#nothing canon does will fix that
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Why is everyone up in arms over the new ML animation? The old animation wasn’t like? Great? At least their new designs are cute. They look closer to the movie versions.
#miraculous has literally always been a train wreck#I say that with love obv#but idk what people were expecting#like the old animation style was ugly imo#I think they looked MORE cringe before the redesign than they do now#like genuinely I like it#it’s still going to be the same batshit crazy show we know and hate to love#I’ve been here since 2015 guys that’s my credibility#I was 14 years old when I started watching this shit#I’ve been in these trenches for YEARS#nothing can surprise me#nothing can hurt me#because the show is already so bad#nothing canon does will fix that#but this is MY train wreck and I will see it through to the end#and miraculous will continue to punch me in the face and I will say thank you with tears in my eyes#with love#miraculous ladybug
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I'm slowly making my way through a new project- editing the entirety of the album PUNCH by Autoheart to the Life Series.
I was originally planning to post all of the edits in order of the songs on the album, but I instead made the Lent one first and am too excited to keep it in my drafts any longer while I work on the first four songs of the album (especially since we're coming up on finals seasons and the amount of time I'll have to work on these is gonna plummet so fast). So instead, I'll be posting them as I make them and make a masterpost of them all in order at the end.
That being said, I hope you enjoy this! I'm really proud of it and a lot of work went into it.
#life series smp#trafficblr#third life smp#last life smp#double life smp#limited life smp#goodtimeswithscar#grian#desert duo#autoheart/life series project#my edits#my art#everyone has to be so nice to me about the audio desync-ing in some places it does that whenever i export it and i can't fix it </3#i COULD tag this one as ship but im not gonna#i DO mean it like that. but like it's just canon clips it can be read however you so choose#also if youve been following me for a little bit youll know i did part of this edit once before#i did the bridge when the afk session came out#and then that plus cherrifire's crane lives project inspired me to assign the whole album to the series#and i was ORIGNALLY planning to do a project like she did w/ the thumbnails#but i couldnt get myself to actually DO IT and also i did map out an entire animatic to factories at one point.#which. on the topic of that. factories or anniversary will be the next ones#anniversary has been started but not fully mapped out whereas factories has been fully mapped out but not started#we'll see which one catches my eye enough first#but all the songs HAVE been assigned so if nothing else i know the gist of what i'm doing for every song#this will definitely be a multi-month project though since one of these takes me a few days to finish#though finals season approaching also means winter break is approaching so who knows! maybe ill bang all of them out in december#(DO NOT HOLD ME TO THAT OH MY GOD)
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alright, hear me out jegulus amnesia au! james wakes up married to regulus with no memories of it ever happening in fact he doesn't even know who he is but he lives in a nice house where everything is sweet and kind and they spend their days together trying to get his memories back doing their normal routines trying to spark something and then he does remember but it comes back in flashes of war and hiding away in a room only they had access to. he has visions of them sitting in the astronomy tower but he doesn't recognize where they are, it looks so different.
no other memories come. he lives through losing regulus again, he swears he can feel the newspaper slipping from his hands and the screams turning his throat raw. he feels it still.
no one understands what's happening and all regulus wants to do is comfort him but he doesn't remember their previous life he lives in this sweet world with no understanding of the war james is living through. james looks at him and he looks like his regulus, the real thing, he is his regulus, but it's different, and james knows a completely different life from the one he's living. he doesn't want to break it to this regulus, he doesn't want to turn his kind eyes sad. so he keeps it to himself... until he can't anymore that is... because suddenly these new memories are coming back ones he didn't live... ones that are different...
because his regulus the one back in his old life is back, he's older and his eyes are colder but he's his regulus, and the james he's supposed to be is the one with him and james needs to get back to him... but he also needs to get this regulus' james back
#and uhhhhh#how does it end.....#to be completely honest this idea took up a whole other form halfway through the post#the timelines would be running parallel to each other#so it would probably end with the lifetimes switching and everything going back to the way it should#except canon jeg are now together and nothing bad happens to them!#and then there would have to be a problem in the modern au too#to balance it out that canon james would fix#....#but i thought of the rest of it so i think it's up to someone else to come up with that part!#jegulus#regulus black#james potter#the marauders
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Did Brambleclaw actually disown the Three when the secret is revealed? I don't remember this happening (then again, it's been a while) but it does bug me how all three go "Poor brambleclaw :(( He was such a good dad to us and he has to learn we're not even his biokits :(((( poor guy" while simultaneously shitting on Leafpool and Squirrelflight despite them showing them more care and affection before AND after the reveal. If he does disown them, then.... WOW is the double standard real here.
In-canon? It's something you have to approximate. They don't seem to have a concept of ""disowning"" because blood relation is taken as such an insurmountable, FUNDAMENTAL fact of life. He doesn't write them out of his little kitty will and testament, but his actions ARE disowning.
It's as if the fact he is not their biological father is an automatic disowning. From the reveal onwards, he is immediately cold, distant, and the "betrayal" is mentioned often. The Three also explicitly don't blame him for his behavior, like it's just to be expected that he's Not Their Dad anymore.
