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After I finished reading The Epic of Gilgamesh today, I entered a fugue state where I sat down and read the entirety of Alanna: The First Adventure by Tamora Pierce.
On the record, I have had a lifelong love and adoration for Pierce's Tortall books. I first read the Song of the Lioness quartet when I was 11, and they rewrote my brain. I love them so much. I reread them and the other Tortall books on a semi-frequent schedule.
It's been a while since I reread any of the Alanna books, if only because my sister took our shared copies when she moved out. I've been meaning to buy my own set for a long while now but haven't been able to justify the purchase. The other week, I just so happened to find the first two volumes at my local indie bookstore. I bought them immediately, as well as ordered the third and fourth book. (And discovered that the store owner knows me by name-- when I went to pick up my order, she saw me and said, Hi Frankie! I got your books over here.) (I may be spending too much money there.)
So I have been in a bit of an emotional rut these past few weeks. Work sucks. Life stinks. The temptation to run off to Tortall and curl up in the fantasy story that captivated me as a kid has never been stronger.
Ergo, I ran off to read the first book as soon as I could.
If you're looking for any critique of this book, series, or Tortall in general, I will never give it. Sure, it's problematic and dated, and in many ways imperfect, but someone else can list out all of its issues. They're all perfect to me.
Anyway, the book. I should say something about this book in particular.
One thing I appreciate about Pierce's writing is how she handles school settings in fantasy. Learning and training is so mundane. All of her heroines have to work hard and put in extra hours of study in order to improve, much less keep up with their peers. It's so normal that it circles around to being weirdly refreshing.
Also, there is still no other fantasy author who handles period talk and birth control the way Pierce does. We make fun of the trope of fantasy birth control nowadays, but I rarely see it presented as it is here: as a part of normal puberty lessons and given long before sex is in the girl's radar. And even today with the glut of YA fantasy stories out there, I still have yet to see menstruation be portrayed as frequently or as bluntly as Pierce writes it.
There was a period of time publishers really tried to push the Tortall books as straight YA, which doesn't work for that reason alone. You gotta market them to middle schoolers. They're the ones just starting puberty talks, and getting scenes like this is so good for their brains.
Moving on: I fucking love these characters. Alanna was an icon of brash, temperamental heroines that have shaped my taste to this day. I love how even in the first book, Jon is kinda shitty. I adore George Cooper. Talk about a taste maker the way this man sets a standard.
I just can't be coherent when it comes to any Tortall books. I have no thoughts. Head empty. I am going to binge the rest of this series as quickly as I can before my library book comes in. Then normal book content will resume.
Before I go, I need to talk about the book covers.
Growing up, my sister and I had these covers:

Which, god. I love them. The black is striking. The art is incredible. Alanna looks so good. They were the perfect pocket-size too. I was going to buy the same edition for my copies, but instead I got the 40th anniversary reprints:

Not bad at all! These books have had some seriously bad covers, and these look great! Very anime, which will appeal to the 11 year olds who need to have their socks rocked by this series.
But, man. I really miss those black covers. One day I will splurge and buy a second set of them just so that I can stare at the art.
#having a not normal time on tumblr dot come right now#alanna my beloved#if you were a deity i would worship you#me rambling#me reading#bookish#books and reading#books#bookblr#Alanna: the first adventure#the song of the lioness#tortall#tamora pierce
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This is me reading my poem Heliostat, which is my favorite of my own poems. My voice is so tight these days and it is because I can’t relax and maybe the reason I can’t relax is that it is so stranglingly difficult to post videos on tumblr. Listen to this or I don’t know what I’ll do.
“Heliostat” appeared first in Salt Hill Journal
Read the text of Heliostat here.
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Sigh. Guess who just ordered the first three Queens Thief books. Is this my fault? No. It is entirely the fault of certain relentless tumblr mutuals who shall remain nameless. Coughs in @kanerallels and @accidental-spice
I suspect I have another suffering, angst magnet man to adopt.
