

If you take a (relatively) “easy” professor for orgo 1, under no circumstances should you take a hard prof for orgo 2. You will suffer.

The best way to study orgo 1 and 2 is to memorize all the reactions. Copy reactions until you have them memorized. Then you can simply apply what you’ve memorized to synthesis reactions. This works for NMR too, just memorize what NMR specs look like and apply.

Always go to TA office hours for gen chem 1, 2 lab and orgo 1, 2 lab. The lab reports are very difficult and the TAs can help you more than professors can. Professors will be mostly absent for labs. TAs will know what’s up.

You do not need to take biochem 2 for the MCAT, biochem 1 will suffice as it generally covers amino acids and proteins and not respiration and metabolism. Most of the biochem on the MCAT is about amino acids and proteins; all metabolism can be self-studied. (This is my opinion to save you time, if your advisors tell you otherwise LISTEN TO THEM and not me).

If you take AP psychology you do not need to take intro psych.

You need to take a sociology course for the MCAT and premed reqs. You should take The Sociology of Deviance if offered at your college as this is more relevant to the MCAT than intro socy.

If you have to take a professional writing class for Gen Eds, try to take a science writing or health professions writing course as these will be relevant to you.

Take stats even if you don’t have to as it is very relevant for understanding papers.

If you switch to another pre-health path like prePA or prepharm you will generally have to take different prereqs. Clear this with your advisors and come up with a plan.

Med schools like to see a diversity in courses and not just science courses, so you need to take at least 8 humanities credit hours. Diversify your college education and take interesting and relevant humanities courses; this will also help with CARS on the MCAT.

Research

Many medical schools want you to have research experience. You can do clinical research or bench research.

You should start research early, either 2nd semester freshman year or summer before sophomore year.

The best advice is to research professors and PIs in the BSCI and public health departments and email ones you are interested in about working in their lab. You can do this before 2nd semester freshman year or during that semester. Email example: Hi Dr. X, I am an undergraduate freshman at UMD and am looking for research opportunities in X field. I discovered your lab and read your paper, “X,” and am very interested in this subject! Elaborate on what interested you I was wondering if there are any open positions in your lab for an undergraduate researcher. I have taken X, X, X, courses. I would be interested in working in your lab for 2 years. Please let me know if you have any openings! Best, X

PIs generally look for undergrads to commit to 2 years of research, but you can quit earlier if you feel like it. This is also why you should do research earlier-- that way you are not cramming it in during your upperclassman years.

The goal is to get some abstracts, posters, presentations, and maybe a pub out of it, but these things aren’t absolutely necessary.

Clinical Experience

Med schools like to see 10 months of continuous clinical experience, which translates to about 200 hours. However, this number is too low and to be really competitive for med school apps you should aim for 1000 hours if not more.

The best way to gain clinical experience is to work part time as a scribe, CNA, MA, or tech. You can take CNA and MA courses the summer before sophomore or junior year and apply to positions online. CNA/MA gives you a lot of experience working with patients. Scribing gives you a lot of experience working with doctors and seeing what they do. It’s best to start clinical experience sophomore year or junior year so you can gain enough hours prior to applying.

You should also have clinical volunteering hours which you can get by volunteering at hospitals such as Children’s or Shady Grove or any other local hospital. Other clinics also accept volunteers, you just have to look around. Check your health professions advising office (hereon abbreviated as HPAO) for their recommendations and job listings if available.

You can also shadow doctors. Your HPAO may have a continuously updating list of physicians in your area who are available to shadow. You can also genuinely just email local providers. Note that you will need to shadow a DO if applying DO.

Check your HPAO listserv for job openings and clinical volunteering opportunities.

You can find jobs by googling “CNA job near me” or “scribe job near me” and browsing postings on Indeed and other job sites, or alternatively postings on hospital sites.

Community Service

Med schools like to see 10-12 months of continuous community service, or around 200 hours. This is too low, and you should aim for around 600 to be a competitive applicant.

Join school listservs and look for volunteer postings. Go to your school’s First Look Fair or college organization fair (usually held at the beginning of each semester) and sign up for emails from clubs that do volunteering or other various organizations. There are many organizations on campus that do volunteering and service.

Ideally you want to work with marginalized communities off campus. This sounds shitty but you want to work with communities who need it. You should also aim for a sustained service opportunity, not a once a month thing but a weekly, continuous experience. Volunteering through clubs and societies like the women’s premed organization are not valid experiences.

Google local homeless shelters, women’s shelters, STD testing clinics, and food banks-- these are all really good places to volunteer at. You can also volunteer at crisis hotlines.

You can also utilize clinical experience for community service, so volunteering at a hospital, clinic, urgent care, etc. But you also need non-clinical community service, so make sure to prioritize both.

Consistency is key. Doing an experience for a longer period of time (ex. 4 hours every week for 10 months- year) is very valuable. Even doing an hour of volunteering at the same place every week for two years is great. Building relationships, gaining experience, understanding consistency-- med schools value this. Long term experience is very important.

Extracurriculars

You should also be involved in extraneous, non-community service based organizations and extracurriculars. It’s ok if these organizations include some aspect of community service. This can also include paid-positions that are not clinical.

Examples include campus ministries, sports, dance, art clubs, music/choir, social, restorative, and environmental justice organizations, interest groups, tutoring, co-ed frats, etc.

Joining societies, like the American Women’s Medical Association or your college’s namesake Pre-Med Society is a great way to do extracurriculars, build your resume, and get leadership experience. You can also join major-specific societies.

Check with your HPAO for a list of pre-health societies you can join. Your college will also have a website or list of clubs and orgs you can investigate.

Med schools like to see that you are well-rounded, so having a variety of experiences is important.

Advising

It is extremely important that you build a relationship with your advisors. It is very important that you outline all the classes you want to take with them and when AND that you meet with them every semester. Discuss your plans with them, ask questions, ask for suggestions and tips. If you make any major or minor changes you need to speak with them too. They are a resource; use them.

You will also need to build a relationship with your pre-med advisors at your HPAO. You may need to do an intro workshop to be able to meet with an advisor at your HPAO.

Meet with an HPAO advisor every semester to outline your courseload, volunteering, clinical work, extracurriculars, and application plan. Your HPAO advisor will help you craft a narrative for med school apps and can help advise you with regards to coursework and what opportunities to pursue. They can help you decide when to take the MCAT, when to apply, devise a school list, etc. so it’s best to start meeting with them early. The better your relationship with your HPAO advisor, the stronger the recommendation letter you’ll get from them.

If your grades drop you NEED to speak with an HPAO advisor. You should be checking in with them every semester to go over your grades and course history and make sure you are on the right track to apply. This is really really crucial.

If your HPAO offers workshops for applying to med school, crafting a school list, financing med school, writing a personal statement, etc. then GO TO THEM. Utilize the resources that are available to you.

Make sure you are on your HPAO listserv.

If your HPAO offers peer to peer advising consider using this resource to speak with current college students who are going through the application process.

2 Areas Med Schools Look At: Leadership + Diversity and Inclusion

These are two hot topics med schools care about. Here is how to address them.

Leadership: there are numerous ways to gain leadership experience; getting elected to a leadership position in a club or organization, being a TA or UA, getting a management position at your job, or being any kind of team leader in a community service endeavor. The important thing is that you are able to express what you learned and how you grew or changed from that experience, plus how you will apply what you learned in the future.

Diversity and Inclusion: Hot topics in medicine right now, my advice is to read about diversity and inclusion in medicine and what it means-- read articles, op-eds, peer-reviewed papers, etc. There are a few ways to go about this issue; one is to find out what is unique about you that you can contribute to medicine, the second (and most important) is to work with underserved and marginalized communities. Being able to express in med school apps and interviews that you understand the difficulties faced by marginalized groups and are committed to better health and wellness outcomes is REALLY important. Being able to show awareness about diversity in medicine is so key. To do this, spend time working with the marginalized and underserved through community service and clinical work. Be able to show med schools that you understand and care about diversity and inclusion.

