#nothing too complicated
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smiling
#lego ninjago#lloyd montgomery garmadon#kai smith#nya smith#jay walker#zane julien#cole brookstone#my art#I just wanted to do a lineup to see them all together#nothing too complicated#also they deserve to smile a little
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Could I request Ayaka x Navia art? ^_^
no idea who these gals r but good for them!
#hoping the ship is legal#also fyi#these r gonna be mostly sketches#nothing too complicated#art requests#art.png#genshin impact#ayaka#navia
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(Oh frick there actually is a tag limit so my last ten to twenty tags got cut off!) but basically the last part was talking about how all the characters I write, even the fanfiction (non original) characters, get a little piece of my heart. This post was me drabbling about a shelved original project that I stopped working on years ago, and I was having big feelings at 3 am because of this post
leitmotifs never get old to me like holy shit dude there’s this melody that corresponds to this one guy and if you hear the melody it means the guy is there. holy shit. and sometimes it refers to ideas too not just guys. has anyone heard about this
#Okay so#I’m not a composer#however this made me think of a shelved original project I had#graphic novel series i was developing from 2010-2016#but i had leitmotifs for each character#I was planning on eventually publishing on tapas or webtoons when preproduction was done so I was going to have music for each update#Nothing too complicated#however I have moderate pitch#and even though i did play an instrument and can read some music#I could never sing a note and be able to remember which note was what#so i had audio files of myself humming these leitmotifs#and i would hold an electronic tuner and sing into it while transcribing the melodies into a music program#anyway this post made me think of the old project#and I realized I couldn’t remember the leitmotifs very much anymore#and I started to get a little sad#but then I was able to remember the one that had the most development#because each leitmotif had two purposes#they would be named for a character (the story had eight main)#but they would also be representative of a particular emotion#so not only would these songs have played (in my head at least) while a character was present#but would also play for particular tones#also each leitmotif had a particular instrument#so the one I could remember was for a particular character identified by a violoncello and represented grief I think#And it would intermingle other themes when a character was struggling with (the many bad things that would happen)#(as would the other themes play off eachother) I know it sounds like a mess but I had a some archives of how this played out#but the violoncello/grief leitmotif I had played in two ways#it had a moderate 4/4 time stamp for usual uses#however when the character is dying it would shift hard into 2/4 timestamp as if we are also delaying the enviable#This character was the most empathetic of the group and probably the one most like me#all my characterizations
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Rules and Stuff
18+ writers and mutuals only/MDNI: For the safety of me, and everyone involved this is a required essential. I do NOT feel comfortable with underaged people messaging me or interacting in the slightest. If I get the impression you're underage or lying about your age, I will block you.
No smut: Scott and the mun are both of age. It's important to note, that I don't feel comfortable with it and it's not something I'm particularly fond of. The most I might offer is a fade to black and leave it at that. If you are into this that's fine but it's not my cup of tea.
Sources: If I reblog a meme or something, please don't repost my reblog of it. I don't wanna take credit for other people's work. It doesn't feel right to me. So if I reblog something, make sure you check the source beforehand. That's all.
Shipping: I'm not against it, but there needs to be build-up and genuine chemistry. Only interested in fluff shenanigans. I primarily ship Scott with Ramona, but if there is enough chemistry between our muses I'll consider a different pairing. Also no weird crap, any incestuous, pedophilic, bestiality, or other problematic ship ideas will result in a swift block.
Fight rp: I'm a bit rusty at this, but I don't have any strict requirements about it. Don't godmod, powerplay/metagame, and vary up your attacks. Give me a chance to react to your moves, and I'll do the same for you. No cheap one-shot stuff.
No drama: I don't care about this, and neither does anyone above the age of twelve. If you don't want to interact with me anymore, that's perfectly understandable. The block button is at your disposal, so go ahead and use it if I make you feel uncomfortable or don't suit your writing style. Not interested in other people's beef either.
Mirrors: I'm not too stingy about this, and considering how Scott Pilgrim is a fictional character anyone with knowledge of the series can write for him. So if other Scotts want to follow me they can, I don't take roleplaying too seriously in general.
Mun ≠ Muse: Scott Pilgrim is an impulsive moron, who often makes decisions without thinking all the way through. Pretty obvious but I am NOT the character I'm writing for. So don't take anything I've said in character personally.
