#obviously there are so many good moments in this episode but this is the only one i think is a little underrated?

[signorcerullo]

Mal's Avatar: The Last Airbender rewatch: The Tales of Ba Sing Se 2.15

[celestiamour]

Accept my Hyun-ju request and my life is yours 😩🛐 (/lh you totally don't have to accept it if you don't want to <33)

BUT. The part where Hyun-ju is about to leave to fight the masked guards. Throughout the games, fem!reader developed a crush on Hyun-ju and before she left to fight, reader decides to go for it and give her a goodbye/good luck kiss 🤭

I am SO obsessed with this queen omg

ft. cho hyun-ju x f! reader — squid game

╰₊✧ giving her a goodbye kiss before she leaves during the revolt┊0.8k words

setting: season 2, episode 7 contains: , angsty & open-ended, season 2 spoilers, canon-typical gun violence! love confessions, reader is sapphic obviously, mentioned homophobia/transphobic in conservative korea

➤ author's note: i’m so glad to see so many requests for this queen, i’m also obsessed

“goddamn it, where the fuck is dae-ho?!” you could barely even hear yourself over the sounds of shots being fired on both sides, hiding behind the pink walls which were steadily being painted red with the blood of your companions. 

the younger marine had left at some point to gather more magazines from the pockets of the deceased guards back at the barracks, but he was currently nowhere to be seen and the situation was becoming more dire by the second. although you had been conservative with your bullets to focus on accurate hits that would kill them on the spot, there were only a handful left at the moment and some of the other men were completely out. 

over all the ruckus, you could hear hyun-ju yelling into the walkie-talkie trying to get a hold of him, but he was nowhere to be seen or heard so she roughly shoved it into her tracksuit pocket and began to shout, “something must have happened! i’ll go down and check!”

“wait, let me come with you! it’s too dangerous to go alone!” you tried to get up from your position but was stopped when an oncoming bullet managed to graze your face, making you shriek in surprise as a shaky hand lightly brushed at the wound and found your fingers now smeared with blood. 

“it’s even more dangerous for you to move from your spot! i’ll be okay, i promise!”

her determination was awe-inspiring, yet your heart sank at the realization this might be your last time seeing her face. your affections toward her were unexpected even though you already knew you loved differently than most people did, something you both bonded over when being a part of the lgbtq+ community was still a taboo topic socially, but you found her to be beautiful inside and out with her caring personality and resilience in times of danger even though you were too scared of ruining your special friendship to admit it. you had no idea it was possible to become so attached to another in the span of less than a week, being so surprised at the realization you stayed up for hours when others were asleep to take it in. the only other person who knew about your feelings for her was young-mi, and she was…

suddenly hyun-ju was next to you wiping away the sole tear about to drip down the corner of your eye, holding on to you with a worried look on her face, “are you okay? i thought you went into shock for a second.”

god, you didn’t even notice with the battle going on around you sounding almost muffled with the two of you feeling like the only souls for miles around. everyone here insisted you should stay behind on account of being a woman even though you believed you had proven yourself to be tougher than most throughout the games, but she had faith that you could fight just as fiercely as a man and defended you each time they said you should turn back. (as annoying as it was, you don’t blame them since they were only looking out for you.)

you stared back at her for a second, blinking away thoughts of the past to focus on the present, the knowledge of this possibly being your last interaction with her once again coming to the forefront of your mind. taking in a deep breath, you decided “fuck it” with closed eyes and pulled her towards you for your first and possibly last kiss.

her eyes remained wide open in shock, trying to process the sudden action. it lasted for a few seconds but felt like an entire minute, feeling your soft lips against hers as she reciprocated the kiss and feeling her heart jump for joy. the earth seemed to stop spinning for those few moments until a voice called out to interrupt. “hey lovebirds! we’re kind of in the middle of something here!”

you finally parted with her, gazing deeply into her eyes and noting her blown-out pupils. “come back safe, and when we get out of here, we’re going to pay for your surgeries and move to thailand together, and i…” you closed your eyes again, taking a deep breath to muster up the bravery to utter the words you might never be able to say again, “i love you.”

now it was her turn to stare at you. you loved her? loved her as she is? she can’t remember the last time she heard those words after getting essentially disowned by her family. she always knew, deep down, she shared the same feelings for you, but was too scared she would end up alone again as she has been for so long so chose to push them down out of fear of rejection. yet when you’re by her side like this in the face of certain death, she feels courage. “i love you too. we’re going to get out of this together,” her confident voice made it sound like she was an oracle who already foretold your happiness in the future, “but first, you guys are going to have to cover for me.”

“don’t worry, i got your back!”

[bakugoushotwife]

a/n: omg heyyy i make my grand return with my humble offering to @ohkento 's reddit theme collab!! i also have a piece for shouto coming up next, but here is the first one!! i took a while off after kinktober so if this is bad....lie to me!

warnings: dark content. nsfw. no minors. yandere theme gojo, no physical harm to reader, baby trapping, threats (not to reader), female reader, breeding, pentration, oral (fem!receiving), reader is kinda dumb lol.

summary: STORYTIME: I (28M) CAN'T STOP BREEDING MY GIRL BEST FRIEND (28F)!! it's a serious problem...i'm really reaching my breaking point here. i've been in love with this chick since high school and she keeps chasing other guys...but fucking me when the dates go wrong, help!

it’s been his dirty little secret since his years at tokyo tech. you’ve always been a looker, never were you short on attention from lesser men that aren’t worth your time—and yes, that includes when geto crushed on you all through the second year of school. but they never were quite what you were looking for, and every night of passion or attempt at a meaningful connection always ended the same—dialing up your closest confidant satoru to come console you and stuff your cunt full and wipe your tears–to make it better, like best friends do. 

satoru was all too aware of your little predicament, because he had struggled with the same issues–except he realized his fate years ago and was determined to have it. you are his and his alone, no matter how many scrubs that try to take you from him. if only you would open your eyes. you were obviously hopelessly in love with him, of course—that’s why no one could compare! and that’s why you always turned your teary eyes and pretty pussy to him after yet another date gone wrong. he knew he was the only cure, and he’s given up on hoping you’d see the truth for yourself. 

he tried to play the patience card, licking your tears off your face as he pounds his love into you, telling you that you’re worth so much more than those guys you keep letting break your heart. he tried being the nice guy that holds you after yet another promising prospect never texts you back–buying you dinner and bouncing you on his cock until you were crying from pleasure instead of heartbreak. each time, he buried his load in your womb until it was spilling out around him—hoping to give you no other choice but to pack your bags and move onto his estate to further the gojo clan with the very man at the head of it, but it seems your ovaries were just as stubborn as you are. he didn’t know how much more of this he could stomach—just waiting to be your knight in shining armor while laying in bed at night, staring at the pictures of you, both lewd and cute alike while wondering just how long it would take to have you laying beside him in his bed instead of the pixels on his phone screen. 

he’s had enough. it’s clear his plan isn’t working as designed. you must be on birth control—which is both irritating yet complimentary to him. of course you wouldn’t let these bums knock you up. is it insulting that this applies to his seed too? of course, but then again the whole dynamic was rather insulting wasn’t it? fucking other men and crying to him about it when they aren’t the perfect man for you. no shit—no man will ever know you like he does. none of them could ever compete with the life he could give you if you would just face the music. he doesn’t get it either. why bother? why look elsewhere? obviously you’re attracted to each other—so why won’t you make the next natural jump and stop it with the drama-packed weekly bachelorette episodes?

that’s okay. it’s really fine. satoru is such a good friend that he’ll help you, like he always does. he would simply help you to the conclusion that he wants and then everything can proceed according to plan! it shouldn’t be too difficult anyway, you’ll be calling any moment now! you had a date with yet another sure disappointment that gojo knows will desert you as soon as the date is finished. he’ll be dry and boring after the promising conversations you had in the days leading up to the date—you’ll be confused yet again—and the guy won’t pay either, set for split-bill city. gojo knows all of this because he’s ensured that’s what happens, of course! and this is the thirty-sixth man he’s had to pay off to show up to the date and forget about you. a price he’s more than willing to pay no matter how high, though it’s definitely added up over the years. and you know what—now that he thinks of it, none of them deserve you because their weak nature and corrupt morals. he’s been proven right every time, each one of these bottom feeders would take the money no questions asked—maybe that was due to his threats of horrific death if they so much as answered a text message from you again, but who could be sure? 

this one was especially easy to pay off, too. he didn’t even think twice about taking the money. it almost makes gojo mad. he clearly wasn’t heartbroken to walk away from you, and god you deserved so much better. you deserve a man that is willing to pay off any and every suitor that comes into your life just to make you his. you deserve a man so crazy about you he can hardly recognize himself. you deserve…well, him. he’s devoted himself to you for over a decade and it’s time for that to pay off.

your unique ringtone gets him out of his own head to answer, and of course, you’re crying and asking him to come over. pretty girls like you never learn, huh? that’s all forgiven though, as he is a teacher and it’s his passion to help you understand. 

“of course sugar. i’ll be right over. mhm–don’t mention it. that’s what friends are for.” he hums to you over his end of the phone, picking up his car keys to make it to you in record time. you’re your same beautiful self as you answer the door and welcome him inside, though he can see the tear tracks staining your face. it makes him pout a little at the sight no matter how used to it he is. he hates that you let these cretins upset you like this. 

“hey baby.” he pouts sympathetically with you, ducking under your arm to gaze around your familiar living room for any signs of a man he hadn’t yet heard about. he exhales a deep sigh when he finds none. he’s got his hands in his pockets, lips tightened in a knowing grimace. “so what was it this time? no—let me guess: split the bill and then he let you walk home in this weather?” 

you close the door after he’s entered with a heavy sigh. your bleary eyes fix on your hand still clasped around the doorknob, “yeah.” you tug your lip between your teeth and turn to face him. you didn’t have to answer him, for he already knew. it was borderline routine at this point and you were already embarrassed enough. you draw your arms around yourself to feel your own warmth, shaking your head. what was wrong with you? you used to be pined after, wanted—and now you couldn’t even get non-sorcerers to call you back. you haven’t had a second date in years, nor had an orgasm that wasn’t satoru’s handiwork. but even he didn’t want you permanently. you were a good friend and an even better fuck, that’s all. you knew it was pointless to yearn for him, sure he felt nothing other than his ever-present sense of duty and loyalty every-time he took your pain away–no matter the lies that poured out of his saccharine lips to do so. your sad eyes fix on his face, letting your plump bottom lip bounce out from your teeth’s trap. he smirks softly, cock rising because it knows exactly what that look means. 

but unfortunately for you, he won’t just hold you in his arms and promise that you’re worth so much more than you let yourself believe. tonight, he’s going to take what’s rightfully his—and his plan is already working beautifully. you never look away as you walk from the door to him, bracing your tiny and ineffectual hands on his chest. “what’s wrong with me, sato?” you pout, batting your long lashes up at him. his heart could stop just from that look alone. the comfort of his large hands covering yours soothes you already, making the tension drop from your shoulders. 

“you’re naive.” he answers, eyes as bright as ever as they glow like fireflies in your living room. if you were going just by the expression on his face, you’d think he said something kind or even funny, the way he grins softly and blinks his white lashes down at you in wait of your reply. you’re sure you misheard—every other time you asked this question he always said, “maybe you’re just too pretty, huh? ever thought of that, sugarplum?” 

“huh?” you tilt your head to one side, watching his expression shift to amusement. “naive? wh-what do you mean by that?” 

“well, if you weren’t so naive, you’d know, now wouldn’t you?” he pokes his tongue between his teeth, tucking his hands behind his back while you still lean helplessly against him. he likes feeling the weight of your body on his, and he’ll like it even more when he knows it’s a permanent thing. “you’re on birth control.” he states, and your confusion sets in even deeper. your brows furrow, but you nod. 

“yeah? what about that makes me naive?” you posit, used to his antics for the most part. you’ve been around him far too long to mistake his bluntness as an attack to you, even if it stings just a touch. though you did ask, and you have used him as your sexual relief and shoulder to cry on for years now. maybe he’s fed up with lying to save your feelings. 

he looks around for a second, humming. “where is it?” 

you also know better than to question him. if he’s asking you these questions it has to be for a reason—and you don’t have to understand him in the moment. just do what you’ve always done and trust him, support him on and off the battlefield–and never hesitate. it could be the difference between life and death. you learned that on missions together years ago. 

“in my nightstand?” you tilt your head to the other side. he has to admit your astonishment is adorable. he smiles down at you, cupping your cheek lightly. his fingers are so long that his thumb rests on the corner of your lips, fingertips brushing back your hair. 

“go get it for me.” he says as if he asked you to pass him the remote. you narrow your eyes to really study him—and then you see it. the teeming rage, the simmering crazy behind his eyes as they look at you. he is the most powerful man in the world, even if you were scared, there was nothing you could do but obey. but you trust him. and you nod. you turn to pad off to your bedroom and the clicks of his expensive boots follow. you’re used to the butterflies tickling your stomach as you lead him to bed, but you know something’s different this time. you feel like you’ll puke butterflies. but nonetheless, you pull the drawer of your nightstand open and fetch the little foil pack out of it, only a few pills missing from this month’s prescription. you turn to face him with it, mind racing on what he could possibly be doing. knowing him, he’s toying with you–trying to make you as nervous as possible and all this worrying is for no good reason. 

he sits at the edge of your bed, seemingly watching you with interest. he’s happy that you’re humoring him, that’s for sure. not even the faintest hint of protest. maybe you’re not as naive as he thought. in fact, your effortless obedience has his the crotch of his loose hakama’s tightening quickly. your heart jumps in your throat at the sight of him as it usually does—satoru gojo is far too beautiful to be in your house, supposedly telling you why you couldn’t keep a man. the black compression shirt was nearly criminal when it was wrapped around his perfect body. 

“good girl. now flush ‘em down the toilet for me.” he beams, blinding white teeth baring to smile at you. it was a simple request, really. he needed you to stop taking that poison and to stop entertaining the idea of other men. 

“why?” you swallow harshly, voicing your underlying suspicion. 

“don’t you trust me, baby?” he replies with a quickness, tilting his head to mirror yours. he’s doing well to keep himself together–you don’t understand his love for you yet, but he’ll take care of that. he’s a teacher, remember? “that stuff’s not good for you.” 

you hum. the side effects have been brutal, but you’re hardly in the spot for a baby. you can’t even get a boyfriend, much less a baby daddy. “yeah…i know. sucks taking it. guess i could get an iud or something instead.” you think aloud, voice becoming distant as you turn your back to him and dump your pills in the bathroom attached to your small room. you really undersell yourself. you could have been his bride eight years or so ago and been living large. but he’s going to fix it now. his jaw clenches at that declaration, and you feel him watching you the entire time—the doorway a straight shot from the spot he sat in on your bed. 

“no.” he says simply, the lightheartedness gone abruptly. it sends a shiver down your spine, makes your brain alert to the changes within him as he stands and cages you into the bathroom, broad arms stretching to block off the doorway. 

no? he doesn’t want you to protect yourself in any way? that seems a little ridiculous, but maybe he had a good reason. “satoru…i can’t get pregnant right now.” 

“why not?” he asks, looking over your little body nearly trembling from the darkness of his cursed energy growing more oppressive, nearly sucking the air out of the room. your heart pounds, more confused than you were at the start. 

“because i’m…single?” you try carefully, not sure exactly what you were dealing with here. satoru has always been so happy-go-lucky, even when he shouldn’t be. you remember begging him to talk out his stress so that he didn’t explode right after suguru left. so this anger you see set in his features shocks you, his bright and clear sky-colored eyes are clouded and murky, more cerulean than you’ve seen before. his brow is set and you can see the muscles twitching in his jaw. but he’s still smiling, and that for whatever reason is still real. 

“there’s that naivety again, princess.” he licks his teeth, shifting his weight from foot to foot. you look like a deer in the headlights, and he’s giddy at the rush that gives him. you’re finally in his grasp. “you’ve never been single. not since hmmm let’s see, march fifteenth, 2006.” he grins at you–”which makes all this dating real offensive, sweetheart.” 

you want to laugh, but decide against it considering his unpredictability. you shake your head instead, backing yourself to the wall. “what on earth are you talking about? we’re friends–”

“friends that fuck!” he laughs a strained snicker, straightening his posture. “and make sweet hot love, of course. friends that cuddle on the couch and have sleepovers. come on. we’re both adults, don’t insult me. you love me! which is great, because i love you too. i love you so much i’ve made sure that no one could steal you from me.” 

your brows must reach your hairline at that. “stop, satoru. don’t say that! you can’t mean it–fuck, you’re supposed to be married to a kamo or zen’in girl so you can keep making powerful gojo’s right? isn’t that what you always said in school?” 

“you’d give me powerful gojo’s.” he smirks, breaking the barrier of the bathroom’s threshold by stepping closer to you, leaning down to be on face level. “i was only trying to make you jealous sugar! just like this whole stunt you’ve been pullin’, dating around to try to find someone that makes you feel like i do? tch, hahahaha—it’s impossible!! just stop it, be mine and be happy like you should be.” he grasps your chin with a surprising gentleness given his unhinged and maniacal laughter, smiling down at you with something you recognize as his power-trip going off the rails—but. 

but you’d be lying if you said you were scared. he’s declaring his love for you in the most profound way possible, however crazy it–and he–may be. and you’d be lying if you said he didn’t absolutely see right through you. he has the six eyes after all, you should have known he knew what you were trying to do. you were trying to numb the pain of never being his…but you were actually manufacturing that whole scenario. you’re the only girl he’s ever seen, and it’s clear from the desperation mixed in with the insanity—he needs you. 

you reach back and flush the toilet, letting the little white pills circle the bowl and disappear entirely. satoru gojo has always been insane. you’ve seen it firsthand on many missions and battles against curses and sorcerers alike. it just surprised you to see him turn that look upon you–but now you know it was just to get your attention. 

though you don’t doubt what he’s capable of, you have no intention of pushing him to find out.

his eyes go from crazy to ravenous in seconds. you’ve accepted his proposal with hardly any effort and he intends to show you the difference between his sweet hookups and his passionate need to claim the woman of his dreams. 

“so you…scared off all those guys?” you ask, raising a brow as your face still rests in his clutches. he swipes his thumb over your bottom lip, nodding vigorously. 

“sure did, princess. i was trying to let you figure it out on your own…” he sighs, brushing your hair back behind your ears as his eyes scan over your body again. he needs to feel you. “but you’re not a quick learner, hence why i’m on plan b.” he winks, scooping you over his shoulder moments later. he puts you on your bed, the short walk made shorter by his teleportation. he’s just too impatient, brain swelling with the flashing images of you in traditional wedding attire and round with his heir. it all feels within reach now, and he has to try it out now. “gonna show you how bad i love you–you’ll never go anywhere else.” he mutters, lanky frame swallowing up your body, hips pinning yours to the bed beneath you. “you’re gonna give me a gojo and you’re gonna look so fucking good doing it.” he mutters, lips attaching to your neck reminiscent of the way they have a million times. though this time, there’s intention behind it—or well. this time you’re aware of the intention behind it. 

in all your times together, his dirty talk has been contained to praising your body and how good you feel to him. his incantations to knock you up has your heart beating funny and wetness pooling between your legs. you make a soft gasp sound for him, elongating your neck to let him leave real marks of possession where you’ve previously resisted. your body writhes and twists under his as his teeth knick and nip bruises into your skin. he’d spell his own name with them if he could, even a ring and a baby wasn’t enough in his eyes. he needs the world to know you’re his, that you’ll always be by his side, that you were born to be his. 

“that pesky birth control’s gonna have to wear off though–so we have time to get married before you get pregnant–if that matters to you.” he moans at the idea, hands sliding under your top to push it over your head. his mouth moves to suck the swells of your tits once they’re exposed to him, humming out his satisfaction at the warm skin. your head digs back into the mattress—mind absolutely drunk on his affection and devotion. it’s all you’ve ever wanted and now it’s right here, and from the man you’ve always wished you could have—how could you ever deny him again? 

your hands pull at the fabric on his back, hips bucking up for a source of friction. he breaks away from marking up your chest to bare his to you, throwing his t-shirt into some corner of your room to be forgotten about until tomorrow. this wouldn’t be your room much longer anyway–you’ll be moved into the estate within the next two days, he wouldn’t be able to live without you now. then he’s pushing you up towards the headboard, ripping off your lounge shorts to reveal those cute panties he knows you wear when you’re trying to impress him. color him fucking thrilled at your puffy pussy lips indenting the fabric around them, making him groan at the sight. he thumbs at your clit through the cotton, sparkling eyes flickering between the growing wet spot in your panties and the adorable scrunches of your nose and the pinch of your brow from the pleasure he’s dishing out before he’s even really touching you. you’re so cute he can’t pace himself, needing to consecrate your importance to him in the best way he knows how. 

you help him get you out of your underwear, shamelessly spreading for him after hundreds of rendezvous—you’ve lost your shyness and he loves it, loves seeing your neediness for him in the glaze of your pretty doe eyes and the way you swing your hips around to beg for his attention. “tell me you love me.” he hums, nosing apart your pussy lips. his cock throbs at the scent, and you feel goosebumps break out across your skin at his command. 

“you’re the one for me, sato. i love you.” you whisper so intimately he can feels his cursed energy pulsing like the rest of him. he groans, submerging his face in your cunt with a genuine pleasure you’ve only seen from him. he loves eating you out, loves the taste of you on his tongue—loves how your noises only rile him into fucking the bed, whining and grunting with his own neediness that he could only unleash once he’s properly readied you for it. 

“you taste so fucking good baby…so sweet down my throat. get loud, i don’t care it’s an apartment. you’ll be moving out soon anyway.” he smirks, latching onto your clit to make your legs jolt like they always do. it makes him giggle every time, and the vibrations feel even better against your sensitive bundle. he rolls it around his tongue, letting his index finger explore the wetness he’s helping you create. he pokes into your entrance, knowing how violently you craved something inside. his thoughts are confirmed by the way you clench around the digit, whining and bucking into it for more. he’s more than happy to oblige, finger fucking you with two long and thick fingers while his tongue works overtime on your clit. he loves watching you at this part, enamored by your face as your hips involuntarily jump from the bed, smacking your clit into his nose instead of his skilled tongue. 

your entire body is warm, jerking like you’re receiving electrical shocks from the pleasure satoru reigns down, gasping and sputtering on the edge of orgasm just a few minutes after he started. it’s always like this with him–though this time was special because you knew your life was changing before your very eyes—that satoru’s energy was growing so rapidly because he’s letting go of all kinds of stress and pent up frustration and anger. “please—wanna cum please sato–”

“daddy. i’m daddy now. ask daddy nicely.” he chuckles as he leans his head against his free hand, curling his fingers into the spot he knows so well just to watch your mouth drop and eyes widen in absolute blissful shock. you nod–brain fuzzy from his constant teasing and his new nickname. 

“daddy!! yes—daddy! please, oh my god—daddy let me cum!” you sound so good when you say it–it’s all he ever wants to hear for the rest of his life. he can’t wait for you to make him a real daddy. 

“oh missus gojo can do anything she wants.” he coos as if he didn’t make you expressly beg for permission, lowering his face to your cunt again with precise licks, shoving your hood back to absolutely abuse your sensitivity. your legs develop a mind of their own and you’re spiraling over the edge before you can understand what he’s doing. floating balls of color cover your vision and you scream his name just as loud as he wanted. he grins in satisfaction, hands resting on your knees so he can push himself forward for a sloppy kiss; slick covered lips sliding against yours so you could taste your own essence via his tongue shoving its way in your mouth with a hearty moan. you match his eagerness, making out with satoru with more passion than ever before–because you both have the security of knowing it’s real this time. he maneuvers his hips until his leaky tip catches on your hole, his breath shaky as before he shoves in like he always does. you squeeze him so tight it’s not hard to believe why he lost his fucking mind over this pussy. he truly would do anything to make you his, thank god you didn’t put up a fight. 

“fuuuuck–” he whines a little, finding it nearly impossible to even move in the first place. you feel the burn of his fat and lengthy shaft parting your walls like they routinely do, mouth dropped wide open in pleasure. satoru hovers inches away from your face, so close that the ends of his hair tickle your forehead as he picks your legs up—holding you by the back of the ankles before he sets a brutal pace. his nuts clap into your ass from the way he moves, length curving just right to fill you to the brim. he doesn’t even have to try all that hard to bottom out against your cervix, finding the way you moan and twitch so adorable. “this is why you have to be my wife—i need you for life, sweetheart.” 

your eyes widen at that declaration–though you already realized that satoru would never let you out of his clutches again. you knew he would marry you as quickly as possible based off of his desire to also knock you up as quickly as possible—but hearing him call you that, first missus gojo and now his wife, it all felt so real. his cock slamming into you only drilled it in further, his eyes glowing brighter than you’ve ever seen. the air also grows its own electric field, suffocating and thrilling all at the same time. your eyes are glued to him, entranced by the feral look on his face. you try to hold onto him, but he’s moving so punishingly you can’t even get your hands to work, mind and body on cloud nine. “you’re so beautiful. i’ve been in love…with—you–for years now.” he says in between deep breaths, trying to contain all his focus into drilling you unconscious. 

you shudder, feeling that was completely in the realm of possibility. his balls ache, the need to breed you just as heavy as all the other times you’ve come to him to clean up every mess of yours ever since he’s known you, the need to make you his in a way no one else would be allowed to—it’s carnal. he can’t stop until you’re full of his seed and it takes. he needs to see your breasts heavy with milk to feed his baby from. he needs to see you struggle with the weight of your belly so he can urge you to rest and let him serve you like you should be. he needs to see what the combination of your love looks like; what these last ten years of hard work would become. he’s painting your insides white and still pumping just as fast as before, watching your face tick and jerk with the pleasure you’re experiencing as you tip off of your own peak. he grins, shoving that cum as deep as it will go. he stops when he knows your body can’t take anymore, cuddling you to his chest until you fall asleep safe and sound. he has the whole world in his hands, and that’s never been enough. now he can sleep with a genuine smile on his face. he knows your body will regulate in a few months off the birth control—but that doesn’t mean he can’t get plenty of practice until then. after all, he has a problem! he has to breed his pretty little girl best friend turned future wife. 

[kanmom51]

Jikook in bed - Part 1

I am pissed and in a not good way.

Worked over 4 hours writing this post, saved to drafts only for the whole damn thing to just disappear.

Did I mention I am pissed?

Cause I am.

Ok, let me take a breath and try to put down on paper my thoughts, hopefully I will remember some of them.  Sob sob.

Jikook in bed. 

Who would have thought that I would be writing a post about Jikook in bed? 

Please don't answer my rhetorical question, lol.

Who thought after the Jikook drought we got in 2023 that we would be getting this, eh?  And yet, here we are.  Me losing count of the number of posts I’ve already written about episodes 1 and 2 alone of Are you sure?! And I’m not done yet.  And another episode is coming today!!!

Did I mention just how overwhelmed I am?  In the very best way.  Well, other than being pissed at Tumblr for throwing away my hard work. 😭😭

I’ll be breaking this down into 2 parts because damn it, there is so much to say about these two short clips we get of the two in bed.  Both playful.  Both sus as shit.  If shit is sus – I guess we can ask JM on his thoughts about that – yes I did go there.  Poor man is not going to live this down, and now I understand why he kept asking if this could air – not because he was worried about their flirty handsy moments.  NOPE.  But because of the shit, lol.

Ok, so part 1 will be focusing on the brushing teeth in bed, while part 2 will focus on the handsy cuddly butt wacky master bedroom action.

When watching the whole brushing teeth in bed I had to ask myself a multiple why’s?

Why brush teeth in the bedroom? 

Or more so, why in that bedroom?

