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closetsof-backlogged-dreams · 5 months

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okay so I’ve seen and loved a bunch of these posts already but everything u say is immediately correct and amazing and sending u asks is the best

opinions on why zukka works and makes sense as a ship and if you think it could work in canon (outside of fanon)?

I CANT BELIEVE YOU JUST MADE MY ENTIRE LIFE COMPLETE AND FULL BY ASKING ME THIS QUESTIONNNN (strap in folks hold on to your hats keep a good hold on your bladders bc this is 10+ years worth of BUSINESS)

Why "Zukka" works and makes sense as a ship

something i've discussed THROUGHLY with my notes app and a school slides presentation is that Zuko and Sokka are both direct parallels AND contrasts to one another, at the same time. i'll list them out here:

Their fathers' roles in their lives

Both Hakoda and Ozai were the leaders of their respective nations, with Sokka and Zuko as the heirs. Then, they both become absent in their sons' lives and leave them to fend for themselves.

This is a parallel, but this is also where they contrast. Sokka's father left to go fight in the war, a noble and honest pursuit, and left Sokka to protect his sister and the village.

Ozai, on the other hand, cast Zuko out of the nation and forced him to protect and defend himself, while effectively turning all their people and his own sister against him.

Their sisters' roles in their lives

Despite both of them being the oldest sibling and brother, they both have severe inferiority complexes due to their younger, powerful bending sisters.

With Katara, she was the only waterbender in the entire tribe, a marvel. She could learn to protect the tribe in a way that Sokka had been trying all his life, and she eventually does. Despite all this, Katara is still a grounding and valued person in his life, and he would be completely lost without her (something he openly admits to in canon!!)

With Azula, she was a prodigy firebender, while also being a special kind of keen and cunning. She was adored by their father and grandfather and Zuko could never quite measure up. Because of this, Azula is the main villain in Zuko's childhood. She does everything she can to break him down, and that continues when she returns as a character in his life in season two. All throughout the show, instead of being a source of comfort and familial love, she is his main obstacle he must overcome.

The loss of their mothers

Both Sokka and Zuko lost their mothers at very young ages to the Fire Nation, but they had vastly different impacts on their families (and further developed their sisters' roles in their lives!!)

When Sokka's mother died, she was killed by a Fire Nation general. Katara quickly took over the motherly role in his life, cementing her place as a grounding and comforting force. Her death also did not break their family. It deeply hurt all of them, but Katara, Sokka, and Hakoda still loved one another just as much as before.

When Zuko's mother died (obviously not really, but this is what he believes for many years), she was "killed" in order for his father to ascend to the throne and become Fire Lord. This left Zuko without anyone to protect him from Azula's tormenting and cemented her place as a destructive, villainous person in his life. Ursa's death also did destroy their family. Whatever way she had managed to keep them all together was eradicated, and Zuko was left with a sister and father that resented him and a sister fighting for his place in the line of succession.

Their obessesions

Both Sokka and Zuko had two bone-deep obsessions that were very defining parts of their characters in the first season, that slowly wavered and faded away as the story progressed and they developed as people. They were both given these obsessions by their fathers immediately before they became absent in their lives (whether leaving themself or sending their son away) and proceeded to dedicate their entire life to these goals in the name of honor.

With Sokka, his father asked him to protect his sister and his village. Sokka then dedicates all his time and energy to becoming a brave soldier and training the children of the village in order to protect his people. This is seen further in season one even after they leave, when he is overly protective of Katara and constantly worried for her safety (something this fandom doesn't talk about enough!!)

With Zuko, his father sent him on a wild goose-chase to find the hundred-years-lost Avatar, and when he actually does, all he can do is chase after Aang so he can go back home. As we see in season three, letting go of capturing the Avatar was essentially letting go of his former self.

Unlearning their flawed cultures (the big one!!!!)

Both of their cultures had many flaws that became ingrained in their belief systems and characters; their whole development is dedicated to unlearning these flawed teachings and reorienting their perception of the world.

It is very obvious throughout the shows that the Water Tribe had strict gender roles that were both implicitly and explicitly taught from birth. The men go off to fight in the war, the women take care of the children, Sokka has to protect his "defenseless" little sister, etc. Suki helped start him on the journey of unlearning his deeply-rooted misogyny, and by the end of the series he's really drinking the Respect Women Juice™️ (unlearning the flaws of his culture also brought him much closer to his sister and strengthened their bond and respect for one another)

The Fire Nation is a lot more complicated with a lot more cultural nuances and implicit and explicit teachings, but we'll focus on one central cultural theme: the constant prioritization of ambition over absolutely everything else, including (if not especially) love. (I actually talk about this extensively in another analysis post about Azula, if you want to check that out<3) We see Zuko battle with this teaching all throughout the series, and it is the main conflict he faces, at its heart.

We watch him commit his entire life to capturing the Avatar in season one. We watch him betray his uncle in season two. We watch him, time and time again, put his own health and safety on the line trying to capture Aang, especially in season one. Constantly, over and over again, he puts his ambition first because that was what he was taught.

And though this is a trait him and Azula share, it is also what pits them against each other. Azula's entire character is built on putting ambition first, and that leads her to chasing the throne that is Zuko's birthright. Zuko just wants to go home, but that would reestablish him as the heir to the throne. Time and time again, we watch them fight and betray each other, constantly battling for this crown for a broken nation. In the end, it is Azula's undoing, but that's another post.

All in all, unlearning the flaws of their culture is central to their development as characters and a place where they parallel... but it is also a place where they directly (and perfectly) contrast.

Despite the cruelty of the Fire Nation, they are the only military that includes women. They seem to not really struggle with the same gender roles the rest of the world does. They may be colonizers, but they're not misogynists. Zuko never looked down on his sister because she was a woman, nor did her father. It was always her propensity for cruelty that undid her. (They even send a team of highly skilled women to capture the Avatar!!)

This is a direct contrast to the teachings of the Water Tribe, which are entrenched in misogyny and gender roles. The men go off to war, the women stay behind. The men are strong, the women are weak. Can you imagine how much Zuko could have assisted Sokka in his development here? (blah blah directly paralleling Suki's role in Sokka's life blah blah blah)

In the Water Tribe, love and family comes before everything. We see that time and time again. Sokka's main priority, every time, is his sister and his tribe. They stick together. They love one another. They are united, with one person leading them as a group but not standing over them like a tyrant. "Ambition" seems like a mostly unheard of concept in their nation. The only ambition we ever really see from Sokka is when he's trying to protect his tribe (season one finale)!!

Can you imagine how much Sokka could have helped Zuko unlearn his constant prioritization of ambition?? Like, come on. All the things Zuko was left to stew with and angst over all on his own Sokka could have gently taken into his own hands and shown him the way. Like, it actually makes me go feral just thinking about it. Sokka could have helped Zuko so much!! (pushing the Ba Sing Se Zukka AU rn)

Consensus

Okay, let's recap. It looks like Zuko and Sokka are both direct parallels and contrasts, paralleling in the ways that allow them to understand each other but contrasting in the ways that help them heal one another. Like, it's actually insane. I really don't know if it was intentional or not but it's really just so perfect. They slot together perfectly as characters. I hope this all made sense😭😭

Could "Zukka" work in canon?

Now, this is tricky. Believe it or not I'm actually really glad they didn't make Zukka canon. ATLA had a huge problem with writing good romance, and in the canon we saw in the show, neither Sokka or Zuko were in a place to get together.

I've enjoyed my fair share of Zukka AUs where they get together before the end of the war, but you and I both know that would have been a hot mess. (Both of them just weren't ready, they were both in relationships, and sorry but they were kinda busy—Katara was right about the whole "there are other things to worry about.") If they were ever to get together in canon, it would have to be years after the war ended.

Let's address a few things that needed to happen before they could ever have gotten together:

Finally admitting that Maiko was just an extreme example of comphet

Zuko did not give a single shit about that girl. Like. He didn't even personally go get her out of prison WHEN SHE WAS LITERALLY ARRESTED FOR PROTECTING HIM😭😭 And then they try to play off their story as some big epic romance?? uhhhh no

(really, Mai was in long-time unrequited love with Ty Lee that was finally requited after Boiling Rock but idk if society is ready for that yet)

Not to mention, Azula literally forced both of them into that relationship, but if I get started with that I'll never stop so. Moving on.

Figuring out Sokka and Suki

Okay, so while there is a good chance that Sokka and Suki could have made it work in canon, there is also a good chance they would have broken up. They both had very different priorities: while they both did care about overall world peace, it was obvious from Suki's first introduction that her Kyoshi Warriors were her top priority every time, and Sokka's was his tribe, his found family (Aang, Katara, Toph, Zuko, yk yk), and world peace at large. You're telling me those don't conflict? Especially because they really seem like a Piper/Jason situation, where they found comfort and love in each other during wartime but wouldn't have known how to keep up the relationship without the constant threat of death.

Overall, in order for Zukka to work, Sokka and Suki would have had to break up, which would not have been difficult to arrange.

Sokka needed to go home and begin rebuilding the Water Tribe

No matter how much I adore fics where Sokka stays behind in the Fire Nation and helps Zuko rebuild, it just wouldn't work. Sokka's obvious priority had always been his tribe. The second the war was over (ignoring the comics bc that's a can of complicated worms i don't want to get into), he would've gone back with Katara to work on rebuilding their destroyed tribe. Only once the Southern Tribe could stand steadily on its own two legs could he have even considered leaving.

Anyways, that's really it. In order for Zukka to work, three plot points would have to be resolved: Maiko, Sukka, and the reparation of the Southern Water Tribe. Extremely doable, imo.