You should be thinking about leadership and diversity/inclusion throughout all four years of undergrad-- how will you incorporate these things into your app?

Letters of Rec

Getting letters of rec (you will need 5-6) is very important. To do this you will need to build relationships with the following…

Professors: You will need recommendations from 2 science professors and 1-2 non-science professors. To get recs you need to go to office hours, ask questions in class and outside of class, email profs questions, stay after class to ask questions, participate, show an interest in what they are teaching. Office hours are important unless the class is small. Build relationships with professors ALL THROUGHOUT undergrad. Go to office hours even if you don’t have questions, especially in junior and senior year. Go and ask them to review prior tests and papers. Ask if you can explain concepts to them to get clarification. Listen to other peoples’ questions, piggyback off them. A prof is not going to write a LOR unless they know you.

Physicians: You need to have clinical experience to get an MD LOR. And you NEED an MD or DO LOR. Get the clinical experience, then ask whatever physician you worked with the most for an LOR. Many will say you do not need a DO LOR to apply to DO schools; I cannot advocate for this as I was told by my premed advisor that I needed one. Be safe and get one if you plan to apply DO.

Other: If there is anyone else who knows you well and can write a strong LOR, ask them. Your boss, manager, volunteering organizer, team leader, club sponsor-- whomever.

Committee Letter (CL): Many med schools require these. Your college probably has a unique CL process. Go to workshops, research, and ask your advisors how this process works. Maintain a relationship with your premed advisors to obtain a good CL letter.

Building a Narrative

This is talked about a lot junior and senior year when you are applying, but it’s important to think about building your narrative all four years of undergrad.

What this means is that you want to center your application around a theme or common experiences. You want to build a cohesive resume of common volunteering, clinical, and extracurricular experiences that complement each other. You should be able to summarize all of your experiences and draw a narrative about you based on what you have done.

For example, my narrative centered around marginalized and underserved communities as well as social and restorative justice. I used my volunteering experience with marginalized, underserved kids and my experience working with traditionally underserved patients to explain why I want to be a physician, what my medical vision and mission is, and what I have learned about medicine. Because I am interested in family medicine I was able to tie my experience working with the underserved into my goal of improving community health and welfare among marginalized groups. I also discussed how my passion for social and restorative justice ties into my clinical experiences and how I plan to integrate this passion into my practice of medicine.

One of my friends centered her narrative around being a Spanish-speaking person of color AND the descendent of physicians and how this has shaped many of her experiences in medicine and healthcare.

You don’t have to plan out your experiences to conform to a pre-chosen narrative. You do have to be able to draw common themes and lessons from your experiences, however.

MCAT

Talk to your premed advisor about when to take the MCAT and what classes you need to take prior to taking the MCAT. Ideally you want to take biochem 1, physics 2, and sociology of deviance before taking the mcat along with all other prereqs.

You also want to take the MCAT before applying (ideally) so that you can craft an appropriate school list. Your MCAT will give you a boundary for which schools you can apply to. Think of the MCAT as a checkpoint you must pass to apply to certain med schools.

Many people start content review six months before their test. Some start 2-3 months prior. Do what you think is comfortable.

You can use books or purchase review courses (Kaplan, Princeton Review) or use free online review content (Khan Academy).

Practicing how to take the test is more important than content review. What that means is that doing practice tests will help you more than reviewing content. Take as many practice tests as you can (AAMC makes their own).

Do a practice test one day, review what you got wrong the next day. Repeat this enough times and you will do well on the MCAT (511+).

Don’t anticipate retaking the MCAT. But don’t exclude it as a possibility either, so plan when you take the MCAT accordingly.

General Advice:

ALWAYS listen to your premed advisors. Do not elevate advice given by random strangers (including me) on the internet above advice given by your advisors. They know you. They know your history, your transcript, your personality. Us internet people do not. Trust your advisors. They know what they are doing.

Take everything said on the internet by supposed med school app experts, med students, doctors, premeds, SDN mods and commenters, premed redditors, and other random internet people with a BIG grain of salt. We don’t always know what we are talking about.

Limit the amount of time spent on SDN and premed reddit as well as other premed online forums. It can get unhealthy real fast.

You don’t have to study all the time. It’s ok to take breaks and have fun.

Don’t be afraid to reach out and get help or ask questions. Everyone else is struggling too. Your professors want you to do well.

Do non-science related things. Give your mind a break and diversify your experience.

Failing a test is not the end of the world. Many people fail tests and classes. You won’t be alone. Always remember that the curve exists.

If you are having a problem, talk to your professors and TAs. They are there to help.

Study with people. Quiz each other. Make study guides and ask each other questions. Help each other out.

Utilize campus resources- tutoring, study groups, yoga classes, conferences and seminars, counseling, etc.

Buy the MSAR when you start building your school list. It will make comparing schools so much easier.

A B or even a C is not going to ruin your chance of getting into medical school. People get in to med schools with 3.1 GPAs. You will be ok if you fail one test, have a few Cs or Bs, withdraw from a class, etc.

Getting into med school is more about fit than anything else. It’s not about how smart you are or how good your GPA or MCAT is. Everyone has a 4.0 Everyone has a 528. What matters is fit-- who you are, what you believe, what your values are, what your aspirations are-- and how you can demonstrate these things through your application, interview, and overall experiences. Remember that top tier schools are research-oriented (Einstein, Baylor, Johns Hopkins, Harvard, Stanford, NYU, Duke, Mayo, UChicago, Mt Sinai) whereas other lower tier will be more community focused.

ALL med schools (excluding caribbean med schools and a few DO schools, looking at you DMUCOM and LECOM) are valid. All med schools are good med schools. Med school is med school is med school. You will come out with an MD or DO and you will get into residency.

Always apply DO. Just do it. DO is great, DO is a viable option and good opportunity. Do it. Do not exclude it.

Links and other Resources:

AAMC: MD applicants, helpful resources in general https://students-residents.aamc.org/preparing-medical-school/preparing-medical-school

AACOM: DO applicants https://www.aacom.org/become-a-doctor/how-to-apply-to-osteopathic-medical-college

MSAR: handbook to med schools (MD) https://students-residents.aamc.org/medical-school-admission-requirements/medical-school-admission-requirements-applicants

AAMC’s how to apply to med school https://students-residents.aamc.org/applying-medical-school/applying-medical-school

AAMC’s FAQ and tips to creating a good app: https://students-residents.aamc.org/ask-experts/ask-experts-create-winning-application

Why Diversity Matters in Healthcare https://explorehealthcareers.org/career-explorer/diversity-matters-health-care/

#premed #prehealth #studyblr #med school #mcat #my posts #mine

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dramaticviolincrescendo · 4 years ago

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So. Ryan.

I’m going back to s4 for a minute because the wonderful @damngcoffee and I were discussing fleeting yet fascinating Ryan, and I wanted to put my thoughts out into the universe. I hope you don’t mind.

I’ve never thought too deeply about the dynamic between Ian and Ryan before. Even in planning out “In Pieces,” analyzing Ryan’s motives wasn’t strictly necessary because it’s not really something Ian would pick up on based on his perspective in this situation. Ostensibly, it’s quite simple: during his club days, Ian is swinging with a new and visibly elegant circle in a drastically different part of society than he grew up in. That’s why Mickey is so out of his element there, whereas Ian expertly camouflages himself the way he always has. On the surface, there’s nothing out of the ordinary here. Just a party. Just Ian, manic and feeling on top of the world and in his element. Just another red flag missed amidst a sea of them. What happens at the party, however, really seems to potentially indicate that there’s more to this and more to Ryan as a character than merely acting as a clever setup for Mickey to indicate that he and Ian are officially in a relationship.