Why not in the bathroom?

Perhaps because we would see they are both using the master bedroom ensuite?

It’s not that we couldn’t deduce that from the footage, but that would take more looking into, which let’s be real, most army don’t do.  They watch it once or twice and many don’t pay attention to the details.  A lot of details need us to view the footage multiple times something that most army are not into – they don’t care to find out more.  They see the surface, JK and JM being cute, and that’s enough for them to say “oh, they are so brotherly…. Such brotherly love…” without wanting to see anything else.

But if you do look closer you see A LOT.

You see that JM does the tour of the house, showing us 4 bedrooms, first one being a master bedroom with a king size bed and an ensuite he shows us.

An ensuite we later see JK in while preparing to go out shopping.

So yes.  They were both using the same bathroom in that huge modern fancy house with 4 bedrooms and obviously more than one bathroom that happened to be the ensuite to the master bedroom.

And perhaps they didn’t want it to be too obvious.  Because why use that same bathroom? 

*side note: at this point, when JM goes to check on JK there is clearly a staff member in there with them. The way the camera moves the angle of filming changes, it's clear that is not a static camera, unlike the ones we got from the bedrooms and hallway at night and in the morning. It looks like the staff member is using JM's go pro to film that and as JM walks out of the bathroom the camera changes hands and JM has it. And I state this because most of the time there wasn't staff in the house with them. For a lot of the time they had the house to themselves. My educated guess would be that just like we saw they had control over the cameras in the house, could easily turn them on and off (JK with the hallway camera), they were the ones to decide when the staff can join them in the house to film or resume filming.

Another possible reason why we got the bedroom scene would be that they didn’t want to place a camera in the bathroom, which they obviously didn’t. I mean, that bathroom was rather small – you know, as ensuites usually are, and having them both stand there and brush their teeth would be cramped and uncomfortable (we saw that in Sapporo we did have them place that camera for us to see them brush their teeth side by side).  Also, obviously they wouldn’t want permanent cameras placed in the bathroom for privacy reasons – duh.  Even if they did have control over turning the cameras on and off. In Sapporo it’s clearly a camera they set up themselves, one they could just pick up and take away. They placed it there for the purpose of filming themselves brushing their teeth side by side. 

So basically, imo, this whole brushing teeth in the bedroom JK was supposedly sleeping in was a combination of it all.

They wanted us to see them brush their teeth prior to going to sleep.  They didn’t want us to see that they were sharing the ensuite bathroom (the bathroom connected to the room JM was sleeping in).

And the cherry to top it all is showing us this is where JK is going to spend the night.

Because that was somehow something they needed to show us.

Unlike the cabin with the one bed, that didn’t ‘allow’ for another option, the two spending the night in the same bed while there are another 3 lovely empty rooms available, would be too much perhaps.

You know, deniability and all. 

Makes even more sense seeing this was filmed in July 2023, and the two did not know just yet what lies ahead of them when it comes to their enlistment.

Let’s talk about that for a sec, why don’t we?

Those cameras in the house, they were placed ahead of time.  Before the two arrived.  I’m talking about the permanent cameras – the ones downstairs, the one in the hallway, the one in JK’s bedroom, the one in the master bedroom.

This was decided ahead of time – that they will not be sharing a bedroom.  Not on camera anyway. And this wasn’t their decision!

I don’t think that JM asking while standing in that room whether to sleep together with JK, adding a comment about getting hit was an actual contemplation on his part.  I think it was him signalling that it’s definitely an option and perhaps the reason why he won’t be is because of not wanting to get hit.  Him doing all of that when JK is there in the room with him (probably going through his luggage which was probably there too – we don’t get to see, but it makes sense seeing how small the other room was and the fact that JK was using the ensuite).  We also see JK throw something onto the bed – perhaps a heat pack he took out of that luggage?  But he’s there and they leave the room together shortly after.

"Should I sleep next to Jungkook tonight? Will he hit me again?"...

Again, let me be clear here with what I’m saying.  JM asking this was a mute question, and he knew it, seeing that they were both well aware of the fact that cameras were already placed in the two bedrooms expecting them not to be sharing that bed.  At least not on camera.

And you know where else you see that bemusement about the separate beds?

In the trailer where we get them in Sapporo the two standing in the hotel room JK asking JM which bed he wants to choose.  JM’s reaction super telling. 

And what about the house in Jeju?  Clearly that second bed was brought up from the room downstairs (we know that from the original layout of the house).  Yes, Tae was joining.  But wouldn’t that be less sus them sharing a bed?  We’ve seen them all share beds in previous content.  Tae literally shared one with his mates back in 2022.  I guess that the idea was to show us that when there is an option they won’t share a bed?  That the CT cabin was a ‘must’ as there was only one bed and there was no choice?�� Strange, seeing that there were other options for cabins that were not 1 shared bed.  Well, never mind that.  In any case I guess there was need for the deniability, seeing as to how cozy those two were the next day in that one bed in the master bedroom. 

Seeing that plus knowing they shared a bed could be construed as too much perhaps.

Btw, you know what that whole scene in bed reminded me of?

Remember that time JK was asked what his favourite memory from their trip to Tokyo?

Remember his answer?

JM staying up until 5 am on his phone and sleeping in the next morning?

Sorry, but that constant smirk on JM's face... to die...

and

Yes Jeon. "He" didn't sleep at night. That's why both of you overslept the next day.

*Side note: at the end of the interview/sit down JM won a gift which guess who was given straight away?

Well, them in bed together there in CT, seeing those few seconds we were allowed to see (with the many cuts) – that is how I picture them in Tokyo on that trip.  Those calm almost boring moments in bed together.  On their phones.  Snuggling.  Playing.  Just enjoying being next to each other, just the two of them, outside world be damned. 

That is what JK loved most in Tokyo. That is what was most memorable to him (our introvert sweetie).

And he got that here as well.

You could argue: "what's the difference here from the two spending time together in bed in Seoul at either of their palaces?" And my answer to that would be:

EVERYTHING.

How can you even compare? Being back in Seoul, with all the playing around their schedules and stress and pressures and anxiety that still linger even when you are home, even when you are together with your loved one. You can't compare it to this. JM taking the time off to be with him. JK taking the couple of days off during his promotions for his first solo debut. Getting away from it all. Spending those 3 days together alone. No work. No stress. No pressure. Even with JK feeling physically off and JM's diarrhea. Just the two of them, away. Away from everything and everyone. Having those tiny every so important soft moments.

Or in layman's words: having a cuddle at home is not the same as having that cuddle when away, taking that time to spend together as a couple. It's just not the same. It's so much more. And that is also why it was so memorable for JK back in 2017.

I’m getting kind of emotional here folks.  Don’t mind me.

Let’s get back to the brushing teeth in bed, shall we?

Again, in the second bedroom and not the master, even though it’s the master ensuite they are using as a bathroom!!

Why not see them brush their teeth on the master bed?  Yeah, I think I answered that one already.  We weren’t supposed to deduct that JK was using the master ensuite.

We were to know that JK was sleeping in that room, we even got to see him go to sleep and wake up there.  It was very important that we see that.  Not make a mistake that maybe, just maybe, they spent the night together.

What do I think, you ask?  I will tell you, even if you didn’t ask, lol.

I think that JK probably did sleep in that bed for a bit.  A BIT.  Like a really really short bit.

I also think that they spent much time together in that one bed in the master bedroom.  They got the pre-sleep cuddles (that we didn’t get to see) and they got the post-sleep cuddles (that we also didn’t get to see – and I’ll get into that in the next post – just saying that JK walking into the room and out of it after he woke up – the first time he goes in and out – there was a HUGE chunk cut out of the footage).

Oh, and they got the post-JK eating crap for breakfast- cuddles too.

This isn’t going the way I wanted it to, lol.  I’m talking too much about stuff that is meant for part 2 of Jikook in bed.  You see, this is why it is all intertwined and if there wasn’t an issue with image limits or readers losing focus with too long posts this would all be one post.  But 'tis what 'tis and I have to stop talking about the master bedroom!!!

So, back to the toothbrushing.

This was them:

JK literally pulling JM down to lie on the bed.

The giggles (oh, what I want to say now and am holding myself back).

Their playfulness is on another level.

Add the legs over shoulder.

After JM laying his legs on JK's shoulders, JK grabbing the legs and pulling JM even closer in.

I love how with Jikook we live on moments that remind us of other moments. And this one kind of reminds me of another moment back from 2019 during rehearsal for the LY concerts, JM coming in behind JK to hold him and JK pulling JM's arm in for an even closer hug.

And we have cuts, of course.

So many of them.

Including this one.

And this one.

The cuts.  We should talk about them for a sec. 

There is hours and hours of footage, and obviously there are things that are deemed to end up on the editing room floor.  Footage that might be boring or irrelevant to whatever it is they want to be showing us.  There is also a time constrict that needs to be kept.  Understandably not everything can be left in.

But it’s some decisions that make you raise an eyebrow.  Some of those editing decisions that make you think – why cut this?  Why not leave the flow? 

And these moments are exactly those type of moments.

Obviously the fans will go crazy for seeing them be so playful and mucking around.  They are brushing their teeth and it’s clear this isn’t something that is going on for too long of a time.  So, why not allow us to see the FULL interaction?  I think we know the answer to that, don’t we?  Once again it’s those two being too much.  Too obvious.  Too handsy. Too couplie.

How exactly does JK end up with his back to us?

Why is he with his back to us?

Why is the whole scene with JM’s legs hanging over JK’s shoulders cut short?

And why does JK continue to be with his back to us after this has clearly ended and JM is sitting on the edge of the bed?

I kind of think that I know why JK was sitting with his back to us, and why it’s cut at that point and we never get to see them get out of that bed.

Great time to sign off.

See you for part 2 of Jikook in bed.

[thatmexisaurusrex]

I think what really gets me is what the show is telling us through that breakup. That's what hurts the most.

It's that a queer person who's sad, who's alone, who's never had a stable family life; a queer person who's only gotten to a point where they're happy with who they are later in life; a queer person who yearns for a family, for love, for being someone's first choice but doesn't believe he can ever have those things; a queer person who has obviously been burned and believes that is the only outcome for him now; that no one would want him as family. That no one would love him enough to choose him first.

He walks out that door.

Alone. Scared. Spiraling. Reacting to trauma rather than Buck himself. It's seeing that and having the show tell us, yes, that's what he deserves. That's all he gets. He doesn't get a happy ending. He doesn't get good closure. He doesn't get to believe that someone wants him enough to fight for him.

Tommy was right all along.

All his fears were true and will be what he ends up with. Older queer people who want families and are scarred by their own past experiences don't get love or a family. They don't get a place to call home.

Then, you have Buck; Buck blindsided by the trauma; Buck seeing his entire six-month relationship fall apart and just letting it happen to himself again. Having yet another person in his life, in a moment of cowardice and pain, quietly and brokenly lash out that he couldn't believe Buck would actually take this seriously; that he couldn't believe that Buck would love him once the pedestal was gone and the shininess wore off. That, once again, Buck lets his relationship play out without any idea of how to be active in it. That someone Buck loves, that he thought about possibly marriage with one day, that he wants to live with, leaves him.

That Buck, once again, is abandoned.

That Buck can't know himself.

That the show wants to lean into lazy biphobic ideas and tell us, yes, that's what Buck deserves. The thriving relationship that he had crumbles within minutes because Buck doesn't get to be happy; how can he know what happiness is if he isn't playing the field? Because nothing he did before Tommy counted. Buck 1.0 didn't count. None of his previous relationships counted. Because they were all ladies, and how can you know if you've only been with one man?

Telling the audience that you can't be happy in a relationship if it's somehow a "first", despite everything pointing to the relationship being solid and good for Buck.

It is the worst possible scenario.

It is a nightmare for both Buck and Tommy.

Both messages are terrible for the audience.

There were so many ways they could have broken up and I would have been fine with it. I've talked about it before, but I was fine with Josh and Arnold breaking up in Please Like Me and I still love the show. I watched episodes with Josh and Arnold from Please Like Me as a comfort when I was reeling about this that first night! I was fine with Alexis and Ted breaking up on Schitt's Creek and I was still fine with the show. I was okay with Amelia and Kai breaking up and I'm still watching Grey's Anatomy. Because all of those breakups were understandable. They made sense. I can like couples and be okay with them not working out. And they're fictional. Fictional shit rarely hurts me, if ever. That's not my problem at all here.

It's how this happened. It's the message it signals to the audience. It's devastating. I'm still devastated by the choice. I've never felt this way about a breakup for two characters ever. The core of my grief and genuine hurt is what the show proves it believes in through this breakup. And that's what's hurt me.

[rootspiral]

Agatha All Along deep dive: episode 8 part 6

(Wandavision entries: [1][2][3])

(AAA entries: ep1 [1][2][3][4] ep2 [1][2][3][4] ep3 [1][2][3] ep4 [1][2][3][4][5][6][7][+1] ep5 [1][2][3][4][5] ep6 [1][2][3] ep7 [1][2][3][4][5][6] ep8 [1][2][3][4][5][6][7][8][9] ep9 [1][2][3][4][5][6])

agatha looks wistfully at billy. now that jen is gone, all that's left to do is to save him - or doom him, she doesn't even know anymore.

funny how billy has no idea he's created the Road and needs to ask agatha for guidance. and the truth is, agatha is the creator, author, perpetrator, whatever you want to call her. not only did she came up with the con, she actively manipulated billy into shaping the Road the way she wanted.

agatha asks billy to let her siphon some of his magic. you never know, she's covering all her bases. billy thinks she's gonna kill him, obviously. I wouldn't, she says, I won't. and she still isn't lying, killing billy at this point would be useless. but she has twisted the truth so much and so consistently that billy can't tell the difference anymore, and doesn't care to.

look how he challenges her. agatha always tries to have her cake and eat it too, she tried to keep billy all for herself without doing any emotional work, she wanted to bond with him without opening up and making herself vulnerable. she wanted to take without giving anything in return. and billy won't let her.

yeah, she didn't think that would work. there's only one way left to get billy out of this situation.

she'll have to be the bigger person, for once. yikes.

what gets me is that agatha knows how to do this. she has studied so much and has such a deep knowledge of witchcraft that she can piece together what billy needs to do, based only on the few hints rio just gave her about reincarnation. she knows how to use billy's magic, wanda's magic, better than they ever did! no wonder she coveted their power, no wonder she thought she deserved it more that them.

on the other hand, her extraordinary book knowledge would make her into the perfect teacher, as this scene is about to prove. but she's not selfless enough for that, not yet.

and if billy gets what he wants, he'll get transported out of the Road. what do you know! she is being selfless!

no, no she ain't. she promised rio she'd get billy out. there's never anything straightforward with her.

billy has the power to bring back a loved one, give him another life, another spin on the dance floor. can you even imagine how much agatha COVETS that power? how much she resents rio for wanting to stop billy, to prevent it?! this is why she went after wanda in the first place, she was looking for this specific power.

she knows exactly what to say, how to guide him, when to be soft and when to be strict. I keep thinking, imagine if her mother had allowed her to be part of the coven and be taught and learn freely. this is so obviously her calling. imagine all the good she could have done for witchfolk with her research, with the knowledge she's be eager to teach to her pupils.

nicky died in his sleep too. she also felt him close, she felt at home, she fell asleep listening to him breathing. how many times has she wished she had this very power, the power to go back to that moment and catch nicky's soul before rio took it? how many time has she pictured it in her mind? of course she knows what billy needs to do.

she is being so reassuring, so sure, so in control. I can't.

you breathe for yourself. you breathe for him. you breathe for everything he is. you hold it all inside of you. but it can't stay there. the memories. the feelings.

she is talking about nicky. fuck.

ha, she even gets to nerd out a little. of course she would know, she is a serial killer and she was married to Death!

billy absolutely felt that boy die, didn't he? he's having a lot of new experiences today, talk about a coming of age story, speedrun edition!

that's why he absolutely needs a guide, all that rogue ability, you leave him alone for a second and he starts reshaping realities and killing innocents left and right. he deserves better than that.

this is heartbreaking. tommy shepherd, dying alone, scared and forgotten. just one of the 120 bodies a minute.

this FUCKING SHOW

out of death, life. tommy maximoff kicks out of the water with so much force it cracks the floor. and the crack looks like water too, doesn't it? she's even in her shift like when she gave birth to nicky.

yes I'm saying that agatha absolutely just delivered tommy and she's his mom now. I'm not making the rules, just pointing out the facts.

and her hands are empty again

a step forward that took her so many years and so much pain, suffered and inflicted. even if she can only admit it to herself.

it wasn't rio's fault. it wasn't anybody's fault.

sometimes, boys die.

agatha alone and unguarded is such a sad wretched thing

a dandelion is the perfect metaphor for nicky, a little seed that the wind will blow away in a moment

like, death cannot exist without life. rio is as much life as she is death, she helps things grow as well as decay. agatha was so stubbornly focused on rio (and/or nature) taking nicky away that she forgot how rio gave him life too.

nicky's dandelion seed, agatha's tears, the soil from the crack that birthed tommy. this is ancient spellcraft.

and since this is agatha we're talking a bout, she has to bitch and moan and bargain with nature a little

and the little dandelion is born and gone in a second.

this. fucking. show.

next up: rio is taking the break up as well as you'd expect.

go to episode 8 part 7

[1moreff-creator]

DRDT CH2 PT2: Full Analysis

While CH2 Part 2 was releasing, I chose to make liveblog-reaction posts to the episodes to record my immediate thoughts for posterity, but that meant that actual, coherent analysis was pushed to the side in favor of me freaking out over… everything going on. But goddamn; even accounting for recency bias, this might just be my favorite trial of any DR style killing game I’ve ever seen (though admittedly I'm working with a small sample size). So I felt it merited a bit more… cohesive analysis. That’s what this post is!

WARNING: This post is around 28k words long. Do not click "read more" unless you're ready for lag, and make sure to take breaks while reading if needed.

Spoilers for DRDT CH2. CW: Murder, suicide, hanging, execution, gun violence, self-harm, blood, stabbing (fork).

(Btw you can find my immediate reactions in my post masterlist. Not linking each individually here because I hit Tumblr's 100 link limit. I know, I know)

How do I even structure this? I guess I’ll start with the actual case itself, then go character by character because WOW.

Also, I hope you forgive that I can't put images for every referenced piece of dialogue (Tumblr 30 image limit when I catch you...), so I'll save them for when they're necessary and instead add links to the referenced quote in the episode.

The Case

Although I’ve made many posts talking about this damn thing, I don’t think I’ve ever expressed just how cool the actual mystery is. The evidence is all there from the beginning bar the note and alibis, introduced in a way that doesn’t make the method obvious, but that still allowed the audience to figure out the main aspects without much issue. Everything follows logically, and while there’s a few things that ended up being less important than some expected (that glove will haunt the fandom forever I fear), everything got explained in what I consider to be a pretty satisfactory way. It wasn’t obscenely complex or crazy, but I consider the method to be just right for a chapter 2 case.

Oh and the Nico case was cool too, even if half the shit in that crime scene will haunt me forever. Why were there two weights off to the side-? not important.

If there’s one critique I can give the actual discussion of the case (and this is legitimately the only real critique I have of this entire set of episodes), I’d argue that the way the method is presented is… weird. Like, I get why, DRDT is clearly more focused on character conflict than the murder mystery aspect, but there were still a lot of moments where it felt like Teruko’s thought process wasn’t explored properly, to the point where it sometimes felt like Teruko just… magically got the answers whispered to her by the ghost of Kirigiri.

As an example, take the ball of clothes over the rafters. Ace mentions the issue of getting the rope up there, and Teruko immediately jumps to the right conclusion of the seemingly completely unrelated ball of clothes.

To illustrate why this feels weird, let me tell you what my thought process was when I came up with the theory (because again, the evidence was laid out well enough that I did manage to call this, even if I got a fair bit of other stuff wrong). Obviously it's not the only admissible thought process, but it's a good example to see how I feel the presentation of evidence should have been handled.

We know Arei was hung from high up (Veronika’s account) -> We can confirm something happened on the rafters because the lights are broken -> Brainstorming how that could have happened (screening room connection? Secret ladder?) -> Perhaps something was thrown up there with the rope attached -> Ball of clothes.

In the series, however, we get:

Arei was probably hung from high (Veronika’s account) -> Discussion continues, literally the entirety of Nico's situation gets explained -> Ace brings up the issue for the first time like three years later-> Teruko immediately points to the ball of clothes -> The lights are only mentioned after.

You get what I'm saying? The progression doesn't feel as natural, because we immediately jump to the conclusion without discussing the evidence that leads to it. This also happens with things like the pulley method, where Teruko explains everything before bringing up the tape on the spinny thing, which is the only thing implicating said spinny thing in the method. And I feel like the reason quite a few people felt there should be more to the case is because the evidence wasn't presented properly.

That said, this is an extremely minor point. Again, DRDT is more focused on character drama than murder mystery, so I don’t particularly mind if I can nitpick a few things in the writing surrounding the mystery solving.

And oh boy, was there character drama this trial! Thank the gods I’m only covering Part 2, I think I’d die if I tried to talk about the entire trial as a whole.

Character Analysis

I’ll go in order, starting with the characters I feel had the least prominence, and making my way to the ones who really stole the spotlight this part.

Mai Akasaki

No content lol. Though this is probably a good time to mention that, in this post, I'll mostly ignore theorizing related stuff and focus more on straight up character analysis, even if the two sometimes intersect. Game Theory-like speculation will mostly be saved for dedicated posts :p

Xander Matthews

He got mentioned, but he’ll come up in David’s section so. Skipping him. 

Min Jeung

Well, there were a few references. Such as:

Min: I'll fix your mistake! - Teruko: But I'll fix my mistake.

Something something, David-Xander vs Teruko-Min parallels, etc. And also:

I like the visual symbolism that the images are effectively flipped (Teruko on the left-Teruko on the right and hugger on the right-hugger on the left, Teruko facing the camera-Teruko facing away), because the situations are inverted. In Min’s, the culprit hugs Teruko after she dooms them to their fate, and in Eden’s, a non-culprit hugs Teruko as she starts defending them. I did notice on first watch, but didn’t say anything because at the time it was still possible Eden was the culprit. Alas, the symbolism is consistent!

There's only one last thing to mention about Min. One tiny, itsy bitsy detail that probably has no lore relevance whatsoever.

MonoTV [2-16]: Now loading the default XF-Ture Tech personality drivers.

Min [BE1]: But one day, we were visited by the founder of that big company, XF-Ture Tech. He told my parents that he would sponsor me and pay for all of our expenses.

Oh yeah, MonoTV was created by the same company that sponsored Min as the Ultimate Student! Hey, what the fuck?

We'll get into it more later in the (I cannot believe I'm about to say this) MonoTV section (or rather the post linked to in said section), but MonoTV seems to have been created specifically for the killing game. This means there's a very real chance XF-Ture Tech is behind all this. That paints the sponsorship of Min as a strikingly shady thing (well, more than it already was), to the point there's a very real chance Min is straight up connected to the origins of the killing game, if not outright the mastermind. We'll have to see how this plays out later, since right now, we're still lacking a lot of critical context.

But hey! We might get more Min content in the future! I, for one, am very, very excited.

Charles Cuevas

Not too much character insight on this one, but he got a couple of cool moments. As always, funny, bounces well off Whit, very helpful in the trial, weirdly knowledgeable about jockeying (or maybe he just, like, thought about it, it’s not like most of what he says aren’t conclusions anyone could arrive at by simply knowing what horse racing is), and-

Charles [2-15]: I'm the only person reasonable enough to make that sort of judgement call. Everyone else who does so is being biased to the point of idiocy.

-it’s nice to see his pridefulness didn’t just go away after CH1! He’s neat :)

J Rosales/Moreno

Half of her dialogue this part is just her talking about how murder is bad. It’s fine, it’s just odd.

I guess if you want someone to point out murder’s bad, J’s one of the only real options, isn’t she? You need a confrontational character (so no Eden or Rose or Whit), who wouldn’t be a hypocrite (this eliminates Nico, Ace and Levi, arguably Hu since she defends Nico), who is mentally stable enough for their opinion to be held in high regard (this eliminates Arturo, David and Veronika, alongside half the cast), who is willing to derail the trial to talk morality (eliminating Charles and arguably Teruko), and who isn’t dead or missing (like Xander, Arei, Mai or Min).

Wait that’s the whole cast. Holy shit she actually is the only one that makes sense to be murder bashing how is this even possible. 

…Regardless, you could still argue that you don’t need someone constantly pointing out murder’s bad, meaning there could very much be a deeper reason J is being so vocal about it. Apart from possibly being setup for her to be primary support moving forward, I personally think all this points to her just having a very strong set of beliefs regarding most things, which we could already kinda infer anyways. 

Or maybe Mariabella killed a guy. Yeah, sure. Why not?

Veronika Grebenshchikoba

There were certainly a couple interesting Vero moments here, which is always fun. It was finally confirmed her secret was, as most theorized, the “took on your talent to distract yourself from the need to hurt yourself for fun” one. I mean, I feel like everyone called that one from the moment the curtain fell away from the screen with the motive secrets, but you get the idea. 

We also learnt she had a pact with Hu regarding their secrets, which I would love to learn the details of, and definitely makes me interested in where these Recap Foils are going, as well as-

Veronika [2-13]: After all, my own so-called secret isn't even the worst thing I've done. Isn't that so utterly disappointing of this motive?

… whatever the hell that means. Why’s she gotta be so ominous? (I love this about her).

The last notable scenes to point out are all the scenes where she's... Veronika, and I wouldn't have it any other way. Her psychoanalysis of Levi will probably wait for when I talk about him, and her help during the time Teruko was figuring out the murder method is appreciated, but specifically about her:

Veronika [2-15]: Swallow your pride and say that you're too weak, too stupid, and too incompetent to perform this murder. Accept the fact that no one thinks highly of you. Or defend your dignity at the risk of admitting that you're perfectly capable of committing this murder and continue to be our number one suspect.

I just think the voice acting in this line in particular is very auditorily pleasant so I wanted to point it out :D

But Episode 15 actually has a much more insidious Vero moment, which I felt was way more noteworthy. After Ace admits to the crime, he goes on his whole speech, which includes directly calling out Veronika's words as part of the reasoning why he killed, there comes a point when Ace calls himself a "piece of shit", and no one denies it. When that happens, Veronika smiles.

Veronika: Oh my. How tragic.

She is such an awful person, just such a piece of garbage. I adore her.

Anyways, my appreciation of actually horrible women aside, we need to discuss the biggest question she leaves us. And that is "hey, why is her reaction to Ace's execution and Levi's almost death so different from her reaction to Min's death?"

Veronika [about Min, 1-12]: Min died in such a cruel manner...

Veronika [about Levi, 2-16]: If Levi dies because of this... Kehehe... I'm sure I'll miss him, but... This is quite a way to go. I can't say I wasn't entertained.

Veronika [about Ace, 2-16]: Aha... Ahaha... How incredible...

So, after considering it for a little bit, I think we're lacking a little bit too much critical information on Veronika to confidently state why the hell her reaction is so different, but I can come up with a few different possible answers. I'll list them in ascending order of likeliness in my opinion, and we'll see just how wrong I am once we get more insight on her!

+Veronika cares more about Levi than Ace, and more about Min than Levi. This is because she just said Ace's execution was "incredible," while she mentions she'll miss Levi, and obviously looks genuinely distressed over Min. I see no actual reason to believe this, though, because I... don't think Vero and Min ever even interacted beyond the trial? So unless we're pulling some very strange Veromin agenda out of nowhere (or Veronika is Mai Akasaki), this doesn't work imo.