#reading#queens thief#tumblr mutuals#I blame them#me reading#like I have time#Gonna do it anyway#books#angst
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Reading - KinnPorsche
A Deeper Connection by DragonFairy777 (23.2k) https://archiveofourown.org/works/46960273 Porche and Kim meet at street fights several years before the start of the main story and become friends right away. There's some things that I really enjoyed in the story. Kim and Chay develop close relation and that's why Kim's desperation seems much more logical when Chay learns the truth and as well as their make up that follows - as it's much more difficult to turn your back on the person you've been so close and secretly in love for years. And one more thing - I never knew that Kim&Porche friendship was what I needed - their dynamics and the way how perfectly Kim fits into the brothers' life (and the punch Kinn gets from Kim for mistreating Porche was soo deserved!)
Teaching Chay by blackhighheels (95.1k) https://archiveofourown.org/works/46000303 Kim learns that Chay is depressed and nobody cares about it except Big and returns to the compound to get Chay out of the shell and help him finally adjust to the new environment. I think i haven't read any other story with so many details about their real learning&teaching process - not only learning to be a part of the family but learning each other. Loved it! The final part of the plot still leaves some questions unanswered - first being why Korn was the way he was, what was the reasoning behind his actions. That makes the detective, let's call it so, plotline less convincing, however, the relations part here is just on spot.
With Every Guitar String Scar on My Hand I Take This Man to Be My Lover by bInTheMoon (2.3k) https://archiveofourown.org/works/40088208 a cute variation of a 5+1 plot when Kim and Chay are together, but their brothers never notice anything
the instinctual gravitation toward warmth by kimkhimhant (139.6k) https://archiveofourown.org/works/42238578 A quite emotional post-canon story of Kim fighting for his freedom from his father and 'business', for his music, for Wik, and against drug abuse: of slow but imminent fall to the bottom and gradual and painful way back. Kim and Chay make up through music, both aiming at making it a career. Chay is supportive of Kim to the point he just can't stand Korn's mind games any more. Tagged 'Heavy Angst' not without a reason
Our Hearts, Bathed in Lightning by The_Old_Astronomer (27.6k) https://archiveofourown.org/works/43148404 Chay is afraid of storms and Kim comes to the rescue. It seems like another story of them coming together, but the language it's written makes it stand out - it has a certain poetic flair and is full of metaphors and other stylistic devices that I thoroughly enjoyed. Just a quote. "Kim was his prologue, his epilogue and everything in between"
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Fuck heroes. Give me a morally questionable character that won't change themself for the world, but will change the world for their child/goal
#me reading#books#i love books#and characters#I usually end up crying#authors are cruel#six of crows#alea aquarius#Literally half of my fandoms
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So I’m reading Interview with a Vampire….
“As boring as a mortal, as trivial and unhappy as a mortal, he chattered over the game, belittling my experience, utterly locked against the possibility of any experience of his own. By morning, I realized that I was his complete superior and I had been sadly cheated in having him for a teacher.”
The difference between the start of Louis & Lestat’s relationship is throwing me off 🤭
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Chi no wadachi is fucking disturbing what the fuck
#me reading#manga#it has been on my tbr list for so long#what the fuck#very nice art#very disturbing story
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“But, Nelly, if I knocked him down twenty times, that wouldn’t make him less handsome or me more so. I wish I had light hair and a fair skin, and was dressed and behaved as well, and had a chance of being as rich as he will be!” [...] “In other words, I must wish for Edgar Linton’s great blue eyes and even forehead,” he replied. “I do—and that won’t help me to them.”
-Emily Bronte, Wuthering Heights (1847), chapter 7.
