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writingwithfolklore · 1 year ago

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Writing a Story from Start to Finish - Guide

I see you guys in the tags and reblogs talking a lot about how you have a desire to write, but have no clue what to write about, or where to even start figuring that out. While starting any project can be incredibly daunting, I wanted to put together a little guide to hopefully make it a bit more accessible. Be warned, this will probably be a long post.

Step 1: Form an idea

All writing begins with this: an idea. Ideas can start as small as an object, or as big as a world or cast of characters. What’s important is that your idea genuinely interests you, and makes you want to explore it more.

There are a million ways to gain inspiration for ideas, but my favourite method is a sort of brainstorm/mind map of all the little and big things you find interesting. Any tropes, characters, places, concepts, objects, animals, other stories, etc. you love—write them down. Then, start connecting the pieces. Each connection is one concept or idea you could explore further.

If this doesn’t work for you, try using some writing prompts or check out 15 ways to spark new ideas.

If you are a planner, proceed to Step 2. If you are a pantser, skip to step 7.

Step 2: Create your Protagonist

Now that you have a sort of concept or inspiration to work off of, you need your main character. There are about as many ways to create characters as there are characters themselves, and each method is going to work better or worse for every writer.

At the barest minimum, all your protagonist needs is a Goal to work towards, a Reason for wanting it, and a Flaw that keeps them from having it right away.

These three things can form a baseline character. Consider what the thing they want, why they want it, and what’s keeping from it says about them as a person.

Rapunzel (from Disney’s Tangled) wants to see the ‘floating lights’ on her birthday. She wants to because she believes she will learn more about herself through seeing them. Her fear over disappointing and disobeying her ‘mother’ keeps her from it.

My favourite character creation technique is actually Here—it takes you through creating character in order to create story.

If that one doesn’t work for you, try this one. It is more focused on defining traits and figuring out the personality of the character first.

Step 3: Your Plot is your Protagonist’s Arc

As stated in the character creation technique I shared in Step 2, character is plot. By that I mean, the character’s journey is the plot of the story. We’re here to see the protagonist transform because of the circumstances incited in the beginning.

So to form a plot, we need to know who the character is at the beginning, and what they need to learn by the end.

Your character’s arc is A but B so C:

A – your character and their flaw

B – The conflict they go through

C – how they change

“Obsessed with success, Jenny Beech works tirelessly to earn the approval of her strict parents and graduate top of her class, but when the new girl in town pulls her into a whole new world of excitement and fun, she must stand up for herself against her impossible standards and learn how to be a teen again.”

This one sentence has everything we need to know about this story and character: “Obsessed with success (character trait/flaw), Jenny Beech works tirelessly to earn the approval of her strict parents and graduate top of her class (goal), but when the new girl in town pulls her into a new world of excitement and fun (conflict), she must stand up for herself against her impossible standards and learn how to be a teen again (change).”

If you have these three things, congratulations! You already have a story. If you’d like, you may begin writing it now (skip to step 8). Or…

Step 4: Theme

I did a whole post on theme you should check out here. Essentially, the big takeaway is that your theme is a lesson to impart to the readers—which means it is not a question, it is an answer.

For the example given above, our theme would likely be something like, “Teens need to balance their additional responsibilities as they mature into young adults with the joy of being young and having fun.” Or, “Friends and a close social network is more important than having the best grades.” Or, “It’s important to take frequent time away from work in order to maintain one’s humanity.” Etc. Etc.

Theme is conveyed through what your characters need to do to succeed (or what they do that causes their failure). If Jenny lets loose and suffers consequences for it in the end, we’re saying that she should have stuck to her studies rather than letting herself have fun. If she lets loose and is rewarded with a greater relationship with herself and her parents, we’re saying that was the correct thing to do.

Step 5: Outlining

Now that we have a plot and a theme, we can outline our story. An outline is like a roadmap of what you’re writing. It can be as specific or broad as you want. My outlines tend to follow this structure, and I improvise the little stuff in between, but if you need to get all your ideas within your outline, that’s good too!

Just make sure your notes make sense to you so when you need to know where to go next, you have a handy tool just for that.

Step 6: Worldbuilding

Worldbuilding is probably where you’ll spend the most time because there’s just so much. However, I also find it one of the most fun parts. The minimal thing you need to know is your world’s normal, and how that normal is disrupted in the inciting incident.

Jenny’s normal is school work and trying to impress her parents. The disruption is the new girl in town.

Rapunzel’s normal is the tower and her hobbies. The disruption is Flynn breaking in.

I did a more in-depth post on worldbuilding here, but the basics is just ask questions, explore consequences, and do plenty of research.

Which brings us to…

Step 7: Research

This can also be done after your first draft, but can’t be skipped entirely. It’s important when trying to convey experiences that may not be wholly your own, or unique perspectives, that you understand the context behind those things in the real world.

Once again, ask questions, talk to people, and remain open to what you find.

Step 8: We can start writing now

Now that you have all your planning ducks in a row (or have a good inspiration to jump from) it’s time to start writing! Either go from the outline you built, or just try out scenes. I have some tips for actually writing the dang thing that I’ll put here:

Let me know how your writing goes, good luck!

#writing #creative writing #writers #screenwriting #writing community #writing inspiration #books #film #filmmaking #writing advice #writing masterlist #writing a story from start to finish #novel writing #planning

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solxamber · 1 month ago

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I HAVE A REQUEST FOR IDIA SHROUD X A SHARK READER >///<

More specifically, a reader that just has a very large shark tail that he likes to hold onto, weather it's hugging it or holding the tail tip as they walk down the halls. Idk I think it would be cute 🫶

Hook, Line and Shy Guy - Idia Shroud x Reader

Idia loves your shark tail, you think it's adorable.

i loved the idea so much <3<3

Idia clutches the end of your tail again.

You’ve told him about a thousand times that it’s fine—no, really, you don’t mind—but the way he’s gripping it like it’s his lifeline, bright red ears poking out of his hood? Yeah, that says everything.

He likes it. A lot.

Currently, the two of you are walking through the halls of NRC. Well, you’re walking. Idia? Idia’s trailing after you, both hands wrapped around the very tip of your shark tail like it’s some kind of comfort object. You flick it every once in a while just to mess with him, and he lets out these quiet little startled noises, like you’ve just pulled a rug out from under him.

“C-Can you not?” he stammers, even though he doesn’t let go.

You throw him a grin over your shoulder. “Didn’t know you were so attached, Shroud.”

He tugs the edge of his hood lower over his face, mumbling something under his breath. You don’t catch it, but you think it was something like, "I hate this place." Or maybe "I'm doomed."

Frankly, it’s adorable.

Idia holding onto your tail has become a habit. The first time it happened, you thought it was an accident—he was nervous, fidgeting with his sleeves, and when your tail flicked by, he just… grabbed it. You didn’t have the heart to pull away when he looked so relaxed for the first time that day.

And now? Now it’s a thing. Your thing.

He clings to your tail when you’re walking to class. When you're studying together in the library, he drapes it across his lap like a security blanket and pretends not to notice that his hands wander to it whenever he’s stressed. Heck, one time in the Mostro Lounge, he straight-up hugged the base of your tail to his chest like it was a giant pillow.

And, honestly? You can’t get enough of it.

“Why do you like holding it so much, anyway?” you ask, slowing your steps just a bit so he doesn’t have to rush to keep up. “Feels kinda fishy, if you ask me.”

Idia grumbles. “That’s... That’s a pun. And it’s not funny.”

You chuckle, swishing your tail to the side slightly. He stumbles, almost tripping, but still clings onto the end of it. You swear you see his hands tighten, just the smallest bit.

“It’s soft, okay?” he mutters, so quietly you almost miss it. “And… I dunno, I just... I like it. Is that a crime?”

A warmth spreads in your chest at the honesty. Idia being open is a rare thing, and you’ll take any little piece of it you can get. But you’re not letting him off the hook that easily.

“So you like soft things, huh?” you tease, glancing back at him with a grin. “You want me to just wrap you up in it one day? I could curl it around you like a big ol’ burrito—”

“Stop talking!” he hisses, his face flushing all the way to his neck. He looks like a lobster. But the way his fingers keep fiddling with your tail tip? Yeah, he’s not letting go.

“Okay, okay, I’ll stop,” you say, stifling a laugh. “But seriously, it’s kinda cute that you like it.”

“...I'm not cute.”

You blink. “Dude, you’re holding onto my tail like it’s a stuffed animal right now. How is that not cute?”

Idia grumbles something unintelligible, squeezing the fin of your tail in protest. He’s trying to look annoyed, but the effect is ruined when you feel him press his forehead to it, hiding his blush in your scales.

“You’re evil,” he mutters. “Pure villain energy.”

“And you love it.” You flick your tail, knocking lightly against his side. He yelps but still doesn’t let go. He never does.

The two of you continue down the hall, your tail gently swaying behind you and Idia holding the end like it’s his own personal lifeline. A couple of passing students stare, but he doesn’t even care at this point—he’s too comfortable, too content.

By the time you reach his room, he doesn’t even hesitate to pull your tail onto the couch with him, clutching it like a favorite blanket.

“Don’t make it weird,” he mumbles, tucking his hood over his head again.