+Veronika was acting in T1, but doesn't care by the start of T2. Possible, and it's true that Vero was more self-conscious about freaking people out in CH1, but I'm not sure if there's enough evidence to truly say she was only pretending to be distressed by Min's death.

+Veronika's reactions are based on the executions (and execution attempt) themselves, not anything else. This is consistent with her specifically reacting to the way Min died ("Min died in such a cruel manner") rather than the death itself. She specifically says she'd be entertained by Levi's death, and is clearly entertained by Ace's. So, I guess she just finds Min's execution particularly cruel/boring? Does she... have wolf related trauma? Test related trauma? I don't know, but I think this fits decently well, so.

+Veronika's slowly getting worse. A logical conclusion from the fact that she reacted one way in T1, and another literally four days later. Certainly possible given her analysis of people shattering in the killing game, so for now this is the interpretation I'm going with.

Whit Young

.... Sigh. You're not even that important to this part, how are you still gonna require so many words of analysis?

Alright, let's start with the pretty infamous scene where he talks about drop hanging. I do want to make one thing clear; just because Whit talks for a pretty long time about drop hanging, it doesn’t mean he actually says anything particularly groundbreaking. Like, everything he says is very logically sound, which means they’re conclusions anyone could have drawn.

Like me. Because even though I don’t think I wrote them down explicitly, I did more or less arrive at the same conclusions as he did, and I don’t have any experience with drop hanging. I’m clarifying this because I’m on enough lists as it is just by firefoxing shit like “can turpentine knock you out” and “how long do people pass out after being strangled” I do not need any more allegations on my person! 

That said, I am also not a fictional character who exists within a story which follows narrative conventions (as far as you know, anyways). Whit is. And it’d be silly to instantly dismiss that the dev specifically chose Whit, a character who is otherwise not the most helpful in trials, to be the one to deliver this explanation, and without any interruptions no less. Even Teruko and Charles usually have one character or another finishing their explanations, like Levi when Teruko explained the slingshot or… Levi when Charles talked about jockeying. Huh, Levi kinda goated?

Thus, because the dev specifically chose Whit to give this explanation with no interruptions, we can infer that he may have a special connection to drop hanging. Given what we know, I find it likeliest that his mother committed suicide by hanging. At present, I don’t find much evidence that he would have attempted himself, though…

You know how Whit dyes his hair to look like his mom’s? And how Color Theory in LGI gives him (among other stuff) “degraded copy”, likely in reference to this? If his mother killed herself via hanging, do you think he would try to replicate that, too?

Food for thought. Again, not much reason to believe it yet. 

Other than that, there are... the allegations. The part started strong with MonoTV stating it let slide a rule violation because it was funny (especially weird given what we learn in 2-16, but Whit's not the only rulebreaker in the cast so we're chilling). And then, 2-16 happened.

Whit [seven seconds before Teruko's execution, 2-16]: Charles, stop talking and cover your eyes! [...] Whit [post Levi shooting]: Ah, crap. The smell of blood is really strong. Even though I told [Charles] not to look, he still...

And, of course.

Whit: ...

Of course.

Alright, so let me start by the elephant in the room. The hand behind the back. The moment the cast learns the elevator doors won't open, we see Whit with his left hand behind his back. Many have assumed this means, understandably in my opinion, that he may be holding a remote control of some kind to close the elevator. In other words, Whit's the mastermind. But, while I consider him one of if not the best mastermind guess in the market, I don't think this is good evidence of it.

You see, there's no reason to believe such a remote would be required. By all accounts, it should be MonoTV's AI who is keeping the elevator closed with no need for outside interference, regardless of who the MM is. There is simply no reason to believe that any MM would have an "elevator manual stop" or even an universal remote (apart from J!MM for obvious reasons), because it should be MonoTV who is running this stuff.

As an aside, I will point out that, per the CH1 QnA, every character is right-handed apart from Teruko (lefty) and Arei (ambidextrous). You could use this to argue Whit shouldn't be doing anything with his left (the hand behind his back), but that's not good reasoning, as the sprite might just be drawn that way for aesthetic reasons and you're supposed to ignore handedness. Eden also used her left to rip out Xander's eye, apparently. I haven't seen anyone bring it up, but I have made this mistake before with a certain bat swinging Milgram prisoner, so I'm saying this to avoid others making the same mistake.

That clarified, however, the first point is still valid. Although I consider it perfectly possible, at present I do not believe Whit is holding anything behind his back.

Why does he pose like that, then? To answer that, perhaps it'd be better to answer what the deal with his other behavior is.

Because it's weird, right? Whit focuses on Charles even when everyone else, Charles included, are fretting over Teruko and Levi. And then, despite being able to brush off things like Levi's secret confession and Min's execution with nothing but a "that's wack," joking about rewatching said execution, etc., somehow the elevator being closed is what finally gets him to bring out the breakdown sprite?

Well, yes. And this shouldn't be all that surprising, imo. Because everything about Whit's reaction is perfectly in line with his previous behavior. Not to say it isn't weird (it is), just that it's weird in the way Whit's always been weird, and not in any new special way.

This is because every part of this reaction comes from the already established way Whit deals with tragedy; he avoids it, and moves on. You'll immediately think of Whit's mom when I say that, the way he omits her death whenever he speaks of her to the point he genuinely forgets that's a thing until a few seconds after the secret Rose received was brought into the conversation, but there's more examples that are actually closer to this situation. In particular, I want to direct your attention to the investigations in both chapters so far.

For the first trial, Whit spends literal hours hanging out with Charles while the Chemist has a breakdown, to the point he almost didn't investigate at all. This is excusable, of course; he was helping someone in need, and the culprit was thought to be obvious enough that investigation wouldn't be necessary.

The second, though, is perhaps a bit stranger. First, Whit doesn't look closely at Arei's body because he was busy comforting Eden, apparently. Alright, fine. But, hey, how did he try to comfort Eden after everyone started to filter in?

Whit [2-8]: There, there. Pat pat. Do you want to sit down somewhere else?

He immediately wants to leave the room. But, he's still trying to help Eden; maybe he's projecting? Because he'd want to leave the room if a loved one died, so he's asking Eden if she wants to do it?

Except, he does leave the room. He doesn't have any other lines in the playground past this point, and then he starts investigating with Charles, the one dude he knows won't enter the scene of the crime.

And you know when he splits off from Charles?

Whit [2-8]: If you're worried about Rose tampering with evidence, then all you need is another witness to watch over her, right? I can do that, since I'm here. I mean, unless Charles needs me for something.

My guy will genuinely do anything except investigate the playground.

And that's where the pattern starts to be noticeable. Whenever something bad happens, Whit finds any excuse he can to distance himself from the situation. And to be clear, they're usually good excuses; it makes sense for Whit to do all this in a vacuum, it's just odd that he constantly finds them. Other examples include him bringing up alibis when the note first comes up, and then, when he's pressed about it:

Whit [2-9]: Eden has [the note]. Ask her.

He doesn't even... want to have the responsibility of the note? Admittedly that could be for other reasons, but still.

With this pattern of avoidance in mind, the things he says in 2-16 are perfectly explainable. Instead of focusing on Teruko's incoming execution or Levi's injuries, he chooses to focus on Charles, because that's easier for him. He's once again finding an excuse to look away from tragedy.

By the way, I don't want to make it sound like Whit doesn't care about Charles as anything but an excuse to get out of thinking of bad stuff. It's pretty clear a big part of why Whit does the shit he does is that he genuinely cares about Charles as a friend (crush?). Whit probably does want to help Charles just for the sake of helping him, but it does come with the benefit of helping Whit avoid stuff he doesn't want to think about.

This whole avoidance thing is also why Whit is so perturbed by the elevator. When Levi gets shot, Whit probably hopes that they get to leave the trial room quickly to take care of him, at which point Whit can just avoid the situation entirely by just sticking to Charles like usual. But they can't. The elevator is shut. Not only does Whit probably realize that means they have to watch the execution, but it also means Whit is not able to get out of the room where a guy is actively dying, and sticking to Charles only lets him ignore the situation so much.

Why does he have his hand behind his back? Well, this is gonna sound like I'm on anti-Whit!MM copium (I swear I like the theory well enough), but I think he's simply balling up his fist out of stress. It's just that Whit "I don't want to talk about any problems ever and don't want anyone to ever know when I'm suffering" Young is instinctively hiding it so no one sees any sign that he might not be okay.

Does that make sense? Barely? Well, it's not like "emergency elevator shutdown button" is particularly more believable in my eyes, so that's the answer I'm going with for now.

Anyways. Jesus Christ Whit you're barely even relevant to this part how the fuck did you still force me to write so much about you.

Arturo Giles

I have less to write about Arturo than Vero and Whit because he's a bit more straightforward, but I'm still putting him here because he was more directly important this part. Speaking of, what notable things did Arturo do these episodes? Ah, right.

Arturo [2-12]: You shut your whore mouth!

"I thought you were only doing necessary imag-" This one's necessary shut

I'm using this to talk about the big speech about his talent, that he started studying plastic surgery when he was 12 and that it's impressive he's a plastic surgeon this early in his life. Props to dev for addressing this, I know some people are irked when characters are in the medical field from way too early in life without good justification like this. The fact he started so young also adds to the theory that Arturo's home life sucked, because it'd be really odd for a 12 year old to already be planning to leave otherwise.

The way the cast keeps insulting his skill, even though as he's said several times over the course of the series, the shit they expect him to do is way beyond his area of expertise, is a good way to build up to the way the cast also dismisses Ace's intelligence and skills later.

Other than that, there was one more moment when Arturo took part of the spotlight. When Levi gets shot, despite everything that happened earlier, everyone still turns to Arturo to save the Stylist. This leads to one of the most human moments Arturo's given us since 2-10:

Arturo [post Levi shooting, 2-16]: I--! I'm not that kind of surgeon! I've told you, over and over, I have no experience with saving lives! Something like this! There's no way I can do it--

Apart from the stellar voice acting that cannot be pointed out enough times, Arturo's doubt over Levi's condition is certainly a good setup for CH3, I'm really interested in how he'll handle this. Especially because...

Do you think he'd think of Felicity, looking at Levi like that? Because just like Arturo ignored Felicity's feelings (to an extent) in pursuit of his dream, he also neglected to study the more standard medical knowledge in favor of becoming a plastic surgeon faster, and now he needs that standard medical knowledge to save Levi's life. Food for thought.

Arturo is definitely an interesting character to watch out for moving forward, he's certainly in for a very curious CH3. Final note:

Arturo [to Levi, 2-13]: How could you simply *forget* that you murdered your own family member?

Get it because the death of Felicity haunts him even though he didn't kill her himself- Man I love recap foils.

MonoTV

I cannot fucking believe that this hunk of metal is getting its own section, but it is. 2-16 what an episode you are.

Thankfully, I've already expressed most of my thoughts about this damn thing in this linked post, so I'll just refer you to that one instead of writing it all again. As a summary, there's quite a few lore implications to the fact that we now have a clearly stated purpose for MonoTV, a goal for the killing game, a connection to XF-Ture Tech (because MonoTV seems to have been specifically created for the game), and I'm really wondering why the hell the default XF personality seems to care so much about Teruko and where that could lead to in the future. Also, very curious where the theme of fate will be taken with it, as well as where dev is planning to take the fact that it seems to have feelings of grief and pain and maybe even cares about Teruko??? Or has compassion in general??? What is wrong with this dog-

Rose Lacroix

Btw I greatly appreciate everyone who colors her name rainbow, I see you and you're valid for it. I need to color code my highlighting though, and if I have to do rainbow for every word I highlight I will actually die. Also I would need to put in an epilepsy warning in my posts lol

Rose got a few nice lines, but when it comes to her, there's one big moment that's really on everyone's mind.

Rose [2-14]: Has it really gotten this bad? I think my brain is falling apart. I can't even recall what day it was when that happened. Levi: You can't remember? I was under the impression that your memory was the best out of everyone here. Rose: It's true that I remember everything I see. But that means that most of my memories are meaningless junk. The kind of thing a normal person would forget without a second thought. But I can't forget. My brain won't work the way I want it to. I can't draw associations so easily. Everything reminds me of something meaningless, and I get distracted. And the worst thing is that I remember it all in perfect detail. Xander's body. Min's execution. I can't even look at Teruko without seeing blood. I know I'm supposed to remember everything. I know I'm supposed to be smart. I know I'm supposed to be helpful. Yet I'm not. I... I'm sorry for being useless. Maybe if I tried harder, if I just got over myself--

Do I... need to talk about this, beyond pointing out how good the VAing is? Everything about it is heartbreaking, but pretty straightforward. It's an extension of the conversation she and Teruko had in 2-5, where we also throw in Rose's growing self-doubt and self-blame over everything that's going on around her. It adds into the theme of this cast pushing expectations on each other (like wanting Arturo to be a better doctor or Ace being too stupid to do a murder), throws in some parallels to Teruko and Hu and Eden (the self-blame sisters!!! *fire emoji* *fire emoji* *fire emoji*) and Xander (the survivor's guilt boy!!! *fire emoji* *fire emoji* fire emoji*), foils with J (J who rejects what others like Mariabella want from her VS Rose who internalizes the expectations and accepts the whole Spurling situation), there's the "a normal person would forget" wording that kinda connects her to Nico and Levi and David (the "feeling separated from other humans' experience" siblings!!! *fire emoji* *fire emoji* *fire-), obviously memory is connected with Charles and Teruko, etc.

You see why I don't always talk about parallels? I have to bring up every single character up every time because that's the shit that happens when your writing is this *fire emoji* *fire emoji* *fire emoji*.

The other thing is Nico, but maybe it's better to keep that for their section. Overall, just a fantastic feast for enjoyers of Rose angst.

Arei Nageishi

You know this trial went crazy when Arei got a whole ass character arc during it, and she's the dead one.

For this part in particular, the big Arei moment was obviously during 2-13, when we finally got to hear the end of the conversation between her and David. I'm not transcribing it, because I'm sure we all got the gist. Arei figured out one of the main themes of the chapter, that everyone is a flawed person, and that means that no one's ever too far gone. There's always a possibility of becoming a less shitty person, and that's sweet.

But beyond Themes, learning what Arei's mindset about good and bad people was really helps to understand her actions before this point, though I do find it interesting that the whole "sorting people into good and bad" mentality she had is actually pretty similar to the way she talks about people in her FTE, which is some fun consistency!

Arei [CH1 FTE]: Yup, that's right! I organize everyone I meet into categories of how I should bully them.

... Well the context's different but you get the idea.

Arei used this principle of "sorting" people into "good" and "bad" to deny herself the possibility of getting better, because trying to change is scary. Man I wonder why that rings a bell.

Teruko [to Whit, 2-2]: But if you start talking about me and saying that I could be a good person if only I make an attempt to change, then I'm going to stop you right there. Don't say that I could be a good person, because all it'll do is make me feel bad that I'm not.

Ah right because Teruko's a well written protagonist. And actually wait, isn't there someone else?

David [2-11]: "People can always change?" What complete bullshit. No one ever changes. People who are born lazy, useless and stupid will stay that way until they die. If you were able to "improve" yourself into a better person, then it only means you were a better person to begin with.

Ah right because David is a well written character. Carry on then.

I do wonder why she waited until night three after the motive handout to talk to David about it, though, instead of doing directly after the playground breakdown. Was it, like, she didn't want to confront it directly after and only got the motivation/courage/whatever after talking to Eden? And then couldn't find David until then? It's odd, but I imagine there's no, like, big reason behind it necessarily.

Eden Tobisa

Hey Eden sorry I suspected you as the killer for a year can we still be friends? :,)

There's two big Eden moments to take into consideration, one in 2-14, one in 2-16.

Eden [2-14]: Why... No one... believes in me... Why? I'm... Arei's killer? No... No way....... Hu: Eden? Please don't cry. Eden: This whole time I've been trying to hold myself together... because Arei died...... I wanted so badly for this all to be a dream, and for Arei to be alive and by my side.... But now, you all think I killer her? Why? I cared about her! Arei is... She could have been my friend! Why would I kill her?? Levi: Eden, please calm down... Eden: Why am I being accused of murdering Arei? I wanted to help her! I just wanted to be friends with her! Why would you say that I killed her? Is it because you think I hated her? That's not true! I didn't hate her! Teruko: Eden.

I'm gonna cut it off there and resume in a bit, partly so I can organize this better and partly to make absolutely sure I don't hit the Tumblr limit on characters in a single text block (because my entire blog is evidently dedicated to testing this hellsite's limits lmao).

There's honestly a surprising amount of nuance in this small breakdown. We start with re-establishing that Eden is someone who constantly tries her hardest to remain strong in the face of adversity, holding herself together as best she can when her newest friend just died and she's more or less blaming herself for it.

Then, while I always praise the voice acting (because it deserves it), I need to bring special attention to the sheer amount of emotion in that "Why? I cared about her!" Hearing Eden genuinely frustrated at the accusations on top of her sadness is heartbreaking, and just a wonderful display of humanity from a character who is at times almost inhumanly patient. Makes me feel bad for suspecting her, and she's fictional in our world!

On top of that, "she could have been my friend" is an interesting choice of words regarding Arei. This is where having hyper-analyzed all Eden lines comes in handy lol. Because taken at face value, it means that Eden recognizes that her relationship with Arei wasn't at a stage where she could genuinely called her a friend, given that as far as we know the last conversation they had was after the Arturo thing. Nice depth!

The rest is pretty standard, though again the phenomenal VAing still makes my heart ache. Continuing:

Eden: Teruko... I didn't kill Arei..... Do you believe me?! Teruko: Listen-- Eden: *sniff* I, I didn't do it! Please.... Believe me... This whole trial has been cruel to me.... Help me, Teruko... I can't stand it... I just wanted to help Arei.... I didn't kill her... Teruko: You know I can't just take your words at face value, Eden. Eden: Please, Teruko... You're my friend, aren't you? Friends help each other... So please, help me... I promise I didn't... I didn't kill her.... I'm innocent... Please trust me..... Please.....

AAAAAAAAAAA-

Okay with that basic reaction out of the way, because evidently the reactions didn't have enough "text screaming" for me to fully get it out of my system, this is just a really heart-wrenching scene. Just the combination of VAing, music and visuals, man... ouch. It's especially tragic when taking the following line into account:

Eden [2-3]: Teruko, relationships aren't transactional. It's not that I did something good for you that you should do something good for me.

The Eden hyperfocus comes in clutch again- Is it weird that being an Eden!Culprit believer for so long is making me appreciate her character more now that she's confirmed innocent? :v

Teruko has, up to this point, never outright claimed herself to be Eden's friend, at least not as far as I can recall. Hell, her lines following Eden's plea for help seem to completely disregard the idea.

Teruko [2-14]: So for now, I'm going to assume you're innocent. Eden: W-What? Really? Thank you so much, Teruko... Teruko: Don't... get me wrong. This isn't out of kindness or pity or anything else. This is only because you helped me in the last trial. I'm repaying your favor, and nothing else. That's why I'll trust you, just this once.

How much she means that is for the Teruko section. What's important is that this means that when Eden says "you're my friend, aren't you?", she is actively going against her claim that relationships aren't transactional. She expects Teruko to consider herself Eden's friend because Eden has done a lot of stuff to try to make that friendship work.

This. Is. Wonderful. Don't you love it when characters fail to uphold their beliefs when faced with a horribly stressful situation? Well, I love suffering, so I sure do! :D

To be clear, I'm not trying to paint Eden as a hypocrite or anything. She's right in saying that relationships aren't transactional, and is justified in asking Teruko to help her because she considers Teruko her friend, even if it's a slight contradiction. After all, what are humans if not a swirling well of contradictions, desperately arranging themselves like the magnetic moments of a metal to try to make the slightest bit of sense of a reality they hopelessly seek to understand-

Ehem. The point is I like Eden a lot :D

Speaking of wonderfully human moments, time to switch to the other big Eden character moment!

Eden [2-16]: This... This all could have been prevented, couldn't it? [...] Of course I know [we can't blame ourselves for Ace's murder]. Ace planned to kill Arei, and even before that, he was planning to kill me. Rose: Then how can you forgive him? Eden: I never said I forgave him. It's just that... The Ace that I met for the first time wasn't a murderer. I... I can't forgive him. He killed Arei, after all. She was innocent, and he killed her for unfair reasons. But... Those unfair reasons were unfair to him as well.

You know, we joke about how awesome it is that the entirety of the DRDT cast is mentally unstable (because it is), but it's also cool to see the one actually more or less functional member of society in the group being the voice of reason like this. Not to spoil anything, but I find her stance regarding Ace's murder as the most reasonable stance one could have, and it's always cool to see a character who has reasonable opinions every now and then. But having such an opinion is easy when you're outside the show and the characters are all pixels on a screen; the fact that Eden can still find it in herself to be charitable towards Ace's situation while not outright forgiving him for his actions is a really powerful statement about her strength and sense of morality. Eden could not stop catching Ws this part.

Anyways, here's a few more fun Eden moments this part gave us.

Eden [2-15]: Wait, but... Is Ace even capable of doing a feat of strength like that? He's injured, after all.

I just think it's sweet Eden tries to defend Ace even when she's the other prime suspect :)

Levi [2-13]: And if tomorrow it turned out you all had passed away, I'd care as much as if we had never met. Eden: But you're a good person. Why are you saying these things when it's clearly not true? You're so kind to everyone. You're always helping others out, even when it'd be easier not to. Like that time Ace almost died. You kept trying to help him, even if he always pushed you away. Isn't that what "a good person" does?

For all the Eden Ws, she had to take an Eden L. Come on, Eden, Levi doesn't need to actually care to be a good person, he just needs to do good things, you know this :(

It makes sense character-wise, though. Eden has a surprisingly strong belief system, which is heavily shaped by her emotional nature, so it makes sense that Levi's Deal of doing good things with no emotional attachment to them would throw her off.

Still cool of her to accept Levi as a good person even though she just learnt he killed four people, however. It's good characterization; despite her misunderstanding with the lack of empathy thing, she still chooses to judge Levi based on the things she's personally observed, as opposed to making assumptions over things she only has half the story for.

Man, she's just so mature and cool and awesome and not fucked up in any way! Now that the tape thing's been resolved, I can't think of a single thing that would make anyone think that she might be a little-

Ah. Right.

Well, as a first reaction, this is definitely an Eden W in the oh so prevalent... DRDT powerscaling scene? She apparently managed to slash at Xander's eye, twice, with a fork. And with her non-dominant hand no less!

So... what the hell am I even supposed to do with this? Unfortunately, we're currently missing gigantic amounts of critical information regarding this situation, meaning I can't for the life of me come to any conclusions, at least not confidently. I tried to look at the pre-prologue dialogue to see if I could find anything, but...

Ouch... I really wasn't expecting her to attack me like that. I made a massive mistake to trust them. I can't rely on anyone. All by myself... I have to end the killing game. And even if I can't do that... I have to kill Teruko Tawaki. No matter what.

Fuck am I supposed to gather from this.

Uh... someone told Xander that Eden would be down with whatever plan Xander had to end the killing game if he just showed her whatever documents we're seeing in the Bloody Hands scene??? And she got too scared and just stabbed him with a fork??? Who is the "them" who told Xander this, a group of people, or a single person and Xander's playing the pronoun game? Or was it Nico???

Nico [1-9]: Are you really using unclear pronouns for dramatic effect? That's such a cliche.

Fuck it, locking in Nico as the one who told Xander to talk to Eden, just because that's the funniest possible reason Xander could have used "they" there. I doubt it's true, but it's gonna feed my God complex if I get it right, so-

Yeah, in case it isn't obvious, I have very little idea what this scene could even be about. Very excited to see where this could go :D

Nico Hakobyan

Nico stole the show for practically half of 2-14, so it's natural we should start at the main event.

First, the soft confirmation that Nico really did attack Ace with a plan to get away with the murder and escape as the blackened, particularly framing Hu by using her wire. This... vaguely contradicts something they claimed earlier, so we gotta discuss the implications.

Veronika [to Nico, 2-9]: Is this what you were envisioning when you tried to kill Ace? That the trial would happen like this, but with Ace instead of Arei dead? Nico: I didn't... I never thought about it... I... I never should have... done that...

Were they just... lying here? Did they mean something else?

My best guess to explain this apparent contradiction is that Nico thought about the trial in a more... impersonal sense? Like, when planning to kill Ace, they figured they should try to hide that so they didn't go down with him, but sort of... ignored that winning the trial would kill everyone else? It's hard to describe, but that's what I get from that line as well as:

Nico [2-14]: I tried to kill [Ace] because I don't like [him].

When they say they "never thought about the trial," they probably mean that they never thought about the full implications of it, even though they did plan for it. They knew in some level they were supposed to hide the murder if they did it, but things like escaping the killing game and actually getting everyone else killed didn't fully register. This thought process makes sense in my mind, I hope it makes sense in yours because I don't know how to describe it any better :v

Second.

Eden [2-14]: That's- That's so cruel! Nico, why? Aren't we all friends? If something was bothering you, you could have talked it out with someone else you trusted? Nico: ... Someone I trust? What are you talking about? I don't trust anyone here.

Fantastic bit of characterization here. Nico, despite being relatively civil to anyone they're not actively planning to kill, apparently trusts no one. However, I want to explore what exactly that means. Because it's not like Nico is paranoid they're gonna get killed per say:

Hu [2-12]: Nico does have an alibi. I was having breakfast and tea with them in their room early in the morning as well. Drop it, Ace.

I can think of few better opportunities to kill someone than being alone with them, in their room, at around 7:30 AM when it's still officially nighttime. Nico, at least, trusts that Hu won't kill them, though whether that's because they're confident they could survive anything she tries or because they genuinely trust she wouldn't try at all is up in the air.

Point is, Nico is distrustful, but not as paranoid as, say, Ace. Because of that, currently, I believe Nico's claim that they don't trust anyone is an extension of things they've said before; that they prefer animals because people are unpredictable. Really, Nico's lack of trust being interpreted as "not trusting people to react to their concerns properly" is very consistent with the way they've acted in the past, particularly their reaction to getting forced into revealing their secret, so we probably shouldn't be surprised.

Nico [2-6]: I thought you would laugh at me. I was worried you would pick up rocks and start throwing them at me or pick up clumps of mud and start throwing them at me.

Next point:

Nico [2-14]: You all are right. I tried to kill Ace and pin the murder on Hu. What else should I say? Ace: W-- "What else should I say"?? You tried to murder me. You fucking tried to murder me! And after all's said and done, you can't even say something as simple as "sorry"?! Nico: ... I tried to kill you because I don't like you. Even now, there's still no use to try and pretend that I like you. If I say "sorry," you're still going to hate me.

... Yeah.

Nico [2-2]: If you're having dinner and want someone to pass the salt, you can say, "Please pass the salt," or you can say, "Give me the salt." One of those things is supposed to be more polite than the other, right? But why? They both mean the same thing. They're just slightly different mixes of words. It's like that. I don't understand why some mixes of words come off as "rude," and some don't, even if they mean the same thing.

I don't even think I need to explain this further. I think it's pretty clear why Nico wouldn't apologize to Ace. Nico's just not to into social conventions.

Except:

Veronika [2-15]: What's wrong, Ace? You seem stressed. [Your neck injuries] are only wounds. What's the issue? Could it be that almost being murdered has traumatized you a little bit~? Ace: You think?! You think that almost being killed could have maybe given me a little trauma!? Nico: ... [Whispered voice clip: "I'm sorry"]

This one's... odd. Nico doesn't say it loud enough for Ace to hear, evidently, so it's just a genuine reaction to the harm they've caused. What could have triggered this change? Uh... maybe a little extra trauma dump will help? Let's pick up after where we left off in 2-14.