#mine#emily bronte#me reading#this part of the book always makes me cry......... HIMMMMM#heathcliff wuthering heights
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'ao3 needs a like and dislike button'
what you need, my algorithm-rotten minded friend, is a grip
#ao3#archive of our own#what.do.you.MEAN#how do these takes still find me#HOW#'but I only want to read the good stuff' THAT MEANS DIFFERENT THINGS TO DIFFERENT PEOPLE#THERE ARE HIDDEN GEMS YOU WONT EVEN FIND#also you know what you TRULY want? fics recs it's called fic recs but hey cant have that if you dont read THE FUCKING FICS first#imagine thinking fanworks are uniquely for your consumption and products to be ranked on a scale#ANYWAY it just boggles the mind
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I finished Skyshade by Alex Aster. No surprises: it's really bad. It might be the worst Lightlark book yet.
I could write out a long, well-articulated analysis of what specifically is bad about it, but I do not have the willpower. What I do have is a long, detailed summary of the events of the plot I spent way too much time writing out for my friends' personal enjoyment.
So here it is.
--
Ok so I am just going to assume that you all remember what happened at the end of Nightbane, because we pick up right where we left off: Isla "ending" the war by agreeing to go back to Nightshade with her husband Grim. The plot then informs me that apparently Grim's whole court and country knew they were married from the beginning. Taking into consideration the time they were married before the brain washing, the 100 day time limit on the centenial, and the month and a half of war prep we just went through; this means that this was somehow kept as a secret by thousands of people for like 6 whole months. How the fuck did no rumors about this ever spread to the rest of the world????
Anyway, what is the plot? So Isla has a prophecy that says that she is going to stab either Oro or Grim in the heart and kill them. That's bad, and she wants to stop that. But wait! She is also slowly dying (she's on borrowed time because her life is tied to Grim, via marriage). So she wants to find a way to not die. But wait! There are also storms. What kind of storms? Magical, uber desctructive storms that have apparently been destroying Nightshade and other countries for a long time now and have been slowly increasing in frequency. We have never been informed of the storms before, but now Isla has a goal of discovering the source of the storms and stopping them. And she has to do this before the end of storm season (winter, so a few weeks) because that's when she's supposed to die.
And here, we can truly acknowledge the fact that Aster knows how to write one plot and one plot alone: fetch quest with abritary time limit. The next 200-odd pages are Isla going to X person to find out Y, then running off to A person to ask more about B. And the narration is constantly reminding us that she only has a few short weeks to live, but it never feels that important-- frankly, because no one actually cares if she lives or dies or not.
So we go to a religious cult who once followed a prophet, who then tell her to go talk to the auger. The auger is a fucked up dude that sounds like he belongs in Pan's Labrynth. He will provide the needed info, but only if Isla pays him in human hearts. So now we need to go get human hearts.
During all this, is the… I guess romance stuff? So Grim is well aware he's in the fucking dog house with the whole brainwashing and marriage stuff, and this man has been groveling for her forgiveness. This is not fun for me, as I enjoy Grimshaw the best when he is an unrepentant asshole. He also does this thing where he keeps calling Isla, "wife." Which proves that the most important part of calling someone "my wife" is the "my" part. "My wife" is affectionate. "Wife" is like you're calling for a dog. Gives me the ick, I tell you. Anyway, everyone at court hates Isla because they think she's Oro's spy and is just using Grim. They're not wrong about the latter-- she has not forgiven him and stuff. But she's not in contact with Oro because she believes she's too evil for him.
During this plotline, there's a guy a Grim's court who's flair is that he can control people's body with a touch of the hand. Which he uses one night to try to get Isla to hold still long enough for him to kill her. He gets mauled by Lynx first. Isla then decides to go full evil mode and present his decapitated head to the court and have her ~EVIL~ snakes devour it. Before Isla can feel bad about murdering a mostly okay guy, the story implies that he had previously used his powers to rape women during the night.
And I bring that up because there is this stupid morality thread throughout this book where Isla thinks she's evil and tries to do things that are good (they aren't), but ~she just can't help wanting to do evil things.~ Because of that, Isla has these stupid handcuffs installed onto her that suppresses her magic (so that it doesn't make her evil?) until the rape guy incident. Then she removes them and embraces her villain era. At the same time, there's a lot of Grim lore we learn to soften his image so that he appears to be way less of an unrepentant cunt. There's also this weird characterization of Oro, which I will get to later.
