#obviously there’s many more I love so much

[syngirl]

I think it says way too much about me that this is what got me to write in French again. Read the images clockwise from the left

He had worn many an awkward costume for a mission. Yet it wasn't the South American cabin boy, the Japanese general or even the medieval armor that bothered him the most. It was simply himself, but dressed in a skirt, blouse and cardigan, that stirred his mind. Tintin was normally a fairly analytical person, his inner voice tirelessly typing whenever he wasn’t, but now, when he needed it more than ever, it was silent. In this logical void that crossdressing had created, his thoughts, fond of connections, only managed to make one: the times he had already had the same feeling. With equal parts horror, fascination and catharsis, he thought about that dense and heavy warmth that lined his mind. How many times it had appeared without ever being recognized. His love of marbles when he was a kid, motivated not by the simulacrum of gambling that so captivated his classmates, but by a fascination with his mother’s jewelry that he could only respond to through this pastime suitable for a boy. His intense desire to write a report on feminist groups in Brussels, a desire which was blocked by an unusual social malaise. His meeting with his physician, who had diagnosed him with a testosterone deficiency as indicated by his lack of body hair and velvety skin. 

“There are treatments for your condition you know, your appearance must be horribly embarrassing for a man your age.” the doctor reassured him.

Yet he never felt any need to “cure” his condition. He admires himself in the mirror, and has to admit that this appearance is at the very least pragmatic, just the clothes are enough to pass for the new secretary of the Syldavian embassy. He pets Snowy to calm down, he too seems captivated by his master's appearance. Tintin always had a suspicion that his dog knew more than him, too bad he couldn't express it. 

The Captain waits for him at the entrance to the locker room, and cannot suppress a sailor's whistle at his appearance. Tintin blushes, obviously, but he takes the time to contemplate his friend. He knows that their relationship drew its strength from their differences, but this was the first time he considered the physical dimension. This strong, bearded and rough old sailor is a model of male morphology, unlike him. There is little time for anatomical analysis though, the political issue is the immediate priority. However, when boarding the streetcar, a striking observation forms in the reporter's mind: he prefers his immediate feminine appearance to a masculine ideal.

Blistering Barnacles! This illiterate postman has once again delivered the Cutts’s rubbish to us!

It is rather the Captain who is illiterate, for he did not notice that the few women's magazines he had in his hands were addressed not to Miss Margaret Cutts, but indeed Tintin. The Syldavian diplomatic crisis resolved, he returned with Snowy to his library in Moulinsart to bury himself in the pile of books, dissertations and articles that he accumulated on his desk, a necessary relaxation at the end of any adventure. Tintin is hardly picky with his reading choices, and so in the middle of the mountain of political, historical, geographical and linguistic literature essential to his journalism, there were Miss Cutts’s girls’ magazines which were found in the Moulinsart mailbox. The first evening of his reading period was dedicated to finally reading these rags so innocuous but so threatening. The very next day he subscribed to all the publishers he could find before making a trip to town to obtain more serious literature. The following week, he put on his best feminine voice to order clothes over the phone. 

He does not yet have a real mental conception of this desire within him, he simply responds to a joy that is just as, if not more fundamental than a successful report or a resolved adventure. Fortunately for him, there is no question of taming capricious sources or risking an international incident. All he has to do is put on red striped sports shorts and a matching tank top, then admire himself in the mirror he had installed in his room. His fingers run through his flowing hair, which now reaches his shoulders. For as much as his quiff was a recognized aspect of his public image, the searing synthesis of resentments for his appearance that he had carried out had come to the same conclusion as his marbles. He didn't like the quiff on its own as much as it was a substitute for the hairstyle he never had. The symptom of a series of trying events that he had never treated out of contempt for the barber. Slightly trendy hair like he has now may be less memorable, but it's who he really is. He takes Snowy and holds him at eye level. He licks his cheeks happily, prompting an even wider smile from his owner. 

The first time he left his room wearing his new wardrobe, he had done everything not to attract the attention of his friends. Now he exits through the main entrance, his posture tall, his expression confident. Haddock looks up from his newspaper in emphatic astonishment

What goes on Tintin? You only needed to disguise yourself as a lady once, but this is the third time you've gone out like this!

Tintin, hand on hip, only responds with a flirtatious smile. He walks into the hall, but the cavernous acoustics of the mansion allow him to hear the Captain speaking to Nestor.

I swear, since she, sorry, he put on that skirt, something has come over this kid. I adore him Nestor, he is my anchor and so much more,, but I no longer know how to approach him. I worry about him and his loneliness, but at the same time I have the impression of witnessing the birth of something big in him.

Change is the only constant, sir.

Tintin listens closer

I think he who spent his whole life sailing on a lake just discovered the ocean Nestor. 

A new whirlwind of emotion seizes Tintin. Not just the Captain's unusually touching words, but his mistake. A truth found in Whiskey no doubt. She. Steps becoming lighter and more assertive, he or she heads towards Professor Calculus’s garden, their favorite place to meditate, contemplate and sunbathe. He is there, still pruning his roses when he notices the visitor

Good day madam! He exclaims.

They lie down on the grass, her well-groomed skin exposed to the sensations of spring. She. Madam. It was obvious, a truth that she had continued to deny. Not anymore. Under the shade of the rose bushes, she had found the solution to this riddle. 

It was always helpful to have a renowned scientist in your social circle. It took him a few weeks to come to terms with his friend's real identity, not out of social rejection, simply because he sincerely believed that the real change was abandoning a career in journalism to go play tennis. Once he understood, the Professor called a Danish medical institute that he had learned of during a conference, and they accepted the new patient. Her papers, but above all, her loved ones call her Justine. The psychological reality clarified, her condition was no longer a defect, but an asset. She would be a perfect candidate, with minimal treatment required. A few prescriptions and a year later, she really needed to wear a bra, among many other changes..

 It wasn’t just her physical appearance that was important, of course. She spent long hours in the living room chatting with Haddock, Snowy asleep on her lap. They discussed all the things they had never known how to tell each other, from Haddock's difficult childhood, to Justine's regret for her colonialist journalism, the Captain's worst years at sea, then the trauma she experienced from her consecutive adventures. Haddock admitted that he was homosexual, and that his affection for Justine extended to that dimension. He knew it wasn't appropriate, but was also too upset to admit it. Justine has no romantic interest, but thanked the Captain for always loving her for who she is.

 Haddock wasn't the only one opened up by Justine's transformation. It was with great nervousness that she had sent a letter to Tchang going in depth about her thoughts and feelings. They managed to connect an international line, and the phone bill the following month nearly gave the Captain a heart attack. Despite their distance, Tchang had always been her greatest confidant, and the insights he provided for her were immense. He once spent an entire evening reading lines of Tao poetry and discussing them with her, finding solace in their reflections on inner peace beyond gender and the material world. There was also plenty of giggling and enjoying each others’ company. He hinted he might move to Europe for further education, and she could not be happier about it.

 Most surprising of renewed relationships turned out to be the Castafiore. She proved to be much more comfortable with other women, and thus was incredibly generous and wise towards the unknowns of her new protégé. It took a few rough months, but thanks to the hairdressers, tailors, etiquette teachers and even just the social environments recommended by the singer, Justine had made up for the years she hadn't lived as herself.

She’s a little anxious, but she knows she’s ready. Trendy red skirt, flattering sweater, flirty necklace and armband, she is exactly who she wants to be, and the confidence she feels is palpable. She tightens her ponytail, it's now 11 o'clock sharp. She enters the office of Gérard Pelletier, her first lead in a story of questionable aerial activity in the Canadian Arctic. The stocky man looks at her. An amiable smile appears.

“Miss Justine, a pleasure to meet you!”

The anticipation of Justine's first adventure is mind-boggling.

“Smile for the camera!”

Justine, in a vain mood, wonders which is more dazzling, the flash, or her? She is right to think so. The bouffant golden hair, the sparkling eyes, the magnetic smile, her picturesque silhouette, all dressed in a low-cut mini dress and matching high heels in “blizzard” white, a journalist's portrait has rarely been so stylish. Haddock made fun of her friend a little, asking her if it was a photo session for an international scandal or a gossip column in Paris-Match. Justine is not naive, she knows just as well that such a getup is inappropriate for the arrest of a group of airborne polar mercenaries led by Dr. Müller, which is why the high fashion shoot would be a whole small black and white box at the end of the article. The real attraction was the original photo, which would go into Justine's private possession. 

Of course, it's not all flattering photos, Justine's new life had its own challenges. It's difficult to be taken seriously by ne'er-do-wells when you're an attractive young woman, especially when your very existence is a known story and a bit of a scandal in its own right. Fortunately, all this is minimized by Justine's experience with these types of folks, and the Captain's promise to rough up those who wouldn’t keep their mouths shut. Despite the intense atmosphere of the studio, Justine is calm. The few old photos of her that exist are so formal, so uncomfortable. Justine is beautiful, and she will flaunt it, even if it means indulging her unscrupulous editor to have professional risqué photographs taken of her.