Discord: It's not required, merely optional but if you want it do ask me beforehand. Only interested in giving it out to close mutuals, to begin with, and in general I'm selective with this. For obvious reasons. If you prefer to not use it that's also valid and I respect that.
10. Angst: I don't mind this writing honestly. It can be pretty fun to write angst if it's well done-and enjoyable. I don't have too many triggers, but if one does come up I'll let you know and DM about it privately.
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I like how I gave Frida two flags when she only needed one, meanwhile David has to squish both flags together. To be fair, it’s just like Frida to be incredibly organised and bring multiple back up flags, and for David to panic and not do that.
#which direction is his transgenderism? don’t ask me complicated questions#look all I know is that little guy ain’t cis#we as a fandom do make him mtf a lot which is AWESOME#but it’s also really sweet to imagine him as ftm#especially since he grew up with Frida#I imagine she helped him a lot when transitioning when they were little kids#frida is totally the kind of little kid to angrily correct adults misgendering people#David is probably too shy to correct people but frida is not#Hilda probably doesn’t know what being trans is until she moves to Trolberg and she thinks it’s so cool when she finds out#also nb Hilda! I think she uses she/they#she’s just like yeah I’m sort of a girl and I’m proud of that but I’m also definitely nothing close to a girl#like she doesn’t have a preference for either#I could see her using any pronouns other than he#I don’t think she’d use he#idk why#anyways those r just my headcanons happy pride!#hilda#hilda the series#netflix hilda#hilda netflix#art#my art#digital art#fanart#drawing#Hilda (Hilda)#David hilda#Hilda david#frida hilda#Hilda frida
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“can you just hold me until I fall asleep, please?” “…”
Ofc inspired by title challenger by @blorbocedes (and the challengers (2024) too ig)
#nothing too complicated I’m still trying to get into the grove of things#kind of peeved that they don’t look accurate but whatever ig#my art#lewis hamilton#nico rosberg#brocedes#hetcedes#genderbend
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How do you imagine hybrids work in love and legends? We've seen elf/humans.
So there are 6 different species and aside from the mermaids, they're all compatable to have children.
I headcanon life expectancy, colouration, and the shape of facial or body features to be gradient traits, so they pretty much randomly combine between the two parents like any other child
Magical traits are probably more binary. So a fairy hybrid child could inherit the eyes, wings, and/or sparkles, or none, with no middle ground. A demon hybrid will usually inherit a faded form of the markings, but they won't always be able to transform or earn horns. Dwarf hybrids might inherit the ability to echolocate vs just having larger ears.
If two species with strong magic have a child, they're more likely to inherit magical traits (e.g. elves and fairies with strong magic vs humans and dwarves with low magic)
Considering the domains are all friendly with each other, I imagine it's fairly common to have mixed ancestry and there's no real taboo aside from the grief of lifespan differences
#love and legends#worldbuilding#fantasy#art#i hc altea to have some fairy heritage due to her brighter colouration and magical compatability#but yeah lifespan is probably the main reason for avoiding demons/elves and such#the short-lived parent might grow too old before their child grows up sort of thing#but yeah mermaids are way further removed from the rest#i love my inhuman mermaids too much#with spinal/anatomies similar to whales and dolphins so their tails go up and down rather than side to side#they can breathe on land and in water#it's fun mixing and matching traits#theoretically a dwarf/demon hybrid could both see in the dark and echolocate so nothing could ever hide from them#but they could have sensory overload in bright or loud spaces#similarly a demon/elf child would have amazing hearing but complicated/unknown dietary requirements
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Give your heart and soul to charity,
‘cause the rest of you, the best of you,
honey, belongs to me
#elden ring#varre#white mask varre#elden ring varre#white faced varre#mohgwyn dynasty#Varré#white faced varré#white mask varré#the lamb is not bleeding#it’s someone else’s blood#no lambkins were harmed in the making of this drawing#hozier#nfwmb#the song is actually about Varré I swear#it is a one to one match for the dynasty’s vibe#I listened to it for the first time in a while and I was struck by lighting as soon as I linked Varré#sorry he’s maskless again#it will keep happening#speed running 9 wolves for the sake of varré obsession was not on my bingo#something easy I said nothing too complicated tonight I said#I think I managed this in two sittings aggregate 5 hrs#this was made with pure religious zeal