You sit beside him, the warmth of his hands still lingering on your scales. And as he absentmindedly strokes the tip of your tail while zoning out in front of the TV, you can’t help but think that this might just be your new favorite thing, too.

Masterlist

#twst x reader #twisted wonderland #twisted wonderland x reader #twst #idia x reader #idia shroud x reader #idia shroud x you #idia shroud #idia #idia x you

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captain-hawks · 6 months ago

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till one of us caves

atsumu miya x f!reader

In which Osamu asks his brother to keep you company while you're closing the shop alone one night. And it wouldn't be an issue...if Atsumu wasn't the bane of your goddamn existence ever since your stupid drunken hookup years ago.

wc: 3.7k

c: 18+, smut, enemies to lovers speed run, the complete and utter defilement of onigiri miya (sorry osamu), miscommunication, fingering, unprotected p in v, atsumu is down so bad and also he's an idiot, protective!atsumu, miya twin banter, best friend!osamu

“Absolutely not.”

Osamu pauses in the middle of counting cash at the register and glances up to follow where your narrowed gaze is focused—a head of blonde hair on its way through the front doors of Onigiri Miya.

“I didn’t want ya closin’ alone,” Osamu replies, returning his attention to the stack of bills in his hand.

“Hey dickhead, I hope yer feedin’ me for this!”

Instant headache.

Instant fucking headache.

You let out a long-suffering, exaggerated sigh, pinching the bridge of your nose. “You’re only leaving an hour early. I can handle this alone, Osamu. I promise.”

Osamu closes the register, turning around to look at you with his arms crossed. “It’s a Saturday night. I don’t like you dealin’ with the drunk stragglers by yourself.”

Glancing around, you pick up the only vaguely threatening object within arm’s length—a plastic spork. “I know self defense.”

Raising an eyebrow, Osamu glances from your face to the small utensil clutched between your fingers. “Wouldn’t be the first time Tsumu’s been stabbed with a spork,” he mutters.

“Fooooooooooood,” said twin dramatically whines, plastering himself across the counter like a fainting Victorian maiden.

“Get yer sweaty ass offa there,” Osamu grunts, snapping a rag against Atsumu’s arm.

He yelps, muttering something under his breath before finding a normal sitting position on the stool.

“Alright, now get outta here so you’re not late for your date,” Atsumu chides, running a hand through his hair.

It’s obnoxious, actually��the way he still manages to look infuriatingly attractive even with his sweaty bleach-blonde hair sticking up in every direction, his face still flushed and voice a little hoarse from practice. At the very least, he had the decency to toss on a clean black tee with MSBY emblazoned in large gold letters across the back.

You hate Atsumu Miya and his stupidly perfect face.

And his calves—who the fuck has calves that nice.

You also hate Osamu, your best friend and boss, for unceremoniously dumping your least favorite Miya into your lap at 8 o’clock on a Saturday night.

“It’s not a date,” Osamu yells from the office, walking out with a jacket slung over his shoulder.

“Looks like ya showered for once today, dirtbag,” Atsumu shoots back, mouth full of rice. “Sounds like a date to me.”

“Choke,” Osamu deadpans as he heads for the door, “…but not in here. Don’t have time for all that paperwork.”

Atsumu salutes his brother as you stand in the middle of the shop with your hands wrapped around the broom.

“Can’t promise what kind of paperwork you’re gonna have to do after leaving us alone together,” you mutter.

Osamu leans in, patting the side of your face. “Just promise me you’ll mop up the blood.”

—

You’ve known the Miya twins for years now, though it was Osamu that you first became friends with after a shared class in your second year of university.

Atsumu was more like the miserable cold that you accidentally bring home from vacation.

The miserable cold who you’re instantly, stupidly attracted to from the moment his brother introduces him to you. Who you end up drunkenly making out with in bed after a party one night.

Who passes out midway through and disappears before you’re awake the next morning.

Who had a fucking girlfriend at the time, unbeknownst to you. Knowledge courtesy of Osamu, who nearly undeservingly took a textbook to the head when he told you.

Who, to this day, three years later, has never even acknowledged that it happened.

It wouldn’t have been so bad if you hadn’t been harboring a stupid crush on him for months. And if perhaps you’d been a little more drunk, enough to forget the taste of his lips, the press of his fingertips into your hips. But naturally, that little hiccup drove an irrevocable wedge between the two of you, leading you to regard the blonde Miya in a perpetually antagonistic manner until the end of time.

Such is life.

“I think you might rile ‘im up better than even I can nowadays,” Osamu had observed once, after Atsumu balked in aggravation when you returned from picking up everyone’s fast food orders and handed him a kid’s meal instead.

Atsumu, never one to back down from a challenge, met your piss poor attitude in spades, going so far as to barge in on your dates on occasion, plopping right down at the table and obnoxiously stuffing whatever appetizer was in front of him into his mouth like you’d invited him.

—

Surprisingly, despite the restaurant’s minimal square footage, the two of you manage to avoid one another for the next forty-five minutes—Atsumu quietly sits at a table watching game replays on his phone while you wipe down the counters.

You almost forget he’s there, until the bell above the door dings to announce what’ll probably be the last customer of the night.

And—fuck.

Osamu kicked this guy out last week when he wouldn’t take no for an answer after you refused to give him your number.

“Hey pretty girl,” a tipsy voice slurs as the man settles down at the counter.

“Sorry, we’re about to close,” you tell him, not looking up from the pile of receipts you’re sorting on the other side.

“S’not why I’m here,” he chuckles.

Take a hint, buddy.

“We’re closing soon,” you repeat firmly.

A hand grasps your wrist, and you yelp as he murmurs, “What’re you doing after this?”

“Get your fuckin’ hands off of her, and get the fuck out,” a cold voice interrupts.

A hand clamps down firmly on the man’s shoulder, and you watch the pain flit across his face as fingertips dig into his collarbone.

“Now,” Atsumu adds, his voice so harsh it brokers no room for argument.

You may call yourself an expert in Miya antagonization. But as you look at Atsumu’s stormy, furious expression, the tense set of his jaw, you realize that you’ve never seen him truly angry.

Not like this.

The man quickly gets up from the stool, putting his hands up in front of him as he stumbles backward and says, “I didn’t mean anything by it, man.”

“I don’t give a fuck,” Atsumu replies, his voice low. “I’m sure my brother was a real nice guy when he told ya to leave last time. I ain’t nice. Don’t fuckin’ come back here.”

The silence is deafening when the front door swings shut, broken only by the sound of Atsumu twisting the lock into place and flipping the sign to CLOSED. Your heart, meanwhile, is frantically pounding in your chest.

Atsumu wasn’t even here when that happened last week, which means Osamu must have told him for whatever reason, and…

“You alright?”

Atsumu interrupts you from your thoughts, and you glance up to find a disarmingly concerned expression burrowed into his features.

“Yeah…thanks,” you exhale, quickly turning around to busy yourself with anything but staring at the downward curve of his lips.

You have all of ten seconds to yourself before Atsumu comes to stand beside you behind the counter, idly tidying a pile of napkins as he explains, “Samu was worried that creep might come back, so he was gonna cancel his plans tonight so you wouldn’t be alone if he did. I told him I’d come make sure ya were alright.”

You’re not sure why, but suddenly, you’re angry.

You’re really fucking angry.

Maybe it’s because you’re a little raw in the wake of the adrenaline rush from that uncomfortable encounter, a little shaken by the stranger’s boldness and the way Atsumu stepped in without a second thought.

Maybe you swear it looked like Atsumu was about to reach out to you afterward, his hand falling back to his side in an aborted gesture between one breath and the next.

“Since when do you care if I’m alright, Atsumu?”

Atsumu startles beside you. “The fuck’s that supposed to mean?”

“I mean, you led me on years ago and nearly fucked me at a party—you probably would have, if you didn’t pass out in my bed halfway through taking off your pants. You disappeared the next morning, failed to inform me that you had a girlfriend, and then conveniently acted like it never fucking happened.”

He stares at you, mouth slightly agape. “I’m sorry, I what now?”

You turn to face him fully, crossing your arms, an incredulous look on your face. “You’re joking, right?”

“Was that…oh….” Atsumu scratches the back of his head, trailing off. “That’s the night I blacked out.”

“I mean yeah, you were kind of trashed.”

“No, like that’s the night that made me realize I had to cut back on drinking. I’ve got no memory of what happened. Zero. Haven’t drank that much since.”

“So was it not concerning that you woke up in my bed?” you ask, brows furrowed.

“I hardly knew ya back then. Didn’t even know that was your dorm room, and you were hoggin’ all the covers. Couldn’t even see yer face before I panicked and crawled my hungover, half-dead ass back to me and Samu’s.”

Well, this is certainly news to you.

“…and Osamu never told you.”

Well, why would he, after you spent two hours bitching to him about it and then threatened to never speak to him again if he made the situation even more embarrassing by telling Atsumu you were upset.

“Nope,” he replies, popping the p for emphasis before sobering a bit as he says in a more serious tone, “I’m sorry. For doing that to you, and for forgetting that it happened.”

You reach out, punching Atsumu in the shoulder.