So many pleasantries at this Polynesian villa, for a panorama of the elite is present at this party, their tailored jackets and dresses replaced by ridiculous Hawaiian shorts and swimsuits as garish as they are diminutive. The relaxed atmosphere hides the shared truth: they are all criminals, celebrating their host Armando Biancana's ingenious plan, a revolution in the activities of European organized crime. French, Italians, Irish, English, Greeks, Spanish, Turks, Georgians, Bordurians, all will send their money to one of Biancana’s many Pacific islands, thus increasing their profits and Armando’s. So far from the authorities, he will be invulnerable. Sicily, the south, then all of Italy will bow to his financial power. With victory assured, prosecco is abundant on the idyllic beach. 

The hole in the plan is the only guest present who doesn't seem ecstatic. Unlike all the other women present, she is not dressed in a pop art atrocity, but a sky blue one-piece swimsuit of distinguished elegance. With wine at her lips, lying parallel to the pool, her shapely thighs invite eager glances from almost everyone present, regardless of gender. Who is this looker? No one dares to ask her.

A subtle peripheral glance to check that there are no more admirers, she draws a pistol from her handbag and turns towards the crowd. Both her glare and her gun are aimed at Armando.

“Hands up!”

Being all professional criminals, a single armed woman shouldn't be so intimidating, but they are also rather drunk, and the leader, Armando is sobbing. It was she who had determined his place of residence, it was she who had stolen these important documents, it was she who had sent the letter suggesting this reception. The Interpol speedboats are rushing towards the beach, his empire has foundered. All because of that stupid girl with her nose in his business.

The criminals are now on their way to the cellular plane to Paris, and there is only Justine, the Thompsons and a few police officers still on the beach. 

“Miss Justine, this arrest was exquisitely beautiful.”

“I would even say more, this arrest was of a bequisitely exutiful.”

A smile forms on her face, ah those Thompsons. 

“We are no longer needed for the operation, our boat will leave soon.”

They both pull on their collars, both soaked with sweat.

“We should have learned our lesson after Khemed Thompson.”

“I would even say more, we should have learned our khesson after Lemed Thomson.”

Justine allowed a giggle.

“Do what you have to do, given I’m appropriately dressed, I have something left  to do here.”

She waves them goodbye, and can't help but laugh again when they both trip over the same seaweed. It is at this same moment that Snowy comes out of his hiding place, happy to run on the sand. Justine kneels next to him.

“Do you want to enjoy the tropics, my dear Snowy?”

He barks to affirm, receiving pets from her.

"Me too"

With bare feet, a bathing suit glistening in the sun and her hair reaching the middle of her back, she walks towards the water, as turquoise as her outfit. It’s been 10 years since she last swam for fun. 10 years since she could allow herself to be happy. Besides the adventure and the attention, the real journey she experienced was to relearn how to live without limits. That she no longer needed to stop herself from these things that she had thought impossible. Her friends, her fashion, her appearance, her hobbies, her social life, all rediscovered with her true identity. Compared to these radical transformations, there is little practical importance to recreational swimming. Right now it is simply a conclusion. There would always be pitfalls in her life, but none as big as the lie that had imprisoned her. The days of doing so much without distinction are over. She dives beneath the waves and admires her weightless self, her body perfect in the sunlight. A wave of euphoria takes hold of her. This simple observation is worth more than walking on the moon. 

Girl Tintin

[lady-griffin]

Jinx's Hallucinations + Ekko

Before Act III drops, I wanted to talk about an aspect of Timebomb that I'm quite fascinated by -

Ekko isn’t a trigger for Jinx’s hallucinations.

He has even stopped her hallucinations – not intentionally or anything, but more than once Ekko's presence seems to have a nullifying impact on Jinx.

Which is odd, right?

One would assume due to their history Ekko would be just as triggering to Jinx as anyone else, if not more so, and yet the opposite seems to be true.

In Jinx's first reunion with Vi, she quickly becomes overwhelmed and has an episode due to a whole combination of factors, but notably because her hallucinations of Mylo and Claggor start attacking her, largely because she's starting to breakdown and is getting overwhelmed (a self-perpetuating cycle).

Jinx can't even begin to calm herself down, in fact she yells at everyone to shut up, because she needs to think.

Then she hears Ekko’s hoverboard and suddenly the hallucinations are completely gone.

Jinx isn’t sure if what she heard was real or not.

Which is a great detail, since it indicates Jinx is aware that the voices she hears aren’t “real," meaning she knows other people can’t hear them too. So, it's rather telling (at least for me) that she asks Vi to confirm if she too heard the hoverboard sound.

It's also impressive Jinx was able to instantly recognize the sound of Ekko's hoverboard, despite her being in the midst of a mental breakdown and unable to think properly.

It’s almost like Jinx’s brain went into fight mode or something, because seemingly all the hallucinations stopped at once because there’s now a much bigger threat Jinx needs to be on guard for – Ekko is heading her way.

I really can't emphasize how much I love that.

While not traditionally romantic, in any sense, this shows the amount of respect Jinx has towards Ekko and the threat he poses to her. He’s someone she actually has to take seriously when fighting.

Which is a bit unique for Jinx.

Throughout S1 we saw Jinx being far more scared of her hallucinations then actual real, physical threats, but in this moment it’s like her brain recognized Ekko as being the far greater threat than her hallucinations.

Which he is - but that’s also true for many of the other things Jinx faces and isn’t scared of.

Jinx does “glitch out” while fighting Ekko and the Firelights in “When These Walls Come Tumbling Down,” - but it’s more of an asset than a problem, as she easily dodges the Gorilla Mask Firelight (at least I think it’s a gorilla).

Then when Ekko disappears, Jinx's psychoses come rushing back; obviously, this has less to do with Ekko himself and everything to do with him taking Vi, but nonetheless, it's still a slight repetition of the pattern that keeps happening between them.

In "The Boy Savior," during Jinx's bridge fight with Ekko, she once again specifically doesn't experience any hallucinations; even though she was just experiencing them not too long ago.

Mylo was this 'demon' on her back that while she could initially argue against, the more upset she became, the bigger his presence was.

She saw Caitlyn as this devil figure, laughing and mocking her and her psychoses even blocked Vi almost entirely from her sight; whether literally or symbolically, Jinx clearly wasn’t fully aware she was shooting at Vi, despite her obviously seeing Vi and then shooting in her direction.

Then Ekko bursts onto the scene and suddenly no more hallucinations. Which is just...

I honestly don’t know what this is. I really don’t.

To be clear, I absolutely love this whole thing despite not knowing what it is exactly, because honestly, I'm just fascinated by this dynamic, because for whatever reason, Jinx isn't triggered by Ekko nor does she hallucinate him.

In S2, Jinx’s hallucinations have significantly decreased, but in “Paint the Town Blue," she's suddenly bombarded with pretty much everyone’s voices because she’s beyond upset and panicking about Isha being taken by the enforcers.

She sees pretty much everyone - Silco, Vi, Mylo, Claggor, Sevika, and Isha.

Jinx seeing Vi, Sevika, and Isha shows us that she can/does hallucinate people who she knows are alive.

In addition, Isha being one of her hallucinations shows us that Jinx doesn’t need to have negative or even complicated feelings towards someone for them to become a part of her psychoses, as Jinx largely thinks/feels positively towards Isha.

Though it should be noted, the hallucination of Isha isn’t acting aggressive towards Jinx, not like the others are.

Finally, Ekko or Vander are the only two she doesn't hallucinate, but we know Jinx has hallucinated Vander in the past, making Ekko the odd one out when it comes to Jinx's hallucinations once again.

Which for the millionth is absolutely fascinating to me.

Because why?

Why doesn't Ekko trigger Jinx? Why isn't he one of her hallucinations? How come he's the only one we've seen having the ability to stop Jinx's hallucinations altogether (even if it's completely unintentional)?

For whatever reason, Jinx’s mind has seemingly categorized Ekko as being different than everyone else and while it’s obviously not this big thing the show brings your attention to, it’s also clearly there, albeit subtly.

And yeah...

I don’t really have much more to say, I just wanted to talk about this interesting aspect of Timebomb before we get to the last and final arc of Arcane.

[seraphinitegames]

hi sera! Please don't feel obligated to respond to these but I couldn't help but ask since these questions were literally on my mind all day. :)

Question number 1. I think there was going to be a ball in this book or something? So will we get the option for the MC to wear the most jawdropping, astonishing, heartstopping, eyewidening outfit? Just to spite Adam ofc lol.

Question number 2. Will the MC be prone to magical outbursts since they have powers now and can't obviously control them? Like if the MC got really upset or angry or any strong emotion really and the magic just couldn't be contained?

I'm sorry that's the best way I could explain it, help.

That's all and again please don't feel overwhelmed or obligated to answer! I really love your stories and you as a writer! Please take these emoji cookies as a token of my gratitude and love for the wayhaven series! :))

🍪🍪🍪

Question #1: Yes, for sure, lol! I'm still working out how to offer the options in the best way, as I want as many options as possible without it being overwhelming!

I've been waiting too long to write the ball scene not to have the perfect outfit options planned though, lol! :D

-

Question #2: This is verging on spoiler territory, but you will get to find out a bit more on that in the next demo chapters!