Lionblaze in particular stares longingly at him several times, really missing him. And like... that's kinda what gets my goat so much
I do believe Brambleclaw is entitled to his feelings of betrayal. I believe Squilf was ultimately in the right to lie, actually, but he's still allowed to be upset and angry that she didn't trust him enough to tell him something so important. THAT SAID, YOU ARE NEVER ENTITLED TO TREAT OTHERS POORLY.
And that's what GETS me. He isn't upset that it was all revealed in such a painful and embarassing way when this could have been avoided, or that his lover struggled with this lie for so long without him, or that he feels he's lost his children. Squilf points it out in The Last Hope-- He's so ANGRY at Squilf that he will THROW HIS FAMILY AWAY
Lionblaze seems desperate to be his son again. Hollyleaf is gone for months, and Brambleclaw is still huffing about the secret when she comes back from the dead. Squilf is fawning in the hopes it makes him talk to her again. Doesn't matter. Brambleclaw Is Upsetti Spaghetti so the narrative will never examine his role in hurting this family he apparently loved so much.
(Narrative seems to understand full well that when Squilf lies for a good reason, that doesn't invalidate the hurt Brambleclaw felt... but when Brambleclaw is upset for a good reason, it actually DOES validate what he put her and his kids through)
In BB it is explicitly a disowning. He cuts them off as his children, and they reciprocate. BB!Lionblaze does so in a ball of fury, vowing that he has ONLY a mother.
#It does start getting.... ''better'' after oots. On the disowning front#Lion seems to be fixing his relationship with him#Which... actually is something I dislike tbh#Can we pls get canon acknowledgement of the Little Pogchamp scene where he lets Ash beat his son#And downplays this to holly#Pls#Idk i just feel lion makes a better mama's boy#Really close to squilf and then like... tries to get close to Leafp too but it just. Cant click.#In this very sad but also kind of validating way#Leafp isnt his mom... she didn't raise him. But shes still his aunt. She still loves him as ferociously as she always did#The reveal changed nothing about his family. In the end.#It truly was just a reveal.#(And then he stares angrily and also forlornly at bramble)#Bramblestar is honestly a very interesting character if you choose to take him at face value#And wade through the writer favoritism#I keep coming back to him man.#Such an incredibly mundane and honest type of terrible#Always consumed by his pride and terrible lack of self esteem. Everyone wants you to be better. But you keep messing up#Your honor. I hate him. I have a picture of him in my heart shaped locket.#I am putting him in an exhibit. I am blasting him with a hose.
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Connecting dots tonight (didn't connect shit, I've connected them, etc) because of this post about item descriptions to do with Sampo I saw a few days ago and! I feel like there are so many interesting things that could be implied from this!! Because the recipe for the High-Tech Protective Gear is given to you by Bronya (before the IPC invaded Belobog!), who says this little interesting tidbit about it:
This is an item from before the Eternal Freeze, 700 years ago. Even to the rest of the universe, it would be SORELY outdated. It cannot be made in Belobog anymore due to the loss of entire eras. It is effectively useless; this recipe had to be somewhere gathering dust, kept around solely for archival purposes. There is no reason for Sampo to know about this item or have any idea how it works and yet. AND YET. He's just running around selling knock offs!!
He shouldn't even know how to make these, but the fact that he does means Sampo either
had the blueprints from off-world before he came to Belobog (most likely but also most boring answer)
broke into Qlipoth Fort and copied down the blueprints (completely plausible - he's possibly shown doing exactly that in his splash art)
found another copy out in the ruins of the old world (also completely plausible - Sampo is astoundingly resilient against both the Fragmentum and the cold, as noted by Lynx haha)
Meanwhile, the Inferior Protective Gear recipe comes from an NPC in the underground, and when she gives it to you, she talks about building robots and the robot fighting scene sorry about the quality I didn't have screenshots for her dialogue so I had to use wiki
Which makes me feel like it's safe to say that the inferior gear is mostly being used in the underground, especially by the vagrants and their robots for fights, because...well, who else would use it? Cocolia has made it illegal to explore too far into the Snow Plains, and besides, it's way too dangerous for most civilians even WITH gear. The Silvermane Guards are funded by official sources, they have no reason to rely on Sampo for armor. So it makes sense for an underground mechanic to know the recipe; there's probably not as much market for it up in the overworld.
And if you look at the descriptions, you can see why this probably wasn't something that could be made in Belobog anymore; it requires a charging system of some sort.
We know it's not a problem with the basic materials because all three ingredients can be found right in the administrative district. But the underground only has two of them; somehow, despite being in the planet's crust, and literally crawling with robots...there is no metal down there. It isn't found anywhere, sold by anyone, or dropped by anything. And metal just so happens to be the one ingredient Sampo replaces in his knock off version.
The Inferior Gear uses trash instead, something which, going by the words of that same mechanic, is MORE than abundant in the underground- any good quality parts are extremely difficult to come by down there.