Up to that point, all we’ve seen surrounding Ian from Mickey’s point of view are real slime balls—older men preying on someone that they don’t necessarily realize is underage, but they definitely know is very, very young and vulnerable. There’s the lap dance guy, the one who can’t run to save his life, and the dude who’s just asking for his fingers to be broken one by one. Mickey alludes to two in particular over breakfast that first morning, and when Ian mentions a regular inviting them to a party, Mickey is focused on a rather specific image of what one of Ian’s regulars must be like.

Then they go to Ryan’s loft, and...it’s classy. Sophisticated. This isn’t a raucous after-party, but a very different atmosphere, full of upper-middle to upper-class ladies and gentlemen who are clearly professionals. Many of them are in suits or dressed nicely, having a late-night drink and speaking tastefully. They’re also substantially older than Ian and Mickey, who are only nearing seventeen and nineteen respectively at the time. These people have careers and, in the case of the sociologist Mickey speaks with, are working on advanced degrees. The only visible drugs are the ones on the table in front of Ian while he’s asleep the following morning. This isn’t the kind of party that we’d expect, knowing where Ian is mentally at this time like we do.

We tend to focus a lot on what Mickey’s response to all this is, but I’d like to use it as a diving board for analyzing a few dimensions of Ryan’s character that appear to indicate that, through the encroaching darkness of Ian’s as yet unacknowledged illness, there are people who are possibly watching out for him. So, here are a few things that stand out about our encounters at Ryan’s loft:

Ian says that Ryan is one of his “regulars.” Based on what we’ve seen so far, this immediately has us thinking there’s a level of sexual interest on Ryan’s side, even if only as something of a voyeur who enjoys watching Ian dance at the club. There’s no physical manifestation of that interest, though. Ryan noticeably doesn’t behave like the skeevy guys we’ve already seen, Ned included. That doesn’t exclusively mean that he’s on the up-and-up, of course, but I found it worth noting that their hug is just a hug, and he doesn’t step out of his role as a cordial host for a second. He treats Ian the same as he treats Mickey: with kindness and social acceptance, albeit with more familiarity. And when Ian goes with him to see what drinks are available, there aren’t any apparent undertones. Ryan immediately heads towards the open kitchen, and Ian follows at a polite distance. Host and attendee—those are our initial vibes as far as Ryan is concerned. It’s jarringly different from our other forays into Ian’s current lifestyle.

Enter the sociologist. What a fascinating individual for Ryan to interact with. He immediately asks if Mickey is with Ian, which is nothing special in itself and serves as a way to engage Mickey in conversation without simply asking what he does. The fact that he moves into that, however, is very interesting to me because he’s so straightforward about it. It’s not an interrogation, yet there’s an element of investigation to it. Perhaps he’s just a curious guy making conversation with someone who looks uncomfortable; perhaps he’s familiar with Ian from these parties and is doing a bit of research into who it is that Ian brought with him, as it is arguably the first time that’s happened. Either way, what he says that he’s studying is a “blink and you’ll miss it” sort of reference. It also flies under the radar for anyone who isn’t familiar with the field of sociology. We end up like Mickey: lost and confused by “transgender sex work and symbolic interactionism within the framework of hustler-client relations,” but generally understanding that he’s studying sex workers and pimps—emphasis on the sex workers. Something we know Ian was at the time, working the front and back of the club as he later admits.

Now, for the uninitiated, symbolic interactionism is a theoretical perspective in the field of sociology that focuses on how our social interactions with other people, social institutions, and the world around us both facilitate our construction of reality and alter or solidify our perceptions of our existing reality. While there are many directions his study may be taking him in, this sociologist is writing a dissertation on the meaning that is made between hustlers and clients—what symbols emerge that define each side, their roles, their meaning to one another, the dissemination of the values and norms that guide their relationships, etc. In short, he’s studying the socially constructed meaning of the relationship that specifically transgender sex workers and pimps have with each other and their clients.

On the surface, that has no bearing on this situation. Mickey’s confused, and it’s an ironic bit of writing to connect him to this group he’s uncomfortable with by showing that South Side Mickey is the pimp that the upper classes of society are studying for their Ph.D. It’s pure satire, a brief commentary on just how different classes of society can be and perhaps even a nod to how lower classes are inside the fishbowl that upper classes are peering into but will never truly experience. To the viewer, however, what a sign that may be, depending on your interpretation. Ian has clearly been around this group of people enough that he’s known. They’re familiar enough with him to say that he’s great and how lucky Mickey is to have him. If Ryan is one of Ian’s regulars, then they know where he came from. They know he’s young, and they know what he does for a living right now. There’s no way this sociologist—studying what he’s studying, asking what he’s asking—doesn’t have some professional interest in Ian’s circumstances. Enough, perhaps, to check in on who this person he’s brought with him is. Ordinarily, I wouldn’t read so much into that, but this isn’t the only time it happens.

The next morning, Ian is asleep and Ryan chooses to wake Mickey first. He knows Mickey wasn’t comfortable with him the night before, which I thought he handled with a lot of grace and good-humor. In most cases, I’d expect more disdain, but not with Ryan. It’s interesting, then, that he didn’t go to Ian first given their familiarity. Sure, he knows Ian worked the night prior. He may just have impeccable manners and want Ian to sleep a bit longer. If he’s a regular, he knows Ian needs it. (He probably also sees the drugs on his coffee table and figures he definitely needs it, but I digress.)

So, he wakes Mickey. He makes a casual joke. Then, when Mickey says he’s not Ian’s keeper, his demeanor shifts just slightly. His expression grows hesitant—tentative, like he’s been meaning to ask something but hasn’t quite worked up to it. For someone who should just be a regular, who shouldn’t care much outside of Ian dancing, whose interest has been that of a polite acquaintance thus far, his gaze is more intent than I��d have expected as he waits for Mickey to tell him if he’s a boyfriend or if he’s someone who is a one-night deal. Are they together, or is Mickey just a fleeting fancy for Ian?

Are they together, or is Mickey taking advantage of this very, very young sex worker that Ryan has conveniently invited to his home after work instead of him going home with some stranger?

Are they together, or is Mickey some stranger?

When Mickey says they’re together, the intensity ebbs and casual Ryan is back. He offers a contented reply and heads off to get breakfast for Mickey, still not knowing what Ian wants. If that was his prime motivation for approaching them in the first place, wouldn’t he have woken Ian up at that point? Wouldn’t he have completed his task of taking breakfast orders? It makes me wonder if that’s not why he woke Mickey at all. It makes for a good excuse when he was delivering food to others who stayed overnight, but the more I rewatch their interactions, and the more I read into how dissonant his position as “a regular” and his behavior are, the more I wonder if there’s something else to Ryan.

A regular who doesn’t seem all that interested in Ian as anything other than an acquaintance—a person, not a dancer or object like literally everyone else in Ian’s new life that we’ve seen so far.

An engineer and photographer Ian says with absolute certainty doesn’t want or expect anything from him.

A professional with professional friends who are studied in the fields of sociology and sex work.

A man somewhat older than them who checks in with Mickey—after someone else has already done so and discovered that their sex worker guest is there with a self-proclaimed pimp—to inquire after his relationship with Ian in a relatively non-invasive manner.