-

Thank you so much for the ask and emoji cookies, hehe! <3

[bugflies00]

i have so many thoughts about the tommy song/video and theyre a jumbled mess. i wouldnt call this an analysis this is just. most of my thoughts surrounding the video and what it shows about tommy

one of the things that stuck out to me (outside of how depressing and just like. is this guy okay) is something that ive always respected tommy for because he's always stuck with it and its his like. fervent conviction in people doing things theyre passionate about. thats always been one of the things he talks about all the time!!!

when AI started appearing he was talking about death of creativity, with the internet he's always talking about how the real tragedy is the algorithm killing people's passion by driving them with views and money, and even when he talks about youtube itself, and nowadays standup, its so full of passion.

and i think thats really important because it would be extremely easy for someone like tommy, who's in the process of maturing his online image from a very loud, immature and PASSIONATE persona, to make fun of it. it would be so easy to do like so many other creators and laugh at how "cringe" it was and make a quick cash/attention grab with a funny clip of him laughing at himself. but he never has. well don't get me wrong he's laughed at himself or old videos but it's always just. good natured taking the piss out of himself, it's never this like. mocking your younger self who was so excited to do what they did only because now its "cringe".

not only is he constantly giving that advice to other people (its been years of him replying, to any kid in his chat or donations asking advice on how to be a creator etc, "just go and do it if you love it!!"), he's coherent with how he applies it to himself. he realised he was making cash grab tiktok react vids and hated it so much he just stopped uploading for a while.

i dont know i just think there's something admirable about being able to still be sincere in a time where everything especially online has to be processed through a layer of irony. and its even funnier because he's more sincere THROUGH the irony i mean he's literally going into standup.

letting yourself create something that "means" something is fucking hard especially when half the internet still sees you as a kid who screams around. except the thing is that kid DID make stuff that mattered and that meant something because he was, in his own words, having fun.

i think thats what the format of the video was about too. i mean i think it was pretty clearly not a song thats meant to be streamed, its not purely music, its also a video because tommy is also first and foremost an editor who went to film college. its also not a "comedy" song like he's made some before, because those were all intentionally created to land as many jokes and make a big buzz— which doesnt mean they were bad! im philza is a contemporary lyrical masterpiece. but they had a specific purpose and it was to make people laugh and i think this video was completely like. opposite of what peoples expectations are of tommy. the "wow hes not a child anymore hes being mature🤓" reactions are the most obvious aspect of this (which, like, its been a while, get with the program).

i think the point of this was to make something that genuinely meant something but that was also like. as unpalatable to the algorithm and to the TommyInnit Viewer as possible. even now that he's gone into making quieter, more reflective videos, we've never had the flashing texts and the projector images and just all of that. hes always talking about how he hates the way the "youtube formula" has dictated the course of content and stolen all creativity for youtubers. its not meant to be a YouTube Video tm. its just meant to mean something to someone, and obviously process some sort of personal emotions, and i just think thats. yeah. yeah

i mean he even says so outright. "this needless, self indulgent spiral of self gratification" is pretty damn explicit. its not meant to be funny content its really a cry for help or for just. anything at all really

it was also a lot about perception, yknow the "entertainer" dilemma, "its all attention porn"... theres a layer of this point thats universal, everyone struggles with how they're perceived and i think any "artist" or "entertainer" figure can see themselves in it, but there's also a layer thats completely impermeable to most of us because it touches upon the sheer absurdity of a "youtuber". especially one of tommy's popularity. especially one who blew up so so fast so young. i honestly think its IMPOSSIBLE to process that. its about the ethics of having millions of people's time so readily available to you if you just press the right buttons to make the algorithm happy and then you've got them. im like 75% sure i remember him saying this on stream once, something like "your time is valuable" and if a fan didnt value him as an entertainer they should drop him.

and even here^ thats the saddest "lmao" ive seen in my life SORRY LOL but its really just. yeah im not gonna repeat myself it speaks for itself. perception and internet expectations and all that

one of the other images that stuck out to me was also this:

"yeah i know its too much like bo burnham but it wont be in a year though. in a year it will be like tom simons. just let me figure out what that means, ok?"

a lot of the video is about. influences and inspirations. the bo burnham references are so obvious he's poking at them, but i think he's raising a good point about the creativity that he's constantly praising. its never something that springs up on its own, its all about looking at others work and making it your own and feeding yourself with all those experiences and slowly, surely building your own way of doing things (tommyinnit "minecraft talent show" and "a tribute to dream smp" serial quackity + schlatt impersonator would know all about that) ->

and its daunting! its fucking scary to move away from that! which is also the main vibe i got from the video which, outside of his own issues with how he's perceived online, was the sort of existential dread that comes with actually creating. its one thing to preach you need to be passionate and create, its another to sit down and create something thats BY you. its a part of growing up! and we're literally seeing him do it live (well the bits that he chooses to show obviously)! thats also part of why i think tommy's so relatable to so many people is that he's so like. honest and real about what it's like to grow up, simple as that, and growing into yourself.

"this was everything to me" and using the picture of his younger self... man. theres obviously so much sadness underlying the whole thing but i think the nostalgia and melancholy in mourning being someone who was only inspired/excited by your interests and role models is universal. and obviously for tommy a lot of those influences turned out. well i think it was pretty damn clear who/what he was referring to here. ->

i don't think i need to go too in detail about that, especially cause a lot of the video was clearly a way to process his own personal emotions. especially with those next few images. i just hope he's okay and that god doubles his pain and gives it to mr beast to quote my friend bronzetomatoes. man.

of course he had to end with a funny clip about a hot anime girl and i think that kinda. sums it all up in a way. if that makes sense. at the end of the day its about the fact that he has to use humour to make the thing work when its out in the open, even when he tries not to and to be actually honest, but theres also the fact that hes literally a comedian and creating something "honest" IS through humor. its kindof a double edged sword

right well that was my jumbled mess of psychoanalysing tommyinnit i hope he is alright and all that because well that was. something

[drdemonprince]

the asks and responses you've been posting about this ex-abuser friend and abuse as a skill set are so so interesting to me. it's more related to your responses, but I've been thinking for a long time about autistic forced passiveness teaching manipulation tactics. personally, since I've been trained out of advocating for what I want (or even noticing I want something), I've noticed I fall back on tactics anywhere from asking very leading questions to gradually pushing people's boundaries to get what I want, and a bunch of other behaviors that aren't supporting anyone. it doesn't help that a life of masking has given me a very analytical brain for social interactions. this is something I'm working on, obviously, but I imagine that there must be other autistic people who subconsciously find themselves unable to ask for what they want but also still...wanting things and having to figure out (unfortunate) ways to get them.

This is SUCH a great message, thank you for sending it. And yet another of the reasons why I hate the victim-perpetrator binary. Most Autistic people have been victims of immense boundary violation and disrespect. We're a highly marginalized, disenfranchised group! And we ALSO develop ineffective or manipulative coping strategies to deal with this reality a lot of the time, and have been taught to use them by our families and communities!

I have fallen back on many of the exact same strategies you've mentioned here, and more. I've taken on responsibility for other people's problems in a codependent way, hoping they'd magically notice all that I was doing for them and intuit what they should do for me; i've tried fixing other people's interpersonal problems for them and passed "benevolent" (I thought) gossip behind their backs; I've tried controlling people's behavior ""for their own good"" hoping that if they needed me, they'd love me; I've made passive aggressive remarks, aggressive remarks, and given people the cold shoulder. I've played "the game" with friends and partners and been artificially chilly so that I never seemed like I liked or needed them "too much", I've cried and beaten myself up when criticized in a way that has silenced or scared other people, I've directed my meltdown energy at the wrong people, and on and on.

And I've seen a LOT of Autistic people pull this kind of manipulative, incommunicative, triangulating, controlling shit, and even outright abuse one another with such tactics, and it's so tragic, and it cannot be easily explained by one person having an "abusive personality" or belonging to a "dangerous group" and another person not having those attributes. Shit is complex and contextual. And we use the tools we have been taught to use and seen treated as typical in our communities. That means we can also learn our way out of using them -- but that has to be a social process too. No one just becomes a better person through guilt or sheer force of will.

[ultravioletbrit]

“warn” - Jegulus microfic - @into-the-jeggyverse - 562 words

“James Fleamont Potter!” Regulus bursts into James’ living room.

“What did I do?” James immediately stands up from the couch and is promptly smacked in the chest.

“You didn’t tell me what Barty did.” Regulus snaps.

“Erm…?” James looks at him very confused.

“He gave you the talk.”

“Er, Reg, I already know where babies come from, and we don’t really need to worry about—”

“Not that talk, you idiot. The… the shovel talk… or whatever it’s called.”   

“Oh yeah, he gave me that talk a few weeks ago.” James says simply.

“And why am I just finding out about it now?” James just sort of shrugs, he honestly doesn’t understand why Regulus is so upset. “James!” James gets smacked again but this time he catches Regulus’ wrist and pulls him into his chest.

“Reg, it’s fine. He just wanted to warn me not to hurt you. Which I never would, so it really wasn’t a big deal.” James wraps his arms around Regulus’ waist.

“He said he threatened you.” Regulus pouts.

“Well, yeah. It wouldn’t be much of a warning without a threat. But honestly, his was the least threatening of them all, so—”

Regulus pulls out of James’ arms. “What do you mean ‘of them all’? How many were there?”

“Erm… Three?… and a half?”

“A half?”