Anyway, all his shadiness aside, I love the implication that Sampo is smart enough to be able to take this item that no one else on the planet probably knows anything about, and was able to figure out what he could replace, and how, and with what, in order to make it easily accessible to the people of the underground, even without access to overworld resources. Because his version DOES work! It literally gives you the exact same amount of defense boost as the IPC one!
Someone should absolutely still knock him around for it, though, world's most slappable face fr fjkdsjfdkjafk
#hsr sampo#hsr sampo koski#sampo koski#honkai star rail#hsr#belobog#he's such a slimeball fjklsdajfkld#I feel like there is something to be said though about the fact that if anyone in the underground is buying this shit armor off Sampo like.#it's either his armor or it's nothing. the overworld isn't exactly sending them a lot of protective gear.#And I'm sure they'd rather have cheap armor they can make and afford themselves than nothing at all.#I wonder if Wildfire would be one of his customers for this stuff or not?#like I think Sampo would be a lot more upfront with them if they were- he's not stupid enough to bite the hand that feeds him.#And Natasha is probably his most important client. We already know Sampo smuggles weapons and is her arms dealer.#It's canon that he brought Seele her scythe-#-and I wonder if it's coincidence that Natasha uses a giant weapon that looks similar to the Silvermane hand canons.#I could totally see Sampo trying to sell his armor to ring fighters to fix the matches in his favor though FJKDLSJAFDKLJ#we already know he bets on the fight club from his About Luka line and his dialogue from the Cyrille the Fool quests#so I'm sure he'd be gambling on the robot fights out by Svarog's encampment too haha#do you think they have penny bets for the kids for that kind of fight#crying imagining Hook tagging along and betting single credits on the fights alongside Sampo's much heftier bets#she still wins more than he does JKLDJSKLAJDS
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Some creatures are more difficult to perceive than others
#Treecko#skitty#dusknoir#chatot#pokemon doodles#original art#context: I’ve said this before but explorers was the very first pokemon game I ever played#I wasn’t watching the anime then so it was also the first time I ever saw a dusknoir#And for whatever reason I just couldn’t quite….comprehend what he was supposed to be#Thought he was some kind of robot until he did his ghostly disappearing act#Definitely a fun game to play when you know nothing about pokemon!#Everything was so new and exciting! And you don’t know what anyone looks like until you meet them!#The other thing in a similar vein was with dialga#I didn’t know what dialga was SUPPOSED to look like so when they’re all talking about how fucked up he is I was like damn#He DOES look pretty fucked up. Some kind of beast#And then after fixing time you see he looks THE SAME except with a palette change#Like oh. i see. That’s just what you look like#Dialga should’ve got a special form tho#Maybe something replacing the steel type with ghost#Bc without time he’s technically not alive#And I read somewhere the steel typing might’ve represented the steady nature of time or something#So with time being stopped it’s not flowing so steadily huh#This wasn’t supposed to be abt dialga tho. Get your own post#ANYWAY dusknoir is a weird looking guy especially when you’re not quite sure what you’re looking at#but he is canonically handsome so do with that what you will
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i was asked about my nighttime routine with my fave of choice and i am choosing bakugou, ofc !!! 🥹🥹
gosh i feel like it would be so hard with a pro hero partner 🥺 i think both our shifts change pretty frequently, so sometimes he's home late or i'm home late or we get lucky and manage to line up for a little while 🩷 BUT !!
if he's not coming home until later, i think i do the pretty standard things once i get home : warm up/cook something for dinner, set a plate out for him in the microwave, put away the rest. katsuki is v insistent on splitting housework so if i cook, he cleans, but i'll rinse the dishes off best as i can for him hehehe 😌 then i'll take my shower and do my skin care and maybe watch some tv and go to sleepy.....but even if he comes home at three in the morning, i'm wobbling out into the kitchen to lean against him as he eats 🥹 to half-hear him tell me something about his day that i will have to ask about again later, bc i'm still pretty bleary eyed. and then once he takes a shower, we'll finally cuddle up in bed together 🥹
and when i'm not coming home until later, i think he does much of the same !!! maybe stays up a lil later and does some work in his office. probably plans out anything we want to do soon, bc it's easier for me to take time off than him 🥺 i think he's the kind of person that plans a weekend vacation like. six months in advance LOL he's researching the area we're going to and making a list of the best places to stay and what we're going to be doing 😌 he just strikes me as the kind of person that is like, checking on the hot water heater and looking for the hole in our fence so he can repair it 🥹 he likes to take care of our house 🥹 and then he kind of piddled around with other little things like that until i come home 😌
AND THEN, on the occasion that we get to be home together at the same time, we do the usual : cook, clean, shower ! but i convince him to lay on the couch and watch a movie with me and we eat lil snacks he doesn't normally eat 😌 he tells me about the plans for our mini vacation and what he's gonna do about the leak under the sink 🥹 i check and see if he needs me to get him anything in the next day or so, like new socks or something particular from the grocery store and i'll rub some arthritis gel into his knees or elbow 🥹 we just talk and touch and fit together while something plays on the tv behind us, and then eventually we go to bed 😌😌😌
#this kind of sounds like i'm a pro hero as well but canon bakuwill lore is that i work in the clinic at his agency :'3#this was SUCH a long answer sorry LMAOOOO#i just think he's so domestic 🥺🥺🥺#and i think he really does like being able to take care of his house#he's one of those like#nothing is ever perfect kind of people ?? when it comes to the house ???#so he could always redo this or fix that#it makes him feel like he's taking care of us 🥹🥹🥹#WAAAAHHHH this was so funny heheh#tysm for bunny to asking me SMOOCH#✿ will x katsuki
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Some people draw overworked spies?? in sheer and anachronistic outfits?? to cope????