Anyway, back to the plot. Isla needs human hearts to go talk to the auger. So she goes to a random village in Nightshade and finds a guy who she considers to be "wicked": he's choking out some girl in an alley way. And then she brutally murders him and carves out his heart. She does this so that she does not feel bad about killing an innocent person. But what Isla has not considered is that by doing this, she is violating his right to due process and is assuming he is guilty until proven innocent. For all she knew, this man was defending himself from a womanly mugger, or that this was a pre-discussed kink scenario between the two. But, like, whatever I guess. The woman she saved is named Sairsha. When Isla returns every night to do her "vigilante" activities, Sairsha is there to give her a pastry and to thank her for doing her part to keep the streets safe 🙂
Yes, there is a character in this stupid book named Sairsha
HEY ALEX ASTER DO YOU NOT KNOW HOW TO SPELL SAOIRSE????
Once Isla has enough hearts, the auger tells her that there's actually another magic system in this world called skyres. Basically, it's blood powered and you have to use your blood to draw sigils. Doing too much will kill you. But Isla, who at this point has been told that there's no way to avoid dying or killing one of her 2 boyfriends, is like "fuck yeah sign me up." The problem is that the skyres are a forgotten magic from the old world. The only person who remembered anything about it was the aforementioned prophet, but he was murdered ages ago by Grim's father. So Isla now has to rediscover how skyres work.
Now please pause for a moment as I quickly move some wet laundry to the dryer.
And now we're back. So even after she gets help from the auger, she STILL decides to continue cutting out the hearts of random men on the streets who may or may not be evil. And this leads to Sairsha roofing Isla and kidnapping her. When Isla wakes, Sairsha reveals that she and her drinking buddies are a part of a cult that believes Isla will either save or destroy the world. And they want Isla to kill them. Isla refuse, so… ok, I need you to follow me on this one. One of the men hands her a sword. She holds it up, wondering "wtf am I supposed to do with this?" and the man rams himself onto the sword, killing himself. The other cult members then try attack her, which she blocks. But then they realize they can just run themselves onto her sword every time she blocks, so she ends up accidentally killing all of them. This is very traumatizing for her
Now, you might be wondering what the fuck is going on with the storm story line. Earlier in the book, democratic leader demoted to gay best friend archetype and leader of the Skyling Azul met her for tea to discuss the tea that is her secret marriage. He is intimately familiar with the storms because apparently they happen to every kingdom, but for some fucking reason Isla has never heard of them before. So he gave her a ring that she can use to trap a little bit of storm that will lead her to its source. Cool. Now she has to wait for a storm, which is a period of time she used to justly carve out the hearts of guilty until proven innocent men. Azul also gave her a fucking bird that will sing when the next storm is intiment, kinda like a tornado siren. So the night the next storm hits, Isla finds that Oro had flown his ass all the way from Lightlark to Nightshade because he was worried about her. It's been weeks dude. Where are you. Anyway, they have a moment where Isla decides that she has to scare Oro off so she goes on an evil speech about how she never loved him and stuff. Then the storm hits, and we race off to capture the storm in the ring. This does not work because SHE DROPS THE FUCKING RING AND LOSES IT. Oops. So now we're back on the fetch quest.
So we're back on the fucking fetch quest, and we fuck around and do other things for a bit. We have a second wedding to improve Isla's reputation. Isla has long gotten the stupid anti-magic handcuffs removed. And there is a little subplot about how there is a traitor among the Wildlings who are desecrating graves and destroying medicinal miracle herbs. Put a pin in that one because we will get back to it. So we learn that the storms are coming from a tear in reality, a portal back to the original world that all of this came from. This is a one way portal, though. So we can't use it to go through ourselves without dying (there is another subplot where Grim wants to do this because he thinks it will save Isla's life; don't worry about this).