“The fuck was that for?” he exclaims.

“So why have you been such an insufferable jackass all these years?”

Atsumu raises his eyebrows, looking affronted. “You haven’t exactly been a ray of sunshine either, sweetheart.”

Well, true.

But still.

(You try to ignore what the stupid pet name does to your heart, which is currently in the midst of a traitorous backflip inside of your chest.)

“At least I didn’t barge in and ruin your dates for no reason,” you glare.

“That was like, twice,” Atsumu defends himself. “Maybe three times.”

You stare at him.

“The fourth time doesn’t count, that guy was a dickhead. Samu wanted to punch ‘im, too.”

“You ate an entire basket of breadsticks.”

Atsumu shrugs, taking a step closer to you. “They’re bottomless for a reason.”

You’re not sure when it happened, but you’re pressed up against the prep counter in the back of the shop, and one of Atsumu’s hands is resting on the cool metal surface beside your hip. Not quite touching you, but you swear you can feel the heat of him all the same.

“You ruined my dates for breadsticks?” you ask quietly, holding his gaze.

Atsumu’s thumb twitches, and you feel the featherlight touch through your jeans. “I ruined your dates because I was jealous.”

Blood rushes in your ears, your mind struggling to comprehend the rush of emotion flooding through you. Embarrassment, elation, shock, annoyance—and something else, something with a darker, richer edge.

Something that has the next words tumbling from your lips before you can stop them, “Did you think doing that was going to make me take you home and fuck you instead?”

Atsumu has the decency to flush, but he only further closes the gap between your bodies, his nose brushing against yours as he replies, “I hated how much you hated me. And I hated how much I still wanted you.”

“You’re an idiot, Miya.”

He laughs.

He laughs, and it’s a low, rich sound that dances down your spine and curls up low in your belly.

“Yeah, yer probably right,” he exhales, his breath hot against your lips. “I should probably find another tactic.”

“I’ve heard drunken hookups work wonders,” you sigh, voice tinged with sarcasm.

His free hand comes to rest on your other side, effectively caging you in. “I’d have to be a fuckin’ idiot to fumble the bag with you twice.”

“Who said I’m still interested?” you reply, putting an inch of space back between your mouths, if only for the sake of your own sanity.

Atsumu hums. “I do have eyes, ya know.”

You don’t miss a beat, “Maybe I’m secretly dating your brother, and I just objectively like the look of your face, as his twin. Like a natural, biological reaction.”

“Yer not datin’ Samu,” Atsumu replies evenly. “He couldn’t handle ya.”

You glare at him. “The fuck’s that supposed to mean?”

Atsumu smirks at your indignation. “You’re outta his league.”

“And what exactly is my league?”

“Some stupid, sweaty pro volleyball player whose got it pretty damn bad for ya, who would settle for a hate fuck at this point if that’s all ya wanna give him.”

You know Atsumu clocks the way your breath hitches in your throat, the slight widening of your pupils that you can’t disguise at the bald, shameless truth of his words.

The look on his face is so ridiculously endearing, you want to kiss it right off.

Pushing yourself upward with your palms, you sit up on the counter, and Atsumu shifts forward to stand between your legs.

“Osamu would kill us.”

His nose caresses yours again, and he rests one hand on the side of your face. “For doing something other than fightin’? He’d throw a party.”

“For turning Onigiri Miya into a house of ill repute.”

Atsumu chokes.

“But there’s just one little thing, Atsumu,” you continue.

“What’s that?” he asks carefully, each word a huff of warm air dancing across your mouth.

You exhale, shuddering at the feeling of Atsumu’s other hand idly tracing the exposed sliver of skin between your t-shirt and jeans. “Can you handle me?”

Atsumu’s thumb skirts across the bottom of your chin before he leans in, mouthing his next words against your lips, “Have I ever told you how hot it is when you’re mean to me?”

Your answering laugh is swallowed by a kiss, an all-consuming kiss that has you gasping into Atsumu’s mouth as he licks his way into yours.

There’s no preamble for the way Atsumu’s tongue dances across your own, the thorough way he tastes you—the groan that rumbles in his throat as you take his bottom lip between your teeth.

Kissing Atsumu Miya is like setting a wildfire loose in your chest, all the oxygen swallowed up by his greedy, hungry heat. Your nerves thrum, the vibration rattling to the tips of your toes, and you’re helpless to resist the urge to pull him closer.

The second one of your legs begins to hike up around Atsumu’s waist, he grabs both, urging you to wrap your thighs around him, and he groans into your mouth as you find yourself flush with the solid proof of his arousal.

“Ya have no fuckin’ clue how bad I’ve wanted you,” he murmurs, drawing a keening noise from your lips as he hotly mouths his way down the side of your neck.

On the court, Atsumu Miya is an indomitable force. He’s unwaveringly confident and effortlessly sure of himself as a setter, always in control.

The crowd falls quiet, the ball follows his trajectory.

It’s a practiced dance, and he’s the conductor.

But here, pressed up against the counter in his brother’s restaurant, with your fingers tangled in his hair and his warm, soft hands sliding up beneath your shirt to clutch your waist, there’s a lawless, frantic edge to him. For every precise, focused move—like a kiss to the sensitive spot behind your ear that he somehow just knows will make you gasp, and the dizzying way he cups the back of your head when he kisses you deeper—you can feel the wild, barely-restrained desire in the unfiltered chorus of groans you’re not even sure he’s aware are falling past his lips.

It’s slipping—his control.

And you don’t want him to stop.

“Atsumu,” you whine into his mouth when he finally, finally slides a hand up under your bra, cupping your breast and teasing at your sensitive, pebbled nipple.

“Yeah?” he pants, kissing his way around the curve of your jaw, only pausing to help you in your endeavor to take off your shirt.

He wastes no time in unclipping your bra, his deft fingers making quick work of the clip, and his expression is nothing short of lustful reverence when he takes in the sight of your naked breasts before him.

“Fuck,” he murmurs quietly, taking a breast in each of his palms while he leans in to press a kiss to your sternum, and whatever you were going to say promptly exits your mind a beat later. Wet, hot heat engulfs your nipple, and you glance down, nearly choking on your own spit at the sight of Atsumu sucking on your breasts.

Rocking your hips into him, you let out a breathy whine at the feeling of his hard cock pressing into your cunt, the fabric of his athletic shorts doing nothing to hide his thick, throbbing insistence.

Atsumu moans against your tits, and the filthy, wet sound of him shamelessly lapping at them sends a fresh gush of arousal between your legs, your underwear now soaked with it. You reach between your bodies, doing your needy cunt no favors at all when you feel just how thick Atsumu is as you wrap your fingers around him.

“God, I’m gonna fuckin’ come if you keep doing that,” he lets out a low, ragged sound caught somewhere between a moan and a laugh.

“I’d rather you come somewhere else,” you tell him, pulling down his shorts and boxers to let his flushed, leaking shaft spring free.

Atsumu takes your face in both hands, kissing you hard and filthy as he unbuttons your pants, sliding them off along with your underwear and leaving both in a forgotten heap on the floor. And when you wrap your legs back around him and rub your slick folds down the length of his cock, you’re already dangerously close to coming from that alone, too.

He slides a finger into you, muttering a string of expletives under his breath when he feels the sopping squelch of how wet you already are for him. One digit soon becomes two pumping in and out of you, and while it’s still not enough to quell the greedy desperation he’s ignited, he’s barely begun rubbing circles into your aching clit when you’re already shaking in his arms and moaning in the throes of your climax.

And then he’s stroking himself, groaning softly, like he thinks this is what he has to do now to take care of his throbbing cock.

Like you’re satisfied already, as if you’ve somehow had your fill of him.

As if two fingers between your legs would ever be enough to encapsulate all that you want of Atsumu fucking Miya.

(And really, it’s a lot, quite frankly. Now that you’re finally ready to admit it to yourself.)

“Fuck me, Atsumu,” you plead.

He pauses, chest heaving, voice rough as he asks, “Are you sure?”

“Please,” you exhale against his lips, and his mouth slots against yours as he notches his shaft at your entrance and sinks his cock into you.

Still sensitive from your first orgasm, you’re reduced to moans and whimpers while he stretches you open as your entire body floods with pleasure, your mind hazy with desire. Once he bottoms out, you feel so full you want to cry. You want to keep your legs wrapped around his waist and cockwarm him all night. You want him to fuck you stupid. You want to ride his cock until you both can’t move.

“You feel so good,” he murmurs, hips rocking as he thrusts in and out of you, your walls fluttering with pleasure at the rhythmic push and drag. “Wanna take you home and do this again and again.”

“Me too,” you tell him, and you can feel the way his cock throbs inside of you at your admission, his fingertips tightening around your waist.

“Good, ‘cause I’m not gonna last much longer,” he admits, grinning against your mouth.

The pleasure is rapidly building up inside of you again, the filthy slide of Atsumu’s tongue in your mouth only further fanning the flames, one hand trailing back up to tease at your hard nipples.

And you want to tell him, “Same,” because you’re dangerously close to the edge already, years of studiously ignored desire all spilling over into a crazed, insatiable need that’s making your pussy throb.

But instead what you whine is, “Harder.”