Personality-wise and just as characters, would it have worked?

I really think it would have! Like I said before, Sokka and Zuko are two characters that perfectly parallel and contrast at all the exactly right points to make them slot together flawlessly as a pair. (Whether that's romantic or not—doesn't matter.) Really, I genuinely think they are a real missed opportunity. I have genuinely never seen two characters that seem so different that actually work that well together, or even just characters that work that well together at all.

Like, I really mean it, they are perfect matches. It's genuinely scary. Like it or not, no one will ever be able to replicate the perfection of what Zukka could have been.

Anyone that says that it's "random" or "doesn't work" obviously hasn't been watching the same show or simply just hasn't been paying attention. People might ship it just because it's opposites attract or red and blue or even just the most accessible MLM ship in the fandom, but they really are perfect for each other.

alright, I think that's it! sorry for this monster of a post😭😭 genuinely did NOT expect that to happen. PLS SEND ME ANY ASKS YOU CAN THINK OF ABOUT THESE TWO!! i have spent a concerning amount of time thinking about them and these show has analysis potential for days, so. (and who knows, maybe i'll finally post the like three unfinished fics i have for them💀💀 god knows i should)

thanks for the ask, and have a great day <3

#atla #avatar #avatar the last airbender #zukka #atla meta #atla ana #atla analysis #zukka nation #atla zukka #sokka x zuko #zuko #sokka #atla sokka #atla zuko

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severus-snaps · 3 months

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Legilimency & Occlumency & Emotion

i was reading something somewhere (possibly on my binge of metas last night, but who knows) that Snape was very talented at Occlumency, but just about average at Legilimency - but I respectfully disagree, and here's a whole (3k word) accidental ramble about it, which started as an observation and devolved into how I think Legilimency/Occlumency works in the context of Snape and Voldemort, and why I interpret it differently than it being (entirely) magical dissociation and actually quite an emotion-based skill once it's more complex TLDR: I've often seen Occlumency described/conceptualised as a "shield" or some kind of suppressed emotionless state, but I discovered upon writing this that I think it can be quite a bit more complex and emotional, actually - just like Snape <3

Snape's Talents

The idea that got me rambling today went something like "Draco, who only had a handful of lessons from Bellatrix, was able to keep Snape out of his mind using Occlumency - so Snape can't have been a very good Legilimens, or Occlumency was easy to do"

And I do agree that Snape was probably better at Occlumency than Legilimency by sheer quantity of practice alone - and also that, outside of using it on Harry (and Draco) when they were up to mischief, and Snape likely wishing he could use it to work out what Dumbledore was hiding from him, Snape had no desire to see, hear, interpret or otherwise get the gist of what anyone at Hogwarts was thinking - but especially not a bunch of pubescent students, nor colleagues who liked him on a surface level but obviously were not close enough to think Something Was Up when he killed Dumbledore (which, fair in some ways, unfair in others, but I digress)

[side note: Snape can't have just not used Occlumency for over a decade before Voldemort's return, so I like to think of him and Dumbledore practicing to keep his skills sharp - although I expect that would be another 'fun' way for Dumbledore to hold Snape in chains which would make for an interesting fic]

I suspect that if Snape had chosen to, he could've invaded Draco's mind in that scene, broken through whatever defenses Draco used - but that's not a very Snape thing to do to a student, and especially not one he knows well, was a family friend of, has closely seen grow up, and probably has a soft spot for. It's very reminiscent of his conversation with Narcissa, to me. Throughout that entire conversation with Draco, Snape was trying to comfort Draco, empathise with him, get Draco to trust him, confide in him, offer support to Draco whether he wanted it or not - not further alienate him to a point where Snape couldn't help. And besides, invading Draco's mind aggressively doesn't sit very well with his vow "to the best of your ability, protect him from harm".

And as for Harry's lessons, Harry was using spells - which Snape seemed surprised, interested, and almost impressed to learn that were effective against Legilimency, which isn't surprising in itself as it's not a widely used area of magic. And since Harry had no idea that Snape (and probably Dumbledore) were 'reading his mind' for years before he learnt about Legi/Occlumency, I don't expect many people would know if Snape used it, or put up a fight using those methods - other Death Eaters probably stuck to Occluding, because it would hardly garner any favour if they cast a stinging hex or Protego at Voldemort or in a DE meeting Which brings me back to my other point as well, which was that "Occlumency possibly wasn't difficult to do". On a rudimentary level that might be true (at least insofar as any advanced magic was difficult to do - Harry was actually quite talented, e.g. casting a corporeal patronus at 13/14 or whatever, and Draco could do it after a few lessons with Bellatrix). Harry learnt almost despite Snape, because he didn't take instruction from him well and because Snape is (intentionally) abrasive in lessons (which I could go on about, since Snape couldn't really be nice to Harry when Voldemort was possibly looking through harry's eyes at any given moment - and as other metas have pointed out was another layer to Snape's rage when Harry looked at his memories). But Snape could do it without a wand, without an incantation, so he was reasonably skilled - imagine casting a full body Patronus or other impressive spell with neither a wand nor an incantation

Also we don't know precisely how long Draco had lessons for, it might have been loads and he was actually pretty good, or it might have been 3 and he was awful. But unlike Snape, who is not the greatest Legilimens of all time (that's apparently Voldemort?), it was glaringly obvious to him that Draco was using Occlumency - Snape had him sussed in like 3 seconds, and chose not to go any further for the reasons I outlined above - which interestingly he did not do with Harry, when faced with finding out where Harry learnt Sectumsempra (but at that point both Snape and Draco's life had been on the line - if Draco dies, presumably so does Snape?)

Which brings me back to Snape... How I think Legilimency/Occlumency works (sometimes)

You have no subtlety The mind is a complex and many-layered thing It is true, however, that those who have mastered Legilimency are able, under certain conditions, to delve into the minds of their victims and to interpret their findings correctly. The Dark Lord, for instance, almost always knows when somebody is lying to him. Only those skilled at Occlumency are able to shut down those feelings and memories that contradict the lie, and so utter falsehoods in [Voldemort's] presence without detection.

There's a lot to take in there, and also pretty ballsy to say to Voldemort-by-proxy (Harry), which might reduce the validity of my idea that Snape didn't want to be nice to Harry during their lessons in case Voldemort was watching, since Snape's pretty happy to give Voldemort (and the reader, more likely) a complete insight into what he's himself doing... although I expect that Voldemort has considered this, and also doesn't recognise the limits of his own power - or the extent of Snape's.

I also wonder whether the 'certain conditions' are something simple, like eye contact being made or the spell being cast, or whether there's something to the mental state of the 'caster' at the time as well, like there is with Occlumency walls/shields and being calm and empty-headed, or whether the conditions is the Occluder themselves presenting (or not presenting) some alternative things to interpret. One of the wizarding world (I think) pages says Snape trained a 'slight natural ability', so that makes me wonder more, as well, but i digress.

But my second point is this: Snape's talents weren't Occluding by total shutdown, or Occlumency 'shields' which always now irk me in fanfiction (this I'm definitely drawing from another meta but I have no idea where, so... apologies). Snape wasn't throwing up a wall in front of entire memories or thoughts, for the most part. Although I expect that between the Pensieve and Draco's example use of Occlumency, that was sometimes a function (e.g. some of the things Dumbledore told Snape to pass along, he'd have to entirely block out, alter, or otherwise adapt those memories to make it look as though Snape had passed information along of his own volition against Dumbledore's orders, or hide the fact that he'd helped Dumbledore when he was supposed to be helping Voldemort, etc).

So inkeeping with my own questionable metaphor, where Draco threw up a wall - metaphorically crumbling, last-minute, cowboy builder Occlumency where the wall would hold but you could see it very clearly and obviously; where with a lesser Occlumens the wall was nice enough, but you could see where the paint job didn't quite match up and the plastering wasn't done very evenly; Snape had the whole house set up so that you didn't know the wall wasn't there from the start, and probably had a few artfully chosen scuffs to make it seem real, or it was some kind of trapdoor under the carpet. (okay the metaphor died, but I've been watching a lot of remodelling shows lately, you get the point if you've read this far)

In another metaphor I imagine detecting a lie to be like running your fingertips along a smooth surface and finding a lip or a bump - you could then, pick at it, poke at it, tear it open. You could sense that something was being hidden, or withheld. But there were no lips or snags in Snape's thoughts; potentially Voldemort could simply not detect them, not even when he searched him openly, repeatedly, full eye contact, at the table at Malfoy Manor. Snape welcomed Voldemort into his (it's just occurred to me, but "mind palace") and Voldemort repeatedly, for years, could not tell that anything was amiss, and presumably Voldemort did this with much more ferocity (and skill) than Snape looking at Harry for 2 seconds and immediately summoning Harry's mental image of the Prince's copy of Advanced Potions Making

But it can't be down to detection alone. There's also a level of interpretation to Legilimency. So here I'm focusing on a more interesting aspect to me, which is how emotion is used in Legilimency/Occlumency. Obviously, Snape isn't Occluding all the time, and as much as I adore Alan Rickman, book!Snape was naturally a total petty, stuttering mess (love him for it) who only wishes he had Alan Rickman's gravitas, and could on occasion emulate it.

I told you to empty yourself of emotion! … Fools who wear their hearts proudly on their sleeves, who cannot control their emotions, who wallow in sad memories and allow themselves to be provoked this easily — weak people, in other words — they stand no chance against his powers!