So in the last book, Isla had visited Aurora's castle and found a feather as a memento. This is now relevant because the feather is actually a quill and Aurora's ghost can control the quill. Using writing, she tells Isla that she can teach her a little bit about skyres. Isla believes her and that this is actually Aurora's ghost controlling the quill, and starts to learn skyres. But she needs to go to a special library in Grim's winter castle to find more. This, and the fact that she is really freaking horny, is her motivation to finally mend her marriage with Grim.
Grim uses this opportunity to trauma dump about how his childhood sucks. It's royal Nightshade tradition that you have all your kids murder each other so that there will be one ruler. This is stupid when you consider the whole nexus, "lives of the people attached to the ruler's" thing, but whatever. Luckily, Grim didn't kill his siblings on account of his father doing it for him. This is so sad that it makes Isla forgive him entirely and they fuck. Yay.
We go to the winter palace, and Isla finds the needed book. The book helpfully tells her that bone is more powerful than blood. Put a pin in that. Besides that, she and Grim go on some more dates (including a sequence where she gets new clothes for him because he doesn't know how to dress casually) (who the fuck wants their boyfriend to dress worse???) and shit. He also shows her a magic maze in the backyard that is enchanted to forbid people from using their magic. But at the center of the maze is Cronan's casket and body. Cronan, you may recall, is one of the three founders of lightlark, the first nightshade, and the dude that invented the nexus. Isla tries to steal his bones in order to do more powerful magic, but fails. There's also this bit where Isla investigates her dead father's life in order to feel connected to him for a bit. This involves discovering that he had discovered an island, that he had also named Isla. This island is barely relevant.
So at this point, we are about 150 pages into a 370-ish page book. This is also the point where I started reading last night and proceeded to go a little bit insane.
So the next big plot point is that a village in Nightshade is absolutely razed by someone everyone thinks is Isla. It's not Isla because she has been fucking off to learn more skyres, but no one knows she's been doing that because it's been a secret. We spend about a chapter confused as to who this person could be, only to find out that it's the same Wilding traitor who has been fucking around in the background of this book so far. Wanna take a wild guess as to who this traitor is?
Well, you can't because out of left field, we find out that it's Lark Crown-- Isla's ancestor, one of the founders of lightlark, and someone we have been told has been long dead for like a millennia
So what is Lark's deal? Lark has been imprisoned below the earth by Cronan, and has been there for a millenia. Apparently, the dead Nightshade children thing was a way to reinforce her bounds. Because Grimshaw wasn't going around and having children to kill, her bounds weakened enough for her to escape. And, I need you to understand this-- Grim knew about Lark this whole time. He knew that she was locked up because she was famously the most evil person ever (but not famously enough for Isla to know?). He kept this a secret for Isla, and then also didn't do the one thing that would have kept Lark imprisoned
Lark and Cronan (and also Horus, who is Oro's ancestor; he's actually dead so don't worry about him) are from the primary world. Long story short, they were fed up with how Horus's family were tyrants and decided to make their own secondary world. But to do that, they had to kill a lot of people and the world of lightlark is made from the bones of innocent. Then Cronan, who Lark was in love with, betrayed her and imprisoned her so that the land could be powered by her magic. Now that she's escaped, she wants to kill everyone in the secondary world so that she can start over from scratch. To do this, she has raised an undead, nigh-invincible army.
Also, remember Aurora's quill? That was Lark using magic and "stealing" Aurora's handwriting. Because she needs Isla to know skyres for some reason? Mostly, Isla is connected to the heart of Lightlark and needs that power to remake the world.
So the first thing Isla needs to do is go on one last fetch quest to learn one last bit of information that will help us later (insert mickey mouse special tool meme). So she goes to Lightlark so that she can invade this secret Sunling archive, located in a magical desert that only the Sunling ruler has access to. Here, Oro finds her and he's fucking bitter about the whole break up thing. Like he's gone from being generally nice dude to being really mean, but mean in a book 1 Grimshaw way. Like he invades her space and kisses her without her verbal consent-- because he has magic that can tell that she's lying when she says she doesn't want him anymore. Sadly, I still think he's better than Grimshaw so I will allow him to be a cunt for as long as he wants to
This story arc in the desert. Oh my fucking god. I was losing my mind. So it's super hot, so there's all these bits where Isla keeps having to strip naked to stay cool. And Oro just keeps…ogoglinh her. Fucking leering man. And while the stakes are high and you're still concerned about the whole Lark Crown situation, we stop the entire flow of the story so that Isla could have a dream. Which is just a framing device for a flashback to the time she had sex with Oro.