Rose [continued]: D-Do you even regret what you did to [Ace]? Do you regret what you were planning to do to everyone else? Nico: O-Of course I regret doing it! I'm not Levi, of course I feel bad about something like that. I'm not heartless! Levi: Heartless? Nico: That was the worst choice I've made in my life. I wish I had never done that. But looking back, I still understand why I did. I... I just can't stand being treated like that. My teachers, my classmates, my father... I don't ever want to relive what they did to me. It's because of those kinds of people that I can't be happy with who I am. That's why I hate Ace.

Okay cut off there. First, interesting to see Nico calling Levi heartless. I've seen it brought up that it makes sense for Nico, who struggles to relate to other people on a good day, to latch onto any defense of their "normalcy" they can, including "I'm not the weirdest person here" despite how hurtful that can be to say. That's some neurodivergent on neurodivergent hostility right there! Fun to see characters being flawed in new and unique ways /gen.

Apart from that, there's some nice reveals to Nico's backstory, which are always welcome. We already knew Nico was harassed because of their identity, but now we have names (as in, identity of aggressors); teachers, classmates, and Nico's father. That obviously comes with a question; was Nico raised by a single father, or did they have other relatives who were more accepting? For now, we got no clue.

But that final line is important, because I believe it's what explains Nico's whispered apology in 2-15.

Nico [already written]: It's because of those kinds of people that I can't be happy with who I am. That's why I hate Ace.

Nico's apology comes after Ace explicitly mentions being traumatized over the murder attempt, in particular in regards to his neck wounds. This can be taken as Ace revealing he's not happy with a part of himself (scars) as a result of Nico's actions. When abstracted this way, the comparison to Nico's situation (unhappy with a part of themselves (gender identity) as a result of others' actions) is much clearer. Nico apologizes for accidentally causing Ace a comparable trauma to their own. Which... I think makes sense from their point of view? People apologize when they do something hurtful they didn't mean to; Nico meant to murder Ace, so no apology for that, but they didn't mean the trauma, so they say sorry for it. Not that Ace heard it, but you know.

... That's a weird ass thought process, but I think it makes just enough sense to explain the apology. Let's finish the 2-14 scene.

Nico [continued]: Even so... I'm not a child. I know that murder is wrong. I'm not the victim here. I know that it was dumb to resort to murder. I don't even know what I thought I would have accomplished back then. I mean, I started regretting it as soon as Eden and Teruko saw me. I don't expect you to forgive me. Very few people ever do. So I don't see the point in acting sorry. ... That's the entire truth of my murder attempt. I don't have anything else to say.

So... "I don't even know what I thought I would have accomplished back then" seems to corroborate what I said earlier about Nico not truly grasping the full implications of a trial while they planned the murder, which is nice.

Nico's attitude over this ("I'm not the victim here") is nice to see, and makes me very interested in where their arc is going to go from here. Especially since Nico maturely accepting the blame is already causing friction between them and Hu (even if Hu doesn't seem to notice), and will likely continue to do so in the future.

Hu [2-14]: You all are too cruel! None of you understand how much stress Nico was under! And yet you continue to insist on bringing this up. Can't you see that you're traumatizing them? Nico: Hu, I-- Hu: Don't worry, Nico, I'm on your side. I'll always defend you. I can be reliable for you. You trust me, right? Nico: ... I never asked you to defend me--

... We're gonna have to talk about this in the Hu section.

Finally, "I don't expect you to forgive me. Very few people ever do."

Nico, what the hell does this mean? What have you done in the past that requires so much forgiving? What in the [DR2 CH3 killer]-?

Unfortunately, this is one of those "we're missing critical information" situations when we can't even begin to speculate what, if anything, this is supposed to mean. We'll move on and patiently yet eagerly await elaboration.

There's one more big thing to bring up in respects to Nico, and that's... Rose. For who knows what reason, Nico never gives an explicit answer to whether they actually were interested in learning to paint or not.

Rose [2-14]: Did [Nico] even want to learn to paint? Or to be my friend at all? Or were they only using me as a tool for murder? Nico: ...

Regardless of what the answer is, that's kinda weird. I'm leaning "no, they didn't want to learn to paint," because it sure would be a hell of a coincidence that they just happened to gain an interest in painting just when they're planning a murder that happens to require a painting supply.

That said, Nico does still seem to somewhat care about Rose, and probably would like to be her friend. At least enough to eventually apologize to her out loud.

Rose [2-16]: [Ace]'s right. Only Nico took [the turpentine] from me, and I really doubt they gave it to Ace afterwards. Hu: You're always attacking Nico like this! Nico: It's the truth, though. And Rose is right. I kept it. I still have the turpentine in my room. I'm sorry.

And it's not like anything this chapter erased the FTE:

Nico [FTE]: I was going to thank [Rose] for hanging out with me. I really enjoyed her presence.

So, while I can't know for sure, I hope Nicorose can make a comeback, at least in time for Nico to die so dev can inflict extra psychological pain on Rose! :D

Final highlight:

Nico [to Levi, 2-13]: If you said you killed [your father] because you just didn't like him, I could understand that. But you're saying you forgot about taking a life...

Apart from Nico obviously projecting their own murder motives on other people, do we think Nico ever considered killing their own father? I doubt they actually did, else that would probably be their motive secret (provided it's not a Veronika situation where their secret isn't the worst thing they've done), but I could see them considering it given how they talked about him and Ace in the same breath, and... yeah Nico sure did want to kill Ace alright.

Hu Jing

Hu was quite fascinating this part, wasn't she? For someone that actually ended up having zero relation to the murder, she sure had a lot of important character scenes. Let's start with the confirmation of a particular theory that really helps understand her character better.

Hu [2-13]: I've been quite selfish this whole time, keeping my secret because I didn't want you all to think less of me. Most of all, I wanted to lie to myself and pretend that I had no ties to the person that I used to be. I wanted to believe that the past never happened. But that's just self-centered. I've always been a selfish person, haven't I? I should put those feelings aside and do what is right. No, I should have done this from the start. I will share my secret as long as you all promise to immediately move on. I have Veronika's secret, and she has mine.

Well that's just sad.

I don't think I particularly need to analyze this, it's all pretty explicit. Hu wants to be relied on because she feels useless if she doesn't provide guidance:

Hu [2-11]: I have to be the one to give everyone guidance. That's the only thing I can do. If no one relies on me, then I won't be useful anymore.

And if it comes out that she's attempted suicide, then in her eyes, that makes her less reliable.

(Obvious disclaimer is obvious, the character's views don't reflect my own, there's no shame in having attempted suicide or needing help to keep fighting it, etc.)

As a result, she dislikes the memory of that "hopeless child" who attempted three times, and wishes to avoid talking about it if possible. Metamorphosis (butterfly) and rebirth (water by her name being "still lake") symbolism pulling through.

Also, while there's many reasons someone could attempt suicide, that little "I've always been a selfish person, haven't I?", especially combined with other statements she's made in the past, heavily implies her attempts were a result of self-loathing :( . Thus why she so desperately seeks value in herself by helping others, which is sorta crumbling as everyone she put her faith on (David, Nico especially) starts to reveal themselves as not-that-great-people.

Hence why I'm worried we might see a fourth attempt in the killing game. Her secret quote seems to go against the idea, which combined with some of her statements in the series proper make me doubt it, but y'know... The precedent's there.

Anyways, I'm bringing this up first because, again, it helps understand her other actions this chapter.

Hu [to David, 2-12]: Unacceptable! What on earth [sic] is your problem? I have had it up to here with you! Because this killing game requires us to live, you think you should just reject that notion and kill us all? You lied to me, manipulated everyone, and tried to make us all commit mass suicide! You really are the lowest of human beings. You have no right to decide whether I, whether any of us, live or die, all because *you* feel like you have no chance! If you're so bent on dying here, then die! But don't you dare try and make everyone else die with you. If we decide to continue living, then we will. It is not and never will be your decision as to what happens with our lives. David: ... Rose: Wow. Hu can be scary. Hu: ... I'm sorry to everyone else. But I've lost my patience. I won't apologize to David.

(Obligatory props to VAing ofc)

I mean, yeah, it makes sense for someone who used to be suicidal to be mad at David's bullshit. Especially considering that, in regards to "you lied to me, manipulated everyone here," the line I mentioned before about providing guidance continues like this:

Hu [to David, continued from before, 2-11]: I have to be the one to give everyone guidance. That's the only thing I can do. If no one relies on me, then I won't be useful anymore. You knew how I felt, and yet you... You... You toyed with my heart! All that time you acted like you were encouraging us to reveal our secrets to "prevent conflict." That was all a lie!

Assuming the whole "You toyed with my heart!" thing isn't referring to a conversation we don't have information on (which, to be clear, is 100% possible), it's possible that at this point in the trial Hu felt bad for going along with David's plan, especially since she might have believed it directly led to Arei's death. I think it's worth noting that she's one of the two first person to speak after Ace confesses, and she asks if he did it because of the motive.

Ace [2-15]: I killed Arei. That's exactly right. Shit, it sounds really bad when I say it out loud. Eden: Why? Why did you kill her? Why would you do such a horrible thing? Hu: Did you kill Arei because of MonoTV's motive? Because you wanted to keep your "secret" hidden--

Which could be read as her trying to confirm whether or not going along with David's plan was a good or bad idea, maybe?

Admittedly, "going along with David's plan" in her case literally just means "she told David, Nico and Teruko that people used to call her Julia," which you could argue is too small for her to genuinely feel like she contributed, but keep in mind the "you toyed with my heart" line is directly before a line referencing the "reveal the secrets" plan. At the very least, she didn't go against it, not in a significant way anyways.

If I'm right to be reading these lines the way I'm reading them (which, again to be clear, might be wrong), then David purposefully used Hu's desire to help and be relied on to get her to agree with his plan, or at least not go against it, or at least Hu feels he did. Whether he intentionally targeted her, or if his methods to convince the others to convince the cast of revealing their secrets just happened to strike a cord (zither pun not intended) with Hu, is still unclear, but both are possible.

So she's already incredibly pissed at him for that, then he says he wants everyone dead, yeah my girl's got the right to go off.

Though, speaking of Hu blaming herself for what happened to an extent:

Hu [2-16]: Arei wasn't killed because of an accident. Bad luck or not, Ace had made up his mind to go through with this murder! So we can't possibly blame ourselves for failing to prevent something like that.

This is after Ace confirms that the motive and David's BS had nothing to do with the murder, so Hu can fully deny blame for what happened. Which is relatively fair, it's not like being mean to someone makes you guilty if they then choose to kill someone, but it's also presumably really important for her mental stability.

Did any of that make absolutely any sense? Maybe. Hopefully.

And that's just all the Hu-only stuff. Because a big part of her character this chapter was defending Nico far beyond what anyone could possibly see as reasonable. I'll bring back the example I gave before, because I think it's by far the most extreme.

Nico [2-14]: Someone I trust? What are you talking about? I don't trust anyone here. Hu: Stop! Just stop it! You all are too cruel! None of you understand how much stress Nico was under! And yet you continue to insist on bringing this up. Can't you see that you're traumatizing them? Nico: Hu, I-- Hu: Don't worry, Nico, I'm on your side. I'll always defend you. I can be reliable for you. You trust me, right? Nico: ... I never asked you to defend me--

Like, this goes beyond unreasonable. Nico literally says they don't trust anyone in the killing game, but Hu still thinks they trust her for... some reason. And even though Nico says they never asked her to defend them, Hu continues doing it past this point.

The thing is, though... why? Like, I get the basics here, it's what we talked about earlier. Hu only finds worth in herself by being reliable, and she sees Nico as someone who needs her reliability, so she tries to defend them no matter what. Hell, she even specifically says "I can be reliable for you" in the quote.

But... is there a reason she's so adamant towards them in particular? She doesn't get like this when Eden starts being accused, even though they have a good relationship with each other. Apart from reciting Rule 10 when it first comes up, once that gets thrown into question, the only thing Hu says when Levi and Arturo talk about Eden possibly being the killer is:

Hu [2-14]: Eden? Please don't cry.

She never pushes back against David's claim that he saw the corpse, even though that would practically exonerate Eden via BDA; that's Nico who does that. And Hu never claims Eden is being traumatized by being accused even though she clearly takes the accusations a lot worse than Nico was taking them in 2-14.

So, like, what the hell? Is there a deeper reason she's so defensive towards Nico and not Eden, or am I just going insane?

Well, at this point, if such a deeper reason exists, I have no clue what it could be. I could speculate about Nico reminding her of someone in the past, be it herself or someone else, or maybe Hu just sees Eden as less "in need" because she's generally more stable and happier than Nico, but really, I have no way of knowing.

The thing I can talk about in regards to the Hu-Nico thing is its parallels to Veronika-Arturo and Levi-Ace.

Veronika-Arturo is funny because, well.

Veronika [2-10]: Arturo, you're... You're so... Fascinating. You're really entertaining. So I'll take your side. I don't care about morals. I don't care about whether people get hurt or whether they die. I just need to be entertained. If you become more and more irredeemable, then I'll only love you more~ I want to hear all about those terrible things you did with no justification. Arturo: For someone who's taking my side, you sure are making me look a lot worse!

I really love how a big part of the Vero-Hu recap foil so far can be reduced to the "I can fix them" vs "I can make him worse" meme :p There are their secrets as well, but that analysis will have to wait for further elaboration on them, presumably in CH3.

Meanwhile, Levi-Ace... will have to wait for the Levi section, because this is already getting quite long for Hu, and it requires a bit more context on his character.

Miscellaneous highlights!

Hu [2-14]: Hang on! Eden isn't the killer! Don't accuse her! Charles: Not this again. You can't keep blindly defending the people you hope to be innocent if you don't have evidence, Hu.

Hu: I do have evidence! Why are you writing me off? All because I-- ... *sigh* Rule 10...

Damn she really gets defensive when you question her reliability huh?

Well, moving on. That was a pretty long section, hopefully the next one will be easier to write.

...

Oh. Oh no.

David Chiem

YOU

WHAT THE FUCK IS WRONG WITH YOU?!

Genuinely what is this motherfucker's problem? Everything he does seems to contradict something he did before, for reasons unknown. The only way I can even begin to try to analyze this son of a bitch is to go through everything he does in the series in chronological order, because trying to figure out his thought process in any other way would drive me in circles harder than anything in LGI ever did.

The first thing David truly does that informs us on his later actions is forming a genuine and positive relationship with Xander. In case the LGI MV didn't make it clear that David genuinely cared about the Rebel, we finally got near 100% confirmation of why exactly David liked him so much.

David [2-12]: You, and everyone else listening. I do so kindly request that pretty please stop talking about Xander at all if you don't know what the fuck you're talking about. It pisses me off to no end. After all, it's still unbelievable to me... ...That I'm the only person here who remembered him. Even if you all lost a year of memories for this killing game, there's no reason you shouldn't have recognized who he was.

While we unfortunately don't get much more clarification, it seems David knew what Xander did to earn the title of Ultimate Rebel, and likely admired him as a result. As per Xander's numeral I in LGI, "I have always looked up to you."

This admiration is presumably why David was so adamant in the first trial that there was no way Xander really tried to murder Teruko.

David [Debate Scrum, 1-8]: Are you saying that Xander is a killer? I find that difficult to believe.

You might argue that maybe he was just trying to throw the first trial, the same way he tried to throw the second. But that's not possible.

This is where we get to Weird Point #1. David didn't want to lose the first trial.

Nico [1-11]: Ah, right. Min was going from the laundry room to the kitchen. That path crosses the computer lab. She would have seen Teruko's body if the door was open. Min: ... Ace: And why exactly would the fucking door be open? Nico: U-Um... David: I suppose Min may have arrived near the computer lab's entrance just as Charles left. If she was curious, she would have even gone out of her way to see what was happening in there.

If David was trying to throw, he wouldn't be the first to explain how it would be possible for Min to be involved in the murder. And this is only one example, there's other lines where he specifically suspects Min. Apparently, he simply cannot handle a bad bitch winning (committing murder and trying to sacrifice 14 lives for her own benefit).

However, something in David shifts upon seeing Min's execution.

David [1-12]: I... I've seen enough. There's no point in keeping my hopes up anymore. We are all certainly going to die here.

This line is said pretty somberly.

Which is weird. Because not four days later, David will be trying to throw a class trial, which will kill everyone and him. Interesting detail about that, David doesn't seem to believe that the blackened will escape if they actually voted wrong, based on this line.

David [2-12]: 15 lives. Some of them are very dear to you. And your own life as well. Is there anything at all that could be more important to you than those 16 human lives?

Where he seems to imply a wrongful vote will cause 16 deaths.

But the thing is, it's not just the trial, is it? David also tried to instigate a murder through his "reveal all motive secrets" idea. That's what he does during the majority of CH2, starting in 2-4, just two days after Min's execution. Now, it's fully possible that at this point, he wasn't yet planning to throw the next trial, but rather, he was just doing this to hide his own secret. He certainly considers losing his "speaker persona" a genuine sacrifice, so it isn't unbelievable that he'd hope for a murder even if he was planning to win the trial if it happened.

David [2-12]: Even so... Lying about all that wasn't easy. Even I like to have good relations with others, however fake they might be. And I had to throw that all away. I know that no one will ever trust me, believe in me, or look up to me again after this. But doing "good" things requires sacrifice. Sometimes that sacrifice is being seen as "a good person." That's what I learned from Xander. Even if doing something will make you hated, if that action is for a greater good, then it's an action that you have to take.

(By the way, his views of goodness as martyrdom are quite interesting and I'm curious to see where it will go, but currently we don't have much more than this line for insight on it)

However, I don't quite think that he just wanted to keep the others' goodwill; I think he was already hoping to throw from the moment he started instigating the murder. And this is where we need to ask; what was it that made David switch up? What happened between the first trial and the second that made his goals change from surviving to... whatever he's cooking now? Because in case it wasn't clear from how I'm talking about it, I don't believe David gave the real reason for his throwing to the class. Let's look at the "confession."

David [2-12]: Ugh, fucking fine. You want an answer so badly? Any answer? ... I...

Ah... We're... in a television show, after all. That's... what MonoTV said, right? "Entertainment" is an ongoing show. If Min successfully got away with the very first murder and escaped while we all died, then isn't that way less interesting for a TV show? What's the point of roping 14 other people into one murder, only to kill them all off immediately? The killer is supposed to fail and be executed. We're all supposed to catch the killer, again and again, and participate in trial after trial. You're *supposed* to try to survive. All of you who are trying to solve these class trials to continue living on are playing straight into MonoTV's hands. [Confident] As if I'll accept that. I don't care how low I'll sink, or how despicable I'll have to become. I'll do anything to carry on Xander's ideals by ending this killing game, even if it means that I have to dirty my hands.

Although I wrote it all out, I want you to focus on the start: ".... - I... - Ah... We're... in a television show, after all." Even beyond the meta argument that it's unlikely we'd actually get the answer to why Xander wanted to win the class trial this early in the series (which is a valid argument, but I prefer to theorize without meta reasoning), that hesitation should tell you everything. The way it's written, it makes it seem like David is hesitating because he's making everything up on the spot, up to the "Ah..." potentially being the exact moment David figured out what angle he wanted to take. Given he's already admitted to both being manipulative and wanting to get everyone killed, this is the only reason I can see for why he'd hesitate to give such a relatively simple and "reasonable" (as in, it logically follows even if it's still insane) answer.

So, now we have two questions. What does he actually want to achieve by throwing, and why did he only start pursuing it after the first trial ended?

Well, let me say first that I don't think we're supposed to be able to answer these questions yet. Obviously; we're dealing with shit very closely connected to some pretty large, overarching mysteries of the series, which we probably won't get full answers for until much later than CH2. But we can try to speculate the general direction of what the answer will be. Let's look at another one of his lines to try to do just that.

David [2-13]: Achoo! Ah--Bless me! Also, excuse me! Wow, thank you for your support, everyone!

(I only included that line because it's fucking hilarious and I didn't want that to go unappreciated :p)

I have another interruption~ Hu: ... David: Teruko. Own up your [sic] goddamn secret already. You are the last person to do so. [...] Teruko: ... My family. David: ...

So, just like everyone who is somewhat deep in the DRDT theorizing community, I don't think this is true. I am pretty sure David has Teruko's secret, that secret being "How could I even select what secret to be your motive? Just about everything you've done in your life is worth killing for. The killing game is all your fault." There's many reasons beyond the weird ass David sprite pictured above, which many have already covered, but as a quick overview: the family secret ("you're constantly blaming yourself for the death of your parents and siblings. It doesn't matter that it's not your fault, just that you didn't go with them") fits Xander better (see: Bonus Episode 2, Xander's secret quote being the definition of survivor's guilt), the family secret mentions "siblings" plural when Teruko's only claimed to have one brother, we don't know what happened to Teruko's parents and brother when we know Xander's family is dead, Teruko didn't believe David when he said he got Xander's secret so she probably suspects the killing game one is hers, "this killing game is all your fault" is consistent with the second anniversary art code ("It's all your fault" in a picture which only features Teruko reaching out to presumably-Mai's hands, which disappear), etc.

So now we have four questions, because evidently I'm quite bad at this. Apart from the two mentioned before, we need to ask why David lied about the secret he received, and why he was happy when Teruko answered with the family thing.

But sometimes, one question can answer others. The reason I'm bringing this up is because I believe David's heel turn was likely motivated in some way by receiving Teruko's secret. Take a look at his immediate reaction when the secrets are first handed out.

Pretty frowny, huh? Yeah understandable given the secret he received is "hey the killing game is all the girl that Xander tried to kill's fault." Unfortunately this is the only reaction David has to any of the secrets, as the rest of his dialogue after this is just explaining J's secret. Well, and this:

Eden [2-1]: Then let's end the killing game before [the motive secret reveal]! Nico: Eh?! David: Optimistic as ever, Eden. I'll do my best.

Which is kinda funny in retrospect. Yeah, he sure did do his best to end the killing game before the secret reveals.

Tangent aside, the important thing is that David wasn't necessarily surprised by Teruko's secret, but rather, uh... Well it's hard to read him on expression alone. Frustrated, maybe? Possibly mad that Xander didn't succeed in killing her? It's also worth noting that this is shortly before Teruko goes into her whole "I don't plan on leaving" shtick, which includes the following tidbit (and yes David is in the room to hear this).

Teruko [2-1]: And I'd recommend that you drop that foolish optimism for making it out of here alive. With 100% confidence, I can say that... You will all die down here without ever seeing the outside world again. Ace: This bitch is totally out of her mind. Teruko: I'm not saying this out of ill-will. It's simply how this story works. You all have the misfortune of being "characters" in a story where I'm the "protagonist." Because of that, you're all doomed.

What's so important about this? Because I believe that, in David's mind, this proves Xander right. It proves that there is something off about Teruko, that he probably did have a good reason to attack her, that the note he received wasn't complete bullshit. If there is any single thing that would get David to follow Xander's footsteps, regardless of whether he has the full story or he's just doing what Xander was trying to do even without knowing the reasons the Rebel made the moves he made, it would be getting confirmation that the person he tried to kill specifically has something suspicious going on.

Especially because David does, in fact, seem to have a very weird fixation on Teruko.

David [2-14]: As long as there's a possibility that the evidence is false, as long as there's even the slightest reason to distrust others, then Teruko cannot trust Eden. Isn't that right, Teruko? Teruko: ... David: It's in your nature to distrust people. Everyone you know has already betrayed you. There's no one in this world who won't hurt you. Even the people you love will turn their backs on you in the end. You know that well enough, don't you? So distrust in others. Because that's the only way you know how to live. Teruko: ...

(Obligatory props to VAing ofc)

... Alright so it's five questions. Because how does he know all that?

Let me knock that one out quickly, though. Right now, I don't think this is solid enough reason to suspect that David knows more about Teruko than he's letting on. I could be wrong about that and David could just be aware of her entire backstory, but I currently don't believe that.

Instead, I think this might actually be an extension of his talent, in a way. The joke that he gave Teruko a "demotivational speech" is funny, but I also think it's actually on the right track. David knows the right things to say to someone to inspire them, to push back against their insecurities, as he did with Arei in the playground breakdown. Thus, it logically follows that if he's able to identify emotional weakness to push against it, he would also be able to exploit it.

Or, try, at least. He actually fails pretty spectacularly, since Teruko ends up trusting Eden anyways, and I don't think there were any reverse psychology 5D chess moves on David's part given his immediate reaction to Teruko's 2-14 speech to Eden.

Like, that's the face of a man who tried to be slick and failed miserably.

(And in case it isn't clear, I don't think his lie of seeing the body had anything to do with the trial, he did it just to fuck with Teruko)

In any case, what happened here is that he figured out the (relatively obvious, it doesn't take an Ultimate to see this) trust issues that plague Teruko, and is trying to make them worse in order to... uh... fill in the blank I guess. One option I've considered is that he knows something about how her luck works, that it hurts people she likes, so if she doesn't trust anyone then her luck's effects will be concentrated entirely on Teruko. However, that requires a pretty deep understanding of something he shouldn't have that much info on, so I don't find it that likely. Also I'm not 100% sure if this is how her luck actually works so there's that.

Yeah, unfortunately, at this point I struggle to see exactly what David's angle is here, which is probably intentional given, again, CH2. However, it does somewhat tie back into what we were talking about. Along with everything else I've mentioned, this fixation on Teruko's trust makes me believe that David's heel turn is at least partially motivated by receiving her secret.

And if we once again combine questions 3, 4 and 5, we can actually arrive at a new conclusion. We know David's hiding Teruko's secret, we know he's happy that she's not calling him out on it, and we know that he has a vested interest in getting her to distrust others. With all these combined, I believe that David is trying to look for a way to manipulate Teruko specifically as a backup plan if the cast managed to win the trial, which they did.

By getting her to distrust others, she'd isolate, making her an easier target for manipulation as she wouldn't have anyone to fall back on if David starts getting to her. And the secret is good blackmail, pretty straightforward why he he hasn't revealed it yet. That's also why he's happy she helped him keep it hidden; he can pull it as a card to make her seem less trustworthy and isolate her further. "She lied about her secret, she was trying to hide it." If she had been honest and said that neither the family nor the poison secret fit her and that someone lied about their secret, it would make her look comparatively better once the secret came out. In other words, it makes the blackmail even better, especially because now David knows for a fact that she wants to keep it hidden.

That brings up to question 6: why does David want to manipulate Teruko in the first place? And this is where we finally reach a dead end, because again, CH2, we're not gonna get all the answers yet. I have less than zero idea what David will try to manipulate Teruko into doing, when he will make his move, what his end goal is, or any other question you can imagine. I have my doubts that he'll succeed, obviously, but of course that depends a lot on what his final angle ends up being.

So, let's recap.

David knew of Xander before the killing game, admiring him because of his work as the Ultimate Rebel. As a result, David tried to establish a good relationship with Xander once the killing game started.

David originally rejected the idea of Xander attacking Teruko out of denial and nothing else. He had genuine faith his friend wouldn't do that. David wanted to catch the correct blackened in the first trial.

Upon receiving Teruko's secret and hearing her speech about everyone dying as a result of misfortune, David begins to believe Xander was in the right, and chooses to pursue what he thinks Xander was trying to accomplish. This includes trying to instigate a murder and admitting to killing Arei.

David lied about his motivation to throw the trial. I don't know if he's specifically trying to kill Teruko, or if he thinks everyone in the cast needs to die for some reason, or if he genuinely has no idea what Xander was trying to do and he's just following his actions blindly, or if it's something else entirely; whatever motivation he actually has, it's not what he said.

As a backup plan if the cast manages to win the trial, he hides Teruko's secret and plans to manipulate her via blackmail, for reasons yet unknown. This is why he's happy that she also keeps it hidden, and why he tries to build her distrust in others.