I think this quote is interesting for many reasons I probably won't be able to connect properly and are in no particular order beyond how I thought of them

Snape is emotional here when he says it, he's angry, annoyed, upset, and it's an honest feeling, and he's obviously not devoid of emotion but can still Occlude Harry

Snape is an emotional person, much as he tries to pretend not to be, and can still Occlude Voldemort just fine even on the night he thinks he's marching to his death at the end of GoF

Much like how many other kinds of magic require lots of study and a strong emotion/will/conscious thought at the start, perhaps it become easier with experience to the point where this advice is not essential (e.g. kind of like driving, I no longer have to think about changing gears like I did as a Learner)

Snape is also talking about himself here, indicative of Snape's worldview where showing 'weak' emotions is the problem - soft emotions, vulnerability, "never tell".

"Provoke" is exactly what Voldemort does to Harry

This is Occlumency 101; Snape's teaching Harry the most basic of Occlumency - to compartmentalise, to block someone out, to throw up that shoddy but sturdy-enough wall for Voldemort to come up against, like Draco did to Snape. Harry's anger and emotion is a weakness in this basic Occlumency lesson, where Voldemort is trying to look through Harry and/or trick/provoke him; thus, the wall.

But this probably isn't the kind of Legilimency Voldemort would use on Snape (which is to see if he's lying, if his information is real, if his values are aligned, etc), and it probably isn't the kind of Occlumency Snape was doing in return, to lie or deflect suspicion or ingratiate himself. In fact, throwing up a wall is the opposite of what Snape does with Voldemort; Snape lets him in, lets him stare him down in front of an audience, all the while showing Voldemort what he wants to see. I think as well there's an element of a Legilimens 'grasping' for something, searching, "provoking", like how Snape 'grasped' for Harry's memories of Advanced Potions Making, how Voldemort appears to search Snape at Malfoy Manor - so if all Snape presents is a memory, empty, devoid of any complexity, Voldemort would question it.

In my interpretation, when Occluding, Snape displays a different type of emotional control; Complex Occlumency means you control your emotions, yes, but not block them off - Snape takes his emotions where they need to go, makes them do what they need to do, to support the interpretation he wants Voldemort to reach. He chooses to some extent what Voldemort sees if he lies outright or omits details (a well made wall, basic Occlumency), and chooses how to present it (complex Occlumency). And he does it with subtlety; he doesn't often outright lie, and there's a lot left to interpretation - in both Snape's speech (with Bellatrix) and his actions throughout the books, and presumably his Occlumency.

So I suggest that Snape, in a situation with Voldemort, must be able to "lift up" or "lean into" an alternative emotion for interpretation - the decoration around the wall, the interior design, if you will. For example, Snape couldn't tell Voldemort that he desired Lily, in a total absence of any feelings at all, without it coming across as false and thus easily detectable as a lie. And you know that when a young Snape, who's hardly made a name for himself (Snape's likely never killed, at least, and isn't especially memorable to anyone in Azkaban and is last named by Karkaroff, and other things I won't go into here) outside of overhearing half a prophecy begs for a Mudblood Order member who's the mother of Voldemort's downfall who's thrice defied him to be spared, you can bet that Voldemort will want to thoroughly find out why, so...

To me this suggests that there was a level of desire there that Snape could 'lean into', whether that desire be for Lily or someone else he found desirable to act as a kind of substitute - though given that Legilimency seems to work on mental images and memories at least in part, a memory where he desired Lily would've been useful. And I'm just using that as an example, because Voldemort would also presumably at some stage have interrogated what Snape thought of Dumbledore and Harry, and Snape would've had to lean into feelings of hatred and loathing - which he'd manage just fine for Harry, but Snape would have leant into his feelings after Dumbledore silenced him after nearly getting eaten by a werewolf and again freeing Sirius in PoA, but I digress

When Harry finally learns Occlumency (by his own admission) in the wake of Dobby's death, it's grief that helps him master it - which, for me personally, is not a detached, clear-headed feeling in any sense. It's visceral, emotional, and painful; all-consuming. It's love/grief/loss/strong loving emotion that forces Voldemort out, after he loses Sirius and again when he loses Dobby. But it's a contrast to the emotions Voldemort uses of Harry's to draw Harry out, via his fears for Sirius. But with grief, Harry's dived headfirst into feeling what Voldemort doesn't want to feel (unlike the anger), to keep Voldemort out of his mind. Whereas Snape would do the opposite, and dive right in to the feelings Voldemort would want to sense - to the exclusion of others. Would Voldemort even think to search for Snape's love for Lily, if he was first presented with something more visceral, with more negative connotations, like desire or jealousy, hurt or betrayal? These are the emotions Voldemort thrives on and can exploit, that he's familiar with, that he understands. In the context then of 'grasping' that's how I think Snape leads Voldemort down a path of believing him - by bringing honest 'negative' emotions to the fore that Voldemort understands.

this is really where I think skilled Occlumency differs from dissociation or wall-building. I think Snape would simultaneously have to dampen his 'lie' feelings and to raise the volume on the 'fitting' feelings for his chosen interpretation. My interpretation of this all stems from my experience of writing, of getting lost in music, in using those activities to "wallow" in certain feelings. Snape does not present Voldemort with his true feelings, but they are real feelings. So in that way, I feel Snape was like an artist or writer; he felt deeply, he felt conflictingly, and dived headfirst into those wells of emotion when he needed to - diving so deeply that it cuts off and hides the conflicting evidence. I feel that when I'm writing, when I'm listening to music, when I'm wallowing. And I feel a lot of sympathy for Snape, because it can feel like a real whiplash when you're midway through writing an intense scene or listening to some excellent music that really fills you up with something, it can take you to some dark places, and it's quite shocking somehow when abruptly interrupted - which would be what his life was constantly like after Voldemort's return, leaning into and shying away from/shutting down emotions and memories he didn't necessarily feel whenever he was called, and then having to return to work or meetings in that headspace, where everything feels out of touch and you're in internal turmoil. (Granted, I can snap out of it because the music or the writing is neither here nor there, really, but he'd be doing it with his own life experiences, with his own life on the line, and to repay a debt of guilt - there's a lot more emotional baggage there, and even more once Dumbledore died). And I think it would take its toll in other ways, too, which leads me to Lily...

Far from some people's cries that possessive or obsessive attraction or desire is some huge moral failing, I'd argue that you'll find a level of it in most teenagers and indeed the regular spectrum of human emotion - I know I've certainly experienced feelings of intense jealousy and whatever 'Snaters' (I'm not a massive fan of the term, but as a shorthand) accuse Snape of, whether I acted on it or not. So I'd suggest that Snape 'leant into' that for the sake of being on the receiving end of Voldemort's Legilimency. Whether Snape regularly, or actually, felt those emotions of his own free will or not is hard to say - since there's no actual evidence he did act possessive or jealous beyond the normal teenager level (and that's without addressing the fact that we didn't know how he would've ended the sentence "I won't let you -"). And I'd also go as far as to say that Snape probably, truly, had some awful thoughts (don't we all?) and so he was able to lean into some very dark and gloomy nooks and crannies of his mind, the parts we're told healthy people steer clear of acting on but also undoubtedly experience (jealousy, possession, rage, bitterness) in much the same way as a writer, artist, or musician might, to make his 'lies' and the stories he told more 'truthful' - which was why Voldemort trusted him so much.

TLDR: Snape's a man of many contraditions and very much emotional depth, and he manipulated his own emotions (likely to the detriment of his mental health) for years. But just as I, a fanfic writer, can vicariously experience the bitter resentment for a person who doesn't love me, can imagine a world where he can think those thoughts, embody them, and still not take them on as part of his identity.

anyway i don't have a conclusion, I just had thoughts

[Side note not strictly related to ANY of the above: I find it interesting as well that Voldemort's skill is apparently specifically in working out whether people are lying to him, suggesting that you could specialise even further into different aspects of behaviour. But people do lie to Voldemort (Narcissa, Snape, off the top of my head, but there's no indication of Voldemort using Legilimency on Narcissa in that moment where Harry lives - Voldemort was too elated, once again caught up in his own glory). [side side note: Harry's treatment after his 'death' does make me wonder, briefly, about Snape's own treatment when he returned at the end of GoF - public torture and humiliation, an opportunity for the other DEs to turn on one of their own to 'increase their own standing' in Voldemort's eyes, crucio to weaken Snape's defences, to check that his information and loyalty true? i get the impression that Snape shared his information with Voldemort privately, given that Bellatrix didn't seem to know much about Snape's return, but who's to say there wasn't some 'fun' beforehand, or at other points during his time as spy]

#snape meta #severus snape #pro snape #professor snape #snape fandom #snape #legilimency #occlumency #long post #my thoughts #snaps-meta

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aesethewitch · 5 months

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There's something interesting I've noticed in my spellcrafting experiments. I do a lot of food magic, turning meals into spells and writing recipes specifically for magical purposes.

When a dish takes more time and effort to create, I find it has a greater magical "punch." Quick and easy dishes done with magic work just fine, of course. I wouldn't do them if they didn't. But their effects don't last as long, I've found, and they tend to not have as drastic results as something that takes a lot of energy.

Once I noticed this in my food magics, I started seeing it elsewhere, too. I tested it with my money bowl by going from a single tea light candle lit once per week to a large taper candle lit every day. Not much else changed about the bowl itself, but I also decided to physically write out a petition instead of just thinking what I wanted during the casting.

It's had drastically different results. Money comes in quicker, easier, and in large quantities. I think it's in part because the set-up of the spell took more effort (the petition) and because it's taking active, concentrated care every day (lighting and babysitting the candle). The energy input matches the output.