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one of the many things that keep me awake at night re: ofmd S2 is that us Izzy people have long argued that his hostility towards Lucius in s1 could be very much read as "your softness has no place in a world like this, you're going to get in serious trouble if you don't change, on any other ship you'd be fucked, I've learned this the hard way why are you being so stupid" and back in S1 none of us expected that to actually become a plot point and then S2 came around and slapped us over the head with "the second Lucius leaves the Revenge he goes through absolute trauma city and when he rejoins the crew, he is bitter and angry and hardened just like Izzy was in S1" and... like... I just want to lock them in a room and make them talk through their trauma ok
#ofmd#ofmd s2#ofmd s1#lucius spriggs#izzy hands#sprizzy#listen I still refuse to call myself an izzy apologist there's nothing to apologize for#i have many complicated feelings about season 2#but parts of it were good food#the rest I choose not to think too hard about#a shark ate the pacing
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In all seriousness, I think one of the most obvious parallels from past campaigns to Imogen is Caleb, and while I've talked about the reductive ways people have interacted with Caleb in the past (Sad Boy hours and whatnot) it is frustrating how Imogen is so frequently denied the same complexity. Caleb was traumatized, and lonely, and nearly friendless but for one person he'd met under difficult circumstances some time before joining the larger party, but he was also (for the most part) allowed by the fandom to be exceptionally violent and brutal in combat; to be angry at all the time he had lost and at the people who'd taken advantage of him; to have possibly questionable goals; and to, at times, work against the better interests of the party in service of his own priorities. He was allowed to fall down and look ridiculous and to be immensely powerful but he was also allowed to be far more than that dichotomy. And, most importantly, and to be fair this was somewhat more hotly contested, he was allowed to claim responsibility for his actions and to exist in a space where he was both a victim of manipulation and willingly made his own choices based on that manipulation, and still be worthy of a heroic status.
Imogen is so frequently denied these opportunities and this complexity- and not by her detractors, but by her claimed fans. She's allowed to be a failgirl who falls down the stairs and she's allowed to get the HDYWTDT but she's not allowed to be the person who deliberately triggered the traps to light up the rivals during the museum heist. You can't explore how cold she is to her father or how she grants her mother undeserved leniency - that's unkind to Imogen. She's not allowed to bear partial responsibility for how people in Gelvaan treat her, even after she nearly killed several of them. She's not allowed to have powers that are a liability or that intrude upon others' privacy; it's only allowed to be explored as her pain and nothing more. Her petty and bitter asides are either made out to be badass mic drops or conveniently ignored. If she wants to explore her darker tendencies it's bad unless she's doing it with Laudna in which case it's good. Her powers have, understandably, left her with fascinating gaps in her communication skills, which is a great point to be made about psychics, but that's neglected when so many people act as if it's everyone else's responsibility to accurately interpret her. It's impossible to explore how her worldview is often very focused on herself without a strong sense of the larger picture - not even self-centered, though it can be, but often merely limited due to her own sheltered experience - because within many fandom circles, every other character's morality is judged based on how far backwards they bend to accommodate her.
#caleb widogast#imogen temult#critical role#critical role spoilers#i think there are valid reasons to say. like imogen but not caleb. but there's also a lot of not valid reasons.#anyway. i said this elsewhere but female characters are allowed to be keyleth or delilah#but nothing in between. if you fall in between you are pushed to one end or the other by people who claim they love women's wrongs#it is ngl wild to see people throw keyleth under the bus though. i thought that might be the limit but apparently not#to be fair people also managed to do similar flattening to keyleth too...very wow look at this complicated woman! she has all two emotions!