Ian was taken advantage of by so many people as a kid and especially during his initial spiral. I’ve always thought of this as being a lonely time for him even though he certainly felt like he was a part of everything and surrounded by all the wonders of the world. He abandoned the military and his dreams. He flitted into and out of Ned’s home. Monica flitted into and out of his life yet again. His family wasn’t looking until Lip’s hands were tied by the MPs, and even then they were almost immediately distracted by the situation with Fiona and Liam. Mickey was married and seemingly out of reach. He’d left his friends and connections behind.

But maybe, just maybe, there was a guy who saw him at work and saw him. Maybe there was a guy who was a little older, a little more educated, and a little more savvy about the scene Ian was involved in when he noticed this kid dancing on a stage in a place he had no business going to.

And maybe this guy decided that he’d look out for this kid who was in way over his head, indirect and not at all obvious about it, yet someone who cared at a time when Ian unknowingly and unintentionally had to rely on the kindness of strangers.

#shameless #shameless meta #Ian gallagher #it’s ian gallagher loving hours

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voiceless-terror · 4 years ago

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Smile and Nod (The Magnus Archives)

Whumptober 2020 Day Six: “Stop, please”

Fandom: The Magnus Archives

Characters: Martin Blackwood/Jonathan Sims, Sasha James, Tim Stoker, Elias Bouchard, Original Character

CW: Harassment, Unwanted Advances

Summary:

“He said to let go of him.” The voice startles them both and Jon turns to see Martin, a placid smile on his face. He is tall, so tall- was Martin always this tall?

Jon runs into trouble at the Institute’s annual donor party and has an unlikely rescuer.

The Institute hosted a party for its most illustrious donors every spring. Jon had never been expected to go to it until his promotion to Head Archivist and even then he tried to get it out of it, to no avail.

“I’m afraid it’s part of your duties now as Head Archivist,” Elias had said. “We need to have a face for every department and I’m sure quite a few of our donors are anxious to meet Gertrude’s replacement. You understand, of course.” Jon nodded. “I trust you’ll be on your best behavior.” He hadn’t forgotten his promise to ‘be more lovely’ after the incident with Naomi Herne.

“Yes, yes,” Jon sighed. He wasn’t looking forward to the event- sticking close to Elias’s side didn’t seem very appealing, but being left to the wolves was even worse. Elias seemed to notice his hesitation and paused, waiting for Jon to continue. Perhaps he didn’t have to go alone. It’s worth a try, isn’t it?

“W-Would it,” he began, cursing his stutter. “That is, I would like to- if you don’t mind, I think it would be valuable to have my assistants attend, as well?” He hated the uptick in his voice that made it sound more like a question. “I-I just think it would be a good experience for them to ah, meet the donors as well. Since they do a lot of the research.” Another reminder that he had no idea what he was doing; Elias hadn’t said anything about his methods in the Archives, so he only hoped that indicated a tacit agreement about the way things should be run.

Jon watched several emotions flit across the man’s face, irritation and disappointment giving way to resignation. He tried to ignore the first two and focus on the last. “Alright,” Elias agreed with a sigh. “Please stress the formality of this event, particularly to Mr. Blackwood. You’ll be representing the Institute, and as such you will be expected to interact with our donors. See that you don’t use your assistants as a social crutch.” Damn. There goes his plan. At least I’ll have some support.

So here he was, standing in the hallway with his assistants in an ill-fitting suit he last wore to the funeral of a distant cousin. It didn’t fit then, either. He hoped he didn’t look too much like a child in his father’s clothes, but the snickers from Tim and Sasha dashed any hope of that. They looked wonderful, of course, as they always did. Martin was in the same boat as Jon, fidgeting in a blazer and non-matching pants.

“Well boss, looks like it’s time to schmooze!” Tim clapped a hand on his shoulder and steered him through the door. Elias liked to have his parties in the main library- it was the most beautiful part of the Institute, aside from the entrance hall. The tables and desks that normally populated the center of the room had been cleared away to reveal a rather spacious area for guests to mingle and talk over the sound of a tasteful string quartet. The whole event was incredibly elegant and Jon felt like he very much did not belong.

“Ah, there he is!” He heard Elias call from the right-hand corner of the room, where he was surrounded by several well-to-do donors dressed to the nines. He gestured him over with a magnanimous hand and Jon instantly flushed. Tim squeezed his shoulder and pushed him in their general direction. “This is our new Head Archivist, Jonathan Sims. He’s been doing fine work thus far.”

After a moment Tim’s hand is replaced by Elias’s, firm and weighty on his shoulder. He’s exchanging pleasantries with people whose names he forgets almost instantly- their hands are cold and their voices distant, they talk over him as if he were a child they judged and found wanting. Elias’s hand did not move and he was anchored in place, even as they made no move to include him in their conversation.

He saw Martin give him a look of pity from the corner that he was currently occupying with Sasha and Tim. They had their hands full of hors d'oeuvres and drinks and Jon wished desperately for a glass of water, anything to keep his hands occupied. He turned to realize the conversation had stopped and his companions were staring at him expectantly. “I’m sorry?” he hazarded, wondering if he’d been addressed.

“Our son George,” the woman over-enunciated, her tone condescending. Jon remembered vaguely that she had some connection to the Fairchilds, though her name wasn’t familiar. “-is over by the bar. I think you’ll find his company a bit more interesting, hm?” The group tittered and Jon felt shame rise in his throat as his boss’s hand tightened on his shoulder.

“Yes Jon, why don’t you introduce yourself?” Elias said genially enough, though Jon can tell he had disappointed him once again. Jon nodded, excusing himself to go to the corner to get a much-needed drink and to embarrass himself further. There was a man roughly his age fiddling around on his phone with a bored expression. He was tall and handsome but in the soft way of the rich, cruel and cherubic in equal measure. It unnerved Jon and he summoned up a smile that felt more like a grimace.

“G-George?” he asked, willing his voice to steady. The man looked up, expression unchanged as his eyes bored into Jon’s. “I’m Jonathan Sims, the new Head Archivist-”

“Parents send you over?” he smirked and Jon felt the tension in his shoulders ease just a bit. “Sorry you had to deal with them. This your first time at one of these? Median age here is usually around seventy five, give or take.” He laughed and Jon smiled, the man’s candor a bit charming even to him.

“Y-Yes, I’m not really sure I should be here,” he admitted as George slid a drink into his hand. He took a grateful sip and closed his eyes at it’s smooth burn- this was expensive liquor and Jon was going to savor every last bit.

“That makes two of us,” the man nudged him with his elbow and Jon started to think the night might not be as bad as he thought. He glanced quickly over to the other side of the room- Tim winked and gave him a thumbs-up (which he ignored) and Martin’s face was carefully blank. Jon did not know what to make of that.

George, it seemed, was not all that bad. He listened patiently when Jon went off on a rant about book-binding, nodding and smiling at all the right parts. In return, Jon let him talk about finance for longer than was polite (and God was it boring). They’ve now had two drinks and Jon is feeling much, much looser. The smiles are genuine and unforced. He watches Elias nod in approval out of the corner of his eye and feels his chest warm with pride. Not a complete disappointment, am I?

But George is getting closer. It was fine when they were awkwardly perched on opposite ends of the bar and needed to hear one another, but this was getting too cozy for Jon’s tastes. He tries to take a casual step backwards but stumbles. George’s hand goes to his elbow to help steady him and stays there.

“I-I think I need to-” he starts to mumble an excuse but the man is not having it.