Atsumu groans, the noise nearly as lewd as the continuous sound of his cock pumping in and out of your soaking wet cunt, the only warning that he heard you before he picks you up off of the counter, plunging right back into you the moment you’re lying flat on the floor.

With the ground beneath your bodies for purchase, Atsumu begins to roughly pound into you, the fingers of one hand tangling with your own as the other trails toward your clit.

You moan his name repeatedly, like some fucked up carnal prayer on the floor of Onigiri Miya, and as he rubs circles into your swollen clit and whispers your own name just as desperately, you come so hard everything goes white, every sensation in your body drowned out by the sheer downpour of pleasure that you’re uncontrollably shaking with. Atsumu follows suit a moment later, pulling out of you and furiously fisting his cock until hot, thick spurts of cum are splattering all over your chest, groaning as he watches his seed paint your tits.

And just because you’re fairly certain what it’ll do to him, you reach down and swipe a glob off of your nipple while you both try to catch your breath, holding eye contact with him as you lick the cum off of your finger and swallow it.

Atsumu’s lips part as he stares at you, eyes widening a little bit before he looks down at his cock, which is already twitching again with interest.

–

Later, when you’re both lying tangled in Atsumu’s sheets, his phone lights up on his nightstand—

Samu: congrats Samu: there is literally a security camera in the shop Samu: also you’re disgusting you own a whole fuckin apartment to fuck in Samu: die slowly

likes, comments, & reblogs are appreciated<3!

#atsumu miya #atsumu miya x reader #miya atsumu #miya atsumu x reader #haikyuu #haikyu #haikyuu fanfiction #haikyuu x reader #dee writes

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souliebird · 3 months ago

Text

[[and then I met you || ch. 27]]

Series: Daredevil || Pairing: Matt Murdock x Fem!Reader || Rating: Explicit

Summary:

A one-night stand years ago gave you a daughter and you are now able to put a name to her father – Matthew Murdock. Everything is about to change again as you navigate trying to integrate your life with that of the handsome and charming blind lawyer’s and Matt realizes he needs to not only protect his new family from Hell's Kitchen, but from the world.

chapter masterlist

Words: 4.4k

ao3 link

Police Arrest Three After Mass Protests in LA County

By C. Grant

Three people were arrested in Pasadena, California yesterday after a crowd gathered to protest the death of Sheila Pom. Police say the three individuals, whose names have not yet been released, appeared to be Enhanceds attempting to agitate the crowd. Witnesses claim one of the individuals was creating sparks with their fingers and threatening to start a fire, while the two others encouraged the behavior. Police have made no comment about these arrests and all questions about the incident have been redirected to a now defunct phone number.

Sheila Pom was killed in an officer-related shooting two weeks ago after neighbors reported her as a Dangerous Individual under the new Sokovia Accords Act. Pom, 23, worked at her uncle’s auto body shop as a mechanic while also attending online classes to get a degree in Engineering. She was also a telekinetic - someone who can move objects with their mind.

Pom was known to not be shy about her gifts. Pom was seen frequently lifting cars and trucks within garages without the help of equipment and is rumored to have once righted a tipped over semi-truck. Neighbors became concerned when Pom began using her gifts at home.

“We’d come home, and things would be floating up and down the street,” one neighbor said.

Another claimed Pom was unstable, and when she would become upset, things around her would begin to shake.

“I thought it was an earthquake until my TV hit the ceiling,” a source who lived in the same building Pom told GKTV, “I learned the next day her boyfriend broke up with her.”

Officers were called when Pom refused to return a motorcycle to the ground while working on it in a residential neighborhood. After a brief standoff, officers fired two shots, striking Pom in the head, and killing her.

Pom’s family claims she was unaware of the officer’s presence, as wireless earbuds were found near her body after. Pom was known to listen to music to block the noise of machines.

Protests began after the officers involved in the incident were cleared of any wrongdoing.

----

A full-page ad takes over your screen, and instead of continuing to read the depressing article, you close the tab.

There has been a palpable unrest in the news cycle the past week that is starting to leave you with an uneasy feeling in your stomach. You’ve noticed a shift in the general narrative tone and terminology used when discussing people who have superpowers.

Before Sokovia, before Lagos, before Connecticut, the morning shows would bring on people with amazing gifts and gently joke about them joining the Avengers as they made water fly around the set, but now those same hosts debate if they should be allowed to have the right to privacy. ‘Enhanced Peoples’ has been shortened to just Enhanceds and is now spit out like it is something dirty.

You don’t know when the conversation stopped centering around heroes and vigilantes and started being about everyday people, but it scares you that the change happened. There seems to be no official power scale about what is deemed ‘dangerous’ and your mind keeps zipping all over the place trying to justify different lines of thinking.

Does Matt fall under the category of Dangerous?

He is a vigilante, so by default the Accords are directed at him, but is it doubly so? If he was forced to reveal himself to the government, would they require him to wear a tracking device? Or would they try to lock him up?

Could he fight it in court, or would they whisk him away in the middle of the night and you’d never know what happened?

If Matt is deemed Dangerous because of his senses, and not just because he is a vigilante, would Minnie be considered the same?

With how intense and angry everyone is becoming you could see yourself having to take her in to be tested.

To be monitored.

And she is just a baby.

You can’t imagine how others must feel - people who are older, who are just trying to live their lives. The girl who was killed was just trying to fix her bike, like millions of other people do every weekend. She wasn’t going to other countries to fight terrorists. She wasn’t trying to use her powers to rule over others. She wasn’t hurting anyone.

But she was different, so they killed her.

“Mommy! Mommy! Mommy! I need help!”

You’re ripped from your spiraling thoughts and look across the room to where Minnie is sprawled out on the floor. Her Starkpad is in front of her, and she’s set up Pig and Scooby so they are also peering down at the device and you know exactly what she is doing.

It is the same thing she has been doing for a week straight - playing a bootleg Muppet’s math game.

Since meeting Spider-man, all your little Mouse has wanted to do is learn math. She keeps saying she wants to impress him and make him proud, and you are in no way going to discourage her. Every day has been filled with counting and addition and subtraction and you are a bit amazed she has stayed so focused.

You are not going to complain at all about it - you are getting time to yourself while she has been glued to Elmo and Kermit.

You leave your phone on the dining table and head towards your daughter.

“You need help?” you confirm as you crouch beside her. The screen shows a Muppet you don’t recognize, along with various numbers floating around them, and up at the top, the equation that has your little Mouse stumped.

“I need help!” Minnie repeats as she scrambles up off her belly and into sitting. “I don’t have enough fingers!”

She holds up both her hands to show you all ten of her itty-bitty fingers and you make a sympathetic noise.

Mouse has been getting pretty good at using her fingers to help her with addition and subtraction, but on only one hand. She uses the index finger on her right hand to help count by pointing at each finger and hasn’t quite worked out she can use her fingers to point and count. That is okay, though, as you are happy to lend yours to her important cause.

“Okay, how many fingers do you need?”

You hold out your hands and she instantly begins to manipulate them.

“This one…this one needs three! One, two, three!” She pushes your thumb and index finger down so the other three remain up, then she pushes down the pinky of the other hand. “And this one is four!”

“So, three and four? What are we doing with three and four?” You ask, trying to not laugh at her determined face.

“We adds them!” She chirps, before starting to jab at your fingers, “One, two, three, four, five, six, seven! That’s seven fingers! Mommy, it’s seven! Three plus four is seven!”

“That’s right, it is seven. Which number is seven?” You direct her back to her game, where she triumphantly picks the correct symbol. The Muppet congratulates her before presenting a new equation.

Minnie squeals in delight before ripping the device off the ground and shoving it in your face, “I know this one! Mommy! I know this one! It’s three! Mommy! It’s three!”

You can’t even process what the question is before the screen is out of sight. Your daughter holds her Starkpad above her head, treating it like some war prize as she starts spinning and dancing around the living room.

“It’s three! It’s three! It’s three!”

You laugh at her antics, heartwarming at her pureness. How could anyone ever think she’s a danger?

“Are you sure it’s three?” You tease as you watch her.

She whips around to you, eyes scrunching up into a glare, and barks, “It’s three!”

“Okay, okay, it’s three.”

You push yourself up into standing just as Mouse returns to her spot. She drops her Starkpad to the ground a little harder than you would prefer, but that is why it has a big bulky case. She plops down in front of it and happily smacks the number three that is floating around the screen.

You let yourself watch her for a few seconds, silently bombarding her with all the love you feel for her. You want to wrap her up and live in this bubble forever.

Except, there is one element missing from your perfect moment. You wish there were a pair of arms wrapped around your waist and a chin on your shoulder. You want to lean back against a muscular chest and lose yourself to eternity like that.

Instead of indulging those thoughts, you tell yourself to stop fantasizing and you make your way back to the kitchen to check on dinner.

Vegetable curry has been simmering on the stove for most of the day. It has been a while since you had the energy to make the dish from scratch, but you had a craving this morning and went all out. You’ve made curry for Minnie before, and she did not complain - though you think that is because her portion was mostly rice and hot dog cuts. You plan to do the same again tonight, and if she wants more sauce, you’ll give it to her.