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played dragon age 2...just simple scribbles
#dragon age tag#i doubt that will see much use again..but who knows. vvv rambling below#weird game..the characters dialogue stuff and ending were good tho :')#i've played some of the first game but it kept crashing. i knew already despite knowing nothing that this guy was going to be my type#it doesnt feel right making video game art any more bc games like this end up feeling really personal - an experience that happened to me#if i design the main character a bit and fall in love then..that happened to me..i can't make Fan Art of that..only ive been through that..#like i cant make fanart of my dear companions in bg3 despite it having been a huge part of my heart in the last year#almost 1000 hours of playtime in something i can barely talk about bc it means too much.... lol#tons of ideas and conversations and extra thoughts and scenes and emotions about all the incredible times i've been through in bg3#and the maelstrom just rotates around intensely in my own heart forever...but that's ok too...that is so precious to me#but fortunately i already knew people that have played this game and talked/drew abt it recently so it was saved from that for me#sharing scribbly fanart on my Blog is a way to capture the feeling just after experiencing something so it has good points#witch hat atelier escapes that by not being a GAME. games are so immersive. but my wha art & feelings are incredibly immersive too#which makes it difficult sometimes now. i live a complicated and emotional life <3 i am not suited to fandom <3#my character ended up looking so much like oru without me realising that's what i was doing. Kind bearded fireball throwing gay mage. Hmm.#falling for a sad white hair memory trauma fellow that keeps you at a tragic distance. Hmmmmmm.#i see also how very much bg3 is inspired by stuff like dragon age now lol so i'm glad i experienced it. I WANT MY KIRKWALL LIFE BACK...#so dated though as well and unpleasant at times (the city and the dismal atmosphere was depressing.) i hate violence/horror..#bg3 is SOOOO very dismal but it feels like I am killing people and going through horrors because i have to survive i have to be free#Well anyway. ahh it's so refreshing to fall in love. my gay journey continues...
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i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you
#im reading that post that says artists are directors of audience reaction and not its dictator:#'you cannot guarantee that everyone viewing your work will react as you are trying t make them react. a good artist knows that this is what#allows work to breath. by definition you cannot have art where the viewer brings nothing to the table ... this is why you have to let go of#the urge to plainly state in text exactly how you think the work should be interpreted ... its better to be misinterpreted sometimes than#to talk down to your audience. you wont even gain any control that way; people will still develop their opinions no matter what you do#im thinking abt this again cuz i was thinking maybe the thing that lets adventure time work so well the way it does is cuz it doesnt#take itself too seriously that it gives the audience enough room to fuck with subtext and then fuck with them back yknow. i think it was#mentioned somewhere that they werent even planning to run with the postapocalyptic elements that are hinted in the show but changed their#mind after the one off with the frozen businessmen and dominoed into marcy and simons backstory. on the other side there are stories that#explain too much to let the story speak for itself and i think it ends up having to do more with the crew trying to lead ppl in a certain#direction than expand on what they have and i see a lot of this with miraculous. like when interviews and tweets are used as word of god in#arguments and it becomes a little stifling to play around with it knowing the creator can just interject. u can say its the crews effort to#engage with its audience but it feels more like micromanaging. and none of this is to say there ISNT room for stories that spell things out#theyre just suited for different things. if sesame street tried abstract approaches to themes and nuance itd be counterproductive#a lot of things fly over my head so i need help picking things apart to get it- but it doesnt have to be from the story itself. ive picked#picked up or built on my own interpretations listening to other ppl share their thoughts which creates conversation around the same thing#sometimes stories will spell things out for you without being so obvious abt it that it feels like its woven into the text. my fav example#for this might be ATLA using younger characters as its main cast but instead of feeling like its dumbed down for kids to understand why war#is bad its framed from a childs point of view so younger audiences can pick up on it by relating to the characters. maybe an 8 year old#wont get how geopolitics works but at least they get 'hey the world is a little more complicated than everyone vs. fire nation'. same for#steven universe bc its like theyre trying to describe and put feelings into words that kids might not have so they have smth to start with#especially with the metaphors around relationships bc even if it looks unfamiliar as a kid now maybe the hope is for it to be smth you can#look back to. thats why it feels like these shows grew up with me.. instead of saving difficult topics for 'when im ready for it'#as if its preparing me for high school it gave me smth to turn in my hands and revisit again and again as i grow. stories that never#treated u as dumb all along. just someone who could learn and come back to it as many times as u need to. i loved SU for the longest time#but i felt guilty for enjoying it hearing the way ppl bash it. bc i was a kid and thought other ppl understood it better than me and made#feel bad for leaning into the message of paying forward kindness and not questioning why steven didnt punish the diamonds or hold them#accountable. but im rewatching it now and going oh. i still love this show and what it was trying to teach me#yapping#diary
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One thing I've noticed about the IWTV fandom recently is how unwilling people seem to be to engage with opinions they don't agree with. Like I've seen posts from at least a dozen blogs saying that they don't want to see anyone else's opinions on the ships if they don't exactly agree with OP. Like maybe I've just been too much in fandoms that are really chill (and mostly have adults) but I feel like I'm going insane.