This sex scene chronologically took place during the events of the last book, but we did not see it because Alex Aster did not care about providing the illusion that Oro has a fighting chance at this love triangle until she read the fucking comments. In this sex scene, Isla urges Oro to turn the slinky dress she is wearing into gold. Why? Explicitly, because she wants to help Oro get over his hang-up about having once killed someone with his midas touch. WHY? Because Aster read the fucking comments and decided that Isla is actually obsessed with the gold stuff because it's therapy for Oro. Therapy, while they're having sex. Anyway, Isla rides his dick for a bit before giving him a blow job. Good job, boyo.
So we get the last bit of information from what turns out to be Horus's tomb. And I'll be honest-- the whole sex scene flashback had made me gone so thoroughly insane that I'm a little fuzzy as to what bullshit we actually learned here. I think it's that the portals are being caused by Cronan's body, because had a portaling flair in his lifetime. I don't know, man. Just thinking about this is hurting my brain.
There's a bit where Isla steals some of Horus's powerful bones, which is another betrayal for Oro. Before they can duke it out, we learn that Lark has already brought her armies to Lightlark. So Isla, Grimshaw, Oro, and Oro's friends decide they have to put their petty differences aside and work together. There's more fetch questing here, but to summarize: we go see this monster guy named Remlar for a dagger powerful enough to paralyze Lark. Grim tries to find this monster controling sword he had in the last book, but it's gone now, Turns out, after he used it he put it back in the dragon lair / thief trove he had to looney tunes his way to find it last time. And since then, the thief had moved their trove, probably because some dingbat idiot purposefully trigger all their traps. We had have to get Oro's friend Zed, who is a hobbyist theif, to find the thief. This apparently was a huge ordeal and was mildly traumatizing for him, but it all happened off screen.
This is actually a huge problem in this last act of the book. A lot of bullshit happens, very quickly. The great majority of it is based on information Aster teases, but does not tell the reader until the last second, which is then followed up with Aster telling us that Isla had done something or talked to someone off screen, had gotten X special thing from them, and is now using it has a checkmate against Lark. I am not joking when I say that by the time we reach the final fight, there are like 4 checkmates in a row that can be summarized as "Isla allegedly did this really cool thing off screen that she told no one about and the audience didn't see, but it allows her to do this really cool thing"
So the what does this look like on page? The narration will tell us that Remlar "told Isla a secret." Then in a fight, Isla will use a new power and "this was the secret Remlar told Isla." Then when this does not work, we then find out that Isla:
-laid a physical, magical trap that we had not heard about before
-had talked to the auger to get one last bit of lore, which we are just hearing about now that it's going to help us fight Lark
-Isla realized a plot twist off screen that is helpful for the fight now
-convince Cleo, the Moonling queen who was helping Lark, to switch over to our side in exchange for something that is never really explained to us
It's rapid . One after another. And Aster expects you to be happy with each punch as they come. Because here's the thing about Aster's writing. The logic doesn't matter. She just wants to shock you. She wants to catch you off guard with another plot twist, even if the plot twist is nonsensical or is only possible by not writing a solid 100 pages worth of material. I don't want this book to be any longer than it is, but it's downright insulting how much Aster straight up doesn't write for the last fight of this book
So to summarize what is already the summary of a final conflict. We try to paralyze Lark long enough to open a portal to send her back to the primary realm, but oops Cleo saves her. So Isla decides to make the worst storm of the century in order to depower Lark long enough to try again. There's this bit where Lark tries to imprison her underground, but it doesn't matter. There's also this bit about Isla realizing that as a baby she killed her parents, but it's okay because they knew it was going to happen, but this Does Not Matter. She also has sex with Grimshaw again.