“What do you say we get out of here?” He whispers, coming in closer. Jon’s nerves reach a fever-pitch but he does not want to show it, doesn’t want to make a scene so he keeps the smile pasted on his face. “My apartment’s not that far-”

“O-Oh, I’m f-fine, thanks,” he says, trying to dislodge the man’s arm but it is no use- he is much stronger than he looks and has at least half a foot on him. “I actually have plans-”

“With who?” George asks pityingly as Jon tries desperately to meet anyone’s eyes, even Elias’s. He tries to convey his plea without making it obvious to any other bystanders but his boss’s eyes slide right over him. He knows he saw, he knows-

“That’s why they sent you over, right?” George continues, his mouth dangerously close to Jon’s neck as he leans into whisper in his ear. “Pretty thing like you, get me to open the cheque book-”

“Good Lord no, let me go-” at this Jon scoffs, horrified as he tries to yank his arm away.

“Don’t make a scene,” the man says in a low and calming voice, though the leer on his face is clear to see. Jon feels terribly small. “You don’t want to disappoint the boss, do you?”

“Please,” he begs, all out of words. “Stop, please-”

“He said to let go of him.” The voice startles them both and Jon turns to see Martin, a placid smile on his face. He is tall, so tall- was Martin always this tall?

“I’m sorry?” George replies with a sneer, his voice raising in both pitch and volume and Jon is sure if people weren’t looking before, they’re looking now. “I’ll thank you to stay out of this, we were just leaving-”

“No,” Martin replies in that preternaturally calm voice, still smiling. “You weren’t. Now let him go, and we can forget this all happened, hm?” He puts a hand on the arm that’s holding Jon and there’s real strength behind it. George tries to wrench his arm away but Martin’s got it in a solid grip and he barely manages a wiggle.

“Let go of me now, or I’ll-”

“You’ll what?” Martin sounds bored. It is mystifying and Jon can do nothing but gape at the man. “You don’t want a scene, do you? Not in front of the family. Not again. So smile, and walk away.” There is a moment where Jon thinks they will come to blows but it passes. George manages to turn his scowl into a neutral expression, saving some dignity though he throws one last glare Jon’s way. “Not even worth it,” he mutters as he walks away. Jon leans against the bar, releasing a breath he did not realize he’d been holding.

“A-Are you alright, Jon?” Martin has a hand on his elbow but it’s okay now because it’s Martin and it feels right. His face has that same look he gets when he asks Jon whether he wants a cup of tea, or how he’s feeling or if he’s eaten that day. Worried, gentle.

“W-What was that?” is all Jon manages to get out, his voice in an embarrassingly high-pitch. Tim and Sasha are now making their way over with schooled expressions, though Jon can see the worry in their eyes. “Did you know that man? I-I mean, what the hell?” Jon realizes he’s sputtering and tries to get a handle on his swirling emotions. “N-Not that I’m not grateful, but good lord. ‘Not again?’”

Martin laughs, suddenly bashful. “I just guessed with that one, honestly. He looks like the type that’s thrown a fit or two, doesn’t he?” Tim and Sasha reach them and Martin is himself again, hunched over like he’s taking up too much space. This is the Martin that tiptoes around the archives, that’s always smiling and chattering about his day. Jon has never contemplated the man in much detail, but he is finding it hard to reconcile this new side of him. It’s not necessarily unwelcome.

“Alright there, boss?” Tim inquires, good-natured but anxious. “Was going to come over, pretend to be your boyfriend and all but Martin said that would be ‘demeaning’ or whatever.” Tim rolls his eyes at this.

“I don’t know, Martin seemed to diffuse the situation pretty well,” Sasha eyes him curiously. “What did you say?”

“N-Nothing, really-”

“He asked him to leave,” Jon says, finding his voice and unable to take his eyes off Martin. “And he left.”

“Damn, okay,” Tim gives an appreciative whistle before knocking back the rest of his drink. “Working that Mart-o magic, I guess. This party blows, let’s hit the bars. Night’s still young!”

Sasha cheers and Martin looks at him questioningly- he surprises himself by nodding in agreement. “Yeah, let’s go.” He studiously ignores Elias breaking off from his group of sycophants and heading their way. He watches as Martin straightens himself minutely, blocking Jon with his body as Tim ushers them out the door before they can get stopped by the man. Jon knows he will get a tongue-lashing out of this but he doesn’t care right now. He feels small in Martin’s shadow but it is a safe small, like a blanket wrapped around him on a chilly night.

“Are you sure you’re alright?” Martin asks as Tim and Sasha chatter ahead of them, arguing over their destination. “We don’t have to go out if you don’t want to. I can take you home.”

I can take you home.

“I’m fine,” he says though he knows the situation hasn’t quite set in yet. “I’d rather not be alone, I-I think.” Martin nods and gives him a smile. It is almost charming, and Jon returns it. He doesn’t really want another drink but he needs a distraction, any distraction.

The night is cold and Martin is close, big and safe and warm. And if Jon leans into his side when they finally agree on a bar, that’s nobody’s business but his own.

ao3: https://archiveofourown.org/works/26856373

#my writing #tma #the magnus archives #jonmartin #jon/martin #jonathan sims #martin blackwood #timothy stoker #elias bouchard #sasha james #whumptober2020 #no.6 #stop please #fic #harassment cw #unwanted advances cw

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leomitchellart · 4 years ago

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So… about this latest Inktober controversy….

Time to begrudgingly chuck in my two penneth… (Remeber you can always press “J” to skip this post altogether)

As most of you may or may not know, Alphonso Dunn released a Youtube video wherein he publicly accused Jake Parker, and creator of the Inktober challenge, of plagiarising his book. Both of these men are public figures, artists specialising in pen & ink. In the video Dunn looks at the preview pages and flip through footage of Parker’s “Inktober All Year Round” and says they draw many similarities in the illustrations, language and layout that he used in his own book, “Pen & Ink Drawing”. Parker’s book was set to this month. Hense why Dunn only used footage and not a physical copy.

Since the video’s release, the art community has been very spilt down the middle. The book’s publisher has halted the launch of Parker’s book until the matter can be investigated. Even DeviantArt cancelled their own Inktober event thing (I’ll admit I don’t keep up with these things DA keeps doing). Parker has since released a statement in the matter. Now it’s up to the courts to decide what’s happening next. The video itself is an hour long, but it’s crucial to see it yourself.

People are, understandably, outraged after seeing it. This seems like a shitty thing to rip-off Dunn - not to mention stupid. Since Dunn is the more popular pen & ink artist with more social media followers and name recognition. Many have called to boycott inktober and condemn Parker. I’ll admit, I was right alongside them at first, at least for feeling outraged. The similarities are there. But if YMS’s Kimba video has taught me anything, it’s that, even if an accusation of plagiarism may be obvious at a cursory glance, sometimes it’s important to take a more critical eye and do more research to learn that things aren’t as cut and dry as they first seem. If there’s a lesson I can take away from the internet as a whole, it’s that no one thinks about the consequences of mob mentality.

The most common defence of Parker is that because they’re both books about pen and ink drawing, then they’re inevitably going to be similar. I’ll admit that, when you pick-up so many art books, a lot of them will cover the same basic grounds of materials, tutorials, strokes, techniques etc. The parts about rendering textures on spheres and cubes isnt new. Look up “texture study” and you’ll see so many examples of artists rendering these kinds of things digitally. I’ve also noticed a common theme of people more formally educated in art pointing out how none of these are original. Everything down to the steps and illustrations are things they’ve learned from years ago. Since I'm a pen & ink artist, inspired by my love of comics, I have quite a few books about inking: Dunn’s included. I own both his books and still highly recommend them. I didn't even preorder Parker’s book. Ironically because I didn't think it could offer anything new that my other books hadn’t already.

While Ethan Becker took the time to cross-examine Dunn and Parker’s books with several others, there weren’t many of the ones I actually owned. So I looked to my shelves to see what I could find. Books like:

“The Art of Comic Book Inking” by Gary Martin & Steve Rude

“How Comics Work” by Dave Gibbons & Tim Pilcher

“The DC Comics guide to Inking Comics” by Klaus Janson

“Making Comics” by Scott McCloud

“Stan Lee’s How to Draw Comics”

I’m sure there’s plenty more examples out there. I was planning to go through all of these and take pictures. But ultimately that’s not the core point of these post. Plus it would’ve taken WAY too long and this post itself, is long enough.