#my art#canon's sad so we're staying silly#to my enablers you know who you are and have my thanks#slowly but surely getting my art funk fixed#as long as it's nothing too serious#does this get the character tag?#fuck it why not#jones
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neither lumpus nor jane want to die alone and that's both such a massive part of the inner workings of their minds to me and yet what it spawns out of them is also exactly the reason why they shouldn't ever be together ❤️ amen
#talk#camp lazlo#scoutmaster lumpus#jane doe#there's like so much room for them to paralell each other like ugh#my Themes...#but like to me it's either going to flames immediately or enabling the worst of them#cus frankly anything else also isn't very interesting to me#and don't get me wrong i love when lumpus is being a fucking idiot over her#but like What is there for jane? NOTHING#she deserves so much better#at least with slinkman he and lumpus have history y'know it's so much different when you're already life partners#but anyway it's funny to me because jane is slinkman's friend FIRST OF ALL and lumpus's Target of Affection SECOND#he's in the middle of them here#but if i had to see jane ''fix'' lumpus i would put my head into my hands and slink into the deep earth#the two of them getting married in canon is only excused and funny due to the fact that lumpus gets arrested literally a few episodes later
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this template was being shared around so i filled it in with these guys
#i feel sick and twisted. insane even.#i know they are my own interpretations but they are also just my ocs at this point because canonically they have. nothing#main images are subject to change and ada does not have a decently coloured portrait girl i'm so sorry bro#disabling rbs for now because i should fix the pictures later#misc post
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uh oh uh oh gundam oc activated
#personal#keeping it fun and funky fresh#matty watches#i don't think i've Ever been possessed with OC Yearning like this#her name is deming hyaluron and i love her#right now i've placed her in the iron-blooded orphans canon bc that's the one i feel most familiar with#i love that gundam seems to be like. just a bunch of unconnected shows about Wouldn't It Be Cool And Fucked Up If Giant Robot#like i've watched 3 now and they all seem to have absolutely no relation at all#anyways she's an indentured servant for a corporation and she does month-long salvage & mining runs out into the asteroid belt#it's her & probs a couple other crew & a slow cramped ship with a big hold#and one time they're out there and they find a gundam. damaged but mostly intact#and she fixes it with scrap & spare parts and she & her crew run away#eventually she gets caught up in a labor action - the bosses have been stalling at the bargaining table#but now this nothing of a burgeoning union has a gundam behind them#oc lore#deming hyaluron
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I never finished this comic, but Ultimate Programmer Kazuichi hugging a Blahaj
Pridebert designed her
#talent swap au#danganronpa 2#kazuichi soda#kazuichi souda#my art#in talent swap au zoey is ultimate video gamer instead. sonia might be ultimate breeder? I dont know the others yet#I think the talents should be like. in-character talents the charas would have gravitated towards as backup hobby. not purely random#in this au sonia is way more rebellious and overthrows their own family out of power and is trying to breed makangos for animal conservatio#secretly overthrew their family out of power. they didn't know Sonia was in one of the rebel groups giving away insider information#zoey stubbornly only plays single-player games and refuses to play multiplayer games or film herself playing (social skills issues :/)#so some people think she's cheating but she just doesn't want to be expected talk to internet people or a youtube audience#she and kaz meet in the same coding class (required for Kaz's field even though she knows the basics already)#kazuichi messes with a 1980s abandoned computer program that's supposed to do ''everything'' but has broken messy code and does nothing#the program is named SONEA. kaz has no interest in Sonia here bc they're not a princess so like. this is her SONEA obsession lolololol#it's 10000x healthier than canon even if she stays up way too late fixing broken code for it to do absolutely nothing#I was thinking of yanderedev's coding for yandere simulator when I made up SONEA xD
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devastating: the good fic that ends on a cliffhanger and will never update
#see also: the good fic that last updated a year after the original media's release#I'm not gonna write for the fuckjng gay werewolves fandom. Im not. Im stronger than that#.... I am not in fact stronger than that. however because it already has werewolves I cant go off the wall on worldbuilding#gotta have at least some basis in canon for my wellbeing but also I hate how they do werewolves in canon#so like.... canon expansion ig#I also. dont have a specific plot idea. because typically my plot ideas go “canon but werewolves” and uh#idk what to do when canon is... already... werewolves...#like do I just expand on the Boy (like everyone does because he's absolutely the best)?#theres this semi-recent fic I liked the concept of that I could borrow the general idea of ig but like. idk how Id do that#its pretty much just taking canon and going “nothing has been fixed they're all werewolves” and then expanding the werewolf lore#like. I can do that! I can expand upon some cool friendships and explore the inevitable werewolf related trauma#just. maybe slight more nerdiness and slightly less abo dynamics#(the thing Im most disappointed about is that when they said “were like captive wolves” noone said “oh dear god life is omegaverse now”)#like. I can see dylan or abi being in fandom spaces. tbh I can also see jacob in fandom spaces but he needs to be pushed into exploring tha#also. yknow. less weird about it. just lean aggressively on the “beast within” thing and the Creature vibes#((everyone trying to sneak up on dylan. who is apparently the tallest. to give him scritches. as vengence for him giving them all scritches#((they uh. dont manage it for the first while. what with the entire wolfdog superhearing bit))#(((they would get him eventually tho. kaitlyn gets him first bc I like their friendship most)))
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Why Dragon Age Veilguard isn't a "Cathedral"
Concept art by Matt Rhodes
"To disinherit the storylines of past games goes directly against the notion of building cathedrals."