“Yeah, there’s Barty, and he just threatened to kill me, so that’s not too bad. Then there’s Sirius and he was a bit scarier, but only because he knows me so well, so he knows what would hurt me the most, and he was not afraid to threaten me with it. Then there’s Remus, but he was sort of half you, half Sirius. He cares about you, so he obviously doesn’t want me to hurt you. But if I did, then Sirius would have to follow through with his threats, so Remus would also have to deal with whatever Sirius-level drama comes after that, and that’s never fun. So, he threatened me half because of you, half because of Sirius. And then…” James feels a literal chill run down his spine. “Well… then there’s… erm… there’s Pandora, and she was truly terrifying.” James finishes with a shiver.

“Pan… Pandora?” Regulus asks and James nods. “Soft, sweet Pandora, whose best friend is a caterpillar, was the most terrifying?”

“Yes!!” James yelps. Regulus gives him an incredulous and slightly amused look. “Have you ever been threatened by Pandora!?” James asks.

“No.” Regulus chuckles.

“I do not recommend it. I had nightmares for a week!” James shivers again just at the thought.

“What did she say to you?”

“I will not repeat that!!” James shrieks. “I’d probably accidentally summon some horrible creature!”

Regulus laughs under his breath and walks over to wrap his arms around James’ neck. James instinctively wraps his around Regulus’ waist, pulling him as close as possible and takes a deep, steadying breath.

“I’m sorry they did that to you.” Regulus whispers.

“It’s really okay.” James whispers back. “I was sort of expecting it, and I would’ve been more surprised if they didn’t.” Regulus looks at him curiously. “You have a lot of people who love you, Reg. I knew they’d want to make sure I would never hurt you. And if I ever did, I’d deserve everything Pandora threatened, and more.”

Regulus rolls his eyes, but his cheeks also turn a lovely shade of pink. “You’re ridiculous.” He tells James, pulling him in for a kiss.

[tbshorts]

The Best Panels of One Piece, Romance Dawn (chapter 1-7)

Full video scripts below the cut

Chapter 1:

What are the best panels in One Piece?

Chapter 1, being the very first one, obviously has quite a few contenders. Luffy's very first Gum Gum Pistol is an obvious one, setting the tone of One Piece's battles with its mixture of goofy and badass. Plus, god damn, even in chapter one Oda knew how to do an epic splash page.

I also like this panel, where Lucky Roux shoots a mountain bandit in the head. This too is a major tone setter, driving home the seriousness and danger of pirate life. The story up to this point mostly plays as fairly lighthearted comedy, and seeing the jolly cartoon fat guy casually murder a man shocks the audience a little bit. Despite the cartoony artstyle, this isn't a kiddy pirate adventure.

But the crown has to go to the passing of the straw hat from Shanks to Luffy. It's a panel that has only ever taken on more meaning as the story has gone on, and the symbol of the straw hat has taken on more and more importance. It represents the promise between Luffy and Shanks to meet again, Shanks recognizing Luffy as an equal, and it's the passing of a torch. That straw hat means something, and Shanks is passing it on to someone who he feels is a worthy heir to that significance. “Romance Dawn” indeed.

Chapter 2:

What are the best panels in One Piece?

Chapter 2 is all about establishing Luffy's character now that he's grown up, and especially the scale of the odds he's up against. What does his dream to be king of the pirates really mean?

And this is where Oda shows his skill not just as an action and comedy artist, but as a storyteller. He introduces Koby the Cabin Boy, a character who mostly exists to contrast Luffy. Scared, self-defeating and cowardly, even his body language is Luffy's direct opposite.

When Luffy says he will be king of the pirates, Oda drops the angle down low, playing Luffy's chill, unaffected sitting posture against Koby's shouting. His arms are wide, foreshortening even out of the panel as the nervous boy tries to communicate the jaw-dropping scale of what Luffy has said he will accomplish. "Don't tell me you're after the One Piece"?

We feel the weight of Koby's astonishment here, the monumental nature of what Luffy has promised to do. The One Piece isn't a silly bed-time story for children, it is a real thing, and to go after it is to march to almost certain death. And the fact that Luffy is so casual about it, because he has accepted death, is not normal. Luffy is not normal, and Oda establishes this visually through acting in every interaction he has with Koby.

Chapter 3:

What are the best panels in One Piece?

Chapter 3 introduces Zoro with this amazing panel, which, given how much of a martyr he is for the crew and Luffy, WOW what a hell of an establishing shot. But it also establishes one of the great running themes of One Piece, which is the abuse of power, and the value of freedom. Helmeppo lords his status as a navy failson over the townsfolk, abusing his position and status in a way we will see villains in the story do over and over again.

And Luffy does what Luffy will always do to those who use their power in this way. When he learns that Helmeppo lied to Zoro, let him believe he would be free if he survived a month tied up, only to plan an execution behind his back…

This happens.

There are many reasons One Piece is a fun and satisfying narrative to follow, Oda's dynamic and exciting art is a big one for me, but the thing I love the most might the vicious delight the story takes in showing us the ruling classes getting the ass-kicking they so richly deserve.

Chapter 4:

What are the best panels in One Piece?

Chapter 4 gives us perhaps one of the weakest villain designs in the series, which is Axe-Hand Morgan. His obsession with power and control foreshadows many of One Piece's best villains, but… hoo boy, not Oda's best character design.

On a better note, though, we're getting one of the most important recurring story beats in the narrative, which is the effect Luffy has on people around him. Koby, who not two chapters ago was a cowering appeasing wretch, walks into the execution grounds to free Zoro because he can't stand to see the navy oppressing people this way. He accepted abuse from Alvida, but no more. Luffy changes the people around him, and the most important thing he does is set them free of their fear. He teaches people to pursue their freedom, even if it costs them their lives. He will do this many times throughout the story, and Koby won't be the last person who almost dies to chase the dream Luffy kindled in them.

Chapter 5:

What are the best panels in One Piece?

In Chapter 5 the obvious choice might be Luffy taking bullets for his friends in the nick of time, which is a very Luffy thing to do, but I think the best panel is something much quieter. We get a flashback to Zoro's backstory, and his rivalry with childhood friend and swordfighting prodigy Kuina, who is idly one of the most transmasculine characters in anime history.

The panel that strikes me the most in this chapter, though, is this one. It's just a little transitional panel, Kuina lying there, dead, with the words "humans are fragile things Zoro" hovering above. Oda uses crosshatching to just barely hint at the eye sockets under the cloth, which otherwise erases Kuina's face, erasing identity, erasing life. It's such a quiet and disquieting panel, such a matter-of-fact reminder of cold mortality in the middle of all Zoro's hotblooded shouting. It's a death that is so meaningless, and Zoro, in taking Kuina's sword with him, is trying desperately to make it meaningful. If he becomes the greatest swordsman in the world, then everyone will know that Kuina was his greatest rival.

I think it's the same reason so many One Piece fans want Tashigi to turn out to be Kuina in the end. Because the idea that people can just vanish from our lives, so coldly and so pointlessly… it's a scary thought to have.

Chapter 6:

What are the best panels in One Piece?

In Chapter 6, the easy answer, I guess, is the big epic Oda splash page of the Gum Gum Whip taking out a dozen Marines, but… I mean you know it has to be the introduction of the Three Sword Style. Dear Zoro, with his cool bandana and his intense looks and his tragic backstory… and here he is with a sword in his mouth.

This is the power of One Piece. Because on the one hand, this is stupid. This is objectively stupid. Holding a sword in your mouth is dumb, this looks dumb, this doesn't work, this is cartoon nonsense that doesn't make any goddamn sense.

On the other hand… this totally fucking rules. Oda presents it so perfectly with that hunched over power pose blocking ten swords at once, and the black bandana over his head, although I'll never forgive the translators for covering this much of the art over with sound effects. You miss the rope still falling from his body and the scabbards still in the air from Zoro unsheating them so fast. This panel bypasses every critical neuron in my brain, and speaks to the primal, stupid lizard and monkey part of my man brain that goes "ooooh, three swords cool!" And nobody does that like Oda.

Chapter 7:

What are the best panels in One Piece?

Chapter 7 sees our first parting of ways, with Koby remaining behind to enlist in the Marines. It's mostly an exposition chapter, a cool down from all the action with Axe Hand Morgan, but Oda once again uses what could be boring exposition to do good character building. Because Luffy and Zoro are pirates, they can't stay in a navy town, and as they leave, Luffy begins to spill the beans on how Koby was a cabin boy for a pirate, which might ruin his chances to enlist. And Koby, desperately torn up about saying goodbye to his first real friend… punches Luffy to shut him up. Which then becomes evidence that Koby isn't with them, isn't a pirate, so he can enlist.

It's the first moment Koby fully asserts himself, it's the first punch he throws for his dream as a Marine, but it is also a moment of revelation. However simple-minded Luffy seems, so straightforward and oblivious, here he reveals a deep understanding not only of other people but of the things they need, the push they need to find their courage. He pushes Koby's buttons to force him to commit to his dream, to force him to renounce piracy, and when Koby does… Luffy couldn't be more proud. And maybe a little smug.