Of course, none of the them are 100% close to Dunn’s in the way they’re displayed. Not as close as Parker’s could be considered. That being said, I know Dunn is trying to claim that he invented these techniques. The nucleus of the issue is how similar they are in terms of order and how these pages are displayed. Some I can chock-up to standard practice, while others seem more coincidental.

If there’s one thing I’m adamant about, it’s that I think that Dunn should’ve messaged Parker first before making the accusation public. Some try to dispute that this would've made it easier for Dunn to be “silenced”, whatever that means; but that sounds a bit conspiratorial to me. Ideally, you confront him about it in private, if he makes any threats or blows you off, get your lawyer on the phone and then make the video. Not only is it the more civil thing to do - but it’s the smarter thing to do. This is a serious legal matter, not just internet drama. While I’m sure Dunn had no intention of tearing Parker down or getting a mob onto him, that’s unfortunately what’s happened. A backlash both from the general artisan community and several companies. Wherein it was left to Parker himself to make this an official legal matter. If Parker’s found not guilty, then this could easily leave the gate open for him to sue Dunn for damages, loss of revenue, defamation of character or whatever else, should he see fit. As could the publishers, given how this affected their sales. Companies responded to the accusation of the video alone, before an investigation could be launched. Sure, it wouldn't be “acting the bigger man” but he’d be well within his right to do it. Dunn showed that Jake has mentioned him before, shown admiration for his career and referenced him in other posts. If it comes to light in court, that Dunn is even cited as an inspiration or source in the book itself, then it’s case closed.

Then there’s the other possibility that Parker might not have done this on his own, but that he has a team behind the book. If that’s the case, the most I can accuse Parker of is being a hack. I worry Dunn has kneecapped himself for just how badly he’s handled this situation. Made worse by him not having an actual physical copy to assess and just had footage of preview pages to go on. So far, the circumstances don’t seem on his favour.

I don’t think ill of Dunn. I do think he believes he’s been wronged and no malice in his intentions. I just think he’s made some critical errors on how to handled this. As for Parker himself, I couldn't give a donkey’s doo-dah about him. I’m sure you could accuse me of playing devil’s advocate earlier, but to me, he was the guy who released the annual prompt list. If it really does turn out that he’s a plagiarist and had malicious intent, then fuck ‘im. I never regarded him as an inspiration of mine or paid much attention to him outside of that. It was the community that made Inktober what it is. I’ve never met Parker. Maybe he’s a cool guy? Maybe he’s a bellend? I don’t know.

Granted this isn't the first time Parker has proved himself to be a controversial figure: - Last year people were upset about him trademarking (not copywriting, as many have erroneously claimed) the word “Inktober” and some artists were stopped from selling their related work or zines. Parker would issue a statement: claiming the takedowns were a mistake of “overzealous lawyers” and it’s just a matter of the logo being trademarked. People can sell their Inktober works and even mention they are Inktober-related. Just not use the official logo. On the one hand, from a business standpoint, I get it. It’s the bare minimum you need to do to protect your IP, especially when you have a store. BUT, like most people, I don’t like how, what’s intended as a community challenge, has slowly become more of a brand associated with one man. Hardly a surprise it left a bad taste in so many people’s mouths. But, since it doesn't actually effect anyone’s ability to take part in the challenge, outside of personal principle, I went ahead with it the previous year.

- The year before, when asked if one can do Inktober digitally, Parker said the following:

I know some are still bitter about that, but speaking as someone who inks traditionally and digitally, this came across as needless whinging and blowing things out of proportion. Claiming that Jake had derided digital artists and said they were invalid etc etc. Take it from me, challenging yourself to try out different methods to ink traditionally can greatly improve the work you do digitally. It’s like how learning traditional fundamentals of art can still be applied to digital. Plus he never said “No.” he just gave valid reasons about how it makes it a different experience. That said, if you’re someone who can’t afford any kind of inking equipment or pens and only have a selected application to draw on - then none of this applies to you. Just the aforementioned few who took it upon themselves to get angry over nothing. Recently I’ve heard from subscribers of his newsletter that he’s now embraced the idea of people doing inktober digitally, to the point of selling digital brushes for inktober. I’m sure some will call this “backsliding” or “money grubbing” because people aren’t allowed to change their minds or update their statements.

For weeks I’ve been torn on what to do, not being able to solidify one stance over another. One minute I thought #JusticeForAlphonsoDunn then I wonder “Wait maybe I should look again?” to “But wait, those are way too similar!” Having splinters in my arse from sitting on the fence for so long. The longer this went on, however, I began to realise that I can’t take one stance over another. This case is far too muddy and complicated. I don’t have enough sufficient knowledge or evidence. Nor do any of you. We literally only have Dunn’s video to go on. While it’s a good start, it’s not enough to be taken 100% as gospel when it’s the only thing to hand.

As previously mentioned, a lot of artists have decided to not take part in Inktober at all, or follow different prompt lists. That��s completely fine. A lot of them are based around a specific theme: halloween, kinky stuff, bears, transformers, OCs, Disney or whatever. That has massive appeal. I just can’d do it myself. I prefer the focus on random words, rather than all centred on a single subject; allowing me to be creative with my ideas and execution. I actually did try to make a list of my own random words. Problem is, I worried that because I was choosing my own, I might be subconsciously bias towards certain prompts and not truly challenging myself. Even narrowing down my options was taking too long. In the end…. I’ve decided to just do the official prompts again this year.

For me, that’s what it ultimately came down to. TIME. It’s the middle of September. I can’t afford to wait for the court case to be settled. No other prominent artists I respect have released their own prompt lists. I know there’s been some shitty people who are condemning this choice. Attacking others, accusing them of supporting plagiarism, looking to block anyone who does the official prompts. Even trying to make this a racial issue. Just…. no.

If someone doesn’t want to take part in Inktober, that’s fine. If someone wants to do the official prompts, that’s fine. If someone wants to do their own prompts, that’s fine.

Don’t go around aggressively making snap judgements or accusing people of taking a side. Do whatever makes you feel comfortable. This has been a shit year, let people enjoy something.

If you look at this situation and it makes you feel angry, and you don’t feel comfortable in taking part in a challenge because of it’s creator. I get that, I literally get that. It’s why I haven't done Mermay. And please don’t mention Pinktober, I’m aware of it, but given his insta video on the subject and the things he said, I quickly came to the conclusion that I can’t take this person seriously. I’m sure this might make me seem hypocritical, but how this differs, if only for me, is the sheer amount Inktober means to me. It’s more than a simple challenge. Inktober's the one thing I’ve been most excited about all year. As it was ruined for me in 2019, when I lost my home and I didn't get to complete every prompt. (Long story, I’m okay now). As we all know, 2020, has been an AWFUL year. We’ve got to take whatever joy we can. As I’ve looked longer at the official prompts, I found ideas I’m really excited for.

Once I started to really dedicate myself to it, it became a massive event. I hype myself up as I prepare for the busy month. Buy in supplies, clean the house and workspace, cook and freeze meals in bulk to save time, printing off a sheet that allows me to jot down ideas as I plan ahead. Then once it’s done, after so much work, it makes the reward all the sweeter: Ordering a takeaway, celebrating a great halloween night and still rocking those vibes throughout November. Feeling proud of myself for doing it and seeing myself improve my technique, discipline and earning a few lie-ins to make up for the sleep I lost working. I’m like a kid waiting for Christmas. That said, don’t think that there’s something wrong with you when you understandably can’t dedicate that amount time for a simple art challenge. If anything that’s plenty of reason to why you’re smarter than me. You have a life and don’t push yourself too much.