What is inherent with Veilguard that keeps bothering me is the fact that the world's choices truly didn't matter--and it doesn't simply bother me from a player perspective, it's not simply a grievance borne of frustration to what I (as a longtime fan) have lost. It's about the very culture of the arts under capitalism's new media habituation cycle [x][x].
Yes, I spent hours of my life playing and replaying each instalment of Dragon Age. Yes, I painstakingly curated a 'canon' world state by replaying what came before in preparation for Veilguard. Yes, I am even more unsatisfied with the end product--time hasn't helped, it's just widened the divide. But, and I can't stress this enough, these very personal gripes aren't what hit home the most. It's the inherent disregard of legacy. A legacy that the previous writers and game developers were building towards.
In the DAV artbook, "cathedral" is the word used to describe the process of making a game. Matt Rhodes' exact words are: "One artist can make a painting, but it takes a team to build a cathedral." Cathedrals took centuries to build. The architect who drafted the first blueprints would likely never see his work realised, he had to rely on those who came after him, like-minded and passionate, to see it through--for the culture, for the future, for legacy. Painters took on several apprentices for this reason too--giant frescoes were not completed by one man's hand, even if it is one man's name that immortalises them. Similarly, if you weave a narrative around choice, what good does it do to take it away at the final act if not to fall to caricature?
To disinherit the storylines of past games goes directly against the notion of building cathedrals.
Late-stage capitalism and profit-margin-obsessed game producers forcing developers to churn out meager content, to make a known brand into something it's not, to chase a fad or a popular trend... o, how reductive and cliche you've been forced to become Bioware. We have lost the cultural thought patterns relative to Cathedrals. We know only of barn-raised churches--done in a day but unlikely to last the turn of the seasons.
And don't even get me started on the music of Veilguard either. From Origins to World of Warcraft to Everquest to Baldur's Gate to Dungeon Siege, you can hear the intricate interconnected weave of sounds inspired by the Dungeons and Dragons-esque fantasy genre. You hear it in the repeated use of certain instruments, in the harmonic weeping notes of a bard-like singer or the foreboding echoes of drums as if of war. In tavern songs. But then, rather than hire someone who loves these worlds and this genre, who is a hungry artist looking to make a name, a legacy if you will, for themselves with a spectacular score, you hire any already sated composer, one well-into the encroaching years of career fatigue, whose notes repeat in countless projects, who feels less concise and more uninterested with each new project. One who has long since cemented his legacy. Someone in it for a paycheck and nothing else! And, to top it off, you let him compose something so minimalist? I am offended actually.
Cathedrals! We should have witnessed the final tile being placed on the Dragon Age cathedral. Instead, some architects walked up, tore down the interior and installed IKEA furniture and called it authentic before having to call the previous architects to come and fix the "load-bearing issues", forcing them to rush and add a coat of varnish and a few 'aged' details for authenticity.
#dragon age veilguard#veilguard#dragon age#bioware#veilguard critical#da:tv#dragon age the veilguard#matt rhodes#veilguard concept art#dragon age artbook#a cathedral in ruin#i am being dramatic and in my feels but also it's not about me--it's about the literal disney-ification/corporatisation of media now#this post is also anti hans zimmer hype#like... that man has been phoning it in for a while now#pack it up#let new talent come in#stop gatekeeping the arts by flooding the mainstream with the same composers/actors/writers#media studies#as a solasmancer i got my happy ending#as a dragon age player?#yeah... no.#i couldn't sleep until this was exorcised from my brain
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+ extra: canon-type family relations: jin itadori & sukuna are brothers, itadori is a child here ( 8 years ).
boyfriend-girlfriend life with sukuna except he thinks he's being replaced — in all seriousness. sukuna's seconds away from destroying his nephew's remote-controlled cars collection.
can the kid move? he wants yuuji gone. he's not jealous of him, he just wants your undivided attention back on him. if he knew beforehand that agreeing to jin's invitation over would result in this, he'd probably fly out of the country with you to avoid it.
manspreading on the sofa with one hand slung over the backrest, he swirls the beer in his other hand. his brother's in the kitchen, stacking the extra beers in the fridge.