You check your seasonings and give everything a stir to make sure nothing gets stuck at the bottom of the pot. The rich aroma tickles your nose, and you are glad you don’t have to wait much longer to treat yourself.

As you debate adding a pinch more salt, you catch Minnie sneaking towards you out of the corner of your eye. Her movements are slow and dramatic, and you pretend you don’t notice her. This ruse works, and you appropriately jump in fear when she suddenly tugs on your shirt.

“Up!” She demands and you oblige, scooping your daughter onto your hip. As soon as she is high enough, she cups her hands around your ear and leans into whisper, “Daddy saids the food smells yummy-yummy.”

She quickly dissolves into giggles, and it is infectious, so you end up smiling.

Matt hasn’t been over for dinner in a hot minute, and you are hoping to have a nice quiet family night, before he goes out on his Patrol. The plan is to watch a movie after your meal and Minnie has already prepared for this by dragging multiple blankets out to the couch. You just know she is going to demand a cuddle pile, and now that you and Matt are intimate, it isn’t something you are nervous about.

You just want to have a good time.

“Can you tell Daddy everything is almost ready?” you ask, even though you know Matt can probably hear you just fine.

Mouse, always eager to be helpful, nods and relays the message directly into your ear. You try to not grimace, and so it won’t happen again, set her down on the ground.

“Can you plug in your Starkpad so it can sleep for the night?”

She streaks off to do her newly assigned task, leaving you to start setting the table. When you were at the store, you bought Matt a bottle of beer - a brand you know he likes - and you set it at his designated spot. You’ve grown accustomed to just drinking water and juice, but you don’t want to push that on to him - not when he’s a guest and coming over after a long day of work.

As you start to make everyone’s plates, you hear the water in the bathroom turn on. You know Minnie knows the routine for getting ready for dinner and you just hope she isn’t trying to wash Scooby’s paws again. You are worried he’ll end up moldy and you aren’t sure what you will do if that happens. You peek into the living room and are relieved to see your daughter’s best friends have been relocated to sitting on the coffee table, facing the television.

You finish setting everything up just in time, it seems. Minnie runs from the hallway right to the door as you go to wash your own hands, and you rush to get all the soap off so you can help her open the door.

Matt is standing on the other side, looking handsome as ever in a gray suit. He looks like he’s had a busy day - his hair is windswept, and he is sporting a strong five o’clock shadow. There is a garment bag draped over his arm and his saddle bag looks a little bulkier than usual and you wonder if he ran some errands on his lunch - picking up his dry cleaning and such.

You barely have time to take in his appearance before Mouse is launching herself at him.

“Daddy!” She shrieks and Matt oh so easily swings her up onto his hip. “Daddy! We’re having vege-tuhble kermies for dinner! I helped make it! I cut up ALL the carrots! By myself!”

“By yourself, huh?” Matt confirms, a bright, warm smile taking up his entire face. “Soon you’ll be making us dinner.”

You step aside so he can come in and help to take his things to hang while Mouse soaks up his attention.

“No! Mommy makes dinner because…’cause she makes the bestest foods. I just help!”

“You are a very good helper,” you interject, “You keep a very clean workstation. A professional chef would be proud.”

Minnie beams at the praise, then a microsecond later, is wiggling in to be let down. Her feet hit the ground and she takes off running back toward the living room, probably to collect something to show off to her Daddy.

Matt takes the small break to turn his attention to you. A hand goes to your cheek, and instead of a brief ‘hello’ peck, he kisses you like he wants to turn and pin you to the wall. It catches you off guard, but you easily melt into it. You clutch at the lapel of his suit jacket and try to not moan as he nips at your lips. You open your mouth for him, but being the tease he is, he pulls back just enough to whisper against you.

“Been thinking about that all day.”

The words send your blood rushing - some north to your cheeks and the rest to your cunt.

He’d been thinking about you? About wanting to kiss you? Or has he been thinking about more than that - because you must admit, you’ve been thinking about it. You’ve had more than a few thoughts about what you want to do to him the next time you two are alone together and those thoughts were certainly very explicit.

“Matt…” you totally do not whine out but instead of replying, his grin just turns cocky. He pulls away as Minnie returns to the entryway, and you decide you need a drink of your water. You escape and Mouse starts showing off her latest masterpieces to Matt.

Food coloring, cotton balls, and popsicle sticks have proven to be a massive hit and Minnie has made a whole collection of things for Matt - there’s butterflies and flowers, a house with clouds, and various abstract pieces. You are sure his office is already filled to the brim with his daughter’s art, and you would not be surprised if he started to hang things from the ceiling when he does run out of room. He seems to treasure every little thing Minnie has given him and it warms your heart so much. You hope that love never runs out.

Somehow, Matt ushers Minnie back to the dining room while she shoves different papers into his hands and gets her up in her booster seat.

“I’m going to put all these in my bag, so they don’t get dirty or lost, okay?” He tells Minnie, who nods way too enthusiastically.

“Keep them clean!” And then, just like that, she switches from being excited her Daddy is there to being a hungry toddler. She whips around to face you and asks in an almost impatient manner, “Can I has my hot dogs now?”

You give her the go ahead as Matt returns to the table and takes his place. You quickly tell him the placement of everything, including his beer, then quickly add, “If you don’t like it, I have a few different things I could make you. Or we could order something.”

A brief panic runs through you when Matt scoffs. You think you’ve insulted him - having him come all the way to Chelsea to eat a dinner he won’t enjoy and having to find a substitute.

“I love curry and this smells delicious. I wouldn’t trade it for the world - in fact, I’m hoping some of those leftovers on the stove are for me to take home and lord over Fog tomorrow.”

You flush at his sweetness and mumble out you’ll pack him some to go. This seems to please him, and he starts to dig in. Ever the little parrot, Minnie mimics him by shoveling food into her mouth with a big grin and you can’t help but laugh a little.

“It’s nummy!” Your little one declares, and even if she’s just eating plain rice right now, you’ll take it as a win. You know well she won’t eat what she doesn’t like.

“Speaking of yummy,” Matt starts, slow and deliberate, with his head angled towards you, “I was hoping we could go somewhere yummy together.”

You blink slowly at the statement, rolling it over in your mind and trying to dissect the meaning. Did he want to go somewhere for dessert? Maybe get ice cream or something? “Somewhere yummy…?”

“Mhm,” he hums, then his smile becomes a bit more sly. Even though you know it isn’t true, you feel like, behind his glasses, he is hungrily looking you up and down, “Somewhere like Uvas.”

The name doesn’t automatically generate anything for you, but after a moment, it dawns on you. Uvas in a Spanish restaurant near Central Park known to be high end and impossible to get into. It’s been in the local tabloids a few times for turning away minor celebrities who don’t meet the dress code. You’re mouth parts slightly in shock.

“What’s Oo-vuhas?” Minnie asks around her fork, her big eyes looking between you and Matt. “Do theys has yummy foods?”

“Oh, they have yummy food,” Matt teases. He then leans forward a bit in his seat and stage whispers to her, “It’s where I want to take Mommy for a date.”

“A date?” Minnie scrunches up her face at the word while your mind is still spinning.

Matt wants to take you on a date? To Uvas? You have never been anywhere that fancy or expensive as a date. Hell, you’ve never been somewhere that fancy, period. The nicest date you’ve ever been on was Hard Rock Cafe - which says a lot about your dating life.

“A date,” Matt confirms, smug and knowingly scheming. You can hear it in his voice as he tells Minnie, “That is where Mommy and Daddy go and have dinner together as grown-ups.”

Up goes Minnie’s hand into her mouth, but it stays there only a split second. Her eyes get impossibly bigger and filled with wonder, and she whispers, “Like Lady and Tramp?”

“Exactly like Lady and Tramp.”

“Mommy!” Minnie says a little too loudly, pointing her fork at you. “You gotta go to Oo-vuhas and be Lady and Tramp! You gotta!”

And at that moment you know you can’t say no, and that Matt knows that. You can’t tell your daughter you don’t want to be like Lady and Tramp. Not that you don’t want to go on a date with Matt - the idea gets you giddy and makes your stomach flutter - but you thought if it happened, it would be a coffee or something. Not somewhere where you can’t even afford to look at the building. The idea makes you a little nauseous, because you are sure you’d make an absolute fool of yourself.

But Matt looks determined and sure of himself. You are certain he asked in front of Minnie so that she could help bully you into saying yes to such a lavish date.

Luckily, your mind is working in overdrive, and you choke out, “I don’t have anything to wear. They have a dress code, don’t they?”

You don’t expect Matt to push his chair out and get up. Your throat instantly tightens up and fear shoots up your spine. Have you offended him? He clearly wants to do something with you and you’re over here hesitating. You must be coming off as a complete bitch.

You start to stand up yourself as Matt disappears into the entryway. You don’t think he’d just leave without saying goodbye to Minnie.

Maybe you can talk to him - explain that somewhere a little less grand would be ideal to start.

Before you can start to follow him, Matt is coming back to the table, holding up the garment bag he brought with him, still looking like the cat that got the canary.

“I thought you might say that,” he starts, his voice almost a little musical, “so I got you this.”

You stare dumbly at him, shock and confusion overtaking your system.