#i feel like this is just ship culture at its worst#people refuse to engage with different actual canon parts of the show because the characters have complicated relationships#like i thought that was the whole appeal? having weird relationship drama and also murder.#but you guys seem to eant this to be a fluffy show about like 2 people.#iwtv#amc iwtv#interview with the vampire#amc interview with the vampire#louis de pointe du lac#lestat de lioncourt#daniel molloy#too scared to tag this as any ships (mostly for my fear of hardcore loumand fans)#armand de nothing
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What are your headcanons about Marcille's mom if you have any? It's interesting that what drew Donato to her was cause she lived the history he studied, or that was said somewhere at least. She must've had an interesting life.
so this was going to be just a normal answer but then I realized I have a Lot of Things To Say. so here goes, a compilation of what we know for a fact from the canon, what I've extrapolated from the visual cues and details, and my theories based on all of that.
Things we know for a fact about Marcille's mother because they were explicitly stated in the manga and supplemental materials:
She was a court mage for a Tall-man kingdom at the southern part of the Northern Continent
Donato, a court historian, fell in love with her because she had lived through the history he was studying, and he courted her for 17 years (age 15 to 32) before getting married
She was a cheerful person who rarely showed extreme emotion and took things as they came
She always cooked a huge meal for Marcille on her birthdays
She remarried a gnome after Donato's death and a short distance away from Marcille's childhood home
Pipi, Marcille's pet bird, was actually older than Marcille and originally belonged to her mother (bird died at 62)
She was extremely heartbroken when Donato died and ultimately ended up instilling a deep fear of mortality in Marcille with her words
the only time she showed extreme emotion in front of her family was when Donato could no longer eat his favourite dish near the end of his life.
She scolded Marcille for being cruel to ants (implying she can have a stern side when needed)
Things that are explicitly shown but mostly through visual cues
She has a very distinctive style of dress always involving a ribbon choker (mirroring Marcille's habit of always wearing a matching choker with any of her outfits that don't cover her neck)
She was almost stereotypically good at housekeeping and traditionally "wifely" things (very frequently depicted wearing an apron or doing some domestic chore when not at work, seems to have been an avid cook).
She knits? (also, note the affectionate smile as she's looking at Donato and Marcille reading a book together in the full panel)
She was as excited for Marcille's milestones as Donato was.
She didn't tell Marcille much about elven food
(there are a couple things that this panel in particular implies:
She lived a good deal of her life (if not being born and raised) in a mainly elven country in the West, implied by her knowing enough of an elven region's cuisine to prefer Tall-man food over it
seems to have a pretty carefree and casual demeanour overall, if this is how she replied to Marcille asking her about it (sounds like she never gave her culinary preferences that much thought to begin with)
slightly related to number 2, it seems like she and Marcille had a fairly casual parent-child dynamic (especially in comparison to the Toudens' memory of their father)
(local elf tastes Italian food once and never goes back))
However, she seems a lot more... serious in most of the other times we see her? Almost like the very stereotypical archetype of a graceful elf.
Subsequent conclusions about her personality:
Usually pretty carefree and cheerful at home, has been a loving and attentive parent throughout Marcille's childhood (while not being so doting that she didn't discipline Marcille).
Slightly more conjectural theories on her personality:
Had a much more graceful and professional personality at work, which would explain the more serious portraits we see of her.
Given that both she and Donato had positions at the royal court, it seems a little odd that she'd go out of her way to do all the housework herself, so maybe she just enjoyed doing it?