“you can help me, you know?” jin calls sukuna out, lacing his voice with slight annoyance.
“nah,” sukuna responds, waving him off.
he's busy watching you sit on the floor with yuuji, pretending to race against time with him.
it's not all that bad when he thinks about it — never mind, it is. the kid's had you on the floor since you walked through the door. not a moment spared for his uncle. all yuuji did was look up at sukuna, stick his tongue out, and engulfed your legs in a big hug.
ever since then he's been sulking in the corner. jin can only pity him for so long — it's been an hour, he needs to get over it.
jin sneaks up behind sukuna, gathering his fingers to surprise attack him. in only a matter of seconds he's subjected to the ear-pinch-and-ring combination.
sukuna flinches, immediately swatting jin's hand off.
“you must've gone fucking crazy!?”
he gets yet another ear-pinch-and-ring combination from jin.
“i have a son, don't curse.”
“fuck that boy,” he whispers under his breath, cupping his ear. it's hot from the pain — most likely already gained a red shade.
even after such commotion both yuuji's and your attention didn't turn to them. you both are far too immersed in the racing game.
the brothers are now both on the sofa: one has his attention on you and the other has his attention on the unattended mail on the coffee table that's been neglected two days ago.
“this one? no... that one? also no...”
“jin, quit mumbling.”
“cover your ears then.”
rolling his eyes, sukuna downs the last bit of beer remaining in the bottle. he's now officially out of beer and too lazy to get one.
being left without a distraction, he's forced to observe jin's house. it's nothing extraordinary. he believes his house to be better.
he voices out a sigh, slouching and spreading his legs further apart. the boredom's hitting him earlier than it usually does — this is your fault. if you weren't busy zooming cars around the living room with yuuji then he wouldn't be bored.
as sukuna's busy with complaining, he doesn't notice yuuji speed walking to the sofa with a broken car in hand. you're right behind him, sporting a smile that says you got yourself in some trouble.
“daaad, the car!” yuuji whines, climbing onto the free spot between his dad and his uncle.
jin hums, raising his eyebrows but his gaze is fixed on the mail as he's still sorting them out.
“it broke,” the boy complains, pouting at the toy.
“it lost control and rammed into the wall,” you explained further, sitting on the armrest on sukuna's side.
sukuna's arm fixes itself around your hips. he's slightly smirking at the news.
that doesn't go unnoticed by you. you're more than familiar with your boyfriend's joy at other's misery. you shot him a glare with a light tap on his shoulder.
“is that so?” jin's attention is now fully on his boy. he takes the glasses off, pulling yuuji onto his lap.
taking the car into his hand, he inspects the damages. it's not too much, and it's fixable.
“dad will fix it later, okay,” reassuring yuuji, jin ruffles his hair.
yuuji nods, jumping down from his dad's lap to return to the toys. as he's on his way, he turns, appearing to have suddenly remembered something.
“(y/n), come play with me!”
“no, she won't,” sukuna answers for you, ignoring the harder hit you gave him on his shoulder.
“i'll be right there, yuuji,” this time you answer, giving him a warm smile and a thumbs up.
“give the boy a fucking brother,” sukuna grumbles, looking at jin with pure annoyance.
jin shoots his brother a smile, giving him no reply before he goes back to reading the final mail of the bunch.
#. ae-generated: jujutsu kaisen#the fushigurofication of sukuna's family#jjk x reader#sukuna x reader#sukuna x you#sukuna x y/n#sukuna fluff#sukuna ryomen fluff#sukuna ryomen x reader#jjk fluff#jjk drabbles#jjk x you#jjk x fem!reader#jujutsu kaisen x reader#jjk x y/n
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𝐧𝐨𝐭 𝐟𝐚𝐮𝐥𝐭, 𝐣𝐮𝐬𝐭 𝐥𝐨𝐯𝐞 | 𝐚𝐚𝐫𝐨𝐧 𝐡𝐨𝐭𝐜𝐡𝐧𝐞𝐫
When someone hurts you, you and Aaron both need time to get better, and to put things right. fem, 8k
cw canon typical violence, graphic scenes and imagery of assault/battery, recovery, mentions of being sick, issues eating. established relationship, lots of angst and comfort, hotch being vulnerable, jack being sweet
˚‧꒰ა ✮ ໒꒱‧˚
You lay backward over the luxurious stretch of the couch and sigh as your spine gives a sharp crick. Your head feels heavy after a long shower, your arms ache from a day at work, but the feeling of soft cotton on your legs deters any moping.
I hope these are more comfortable, his note read, a white post it note stuck to a boutique bag. You wrap an arm around your waist remembering how Aaron’s message had made you feel: spoiled, and considered.
You’d mentioned in passing that all your pyjamas are old and rough as a consequence, thought nothing of it, and promptly forgot about the conversation entirely.
When Aaron finally comes home tonight, you’re going to give him a proper thank you. You can imagine his reaction to such a thing, his smile as he says it’s no problem, his eyes shuttering closed as you press a kiss to his cheek. You hadn’t realised how prevalent affection would become in your life after meeting him, but everything he does inspires love. Awful, soft, marshmallowy love where he looks at you and you want to sit in his lap.