[yonpote]

all this talk of samgirls got me thinking about dangirls. do dangirls even really exist anymore? like unironically i mean? is it at all possible to be a dangirl in 2024? obviously dannies exist (hi if thats you :3) but dannies absolutely love phil just as much even if theyre more intense about their love for dan. like we're all just phannies now right? then again theres a lot more casuals nowadays who have not dug thru amazingphil's entire back catalog or weren't around when phil essentially carried the phandom for three years, or perhaps dont understand the importance of that.

theres always gonna be some people who just have a preference, but so much of dnp's personalities are just. the same. theyre both gay and snarky, they both love making an innuendo or euphemism, theyre both nerdy white guys, and they both love each other so much like. ive said it so many times before but i just don't understand how in Modern Era anyone can TRULY like one and not the other (having a slight preference or leaning is fine, i mean neutral feelings to even dislike of one is insane)

after tit ended, i overheard someone saying, not exactly this but something like, "dan has way more stage presence and i didnt really care about phil's parts." i mean i agree that dan has more stage presence, that has always been the case. but. don't you need the understated to better appreciate the bombastic? i don't wanna put any spoils in this post, but i'll just say that phil's "role" in the show is equally as important. like not even in a "dnp are the ultimate couple" way just like. a narrative duo needs a foil and they are very much each other's foils. like dan, as wonderful of a performer as he is, could not have singlehandedly carried the energy of this particular show. he managed to do it in wad but even then, i'd argue the narrative foil or even antagonist is like. all the problems in the world lol the villain in dan's show was capitalism and its role in the destruction of society. (not that everything needs to have a foil or a villain lol but im saying even if you love dan and somehow dont love phil you have to recognize that phil's energy balances/enhances dan's and is therefore necessary to the energy of the whole show/dynamic.)

and circling back to them as personalities, it's like. dan would hate you if he saw that you said you liked him and not phil. this isnt 2012 anymore where there was at least an illusion or potentiality of separate but parallel careers, they are both involved everything they make, including things they make individually. and again, their personalities are so incredibly similar and where they differ is what balances each other out.

anyway what im saying is i don't think dangirls exist anymore but if one does i just have a few questions: how and why?

[antianakin]

I recognize that these are very questionable things for Padme to have done, and I call it out when I talk about her quite often, so I don't deny that these choices on Padme's part CAN be interpreted as Padme being... somewhat darker.

And I do personally believe that Padme's choice to be with Anakin despite the obvious red flags in AOTC was intended to be seen as a selfish choice on her part, that her feelings for him (or, perhaps more accurately, for what he REPRESENTED to her) overrode her morals. So it's not like I think the narrative doesn't represent her with flaws ENTIRELY, but I don't know that I'd say that the narrative itself represents her as DARK.

Padme spends a lot of her time being nice, being sweet and kind, and when she's not doing that, she's often off making big impassioned speeches about how they shouldn't go to war or about justice and things like that. She is very much represented as, generally, morally GOOD, and morally BETTER than many of the people around her.

In TCW, she often got turned into an action Barbie of sorts, either fighting the good fight in the Senate or fighting the good fight in the streets somewhere. She's the one who goes to try to get the Separatists to talk about peace, she's one of the Senators involved in whatever summit is happening on Mandalore with the Separatists, she's the one who insists that Ahsoka should learn more about politics, so on and so forth.

So while you do not personally care for some of the decisions she makes regarding Anakin and the way she chooses to ignore or brush aside some of his behaviors (and I don't think you're WRONG to dislike them, I obviously also personally dislike them and I think that the narrative does in some ways question her decision and expects the audience to do so as well), I don't think it is accurate to claim that Padme is DARK and certainly not that the narrative expects you to see her as dark.

Padme makes some questionable decisions, yes, she makes some SELFISH decisions, yes, and those decisions do ultimately lead Anakin to find ways to excuse away his actions, but I also don't believe Padme intends for that to be the outcome of her choices. When she tells Anakin "To be angry is to be human" she's hoping that he'll calm down and figure himself out and that this will be a one-off event. Natalie Portman claimed that she played that scene as Padme sort-of feeling like she wants to SAVE him with her love, that she RECOGNIZES his anger has led him to do dangerous things, but that she believes she can fix him with kindness. While you can question that belief, it's clearly coming from a good place and a desire to help Anakin be BETTER rather than an intentional disregard for Tusken lives.

You can likely apply a similar thought process to why Padme reacts the way she does to Order 66. She can barely believe that Anakin WOULD do something like that (with the Tuskens, she sees how the Larses speak about the Tuskens and so she can understand that there's a clear hostility between the Tuskens and the human settlers that Anakin likely experienced himself, and the Tuskens DID capture an innocent unarmed woman and tortured her to death, so they've clearly done something pretty heinous that provoked Anakin's ire; but with the Jedi, NEITHER of those things are true since Anakin SHOULD be on good terms with the Jedi and they haven't done anything to specifically earn this kind of treatment from Anakin). She goes to Mustafar just to try to clear things up, knowing that Anakin is capable of ruthlessness, but hoping he isn't capable of this kind of BETRAYAL, and clearly recognizing that she might have to do some damage control again. You can see her switch from just asking him to deny what he did to trying to "save him" with love and kindness again, hence the option of just running away. It's only once Anakin refuses that kind of comfort that she starts to back away saying he's going down a path she can't follow. But even that line has been argued to be more of a WARNING than a THREAT, another entreaty for Anakin to come back to her rather than an ultimatum.

And you can tell that Padme IS horrified by what he did to the Jedi, it DOES bother her on a moral level, but she has invested so much of herself into this relationship that she can't really let go of it any more than Anakin can in some ways. She is not without her flaws. But I don't see Padme committing her OWN genocide to save Anakin. The closest she gets is in TCW when she chooses to trade Grievous for Anakin, but this is a choice that's backed up by both Jar Jar and the Gungan leader (more accurately, they literally convince her INTO IT when Padme hesitates over making the trade).

Padme isn't dark in canon. She is flawed. There's a difference.

What I WANT when I say I'd like Padme to have gone dark is to see Padme be CORRUPT. One of the ways I think the Anidala relationship storyline in AOTC could've been helped was if we saw more of Padme being politically corrupt so that her choice to be selfish with Anakin felt more in line with her stated morals. Perhaps she's not necessarily out there murdering people, but she's not above, say, taking bribes or things like that. She's not a perfectly pure politician who always fights for what's right. This would perhaps make her a simpler character, less complex and nuanced, but I also don't find that there was enough time or space for Padme's complexity and nuances to be explored in a way that really made a lot of sense, so instead of being complex she's just sort-of contradictory. You find her "sociopathic" because her morals and motives seem to vacillate wildly depending on what the scene requires of her, rather than being more clear and coherent from one scene to the next.

So, yeah, I think Padme can get a LOT darker. I think you could really look at whether Padme would've ultimately gone along with what Anakin would've asked of her if she'd survived Mustafar or if she'd never GONE to Mustafar. What would she have done if Anakin had made her an Empress? How much would she have allowed and how desensitized might she become to certain atrocities over time? Would she ever get to a point where she didn't just allow murder, but actually ASKED for it? Could she be pushed to feel like it was necessary for one reason or another? If Anakin made her feel like this was her perfect dream, or that her family was being threatened, would she be willing to defend it with oppression and murder? Would she start to maybe enjoy the power she'd been granted as an Empress, would it start to change her to someone very different from who she'd been before she married Anakin? Would her parents and her sister and her nieces even recognize her when they saw her in broadcasts anymore?

Come on, we can get more creative than just... what's in the films. Making her darker and more morally corrupt is a way to make her more likable and more coherent. Maybe she's not quite as against dictatorships as she thought she was, maybe her frustrations with the Senate and the Corporate Alliance are starting to tear down the passionate young Queen that fought for her people's freedom. Maybe she feels like she IS fighting for people's freedoms still, but she's willing to do a heck of a lot more to get it. Maybe she's far more sympathetic to the Separatist side of things than she is in canon and nearly lets them win a few times because... what if. What if they DID just burn it all down and start again? Would it truly be so bad?

THAT'S what I mean when I say I want her darker. I don't just want a young romantic woman getting swept up in what she thinks is an epic romance that she's willing to believe that her love can fix a dangerous man just because he says things to her like "I'm haunted by the kiss you should never have given me." I want someone who is attracted to this dangerous man because she's not truly all that different from him and she's already slipping down her own slope towards darkness. I want a Padme who's already made some moral concessions in the name of justice or freedom and figured out how to sleep at night still. I want a Padme who is willing to achieve a victory at nearly any cost. I want a Padme who is perhaps not all that devastated by her handmaiden's death because, well, that's what she's for isn't it? I want a Padme already becoming desensitized to things that would've appalled her ten years ago and Anakin's shaking simmering rage about the state of the world echoes her own.

Characters that would be improved if they were darker, more evil, or morally corrupt:

Ahsoka Tano

Satine Kryze

Padme Amidala

Characters that would NOT be improved if they were darker, more evil, or morally corrupt:

Obi-Wan Kenobi

Leia Organa

Mace Windu

Yoda

Luke Skywalker

[annawayne]

Hi, Ann! Hope you're having a good day. I wanted to ask—why do you think some people refuse to acknowledge that the sins of other characters in Attack on Titan are no better or worse than Annie's? Why does she seem to get more hate compared to characters like Bertholdt, Reiner, or even Eren? Annie is one of the most hated characters, along with Gabi. Do you think this could be because she's a woman? Her personality is similar to Levi's in different circumstances, yet she gets criticized heavily. People even accuse her of manipulating or bullying Mikasa. What are your thoughts?