Now, I do think this means that low-effort spellwork would yield smaller or shorter-term results. That doesn't mean it isn't worth doing. Performing a bunch of little spells for the same purpose builds up that effort and energy over time, compounding into a bigger and bigger result.

But the effort put in tends to match the results gotten out of spells. The more care taken, the more effort it takes, the more attention it gets, the better it'll do.

Obviously, this is based on observations done on my own spellwork and practice. It makes sense that effort = results in my practice, since I'm pulling fatestrings and so forth, and the harder the pull, the bigger the movement. So YMMV, etc.

I'm curious, though, has anyone else noticed this same thing? And if so, what sort of paradigm are you working with?

#aese speaks #spellwork #witchcraft #witchblr #witch community #spells #spellcasting #spell results #spell crafting

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wutheringmights · 6 months

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I finished rereading The Song of the Lioness quartet by Tamora Pierce a couple of days back. I already talked about the first book in a post that garnered more attention than it deserved. I guess we were all happily reminiscing about the menstruation scenes together, or Tortall fans are so starved for content they (we) will reblog anything.(Understandable. I too am starved for a thriving Tortall fandom.)

I'm too lazy to make separate posts about each book, so we're just going to do a mega post covering the second, third, and fourth book.

Unlike last time, I will be giving a little criticism to this series. I still love it endlessly, but there were a few things about the prose I thought was interesting that I want to talk about a bit.

So, without further ado~

In the Hand of the Goddess

I think this one is my favorite one, despite how rushed the plot it. It contains all of my favorite plot points, like awkward romances with George and Jon, attending knight lessons, and a little summer war. Fun stuff.

But it definitely feels rushed. I really wish someone told Pierce to make this a 12 book series, expanding on Alanna's years at the castle. It would have gone so far to better develop the romances and the friendships in these books.

I am fascinated by what Pierce chose to skim over. Characters would die or kiss for the first time off screen, with the prose resuming with Alanna reacting to it. It demonstrates an understanding of character work that I personally adore and try to emulate in my own writing-- the real bones of a story being in how characters respond to fantastic events as opposed to the fantastic events themselves.

Also, the whole veil spell Roger cast in objectively stupid, and I mean that in the most affectionate way possible. You're telling me that Roger used magic to make Alanna lose interest in doing anything about the obviously evil things he was doing? That's fucking hilarious. You know an editor came back to Pierce and asked her to come up with a reason why Alanna wasn't just going to spring into action at the first sign of Roger trying to kill her, only for Pierce to come up with this. It's so silly. I love it.

Woman Who Rides Like A Man

Did this book age poorly? Yes, but not as badly as I remembered. That's not a stirring defense, and it's really not meant to be.

The Bahzir are a mess of Orientalism, and Pierce definitely deserves criticism for not only the way she wrote them but for the ways in which she frames their cultural practices as something that needs to be fixed. Having Alanna want to force them to change their culture to suit her beliefs is not a great look for both the character and the writer. And that's not even getting into the whole assimilation plotline.

But I did enjoy Pierce's attempts to expand on the definition of womanhood, especially as a part of Alanna learning to embrace femininity. There is this running thread in these last two books of Alanna learning about all the different ways to be a woman and choosing for herself what her gender means to her. It's not done particularly well, and anyone looking for a revolutionary examination of gender roles and identity is going to be sorely disappointed. But there's an attempt here that I can't help but appreciate.

This book is also where Pierce starts to slow the plot down, which lends it to having the most reasonable pacing out of the bunch. That being said, it's also the book where the lack of development for a bunch of the side characters start to hurt. I really wish Gary or Raoul joined Alanna in the desert. Raoul gets his moment in the sun with the Protector of the Small books, but Gary remains largely forgettable. In fact, I spent this entire read-through convinced this man dies at the end of the last book, if only because I can't remember where he appears in any of the other books.

Lioness Rampant

This book somehow has the improved pacing of the third book while still feeling rushed. The quest for the Dominion Jewel really should have been it's own book, if only to give Thayet and Buri more room for development. Thayet in particular really needs her moment to shine, especially when she continues to be an important character in the other series.

But do you know who did get a lot of screen time? Liam.

Remembered shit about this guy before going into this book. I could only vaguely recalled disliking him as a kid, but not as much as I venomously hated Jon. (Speaking of which-- I love the way this man is realistically shitty. Him getting dumped by Alanna is always my favorite scene.) But Liam? Fuck that guy. Holy shit. I give full applause to Pierce for portraying the important milestones every girl goes through growing up, which includes having a situationship that is so shitty that it becomes essential character development.

Roger's return feels very... cheesy? I think Alex should have stepped up to be the final villain on the story. Unlike Roger, Alex was Alanna's friend. They have history. The betrayal would have imbued that final fight with so many more emotions than it ultimately had. I also would have liked Alanna to have at least meaningfully talked to Alex sometime before the climax.

Honestly, it's impressive how reactive Alanna is as a character in the last half of the book. She doesn't seek out how to stop Roger's plan, or fix Thom, or anything. Other characters make plans and she just... waits for something to go wrong.

That being said, by virtue of Alanna's relationships with George, Liam, and Jon all happening sometime in this plot, this book becomes a good place to look to get the full berth of how Pierce handles romances. Which, I love her approach. The romances are never over the top or, for lack of a better word, too romantic. It's very down to earth, with characters dating, marrying, or breaking up for realistic reasons.

Jon and Alanna were friends who broke up because they had different life plans. Liam and Alanna broke up for having fundamentally different values. As much as I bitch about how shitty Jon and Liam are, they're not cartoonishly evil. They're just a little shitty the way most of your exes will be. Jon and Liam are men could find love with someone else. They just aren't suited for Alanna.

Meanwhile, the most romantic things George does are wait for her and be supportive. He doesn't fight or get territorial. He makes his feelings clear, then waits for Alanna's cues. Alanna definitely loves him, but she ends up with him in the end because their lifestyles and core beliefs meld together. There's no grand romantic gesture or whirlwind affairs. They are just a good pair.

I have read stories with far heavier focuses on romance, and none of those couples feel as perfect as Alanna and George. Those stories prioritize all the gooey moments over showing why the main couple should get together. For how little romantic interactions they have, you believe these two could have a successful marriage. Perfect stuff.

---

Over all, I really enjoyed rereading these books. For all my griping, I still love the story. I love Alanna. She's a character who is fundamental to my soul. No matter where I am in life, I will always want to open these books and find her again, to walk back into Tortall and join her on her quest to be a lady knight.

My copies of the series come with forewards from a previous edition. In one of them, Pierce wrote that this series started off as an adult fantasy story that was much darker and edgier. I need to know what that story looks like, what happened in it. Pierce can claim as she wants that she hardly remembers what it looks like, but I refuse to believe that. Release the unedited first draft, Pierce. I am begging you.

#it probably has on screen gay sex for thom and roger #anyway that's the alanna series. the library book i ordered is still not here yet so now I'm off to find another short-ish book to read #this book better come in before june or else i will lose it. i am putting off reading the illiad for this #me rambling #bookish #books and reading #books #bookblr #tortall #song of the lioness #tamora pierce #me reading

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artist-issues · 1 year

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Screentime For the Prince

You know how in the original Snow White and the Seven Dwarfs, each character's true nature is revealed by what they choose to treasure?

You know, Grumpy treasures safety because his true nature is vulnerable, the Queen treasures beauty because her true nature is ugly, and Snow White is the only one who's treasure is as true as her nature: pure love?

And how the Prince only gets around 5 minutes of screentime, and in those 5 minutes, proves that he A) treasures Snow White's true nature of pure love and B) keeps his promises?

Well, I was thinking. In the new Live Action, they're basically writing in a different male character in place of the Prince and not focusing on any kind of love story. So it's not actually "Snow White." But what would a good, faithful, beautiful adaptation of Snow White look like? (You know, one that actually does adaptations correctly--like Cinderella 2015?)

What should they be doing with the Prince?

I have a general idea below.

I mean, they can't introduce him in the same way they did in the classic animation. Obviously modern people aren't used to so much nuance in their big-screen fairy tales anymore; 5 minutes of screentime isn't enough, we prefer Mr. Darcy & Lizzie Bennet-levels of couple-building interactions, at least. And that's okay.

But it means we have to fill in a lot of the blanks about where this Prince comes from and why he values Snow White's "pure love nature" so strongly.

So I figure, in my head, it might look something like:

The Prince (let's call him Walther, German for "Walt," since basically everybody who worked on the original movie agrees that it was Walt's big brain child, and the popularized "Ferdinand" is not only fan-made but makes me think of a kindhearted bull) is the heir to a neighboring kingdom's throne.

Prince Walther isn't King yet, not because his parents are still King and Queen (they're dead,) but because tradition states he can only take the throne once he's come of age. Prince Walther's like 17, turning 18. So instead, his kingdom is essentially run by this council of busybodies, with one Regent holding the throne until he's old enough to take it. Something like that.

(the picture is of Dean Stockwell who's the son of the original voice actor for the Prince, I think someone who looks like him ought to be cast.) Prince Walther experienced pure love from his parents, who treated him like a normal boy and didn't place much emphasis on courtly manners or politics when raising him. But then they died tragically, leaving their honest and innocent son to be raised by a bunch of old people who put way TOO much emphasis on those things.

Because everyone in Prince Walther's court has had to handle being next-door neighbors to the Wicked Queen's country. They're all super political, and afraid of appearing weak, and therefore, very insincere. That's what I'm saying.