You slide your phone up your chest lazily and click the button on the side to light the display. Aaron hasn’t claimed to know when he’ll be home tonight. All he’d said was to let yourself in.
It’s odd but not the worst thing in the world to be alone in his apartment. There’s less and less free space each time you visit as Jack begins to outgrow his and his fathers lodgings, but there’s never a stain or bad smell, the Hotchner apartment feels homey. You’re excited whenever you’re invited to spend the night with them.
Maybe some time soon he’ll ask you to move in, or better, to marry him. You’re not a hundred percent sure how you feel about marriage, about being someone’s wife, but there’s a great well of pleasure to be found in the idea that Aaron would want to marry you. He makes you feel loved already in a hundred different ways but the ring might be nice, like a symbol to signify how much you mean to him.
You rest your hand across your eyes. It’s silly to think of. Sillier to want so soon. You’ve been together for just under a year, and you have no false hopes about rushing into the future, but it’s certainly a future you want with him (and with Jack, too). He’s taking things slowly for a hundred different reasons but he loves you, and gifts like your new pyjamas cement that. He really listens to you.
Your phone rings a moment later.
You smile at the screen. It’s nice to be in love with someone who loves you too.
“Hey,” Aaron says when you answer, his voice warm even through the phone, “I didn’t think you’d answer.”
“How come?” You sit up with a little start.
“It’s getting late, honey. I called Jess and Jack was already gone.” He doesn’t say anything further.
“Are you okay?”
“I wanted to hear your voice, I think.”
“Well, where are you?” You struggle to envision him speaking saccharinely like this where his colleagues could hear him. He’s nice to you often, but he’s a reserved man.
“I’m just,” —a crunching sound of metal, the trunk of his car closing— “about to get in the car. I’ll be home before ten. Can I have you until then?”
“I don’t see any reason to say no. But do you think you could come home a little faster? I have a crick in my neck.”
“And you want me to fix that?”
“You always fix my neck.”
“How have you done it?” There’s a sound you assume to be the car door closing, but you can’t hear anything beyond that.
“I have bad posture.”
“You have perfect posture.”
“No, it’s quite bad.”
He laughs loudly. It took some time to draw the humour from him but he isn’t as stony as you’d think, and for a while he didn’t have much worth laughing for, anyways. Whenever you hear it, you try to prompt it twice.
“You don’t have to lie to me, Aaron, it’s just like when you said my weird rash wasn’t weird.”
He laughs again, to your pleasure. “It wasn’t weird, it was a heat rash, I promise. You act like you’ve never seen heat rash.”
“One of us goes to hot cities all the time and one of us lives permanently in Virginia.”
“What are you talking about? Virginia’s far from cold. You’re being argumentative, I can see your smile in my head. I’m never going to fix your crick if you keep acting like that.”
“No, don’t be like that,” you laugh, tipping back into the cushions. “You’re always such a sore loser.”
“What did I lose?”
You can tell from his tone that you’ve promised yourself one of those hugs that borders on a straight jacket tightness, his face tucked into your neck as he asks you to repeat yourself. What did I lose? he’ll ask again, kissing your chin, the line of your jaw. Tell me clearly.
“It hurts,” you say honestly, “please don’t be mad. I really need one.”
“I’m not mad… I’m going under the overpass, my signal might cut out.”
“Okie dokie. Hey, did you eat? I can make you something for when you get home. I got groceries.”
“I’m not hungry, but you can make yourself hot cocoa, and I’ll drink it when I get there,” he says.
“Or I could make us both some?”
“It’s much more fun if I drink yours before you can, honey. You know that—”
You pause in the quiet, then hear a quick beeping. You pull your phone from your ear and find the call disconnected.
Cruel overpass, you think.
Sure he’ll call you back, you take your phone into his kitchen and set about finding all the things you’ll need for hot cocoa. One mug, because you should hate when he forces you to share, but you love the feeling of his fingers on yours as he takes it and the thankful kiss he dots on your cheek.
The kettle is uncomplicated. You toy with the stovetop, set the kettle on the burner, and let the temperature rise. It begins whistling lightly a mere thirty seconds later.
You click your phone on again. He’ll have passed through the tunnel now and will be calling you back any minute. You stare at the phone, hoping to summon him, slouched over the counter with the tin of cocoa powder by your fingers. The kettle whines with growing heat, but cool air kisses your back.
Goosebumps rise. Up and down the lengths of your arms, the back of your neck—
A sudden chill.
The lack of air comes before the hand, the pain a rush, a burst to be away from. Leather on your neck creaking without sympathy as a hand tightens and drags your body back against something hard.
Not Aaron. Your scream comes strangled under cruel fingers as you fight to move forward again, straight for the burner, the kettle shoved across the burner grate and exploding with scalding water, heat of the burner kissing your chest— you scream, only it’s worse than a scream, sound from the deepest part of you forcing itself past the heat at your neck as you try to fling yourself away from the pain.