Now, I need to crack on with the preparations. If you want to boycott Jake Parker, just not buying any of his products should be enough. Doing the inktober challenge doesn't bring attention to him, as I doubt most people even know him as the creator, nor does it even line his pockets. I just hate how cancel culture can do such serious damage like this and then try and put pressure on others to act accordingly without even doing any research themselves.

As long as you’re not harassing anybody. Just do what YOU want to do. That’s fine.

#Inktober #Inktober 2020 #My two penneth #Jake Parker #alphonso dunn

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twdmusicboxmystery · 3 years ago

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Revolution Theme, Part 2: War of 1812

READ PART 1 HERE

Wow! Thanks @wdway! Love all this!

You’re right that that the Crossing of the Delaware painting makes a lot more sense, now. It also made me think of the more recent pilgrim paintings we’ve seen the past few years. I think we can work those in as well. The pilgrims were somewhat revolutionary in their actions. Not so much in a massive war or battle sort of way, but they left England (yes, Britain) to find freedoms their mother country wasn’t willing to give them. Which is revolutionary in its way.

But more to the point, that was the first step that would eventually lead to a war for freedom between Britain and the American colonies. So, you could see them as the precursor to the revolution. So, it makes sense to use that painting for TF and TWD right now, because what’s been happening the last season or 2 is the precursor to the final, big revolution.

When you got into talking about 2 revolutions, that makes tons of sense as well, and I totally agree.

When you talked about the white house and library of congress being burnt in 1812, about six things came to mind, lol.

When Eugene was at the Sanctuary (which I 100% believe foreshadows the final revolution, Beth, and what Eugene’s role will be in it) he played the 1812 Overture when he did the science experiment for Negan’s wives. (Including Amber, who looked like Beth and Tanya, who had a lot of Beth’s dialogue with Eugene). I’ve kind of low-key obsessed over that song and why they used it, but other than foreshadowing a final battle with Eugene as I’ve already said, it was hard to connect anything more specific.

The 1812 Overture was not actually written about the War of 1812. It was written in celebration of Napoleon’s retreat from Russia. Basically, he tried to invade Moscow early in 1812 but failed miserably and eventually had to retreat. Not so much because of being out-fought, but more because of weather, illness, lack of supplies for the army, etc.

Now, that’s not the same thing you mentioned in the British fighting Napoleon before turning their attention to the American colonists, but the link is still there. Napoleon/Russia>1812 Overture>Napolean/Britain>Britain/American Colonies. See what I mean? So, the idea of two wars or a war on two fronts really makes sense.

I’ve been trying to find out if the 1812 Overture has a d.c. al coda in it. I don’t think it does, but I’m having a hard time finding the sheet music online. You can find it, of course, but often it’s blurry or watermarked in such a way that it’s hard to read, and that’s because they want you to buy it to remove the watermark. I’ll keep looking.

But I do know it has a coda. Maybe not a d.c. al coda, but a coda of some kind. In fact, while I’m still not sure until I can clearly see the sheet music, from what I’ve read others saying, the final, super-loud, exuberant part of the song that’s often used in U.S. Independence Day celebrations IS the coda. And it represents Russia winning the war over Napoleon. Coincidence?

So, Napoleon fought many wars on many fronts. There’s that. But as you said, the British first fought Napoleon (perhaps that will be the Commonwealth) and then turned to the American colonists. And given what was said in 5x09 about a rebel group fighting against the “republic” using what amounts to guerilla tactics, that does line up with how the American colonists fought the British during the revolution. So clearly that’s the one that will involve Beth and TF (though of course they will probably be involved, at least to some extent, in the Commonwealth bit as well).

Also, also. You talked about the LIBRARY of congress being burned. I’m not sure how, but suddenly I feel sure all the books and librarian stuff must be connected to this. To the revolution theme. I still remember watching the beginning of 6x16 and thinking it was SO significant, but I had no idea why. It’s where we see Carl lock Enid in the closet to keep her safe, and she’s yelling at him things like, “what if you don’t come back?” And he tells her, “just survive somehow.”

Meanwhile, that scene is intercut with Negan’s guys chasing the librarian they end up hanging over the bridge with an X spray painted on his chest. And then he gets…burned?

I remember thinking that just FELT like a big war that was coming, but back then, I really didn’t know how to interpret it. Of course, AOW started soon after, but the librarian group wasn’t a big part of that. If we’re honest, they really were just random side characters, which was odd because that sequence FELT so important. So, I’m betting we ought to be connecting them to this as well.

The Native American Symbols

For the record, a couple of things I’ve been trying to look into and haven’t found much (mostly because I haven’t had much time to do so yet) include what role Native American tribes played in the American revolution. Some were loyal to the British, others to colonists. As I said, I need to do more research, but little tidbits like this one are interesting:

“Their biggest contribution was as spies going to Canada and returning with news of the English plans, and attacking English coastal shipping. The Indians played a leading role in preventing an English attack on Machias by sea from being successful. “

(AL’s voice coming out of the radio in 5x09: “At least 68 citizens of the Republic have been killed in four deadly attacks along the main coastal district. The group has continued their campaign of random violence, moving across the countryside unfettered, with the Republic’s military forces in disarray.” Just saying.)

The other thing I’ve looked into is Francis Marion’s (Swamp Fox’s) connection to Native Americans of the time. During the revolution itself, I’m not finding much. But we do know that he learned a lot of his battle prowess from fighting the Cherokee Indians as a young man.

What he learned there is what made him so effective against the British. So, I’m wondering if that will translate with Beth in that she’ll fight the CRM or perhaps even in battles with the Commonwealth early on and that will give her what she needs to triumph much later in bigger battles. Or maybe they’ll connect it even earlier back to early battles with TF and what Daryl taught her. The possibilities are endless. ;D

@wdway:

If you do a search, it's quite fascinating and well worth the time to do two searches. One on the burning of the White House and then the other one on Andrew Jackson and the Battle of New Orleans.

There are things that I just did not go into like the connection with Napoleon that we've seen hints of in the past couple of seasons and didn't know why. The Cherokee Rose, which has been a symbol for so long and I do not think it was their intention in the beginning but what most people do not understand is that the Cherokee Rose has a strong connection to Andrew Jackson.

Andrew Jackson had a singular focus on driving the Native Americans (mostly the Cherokee Nation) to the West. Lightbulb moment here, but maybe that might be same of the meaning of Indian symbolism.

Jackson had a major part in the Trail of Tears, which is basically the story that Daryl tells Carol after walker Sophia was discovered. Jackson was a brilliant military soldier, but he was not known as a compassionate person. His nickname was Old Hickory (a tree reference) because the hickory tree's wood is known for its hardness.

A few years back, tptb did a promotion showing nuts that had a hard outer shell. People didn't understand what that was, but I knew because it was a hickory nut. A very hard outer shell and then inside is the actual nut. Hickory wood was the favored source for making baseball bats back in the day because they would not easily break.

The other interesting fact about Andrew Jackson was his love for his wife, Rachel. It was a legendary love. He might have been an asshole to the entire world, but Rachel was the love of his life. When she died, he did not simply bury her. He entombed her in her own little Mausoleum at his home, The Hermitage, just outside of Nashville.

Jackson fought both in the Revolutionary War and the 1812 war, in the Battle of New Orleans. He apparently had been imprisoned by the British for a time during the Revolutionary War, which fired his hatred for them.