Everyone he interacts with on a daily basis never comes out and says what they really want. Nobody is genuine. He lives a life of hearing words like, "good morning Your Majesty, I hope you slept well. The Grand Duke could certainly stand to sleep better; the poor fellow looked run down at breakfast." but learning that what they actually mean is, "The Duke is getting old and ineffective and when your birthday passes you should decree that he give his land and resources away to me."

And he misses the genuine love the court used to feel from his parents' kind, simple way of ruling. No political games, no complex feuds. Plus, he misses the personal love they shared as a family, genuine, uncomplicated. He missed the days when people just say what they really want, unafraid, so that their rulers can take care of their needs.

Then there's the problem of why Prince Walther's in the Wicked Queen's realm in the original movie--that's not his territory, if he has his own kingdom.

So I think it would be neat and interesting if the Queen wants Walther's land. Maybe she invited his parents, way back when, to a kind of audience to negotiate an alliance. Then she got jealous of his mother's beauty, maybe even tried to seduce Prince Walther's father, and assassinated them both when he rebuffed her. Oo, maybe even the Huntsman (her FAITHFUL Huntsman) helped her do it all those years ago.

But she didn't realize they had a young son, so she couldn't just raise her hand and say, "Hey Neighboring Kingdom, it's too bad your monarchs both mysteriously died--don't worry, I'll be your new leader" because Prince Walther's council suspected foul play (they always do, they're suspicious people) and were preemptively like "NO NO WE HAVE A PRINCE, WE HAVE A PRINCE! We're fine, we don't need help, everything's fine."

So she sort of had to stew on that. Maybe she even tried a couple more halfhearted attempts to get their throne, and they just never worked out--then eventually her attention was occupied by how much older her stepdaughter was getting, and how much prettier.

Anyway, Prince Walther asks for an audience with the Wicked Queen; he's about to become King, and he knows that the council fears their neighbor, and he sort of wants to go over and size the next-door ruler up for himself. So he rides over with a little delegation of the members of the Court he can actually tolerate the best, and is visiting.

It's not fun. They're only there for a day, but the Wicked Queen is definitely scary. For one thing, she's unnaturally beautiful and everyone he brought with him is either stupefied in her presence or terrified. He himself is very confused by her; he's an open-hearted guy, with a touch of naïveté even though he was raised with good intuition and doesn't trust the Queen. All audiences with her are full of all the formal, double-and-triple meaning conversations that he hates back home; except worse, because she makes everything seem more sinister.

So after a particularly weird conversation with the Queen where he can't decide if she was flirting with him or threatening his kingdom, he goes for a ride around the courtyard to clear his head. And what should he hear, like a breath of the freshest air since his parents died?

A pure, beautiful voice. A young girl singing--and not just singing about anything, but singing about what she really wants. Genuinely. Her heart's fondest desire--and it's not power, or land, or even freedom. Just love. She's singing loudly, like she doesn't care who might hear such a vulnerable longing.

And he climbs over the wall and sees this scullery maid. She's absolutely beautiful, even though she's dressed all in rags, and he loves the picture of her: sharing her heart with doves, who feel completely safe with her, and not having to worry about what anyone thinks of her.

He sort of eavesdrops on her for a little bit, and in this part of the movie, maybe we learn how impulsive he is. He just jumps over and tries to join in. Maybe it's even a little funny. And we can stretch out the feelings behind the part where Snow White runs from him--that feeling of her being unsure of a stranger, not because she worries about what he thinks, but because it's so surprising that anyone is taking notice of her so abruptly at all. And she doesn't know him.

Maybe he asks to extend his stay at the Queen's palace and keep negotiating or whatever, but he really just wants to get to know the scullery maid better.

Then the romance is sort of still fast, but built in a way that the audience can sink their teeth into. The Prince and Snow White have a few more mutually-agreed-upon meetings, not necessarily hiding them, but just in breaks between courtly audiences with the wicked Queen. They're both enamored with each other: she's never been treated so kindly by anyone and his whole faith in pure, innocent love and uncomplicated, genuine people is being restored just by talking to her. They bond chiefly over missing their parents.

Eventually he learns that she is the Queen's daughter--maybe from the Huntsman, maybe from Snow herself in an innocent way. He's stunned that she's treated so poorly, but the second he learns it, he confesses that he loves her and he wants to take her away from there. Plus, this solves the whole "will my kingdom go to war with the Wicked Queen or be allies even though we can't trust her" diplomacy thing--Snow White is her heir, so it would be a beautiful twist of Providence that the girl he has fallen in love with can also be the alliance of peace for the kingdoms through marriage.

Snow White accepts his proposal, but she's afraid for a moment that her stepmother won't allow it. The Prince urges her not to be afraid: he'll take her to his castle and they'll be happy no matter what: he promises it, he gives her his word, he encourages her not to worry because he won't let anything stop him. It's lovely. She finally has someone she can gift her superpower of pure love to, and someone who can treasure her like she deserves.

Problem is, the Queen overhears this last conversation, right after learning that Snow White is the new "Fairest of All" from her mirror, just like in the original film.

So while the Prince is convincing his council that he's proposed to Snow White, the Queen's largely-unknown secret stepdaughter, and is going to reveal the fact to the Queen tomorrow, the Huntsman and the Queen herself are plotting the assassination attempt that eventually leads to Snow running for her life and living with the Dwarfs before she ever gets the chance to see her betrothed again.

Then the movie unfolds largely the same way it did, but with more dialogue and nuance strengthening the original's main themes: Snow White is pure love in nature, and that's everything the Prince has been missing, and he fulfills his promise which she has total faith in. And along the way, the Dwarfs learn to care more about protecting an innocent girl than they care about protecting themselves, and treasuring a person over jewels. Grumpy in particular. And the Queen dies because she's a jealous witch who's self-love has twisted her into something ugly.

Basically, what I'm saying is, there's a way to make the Prince compelling for audiences who are now used to more fleshed-out interactions in movie couples. Just give him a background that is longing for pure, uncomplicated, innocent love. Then when he runs into Snow White, who's never been treasured and valued since her parents died, they give each other everything they've been longing for--and then they have faith in one another when circumstances, both funny and sinister, force them apart.

It's like the Notebook (just in story structure)--you build up romance in the first act through a few poignant scenes, but then the rest of the movie is about waiting for that romance to be fulfilled.

Anyway. I guess I could've said all this more succinctly, but I was kind of making it up as I went. 🤷‍♀️

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neyliaart · 3 months

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Okay so

Because

I need to actually do shit here (and the bingo is going and I need to start my shit)

Tism4Tism QuanYin

I mean Autism Hualian I see fairly often and I think we can all agree that Yizhen is definetly not neurotypical in any way. He just lives textbook five year old white boy autism.

However. I refuse to believe any of the cast of that book is neurotypical so I hereby diagnose Yin Yu with just as much autism.

They are just on wholly different extremes of the spectrum. Or well. Yin Yu has the anxious highly masked version where Yizhen has the entirely unmasked version.

Where Quan Yizhen misses every social cue to ever exsist Yin Yu overanalyzes your facial expression until he is able to half read your mind.

Where Quan Yizhen takes your every word at face value Yin Yu sat up at night when he way young to study irony.

Yizhen either does not look at you or he stares right into your soul for a solid minute. Yin Yu wears a mask. Yeah sure its to hide his identity but also nobody can ever tell exactly where his eyes are looking and its pure bliss. He has strategies tho. To mimic eye contact with minimal strain.

They both struggle to work with others actually. Yin Yu just goes about it more politely because he studied the big book of social interaction he wrote and observed as a child. He hates tho. Whenever he works on a task with someone he struggles because they never do it *right* and its silently driving him insane that he has to correct a bunch of little things that bother him (that would 90% of the time not actually affect the end product or goal they just bother him extremly because its not the way he does it) in secret. Meanwhile Yizhen will just say "You're doing it wrong." straight to your face. Unless you're Shixiong. Then he will assume he does it wrong because Yin Yu obviously knows what hes doing.

Yizhen has very high pain Tolerance where Yin Yus is rather low. Dont know if this actually connects to Autism but whatever.

Yizhen has no idea what personal space means (if he likes you so this goes extremly for Yin Yu) and will invade on a regular basis. Meanwhile Yin Yu will feel symptoms of physical pain if you inniciate contact. Was very hard to train Yizhen to wait until Yin Yu says its okay. Once they figure that out Yizhen can cuddle a lot tho. It just needs to follow Yin Yus very specific procedure first so he can be comfortable.

Yizhen doesn't even do things hes told to do. Yin Yu will cry if orders are not specific enough and Hua Cheng does keep a mental list of things that need to be mentioned in every task he gives. (What time? Is there a specific Method he needs to use? How high is it in priority compared to other tasks? At what level of struggle does he report back? Such things. He needs to know or he will suffer breakdown and nothing gets done. We know how his breakdowns look.)

Uhhhhhhhhhhhhh I cant think of any more right now. So yeah. Bye.