So final fight, we lure Lark to Cronan's coffin, where the portal is. This is where we learn that Cronan is actually alive and has been freely portaling between the secondary and primary worlds. We never see him, so who cares? Anyways, Isla uses her powers to open a new portal to throw Lark into. And she sacrifices herself by going through it as well. And the book ends with Oro and Grim realizing that Isla had gone this one last act of good-- sealing herself off in the primary world… which is named Skyshade. Roll credits
Every fucking book, Aster finds a new way to write badly. I am going insane. I didn't know you could write like this. She is discovering new avenues of absurd badness I couldn't even imagine. I feel like I am going to throw up. I can't think about this book too hard or else I think about the stupid desert sex scene again. WHAT DO YOU MEAN YOU PUBLISHED THIS?? Why is the first book somehow turning out to be the most coherent one??? I am going to chew my arm off. I have to read three more of her books next year??? Are you insane??? Am I insane??? -1/5⭐ anyways, thank you for tolerating this long rant. I hope you enjoyed this. I'm going to go read a good book now.
Friend: [asks what was the deal with losing the ring and comments on the love triangle]
Me: So there was a second ring, which she used in the final fight to make the worst story in history to depower Lark. There is more lore about the storms and importance given to the storms in general that I skimmed over because, really, they don't matter.
Also the thing about the second ring is that I'm not sure where she got it? I thought Azul gave her one and she made a big deal out of losing the first one, then there's a throwaway line about Azul giving her a second one that I couldn't decide happened a) when he gave her the first one or b) happened off screen. Initially, I thought it was A and I just forgot but in retrospect it's probably B
I am still on team Oro, even if he's being a total dick rignt now but I have no illusions that Grim isn't going to be the end game. However, I do want to entertain delusions I will get a threesome somewhere
Honestly, I think Aster wants to write a smutty fairy book where the plot matters less than the sex scenes, but she unfortunately has to sell this as YA. Does that stop her from writing sex scenes? No but it causes her to give me a fucking flashback of Isla and Oro having sex instead of just having them fuck in the cave like she probably wanted
"[frankie] you make such a big deal about the sex" these characters are obsessed with it. like every conversation comes down to a scale of how much a character does or does not want to bang. and it's not even remotely sexy about it
[five hours later]
I have realized I forgot to elaborate on a whole plot point about her dead parents lmao
here's the highlights because I'm tired:
-her guardians had initially told isla in book 1 that they killed her parents, then walked it back in book 2. They were the red herrings for the whole wildling traitor BS
-Isla already imprisoned them when, 2/3rds of the way through the book, she decided to use oro's lie detector magic to see if they were lying or not. They were not.
-while imprisoned by Lark (this truly does not matter), Isla realized that her flair actually isn't anti-curse. Nope. It's actually that she can steal other people's flairs if she killed them. And she had actually killed her parents.
-her dad discovered an island and named it isla, but swore that he also wanted it to be the name of his future daughter
-before the final fight, she discovered a letter on the island from her dad that explains the Lore
-the dad, who had an anti-curse flair,* had a charm made with his blood for grimshaw that allowed him to be outside at night despite the curse; this is Aster reading the comments again
-Grimshaw gave the dad the starstick in exchange
-Isla's mom had a fortune telling flair that let her know that Isla is so powerful that she will kill them shortly after being born.