Now taping all the evidence together and toeing the line between analysis and fanfiction:
It's clear that she loved Donato very much and was utterly devastated by losing him. But there's one thing that really stuck out to me in what little we see of her:
Doesn't she seem... angry? The way she's gritting her teeth, clutching the tablecloth, and how this is the first and only time we see her eyes opened that wide. In the following panel, you see her being quiet and dejected after her initial outburst. She's still crying very intensely, but her brows are furrowed, and she's not really responding to Donato's affection in her body language.
We're not told the details of how she felt about losing Donato other than that it upset her. But this, to me, implies that she was angry and resented that he was aging, that the end of his life was approaching. An "it's not fair" type of preemptive grief. And if this was the first and last time she cried like this in front of her family, she was either very good at coping in private... or very bad at letting herself feel unpleasant emotions until they become unavoidable and end up overwhelming her.
It's not too remarkable a detail on the surface. It's even reminiscent of what the audience has seen of Marcille. But... when it comes to the big picture, you'd think an elf who voluntarily chose to marry a tall-man and have a half-elf child would have been better prepared for this.
It kind of recontextualizes her cheerfulness to me.
"I'm sure everything's gonna be okay!" (or some variation thereof, depending on what translation you have).
And this is stated to contrast her extreme grief when finally confronting Donato's failing body and eventual death. But I'm wondering if... maybe this optimism was why she was so upset. What if she went into all of it thinking "everything's gonna be okay"? What if she was a little young by elven standards, and just followed her heart thinking that her own resilience would get her through anything?
Of course, only to get completely overwhelmed when she actually loses Donato. She turns into a completely different person. And that's heartbreaking on its own-- but what the audience sees is the effect it had on Marcille. Can you imagine being her, watching your invincible and upbeat mother suddenly lose all the light in her eyes in one go?
I've already made a huge post about how I think Marcille models her "work persona" off her mother, but another thing that stuck with me as I was looking for more details in the manga was this:
copy pasting from the other post i made about it lmao it's like... the second she resigns herself to lifelong pain and terror, there's another portrait of her mother facing her like this. with their heads bowed, in mirrored body language of resignation and despair and sorrow. Except it's posed like Marcille is still looking at her mother but her mother is looking away.
It took me a second to realize, but I think that it's a visual metaphor for the fact that Marcille's mother was the only long-lived role model she had-- and she failed to model healthy grief for her daughter. I don't say this as an accusation or to disparage her as a character, but just as a matter of fact. In her, Marcille was seeing herself older and losing a short-lived spouse or loved one of her own, and all she saw was hopelessness.
But her mother didn't mean to instill hopelessness and terror in her. She wasn't really thinking of how it would truly affect Marcille at all (at least, that's how I'm interpreting her looking down and away from Marcille in the metaphor), she was just sad. And she, in her own way, was trying to protect her daughter and help her prepare for future losses.
What she meant was "loss is inevitable, and you have to learn how to be in pain but live on anyway." What Marcille heard was "loss is inevitable, and you will be scared and hurt for the rest of your life."
Again. Marcille's mother doesn't feature explicitly in the story the way her father does -- but in so many ways, her shadow, her silhouette, her reflection is always hanging over Marcille.
All that to say... headcanon-wise (everything from here on is 100% without evidence lmao), I'd like to think that she matured and realized that she failed Marcille. I imagine her being regretful about it, wanting a chance to fix it but never finding a way to insert herself back into Marcille's life when Marcille is so so so busy becoming the most accomplished mage possible. I imagine her being herself again, now, so many years after her loss and after remarrying -- but with her cheerfulness tempered with a lot more wisdom and the pain of having gone through loss like that. I think the second Marcille actually tells her what happened in the dungeon, she'd want to go running to her daughter again -- if Marcille tells her the full truth instead of just being embarrassed she let things get that far. (oh, the tragedy of her wanting to be more like her mother and an accomplished adult who doesn't need to be babied... being embarrassed to actually tell her mother how much she fucked up...)