He got you something to wear? To Uvas?

No one has ever bought you clothes before - except your parents. Even when you were pregnant, the small amount of gifts you got were all for Minnie.

You distantly hear Minnie start saying something about presents, but it is all muffled under the sound of blood pumping through your ears. You step forward hesitantly and reach out for the zipper of the bag, your hand shaking slightly.

You expect it to be a joke. You’re going to open the bag and there’s going to be a clown costume inside, or a skimpy dress people like arm candy to wear, or something akin to a Burka.

You don’t expect a black floor length sheath gown. The silhouette is simple, but you can tell just by looking at it the quality of the dress is top notch. The fabric has a nice weight to it, and it is incredibly soft to the touch that you have the distinct feeling that it did not come from a dress warehouse or a department store.

This type of dress would come from a boutique uptown and would cost a few hundred dollars.

You are so caught up in admiring the dress, you don’t notice Minnie come up beside you until she is also touching the dress. Panic that she might have crumbs or curry on her fingers runs through you, but you force it down.

“It’s like a princess dress for Mommy!” Mouse cooes and you feel your face start to heat up.

You’ve never worn something so nice before and certainly nothing that would be fit for a princess, but it seems like Matt and Minnie are on the same page.

“Well, I want Mommy to feel like a princess.”

You want to hide your face, but you know you can’t, so you cover your mouth instead.

“Matt, this is beautiful. But this is so much, I can’t accept this.”

You know that while Matt is a lawyer, he’s still struggling a bit financially. If he had his way, you know he wouldn’t charge anyone for his services, and even though Nelson, Murdock, and Page has paying customers, they still have to stagger out their bills.

He shouldn’t be spending his hard saved money on you.

Matt sighs your name before gently draping the garment bag over the back of his dining chair and stepping towards you. Both his hands go to your waist, and you freeze up as he steps close enough to press his forehead to yours. Your heart begins to wildly beat when his hands slowly begin to rub your sides.

“Let me spoil you. To make up for all the dates I’ve missed. Please?” His lips dip into a small frown and you feel like you’ve kicked a puppy.

He’s gone out of his way for you, and you are being so ungrateful.

But it is so hard to say yes. Guilt is pooling in your stomach, and you just want to disappear into the shadows and be forgotten about. That is so much easier than Matt holding you, saying such sweet things.

You don’t want to ruin everything.

You close your eyes as you have a war inside yourself. All you have to say is ‘Yes’ and you’ll make Matt happy, but the monster inside of you keeps dragging your mind into a pit.

Matt wants to treat you like a princess, but how crushing will it be when he decides that is no longer the case? Can you take that?

The corners of your eyes start to sting and your monster starts to mock you for getting worked up over something as simple as being asked on a date.

Why can’t you be normal?

Why can’t you accept this?

Why can’t -

The thoughts cease as Matt’s lips press against yours, soft and sweet and tempting. You respond hesitantly.

“Let me take care of you,” he breathes into your mouth, making you shudder. “You deserve it.”

“You deserve it!” Minnie chirps from beside your knees and you very suddenly remember where you are and what you were doing. You try to pull away from Matt, thinking Minnie hasn’t seen the two of you like this yet, and it might confuse her, but he keeps his hands firmly planted on your hips, not letting you go. You don’t try to fight it, instead, you turn your head away, trying to hide away in your shell.

You know there is no way you will win this. Matt is determined and he clearly has Minnie on his side, so, very hesitantly, and feeling like you are going to throw up at any moment, you nod into Matt’s shoulder.

“Okay.”

Mouse lets out a deafening cheer and you feel her dart away.

“LADY AND TRAMP! LADY AND TRAMP! LADY AND TRAMP!”

Matt laughs at her excitement over something she doesn’t understand, while you tuck yourself into his hold, wondering how long you have before he ends up shattering your heart into pieces.

---

tags:

@two-unbeatable-beaters @kiwwia-wiwwia @1988-fiend @xblueriddlex @loves0phelia @ninacotte @lovelyygirl8 @littlenosoul @ednaaa-04 @astridstark13

@lovingkryptonitehideout @moongirlgodness @soocore @bluestuesday

@starry-night-20 @rebeccapineapple @writtenbyred @cherrypie5 @capswife @silvercharacterchaos @resting-confused-face

@Specialagentjackbauer @yarrystyleeza @ofmusesandsecrets

@midnightreids @cloudroomblog @yeonalie @thychuvaluswife

@petrovafire39 @ghostindeath @roxytheimmortal

@allllium @waywardcrow @thatkindofgurl @waywardxrhea

@anehkael @akilatwt @lostinthefantasies @reluctanthalfwayoptimism @ethereal-blaze

@nennia-2000 @seasonofthenerd @abucketofweird @mattmurdockstateofmind @imagineswritersblog @hazelhavoc @smile-child-13 @allst4rsfall @hashcakes @kezibear @mapleaye @sammanna @gamingfeline @moon-glades @nightwitherspring @phoenix666stuff @dare-devil

@ladyoflynx @hobiebrowns-wife @sarcasm-n-insomnia @lillycore

@dorothleah @mattmurdocksstarlight @mars-on-vinyl @mywellspringoflife @sleepdeprived-barelyalive @simmilarly @soupyspence @darkened-writer @akila-twt

@murc0ckmurc0ck @groovycass @sumo-b98 @just3rowsing @tongueofcat @zoom1374

@theclassicvinyldragon @aoi-targaryen @lunaticgurly @nikitawolfxo @shireentapestry @snakevyro @yondiii @echos-muses @honeybug-victoria @the-bisaster @ristare

@mrs-bellingham @eugene-emt-roe @cometenthusiast @stevenknightmarc @yes-im-your-mom @hunnybelha @actorinfluence @capbrie @prowlingforfood @jupitervenusearthmars

@mayp11-blog @danzer8705 @thinking-at-dusk @remuslupinwifee @akila-twt @nommingonfood @mattmurdocks6thscaleapartment @dil3mma @allllium

#soulie writes #fanfiction #matt murdock x reader #daredevil #and then i met you #matt murdock x you

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jsprnt · 4 months ago

Text

it’s difficult to communicate with a cute boy when you don’t speak each other’s language fluently

arda güler x jude’s younger sister

A/N: missed writing so much! based on this request, thank you babes! ❤️ (physical features are not specified!)

W/C: 1.574

"I'm outside, hurry up.."

you scream at your incredibly slow older brother through the phone. squinting as the july sun beams through your windshield, into your eyes.

"you're so impatient, you guys-" your brother huffs, his voice low and hushed.

"I'm not the impatient one! mister jobe over here, just ate an entire bag of sweet-and-salty popcorn in one sitting!"

you turn you head, giving jobe a nasty look, in turn, receiving a jab from your irish twin.

"stop! we got it to share!" you shout, rubbing your arm.

"now he's hitting me, come on, or I'll kick him out of the car!"

You scream, fighting back the urge to open the passenger door and kick your brother out to the curb.

"I'll be there in five, behave.."

"It's never just five minutes with you, and I'm not a dog, so I won't 'behave'-"

before you can end your sentence, your older brother hangs up on you. leaving you speechless as jobe snorts at you.

"fuckin' rude ass.."

you mumble, leaning back into your car seat.

"here, sis.." he suddenly says, nice enough, tipping the bag of popcorn just enough for you to see the contents.

it's not much, but it is something..

"thanks.." you reply, sticking your hand into the bag, and retrieving the sweet-and-salty goodness, popping the crunchy snack into your mouth.

five minutes turn into ten, and before you know it, it's been over half an hour.

"look! finally.."

you look up from your phone when jobe suddenly speaks. sighing in relief when you spot jude walking out of the real madrid training center.

"Is he alone?" you squint, moving your head to see.

"he's with brahim, and arda.."

you perk up at the names, immediately following his gaze to the three guys, all carrying their toiletry bags. indicating they'd just finished training.

the second name uttered by your brother, had your heart stuttering instantly. you try to hide the smile creeping up to your face, and pretend like you're still pissed at your older brother for being- extra late.

though, seeing the boy you've been crushing on for a couple months, next to him- maybe, just maybe you'll forgive jude for being so late.

you clear your throat, trying to act like seeing arda hadn't thrown you off a bit, and roll your window down as jude walks over to you.

"you're late.." you mutter, trying to scold your older brother, very discreetly.

you squeal when his hand comes up your face, his palm stretched over your face to shut you up.

"and I'm paying dinner, again, so shush.." he mutters, pulling his hand back when you slap his arm.

"paying for food is your duty as an older brother. it's not like you earn money to buy things for yourself.." you bite, smiling when jobe chimes in.

"yeah, big bro- she has a point.."

you grin at your big brother's expression, though your face falls when he starts talking to his teammates.

your eyes flicker to arda, noticing he'd gotten his hair cut since the last time you saw him.

you had been crushing on him since the day you two met, when you picked up jude after one of his spanish classes, and drove arda home too. out of the kindness of your licenseless-older-brother's heart.

arda didn't even speak that much english, nor did you speak any turkish.

spanish wasn't totally out of the question for the both of you, since you both were learning the language after moving there.

safe to say, you knew the guys communicated in a strange mix of spanish and mostly english. whatever was understood, went.