Am I the only one thinking about the connections between him and Negan? I'm thinking of the two wars, the Commonwealth and the war against the CRM. I want to think that the Commonwealth conflict is represented by the War of 1812. The larger, more overall important conflict with a CRM will be the American Revolutionary War, with Rick replacing Washington as the leader.

I was freaking out when you mentioned the Overture of 1812. I don't care if it was written for the war led by Napoleon with Russia. If anything, that makes it even as stronger clue that we're on the right track because of the Russian satellite and Russian dictionary that little Judith got from (wait for it) the library, for Eugene.

One other thing, @twdmusicboxmystery. I thought about this earlier today when I was reading about the 1812 Overture, but I wanted to do a check before I mentioned it to you.

Two very famous pieces of music came out of the 1812 wars. The 1812 Overture about Napoleon and Russia, and The Star-Spangled Banner, our U.S. national anthem written by Francis Scott Key about The Battle of Fort Henry. Both Fort Henry and The Battle of New Orleans were fought in 1814 but were known as being part of the War of 1812.

Can’t wait to see how it all plays out.

Definitely very interesting! Thanks for all this research @wdway!

#beth greene #beth greene lives #beth is alive #beth is coming #td theory #td theories #team delusional #team defiance #beth is almost here #bethy

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growup-gloup · 5 years ago

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Quarantine Survival Guide

With more and more places shutting down work or school, and people going on self-imposed quarantines to be safe and keep those around them safe, it’s high time that we figure out a game plan about what to do about the virus.

Disclaimer

I am not a doctor, nor am I pretending to be such. This is generalized information. Please do your own research, or contact your general physician if you have health related questions or concerns.

What is Coronavirus?

COVID-19 is a strain of the coronavirus, which has been around for longer than you think, though we generally have antiviruses, cures, or immunities to the majority of the strains. It originates from animals and is now transferable from human to human. The reason why COVID-19 is different from any other virus is because it’s so new, there are no vaccines for it, and our bodies haven’t naturally developed antibodies for the virus either, which means that nearly everyone who comes into contact with it will get it, though the extent of symptoms and how much it affects you depends on factors such as your overall health and immune system.

The symptoms include a cough and struggling to breathe, along with a fever and related aches. If you are more prone to illnesses because of your age or immune system, then you can possibly get pneumonia or serious illnesses.

You’re at risk if you’re a child or senior, or if you have an autoimmune disorder of some sort. If you are already more susceptible to pneumonia, then this is a dangerous virus for you, but otherwise, all you will feel is a few days of flu-like symptoms before you’re better. Even if you show very few symptoms, the virus can stay in your system for over two weeks, which is why the quarantine is necessary, so that the virus has time to die off.

You can prevent catching it, or passing it onto those around you by frequently washing your hands, avoiding touching your face, and if you’re feeling under the weather, then keeping physical distance from those around you.

You can find daily updates at WHO, and resources at Harvard Health Publishing.

How do I work/study from home?

One thing that’s great about going to school or work away from home is that it encourages you to build a routine and discipline, which is something that falls apart if you spend too much time at home. You can replicate that by pretending that you are still going out by following these steps:

Follow the same time schedule. If you wake up at 7, keep waking up at 7. The time you would use for transportation, use it for some form of exercise. Get ready at the same time. Eat breakfast and lunch at the same time. If you normally have this particular class at this particular hour on this particular day, that is the subject you’ll continue to be working on during that time.

Get ready for work. When people think of homeschooling or working from home, one of the ideas that seems appealing is not having to get dressed up. Wouldn’t it be great if we could do all our work in our pajamas? The problem with that is that it decreases your productivity, since your mind associates certain clothes and behaviors with shutting down for the day, like wearing pajamas or sitting on the couch. But if you get dressed as if you’re about to leave for school or work, then your mind is accepting that you are done resting for the day and it’s grind time.

Have a space just for work. Adding to the previous point, if you have a specific space where you just do your school or office work while you’re at home, which shouldn’t be in your bedroom, then your mind will assume that place as your workplace. But if you work on the couch or bed, which are places you normally relax, then you’re more prone to getting tired or distracted.

Minimize distractions. You’ve gotten ready for the day. You even got your work space ready and your cute highlighters ready to go. But now you’re hungry. Or thirsty. Or you need to check your phone. Bring some healthy snacks to the table, which should cause minimal mess or effort to eat. Pre-cut fruits with a fork is a great option. So are oven-baked tortilla chips with salsa dip, as long as you keep that a bit away from your work. You can also try apps like Forest, or Tide, to help you stay off your phone for a certain set of time. If you must listen to music, then stick to classical music. I’m partial to Chopin and Mozart, but it’s up to you, as long as it’s classical.

Try the Pomodoro technique. Working for hours at a time is very unproductive, contrary to what one might think, partially because your attention span lasts less than half an hour before you need a break. You can try to break your work into chunks by setting up a timer for 25 minutes, taking a break for 5 minutes, and then working for 25 minutes again. You can use the apps mentioned in the last point. Tide even has a chrome pomodoro extension with white noise that you could use.

Use online resources. Just because you can’t ask your teacher a question in person doesn’t mean you’re helpless. Tons of resources, such as Khan Academy, or Crash Course, can help you understand the concepts more. They may even help you get ahead in courses that you have a good understanding of already.

What to do with all this extra time?

While imposing a quarantine slows the spread of the virus, we’re faced with an entirely different situation. We’re so used to rushing to work/school, then rushing back, and constantly busy and interacting, then when we don’t know what to do now that we are alone. When you’re not working or studying, you can do the following:

Catch up on chores and errands that have been piling up around the house. Do that thing you kept postponing because of your job or school.

Pick up a new skill. It can be anything you’ve wanted to be able to do, but didn’t get a chance, from sewing, or playing an instrument, to speaking a new language. You could even learn some basic plumbing and tools skills and install a bidet so you don’t have to deal with the toilet paper crisis again.

Read a new book. If you don’t have any books at home, you can check out options such as the Open Library, or even Wattpad.

Start a new show that has a lot of seasons, or long episodes, such as Supernatural, Gossip Girl, or even Critical Role.

Practice your cooking skills with all the items you hoarded.

Rearrange the furniture in your house/room to make it feel like a new space.

Keep moving. Find a workout routine that works from home, or do something like yoga or dancing. If you’re not going out, you’re not being as active, which is not good.

Keep in touch with friends. Text and call them frequently. You could even have a remote Netflix session with your friends, or significant other, using the Netflix Party extension.

Learn to play poker, unless you have an addictive personality. Then you can learn cool shuffling tricks to impress friends at all the parties you’ll go to once the quarantine lockdown is lifted.

Draw and write. You don’t have to be an author or researcher or an artist. Just draw things you see around you. Write about how you’re feeling. It can help with the isolation.

What can I do as a parent of kids staying home from school?

If your job hasn’t imposed a quarantine yet, try to see if it is possible for you to work from home.

If you can’t be home, see if you have one parent, if there’s more than one, or extended family or friends, who do not have babies or elderly, or members with compromised immune systems, and see if it’s possible to do a lockdown together if none of you have caught it yet.

Devise a family plan so that everyone is on the same page. Use the above-mentioned tips and adapt them to fit your family’s needs. You can also find other things you can do that haven’t been mentioned here.

If you are working at home, or are a stay-at-home parent, have designated work hours that reflect the schedule you regularly have. You can say that for these two hours, everyone does their work. The kids do their school work. The adults do their work. And then you can have a break to talk, play, or eat.

You can look into homeschooling blogs and see how homeschooling parents set up their schedules, and if they have tips or online resources that may help. They have been doing this for longer and know ways to manage routines of multiple members of the family who stay at home, or even work while their children are homeschooled.

💋

#mod stuff #health #coronavirus #quarantine #parenting #education #work

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