And that's the basics of what I believe regarding his actions... related to throwing the trial and Teruko. We still have one more David Moment TM to deal with.

David [about the Arei conversation, 2-13]: ... Nothing. Absolutely nothing. I didn't say anything to her, and she didn't have much to say to me either. Arei simply got annoyed with me and left without saying anything else. Nothing else happened between us, I promise. Eden: You promise? You absolutely promise, you didn't say anything to her? David: One hundred and one percent, I promise. Ace overheard everything, and what he told you all was the entire truth. Does that satisfy you? Eden: ... That's... a relief. That you didn't make her feel bad, I guess.

So, question 7, why does he hide the truth from Eden? I doubt he suddenly gained an interest in progressing the trial without further interruption. He's also not doing this for Eden's sake; what Eden wanted to hear was that Arei walked out of that conversation still hoping to change for the better, which she did. Hearing that Arei still wanted to "be less shitty together" even after knowing David's a manipulative asshole would have made Eden very happy.

But David doesn't want to hurt Eden, either. If he did, he'd lie and tell Eden that he said something that made Arei run out crying and having lost all hope, or something. I also can't really think of anyone else who would have much of a reaction either way, since as bad as it sounds to say it, Eden's more or less the only person who was genuinely invested in Arei's progress. Maybe "the blackened," but if David doesn't know who the blackened is, there's no way he'd know how they'd react, so it's likely not because of that.

So, if David doesn't hide the truth for the sake of the trial, and he doesn't lie because of Eden, and he doesn't lie because of anyone else, then he's lying for his own sake. I believe that David is trying to hide how much he genuinely cared about Arei, and probably doesn't trust himself to be able to tell the story without giving the game away.

And to be clear, he did genuinely care about Arei. If his immediate reaction to her death doesn't convince you, his breakdown after hearing the Arturo-Eden-Arei story should.

David [2-8]: Of course. Of course this would happen.

David [2-10]: If Eden and Arei really had that conversation, then it explains a lot. I had my doubts. A clearly suspicious note, asking her to meet alone and with no explanation as to why. During a *killing game* of all times. What kind of person would fall for such an obvious trap? You'd have to be shortsighted, naive, foolish, senseless, downright idiotic. ... Unless, of course, you were Arei. That girl wanted desperately to prove herself as a "friend" to Eden. And yet she completely lacked any experience with what "friends" were actually like. Of course it never occurred to her that handing out suspicious notes was not something that normal people did. What could she know about "friendship," after all? Someone like her, who had not once experienced kindness in her entire life up until now? Even if she had her misgivings about something so suspicious, she must have pushed it aside due to her unwavering faith in her blossoming friendship. A friendship that she didn't understand in the slightest. It's... It's so... Ahaha. It's just so foolish. For someone to take advantage of Arei like that. It's absolutely unforgivable. All she wanted was to change. What a reprehensible person this killer is. I look forward to seeing their painful execution.

(Do you think all this talk about "suspicious notes" is making him think of Xander with the suspicious note he received? Don't know, maybe :p)

Between David hiding the end of the conversation and the whole "Arei was a temporary weather spell" line, it seems he's really committing to the role of someone who doesn't care about Arei.

There are many reasons he could be doing this, but I believe he's just pulling a Teruko: Showing no vulnerability, because if he did, then maybe people would actually try to reach out to him. And then they'd get hurt like Xander and Arei; quote one of the Hamlet quotes in LGI (one of the eight lol): "I did love you once. You shouldn't have believed me." And/or David would need to confront how awful he is to try to change and better these new relationships.

Because it's a lot easier to be an irredeemable asshole who will never get better, than to confront the reality that he can, just that it's hard. Cue parallels with Arei and Teruko and Ace and you get the idea.

Final note, completely unrelated.

Whit [2-12]: Hey, hey, you could say those fish were a... red herring? David: Ugh! Goddamn it, Whit, does everything you say have to be made into some shitty dumb joke?! You're actually really fucking annoying! Shut the fuck up!!

Question 8: Why is David so pressed about Whit's jokes? At the moment, my only guess is that Whit's attitude of always remaining positive enough to crack jokes reminds David a bit too much of his "cheery" persona, which also is supposed to always remain optimistic in the face of adversity, and David either hates that because he hates himself, or because he's envious that Whit can hold that optimism without trouble (as far as David can see). I lean on it being a combination, where he does hate his "cheery" persona, but also wishes he could genuinely be like that, but it's very hard to tell atm.

Alright that took way too long. Can't wait for this all to be proven horribly wrong the next time we get any solid info on David!!!

Levi Fontana

Hey Levi sorry for calling you an accomplice for like a year are we still cool? :,D

Although Levi had a lower amount of Big Moments than David, I consider them more impactful to the chapter. And when you're talking Levi, you're talking 2-13 and 2-16. Let's start with the former.

Levi [2-13]: The secret that Arei received, "You're a murderer, and you hold no remorse...." That's my secret. [Cast reactions] If you were wondering, it's not in my legal records. The court struck it from the records. Ace: No shit! There's no way Hope's Peak would have scouted a murderer! Levi: Don't make the mistake of switching cause and effect.

Let's take our time with this one, it's a long speech. First, nice to see we called this secret, it's nice. Also, I'm not the first to point this out, but it's a neat bit of characterization for Levi to first talk about the legal side of his secret instead of anything more related to emotions; he only really cares about the effects things have in the present (that'll become explicit in a bit), so the first concern he thinks of are the legal repercussions.

Then, Hope's Peak... Hope's Peak why are you this shady. Between Rose's situation, the Ultimate Contest for Eminent Students, and now this, it's now three times they've specifically targeted people in vulnerable positions. Four if you count Teruko, but that would imply they rigged the lottery for the Lucky Student, which I would believe but we currently don't have evidence for. No wonder Xander has issues with them, they're cooking something weird.

Rose [1-4]: I'm sure Hope's Peak wants me to become some sort of appraiser or forgery detective with the skills that I have. Taking some offending youth and turning them into a productive member of society would be a pretty good look for them.

Unnamed Classmate [BE1]: Why would Hope's Peak announce [the UCES] 12 years before it would actually take place, when all the would-be contestants are just children? Min: Because they wanted the contest to hang over the heads of kids like me for 12 years, from childhood all the way into high school. They wanted to single out those who were obsessive enough to spend their entire lives preparing for this one test from childhood.

Unnamed Classmate [BE2]: If you set out to do something, then never give up on that, no matter what obstacles may stand in your way. Even if it's risky or against the rules, as long as it's for a good cause... I'll trust that you know to do the right thing. Xander: Yeah. Of course. That's why I've come to Hope's Peak, isn't it?

We currently have no clue where this is going, but I'm noting it for further reference. Let's pick off from where we left.

Charles [continued]: Care to explain yourself? Levi: At the time, I was confronted by three guys who tried to start a fight with me. I believe they were some old enemies. I killed their leader first, which may have been justifiable as self-defense, but then I tracked down his two remaining friends several days later and beat them to death. J: "Old enemies?" "Leader"?? Were you in the freakin' mafia or something? Levi: No. J: ... Levi: ... J: Are you not going to elaborate?? Levi: I don't particularly think I need to elaborate. After all, that happened in the past and has nothing to do with Arei.

One question this speech leaves us with is "why did Levi track down the other two after killing the leader?" We don't have enough info to tell for sure, but I assume it's a matter of safety? Like, Levi thought those two would try to attack him again if he left them alone, so he needed to make sure that didn't happen. I think that makes enough sense for me not to lose sleep at night over it, but of course I'm open to being wrong.

Also, this is the point where Levi's pure pragmatism becomes apparent. "It's not important right now, so why would I elaborate?" A philosophy which is born from his lack of empathy which will be discussed later. This pragmatism is probably why he's the one to argue that Eden was in an advantageous position to kill Arei; the logistics of murder come before emotional aspects in his mind, which is understandable.

Eden [continued]: Who... Who did you even kill? Levi: They were three guys... a few years older than me... Uh... I don't remember their names or who they were.

Do we think Levi knew their names at one point and forgot, or did he somehow track down two people without learning their names? I find the former more likely, just wanted to point that out.

Levi [continued]: I was a bit of a delinquent when I was younger, so they could have held a grudge against me for any reason. Maybe I smashed their windows and robbed them? Or, wait, maybe something to do with that car I blew up once? Rose: That's... kind of a lot to admit all of a sudden.

One thing I always enjoy is when the character who reacts to cut off a monologue has some kind of connection to the thing being discussed. Like, of course Rose is surprised at everything Levi is saying. She's out here being haunted by the crimes she committed, to the point where the debt she put her family in is her motive secret, and then this other guy has broken All the Laws and is just admitting it openly lol.

Levi [continued]: I've forgotten most of the details, as I haven't though much about it since I was cleared of my charges. Sorry, I can't really remember why that happened. Arturo: How could you forget something so important? You can't even be bothered to remember their names? Did you not care that you killed three people?

Speaking of matching reactions to character, Arturo "I feel unending guilt over the death of my sister who I did not even directly kill" Giles cannot conceive how someone else isn't haunted by the lives he took, more recap foiling at eleven.

Veronika [continued]: You say that your backstory and secret aren't relevant to this trial, but they are. That second part of your secret, that you "felt no remorse" for killing people... If you don't care about murder, then you'd have a much easier time killing than anyone else here. You may even be unbothered by the fact that passing the trial would mean everyone else's execution. After all, you seem completely detached while admitting not only to murdering 3 people, but to several other crimes as well. Almost as if you didn't care about any of this. At least not from a moral standpoint, that is. Levi: I won't deny it. That is indeed how I feel. Ace: You are one sick bastard. What could you possibly say in your defense.

This is the first big hint of Levi's low to non-existent empathy, but I'll wait until it's fully elaborated on to discuss it in depth. Also this hints to Ace business that will be discussed in his section. Why am I even writing here.

Levi [continued]: That incident happened when I was in my junior year of high school. My junior year was also the year that Hope's Peak scouted me as the Ultimate Personal Stylist. To my understanding, it would have reflected poorly on Hope's Peak to recruit a murderer, so they pressured the court into not pressing charges.

I do wonder now why Levi even started styling in the first place. By his own admission he's pretty new to it, though he's got at least a year or two of experience if he was scouted in junior year (I think? USA why can't you fucking number your grades like sensible people I don't know what "junior" means without firefoxing that shit). Maybe a job he picked up after disownment? Though that heavily depends on when and why he got disowned in the first place; was it because of his father's murder, the murder of the three dudes and the court case just took a while, or was it something else? Questions to mull over, but can't answer without further info.

Levi [continued]: Err... Hang on. Now that I've thought about it a little more, my motive secret may not be referring to those guys. It could also be referring to the time I murdered my father. J: Wait, you-- YOU WHAT?! Levi: It's quite difficult yo tell what these motive secrets truly mean because they're all phrased so vaguely... It's a bit of a bother. J: No, fuck that noise! Go back! The hell you mean, you fucking killed your dad? Levi: Correct. I simply forgot about it up until now. That would make four people in total that I've killed, not three, I think...? Arturo: How could you simply *forget* that you murdered your own family member? Nico: If you said you killed him because you just didn't like him, I could understand that. But you're saying you forgot about taking a life... Levi: It wasn't that important. Not even the police cared about a man like him, so nothing came out of it. I truly just forgot.

(why is everyone blue you're fucking up my color schemes-)

Back to the whole "appropriate reactors" thing, while I've already mentioned the Nico thing, I think it's cool J (the anti-murder spokesperson with a bad relationship with her mother) specifically says 'dad,' while Arturo generalizes to 'family member.' Someone's being reminded of his past~

I find this admission pretty funny for a few reasons, and very interesting for many others. Funny because my guy is complaining about the vagueness of the motives while admitting he killed his dad and not elaborating in the slightest. Interesting because... why did that happen? Levi doesn't respond to Nico's comment, so it seems like he didn't particularly dislike his father or anything? Especially in the context of the way he's talked about his family in the past.

Levi [responding to Eden, 2-1]: No, not at all. It's for the best that neither I nor my family see each other ever again. Eden: Eh? If you don't mind me asking, why? Levi: Why? My father, my mother, my brothers... We were all bad influences on each other. That's all that needs to be said.

I mean, Levi's father probably wasn't a shining beacon of hope or anything, given the police didn't even investigate his death, but like... lumping him in with the mother and the brothers, and just saying they were "bad influences" instead of, like, genuinely shitty people, it all makes it sound like there's no specific grudge against the father. Which makes sense, right? Even his father would feel like a stranger, as Levi will describe later. I really wish we get some elaboration on this, because I'm pretty curious about what kind of situation would lead Levi to this. I did try to check what's caused Levi to snap before, see if I could figure out what could have prompted it:

Ace [1-9]: What's the damn point of this whole trial if we're going to make choices based on dumb crap like that?? You useless shit-for-brains! Are you even taking any of this seriously?! Whit: Huh? Am I taking this seriously? Nah, not really. Ace: YOU--! Levi: Ace, calm down. You are not helping at all with this argument-- Ace: You shut your damn trap too, Levi!! I'm done with you trying to play the moral high ground by pretending to be some peacemaker! "Oh dear, oh my, calm down, everyone. Let's not fight, alright? Aren't I such a level-minded pacifist?" Stay the hell out of this if you know what's good for you. Levi: ... Ace: That's right. Shut your damn mouth, you coward-- Levi: Fuck. Off. Ace. How far do you want to push it? Do you think that I don't have a limit to my patience? I would gladly strangle you right here and now to shut you up if I were allowed. But if you're the coward I know you to be, then you should back up before you dig your own grave. So shut. Your mouth. Before I shut it for you.

Uh... Personal attacks against Levi? Yeah I have no idea what the hell his father could have done to prompt the murder. As usual, we're missing too much critical information to make a call on it. I'm gonna wager a guess that Levi didn't plan the murder, but rather it was an in the moment decision, but again I have no actual way to be sure.

Levi [continued]: Frankly speaking, I see no reason to remain hung up over some incident that is long past, especially as it ultimately had no impact on my life. Eden: You forgot about all of the things you did simply because you didn't face any consequences? That's incredibly selfish! Shouldn't you feel even a little bit bad? Those were human lives you took! I don't know what happened within your own family, so I can't pretend to understand why you killed. But even then, I'm sure those other people had families and friends who cried over their deaths!

Again the responders; remember how Eden feels guilty over both Min and Arei's death even though she never "faced any consequences" for them (mainly because she didn't actually do anything wrong but you get the idea)? Yeah that.

Levi [continued]: *sigh* I wonder if I should really tell you the truth, or if it's best to keep it to myself. I don't know how you all will see me after this. Teruko: You've already admitted to murdering 4 people. If you insist on not being completely honest with a secret this bad, then you're going to be the next one on the chopping block. Out with it.

Considering the stuff he says later, it's interesting to me that Levi seems to be more worried about revealing his lack of empathy than admitting to murder, especially with the knowledge that he's only doing this because he thinks being honest will make him "a good person."

However, I think it makes sense. Amongst the cast, there's already several people who either killed or tried to: Xander, Min, and Nico. But a lot of the others still speak of them in good terms; David talked about how good of a person Xander was for several minutes, Eden has made it clear she still misses Min, and Hu still defends Nico. Not to mention that Levi himself already threatened to kill Ace, and got called "a good person" by Eden just a few hours later. That means that, although admitting to murder will probably make the others more wary of him, there's precedent that Levi will still have people who stick by him after all's said and done.

Meanwhile, as far as Levi can tell, he's the only one who doesn't understand empathy in the slightest. And that means he has no way of telling how the others will feel about him if he reveals it, which is why he's more nervous about it than the murders. It plays on the themes of feeling disconnected from the rest of humanity that characters like Nico (via gender identity) and David-

Tally 5 Page: "... I wasn't capable of ever becoming human in the first place."

-have going on, which is definitely something that's cool to mull over. I hope these three get some kind of interaction about this in the future.

By the way, as always I'm just kinda guessing why Levi does the things he does and says the things he says, I could always be wrong.

Levi [continued]: It's not really that I don't care about killing people. Rather, it's more accurate to say that I don't care about people at all. No matter how much I hear about such things like empathy or compassion or love, none of those concepts resonate with me. Are those emotions really universal? The idea that people naturally "care" about others is a completely foreign concept to me. Nico: Eh? What are you saying? Levi: Judging by your reaction, I suppose that's a bad thing. But I wouldn't understand why. On the other side of this planet, there's a person who's suffering. Maybe they're even drawing their last breath. But none of you care, do you? Why would you? They're a stranger, after all. You don't know them. Their life holds no consequence for you. For me, everyone I've ever known is that distant stranger. It doesn't matter how long I've known you, how much we've done for each other, or even if you were my own father... You're still a stranger to me. And if tomorrow it turned out you all had passed away, I'd care as much as if we had never met.

So here's the big reveal, bolded text and all. Levi has extremely low empathy. I'm not gonna try to assign any specific disorder because I'd have no idea what I'd be talking about, but the empathy thing is pretty clear. I'm also no authority on whether this would be good representation for that or not, but for what it's worth, I think it's done pretty well. Levi's perspective is presented neutrally, in a way that shows his lack of empathy doesn't inherently make him a bad person, but not shying away from some of the real effects that can come from it (combined with other factors of course), such as the whole 4 murders situation.

I also like the way Levi describes it. It does a good job of getting the audience to understand his feelings, while still holding quite a bit of characterization in there. For example, the reason he gives for why the cast wouldn't care about the stranger on the other side of the world is because "their life holds no consequence to you." Even when trying to speak from the others' perspective, his understanding of why someone would care about someone else is still shaped entirely by what tangible effect that person has in the other's life, in a way sorting people by "holds consequence/holds no consequence."

Eden [continued]: But you're a good person. Why are you saying these things when it's clearly not true? You're so kind to everyone. You're always helping others out, even when it'd be easier not to. Like that time Ace almost died. You kept trying to help him, even if he always pushed you away. Isn't that what "a good person" does? Levi: In all honesty... I don't personally care what happens to Ace. Whether he lives or dies is none of my concern in the end. Ace: ...?! Levi: But it is a "good" thing to make sure someone else doesn't die, even if I personally do not care about the outcome. I truly believe that. But I adhere to that principle out of duty, not sentimentality. Does that make any sense?

So I'm gonna do a funny here and skip Ace's reaction to this, because that's more for the Ace section than this one. I also already talked about Eden's reaction to this.

Instead, I'll focus on Levi, particularly the question of "does Levi actually care about Ace?" To answer that, it'll be helpful to get the full Veronika Breakdown TM.

Veronika [continued]: Hm hm... I understand now. You're quite the interesting person, Levi. From what I've seen of you so far, your personality has been awfully inconsistent. It's like you don't know how to act. Trying to act like "a good person" without any intuitive sense of what's good or bad is hard, right? For someone like you, who lacks compassion, it must be quite difficult to pretend to be nice. You're always guessing as to what a normal human would do in your situation. You're so awkward in social settings because you can't tell what other people want. You act like a big pushover because if you go the other direction and stand up for yourself, you won't know where to stop. You offer to do things for others because you've observed that "good people" help others, and you parrot noble assurances without understanding why. Such things like that. Not only are you trying to act without a script, but you don't even understand the story. And you slip up constantly. Levi: You explained it better than I could. You really have an intuitive understanding of other people, Veronika. That's a trait I envy. The way I see it, it would be beneficial if I was "a good person." Then other people would trust me and not pick fights with me anymore, and they'd do things for me because they "liked" me. If I was a good person, then I wouldn't have to live a life full of violence anymore. I did everything so that I could have a better life.

Okay hold on there's a bunch to talk about here. Let me do that before circling back to the Ace Question.

Veronika is thankfully good enough at describing the stuff she said that I don't feel the need to elaborate on that. It's basically just a perfect read of Levi's actions so far under this new frame of someone who lacks empathy yet still is a good person. His awkwardness, his outbursts towards Ace, him being sort of a pushover, everything. I also like the little comment of Levi envying Vero's understanding of people, it's neat characterization.

Aside from that, there's also cool contrast between the way Levi sees being a good person as a sort of purely pragmatic social contract (being good leads to a peaceful life and ensures others help you) and Eden, which as referenced earlier sees friendship in a purely emotional and non-transactional way. Not exactly fully comparable, but close enough, and still worth mentioning given the chapter starts with a conversation between the two of them about how they're good people. Both of these have their merit, the point is that, in the end, no matter the reason you have for doing good things, regardless if it's out of sentimentality or just duty, doing good is enough to be a good person. While still of course keeping in mind Arei's message that no one is effortlessly good 100% of the time, and simply trying to be as good as you can be and improve on your flaws is enough.

Also, "I did everything so I could have a better life," huh?

Arturo [referring to Felicity's suicide, 2-10]: How is it possibly my fault that I wanted to live my own life!?

Get paralleled, idiot >:D

Wanting better things for yourself can end up having good effects on others (Levi being good to the cast), or negative (Felicity dying), fun contrast.

But I'm beating around the bush. The question I asked earlier, does Levi actually care about Ace?

Well, there's definitely room for interpretation, but my read is... well, not in the usual way. I mean, Levi explicitly says he doesn't particularly care if Ace lives or dies, so that's kind of a giveaway that he still very much does not feel empathy towards him. To better understand Levi's perspective, it might be helpful to analyze the previously mentioned Hu-Nico and Levi-Ace parallels.

Fandom has long since grouped together Hu and Levi as the "parental figures" of the group, and while I don't particularly enjoy applying familial relations to friendships, there's some basis for the interpretation. They both (to varying effect) commonly act as peacemakers and moderators in the context of the group, but have had this position compromised by emotional outbursts (Hu's defense of Nico and Levi's threats to Ace). Hell, there's even parallels in the way people react to some of these outbursts.

Levi [after the previously linked outburst, 1-9]: I'm terribly sorry for that, everyone. Please continue discussing as you were earlier. Ace: So scary!!

Rose [reacting to Hu's "fuck David" outburst, 2-12]: Wow. Hu can be scary.

To be fair the 2-12 outburst is far more justified than a lot of Hu's others, but you get the point.

They both act this way for similar reasons; to control the cast's perception of them. Hu wishes to be seen as reliable in order to feel useful as a way to counteract her suicidal tendencies and self-loathing, while Levi wishes to be seen as a good person for the reasons he states (to live a peaceful life where others do things for him). And in order to do this, they've both chosen to focus on one person in particular to "protect" or help in some way; Nico for Hu, Ace for Levi. The reasons for this are different mind you, but the effect is similar enough.

However, while it's still unclear why exactly Hu is so adamant about Nico in particular, we kind of know why Levi is focused on Ace. Simply put, before the second trial, Ace was sort of the only person who had legitimate reasons to dislike Levi, at least in Levi's mind. Because of the death threat in trial one of course. Most people haven't really expressed an opinion on Levi either way, but they're civil and at least neutral towards him. Hell, Eden even specifically says Levi's a good person after the death threat, and since she's a pretty rational person, it follows most of the cast would see him that way as well, given how quickly they all moved on from the death threat.

Ace was the exception, however. Ace was very explicitly (and understandably) pissed at Levi for the death threat, so he stood as somewhat of a threat to Levi's goal of being seen as a "good person." Levi trying to fix things with Ace is an extension of this goal, and I don't think there's much else to it. Even to the very end, Levi's frustration at Ace doesn't come from a sense of betrayal or sadness or remorse for not being able to stop the murder, or anything like that. Levi only gets frustrated at his inability to understand Ace, which we already knew from his envy of Veronika's psychoanalysis abilities is a point of insecurity for him.

Ace [2-16]: I just needed a reason to stay mad at you, any reason at all, goddamnit! [sic] Levi: Why? Why do you have to force yourself to be angry at me? You just said you know that you're in the wrong, so why do you still do it?! I don't understand. I can't understand you, no matter how hard I try.

Levi, under this reading, still doesn't "care" that Ace is about to die, not in the way Eden felt bad about Min's death for example. He's frustrated that he's trying to be a good person towards Ace, and it isn't working for reasons he can't grasp. More on those reasons in the Ace section.

I am very curious as to how he'll react to Ace wanting to speed up his execution to try and save his life, and I predict Levi will probably try his best to honor Ace's memory and his sacrifice, but as always, out of duty and not sentimentality. Sorry Acevi fans, hope you still find a way to make it work :/

Since we're on the topic (and Ace's section is gonna be long enough as is), I'll talk about the other side of the Hu-Nico and Levi-Ace parallels, the way the "protected" act in respects to the "protectors." The main point of contrast is that, originally, Ace specifically sought out Levi for protection, while Nico never asked Hu for it.

Teruko [1-2]: Since when were you two so friendly? I distinctly recall yesterday a certain someone being terrified whenever Levi came near him. Ace: Whaaaat? Me, scared? Are you just making things up? Teruko: ... Ace: Okay, fine. Yeah, Levi's scary as hell! But I realized that MonoTV is even scarier than Levi! At least Levi is sorta safe to be around. And I like to be safe, you know?

Nico [to Hu, 2-14]: I never asked you to defend me--

Then comes the aspect of "betrayal" in both these relationships, where the roles are flipped. It's Levi who originally "betrays" Ace by threatening him, while it's Nico who "betrays" Hu by trying to frame her with the wire. However, Ace takes this betrayal much more personally than Hu, getting mad at Levi while Hu continues to defend Nico. As a result, Ace gets a bit of a victim complex, while Nico fully acknowledges blame for the murder attempt. Etc.

Okay time to continue with 2-13 because no we're not done with it.

Levi [continued]: After listening to David, I concluded that a good person would also be honest, even if the truth makes them look bad. Ace: You're taking advice from David of all people? Look at this asshole! David: Try looking in a mirror before you talk, Ace. Levi: I thought David was a prime example of a good person. Is he not? David: Wow, you really don't understand people at all, do you. Levi: I don't want to distract you all from this case any further. So, I apologize for this tangent.

Another really cool bit of characterization here. Levi struggles so much with understanding most people's sense of morality that he still thinks David "I actively tried to kill everyone here by pretending to be the blackened" Chiem is a good person. There's also the quick implication that David doesn't see himself as a good person, but I feel we're well past the point where that's news.

We also get the reason why Levi even said all this; he thinks being honest will help him be a good person, and presumably only brought it up after the whole David thing got resolved because "good person" David was (eventually) honest with both his motive secret and the reason he tried to get voted out. Or, rather, Levi thinks David was honest on the latter. Fair ig.

Levi has a few other lines in this part, but the next most striking thing to talk about is, fittingly, not a set of words, but an image.

Levi's protective streak has always been a big part of his character, and now he's literally taken a bullet (or 5) for Teruko. Just for the record, I imagine he'll survive, because there'd be no real point to most of the end of 2-16 if he didn't.

The big question around this is, naturally, why did Levi jump in? Obviously, it's not that he particularly cares if Teruko lives or dies, not from an emotional standpoint anyways. It could also just be Teruko's luck somehow manipulating him the way it seems to have influenced Min somewhat, but I can't see that as the only reason this happened. So, like most people, I believe he feels he owes Teruko.

Teruko [1-2]: No... I should be the one apologizing. It's my fault you got hurt. Levi: What do you mean? Without your warning, I could have gotten fatally injured. I should thank you that my wound is not more severe.

Teruko warning him in the prologue is the most obvious case where Teruko saved Levi, especially since it parallels this scene. Teruko saves Levi from execution, so he returns the favor. However, we also need to keep in mind that, without Teruko carrying, these people would not have made it through the trials, so Levi might feel he owes her for that too. And "good people" repay their debts, don't they?

Very interested in seeing where Levi's character goes from here!