"can the guys join us?" jude suddenly says, breaking you out of your trance.

"you're paying, so I won't object.." jobe says, leaning back into his seat, and pulling his seatbelt on.

"sure, why not?"

not even twenty minutes pass, and your already parking your little volkswagen polo into the parking lot of the restaurant.

'a perfect first car for my daughter, especially in a new country..' your dad had beamed at the spanish dealership. shaking the dealer’s hand like he'd just bought a brand-new mercedes.

the ride to the unfamiliar restaurant is less awkward than you'd imagined, with two of your older brother's friends in the backseat. mainly lively due to your, suddenly very talkative brothers.

"we're here.." you speak, killing the engine and collecting your handbag.

your eyes dart to the building, and back to your outfit.

you'd never been before, and could only arrive correctly due to jude screaming a couple of directions in between his gossip session.

you sigh to yourself, your pretty summer dress was definitely better than the basic tee and sweatpants worn by the guys.

turning, you reach over to open your door, gasping when the door is opened by someone else.

you look up, making eye contact with a certain age mate of yours. you smile up at him, like it's on instinct, getting out of the car as he holds the door open for you.

"thank you, arda.." you speak, trying to hide the nervous tremble in your voice.

there was something about that smile that made you want to cheese over him all the time. and his brown hair, which looked golden in the sunlight, or the language barrier that made it extra difficult to get closer to him.

but, if your older brother could do it, you could too..

"have you been here before? to this restaurant?" you ask, eyes expressive as you watch him close your car door once you've stepped out.

"yes, two times.." he answers in his thick turkish accent, making eye contact with you.

"was it good?" you continue, eyes flickering to your brothers and brahim already walking into the restaurant.

noticing, you both speed up your pace, your handbag dangling from your hand, and in between you both.

"very good, delicious.."

you chuckle at the movements he makes to express himself, finding it absolutely adorable to his already sweet personality.

"that's good. I trust your taste.."

your words earn an awkward grin back, and you clear your throat. holding yourself back from completely crossing the line.

"you're insanely slow today.."

you hold back a surprised gasp when jobe grabs onto your hand, unaware of your moment with arda. your brother drags you towards a reserved table, and you sigh in reluctance before plastering a smile on your face and greeting the hostess.

the next couple minutes are filled with laughter and chatter, you glance across the table often. conveniently sitting across from arda. you notice the quick glances he takes, and grin to yourself.

taking a second bite of pasta, you look at your bothers. sneaking a bite of jobe's food when he's not looking.

you freeze when you hear a lone chuckle, looking up with red sauced lips to make eye contact with a smiley arda.

he quirks up a brow, looking down at his pizza, before sliding the plate closer to you.

"share?" he suggests with a smile, making you nod eagerly.

"deal.." you say, sliding your plate closer to him. before snatching a slice of the pizza.

"delicious..." you mutter, covering your mouth when you chew down on the cheesy goodness.

arda nods back excitedly, glancing at you with the most tender look in his eyes.

you gulp your food down with an ice-cold lemonade, watching as arda tries your pasta.

"very good.." he finally says, looking at you with a thumb pointing up. giving you the universal sign for 'good/okay'.

though, your cute food tasting moment is interrupted by jobe pricking his fork into your pasta, ruining the mood.

"can I have a breadstick?" he mutters, mouth full.

"I thought you said that you had a new diet for next season?"

"it's a breadstick. come on, sis.."

"okay- you're making it sound like I'm restricting you. eat all you want, damn.." you mutter, chuckling when you make eye contact with arda.

"you want one?" you ask, holding the breadbasket out.

"no, thank you.." you hear him say, before you're distracted by the rest of your food.

later, when dessert is ordered, and you're staring at your empty plate of food when it's being taken away, your phone pings.

you look up, unlocking your phone quickly before reading a pop up message.

'receive a note from 'arda's iphone'?'

you look up at him, quirking up a brow at the smiling boy.

you accept quickly, eyes scanning the message.

'you me, dinner again? I will study english for you.'

you almost lose your composure at the phone number underneath the sweet message, your face and body heating up.

your eyes lock, and you try to nod as discreetly as possible.

you save the number quickly, sending him a message, and watch his phone screen light up.

you grin to yourself, both of you sneaking glances at each other.

flustered enough, to not notice the look both your brothers and brahim are sending you two.

your older brother is protective as ever, though confused about what he should worry about.

arda was a good kid, and there was no way in hell he could give him the 'older brother talk' in your stead.

"your dessert, miss..”

you tune out the waiter, mind drifting to the message arda sent.

cute, you think.

what should you wear on your first date with him?

#arda güler imagines #arda güler x reader #arda x reader #arda guler #arda güler #real madrid fc #real madrid #jude bellingham #jobe bellingham #football imagines #football blurb #footballer x reader #football fanfic #football imagine #football

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ghelgheli · 1 year ago

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languages, like people, have been made into the objects of politicized aesthetics—not only is this about the dichotomy between "melodious", "soft", "musical" &c. and "harsh", "guttural", "rough" &c. as generalizations applied to entire languages (even language families), but also (and more importantly) the fact that these descriptions track non-linguistic attributes like racialization and class at least as often as they track phonology. please think about who, historically and presently, is most likely to have their language(s) described in one vs. the other way.

#text #linguistics #nothing new but i had to see this played out in front of me today when i really was not expecting it #still rhetorically assigning languages to mordor i see #politicized aesthetics is redundant yes

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gothhabiba · 1 year ago

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hello, i kno close reading aint the only way to analyse a text but im trying to find other ways of doin it but google is just givin me how to do close readings in your classroom things. idk im not a booksguy really tho id like to learn how to books better. do u have any like basic resources for ways to read a text an figure out whats goin on in it that isnt doing a close reading? thanks

Close readings are mostly associated with new criticism. This school of criticism, like every other, arose in a particular time and place and can be analysed as having arisen for a particular reason. Also like every school of criticism, it has its adherents and its detractors. But considering the "work" as its own whole, self-contained aesthetic object in the way that NC does is not the only way to read.

Some other approaches, off the top of my head, & the schools of criticism they're roughly associated with:

How does the work make you feel? What are your reactions to it? What emotions and associations does it conjure up? What is your spatial or temporal experience like reading the work (like, how does the work appear to you as something that unfolds over time, as you read it? When and how are you reading it)? How do your expectations about a certain work affect how you read? [Reader-response]

What is the economic and ideological history of the genre, form, and aesthetics of the work in question? What ideological function does the work seem to serve? Does it serve to convince its readers of anything, and if so, what political implications does its viewpoint have? What ideas of oppression, history, and the forms that resistance can take does the work present or seem to advocate for? What does it make visible or invisible, what does it make seem possible or impossible? [Marxist literary criticism / Marxist aesthetics]

When, where, and by whom was the work published? What else do we know about the author's opinions on aesthetics, politics, &c., and how do we know it? How are those opinions reflected by, or in tension with, what you see in the work? Were there any problems getting the work published, and, if so, do they have to do with the author's class or gender or politics, &c.? Where and how was the author living (richly or poorly, working as a maid in another household or employing servants or a wife to free up time for intellectual pursuits) while writing?

And, doubling down on when the work was published—what were the popular or dominant discourses about science, biology, human cognition, political economy, race, gender, war, &c. &c. when and where the author wrote and published? How does the work seem to mobilise, use, subvert, echo, further, or contest those discourses? How would the work's first readers have read it in light of the popular discourses they were familiar with? [contextualism; new historicism]

What materials was the book originally published in? Where did those materials come from? Was it cheaply or expensively made? How much was it sold for? Who would have been able to afford it? What does the form of the book (any illustrations? what's the typeface and size? margin size? hardcover or paperback?) imply about who is meant to read the work, and how they're meant to read it? What effect did the state of print technology at the time of the book's publishing have on its final form (e.g., it used to be impossible to have text and an image on the same page in a mass-produced book)? Where do the objects described in the book presumably come from, and by whose labour would they have been produced and transported? What does this say about the material lives of the characters? [Material culture studies]

What are the early notices and reviews of the book like, and where do they appear? Who wrote them and where did they publish them? Is the book mentioned in diaries and letters from around the time of its publication? How did the responses to the book change over time? How did audiences in different places, or of different demographics in other ways, respond to the book? What went into making the book accessible to new audiences over time? What extra-textual stuff (“paratext”: book covers, advertisements, interviews, reviews) influence how people read the work? [Reception history; translation studies; maybe fandom studies]

Who edited the work? How much control did the publishing house, and the publishing house's readers, have over the final format of the text? Who decided what the punctuation would be like, and where the chapter breaks would go? Who decided on the spelling (was it published at a time when spelling was standardized? Did the author's manuscript contain any idiosyncratic spellings? Did the publishing house have a house style)? Are there any ideological connotations to "correcting" this author's spelling? Was the author's manuscript typed or handwritten? Were there any problems reading their handwriting? How many versions of the manuscript were there, and how did the publishing house chuse which to work from? [Editorial theory]

These associations between methods of reading and schools of criticism are mostly just to give you terms to look up to read more. Scholars don't all necessarily belong firmly to a given school, and people often mix and match various modes of reading to be able to argue what they want to argue.