#quanyin #quan yizhen #yin yu #they both have autism #i refuse to believe otherwise #thanks for coming to my ted-talk

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agentoffangirling · 2 months

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as a south asian why the hell did they make aladdin and jasmine south asian. I am so confused. Isn't jasmine's name literally persian

Okay okay so there's a bit of a story for this

And to quickly answer your last question, yup, Jasmine is one of the forms of Yas/Yasmine, our jasmine flowers

So back in the 90s, and still a little bit today, many production companies such as Disney didn't really see a difference with the Middle East and South Asia. When Disney decided they wanted to make an adaptation of "Aladdin" from "One Thousand and One Nights" (slight tidbit here, the story of Aladdin is not part of the original book. A French guy added it in and for some reason, set it in China? One Thousand is a Persian story, most of the stories in there are Persian, so this choice was. Interesting), it's not like they suddenly hired a bunch of Middle Eastern experts to consult on the film. No, they just created a desert-y landscape and lumped in Persian, Arab, and South Asian all in there

This is why the palace of Agrabah heavily resembles the Taj Mahal on a more Arabic-sounding name. Rajah, Jasmine's pet tiger, is an Indian word for king. Names such as Jafar and Jasmine are Persian in origin, while a lot of the clothing is Turkish-inspired. Villains such as the Captain and Jafar have a lot more stereotypically Middle Eastern features (hooked nose, bushy eyebrows, etc [and it's a convo for another day about how the "good" characters don't have these exaggerated features])

This melding of several cultures is what led up to the live-action "Aladdin" in 2019. The creators of that movie wanted to be more respectful of the region, and so this time, they did hire consultants and the like to help ensure it would be much less offensive ("where they cut off your ear if they don't like your face", nice going 1992)

And for the most part, they did that. Except for Jasmine

Jasmine is played by Naomi Scott, a half white half Indian woman, and look, it's pretty obvious she only got this part because she's well known. I would also like to point out that the casting calls for the characters in general once again lumped Southeast Asian and Middle Eastern people, however, almost all of the cast is Middle Eastern, and several of them are Persian (Sultan and Mara, notably)

So while everyone else is wearing clothes more indicative of the Middle East, you have miss Jasmine over here dressed in sarees and Indian-inspired clothing because costuming department went "oh! She's Indian now!" Agrabah is also a lot more similar to South Asia than the Middle East, further deepening this issue

To an outsider, "Aladdin" is Indian. To them, there's some Arab inspo, but they would mostly think it's set somewhere in India or South Asia. That's what the casting and costuming department in "Rise of Red" were working with, and so they just opted to go the whole South Asian angle. None of the actors who portray Jasmine, Aladdin, and their kid are Middle Eastern, they're all South Asian. The clothes they're wearing are very obviously from that region

And if I'm being completely honest, that's exactly what I expect from Disney. Why would they bother to do research for extremely minor characters with two lines? The problem here is what I've been talking about above, is that Hollywood is constantly thinking South Asians and Middle Easterners are interchangeable when we're not. If I see a MENA character on screen, more often than not the actor is South Asian. This is a continuous problem no one from these places wants to see happening, and yet it is because Hollywood doesn't actually care. The more it's done, the more they think it's okay and so they continue to blur the lines between several different cultures

So, on an ending note, Jasmine and Aladdin are Arab, if not Persian, and the idea that we are interchangable with South Asians harms both our cultures

#jasmine #aladdin #disney #descendants 4 #descendants #naomi scott #mena massoud #aladdin 2019 #rise of red #descendants rise of red

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the-s1lly-corner · 11 months

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Hey! I hope you are better, I waited a while to request this to hope you were better. Take your time writing this, or if you don't feel comfortable that's okay!

I wanted to request a Kinger and Caine x reader in the sense of lovers, whose y/n is deaf

I imagine that maybe they were already deaf before entering the digital world, or it just ended up having a problem when they put on the headset and ended up not hearing anything there. Either way, they would be the embodiment of calm and would speak in sign language

Caine and Kinger x deaf!reader !

yahoo going to write this request then take a break n do the things i gotta do today!! gotta make a coffee cake for someone!

CAINE:

i think i might have said this somewhere before but caine is actually pre programmed to know a bunch of different languages! i dont think it would be too far of a stretch to assume he also knows sign language, or at least enough to communicate with you! if theres anything he doesnt know hes more than willing to sit down with you to learn, plus that just means more bonding!

obviously, caine constantly signs his adorations to you whenever he gets the chance! asides from that there isnt much different than how he would be with a non deaf partner; he still absolutely showers you in love and affection!

should anyone ever be rude to you or say something horrible hes going to be real pissed; fiercely defends you as well as possibly making the next IHA hell for that person.. though thankfully, i dont think anyone in the main cast would go out of their way to be an asshole to you

yes that includes jax, i may write him to be a huge butthole but i dont think he would target you for your deafness, you know?

KINGER:

in contrast to caine, i dont think kinger knows any sign language! so youre going to have to teach him if you guys want to learn to communicate efficiently that works for you; in the mean time while hes mastering sign language you guys may have to speak through writing </3 but trust me thats ditched the second kinger knows enough!

good news, too, kinger is a quick and devoted learner, so hes going to be hooked on your lessons until its over; hell he would let you teach him everything in one sitting if you wanted to!

practices a lot in his pillow fort, probably also practices signing nicknames for you, and i think thats sweet... tries to practice his signs so he can tell you how much he loves you... i think caine would do this too, but kinger holds a timid-ness that i cant quite put down into words, you know?

if theres a library type area in the circus that happens to have a book on sign language you know damn well kinger is going to check it out... alas, i dont think the circus would have such a thing... maybe.. i mean it has a bunch of weird rooms so is it really outside the realm of possibility?

#tadc x reader #the amazing digital circus x reader #digital circus x reader #kinger x reader #caine x reader

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prettycottonmouthlamia · 5 months

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I am now at least far enough away from the incident that I can give some more articulately expressed opinions about Kriemhild and that part of Traum, and also my general bugbears when it comes to Higashide. To really elaborate on them, I want to make a point of comparison to show this isn't just like, bias getting in the way, and that's Caster.

Well Medea. Obviously.

Caster has a really big advantage going for her over characters such as Semiramis and Kriemhild. She has two gigantic and well-written visual novels backing her up. While the first thing you probably think of when it comes to Caster is her relationship to Kuzuki, you can probably think of a bunch of different things that you know Caster for. Caster's relationship to Kuzuki is a big part of her character, but it is not the only part of her character, and most importantly, it adds to her character. It is in and of itself a jumping off point for discussing her relationship with Jason, how that has affected her, and what Caster is looking at her future for.

Bu it's not her entire character. She still has a very complex relationship with Saber, and Hollow Ataraxia's character interactions with her and the rest of the cast are all interesting, not to mention her own interactions with Kojirou either. She exists as a character beyond that, and that is also very likely why Kuzuki is just not a factor in F/GO at all. She is a strongly written character that is recognizable without him.

When it comes to Semiramis and Amakusa, Apocrypha itself is written fine although I don't really believe in the two of them having real chemistry with each other, especially as time has gone on and more of Semiramis backstory has come out, Amakusa feels very written in but without the proper framing to me to make it work. But as time has gone up, unlike with Caster, Semiramis has had her entire character swallowed up by this relationship, even though canonically she shouldn't really remember it. This is obviously to some extent fanservice, but this is a problem, because it means that Semiramis stops existing as her own character. There are entire interludes about her history that are boiled down at the end to just being about Amakusa. If you want to know Semiramis like you would Caster, you can't.

A good relationship adds to the character, it does not BECOME the character. This is especially weird because Amakusa has had a lot of interesting screen time and character writing without Semiramis being present. It starts to feel like there's only really one important character in the mix. There's Amakusa, and Amakusa's girlfriend. That's weird.

Kriemhild is that on turbo, but the issues with her writing go even further. At least with Semiramis, while her relationship with Amakusa is strange, it's not necessarily contradictory. It's definitely odd, but not out of question. Kriemhild, especially for those who have summoned her and didn't go through Traum quickly, is in a contradictory boat. She clearly in her dialogues does not like Siegfried, even if she still loves him, and it's also clear he is directly responsible for a ton of hurt that she felt. This is consistent of what we know of Siegfried, it makes sense that he would do these things, we've already seen him do it in Apocrypha. Here, we are being asked to confront the human cost of that. In Apocrypha, he's not screwing over anyone we care about. But here, he's directly hurting people, and by extension, leading to their death.

Siegfried's actions are not portrayed particularly nobly, they're considered mistakes, at least in part chiefly by Siegfried who wants to live a life doing the right thing now. So it makes sense that Kriemhild would be extremely bitter and angry at him. He...abandoned her, and didn't even explain himself. That's extremely fucked up.

For almost the entire chapter in Traum, we're not given any indication that there is going be a flip-flop in character motivations. Kriemhild is portrayed, consistently, as being antagonistic to Siegfried. She wants her revenge on him, she calls him leftovers, she talks about destroying the world he keeps trying to save. Zhang Jue hides away Siegfried not because he believes that Kriemhild will turn on the realm for him, but because, as a Berserker, Kriemhild is likely to become extremely unstable upon seeing him.

Even later on, when Siegfried approaches Ritsuka and asks for a favor, the most likely conclusion to come to, knowing Siegfried, is that he wants to fulfill his wife's revenge. That makes sense from a character perspective. Siegfried's actions have consistently trended towards those that self-sacrifice to protect others.

The problem when it comes to Kriemhild is that it is both contradictory to what we've been communicated with in the story, and that the end result is that it destroys her character. It is both bad, and quite frankly, very cheap. It's a cheap use of the love conquers all trope. In the span of one to two sentences, Kriemhild implicitly forgives him for everyone that he's done, reverts to a lovey-dovey wife, and even reneges on everything that to this build are the foundation of her existence as a Servant.

It turns Kriemhild into nothing, into what is insanely flat, because all of her depth has been removed. What is left is a character that is entirely one-dimensional. Nothing exists for Kriemhild past her love of Siegfried anymore. There's no discussions about hurt or pain or the twenty years of vengeance beyond Kriemhild immediately turning a double face on it.