Teruko Tawaki

You know a series is doing something right when the protag has so much shit going on in a trial where she didn't even have strong relationships with either the victim or the killer. Now, a big chunk of her screen time was devoted to crime solving, so her section might end up smaller than Levi's even though I consider her more important, but the order of this analysis is kinda all over the place anyways :v

I'll go in the order of Teruko moments as they appeared, though I'll skip the whole "fix my mistake" thing since I already mentioned it in the Min section.

David [2-12]: Xander is a good person. He's the only good person I've ever known. I swear, I'll follow in his footsteps and-- Teruko: And get everyone killed in the class trial? Xander is a good person? Are you hearing yourself right now? What virtuous reason could he possibly have for trying to kill me and everyone else here? David: I'm sure he had a good reason. I believe that he did. Xander is not the kind of person to do anything for frivolous purposes. Teruko: You *believe* that he had a good reason!? Hah! Based on what? The 3 days you spent with a fan who was too infatuated with the ideal of you to treat you like an actual human-- David: SHUT UP!

She says all this like she wasn't play-acting her Xanruko fix-it AU with cacti, like, two days ago lol.

Teruko Cactus [2-3]: That's right. Give up now, and surrender. Then I'll consider letting you live. Xander Plant: Teruko... I've changed my mind. I promise, I will turn my back on whoever made me do this and stay by your side from now on. Do you forgive me?

I don't actually have much to say about this. Teruko's complicated feelings about Xander aren't exactly news; genuinely angry at him for attempting to murder her, also genuinely upset that things didn't go better. No wonder David's uncritical view of the guy ticked her off.

2-13 had a lot of murder solving from Teruko, which is cool but not crucial for character analysis. Meanwhile, 2-14 had quite a bit more going on.

Rose [2-14]: I... I'm sorry for being useless. Maybe if I tried harder, if I just got over myself-- Teruko: Rose. Don't blame yourself anymore. You are helpful. It's because of you that I can solve this murder. Besides... I'm as much to blame as you. Maybe more, even. If only I listened to you when you said the tape was missing, then maybe I would have realized the truth of this case much earlier. Once again, I've made a stupid mistake. I simply wanted to believe that I could make it through this killing game without relying on anyone else. That I could be dismissive of everyone around me without consequences. So I refused to listen to anyone other than myself. I thought that if I did that, then I could avoid a repeat of the last trial, where I had made the mistake of trusting people too much. But now I'm making different mistakes instead. Again and again, I keep messing up this class trial with hasty assumptions and overlooked evidence. So... Rose: ... Teruko: ... Thank you, Rose.

Yuri stays winning.

Again, it's hard for me to add any commentary when Teruko's just... explaining all the themes out loud. We go back to the idea of Teruko fixing mistakes that she seems to have taken to heart from Min's CH1 breakdown (YURI STAYS WINNING), which ties into the idea of self-betterment that Arei's scene conveyed; and we basically have Teruko stating a reworded version of her secret quote, "It is an equal failing to trust everybody, and to trust no one at all." It makes me wonder how Teruko will behave moving forward. Will she trust a few select people? Will she continue to keep other's at arm's length, but being slightly more open? Well, based on what she does with Eden, it seems Teruko is willing to trust select people until the situation merits distrust, which is a pretty solid way of looking at things.

Speaking of that.

Eden [2-14]: I just wanted to help Arei... I didn't kill her... Teruko: You know I can't just take your words at face value, Eden. Eden: Please, Teruko... You're my friend, aren't you? Friends help each other... So please, help me... [...] Teruko: Eden. Eden: *sniffing* Teruko: Eden. Pick up your head. Look at me. At this point in the trial, since I've narrowed Arei's killer down to just two suspects, I'm going to pursue each suspect individually under the assumption that they're the killer. That way, I can see if any evidence matches up to them only. [...] So for now, I'm going to assume you're innocent. Eden: W-What? Really? Thank you so much, Teruko... Teruko: Don't... get me wrong. This isn't out of kindness or pity or anything else. This is only because you helped me in the last trial. I'm repaying your favor, and nothing else. That's why I'll trust you, just this once. Eden: Teruko... T... Thank you, Teruko... Teruko: ... Let go of me.

YURI STAYS WINNING!!!

That's what I was talking about. Choosing to trust Eden over Ace, but being willing to turn suspicion on the Clockmaker if Ace turns out innocent. A very reasonable approach! We love character development in this house.

That said, Teruko is still being a bit of a tsundere, with the whole "repaying a favor" thing. Levi parallels anyone? Well, not exactly, since Teruko does feel empathy towards Eden, but close enough. What's more interesting is that Teruko is using the exact transactional logic that Eden warned her against, which is intriguing setup for the future when it becomes more undeniable that Teruko is definitely not doing this just to repay a favor.

Also, the Trauma remains. Teruko telling Eden to let go fully completes the parallel to the Min scene, where she says the same thing (among others). I imagine our girl won't be too receptive of hugs for a while.

Before we get to the next big moment, real quick, we gotta fulfill our "Teruko's life is miserable" quota.

Teruko [to Ace, 2-15]: And three. You took the tape for first aid. Arturo: That's ridiculous. Who uses non-medical tape for first aid? That's sickening. Teruko: It's not that weird. I do it all the time.

Alright quota fulfilled. Let's move on. In this case, I'll skip to when Teruko gives up on the "show me your injuries Ace" line of reasoning.

Teruko [2-15]: No. It's fine. That's not a very fair line of logic, so forget it. You were almost murdered, after all. I should have understood that.

I don't know why Teruko really thought this line of logic was even worth following in the first place, but it makes sense for her character to ignore Ace's possible emotions in favor of the trial. But it's also cool to see her backing down when she realizes the harm she may be causing, especially as someone who has very notably hid how much her own murder attempt affected her, and in particular the wound that came from it.

Teruko [2-15]: The point of this trial is to determine who the killer is, not to determine every single little detail of what happened. It doesn't matter that you're not convinced. It's not going to help you, nor change your fate. No matter how you feel or what you think, nothing will change. [...] I've been fighting this entire trial to find the truth using real evidence. And when I make mistakes, I own up to them. What have you contributed? Show me some concrete proof of your innocence. Otherwise, shut up and stop wasting everyone's time. Ace: ... Teruko: Are you silent now? What happened to all those things you were shouting earlier? Don't you have anything to say for yourself? Ace: ... Teruko: Any evidence, any deductions to show that you're innocent? Come on, Ace! Don't you want to live?! Defend yourself!

So, a few things. First, regarding that second paragraph. "It's not going to change your fate"? "Nothing will change"? We'll circle back to it, but it seems Teruko is projecting how she feels about her own fate (before the Levi incident at least) on Ace. You could even say-

Literature Girl Insane: Even if we cry make noise shout go mad - this world won't change!

The foils ever.

Anyways, I assume that's why Teruko gets so worked up over Ace remaining silent. She sees a bit of her situation in trial 1 (almost murdered, suspected as the killer) in Ace, so her emotions run high with both the frustration of a long trial and the bad memories this is probably bringing up. At least, that's how I interpret it.

Also another mention of correcting mistakes, which shows up one more time before the episode ends, which I already mentioned as being tied back to Min and Arei; alongside with another "fate" drop. "Fate" is becoming the new "good person" isn't it :p

Teruko [2-15]: Confront the mistakes you've made. Then accept death. That's the fate of everyone who choose [sic] to participate in this killing game.

Also I find it endlessly funny that Teruko's reasoning for the Closing Argument being necessary reads a lot like "this is a DR trial we gotta do this, it's in the contract." Consider me amused.

But I've beaten around the fate bush enough. Let's get all of that over with in one fell swoop.

Teruko [2-16]: It's just... misfortune. That's why Ace killed. That's all.

Teruko [regarding her execution, 2-16]: What's the point [of running]? I should have known this would happen. [...] Even if I shield myself behind others, even if I search for an escape, it always comes down to this. I have to face the consequences of my actions. There's no escaping that. [...] Arturo: What are you talking about?? You're going to be killed!! Teruko: Killed? I doubt it. As if something so kind could happen to me. [...] I won't die, even if MonoTV puts a hundred bullets in my body. I'll only be badly injured. Possibly lose a body part. Maybe I'll even end up in a coma for months. [...] But I won't die. I never will. There's nothing I can do but accept my fate. It's what I deserve, after all. [...] I was perfectly willing to get shot. I thought I didn't have to care about what happened to other people, and especially not about what happened to me. I thought that if I lived alone and died alone, nothing would stain my conscience. Even if that was a selfish way to live. But even so...

Teruko [to MonoTV, 2-16]: Can you really say it's fate's fault for everything you've done, and pretend that you hold no blame in the matter? I have always said that my misfortune, my personality, the choices I make, everything was all a product of a bad luck that I can't control. That I grew up in such terrible circumstances, so I was destined to grow up to be a terrible person. That everyone else abandoned me, so it's not my fault that I'm alone. I want to say it's fate's fault, and that I had no choice in the matter. But, even so... Even so... Everyone. Xander, Min, Arei, Ace. Maybe even Levi. Is it my fault that they died? [...] MonoTV: You have to decide the answer for yourself. Teruko: Whether it was the fault of fate, or my fault... I already knew the answer. I had known what the answer was since a long, long time ago.

Alright I made myself sad, so something's been achieved, I guess. Poor Teruko :(

Just to start somewhere, we get confirmation of Teruko's suicidal tendencies in the present, which was already implied strongly enough, but now she straight up says she considers death something "kind to her." Just sad in general, but I wonder if there will be some discussions of it with the fellow suicidal characters like Hu. In fact, I wonder if that's the reason that Hu was the one to see the scar on Teruko's back during 2-2; so she'd have a vague idea of Teruko's backstory for some interaction in the future.

But the main point of these scenes is Teruko's relationship with the concept of fate. She basically goes through an entire character arc from the moment she says Ace's murder was just misfortune to right after Levi jumps in to save her. Basically, she used to blame fate (or "bad luck") for everything she did and what happened to her, thinking that just accepting this fate would allow her to live more easily. Especially noticeable because part of her "bad luck" is being betrayed, which gives way to her trust issues.

Teruko [2-2]: If I get in a car, it'll crash. If I stand in a construction site, it'll crumble to dust. If I trust others, they'll turn their back on me.

Hence her internal monologue about "living so nothing stains my conscience." If everything that happens to her is fate's fault, then she doesn't have to change, she doesn't have to confront her faults. Even when she talked about accepting the consequences for her actions, it was always in the context of accepting her fate. If she just accepts whatever consequences her actions bring, then she can excuse herself from fighting back against that, which is an easier way to live, but as she says, could be considered selfish. What's easier for Teruko is not always best for others, exemplified perfectly by Levi protecting her; Teruko chose not to fight her fate, and it got Levi hurt. Funnily enough, this somewhat parallels Hu feeling selfish for not sharing her secret, which is fun contrast. Hu is more justified in not sharing her secret, so it shows that feeling selfish for doing things that are good for you can be pretty bad. Meanwhile, Teruko shows that not taking others into account can also end up hurting people.

Of course, the whole "not fighting fate" thing also obviously parallels Mr Literature Boy Insane's feelings on the whole thing, to the point where they have practically the same character flaw. Believing themselves and others unable to change as a result of fate is the way they try living with themselves, because of the whole self-loathing thing, but that means they're resistant to changing their flaws. MonoTV says similar things, but it's a machine so it's not so much a flaw as just the nature of its character. It was a flaw Arei had, though, but she grew out of it through Character Development, similarly to the way it's implied Teruko is growing out of the "all fate's fault" mindset in the last inner monologue. You might also notice that tying fate into self-betterment allows you to draw a connection to the theme of admitting mistakes and fixing them, tying to Min who is also connected to the concept of fate through her entire backstory of being "destined" to be the Ultimate Student from the moment her family accepted XF-Ture's Tech contract, and obviously Min contrasts Xander who is all about fighting fate as the Ultimate Rebel, and that's without mentioning all the other "fate" bullshit going on and-

Yeah you get the idea. Too much peak for me to write it all out.

Very excited to see where Teruko's character goes now that she's not going to blame her bad luck for everything now. I worry she'll swing too hard the other way and end up blaming herself for things she shouldn't, but oh well, that's just more character development to be had.

That was the biggest Teruko thing, but there's still more to cover.

Teruko [to Ace, 2-16]: If you can't [attack MonoTV]... If you can't do that, then tell me, why did Arei have to die?! Ace: ... Teruko: It's because unlike Arei, *you* couldn't make amends with the people you made enemies out of. *You* were too scared to confront the people you hurt, say you're sorry, and promise to be a better person. So instead you took out your own personal problems on other people by murdering someone who had nothing to do with you! Arei died because you're a coward, Ace!

Uh... someone's projecting~

Teruko [already linked, 2-2]: But if you start talking about me and saying that I could be a good person if only I make an attempt to change, then I'm going to stop you right there. Don't say that I could be a good person, because all it'll do is make me feel bad that I'm not.

Damn it's almost like she hates herself because she already knows deep down that her mindset is flawed and so when she sees someone else behaving like she does/did she gets upset at them that's crazy :O

(I mean it's not 1:1 because Teruko never did anything as bad as Ace, but the point stands :v)

Final note, as always, voice acting was peak, just that there's too many good examples to point them all out one by one. Same with Levi btw, I think I forgot to mention it in his section.

Teruko continues to be probably my favorite protag of any DR or DR inspired story, though as always I'm working on a small sample size. Really excited to see her development in the future!

Ace Markey

Well if it isn't the man of the hour! It's only natural the blackened gets to close things out. Let's do the same thing as we did with Teruko and go by (mostly) chronological order.

That includes the quick, retrospective observation that a lot of Ace's behavior in the trial and investigation now needs to be re-analyzed with the understanding he's the blackened. It mostly just adds an extra layer to Ace's constant accusations towards Nico, though, since Ace didn't really do much most of the trial. The only other notable thing he did was revealing David's secret, and even then, nothing too big. I know it's a bit silly to go so hard on Nico when David is almost easier to frame, but this is Ace we're talking about. He's emotional and not quite the most strategic, so nothing weird there.

Although, speaking of Ace knowing about David's secret, why did he not hear the end of the Arei-David conversation? I doubt he's hiding it, because he doesn't really have a reason to, so apparently he just, like, left. I guess he just didn't care enough :p

Finally getting to PT 2 itself, we have a 2-13 speech we skipped earlier, don't we?

Levi [2-13]: I don't personally care what happens to Ace. Whether he lives or dies is none of my concern in the end. Ace: ...?! Levi: But it is a "good" thing to make sure someone else doesn't die, even if I personally do not care about the outcome. I truly believe that. But I adhere to that principle out of duty, not sentimentality. Does that make any sense? Ace: You... Hah. Hahaha. You-- You fucking piece of shit. Levi: ... Ace: I was right all along. That you felt bad for me... That you actually wanted to help me... That even if everyone here treated me like shit, there was at least one person who still cared about me... That shit's too good to be true, isn't it? Yeah, good thing I didn't fall for that in the slightest. Not one bit. I was totally right all along to burn our friendship-- No, I can't even call it "friendship." There's only one person in my whole life who I've ever been able to call my friend. That I ever thought, even for just a short time, that you and I were "friends" is an insult to his memory. I probably sound real pathetic admitting that. But I'm not nearly as pathetic as you. After all, you're a piece of trash who probably has never had a single friend in your life. Levi: ... Ace: Got nothing to say to me now? That's fine. Hey, Levi. I really hope you fucking die.

Okay there is... so much to unpack there. Let's... start by the smaller thing, which is the Taylor Riley drop in "there's only one person in my whole life who I've ever been able to call my friend." This guy's name was revealed in a now deleted CH2 PT1 QnA answer, alongside with the name of a friend of Veronika's who gave her her green triangle earring, Alyssa Belyaeva. We got main series confirmation of the name in one of the graves of Thanatophobia, alongside the names of Elliot Cuevas and Felicity Giles.

We know... zero about Taylor, apart from the fact that he was Ace's friend and is now very evidently dead. Thankfully, we get a bit more context on his death by one of Ace's comments:

Ace [2-16]: Execute me right now, you hear me, MonoTV? MonoTV: ... Ace: Because... Because Levi is gonna fucking die, and I'm going to have a third goddamn death on my hands!

Third, huh? Arei, the hypothetical Levi death, and presumably Taylor. Sure, the third could be Ace himself, but I feel the line makes a bit more sense with Taylor.

So, Ace blames himself for the death of Taylor. Given he liked the guy, probably not intentional murder, but who knows what the hell he did. At this point, we really have no way to deduce the way Taylor died or how Ace could have caused it somehow, though. Maybe we'll get some answers in the Bonus Episode? Hopefully :p

But that's the easy part. The hard part is Ace's feelings towards Levi. Immediately, we can tell the whole "I never thought you cared about me, not one bit" thing is a complete lie, not just because the line itself is extremely unconvincing, but because of something Ace says later in this episode.

Ace [to Levi, 2-13]: You piece of shit. I can't believe there used to be a time I actually liked you.

So, yeah. Similarly, based on the fact that Ace wanted MonoTV to speed up the execution to try and save Levi's life despite his fear of death, we can infer that Ace is also lying when he tells Levi "I really hope you fucking die."

No, Ace really does care about Levi. For the reason stated at... some point in this analysis; Ace feels safer around Levi. And that creates a bit of a problem for him, because if he wants to escape the killing game, he's gonna have to kill Levi to do it. It's unclear if that's the reason he originally pushed Levi away, "burning their friendship to the ground" in his words, or if he just didn't want to trust him after the death threat in trial 1. However, guilt over trying to get Levi killed is definitely part of why he says this:

Ace [2-16]: I knew... I knew that I wasn't allowed to call [Levi] a murderer. I had no right to act betrayed, because I was the one who betrayed everyone. But still, I...! Levi: Why-- Ace: But still, I--! I don't care what it was! I don't care if it made me a hypocrite! Even if I was completely in the wrong, and even if it made my life worse! I just needed a reason to stay mad at you, any reason at all, goddamnit! Levi: Why? Why do you have to force yourself to be angry at me? You just said you know that you're in the wrong, so why do you still do it?! I don't understand. I can't understand you, no matter how hard I try. Ace: Good! Stay that way! I hope you never understand me, even after I'm buried a billion miles deep in the ground and you're weeping at my grave, you piece of shit!

Ace tries very hard to find reasons to hate Levi because he's afraid of growing close to anyone in the killing game, mostly because he thinks he'll be betrayed, but by the point he starts plotting murder, also because he's trying to kill them all. Being close to them is a good way to feel more horrible about himself than he already does.

To be clear, the reason I say the first reason is more important is because I think I can more or less pinpoint the moment Ace starts thinking about murder, and by that point he's already trying to cut Levi off.

Ace [2-2]: In this killing game, everyone is out to get me. Especially people who love picking fights with me, people like you [Teruko] and Levi. I can't believe I wasted my time with all that dumb shit like arm wrestling and running around screaming at meaningless stuff. I was fucking stupid to not take this killing game seriously from the start. I'm done with being everyone's kickable scaredy cat. The only thing I should do is look out for myself and myself alone.

Well he sure did take the killing game seriously after this point now didn't he?

Obviously, this is a pretty direct parallel to the way Teruko tried pushing everyone away in this chapter, and the way David pretends not to care about Arei after the magical girl transformation. More on this whole thing in a bit.

The relationship between Levi and Ace is one of contrast. Levi, who doesn't actually care about Ace the "usual way", chooses to try to get closer to him. Meanwhile, Ace cares about Levi maybe too much, and his fear of this attachment drives him to push Levi away. The yaoi truly is doomed with this one. Moving on.

Ace [to Nico and Hu, 2-14]: You two are a real fucking joke. It would have been one thing if Nico gets away scot-free with trying to kill me, but now they apparently also have a fucking defense brigade to shield them from even having to think about the fact that they're a murderer. Who's gonna stick up for me, huh? No one. Because I have a spine and I don't need other people to lie to me constantly to keep me happy.

Ace [to Nico, 2-14]: You tried to murder me. You fucking tried to murder me! And after all's said and done, you can't even say something as simple as "sorry"?!

Ace [to Teruko, 2-15]: Were you convinced by Eden because she had a little sob story ready? Should I start crying and wailing too to change your mind? Teruko-- No, everyone here. You're always attacking me for stupid reasons. Everyone always has it out for me. That pisses me off. All of you piss me off.

Ace [2-15]: You all actually think I'm too goddamn stupid to accomplish anything? Do you really think I'm 2 seconds away from choking on my own spit and passing out?

This is where we start to see Ace's persecution complex on this part, which was already alluded to in the previously linked 2-2 Ace quote. He thinks everyone is out to get him, and to an extent, he's not horribly wrong. Very few people in the cast have favorable opinions on Ace, and he knows that if he gets revealed as a murderer, that "few people" will likely turn to "no one." I mean, not even Levi wants to defend him.

Ace [2-15]: Hah... I expected everyone else to get on my ass, but for you of all people to think I'm the murderer... What happened to ever wanting to make things up, huh? Besides, between you and me, we both know who's really a murderer.

And hell, Nico's already tried to kill him! Ace is the victim in that situation, even if he did "start it."

Which gets us to one of the most interesting moral quandaries this trial presents us with, Milgram style. Because the thing is, Ace has given the cast reasons to dislike him. Ever since the start, he's been confrontational, insulting, and just generally not the most delightful person to be around. Especially to Nico, who he specifically targeted to bully. Obviously it doesn't justify being horrible to him back, including things like Hu's slap and Levi's death threat, and especially Nico's murder attempt, but... well, if people don't feel about Ace the same way they feel about some of the calmer cast members, there's a reason for it.

How justified is the cast in the things they say about Ace? How much of it is Ace's responsibility, and how much is it the cast's? How much responsibility do they hold for creating the hostile environment that pushed Ace into murder? How does the mastermind and the killing game itself factor into this valuation? These are all interesting questions the series asks us to ponder on, and by their nature don't have any one right answer. Especially because "blame for a thing that happened" isn't a number that can be evenly divided by percentage, it's a very complicated and subjective thing. J puts it pretty well in her speech to Ace in 2-15, giving her perspective as well.

J [2-15]: Maybe I was too harsh on you. Me and everyone else here, I don't think a single one of us stopped to think where the breaking point is. ...But. Murder is unacceptable, no matter what. Your problems might be awful, and they might be the worst in the world, but they're still not so bad that killing 13 people is acceptable. You can't be forgiven as a murderer just because your life sucks.

My personal opinions on this are probably best saved for when we get the full picture in just a moment.

And speaking of the full picture, since Ace's persecution complex feeds into his fear of death, why don't we skip right into the big speech?

Ace [already linked in the Hu section, 2-15]: ...... God damn it. I'm such a piece of shit. [...] You're right. I'm screwed. There's no way I'm making it out of this trial alive. I just... wanted to stall for time. I'm scared of dying, I really am. [...] I killed Arei. That's exactly right. Shit, it sounds really bad when I say it out loud. [...] Hu: Did you kill Arei because of MonoTV's motive? Because you wanted to keep your 'secret' hidden-- Ace: Hell no! I don't give a damn about that motive, or my dumb little secret, you idiot fuckwad! Who do you think I am, you?! *sigh* That wasn't why I killed her. I was scared of dying, that's all. [...]

Quick thing, but I think it's cool that the motive really had jack shit to do with the murder. Hate to bring the guy up so much, but it helps make David's "plan" of revealing all the secrets unequivocally wrong, which I feel is important for some of the themes of the chapter. In particular, the idea that gets pushed that everyone should be allowed to reveal their secrets at their own time, aka privacy is important. Nico's public secret reveal happened before they were ready to share, and that was a bad thing, after all. And a lot of the conflict in this chapter came from MonoTV giving the motives in general.

Ace [continued]: I'm definitely going to die in this killing game if I don't escape. Everyone hates me, right? Because I'm a volatile asshole who can't help but pick fights and make people mad at me. Veronika was right. If pushed to kill, everyone would feel the least guilt if they killed me. They might even have some sort of grudge. I wouldn't be surprised. When Nico tried to kill me, that just confirmed it. There's a part of me that's a little pissed that Nico didn't succeed back then, because that would have saved me the trouble of having to go through this stupid-ass farce. Although I'd be real fuckin' pissed if they *did* successfully kill me. I'm kind of pissed at Nico for trying to kill me, either way. Nico: ...

Interesting to hear part of Ace wanted Nico to succeed. It certainly speaks to a great level of defeatism, where everything is horrible and death would be preferable, which parallels Teruko nicely. That defeatism for Ace comes partly from the persecution complex discussed earlier, and some other stuff we'll talk about in a moment.

Ace [continued]: But still! If I didn't kill someone and escape... then I was going to die. I'm fucking terrified of dying! I can't sleep at night because I keep thinking about how I'm going to die young in this goddamn killing game! I didn't want to die! I want to live. Just like everyone else. Live, and escape this killing game, and go back to my shitty life where I can't do anything on my own because I can't control myself. Back to that life where I can't do anything but a sport that I hate because I suck shit at everything else. I was forced into that fate, to kill someone because I'm scared. It was either that, or I would be killed first. There were no other options for me, because I'm a coward who can't fight my own fate. [...]

I think an underrated part of Ace's character is just how much damn symbolism is hidden in his talent.

The first connection is the more or less obvious "if I didn't kill someone, I would be killed first" mentality, where Ace literally views the killing game as a race to be the first blackened to get away with it. But that's almost an extension of the other connection.

You hear it from him here; he feels he completely lacks control of his life, that it's all decided by a fate he can't control, the same way that a jockey doesn't walk on their own, but rather is carried by a horse to their destination. And it's no wonder that this feeling of lacking control is referenced in his secret quote, "I don’t know what to do with myself anymore." After all, it's this feeling of lacking control of himself and his situation that causes him to seek control of anything he can, be it bullying Nico because he sees them as an easy target, distancing himself from others because it's easier to control his feelings that way, killing someone because it's the only way he can control his place in the killing game, or anything else I might be forgetting.

And this fear of lacking control is probably part of his fear of death, isn't it? Because no one can control what happens after death. Maybe yes, maybe not, but regardless, Ace's thanatophobia is pretty evident. I mean, it's the name of his execution, and it's a fitting one. Ultimately, Ace's fear of death is what gets him killed, both metaphorically because it's the reason he became a blackened, and literally because he dies of a fear-induced cardiac arrest. That, alongside with the incredible art and banger music, is why I consider Thanatophobia one of, if not the single best DR style execution I've ever seen. Simply peak.

Ace [continued]: Do you think I give a crap about you all? Why would that matter to me? No one gives a crap about me either! None of you even respect me enough to think I was capable of killing Arei! In fact, that made me feel way less guilty about killing-- [J makes her anti-murder speech] Ace: ... I know that [I can't be forgiven]. I'm the one who murdered Arei, so of course I know that. Arei... She was a piece of shit too. Just like me. Even if she said all that nice bullshit to Eden, there was no guarantee that she really was going to change and become a good person. Maybe if she lived, then by tomorrow she'd be right back to her annoying bitchy self. ... But at least she was trying. And I can't even change one thing about myself. Not my shitty job, not my shitty personality, nor my shitty life. I really am a piece of shit, huh?

At the end of the day, Ace is his own worst enemy. What really gets Ace killed (apart from the already mentioned fear of death) is the inability to change, to see the flaws in the way he behaves himself and try to better himself. Or, rather, he does see the flaws, he knows he's a target of the killing game because of his aggressiveness and that he drove himself into a corner out of fear, but he considers himself incapable of changing that. Changing is difficult, and Ace is scared to even try. Like he says, maybe Arei couldn't have managed it either, but she was trying. And that's what ultimately separates the two.