#Anonymous #questions #literature #literary criticism #reading comprehension

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fursasaida · 1 year ago

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Hi! Just wanted to ask. How can I give my students assignments that are chat-gpt proof? Or that they won't just copy the answer without at least doing some editing?

Hi! So, I don't think anything is ChatGPT-proof. You fundamentally cannot stop people from using it to take a shortcut. You can't even stop them from copying the answer without editing it. However, I think you can work with this reality. So, you can do three things:

Don't be a cop about it.

If you make your objective "stop the children from using the thing to cheat," you are focusing on the wrong thing. You will be constantly scrutinizing every submission with suspicion, you will be accusing people of cheating--and some of them will not have cheated, and they will remember this forever--and you will be aiming at enforcement (which is trying to hold back the sea) instead of on inviting and supporting learning whenever and wherever possible. (I'll come back to this under item 2.)

Regarding why enforcement is holding back the sea: It is fundamentally rational for them to do this. We, who "love learning" (i.e. are good at what our academic system sees as learning, for various reasons have built our lives around that, happen to enjoy these activities), see everything they might cheat themselves of by doing it, because we know what we got out of doing this type of work. Many students, however--especially at the kind of school I teach at--are there to get the piece of paper that might, if they're lucky, allow them access to a relatively livable and stable income. The things that are wrong with this fact are structural and nothing to do with students' failings as people, or (tfuh) laziness, or whatever. We cannot make this not true (we can certainly try to push against it in certain ways, but that only goes so far). More pragmatically, chatgpt and similar are going to keep getting better, and detecting them is going to get harder, and your relationships with your students will be further and further damaged as you are forced to hound them more, suspect them more, falsely accuse more people, while also looking like an idiot because plenty of them will get away with it. A productive classroom requires trust. The trust goes both ways. Being a cop about this will destroy it in both directions.

So the first thing you have to do is really, truly accept that some of them are going to use it and you are not always going to know when they do. And when I say accept this, I mean you actually need to be ok with it. I find it helps to remember that the fact that a bot can produce writing to a standard that makes teachers worry means we have been teaching people to be shitty writers. I don't know that so much is lost if we devalue the 5-paragraph SAT essay and its brethren.

So the reason my policy is to say it's ok to use chatgpt or similar as long as you tell me so and give me some thinking about what you got from using it is that a) I am dropping the charade that we don't all know what's going on and thereby making it (pedagogical term) chill; b) I am modeling/suggesting that if you use it, it's a good idea to be critical about what it tells you (which I desperately want everyone to know in general, not just my students in a classroom); c) I am providing an invitation to learn from using chatgpt, rather than avoid learning by using it. Plenty of them won't take me up on that. That's fine (see item 3 below).

So ok, we have at least established the goal of coming at it from acceptance. Then what do you do at that point?

Think about what is unique to your class and your students and build assignments around that.

Assignments, of course, don't have to be simply "what did Author mean by Term" or "list the significant thingies." A prof I used to TA under gave students the option of interviewing a family member or friend about their experiences with public housing in the week we taught public housing. Someone I know who teaches a college biology class has an illustration-based assignment to draw in the artsier students who are in her class against their will. I used to have an extra-credit question that asked them to pick anything in the city that they thought might be some kind of clue about the past in that place, do some research about it, and tell me what they found out and how. (And that's how I learned how Canal St. got its name! Learning something you didn't know from a student's work is one of the greatest feelings there is.) One prompt I intend to use in this class will be something to the effect of, "Do you own anything--a t-shirt, a mug, a phone case--that has the outline of your city, state, or country on it? Why? How did you get it, and what does having this item with this symbol on it mean to you? Whether you personally have one or not, why do you think so many people own items like this?" (This is for political geography week, if anyone's wondering.)

These are all things that target students' personal interests and capabilities, the environments they live in, and their relationships within their communities. Chatgpt can fake that stuff, but not very well. My advisor intends to use prompts that refer directly to things he said in class or conversations that were had in class, rather than to a given reading, in hopes that that will also make it harder for chatgpt to fake well because it won't have the context. The more your class is designed around the specific institution you teach at and student body you serve, the easier that is to do. (Obviously, how possible that is is going to vary based on what you're teaching. When I taught Urban Studies using the city we all lived in as the example all through the semester, it was so easy to make everything very tailored to the students I had in that class that semester. That's not the same--or it doesn't work the same way--if you're teaching Shakespeare. But I know someone who performs monologues from the plays in class and has his students direct him and give him notes as a way of drawing them into the speech and its niceties of meaning. Chatgpt is never going to know what stage directions were given in that room. There are possibilities.) This is all, I guess, a long way of saying that you'll have a better time constructing assignments chatgpt will be bad at if you view your class as a particular situation, occurring only once (these people, this year), which is a situation that has the purpose of encouraging thought--rather than as an information-transfer mechanism. Of course information transfer happens, but that is not what I and my students are doing together here.

Now, they absolutely can plug this type of prompt into chatgpt. I've tried it myself. I asked it to give me a personal essay about the political geography prompt and a critical personal essay about the same thing. (I recommend doing this with your own prospective assignments! See what they'd get and whether it's something you'd grade highly. If it is, then change either the goal of the assignment or at least the prompt.) Both of them were decent if you are grading the miserable 5-paragraph essay. Both of them were garbage if you are looking for evidence of a person turning their attention for the first time to something they have taken for granted all their lives. Chatgpt has neither personality nor experiences, so it makes incredibly vague, general statements in the first person that are dull as dishwater and simply do not engage with what the prompt is really asking for. I already graded on "tell me what you think of this/how this relates to your life" in addition to "did you understand the reading," because what I care about is whether they're thinking. So students absolutely can and will plug that prompt into chatgpt and simply c/p the output. They just won't get high marks for it.

If they're fine with not getting high marks, then okay. For a lot of them this is an elective they're taking essentially at random to get that piece of paper; I'm not gonna knock the hustle, and (see item 1) I couldn't stop them if I wanted to. What I can do is try to make class time engaging, build relationships with them that make them feel good about telling me their thoughts, and present them with a variety of assignments that create opportunities for different strengths, points of interest, and ways into the material, in hopes of hooking as many different people in as many different ways as I can.

This brings me back to what I said about inviting learning. Because I have never yet in my life taught a course that was for people majoring in the subject, I long ago accepted that I cannot get everyone to engage with every concept, subject, or idea (or even most of them). All I can do is invite them to get interested in the thing at hand in every class, in every assignment, in every choice of reading, in every question I ask them. How frequently each person accepts these invitations (and which ones) is going to vary hugely. But I also accept that people often need to be invited more than once, and even if they don't want to go through the door I'm holding open for them right now, the fact that they were invited this time might make it more likely for them to go through it the next time it comes up, or the time after that. I'll never know what will come of all of these invitations, and that's great, actually. I don't want to make them care about everything I care about, or know everything I know. All I want is to offer them new ways to be curious.

Therefore: if they use chatgpt to refuse an invitation this week, fine. That would probably have happened anyway in a lot of cases even without chatgpt. But, just as before, I can snag some of those people's attention on one part of this module in class tomorrow. Some of them I'll get next time with a different type of assignment. Some of them I'll hook for a moment with a joke. I don't take the times that doesn't happen as failures. But the times that it does are all wins that are not diminished by the times it doesn't.

Actually try to think of ways to use chatgpt to promote learning.

I DREAM of the day I'm teaching something where it makes sense to have students edit an AI-written text. Editing is an incredible way to get better at writing. I could generate one in class and we could do it all together. I could give them a prompt, ask them to feed it into chatgpt, and ask them to turn in both what they got and some notes on how they think it could be better. I could give them a pretty traditional "In Text, Author says Thing. What did Author mean by that?" prompt, have them get an answer from chatgpt, and then ask them to fact-check it. Etc. All of these get them thinking about written communication and, incidentally, demonstrate the tool's limitations.

I'm sure there are and will be tons of much more creative ideas for how to incorporate chatgpt rather than fight it. (Once upon a time, the idea of letting students use calculators in math class was also scandalous to many teachers.) I have some geography-specific ideas for how to use image generation as well. When it comes specifically to teaching, I think it's a waste of time for us to be handwringing instead of applying ourselves to this question. I am well aware of the political and ethical problems with chatgpt, and that's something to discuss with, probably, more advanced students in a seminar setting. But we won't (per item 1) get very far simply insisting that Thing Bad and Thing Stupid. So how do we use it to invite learning? That's the question I'm interested in.

Finally, because tangential to your question: I think there's nothing wrong with bringing back more in-class writing and even oral exams (along with take-home assignments that appeal to strengths and interests other than expository writing as mentioned above). These assessments play to different strengths than written take-homes. For some students, that means they'll be harder or scarier; by the same token, for other students they'll be easier and more confidence-building. (Plus, "being able to think on your feet" is also a very good ~real-world skill~ to teach.) In the spirit of trying to offer as many ways in as possible, I think that kind of diversification in assignments is a perfectly good idea.

#teaching #chatgpt #posting this on my first teaching day of the semester!#this is probably a lot longer than what you asked for but it is the answer i know how to give. hope something in it helps!

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