There's not a nicer way to put this, so let's just get it out of the way now. Siegfried will continue to be a character independent of Kriemhild. Unlike say, Sigurd, whose character is primarily defined on his relationship with Brynhildr, Siegfried's character is not defined really at all by his relationship to Kriemhild. Kriemhild has no path from here, and as we can glimpse in further events, her character is entirely defined by her relationship with Siegfried. What are her character motivations past this point? Well obviously its not ANY of the ones we took pain to previously establish.

This is classic, textbook, misogynistic writing. Kriemhild has been turned into a lamp.

Siegfried is a very popular character, and I imagine for a lot of people, there is incentive to ignore all of this. Siegfried is getting his happy ending, he's getting his wife back. But if you cared about what Kriemhild's character was, this sucks tremendously. Reconciliation is not off the table, but what happened is not reconciliation. It's not anything resembling that. Kriemhild essentially loses all of her agency, so dramatically she dies after this happens.

Like at least Urobuchi would have just killed her.

#fate grand order #im not giving this character tags #and also im not super interested in defenses of this

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njwinterquartz · 4 months

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I’m gonna make some loosely based predictions or possibilities for next season. I’m not expecting anything to actually happen or any details to be right. It’s just some ideas I’ve had or things I want to see.

(Gerrard is the most straight forward so this part mostly focuses on what the hell i think they could be using him for.) Obviously we know Gerrard is going to be terrible. But like there’s a lot of ways they can go. I think he might try and make them turn on each other, but I really doubt that’d work

We got the still from Tim of Ortiz and Gerrard so definitely a connection there, god I hope whatever plan that woman has backfires because you don’t have to ignore your pain but lashing out in this way has to lead to consequences for her. But this means he might target Hen again with more pointed bigotry and racism because Ortiz might of had a hand in bringing him back. So he might be out for her specifically. Which I’d hate but I wouldn’t put it past him.

Chim and Ravi he’ll obviously be racist and rude towards but the details I don’t really know. Well chim he’ll probably make the cleaning boy again after what Chim said to him at the ceremony. But Ravi being the newest of the bunch from A shift he might haze and treat like a probie and just discredit everything Ravi does.

Buck and Eddie are the interesting ones here. For Buck it’s Tommy. Like they’ve already established a connection between Tommy and Gerrard. So I think Gerrard will be rude and homophobic towards Buck because he’s dating Tommy. I could see him trying to make Buck doubt he knows Tommy and that’ll have Buck and Tommy really sit down and talk about each other and who they are. But I doubt that’ll be anything major because I doubt Buck would let Gerrard make him doubt Tommy.

Also with Buck being the only white man in their group with Bobby being gone, he’s kinda in that spot Tommy was in in the begins episodes. Buck won’t put up with Gerard’s racism and bigotry but still there’s a parallel there.

Eddie I think will be interesting to see the direction they take with him losing Chris for a bit and also him trying to figure out who he is outside of being a firefighter and a parent. And I think Ryan has already talked about Gerrard a bit in connection to where Eddie is at the end of the season. Something about Gerrard kinda being like the man Eddie was raised to be in a way, no emotions macho man, obviously minus the racism and bigotry. So that’ll be something I look forward to them exploring. Like I mean figuring it what Ryan meant not Eddie and Gerrard interacting.

I don’t really know where they’re gonna go with the councilwoman Ortiz plot line so I’m not going to make any guesses on that. And Eddie, I think it’ll be rough for him but I do think this storyline will end with him finally figuring out who he is when he is alone. And Bobby and Athena obviously need a new home, but I can’t predict anything for them it’s just too open. But please give Athena plot lines that don’t center around her being a cop, the season finale was way more than I was comfortable with.

Now on to some happier things I want to see.

I want more Buck and Tommy conversations, dates, and things showing how they’re growing as people and as a couple. And I don’t know why but I’d love to see them go on a date and go stargazing. Like I dunno that would be stupidly cute.

More Mara and Denny, please just more of them. I love how they’re portrayed.

On that train of thought, I want more Henren family time with Mara. I also kinda want to see if Jee will be a part of the Denny, Mara dynamic now that the Hans (Chim and Maddie) are fostering her. More madney and Henren interactions too, I adored how Karen and maddie are being shown with the hen and chim dynamic.

Obviously more Ravi and different Ravi dynamics shown with the cast.

We’ve gotten a tiny bit of Tommy lore from before the begins episodes. But obviously I want more and more of his dynamics with the others. Gimme more Chim, hen and Tommy.

Also I think it would be good to show Eddie and Tommy’s dynamic again. Especially since Eddie is pretty alone right now. I could see Tommy helping Eddie start the process of figuring out who you are. Not saying this as in Eddie realizing he’s not straight, but like figuring out who you are outside of your job, past, and family. With their shared military background I think Tommy could help Eddie with that.

There’s a lot more thoughts to this but my brain is bad at explaining them so this is what I’ve got. Wish I could do more on the predictions and possibilities like more than just what a terrible person Gerrard is going to be. But that’s all way too up in the air for me to make any cohesive thoughts and predictions on.

#911 abc #evan buckley #eddie diaz #tommy kinard #bobby nash #hen wilson #chimney han #christopher diaz #athena grant

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bunni-v1 · 8 months

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Oh, I would LOVE to hear more about your college au!!

I feel like a lot of folks just age them up and call it a day, but I love when I run into people really detail their own au out. One thing I loved that I ran into once was the idea that each dorm was divided into majors - and that's part of your sorting. Pomefiore being Theater Arts (Epel, farm boy going to college to improve and modernize his town agriculture, is just extra horrified lol) though I figure they could probably pick their own minor.

Anyway, I adore hearing details!

TWST College AU (First Years!!!)

🍓Hiiiiii! Thank you for asking! I figured I'd just answer this informally since it shouldn't take too long! (And, to be honest, I don't feel like writing a bunch of headcannons for the entire cast :/)

I really like the idea of the dorms being sorted by major, but uhm... I see Ace as a Film major and Riddle as a Med School student so... that wouldn't really work for me?

The basic idea IS to age them up because I am a college student and I want to write about college students -- plus, the twst campus is set up A LOT like a college already, so I always felt weird that it was a high school? Even when I was still a high schooler playing the game, it never felt like a high school, so obviously I decided to just... change it because that's what fanfic is for.

I also didn't want to just... make them all 18. Like... consistency is important people! Leona is 24 now, sorry girlies <3

So I've talked about the age differences and explained Ortho and all that in my rules (read them please :3). I also mentioned that they act differently! The first years won't change too much, because they are still NEW college students, but they respond to things with more maturity than they would if they were just 15/16 year olds. Because... of course, they would. (I would hope 18-year-olds would be a little more mature.)

But I didn't talk about the structures that I changed, mostly based on my own schedule. I'm only gonna use the first years as examples so please forgive me for ignoring your faves <3

So, the first thing I changed is there is no homeroom teacher because we don't have homeroom teachers in college! So, students have multiple different classes throughout the day.

Let's take our little film major Ace, shall we? Ace's first class of the day is a 'core' class, which is the class he has with Yuu and Deuce. It's a basic magic history course that's required for everyone to take, and it's mostly filled with other first-years. Jack, Epel, and Sebek are all in the class too! This class happens three times a week, MWF. He has three other classes, two of which are major-related and one of which is another core magic class.

Each student has their own specific schedule, and they sometimes overlap with each other. This includes first, second, and third years. To give you a little example: Epel and Ruggie take a course on magic plants together!

Many of the courses at NRC have magic at their core -- because it's a magic school -- but their students are free to study whatever they please! That's why Ace is a film major because he wants to be. He cannot, however, pick what kind of magic he gets to study.

Because, of course, the kind of magic you study is based on the dorm you are sorted into. Students have to take at least four classes to do with their dorm's magic type to graduate. It's harder for some students and easier for others.

Epel, of course, hates Pomefiore because he HATES potion-making. He is also surrounded by many theatre majors because... well... just because your dorm doesn't decide your major doesn't stop the same types of people from gathering in one place.

Each dorm has a stereotypical major type associated with it. Many students in Octinivelle are business majors, Pomefiore is performing arts, Savanahclaw is the fitness kids, etc.

So, with all that out of the way, I want to go through the core cast of first years. Namely, their majors and the way I've tweaked their personalities.

Ace: As I mentioned, he's a film major! He loves movies, and he's such a geek about them, so he thought 'Why not!' To be specific, he wants to go into film writing, but he's not dedicated himself to it yet. He's still got four years ahead of him, so he doesn't have to worry about it too hard. Ace is a LOT more chill as a college student. He still teases his friends and he's STILL a huge dickhead, but he knows when he fucked up and needs to apologize. He's more willing to just back off when he needs to and accept his faults as his own, unlike highschool Ace in game. He's still got a firey personality and will stand up to authority, so at his core, he's still the same Ace, just a bit more chilled out.

Deuce: Is a first-generation college student, so he feels like he's got a lot riding on his back. He went into business, mostly because he felt like he HAD to if he wanted a good life for himself. However, he dabbles in a lot of stuff. He constantly does a ton of extracurriculars and is curious about all the courses at NRC. This Deuce is more self-assured than he usually is. He's confident in what he feels he wants/needs, even if it ISN'T what he wants/needs. He, however, still is not great at managing his anger. He still has really big outbursts when he's been upset by something, but he tries his best to keep a cool head and ALWAYS apologizes afterward to his friends.

Jack: You guys are just gonna have to trust me on this one. Jack is majoring in kinesiology with a minor in physical education. He wants to be a personal trainer/occupational therapist! In my opinion, Jack stays the MOST consistent among the first years. He's still pretty strong in his sense of justice, and he's reliable and generally pretty nice. The only thing I could really see changing is that he's a bit more approachable and he's more willing to talk to his fellow students.