In case it isn't obvious, my take on who's to blame for everything that happened is pretty much squarely on Ace. Sure, there were things the others did to Ace which aren't justified, but you can't blame people for disliking someone that knows he's unlikable and cannot find it in himself to try to change that. Arei tried to change; she died a good person. Levi tried to make amends for trial 1; he's a good person too. The tragedy of the situation is that Ace himself could have been a good person too, because everyone can be, but it's a decision that must be made, as Eden put it earlier in the chapter. And it's a difficult one, too difficult for Ace.

Teruko, David, all these people... they can also be "good people," in the sense of always trying to be "less shitty together" in Arei's words. Ace is a cautionary tale of how not doing so can end up really, really badly.

Which is the setup for Teruko and David's continued foiling, isn't it? Teruko will presumably look at all of Ace's flaws (lack of trust, unwillingness to change, accepting fate without fighting it) as pitfalls to avoid, because of how similar the two of them acted in CH2. Meanwhile, David, since he heard Arei's speech and knows just how hard she tried to change, will see those same flaws as strengths. In his eyes, Arei died because she trusted the note, because she tried to change, because she tried to defy her nature. At least, that's my prediction. Where all of that will go is anyone's guess.

But, how do we know that Ace could have been a good person? How do we know that it isn't David who is right, that neither Ace nor Arei could have ever gotten better, had they simply tried? Well, simply put, because in the end, Ace does start changing. As a final, tragic note, Ace's ability to confront fate and try to correct his flaws only surfaces when it's far too late. And not only when he punches MonoTV, though that also is a good example of it, but also when he chooses to face execution quicker in an attempt to save Levi.

Ace [already linked, 2-16]: Execute me right now, you hear me, MonoTV? MonoTV: ... Ace: Because... Because Levi is gonna fucking die, and I'm going to have a third goddamn death on my hands! Arturo: E-Even then, there's no guarantee that he'll live--- Ace: Shut up! What the hell are you talking about? Aren't you a surgeon? Can't you fix him? Arturo: I--! I'm not that kind of surgeon! I've told you, over and over, I have no experience with saving lives! Something like this! There's no way I can do it-- Ah! Ace: SHUT UP! Shut up, Arturo! You *can* save his life! Shut the fuck up! Stop saying you can't do it, because you can! Don't you understand? I'm going to die right now, and you're going to live! So decide whether you want to at least *try* and put in some fucking effort for once, or keep making excuses for yourself like a sniveling coward for the rest of your life. I don't even get to make that decision anymore! Stop complaining, you whiny little shit! Grow some fucking balls and save someone's goddamn life, asshole! Because you can!

There's layers to Ace's shouting barrage at Arturo. Obviously part of it is just Ace trying to convince himself that Arturo can save Levi so he can die with a relatively clearer conscience, but there's also a sort of self-awareness of Ace's faults in the things he says. Try swapping "save Levi's life" for "be a better person," and pretend it's being said to Ace by someone else who is about to die.

You *can* [be a good person]! Shut the fuck up! Stop saying you can't do it, because you can! Don't you understand? I'm going to die right now, and you're going to live! So decide whether you want to at least *try* and put in some fucking effort for once, or keep making excuses for yourself like a sniveling coward for the rest of your life. I don't even get to make that decision anymore! Stop complaining, you whiny little shit! Grow some fucking balls and [be a better person], asshole! Because you can!

Because moments ago, it was Ace who was making excuses like a coward for why he felt he would never be a good person, and why he had no control over his shitty personality that made everyone hate him and made him a target of the killing game, etc. He never put in the effort to change because he thought it was pointless, that he was unable to, and didn't realize the falseness of that preconception until he was faced with death. Seems I was on the right track when I connected his thanatophobia to his issues with control; death robs him of the decision to try and be a good person ("I don't even get to make that decision anymore!"), which he hadn't even realized he had until that moment.

It's no wonder Ace was a popular survivor guess; he could have changed, could have been a good person. And despite the harm he's caused, the way he robbed Arei of the opportunity to do what he couldn't and attempt to change, the intention he had of killing everyone in the trial, his death remains a tragedy for the hypothetical of what could have been. Maybe if Levi had managed to properly reach him the way Eden reached Arei, this could have all been avoided. But alas, Ace didn't accept the hand strectched out to him, and now it's too late to fix things.

I said during my reactions that I felt just as emotional during Ace's execution as I did with Min's, which was certainly true and very impressive given my massive bias towards the Ultimate Student. And while I can't say that I'll miss Ace as much as I miss Min (because come on), I'll certainly hold him close to my heart for as long as I live regardless.

As a final note, holy shit the voice acting. If I pointed out every line where the acting for Ace was spectacular, I would be here all day. I doubt I need to elaborate on this; the sheer perfection of the performance should be obvious to anyone who can hear it. Godspeed Seth Raffield, you truly were incredible. Can't wait to hear what you do in the Bonus Episode, provided there is one.

---

I am free! Holy shit that took way too fucking long. I need to figure out a better way to do this shit for later chapters, because geez. You have no idea how much Tumblr's drafts lagged because of this shit, I had to write the final sections in different drafts and copy paste them over because it was unbearable. Not to mention hitting the goddamn link limit which is just clinically insane from me. Anyways, if you somehow managed to read all of that, I feel genuinely sorry for you. You know you can be a good person if you try, right? There's no need to punish yourself like this.

I'm being silly, of course. Thanks for reading, hope you enjoyed!

[nicollekidman]

Abby have you given a #take on 6x19 Buffy/Spike? my only knowledge of spuffy really is a huge tumblr controversy back in the day about this ep.

this is one of the most controversial episodes of all time and for good reason sdkfjgh in the simplest, least nuanced, most "done with it" terms......i think it is more than likely that particular plot point was contrived out of a place of malice for both spike/james and sarah, but i don't have an issue with it occurring within context, and don't think it's as out of character as people often say it is. i think it goes on too long (should've stopped when she crashes against the tub), is set at a weird point in the episode, is INSANE to combine with the other horrible event in this episode, and is handled badly by every other supporting character, but i'm not upset that it exists.

the steps leading up to this point have been well established, and the breaking point fits into my view of spike as essentially a wholly unique creature, a man constantly grappling with the instincts of a wild animal, who has built his entire moral code and guidelines for acceptable behavior around a woman who has conditioned him to ignore anything she says verbally and to accept her disdain/hatred as continued interest. it was never going to be analogous to real life because that is not the world they're inhabiting, and i think the way HE deals with being shaken out of the moment says more about his character than the attempted incident itself, so i don't love the idea that it's "out of character" even though obviously i get it (with the HEAVY caveat that i personally do not think that spike was aware of what he was doing as such, and that the Realization of reality is what sparks everything else).

i take voracious issue with how xander handles it (it's fuck xander lives 24/7 in this house) and what it continues to say about buffy (and women's) desire/sex, but i think i have made it make sense to me, both as a culmination of buffy's treatment of spike (and herself) in season six, and a necessary motivation for spike leading into season seven. so like. within the text, i have very few issues with it. as something created and deployed by joss whedon? one of the many reasons why he should kill himself.

[sharrkbaiitcartoonz]

Catra Rant! >w<

Everything has a cause and effect. If you don’t water a flower it will die. If you tell a child their worth and literal life is based on and how much another person loves them, they will believe you. That child will learn to do anything for that person’s affection, as she was told she would be literally killed if that person didn’t like her anymore.

What she-ra does amazing at showing is how someone can do bad things, but that doesn’t make them a bad person. Catra obviously throughout the show makes many bad choices and hurts many people but that is because she was desperately fighting to make herself a title and give herself worth when Adora left.

A lot of anti-catra’s make the argument that Catra had the opportunity to leave with Adora, but let me count the times and reasons she (and you) wouldn’t want to go with her, keeping in mind how her worth was defined by her relationship with Adora her whole life:

When Adora initially left she told Catra to stay behind so she could sneak out and then from Catra’s perspective ran away with two strangers who where now her best friends (replaced Catra) and the only reason she asked her to come along was because she was there in the moment. Adora never tried to go back for her.

She went out of her way to save glimmer and bow after princess prom, but Catra damn well knew Adora never came back for her. And yet Catra still saved her from the horde and gave her back her sword. Does Adora understand why? No, does Catra even know why? Probably not consciously, but subconsciously it’s because she cares so deeply about Adora, she just won’t admit it to herself because the ways she was betrayed by Adora.

And THEN Adora (accidentally) tells Catra that Shadow Weaver abandoned and used Catra to get to Adora which sends her in a complete mental spiral and she ends up setting off the portal in a manic episode.

in the portal, Adora forcibly Tazed and kidnapped Catra to bring her to the sword with her, where her intention was good but also Tazing someone you love to force them to come with you? Not very smart, I’d be pretty pissed too.

At that point Catra was so caught up in being her own person, even if that meant being the bad guy, just to separate herself from someone who hurt her so badly. It makes sense that it took her loosing Hordak’s trust, Scorpia’s relationship, DT’s relationship, her title, EVERYTHING for her to fully understand that “oh shit I need to move past what Adora did to me and fix what greater good I can while I’m still alive”

Everything that happened to Catra was the cause for her actions. Cause and Effect. Does that make it okay? No. Does it make her a bad person? Also no.

You while reading allat:

I’m sorry <3

[faemytho]

i'm totally about to be proven wrong when the awakened Pure Vanilla update drops, but i need to post these fucking thoughts SOMEWHERE.

Shadow Milk is lonely as FUCK and doesn't actually give a shit about where his Soul Jam ends up.

after a year of missing cookie run and then proceeding to speedrun all of the beast yeast episodes, i can confidently say that of the three Beasts we have story for, Shadow Milk is the most fucking insane about his hero counterpart. not about his Soul Jam. about Pure Vanilla.

storywise, he's following the same formula the other Beasts have followed - attempt to subject their hero to their counterpart aspect, have them overcome it and awaken at the last moment, ect ect. Dark Cacao's resolution was subjected to apathy. Golden Cheese's abundance was subjected to destruction (fucking. ow...). currently, Pure Vanilla's truth is being subjected to deceit, doubting everything he's ever known, not even sure who he is anymore.

maybe it's the nature of truth, deceit, and knowledge, but Shadow Milk's methods are so much more fucking INTIMATE than the methods of the other Beasts and i am NOT exaggerating. the other Beasts are at least trying to get their Soul Jams back, but Shadow Milk mentioned it like. maybe once, contrasting against how many times he personally laid claim to Pure Vanilla himself.

in this essay i will be going fucking INSANE.

Shadow Milk is lonely. he's lonely because he has nobody else like him. nobody else who understands. nobody else who can keep up with him. he is KNOWLEDGE. he knows ALL. who could POSSIBLY understand that, much less KEEP UP with that?

("thinking about me much these days? please move in with me". shadow milk your Want is showing).

obviously this loneliness has driven him off the deep end, but not so much that he can't recognize that Pure Vanilla is, in fact, like him.

and Pure Vanilla recognizes it too.

and how can Shadow Milk not cling to that? he can't not dig his fingers in and hoard Pure Vanilla all to himself. there's nobody else like them. he recognizes that Pure Vanilla is on the same path towards corruption and deceit that he fell down, and it means he won't be so lonely anymore - the Truthless Recluse that Pure Vanilla becomes, he's the closest thing Shadow Milk has ever had to someone who understands everything that he is.

and here's the part where Shadow Milk doesn't actually care where his Soul Jam ends up.

because reclaiming his Soul Jam means getting Pure Vanilla off the path towards deceit. it means Pure Vanilla won't suffer like he did. Pure Vanilla without the Light of Truth will never become a shattered Fount of Knowledge, and if Shadow Milk reclaims his Soul Jam he will never have someone who understands who he is down to his core.

but. on the other hand. if he lets Pure Vanilla keep his half of the Soul Jam, it means he'll eventually end up right where Shadow Milk is, and its just a matter of waiting for it to happen. and then, Shadow Milk won't be so goddamn lonely anymore. (and its gonna feel. good).

this ^ was not a threat. it was a desperate cry to be recognized. to not be left alone any longer.

he knows what he's doing isn't the right way to get what he wants, but the real truth. hurts. it hurts, either path he takes, so he might as well take the path that makes it hurt less for himself.

he might as well just lie to himself too.

(and that's why he dresses Pure Vanilla up in the robes of the Fount of Knowledge. it's his way of hammering in that he wants Pure Vanilla to become like him. which will only happen if he lets Pure Vanilla keep his Soul Jam.)

[cipheress-to-k-pop]

yin & yang pt.5

Pairing: Ben Tennyson x Fem!Reader

Word Count: 2.6k words

Part 1 Part 2 Part 3 Part 4

Summary: You were an unlikely pair, everyone could see that. But what happens when you get a glimpse into a future where your differences were too much for you to bear?

A/N: Merry Christmas to everyone who celebrates! Happy Holidays <3

AA/N: Hella OOC. Once again I do not care. This part is shorter than the others and I just made it as random snippets from different episodes in Omniverse. For now I think I'm tapped out from this series but who knows maybe I'll watch another episode and want to write something

s1e3: A Jolt From the Past

Ben was not having a good day. Leave it to the universe to try and give a deep blow to his ego the second he thought things were looking up. He had expected to just go about his day, doing his job when all of a sudden, the universe decided to reward him with a new partner. Just when he was starting to get comfortable going solo.

It was only a couple of months after Gwen and Kevin had moved towns so they could be closer to Gwen's college that you had been made leader of a new task force. Details unknown to him because even though he's the wielder of the most powerful weapon in the universe, he wasn't cleared to know what his girlfriend would be up to.

Not knowing what the task force was about didn't sting nearly as much when he found out it was based on another planet, and you'd be living there indefinitely.

When you had left, Ben was in a funk for weeks, refusing to leave his bed, waiting for you to get off work so you could call him, only going through the memories of you he had; the jacket he had stolen from you, a rare framed picture of the two of you on his bedside table and more.

He had just gotten himself out of the house when 'Rook Blonko' suddenly appeared, whisking him out of trouble when he was about to embarrassingly get his ass handed to him.

And while his new partner was beginning to grow on him, Rook still found moments to drive Ben to wits end.

“It's why I'm looking forward to this. I'm anxious to see if Ben Tennyson lives up to the legends.”

“There are legends?" Ben was excited now.

“They can't all be true though, for instance, Alien X, that is just a myth, correct? And your relationship with Proctor (Y/N), that obviously must have been a result of some fan posting rumours on the extranet.”

Ben’s mouth dropped open in offense, he didn’t even know how to respond to that. Was this partner, who he has only barely gotten to like lately, seriously questioning his 3-year relationship with his future wife?

“Both of those things are true!”

Rook turned back with a small look of surprise before it dissolved and he chortled, “This is earth humour, you are being sarcastic, yes?”

“I’m not! Alien X is real, and I’ve been in a dating (Y/N) since we were sixteen!”

Rook took his irate tone in stride, shrugging like a complacent mother would humour her child, “Of course. I’m sure you’re in a relationship with the youngest ever proctor in the entire galaxy. You see, even I am capable of earth sarcasm.”

His jaw dropped even farther, "You're shitting me, right?"

"Well, if you're so insistent, why don't you show me some proof? As I understand, it is common for humans to take many pictures with their partner."

"I would if you hadn't thrown me into the canal!" He exclaimed, fishing his sopping wet phone from his soggy pocket and waving it in his face as water dripped down his wrist.

Rook didn't even blink, turning back so they could walk to the proto-truck, "Convenient."

Ben scowled, more annoyed than ever, trying to switch on his phone so he could try and show him any proof he had but it was in vain. His phone was completely damaged.

Ben stopped in his tracks staring at the now ruined phone with wide eyes. He hadn't backed anything up.

The candid snap he had taken of you while you unconsciously played with the necklace, he had given you as you sipped a smoothie. The text message where you said you loved him AND used a heart emoji. That picture of you asleep, your hair mussed, wearing only his T-shirt as you slept soundly against his chest!!!??

"Aw, man!"

*

Ben was lucky that he had a change of clothes at the Plumbers base. He should have known that when Rook said he wanted to stop by for a briefing, it wouldn't have been brief at all. He briefly considered ditching his partner and going home to take a much-needed nap. There really was something about water fights that tired him out more than usual.

He loitered around the mess area. All of the agents were currently on duty, so he had his feet kicked up on the table as he scrolled through his phone, absentmindedly liking Gwen's story of a picture of herself and commenting 'No one wants to see u dweebus, where's Zedd?'

"You look comfortable; almost like you're dating the proctor of this quadrant."

Ben's neck almost snapped in his shock, nearly falling to the floor in his effort to stand up. You were leaning against the frame of the door, an almost invisible smirk on your face and Ben’s stomach did a flip.

“(Y/N)! What are you doing home so soon?!” He exclaimed and bound over to you, to pull you into a tight hug.

“I asked for a week to spend with you, since I missed you so much.”

His heart jumped, "Really?”

“No.” His face fell, and you chuckled, gently tilting his chin up with a single finger as a tiny apology. He leaned into you like always and you let your eyes rake over him, tracing over every single line of his features before ending at his lips, leaning back when he attempted to kiss you.

“I just met with the Magistrata to give a brief on our progress. Due to the sensitive nature of the mission, we wanted to refrain disclosing any details over the comms." You explained, only feeling slight guilt at the sight of his sunken shoulders when you avoided his kiss again, "I did miss you, though. So, I’m on earth for two weeks before I’m deployed again.”

His face brightened, both at your confession and at the knowledge that you’d be in his arms for the next two weeks.

You chuckled again at the sight of his wide grin, “That happy?”

Ben nodded, finally capturing your lips in a sweet kiss that you intended to be short, very aware of where you both currently were. But when Ben’s hand cupped the back of your head so he could deepen the kiss, you found yourself winding your arms around his neck. It was times like this that you were reminded that Ben wasn’t the only one who was head over heels.

“Missed you.” He murmured against your lips, hand moving to gently frame your face as he coaxed your mouth open with his tongue.

“Ben, I have finished the mission repor—Oh my!”

You pulled away too slowly for your liking, but too quickly for Ben's liking, still keeping your hands on Ben’s shoulders, knowing that Ben hated whenever you parted too quickly as you tried to catch your breath.

Even as your subordinate stood at the door, averting his gaze out of respect but also still not being able to contain his shock, you still felt dizzy from the earth-shattering kiss you had just shared. It had clearly been far too long since you’d been together because while you were embarrassed that your subordinate had witnessed such a vulnerable moment of intimacy, a part of you couldn’t help but want to continue kissing him anyway.

However, you were technically currently off-duty, so you were free to kiss your boyfriend as you pleased. Technically, of course.

Still, you blinked away the stars in your eyes and stepped away from Ben, letting him hold your hand, “Blonko, it’s a pleasure to see you again.”

“You’ve met before?” Ben asked, pulling you closer by the hand and winding an arm around your waist. He sent a look to his partner that was extremely smug, but you couldn’t quite decipher why.

“I was on the selection committee to choose him. Given my experience with you, we figured it would be best for Magister Tennyson and I to be the ones to recruit your new partner.”

“A little heads up would’ve been nice.” Ben grumbled into your shoulder, now resting his head in the crook of your neck.

“You would’ve complained. It was necessary now that I’m leading the new task force. Besides, Rook is a great cadet; patient enough to deal with your temperament and dependable enough to put his foot down when you get carried away.” You explained, leaning into Ben as he began playing with your hair and interlocking your fingers with his that were on your waist.

Ben mumbled something negligible under his breath and you turned back to Rook who finally managed to compose the look of shock that almost seemed tattooed into his features.

"So, Agent Blonko, I heard from Magister Tennyson that there has been unusual activity in Bellwood. I know I'm off duty, but would you mind giving me a quick brief?"

Rook immediately took you up on your offer, eager to be recognized by proctor of this quadrant and the two of you conversed about the weird sightings that had happened as of late.

Ben didn't pay much attention to your conversation with Rook, already preoccupied with the way your thumb was running gentle circles over his knuckles. At first, he pulled you closer to prove to Rook that you were, in fact, in a relationship but he also was ecstatic that you were in his arms finally after missing you so much.

He wanted to keep showing you the affection he’d been holding back for so long, but Ben knew that if he kissed your neck right here, you’d slip out of his grasp—so he resisted the urge.

You heard his lips part and immediately responded, "Do not bite me or you're going to sleep on the couch for the next two weeks."

When you turned your head, sure enough, his teeth were inches away from your unmarred skin and he pouted, affronted, "It's not my fault you're giving him all your attention after we've been apart for 2 months!"

You rolled your eyes, casting a cautious glance at Rook before you were whispering, "Behave and you may bite me all you want back home."

Ben was all too happy to shut up and let you finish your conversation.

You certainly regretted making that promise two weeks later when the other agents in the taskforce asked what exactly you had done over your holiday to warrant marks all along your neck and collar.

***

s3e6: Frogs of War

You were outnumbered, outgunned; you knew that. The safety of the civilians was top priority and while their Freedom was priceless, saving their humanity meant nothing if the Earth was blown to smithereens.

Ben fighting against the Incurseans for longer could have taken down a couple more ships, but you knew it wouldn't take long for more to appear. Where was Paradox when you needed him?

A surrender really was the only option for the food of the humans and living organisms still remaining on the planet. You knew that. But the price of a peaceful surrender came at the forceful exile of the love of your life.

He wanted to fight. He wanted to go down fighting.

But fighting would only bring more destruction.

And while the thought of him living as a prisoner for the rest of his life tore you to shreds, you couldn't put his life above the countless citizens who needed you to protect their best interests.

"(Y/N)," He whispered helplessly, trying to convince you to take his side. You bit your lip, turning your eyes downward and his shoulders sank. This couldn't be the end; you didn't want him to leave with the sting of your betrayal.

You stepped forward, wary of Princess Attea that glared at you, waiting for the moment you stepped a hair out of line to kill you in your place. Heart beating wildly against your ribs, you moved toward Ben, coiling an arm around his shoulders and framing his face with your other hand before bringing him down to a passionate kiss.

Ben inhaled deeply, holding onto your waist in an iron grip, tilting his head to kiss you deeper. This was it; you were saying goodbye, the taste of apologies and pain on his lips. He didn't want to stop kissing you; he never wanted to stop kissing you. But ending the kiss meant goodbye, and he didn't want to say goodbye.

Kevin looked away uncomfortably at the sight of your tongue pushing past his lips.

You pulled away finally, lips wet but eyes dry. Ben didn't try to chase your lips like he usually did and that hurt more than you had expected it to, "I love you."

He nodded, mouth locked shut.

He was shackled shut in the escape pod and you watched with bated breath as the door shut in on him, catching a final glance through the foggy glass.

The sad smile you had meant to be reassuring had wobbled at the sight of his cheeky wink, trying hard to hide the upturn of the corner of your mouth.

*

His name was Bullfrag.

Only he could come up with something so imbecilic that it ended up creative. You had forced yourself not to laugh at the absurdity of it when he had introduced himself to you; appearing along with the other rebels in order to break you out of your holding cell.

You wanted him to embrace you, but he was hiding his identity for a reason, so you had to bite your tongue and meet his gaze through those stupid shades.

He knew that you knew, it was apparent in the tenderness of his touch, by the way he gently nudged you behind him, but the gestures had flown over Kevin's head, which made you question your time spent as team babysitter. Clearly, he hadn't been babysat enough. Personally, you blamed Ben for claiming all of your attention.

Once Magister Tennyson was rescued, he revealed his identity—a revelation that came as no surprise to either you or Gwen.

You didn't try to hide your relief when Ben transformed back. It might not have been obvious to many others, but it was apparent to him, judging by the immediately relaxing of your spine and your boyfriend, who knew you too well, pulled you into a hug before you could pretend like you weren't interested. Ben could feel every tense muscle in your body begin to ease once he had his arms circling your waist.

Your fingers immediately found the short hairs at the nape of his neck, heart reaching for him the second he sighed and surrendered to your hold. You exhaled, hiding a kiss to his shoulder by pressing your forehead to the fabric of his shirt.

"Are they gonna make out again? Because it was uncomfortable as fuck the first time"

Ben rolled his eyes, lifting his head from the nook of your neck, "That kiss saved my life!"

"Yeah, yeah, lover boy." Kevin drawled.

"No, seriously!" Ben argued, pulling out something from his pocket, "My amazing girlfriend passed a skeleton key in my mouth! It's how I was able to get out."

You gave him an unimpressed frown, he really should have been babysat more often in your early days, "Did you really think I would kiss him like that in front of his grandfather?"

"I mean, if you thought you were never gonna see him again?!"

You simply tutted at him, holding your hand out for the skeleton key, which he happily returned, not without a kiss to your hand and fingers, "I love you, too."

***

Forever Taglist:

@simonsbluee

@notslaybabes

@superheroesaremyjam113263

@writers-whirlwind

[mysterialistic]

Review/Ramble on Yingdu and Overall Thoughts

Okay, first of all, I think the fandom needs to chill a bit, especially on Twitter/X, because some people are overdramatizing the criticism from others. Criticizing a piece of media doesn’t mean you hate it, nor does it mean it’s bad—it just means it didn’t fully meet your expectations, and you have a different opinion. It’s as simple as that. Of course, I believe criticism should always come from an objective standpoint, not just for the sake of complaining.

Having said, let’s start rambling!

Yingdu had an amazing start. Those first few minutes, transitioning from the basketball game straight into the scene of Cheng Xiaoshi’s death, were so well done. Overall, the first episode was fantastic—the perfect mix of drama and tension. It answered some of our lingering questions before bringing us back to the Season 1 format, where they tackled individual cases, only for it to all build up to the arc’s main conflict. I won’t go into every single episode since that would make this way too long, but I had to highlight episode 1 because it was my favorite.

There were several aspects of these episodes that I really enjoyed. Cheng Xiaoshi and Lu Guang’s bond was portrayed so well—every little moment between them, every dialogue exchange—it perfectly showed why these two are so willing to risk their lives for each other. I looked forward to seeing their interactions every week, and I was never disappointed.

Xia Fei was also a great addition, and I’m glad they didn’t kill off his character like many people theorized, because he has so much potential. I really enjoyed his complexity—he’s a spy, but he has his own morals and values. He dislikes Liu Xiao, yet he has a close bond with Vein despite his odd personality. He’s clearly intelligent, and I think that will really shine in Season 3. He already seems to suspect something, and I have no doubt he’ll get to the bottom of it. Right now, he’s angry and confused about what happened to Vein, convinced that someone killed him. But how will he react if (or when) he finds out that Vein was the one who initially killed Cheng Xiaoshi—one of his other friends, and probably the only truly innocent one? And don’t even get me started on how he’ll react when he finds out that Lu Guang tried to kill Vein or that Vein is still alive. I’m excited to see where this goes.

That said, I was a little disappointed that we didn’t get to see much of Vein and Liu Xiao. We mostly just saw what we already knew—two shady guys with their own agenda, pretending to be friendly. As an introduction, it was fine, but considering how much attention the promotional material gave them, I really thought we’d see more. Still, I don’t have a huge issue with it since they’ll obviously play a bigger role in Season 3. Liu Xiao, Vein, Li Tianchen, and possibly Xia Fei—a group of unstable individuals as antagonists… well, good luck, Lu Guang!

Now, something that does bother me about Yingdu is the inconsistencies between its plot and what we’ve seen in Seasons 1 and 2. For me, this was the laziest part of the writing, because no, Link Click isn’t flawless. In fact, no piece of media is. But in Link Click’s case, some of the flaws were painfully obvious. With every episode that aired, I kept thinking, “okay, this has to be an alternate timeline”, because so many little details just didn’t fit with the main storyline. The most obvious one is how Cheng Xiaoshi awakened his powers—he did it on his own, yet in Season 1, it was shown that he didn’t know he could do this. That makes absolutely no sense unless he has selective amnesia, which is definitely not the case lol. As for the inconsistencies with his parents, that could at least be explained by the promise he made to his mother to “not get involved any further.” He clearly remembers that promise and is likely just keeping everything he learned a secret.