Hello!

Oh, thank you a lot for asking! (and sorry it took me a few days to answer it)

There are a lot of wonderful metas on this topic, but I would be glad to contribute a bit with my thoughts on it as well, and thank you for the ask!

Here, a small disclaimer at the beginning: I'll talk only about my personal thoughts, focusing primarily on my reflections on why this intense hate comes from that are not related to the basic "I just don't like her" - it's all valid, and it's absolutely fine not to like a particular character just because, and it's nothing to do with plain hate.

I think that one of the main issues of Annie's hatred is not even about Annie as a character, but, unfortunately, by the way her character arc is built. We see her at the very beginning, and she is still the second-line character, even if she's EXTREMELY important to the plot. So, back then, we had her screen time, and let's be honest, not as much as I personally would love to have, primarily because she's an incredibly beautiful, interesting character with her unique points of view on the world and, as turns out later, one of the most prominent roles in the story as a whole. Still, till her reveal as Female Titan, we have some scenes with her, we have some impacts on other characters (also significant, like for Eren and Armin, for example), and then, the Female Titan arc happens and... she disappears for a VERY long period of time from the show, appearing much, much later, firstly, in flashback like a glimpse, and only then, with her whole come back during the literal apocalypse. So when the time comes to give us her backstory - I won't lie, it feels rushed, and I think, Isayma has a very great sense of self-irony when he articulates it through Hitch's mouth: "Wait, what is it a sudden sharing of your story?", all while on the background the Colossals take a march. I honestly think that Isayma also understood that it's definitely not telling enough to sympathize with Annie's character when it's presented like this (for me, personally, it was enough and I just simply would love to have more, since Annie's past in Liberio is one of the most interesting topics for me), but on the other hand, he couldn't reveal her story earlier because it would hint at her comeback FAR too obviously.

So, one of the main points is this large gap in her presence and a bit rushed exploration of her character due to the lack of time because of the situation around the characters. For example, we have a very detailed dive into Reiner's character, and still, I also feel like there's much more to explore with his character and his psycho, and what we can even say about Annie, who doesn't have such detailed exploration but has the same difficult and complex past which is undeniably important to understand not only her as a character but also more about the universe of AoT?

The next thing that plays the role here is linked to the previous one - due to the massive gap in Annie's presence in the story, many people forget many things about her. Primarily, her emotions. I think it's one of the most overlooked things regarding her character and in AoT in general. The way we see her tears IN HER TITAN FORM when she fails to capture Eren? Her tears when she was crystallizing herself? Her eyes, full of fear, when she woke up before the whole Stohess thing? Her genuine surprise, which she tried immediately to dismiss when Armin called her a good person? Her smile when Eren complimented her on her skills, which was also deleted from the anime but remains in the manga?

Here, I need to highlight an essential thing: Annie's Titan is the only Titan that is capable of showing emotions.

If we look closely, everyone else has their emotions relatively very firm, like, for example, Bert's and Armin's Colossals, caged and restricted by bones; Reiner, it looks to me, is not only the shield for others, but he's a shield from himself, completely forced to be armored in everything he feels; Lara's Titan also seems like covered in pristine white chains, and it's also interesting since she was, let's say, the shifter with a twist; Pieck's Titan also has a very permanent expression, which is compensated by her incredible endurance, just like Porco's or Ymir's Jaws lack of emotions are compensated by their mobility; Eren's Titan has always this emotion of rage as if it's the only feeling he could have going into attack. Zeke's monkey is the only other Titan with emotions, which is also intriguing.

So, back to Annie, her Titan is emotional: her tears from the failed attempt to catch Eren; like she was genuinely shocked to see people under the rubble when she fought Eren, and he threw her towards the church, leading to its crashing; like she smiled when she saw Armin under the hood; how she returned to the last battle, and how she screams in her Titan form - I genuinely here a lot of "human" in this tune, something, she doesn't allow herself in her human form. And yet, people focus a lot on the infamous "yo-yo" thing, on her battle with Levi's squad and other people, where, ironically, she attacks only when she has a direct threat to her identity or capture. If we look closely, Annie avoids fighting humans as much as possible till she's attacked directly - she runs, she screams, she tries to show off people not to touch her, and when it comes to the "fight or to lose" (which is also a remarkable parallel to Eren's character), she attacks, not to mention the obvious question - how else you act at war? Yes, back then, it wasn't something we could call like that specifically, yet she had a military mission, which, by the way, she was failing for several reasons, primarily because she's not so cold-blooded as her character is often reduced to. So, how else was she supposed to act? We don't see a lot of the same questions, for example, for Armin, who came to her hometown and blew up the port with many more casualties among civilians.

In AoT, everyone has sins. Everyone, with no exception, but Annie sometimes seems to carry the hate as if she's the typical antagonist that is supposed to be hated just because the genre demands (she's not even an antagonist either).

To sum up, Annie's character is simply very misunderstood. She's one of the most interesting characters in AoT, and I say it not because she's my fav, but primarily - she's my fav because she's much more complex than some people see her, starting from her mindset and views of the world to her development, which shows how unlovable, unwanted flower that was denied to bloom, grows through the cement and concrete, firstly, with the spikes not to let anyone close because she knows how it's to be hurt, and then, that uses these spikes, this strength to protect others and eventually leaving them be on the cold floor, and she - growing more and more into buyoant garden.

Her hands aren't without blood, and so are the others who have the same invisible tint on their skin, and yet, the same hands that only knew destruction and cold touch could also be soft and build something new, something much more powerful than her Titans kicks.

When Hitch asks her if she would do all the same, Annie says - yes, but I see it as only the mirror of Levi's "living with no regrets." Objectively speaking, Annie understands that it's impossible to turn the time back, and living among these endless what-ifs doesn't give any change - it's gone and cemented in history as it is. All these potential questions of "what would you do" are more of a mental trick to whitewash the ego. Annie doesn't do it - she understands that nothing of it was something to be proud of, and she never was, and at the same time, she doesn't know anything else. To do something differently from what point exactly? From her crystallization? Not to reveal herself earlier? Not to give Armin a chance to live twice? Not to go into the mission? Force Reiner to return? Not to listen to her father? Not to be born?

Where exactly could this point change something?

Annie doesn't lie to herself, and she doesn't look back with abstract thoughts of "How would it be," but when the time comes to actually take another action, she does it; she returns to the final battle before it becomes another "what if."

And it says more than anything else.

Annie is an honest character, primarily with herself, and she doesn't want to pretend to be better than she is. This makes her character much more human than some people try to make her look.

So, that's it!

It was quite a long read, and thank you everyone who reached this point, I appreciate your time on this!

Thank you a lot for asking, and have a good *timezone*!

[a-bottle-of-tyelenol]

people are, of course, allowed to have their opinions and dislike whatever they please but a lot of criticism I see about epic not being a good adaptation boils down to people not realizing that 1) it’s a retelling BASED on the odyssey and was never actually meant to be an adaption, let alone a faithful one

and 2) even if it was, that’s just the nature of how adaptions and retellings work. there will NEVER be a totally good and faithful adaption or retelling of the odyssey (movie, musical, ect) because there will ALWAYS be constraints of some kind.

so much shit happens in the odyssey and there isn’t a valid musical length that could go over it all. Jay cut out a lot and he STILL has issues with time (that’s why you see so many people criticizing the fact that we don’t spend enough time with the crew before they die or calypso before odysseus leaves). Jay has spoken at length about all the things he TRIED to include but couldn’t because there wasn’t time to do them or because it didn’t narratively feel satisfying (the laestrygonians, for example, originally had a much bigger part, as did the lotus eaters).

which leads to my next point— Jay prioritizes a satisfying and clear cut narrative over one that is authentic to the original story (which again is how MOST retellings go about it especially when their goal is to share the story with a wider audience!). Like I’m sorry I love the odyssey and the Iliad but they aren’t a satisfying story/conclusion to me. and that doesn’t make them bad or worse; it makes sense that they feel this way considering they’re PARTS of an overarching story that we’re missing crucial pieces of and, more importantly, ITS NOT A MODERN STORY AND THEREFORE IS NOT HELD UNDER THE WAY MODERN PEOPLE VIEW SATISFYING ARCS AND NARRATIVES!!! The odyssey is fantastic but it would literally never work as a modern musical and epic wouldn’t be enjoyable at all if Jay tried to be as accurate as possible.

Jay was inspired to tell a story about grief and what it means to be human interacting with that grief. obviously he’d have odysseus reveal his name to the cyclops because he’s angry and grieving instead of being prideful. obviously he’d have it so odysseus had to choose who died to zeus immediately after the cow was slain. obviously he’d make it so odysseus’ primary motivations surround his survivor’s guilt and missing his home over the more complicated and harder to express themes and motivations of odyssey!odysseus.

like I do understand the frustration of never getting an “authentic adaptation” but if you want something authentic then… read the odyssey? you will never get something that is 100% authentic or scene to scene otherwise. you might get close, I’ll definitely give you that, but SOMETHING has to give. a perfect adaptation to you will be missing something crucial to someone else and that will always be how it is.

life is so much more fun when you’re willing to enjoy art that has “based on” disclaimers literally everywhere as something separate (or you are just willing to enjoy adaptations/retellings separately to the source material in general). epic was NEVER intended on being seen as an accurate portrayal of odysseus and Jay never claimed it was. It really does feel like y’all are setting it up for failure by seeing it as something it was never meant to be and then getting upset that it isn’t accurate when no one ever said it would be.

maybe it’s just a me thing because I’ve never had any issue separating media from their adaptions/retellings, even my favorite ones, but idk it just sucks seeing people say they have a ton of issues with epic and their issues are all just,,, it’s not accurate enough.