-both mom and dad decided to still have her because they wanted her so much, but they did make a charm to bottle away the mom's future telling flair so that Isla didn't get it right away
-When Isla asked her guardians about THAT, they confirmed it and said they didn't tell her because they did not want to truamatize her
-and also they had suppressed her powers by putting metal shavings from this story's equivalent of kryptonite into all her food, which did not wear off until she was at the centennial
-this is so that she would not have any powers until she was strong enough to handle them
This book is a goddamn mess
The real irony here is that Isla was still traumatized by the idea that she had, as a baby, lost control of her powers enough to kill her parents. Yet she cannot extend any real empathy to Oro, WHO DID THE EXACT SAME THING
Friend: that's a lot to unpack
Me: honestly eager to read crowcaller's review. if anyone could unpack it, it's them
#if something is inaccurate it's because i read half of this book last night and it all became a blur#i basically edited out my friend's comments and my responses along the way and nothing else#so sorry if this is a little incoherent#but at least enjoy this peek into how i talk normally lmao#me rambling#me reading#lightlark#skyshade#alex aster#bookish#books#bookblr#books and reading#also lost some of my comedic italicization in the copy and paste but oh well
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Hear me read my poem The Fulfillment House, originally published in Meat For Tea in ‘19.
Read the text of the poem here.
It is rather everything I believed at the end of my twenties: mercy from a definite place, unrecognized; the miracle of reality appearing straight out of nonreality; joy in the middle of nowhere. I still believe these things but now I believe in love too. It was a lonely vision I had when I was younger. I used to say I was Jonah in this poem but now I think I was always the backpacker, and I was always anticipating the house as I describe it, shocking and beautiful and an unhoped-for relief but always deeply alone. If I wrote this now perhaps there would be another person in that house, not merely daily bread, an eye, a memory of a body
If this doesn’t upload I am knifing somebody
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the fact that i'm no longer the same age as the protagonists of novels and films i once connected to is so heartbreaking. there was a time when I looked forward to turning their age. i did. and i also outgrew them. i continue to age, but they don't; never will. the immortality of fiction is beautiful, but cruel.
#was rereading the hunger games series when this thought hit me like a truck#it beautiful#its haunting#its heartbreaking#its melancholic#quotes#dark academia#books and reading#books & libraries#books#young adult#ya books#young adult books#movies#coming of age#the hunger games#the divergent series#the maze runner#the fault in our stars#musings#midnight musings#thoughts#mine
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Reading - KinnPorsche#4
Family Bonding by satxrlight (1.2k) https://archiveofourown.org/works/39982071 Big brothers are always caring, but sometimes too caring - Kim and Chay are trying to go on a date. Porsche is kind of irritating, Kim's definitely irritated, Kinn's enjoying the show and Chay is well-mannered (at least at the beginning)
drunk in love by Martynax (5.3k) https://archiveofourown.org/works/39550998 Kim and Chay go clubbing "to get super drunk." Kinn and Porsche join the Party, as a result - a lot of booze, some family bonding and terrible hangover later on
push and pull by Martynax (29.3k) https://archiveofourown.org/works/41363754 That's come quite unexpected in the search feed, but yes, it's KinnPorsche, it's threesome and Big is involved. Big recovers from his wounds and believes that he's been abandoned and forgotten, while nobody actually knows that he's survived. When Kinn and Porsche finally learn about him, they take him back to the compound and make sure that he has everything he needs. What starts as a gratitude for saving Porsche's life at the warehouse develops into something they didn't expect.
Posting your dramatic love song for your ex(?) on social media actually works by lalala53 (4.3k) https://archiveofourown.org/works/41294958 a kind of classical development of the final episode - Kim posts the video with the song online, Chay decides to give him one more chance. They talk ( cry) and make up
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“…to me” is one of the most powerful disclaimers we have on here… is this character analysis accurate? debatable. but it’s real… to me.
#honestly i have never read character analysis that i felt was 100% accurate#and it shouldn’t be#it’s a transformative creative work in and of itself based on the viewer’s subjective experience with the work#To Me is especially useful for less serious things#like. this random song applies to this extremely specific and emotionally fraught situation… To Me 😌😌#you know how it is
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do people have no shame anymore?
#if you couldn't be bothered to write it i couldn't be bothered to read that shit#this genuinely pissed me off#what even is the point of this? what do you get out of posting something you didn't even make yourself?#im a fanartist the point of it is that i made art with my own two hands! i created something by myself!!!#what the fuck do you get by making a machine do it#ao3#fuck ai#anti ai
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