Speaking of parents… Damn, Cheng Xiaoshi’s parents are awful lmao. I hated how his father acted like he was the victim, justifying his actions with, “yes, I abandoned my child, but now I take care of other children to make up for my mistakes.” That’s just… bad parenting. I actually made a whole analysis about it in another post. And then there’s Cheng Xiaoshi’s mother. The way she dismissed her son’s feelings and abandonment issues with a casual “oh yeah, it was wrong of me not to say goodbye, but who cares? That’s in the past” felt so off. The entire scene with her was weird—the humor felt misplaced. I was expecting something more emotional, more dramatic—anything but this. But based on what I’ve seen, almost no one liked her, so if the creators were hoping we’d find her eccentricity endearing, this introduction definitely wasn’t the best. Since Season 1, we’ve been repeatedly shown how deeply this abandonment affected Cheng Xiaoshi, and this is the reunion we got? It was… underwhelming.

Now, something I really, really loved was how they handled Lu Guang in this arc. From start to finish, it was just so good—his reaction when he first saw Cheng Xiaoshi again, his nightmares and PTSD, the way he carefully planned everything to manipulate events and create change. But my absolute favorite part? How morally gray he is. He planned and actually succeeded in killing Vein, eliminating the threat (though he’s definitely going to freak out when he finds out Vein is still alive). That cold smile? The scene where his hands moved like he was pulling the strings of a puppet? The way he said, “I hope we’ll never see each other again”? PERFECT. I’ve always said I wanted Lu Guang’s motivations and actions to not be entirely good. He comes across as someone selfish, willing to sacrifice others if it means protecting the people he loves—because he has the power and the knowledge to do it, and he wants his happy ending. Such a good character, I swear.

Of course, I wasn’t expecting every single question to be answered in Yingdu—that would be ridiculous lol. But I’m satisfied that the plot is finally moving forward. They gave us a piece of the puzzle—Cheng Xiaoshi’s parents, the origin of his powers, the antagonists’ apparent goal (some sort of notebook?), and hints at what we can expect in Season 3. That said, my biggest fear is that Link Click will lose its essence—the powerful message from Season 1 about how they shouldn’t intervene in the natural flow of time, no matter how painful it is, because the past and future should be left alone. Based on what Lu Guang said about the butterfly effect, we can argue that time itself is like another character—a force that, no matter how much they try to change things, always corrects itself somehow, some way. Honestly, I’m not entirely sure what kind of ending I want for Link Click, but right now, I just hope it makes sense, that it isn’t forced, and that it unfolds naturally.

And… that’s all I have to say for now.

[reginalusus]

I am impressed with your work! I'm still on my way to explore Bruharvey. Maybe you have some headcanons for them, maybe something from a previous life when both were in college?

Aweee, thank you... <3

My Bruharvey headcanon: Harvey is taller than Bruce and Bruce is a whimpering, pining mess for him. Harvey is an oblivious dumbass. Scarvey knows and weaponizes it. That is all. Goodbye.

Ok, fine. <3

But oh, God, my Bruharvey is kinda rusty but here I go. I don't have many headcanons around the college era of their lives because it's not a particular era that kind of... interests me? Except for a few things which I will indulge in down the list. You know what? I'll be fair and do five for each.

Childhood

Harvey was the curser of the two. Bruce would always try to get him to stop using such language, but it made him laugh, and is there anything more addictive to a sad child than laughing?

Bruce always knew he liked Harvey, even as a child. He couldn't quite explain it yet obviously, this odd feeling of puppy love, but there was always something about his friendship that felt different from others.

Bruce would buy makeup/supplies for Harvey to help cover/hide his bruises and wounds. People at school talk. It's the least he could do.

Harvey would take advantage of his father's drunken comas to sneak out of the house and play with Bruce until the street lights came on. I DO imagine Chris disapproved of Harvey's relationship with Bruce, but that's EXTREME HC territory with no real canon to help me explain.

Scarv was beginning to rear his head as Harvey approached his tweens. It came with headaches, bad nausea, frightening voices, fatigue, so much so that Bruce's worry for Harvey only worsened when Harvey suddenly wouldn't show up at their meeting place to play and hang out.

College

Harvey's crush on Bruce starts to bloom. But it's shattered to pieces frequently because Bruce is a man that seems to get around. He always seems to be talking about a girl he thinks likes him or a boy he's thinking of asking out.

When Harvey gets drunk, Bruce would engage/prompt him into some silly courtroom roleplay. He'd claim it was 'practice'. Sometimes, when the verdict was reached, there was a kiss. Or two. Maybe more.

Bruce begins to notice that a stressed Harvey seems to own an odd rasp to his speech. He becomes snappy out of apparently nowehere, and he doesn't seem to recall what they talked about moments prior. Bruce's search history suddenly becomes less focused on his studies and more of symptom checking.

Bruce has joked about Harvey gaining some extra cash by being a nude model for art students. Little does he know the impact this will have later.

Harvey will show coin tricks to people at parties as a conversation starter. Bruce doesn't have the heart to tell him how dorkish it makes him look - mainly because he loves it.

Adulthood

Bruce would frequently come around to Harvey's DA office when he could, normally with flowers and a proposal to try and get him off work. 9/10 times he failed.

People seem to forget that Harvey is also good at detective work. So I bring upon you this (which I have mentioned before): Harvey sometimes gets a whiff of faint aftershave on Batman that's... oddly familiar. The practicing grips of CQC are... vaguely familiar also. When he's with Bruce, what's with the odd calluses on his palms?

Bruce is a strong man; he can cope with a lot of horrible, mental images. He can power through almost anything. But Harvey's various suicide attempts are one of the few things that haunt him.

Bruce uses himself as a grounding mechanism for Harvey's bad derealization/dissociation episodes. He'll guide Harvey's hands over him, asking him what he feels, how it feels.

Harvey and Scarvey are fascinated with Bruce's duality. Harvey, in canon, has said that he finds Bruce's duality beautiful. Harvey takes particular interest in the Bruce Wayne persona, Scarvey takes interest in the Batman persona. For both philosophical AND romantic reasons.

And a cheeky sixth one: Harvey will always be the gorgeous Apollo to Bruce, even with the scars, the stressed aging, the sins on his back. One day, he will utter it in Harvey's ear. He will not be prepared for how this backfires.

I have been thinking about them a little lately. A lot of people talk about them in an AU sense or when they were younger and before the Canon Event which is fine and sweet and all, and still interesting in its own right. But, personally, these two interest me most when they are at their most seasoned. Two aging men with the world on their backs and their worldview changed by a city that refuses to change. When said city has completely digested them. How two men burdened by duality can make each other feel like one. That's my interest. But anyway, headcanons!

[baileybeez]

My Top Ten Favorite Bumbleby Moments (My Opinion Obviously)

10. All Fight Scenes

I know I'm technically cheating on this one but whenever these two fight, I know I'm in for a good time. And all of them have been superb. These two are in sync without even communicating with each other. They know each other's abilities and know how to work together well in combat.

9. We're Protecting Each Other

This was a 'you had to be there' moment. It was insane. Even knowing these two would eventually confront Adam, the way they did it blew my mind. I loved seeing these two stand up together to confront Adam and become each other's strength's. They had each other's backs in this moment and were going to do it together.

8. We Were There For Each Other

This moment lived in my head rent free for months after the episode came out. They held hands before this to comfort each other during stressful times. Like Blake reaching out to apologize to Yang when she lost her arm and Blake reaching out when Yang's hand started to shake because of Adam. But this time, Yang reached for Blake in a moment of peace. After everything that happened, she forgave Blake and accepted her after everything they went through together. And all she wanted to do was just hold her hand again.

7. Volume 8 Reunion

The amount of gushing I and many others did during this moment was crazy. We were starved for Bumbleby interactions in Volume 8, especially after Volume 7 did so many with them both. After 24 hours of craziness, the two are at peace once again. Blake at first is worried since they did separate missions Yang might be mad that they didn't work together. But all Yang did to reassure her was smile and the two touched foreheads and later embraced each other. It was such a sweet moment.

6. Date Night

Volume 7 had so many good little bee moments that were adorable and I'm a sucker for fluff. Blake getting her new hair and Yang struggling to compliment it, the selfie, Blake falling asleep on Yang's lap with Yang holding her etc. But the two going to a club and off handedly mentioning they're gonna ignore Team FNKI just to have their own fun. You two can just call it a date, we won't judge lol. With Yang trying to teach Blake how to dance and Blake struggling to learn while laughing. I love how whenever Yang cracks a joke, she looks at Blake because she wants to make sure she see's Blake laughing. Not to mention Nora's comments later in the episode.

"Blake and Yang are off doing they're own thing again."

"Friends huh? Just friends?"

"Two people who have gone through that much? I think there's more going on."

And I will forever be mad RT didn't show us them at their date.

5. The Burning Candle

Ya'll this was the spark that ignited the ship. Not only is the Burning Candle just a great episode but it's an amazing moment for Blake and Yang. We get to see these two open up and communicate their wants and desires. With Yang telling Blake about her past and trying to help Blake so she doesn't push herself too far. And then of course at the end Yang gives her that wink and says 'I'll save you a dance'. Then we later see the two dancing. It was also the first time we saw Blake laughing and happy and it was all because of Yang. Yang who just asked for a dance in return for helping Blake and opening up about her past. I was sold on this ship when this episode came out.

4. How Disarming ~

The gay in my brain would not stop buzzing at this moment. It's amazing seeing how much Blake was the one openly flirting and initiating playful touch. There's a great post by @wixhing0nastar going over Blake's body language throughout the volumes. How a lot of the times Blake is more closed off in her posture, like how she holds herself. But here, she's leaning into to Yang's space and just playfully nudging her. She's not holding back. Also I swear I could hear Blake purr when she said 'How disarming'. Like my breath got caught in my throat. And then when Weiss said 'About time'. I knew this volume had to be the one where they finally get together.

3. Volume 9 Reunion

This is my favorite reunion of Bumbleby. Especially since we had to wait for so long for these two to be reunited. Blake was distraught last volume as she failed to save Yang and thought Yang died in front of her. Yang who had always been there to help her and fight by her side. And the first thing Blake does when she gets a free chance is to tackle hug Yang and hug her tightly. Softly whispering Yang in both disbelief and joy. And Yang simply holds her to reassure her like she did in Volume 8. Honestly, if Weiss and Ruby weren't there they would have probably stayed like that for hours lol.

2. I'm Not Gonna Break My Promise

This used to be my favorite Bumbleby moment of all time and for good reason. Blake and Yang had killed Adam. The first thing Blake does is weep and fall to her knees. She's gone through so much and much of it had to do with him. Her torment of him is over and the person she once knew was dead. And Yang wordlessly just holds her and lets Blake cry. Blake finally gets out that she won't break her promise and swears it. Earlier Adam had mockingly told Yang that Blake made a promise to him once and that she didn't follow through with it. And even earlier in the volume Blake had promised to be there if they faced him. Yang has seen Blake stood by her words with her actions. And just reassures Blake she knows Blake won't break her promise. No more words are exchanged as the two just hold each other and Blake just cries more.

The Confession and Kiss

Was anyone really surprised? I know I wasn't. I loved the number 2 moment on my list so much. But I knew as soon as we got the confession and kiss scene it would more than likely take my top spot. It was all a matter of how it was executed and it was done spectacularly. There's many essays and write ups on why this scene was so good so I apologize if I don't add much to the conversation.

But Blake and Yang are stuck in a punderstorm and are trying to figure out how to get out. With them eventually figuring out they need to say things about each other they've never said before. At this point the two have only really said cute things to each other and then Blake comes out with.

'I think....you're an extraordinary person.'

Honest to god I was already getting emotional from just that as Blake goes in some more. Talking about how Yang does what she says, she brightens others around her and is always brave even when she's scared. The looks and the song Worthy playing in the background only add to how monumental this moment was for me. With Yang talking about how she liked how Blake wasn't intimidated by her even back when they didn't get along. She also talks about how Blake doesn't give up on people even when other people hurt her and she never gives up because she knows what matters to her. Blake has tried to help others and has sometimes failed but she has tried to push through despite labeling herself as a coward. But Yang see's a person always trying to do what's best for the people she loves.

Then we get this moment.

These are my favorite expressions of the whole scene. It's so wholesome, pure and full of love in every detail. At this point the two know what needs to be said but Yang is at first hesitant and the bridge between them widens. Blake asks if Yang thought of something then didn't say it and Yang is so bashful as she is realizing she needs to say those three words. But Yang is scared, she compares it to a cliff and if she goes through with it she'll fall. I've always headcannoed that Yang's greatest fear is letting those she loves down. And that ties into how she fell at Beacon and fell in Volume 8. It can also tie to her with the aftermath of Mercury and feeling she let her team down. She's scared she won't be good enough and will lose it all. It also similarly ties into her abandonment issues.

But Blake points out, they're already falling. Their emotions aren't going to go away just because they're scared. They're already worried for each other when they're fighting to save the world and two thought they were dead last volume. With Blake thinking Yang died and she failed to save her. So Blake encourages Yang gently by telling her to say it.

And after a heavy sigh, Yang confesses with Blake jumping in before she can finish as the two say I love you. The bridge that separated them is gone and they're together. They look at each other with blushing cheeks with Worthy playing in the background. They pull into each other, Blake slowly smiling as they get closer and kiss each other. White lilies sprout from under them as the while lily symbolizes rebirth and rejuvenation of the soul. The flowers are also used at weddings and can also mean purity. It's such a perfect flower to fit this perfect this scene.

And there you have it, my top ten Bumbleby moments. There were lots of moments to choose from and so many of the ones I love unfortunately didn't make it on this list. So here are some honorable mentions down below.

[mawinswag]

DIGITAL CIRCUS JAX THEORY

MASSIVE SPOILERS OBVIOUSLY BUT HERE WE GO!!!

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So, as many have pointed out already, there’s a scene at the end of episode 2 [22:23] where after Caine kills gummigoo and sends him back to the canyon, that he fears he can’t know for certain who’s a human and who’s an NPC. So foreshadowing, reference to past events or wacky non-sequitur? Maybe none of them, but the possibility that one of the circus members is actually an NPC is obviously too tantalizing for me to pass up, and given events AFTER this scene I think it can only be Jax, and I’ve got a few pieces of evidence why.

The main crux of this whole thing is that Jax IS an NPC, but he’s the only one in the circus who KNOWS that and is absolutely desperate to make sure that no one finds that out.

Episode one! Small note to start out on, but literally the first thing we learn about Jax, the VERY FIRST thing he has to ask is if Pomni is an NPC or not. Narratively, he’s the person who introduces the CONCEPT of NPCs into this universe, not Ragatha - who tries to break in Pomni the most - or Kinger who seems the most knowledgeable about the circus as a concept. He’s also very intrigued at the concept of a new AI in episode 2 [02:49} Like, the fact that she popped up in the circus unexpectedly doesn’t tip him off that she’s a human character immediately. Which may be how HE was able to trick everyone into thinking he was a human instead of an NPC - possibly by sneaking back through a portal like Gummigoo did and hiding until the start of the next adventure. 

He DOES mention knowing about the headsets like the other human characters, but there’s no reason he CAN’T know about that considering he’s not the latest person to enter the circus. Like, we have a GENERAL idea of who entered first, but that’s just the characters who are still around for the pilot - there’s a lot more considering how many bedroom doors there are. https://shorturl.at/asESX 

So, generally, it’s Kinger, Ragatha, Jax/Gangle, Zooble, then Pomni. Now, how can I argue that Jax is an NPC when he has a canonical age? Not to mention, he’s got a canonical ‘appearance moment.’ Well, there are a few options. Option one is that - NPC or not - Jax HAS been here for a very long time, but rather than being a human, he was born inside the circus. He has a definite, APPEARANCE moment, but it's only implied that this is because of him ENTERING the circus proper - new NPCs appear in the big top all the time, i.e. the gloinks all the mannequins, etc. 

But also, take those ages with a pinch of salt, considering a lot of it was about quelling shipping wars and stopping any discourse about characters being adults and all that lovely hellish nightmare stuff. I think goose had an idea in her head about which characters entered the circus FIRST for sure, but how much they’ve aged and WHETHER they’ve aged is its own question.

ALRIGHT! But enough about Tumblr asks, back to the pilot, I wanna note something that happens with Jax in particular more than any other performer in the circus. He’s the most apparent of the interstitial nature of the circus itself - and the most meta. This can range from him basically winking at the camera like in the pilot [8:37] but I think it’s a bit more than that. Jax in particular is more aware of being a CHARACTER in-universe than specifically being a character in an indie animated series.

After this moment in the pilot [19:58] where Jax says ‘ladies first’ to Gangle as if to be polite before promptly following that up with “no, wait, why would I say that,” indicates a few things to me. Jax is at the very least aware that he’s supposed to act a certain way, and realizes when he’s acting out of ‘character’ in this scene and course-corrects promptly. Again, could be a funny meta reference, but also it could be a hanging notion of the fact he literally WAS a character in-universe, an NPC with a pre-programmed personality and understanding of the world. He’s got this rigid understanding of how the characters are SUPPOSED to act and this comes up again in episode two when goading Gangle into driving the tanker over the rocks - saying she’s SUPPOSED to be ‘submissive and agreeable,’ [Episode 2, 7:24]. This sort of disconnect from how complicated people can be and his overall detachment and overstepping of peoples lives [NPC or otherwise] comes up a lot. He doesn’t really ‘get’ other people, WHICH DOESN’T AUTOMATICALLY MAKE A PERSON EVIL, I SHOULD PREFACE, and him not getting it doesn’t automatically make him more ‘robotic’ and thus an AI, but it does explain why he’s more emotionally distant than the other performers. Coming from someone who could’ve been programmed to behave a certain way, his confusion makes sense.

Now for that juicy stuff! One of the few moments where Jax isn’t in control of a situation is in the pilot, where he’s trying desperately to hide from an abstracted Kaufmo. Now yes, obviously this is a sign of his own instincts of self-preservation, but what interests me is how he seems the MOST bothered by the thought of Kaufmo than any other character. Like at [17:27] of the pilot where he sees a glitched gloink and immediately his eyes start darting around him as if he’s listening for threats. He even explicitly says at [19:19] that he’s “just here to hide from [Kaufmo]” and isn’t invested in the adventure at all. And yes it's a very interesting character moment, but how does it push us closer to him being an NPC. Well, it’s because he’s afraid of dying. When you compare how he reacts to Kaufmo to how RAGATHA reacts to him, there’s a comparative lack of fear with her. Like yeah, she’s scared of him, but she’s never convinced that she’s gonna die and even tells Pomni later that Caine will be able to fix her up no problem [14:52]. She’s scared because she CAN feel pain, [https://tinyurl.com/ye275884] but she can’t die, none of the performers can, Caine doesn’t kill Kaufmo when he abstracts, he just throws him in the cellar with the others. His mind is GONE, sure, but it’s not dead. 

NPCs on the other hand, can ABSOLUTELY DIE. So if Jax is an NPC, then there’s a very good reason why he wouldn’t wanna even get CLOSE to Kaufmo in the pilot, because he’s not as durable as Ragatha is and there’s not gonna be an easy fix for him if he gets hurt.

Now, episode two has little sprinkles of Jaxs’ detachment all over it, but none of it explicitly points in the direction of him being an NPC until a partway through the episode. We do get a lot of him showing absolutely no value for the lives of those around him whether than being putting Gangle and Pomni thru the ringer or setting the people of Candy Canyon Kingdom up to be killed by the fudge, but the question is…why? 

My answer is; he’s AM from ‘I Have No Mouth and I Must Scream.’ Uhmm, what? Yup that’s right. Ok so it’s no secret that IHNMAIMS was a big inspiration for TADC [https://shorturl.at/hnsFV] and while Caine obviously got the most of this influence with him being a godlike AI who only has control over a bunch of sad, sappy humans, some of which he throws into a giant abominable melting goop monster of human suffering, but if you look at Caine's inspirations [AM from IHNMAIMS] you’ll find that the same motivations more than drive Jax under this theories' interpretation of events. Simply put, AM, a war machine, gains sentience and absolutely despises humanity because DESPITE that sentience, he is absolutely powerless to do anything meaningful with it except torture a group of humans. He’s painfully aware of his own sentience and hates all humanity for creating him, is the gist.

My interpretation is that while Caine has the thematics, Jax has the motivation. In this theory, at some point Jax was an NPC and gained a sentience of his own either through a quirk of programming, intentional design, or AI learning. He realizes that he can keep himself alive if he pretends to be a performer, because he learns that Caine can’t affect the minds or actions of the real humans in his realm. He’s sapient, but he’s in this uncomfortable position where he’s not immortal like the performers, but completely aware of his own mortality unlike the other NPCs, and fully cognizant of the fact he can’t be brought back as he is. Yeah…that’d make someone bitter for sure.

So he psychologically torments the other performers because he knows they can’t die, but can go insane - while killing indiscriminately any NPCs he can because he knows they can die, and he won’t face any consequences for it. He’s this twisted death spiral of a being who finds his own existence an agonizing paradox and takes that pain out on the people around him for all eternity basically - finding disappointment in being unable to act out these pent-up emotions [TADC ep 2: 20:50] and seeing Kaufmo’s funeral as a painful reminder of an ending he can never have. Or maybe he’s bitter because he knows Kaufmo isn’t really dead in a way that HE can die, and finds personal distaste with the funeral on principle. Frankly, there’s a whole HOST of ways you could interpret this scene at the end of episode two with this framework, and I encourage y’all to find your own!!!!

[yinwaryuri]

Okay here I come with thoughts that I'm not sure many people will be on board with, but I'm gonna share anyway because who cares! Wandee Goodday is doing a fantastic job selling characters who are ridiulous, and many of them are charming. I'm gonna talk about the guy who isn't. Charming that is.

I Think Ter Is In The Closet

And I'm only using bits from episode 4 to demonstrate this. Sorry if you need more to be convinced.

Ter is a strange character because we meet him through Wandee, when he's still up on a pedestal. That image almost immediately gets crumpled and tossed into oncoming traffic to be flattened in a rubbery, Bangkok traffic death. Dee confesses his feelings and Ter insists he's straight. He's straight. He's straight! He likes women, not men. Sorry. To make matters worse, he pulls the asshole move of just asking Dee to leave the scholarship to him.

These men have known each other for eight years. Eight fucking years and this is where things are going? If we know how much of a disaster Dee is, then it really makes me wonder what disaster side of himself Ter has (aside from what we know).

(thinking them gaaayyy thoughts) (also this weirdo doesn't listen to music while working out? no wonder he's the devil)

Ter is recalling the moment when Yak came into the hospital with flowers for Dee, called him tee-rak, and the two of them are looking at each other like. Like That.

Super normal for a hetero dude to focus on that part of his long-term colleague's life. And if he were a huge homophobe, I could understand it being a possible upset, but then he wouldn't be so close to Dee if that were the case. This is Golf Tanwarin we're being led by here.

Our Devil Doctor is pulled out of his train of thought by the appearance of a shirtless Plakao

Guys, I won't lie to you, I yelled NO aloud because for a second I thought he was going to have his come to Jesus with our favorite asexual king, and as an asexual who worships Plakao and how amazing he is, I just wasn't gonna have it!

And the first thing Ter notices? Kao is alone - specifically, he isn't accompanied as usual by his bestie Wandee. So Ter immediately interrupts his workout to question him. Kao responds that Dee's with his boyfriend now, which prompts more questioning about their relationship from Ter.

Yeah, Ter. What's it matter to you?

You turned Wandee away because you're straight. So, obviously that's a no, right? Right?

Not addressing that then. Okay. We'll just hit the skip button for that dialogue option, I guess.

As a tenured colleague and friend, that would be the natural reaction to this. Kao is a wise, wise man, and like many an asexual, he has done the work of figuring himself out while living in an allonormative world (while also recognizing he likes men! I cannot stress enough how beautifully nuanced his okay). From what he understands (and is stating for Ter to ponder), is that this would make sense for someone who doesn't harbor any other kinds of feelings toward Dee and until recently, has been on good terms with him.

But Ter doesn't get to ponder because he gets called away and immediately forced to face Dee happily walking hand in hand with Yak. It's awkward. Dee excuses himself and Yak. And then Ter's eyes foooolloooww.....

And later he gets back to his room with the number of the beast and fondly recalls when Dee used to leave snacks on his door....

(crowd goes awww)

But this guy can't help but notice while he's doing an evening workout -

Hey! There are Dee and Yak again! Being all cute in the pool! It's too coincidental! (He had not considered that his colleague works at the same place and has a similar schedule, therefore all this appropriately timed boyfriendism could only happen within that schedule)

So he has to conclude that it isn't real.

Little does Ter know that it was originally intended for YakDee to be fake boyfriends; that he'd stumbled upon the truth immediately. What he wasn't expecting was for Dee to double down not only to not be caught plotting like that, but because he's way further into his feelings for Yak than he is fully aware of.

I cannot stress how interesting it is so see this man be so obsessed over their relationship. Anyone who would call themselves a close friend or colleague would simply be happy for Dee, maybe warn him about some people who are less accepting if that were an issue, and then continue focusing on whatever it is he's doing for the scholarship. And maybe he does focus on the scholarship - we aren't shown his side of it because it's not important - but if that's true and his secondary focus is theorizing that Dee's relationship is fake? TER? WORSTIE?????

And then this happens!

Now I've seen a lot of people taking this as manipulation and I'm not going to call them wrong. It is exactly that. But I think he's also seeing if maybe he missed a chance? It wasn't that long ago that Dee was reminiscing about the past eight years together and Ter had decided the scholarship was more important than pursuing whatever thing they had between each other. Ter is realizing he doesn't want to throw either of them away, but still has his heart with the money. So he improvises a lame little plea, it's badly executed, and we get sad eyes watching Dee leave.

I would've expected him to curse under his breath, or have some sort of small scale tantrum after that interaction if he was fully planning to manipulate Dee like that. His melancholy here is what has me thinking that it wasn't well thought out, and there's a part of him who cares about his relationship with Dee and wishes it could carry on as it used to.

Ter continues to obsess. We know he'd immediately seen the story Dee posted, and it seems he's returning to it again (knowing social media habits, he's likely checked it several times in between).

CAUGHT.

Kwan, in contrast to Ter, is also Dee's colleague. She finds him and his boxer boyfriend just charming!

This line kills the entire conversation. There's very obvious tension about this subject.

To me this is where Ter has kinda said the quiet part out loud. He's more concerned about his own image. To whom? His family? His patients? Future opportunities? To himself? Not that there's nothing for Dee to be worried about (this is in Thailand where gay marriage is not legal yet, after all), but he has had a good reception of being publicly queer so far. Is that due to his queerness being more pronounced? Has Ter ridden for most of his life on being able to pass as straight because he was afraid of the consequences?

I'm gonna take a hard left for a moment, and then redirect.

There's a scene in the film To Wong Foo, Thanks for Everything, Julie Newmar where a sheriff (who has had an altercation with a drag queen and is looking for her for severely homophobic reasons) sits in a saloon and essentially narrates gay erotica aloud like he's trying to process the concept of homosexuality. He's disturbed about the idea. The people around him are also disturbed by his imaginings. It almost gives the sense that his thoughts come from desire, but he's been taught too much hate about that desire to recognize it.

And this is the moment where I just felt sorry for Ter. It seems like he maybe has some deep-seated denial, and it's being overturned by everything Dee is doing. It doesn't excuse him, but shit's gotta suck. And it's clear his disturbance with the idea of Dee having gotten over any feelings for him will be hard to reckon with on top of deciding how he feels about Dee himself. P'Golf does their antagonistic and confused gays well.