Epel: POOR EPEL LMAO. He's an agricultural major, specifically in Agribusiness so he can help his family farm grow more, because he loves his granny so much. He also minors in Agricultural magic -- so, learning about how magic can be used to cultivate plants and the like. Imagine his surprise when he's shoved into the "performing arts" dorm. Epel has more come into his own as a college student. He'd be less pissy about his more feminine looks, though he still tries his best to appear more masculine. He's more willing to bite back at Vil than normal as well because he's an adult now and he doesn't wanna be pushed around.

Ortho: Kid genius! He's a robot, so of course he's a kid genius. Ortho is the only member of the cast who is still under 18 (he's 16 years old and in college!) He majors in computer science, specifically robotics -- he likes to understand how he works lol. BUT, he's an anthropology minor! He likes learning about humans too! He's still very much adoring of his brother, but he has a personality outside of that lol. He's sassy and witty, and really sociable! I'd go so far as to say he's popular around campus, especially since he involves himself in a bunch of different activities.

Sebek: Sebek majors in Magical Studies! It's a general major that can be filtered down into multiple different specific majors, but as for now, he's just Magic Studies generally. Sebek is... an oddball... even still in college. His love for Malleus has never gone away, nor has his dedication. He's like the kid you meet who never really grew up past their freshman year -- mostly because they were never really exposed to ideas outside of what they know. College would have him on edge because A LOT of it is just questioning what he knows, and he's not handling it well. I would say he's probably more awkward than anything. Not as in him making others uncomfortable with his weird behaviors, but him making HIMSELF uncomfortable because of it lol. (He still needs to grow a lot!)

That's all I can think of though! Thank you for asking, I loveeeeeeee questions!!

#bunni babbles 🍓#twst #bunni's treats 🧁#twisted wonderland #ace trappola #deuce spade #sebek zigvolt #ortho shroud #epel felmier #jack howl

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glitched-dawn · 4 months

Text

General blog info

Since I said I would do this (actually I am just bored and no one knows wtf is going on in this blog) Imma make a masterpost with the general info of the blog and what's going on here. and also a little info about myself because ppl need more info abt me to send hate anons:

im a writer, obviously. im also a demiromantic apothisexual transmasc. i like baking, going out in the woods, writing (obviously), drawing and making art, playing instruments and singing, and im also a big fan of either napping half the day or staying up all night.

im not in very many fandoms but i like hollow knight, inmost, lethal company, terraria, bramble the mountain king, and ive recently gotten into heartstopper (in other words i began watching it with my more or less heartstopper-obsessed cousin, she is very sweet and yes i think the show is pretty cute too). other than that, im gonna watch more horror movies and series as that's what i write too.

(DNI is very small. do not interact with me if your intentions have anything to do with sex. thats it. i am SEVERELY sex-repulsed and will be triggered by anything that society has made sexual. its easier in text but for the fucking love of god do not send me pictures.)

now, onto the content:

Content:

writing snippets

aspec posting

stories and poems

a little bit of venting/storytime/complaining

talking to ma homies

a little bit of art

a series of writing snippets called "new/out of context quotes and quips"

probably something else i forgot

(also the reason i dont have a venting blog is bcuz hot topic i think ill keep everything in one place cuz im one person and i feel different things lmfao (yes i am also surprised by the fact that i have emotions apparently))

now a masterlist of my writing:

Novels and works-in-progress (AKA everything i write):

My main novel series, Broken Promises, currently contains ten novels:

Breached Containment

Twisted Betrayal

The Final Hunt

The Madman's Strive

Broken Strings (AKA Bring Us To Life)

Pinky Promise?

Too Late

Welcome To My Mind

BACKWARDS

A Last Promise

and here's the main characters, main cast and the main side characters:

Ambrose Blackthorne

Ace Dawn

Caleb Whitlock

Dylan Hunter

Jason Godfrey

Juan Moreno

The Shadow Reaper (he has a name but its revealed in the seventh novel so im waiting with it)

Zafirah Satar

Kierce Cadell

Joseph Clayton

Blake Campbell

Steven Zhai

Ashley

Silly Sally

James Forest

Phoenix Loughty

Rahmah Abdullah Aziz

Rick Davis

Zane Hawklum

Gabriella Roseware

Alicia Wood

Rose Andersson

Eleanor Dawn

Michael Godfrey

(there are probably a lot more that are either family to the mcs or minor side characters, so im not including them here)

other than that, i have a few standalones that i work on every now and then:

Misplaced Faith

One Last Time (AKA Your Memory Will Live On Forever)

That's Me

GOD

Missing 4II

DRAMA (with my cousin as a co-author)

Blades of Rose (with several co-authors, including @ang3lic-t3ars and @daredevil-arty)

We All Eventually Drown (with one co-author)

then, of course, i have a bunch of smaller projects, most of them related to my novel series:

The Solic AKA the new bible

GUTS AND GLORY - a collection of every gory scene in BP

Realms of Selinc - A Beastiary

Memories On Paper - a collection of every letter/hand-written text in BP

A whole lot of music. just a doc named Music

The Anomalies, the start of a horror skit yt channel

PHOBIA, a video game that im not working on at the moment

I Was Born With A Gift - a prologue to the animation channel where I will animate my novel series on streams and such

All of the Darkrimm, Lumancyid included (hell and heaven lore)

A bunch of rituals. Do Not Question

Two D&D campaigns, one a homebrew and the other just. heaven and hell from BP (the novel series)

And since im extremely bored ill make an ask game so yall can ask me abt stuff (mostly the writing i gotta get more active in that)

have me tell you about one of my novels/works

ask about a character

ask about something you've seen in a snippet (specify)

wait actually you could just ask yourself from what youve seen and then ask extra info if youre curious about something

yeah acc just know my inbox is open for absolutely everything except stuff that goes against my DNI so u go ask stuff homies and thats it

well thats all i had to say so buhbyeee

#masterpost #pinned #blog info #writeblr info #writeblr #writers on tumblr #artists on tumblr #artblr #thoughts from the abyss

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mesmir-ized · 1 year

Text

also apparently forgot to post p2ponies 😞… sorry !! orz

(cutie mark rambles below~)

i always think crazy hard about cutie marks they are like my #1 stressor when it comes to ponies……. so here’s why i chose certain cutie mark designs !!

also i tried really hard to make sure they all shared some colours , especially making sure to include each others’ colours !! i wanted to have the original masked circle all have a star somewhere (BC.astrology or something…) LOL , maya sort of stands out both in colours and cutie mark , but that was on purpose !!

tatsuya: his was 100% the easiest to come up with . it’s gotta be his lighter !!! not only is it like His Thing but also very much representative of the bonds with his friends , as well as everything that got them into the events of IS … both in the game and here , the lighter is a symbol of both destruction/power and connection/creation !! which really fits tatsuya :] you can also think of it being like he “lights the way” !! the little teal star is in lieu of the little prince quote , and it’s kinda clear who this star is meant to represent ;U

jun: THIS ONE TOOK FOREVER TO DRAW . my issue was i had an idea , but couldn’t figure out how to make it work !! i wanted to include both flowers and a shooting star and fought 1 million battles trying to figure it out….

i wanted to include a shooting star for many reasons !! stars obviously for jun’s love of stars , but also because the shooting star is a symbol of something to follow (like Jun making himself a leader/savior as joker) as well as being representative of wishes and dreams (which is joker’s whole thing !!) !!! i wanted to add 4 forget-me-nots for both the obvious meaning of memory and his love of flowers , but also to mimic other stars and represent both masked circles he was involved in ! i love jun if you can’t tell

lisa: though this one looks simple it actually was pretty thought-out !! i wanted to figure out a way to both have her love of kung fu and role as an idol represented , which led me to these sort of boom-flash symbols ! these symbols are meant to be representative of her personality (feisty and explosive, but also fascinating and even lovely !) as well as what i said earlier , both of her paths~ they can be read as punch SFX , as well as the flash of cameras/lights on stage !! they’re pretty simple , but i feel like they pack a lot of punch (LOL)~!!

maya: the standout girlie of the whole bunch !! i immediately had the sort of idea for an intersection of heart/moon , and came up with this ! the heart is for ahh.. reasons most people know , but also she’s just associated with hearts in general (think mr bunbun) !! they obviously are related to her compassion and big heart , and if we want to have a sort of more darker and serious inspection of it.. how she’s the heart of her friend group and the loss of that heart (literal and figurative , in many instances) makes everything fall apart .. i also wanted to include the moon for her association with the moon (and Artemis !) , which also serve to show her duality and antithesis to the heat and light of the tatsuyas ! i like to think the EP cast’s colours would be more based around her cutie mark colours , like how IS were all based around each others’ !!

eikichi: i struggled with this one the most & i think it’s obvious.. U~U; .. i wanted to , again , make a symbol that’s not too complex , but is able to encapsulate so many different elements of a character ?! i ended up coming up with this skull (for his association with death/self proclaimed title as the “death boss”) and rocker/vkei/darker alternative aesthetics in general~ the starry eyes are BC welll…! star ! and also because it’s like he’s “starry-eyed” and looking towards the future :] the little glowy shine thing is meant tp be a spotlight , like he’s in the spotlight ! maybe one day I’ll come up with soemthing better , sorry eikichi , i love you ! 😞💦

Okies that’s all !! hope you like my cutie mark rambles , i love explaining my thoughts !!! ^7^

#tatsuya suou #jun kurosu #lisa silverman #maya amano #eikichi mishina #persona 2 #innocent sin #p2 #fanart #mlp #mir.art

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