There's also the tension of her having remarried -- I know that there's at least a little bit of resentment that Marcille harbours about that, because she's childish like that at heart even if she makes an effort not to externalize it. I think that her mother would be aware of that, potentially adding to her sense of guilt and apprehension at trying to reappear/intrude on Marcille's life. I honestly don't think Marcille has met her stepfather -- or even considers him a stepfather rather than "mama's new husband" and kind of a total stranger. I think she and her mother actively don't talk about it in their correspondence, like an elephant in the room.
but, ultimately, I think her mother is on her side no matter what. Ancient magic? Dark necromancy? Sure, she'll feel guilty and like she was partially responsible for setting Marcille down such a painful path, but she wouldn't care. that's her daughter!! she would've moved back west and been petitioning for her at the court, buying a house right next to the Canaries barracks and visiting her every day that she wasn't on a mission. And if her husband had opinions on Marcille becoming a "dark arts user," he either gets over it or it's divorce with him. Yes, she might have had her optimism completely humbled by losing Donato like that -- but she's still headstrong and self-assured and she doesn't care what people think of her. It's her way or the highway and she's always going to be in Marcille's corner.
(She also needs a name lol. I went with Juno, just to be cute about "Marcille"s closest real life equivalent being Marcella, which is the female version of Marcellus, which in turn is a diminutive of Marcus, which was derived from Mars. Absolutely in love with Marcille potentially being named after Ares/Mars the fucking god of war btw)
#asks#she could easily be interpreted as distant or neglectful after Donato's death too#with how little involvement she has in Marcille's life/the fact that Marcille doesn't even mention her when talking about her life prospect#and that's fair! I will argue to hell and back that she was a loving parent when Donato was alive#but there's nothing that suggests she remained a loving parent afterwards#I just think that like... parental relationships are so complicated in dungeon meshi#you cannot deny that the toudens' mother loved them dearly but that she failed them both miserably as a parent#and i think it'd be more compelling if Marcille's mother was a little like that too#not a totally and easily dismissable deadbeat#but someone who truly loves her daughter but was only human herself and couldn't be what Marcille needed at a crucial moment#and regrets it deeply#and that the distance between them is mutually self-imposed by complicated feelings of guilt and fear#and a little resentment from Marcille's side that she hasn't really properly processed#I don't know if I'll ever get around to writing it but i had this idea where Marcille does finally spill the beans to her mom and she just#immediately arrives in Melini#and its awkward for a bit but they do finally have a heart to heart and air it all out#and marcille starts freaking out that her marriage is rocky rn bc her new husband wants her to distance herself from marcille#on account of the crimes and all#marcille's like no you can't blow up your marriage for me and her mother just shuts that shit down#'you didn't choose to be born. i was the one who made that choice for you'#'i brought you into this world and i'll be damned if i don't take responsibility for that the entire way'#'you are entitled to *nothing less* than my unconditional love.'#and obviously that's not a sentiment that's exactly healthy as a universal statement about parenthood#but i think its what her mother would believe and what marcille needs to hear#and dungeon meshi does such a fantastic job at just... letting imperfect things just *be* without having to justify it immediately#it expects the audience to do their own critical thinking#and know that its not trying to make sweeping universal statements in every instance#marcilleposting#marcille donato#junoposting
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oh yea i guess i can give doodles too. idk
incredibly bored. please send me total drama characters or ships and i will try to give my honest opinion and my takes on them
responses will vary in length probably.
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... Really though, how WOULD the Hornsent view Morgott or Mohg? WOULD they revere them, for the aspects they bear - the horns, the tail, the wings - or would their hatred toward Marika be that strong that, even for the omen twins, they would still hold contempt?
#{{outofbloodboon}}#morgott the omen king#mohg lord of blood#Picturing Mohg in particular. Like... This place. This is his moment to shine!#A place of belonging!#But the Hornsent hold nothing but hatred toward him for Marika's blood still flows in his veins.#And you can just sort of see the heartache on his face.#Because even among the hornsent he's still despised.#... Yet he doesn't quite hold it against them. He knows their hatred toward Marika. He holds that same hatred for Marika.#And that hatred is only further flamed the more he learns.#And then he finds the shaman village and feels his emotions turn complicated.#... So this was where it all started?#He'd been holding onto this hope that... At some point Marika had felt remorse for locking himself and Morgott away.#Holding onto the hope that at one point Marika HAD loved them.#But seeing the shaman village. Learning what became of her people. And the answer becomes quite clear.#There was never any love...#But by that point in time Mohg is simply far too exhausted after everything to really hold any more hatred.#He won't ever forgive her. No. But...#...
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