Idk if this makes sense or not but I’m just rambling. like what you like, dislike what you dislike. I’m not saying anyone is wrong or anything in how they feel or their preferences. I just think we should all be more open minded about these things idk

[gaytricorder]

Do you really think shatnoy was real? /Gen I am intrigued actually. I don't tend to dabble with rpf but your post made me think

do i think shatnoy was real, hmm. not really, no. i think shatner and nimoy liked women very much. do i think they had a friendship that perhaps went a bit deeper due to their shared bond over making star trek and spending so many years in each other’s company? yes.

if you think about it, a lot of friendships are surface level or maybe hindered due to work, family or other responsibilities that get in the way of forging true platonic relationships. shatner and nimoy were thrust into an intense level of fame after tos began to gain traction and eventually becoming a cult classic sci-fi television show. their faces were everywhere. they weren’t bill and leonard anymore, they were spock and kirk. with that level of fame comes its own difficulties and on top of that, they were probably always presumed to be as close as they were on the show.

shatner is not kirk in real life. he’s obviously said and done some things that some people find reprehensible. nimoy has shown himself to be a genuinely kind and philanthropic person. i think because of their opposing personalities, it kind of clicked for them. yin and yang, so speak. nimoy blunted all of shatner’s serrated edges and shatner was endearing to him in a way we’ll never be able to bear witness to or quite understand. i’m not claiming to have known them in their personal lives, but through interviews, books, and movies, i think i have a better understanding of what worked for them.

do i think shatner and nimoy had some kind of secret, passionate romance unbeknownst to the world? no. but i do think they loved each other, deeply. i think trust and understanding are things that few people are able to share completely with another human being. genuine affection (not romantic nor familial) for another person despite their flaws and shortcomings is something so rarely experienced in someone’s lifetime.

so no, i don’t think shatnoy was real in the sense that you’re asking me about. i think shatnoy was real in a much more intimate way. they loved each other. they watched each other grow old. probably confided in each other about their fears and frustrations that came with being spock and kirk. celebrated victories and failures as actors and people.

probably griped to each other about how annoying some star trek fans (me) can be.

they were best friends.

it’s depressing they weren’t able to make up before nimoy’s death, but shatner has made his affection and respect for nimoy publicly known.

and even though the world knew them as kirk and spock, they knew each other as bill and leonard.

(and maybe they made out sometimes when the mood struck idk)

[beardedmrbean]

[Huey Zoomer Anon]

“If the department of education is destroy, kids won’t read!”-BITCH THE RUNNING JOKE IN THE INTERNATIONAL COMMUNITY IS THAT AMERICANS ARE SO STUPID BECAUSE HOW SHIT OUR LITERACY RATES AND CRITICAL THINKING SKILLS ARE THE WORST IN THE FIRST WORLD!

Tumblr have a lot of people from different parts of the world here…but you seen how dense they are to basically storytelling!

I mean since l was 13 and got into stories discourse I go “How the fuck you got THAT interpretation?”

Than it got much worse…seriously these cannot handle complex shit

Also the department of education doesn’t mean it a free for all. And while it was bad with unhinged millennials on social media in the 2010’s

My generation comprehension skills makes me go “KILL THE DEPARTMENT OF EDUCATION TRUMP, AVENGE THOSE WHO WAS MADE STUPID BY IT! SAVE THE GEN ALPHA!”

It not going to be a mad max free for all y’all…but would love not to have 54% of the population unable to read past, 5th or 6th grade? Seriously how are we so stupid?

“If the department of education is destroy, kids won’t read!”-BITCH THE RUNNING JOKE IN THE INTERNATIONAL COMMUNITY IS THAT AMERICANS ARE SO STUPID BECAUSE HOW SHIT OUR LITERACY RATES AND CRITICAL THINKING SKILLS ARE THE WORST IN THE FIRST WORLD!

There's a whole lot of irony involved in saying so many Americans are stupid and thinking we should keep the DOE which has been around long enough for us to be able to chart the downward direction we've gone in education since it was put into place.

Sometimes you have to try something different, because what's going on now is obviously not working.

Tumblr have a lot of people from different parts of the world here…but you seen how dense they are to basically storytelling! I mean since l was 13 and got into stories discourse I go “How the fuck you got THAT interpretation?” Than it got much worse…seriously these cannot handle complex shit

Sad part is even when things are spelled out for people they still don't get it at times.

That and things like people saying that Tolkien's works aren't Christian despite the man saying that yes they're Christian, or the students arguing with Ray Bradbury about the interpretation of his own book and telling him, the author, that he was wrong.

The arrogance is astounding, you can read it how you like but you don't get to tell the author they're wrong about their own book.

My generation comprehension skills makes me go “KILL THE DEPARTMENT OF EDUCATION TRUMP, AVENGE THOSE WHO WAS MADE STUPID BY IT! SAVE THE GEN ALPHA!”

Nothing wrong with baseline standards being given, everyone that graduates HS should have knowledge of XYZ isn't bad, but different districts should be given more of a free reign to adapt their curriculum to the students they have.

It's a thing that people closer to the ground need to have a big say in.

DOE says, all 8th grade graduates should be able to name the 3 branches of the US government and give a rough description of what their role in running the country is.

Then they leave it up to the various state and local governments and school districts to come up with how to accomplish that.

It not going to be a mad max free for all y’all…but would love not to have 54% of the population unable to read past, 5th or 6th grade? Seriously how are we so stupid?

I would like that fixed for sure, number is way too high.

Never figured out what that whole thing means since I know it doesn't mean that people are illiterate, not like everyone should be reading Tolstoy or anything like that.

If you can make it through the new Percy Jackson book without trouble that should probably be mostly ok for anyone imho.

Voter information packet comes out and things in it make sense you should be good really.

Or maybe that's just me

[starclancy]

I can image a flighty sanji would be so heartbreaking for his girl. But someone who’s even more flighty (as well as probably has alot of commitment issues) would probably be shanks himself. Just thinking about his girl walking into the pub after an exhausting victory, just wanting to have a warm drink and snuggle up to her man, only to seeing him very obviously flirting up the bar maid. I’m talking touching her hair, complementing her, hell maybe even kissing her outright. He’s always been like this, and even though she’s been warned many times by the crew about his flighty behavior before getting in this relationship with him, she thought maybe he would change for her, especially because she’s been in the crew since it’s near inception. Maybe it was always a pipe dream, but I can imagine the look on shanks’ face when the crew wakes up in a hung over stupor, and their captains girl is gone. With nothing but a short note to shanks telling him how’s he’s free to do what he likes, but she won’t be around to hurt over it anymore. (Maybe she joins laws team, I can imagine he’s more loving). I’d love to see your take on this!!

This is so detailed! Tysm i had so much fun writing this!

~ Unspoken Goodbye ~

PAIRING: Fem!Reader/Shanks

CONTENTS: 💔 - angst

WORDCOUNT: 1130

Request status: Open (PLS)

The hum of the pub was loud and lively as Y/N trudged in, her body aching from a long and brutal fight. Her arms hung heavy at her sides, muscles strained from hours of combat. Victory was theirs, but it had come at a cost—her energy, her patience, and most of all, her need for reassurance.

She didn’t ask for much, not really. A warm drink, a quiet corner, and most importantly, the man who held her heart. The man who had stolen her breath away with his charisma and his smile. The man who had promised, in his own reckless way, to keep her safe from the heartbreak she always feared.

Shanks.

Her eyes scanned the dimly lit pub, illuminated only by flickering lanterns and the warm golden glow of firelight. She spotted him immediately. Shanks, with his iconic red hair, was unmistakable even in a crowded room. But the sight that greeted her stopped Y/N in her tracks.

Shanks sat at the bar, his boisterous laugh ringing out over the noise, his arm casually draped over the shoulder of the barmaid. The woman giggled, her cheeks flushed as Shanks played with a strand of her hair. His fingers twirled the golden locks as he murmured something into her ear, his signature lopsided grin making the barmaid blush even harder.

Y/N’s chest tightened. Her heart felt like it had been yanked out and stomped on right there. This wasn’t the first time she’d seen him like this—flirting, charming, letting his flighty nature get the best of him. She knew who Shanks was when she’d agreed to be his girl. She’d heard the warnings from his crew, had seen firsthand the way women fawned over him wherever they docked.

But she had believed him. Believed him when he’d said she was special. That he’d change, for her.

The laughter of the barmaid cut through Y/N’s haze of heartbreak, pulling her back to the moment. Shanks leaned closer, brushing the barmaid’s hair behind her ear, his lips dangerously close to hers. Y/N’s fists clenched at her sides, her nails digging into her palms. She wanted to scream, to cry, to march over and demand to know why she wasn’t enough for him.

But she didn’t.

Instead, she turned on her heel and left the pub, her footsteps silent against the cobblestone streets. She didn’t even stop by the ship. She couldn’t bear to see the crew, not like this. They’d look at her with pity, maybe try to comfort her, but she didn’t want that. She didn’t want to be the girl who stayed and suffered in silence.

By the time the first rays of sunlight crept over the horizon, Y/N was long gone.

Shanks woke up the next morning with a pounding headache and the telltale grogginess of a night spent drinking too much. He groaned, rubbing his temples as he sat up, the room spinning slightly. Around him, the crew was in various states of disarray, most of them sprawled out on the floor or slumped over tables.

“Where’s Y/N?” he mumbled, his voice raspy.

No one answered.

“Anyone seen Y/N?” he asked louder this time, standing up and stretching.

The crew exchanged uneasy glances. Benn Beckman, always the most perceptive, frowned as he looked around.

“She wasn’t here when we got back,” Benn said.

Shanks’s brow furrowed. That wasn’t like her. Even when she was upset, she’d usually stay nearby, maybe sulking or giving him the cold shoulder. But this... this was different.

Something on the table caught his eye—a folded piece of parchment, his name scrawled across the front in Y/N’s familiar handwriting. His heart sank as he picked it up, his fingers trembling slightly.

He unfolded the note and read the short, curt message.

Shanks, You’re free now. Free to flirt, to drink, to kiss whoever you want. I won’t stand in your way anymore. I loved you, more than I should have. But I can’t keep breaking my own heart over and over. I’m leaving, for good. Don’t come after me. Y/N

The paper slipped from his fingers, fluttering to the floor.

“Damn it,” Shanks muttered under his breath, running a hand through his hair.

“What is it?” Benn asked, his voice calm but tinged with concern.

“She’s gone,” Shanks said, his voice hollow. “She’s... she left me.”

The weight of his own actions hit him like a tidal wave. He remembered the barmaid, remembered the way he’d flirted and laughed without a care in the world. It had been harmless fun, or so he thought. But now, with Y/N’s note staring up at him from the floor, he realized how wrong he’d been.

Y/N stood at the railing of the Polar Tang, the wind whipping through her hair as she watched the waves crash against the submarine’s hull. She had spent the last few days adjusting to her new life among Law’s crew.

The Heart Pirates were different from Shanks’s rowdy crew. Law was reserved, meticulous, and fiercely protective of his crew. He didn’t flirt or play games. He treated Y/N with a quiet respect that felt foreign but comforting.

“You don’t have to talk about it,” Law said one evening as they shared a quiet meal in the mess hall.

Y/N looked up at him, surprised.

“About what?”

“Whatever brought you here,” he said, his golden eyes meeting hers. “I can tell it wasn’t easy for you to leave.”

She hesitated, her fingers tracing the rim of her cup.

“I thought he could change,” she admitted softly. “For me. For us. But I was wrong.”

Law didn’t press her for details. He simply nodded, his gaze steady and reassuring.

For the first time in a long time, Y/N felt like she could breathe. She wasn’t just a girl chasing after an impossible dream anymore. She was her own person, strong and capable, carving out a new path for herself.

And as much as it hurt to leave Shanks, she knew she had made the right choice.

Back on the Red-Haired Pirates’ ship, Shanks stared out at the open sea, his heart heavy with regret. He had always been a man who valued his freedom, who lived for the thrill of adventure and the joy of the moment. But now, as he stood alone on the deck, he realized that he had taken Y/N’s love for granted.

She had given him everything, and he had thrown it away.

“Do you think she’ll ever come back?” he asked Benn one evening.

Benn shook his head, his expression unreadable.

“Not unless you give her a reason to,” he said. “And even then, it might be too late.”

Shanks nodded, his chest tightening. He didn’t deserve her, not after everything he’d done. But that didn’t stop him from hoping, from wishing that one day, he might have the chance to make things right.

For now, though, all he could do was live with the emptiness she had left behind.

[asm5129]

So I’m coming back to this post with a clearer head.

Look, I’ve…I’ve just experienced so much toxicity and gatekeeping in this fandom, seen so many posts talking about how none of the games after the first one are “real” life is strange, so much obsession with these white girls and disdain for the other stories told in this world that are more diverse and have just as much love poured into making them.

I kept telling people, Max and Chloe’s story was over. Life is Strange is an anthology series. And I got harassed for it, laughed at for enjoying BtS and TC and ESPECIALLY LiS2.

People praising Don’t Nod to shit on Deck Nine really got under my skin too because I’ve seen so much unwarranted hostility towards LiS2, which was Don’t Nod.

It felt like people were just ignoring that hostility towards LiS2 so that they could feel better about shitting on D9.

I know that I lumped a lot of people in together with some of the worst people who call themselves fans of LiS. There are people with legitimate criticisms of DE that aren’t the toxic gatekeepers I’ve encountered or the people harassing the devs.

But I’ve seen enough people normalizing the idea that the LiS narrative team at deck nine just have a personal hatred for Pricefield and Chloe specifically. And that’s just gonna empower those inclined to harass the devs, even if you’re not one of them.

That is a myth.

Objectively speaking, it doesn’t even make any sense.

Before the Storm, for all its canon inconsistencies, tells a *really* good Chloe story

The idea that Felice Khuan (staff writer on Before the Storm and now the narrative director for Deck Nine) and a majority queer narrative team would not understand ahead of time how a lot of this would be recieved feels genuinely strange, as does the idea that a majority queer narrative team would have a collective hatred for a pioneering queer couple.

I think they were handed the mandate for a Max game, and the narrative team genuinely tried to tell a meaningful story about Max in the aftermath of the first game.

And I think Square Enix was very hands-on with the creative direction of the story.

I have a lot of faith in the narrative team.

But I have significantly less faith in deck nine or square Enix management, and one thing in that IGN expose was that Square Enix is apparently very hands-on with the scripts.

DE—and I say this as someone who genuinely liked a lot of it— reeks of the narrative team desperately trying to tell a meaningful story with a lot of interference.

And obviously this is all speculation of course, but it makes so much more sense than the team behind True Colors taking such a significant step backwards from the quality of that game.

And it’s a far more likely reality than that the narrative team somehow hates Pricefield stans so much that they made an entire video game with complex branching paths just to piss them off and make some easy cash.

Anyways. I apologize to those I lumped in with the worst so-called “fans”.

But I hope this gets y’all to think a little harder about LiS discourse.

I’m playing the new life is strange game and apparently people are pissed at how it handles following up the original because OF COURSE THEY ARE.

The first game has two endings, one where Chloe survives and one where she dies.

Officially, neither is the “canon” ending, that’s been made repeatedly clear since the original game released.

But a bunch of people keep demanding more of the Max and Chloe story. It doesn’t matter that they’ve gotten comics about it and a prequel, they still want more. They don’t want to let Life is Strange be an anthology series.

So here, Max is back as the protagonist. But guess what? Chloe isn’t a main character.

Because she fucking DIED in one of the endings, and both are canon.

So even if you choose to play in the timeline where she survived, they had to write her out or they would have had to develop two different games, one with Chloe and one without.

So instead they made it an interesting character issue. Max is stuck in the past, in the trauma of the events of the first game while Chloe wants to move forward.

It was never going to be Max and Chloe living happily ever after. It couldn’t be.

That’s not an interesting game, and it flies in the face of the ending of the original.

This game is in many ways rooted in Max dealing with that trauma and like…that’s an interesting story.

But you’re mad because the story you wanted isn’t the story they made, even though that was literally never going to happen.

The LiS fandom is shitty sometimes

Very gatekeep-y

There’s a sort of notion that there’s only one way for a Life is Strange game to be Life is Strange, but the people that buy into that don’t seem to realize that their criteria is literally just the game that already exists.

[forever-ev]

Lovely people I love

A list of writers and blogs that I love

@moonstruckme she's such a sweet person and her writing is amazing

@ellecdc I send her pictures of my pets sometimes and I'm pretty sure she's the only writer I follow that writes for Barty

@luveline She's so nice, her theme is a beautiful shade of blue, and her writing is beautiful

@inkdrinkerworld I love that we call her Fawn and she has such a warm personality

@bruisedboys I just love her, she's fun and is as always a great writer

@lupinsweater I love her teacher!James au and she has such a comforting presence

@thatdammchickennugget I love her firefighter James au and she just seems so cool

@amiableness I love her dad James and best friend reader au and she's such a kind person

@thebearer I love her dad!carmy au so much and she's just so fun to see on my dash

@webslingingslasher frat peter is frat peter and obviously nerdy peter is great too and she's part of what inspired me to attempt more writing for Peter

@oneforthemunny she never fails to make me cry with her AU Eddie angst

@underoospeterparker she's super fun to talk to and we both share a love of Peter Parker

@maybankslover she's a great writer and her love of 1D is something I like (it's cute idk)

@iamgonnagetyouback I know we just started interacting but I love her already. She's so kind to me and she thinks my cats are cute

@aisiedaisie originally was following me and I checked out her account and she just seemed so nice. She complimented my Christmas theme and was just a warm presence

@heartsandstars46 she's a great writer for tasm peter and she encouraged me to keep trying to write

@favorite-white-boy1 she's my best friend, I could talk forever about her. The love of my life 😘

This page will be edited with new anecdotes about the blogs and new blogs I like as time goes on. I'm trying to spread some positivity because of the lack of interaction many of us get and just have some fun in an unpaid hobby like this.