You fall with a hard clout. “Stay still!” comes out enraged against the back of your neck. You drop to your knees, the pain lighting flaring up your chest, your gaze frantic as you search for a flame that isn’t there. You’re not on fire, you’re crawling and then scampering up into a standing position when the heavy weight drops itself on you again and smashes your face into the floor.
All your fight leaves you. Your ears ring. Your panic wanes but the pain stays alert in your mouth.
A hand grabs you by the back of the head and drives your face into the ground. It’s like light in your eyes and your nose, the brunt of it, the crack of your bone and the hot trickle of blood that swiftly follows. You gurgle in pain, spluttering and gagging against the linoleum, waiting for Aaron to turn you over and say sorry. It’s an accident.
Blood drains from your nose in spurts to match your racing pulse, so much blood you can see your eyes reflected in the dark stretch of it. Water drips down the front of the stove, your breath aches and begs, and your attacker takes a measured breath.
He flips you over. You can’t slide away, there’s nothing left in you, your head a second body as he raises something.
Your phone rings on the counter.
“Please, don’t,” you plead with a sob.
You pass out as the pain connects. Just as quickly as it started, your body takes the reins.
—
There’s a strange darkness waiting for you. Like waking before your alarm and stealing those last minutes, body aching, not wanting to get up and face the day. Aaron gets up early every morning, sometimes as early as four AM, and whenever you get up with him your eyes hurt for hours.
Nothing, nothing, nothing.
Hey, hey, I think your boyfriend’s coming.
What will he make of my handiwork?
You didn’t stay awake long enough for that one, did you? But you’re waking up now.
The pain is enough to wake you up again, a hot drag down the side of you to your hip and in. You aren’t aware of the sounds you make, but you can hear them. Your panicked squealing as the heat presses further and further in. Your crying, and your whispering, “Stop, stop.”
“There’s handsome,” the dark voice says. “I’ve gotta go hide somewhere, does he carry after hours? I think I’ll find out.”
“Oh,” you say, feeling sickly. You attempt to curl into yourself, when did you turn onto your back? “No,” you mumble, lips wet with something hot.
“Honey?” a voice asks.
“Honey,” you repeat, woozy again, darkness falling in all over again, where it stays.
Honey, are you in here?
—
The window behind Aaron’s shoulder is cold. Rain patters fast like floods, thunder occasionally chewing through clouds, and Jack Hotchner cries sluggish tears into his dad’s shoulder.
Aaron has his eyes closed. They’ve been at this for a while. “Shh, shh shh, buddy,” he says softly, patting the bottom of Jack’s back. He’d sway him back and forth if his arms weren’t about to fall off.
Jack squirms closer, no room left between them.
“I know it’s scary,” Aaron says.
Jack just cries. This approach of quiet support isn’t working; Jack isn’t a baby that needs to be put to sleep, he’s a panicking little kid, and Aaron needs to change gears. He ushers him away from his chest and crosses his arm behind Jack’s back. Careful, he shifts Jack’s weight to free his other arm and brings his fingers up to the silky brown hair dropping onto Jack’s forehead.
“She’s okay,” Aaron says, stroking Jack’s hair. His little forehead is clammy. “She’s not hurting. I know it looks scary, honey, but… she’s just resting.”
Jack looks him in the eyes. “Her face.”
“I know.” He nods emphatically. “It’s hard to see. Blood isn’t nice. You don’t have to see her again today, not if it’s too scary.”
Jack lifts a hand to Aaron’s face. Clumsy but with clear attempts to be careful, he wipes at the skin under Aaron’s eye. Aaron bites back a smile.
“I look tired,” he says.
“Yeah.” Jack brings his hand back to wipe his eyes. He sobs as he does it. Aaron can’t describe the ache it gives him to see it.
“Buddy, I’ll do it. Let me wipe your face. I can do it.”
Jack drops his hands. Aaron turns his hand and wipes the smudge of Jack’s tears from hot cheeks, testing the waters with a little smile.
“I couldn’t see you under all those tears.”
Jack does a little smile back. “Yes you can.”
“I couldn’t! But now I’ve wiped all your face I can see you again. You’re handsome, did we know that?”
Jack giggles. He sniffles, and he presses his palm to Aaron’s neck. “I don’t want her to be sad, dad.”
“She’s going to be sad, because something scary happened, but it’s okay. I’m gonna take care of her.”
Aaron would offer to take him home, but they can’t go home. They may not go home for a long time —the team is still trying to work out how someone made it into the apartment without alerting the building’s security or Aaron’s internal system. And then escaped again without Aaron’s notice. Until then, Aaron has to make a decision about a safe house, for himself, Jack, and Jess, though she's extremely unreceptive to the idea.
Aaron has to look after Jack, and he needs to take care of you.
“What do you think, bud?” he asks, cupping Jack’s head in his hand. “Do you want to go home?”
“You said I can give her a hug.”
“If it’s too scary, we don’t have to. I don’t want you to get upset again.”
“I’m not scared. I want to give her the hug,” he says.
Aaron pulls him in for a hug of his own. “Okay, buddy. Just try to think of it like this. She’s where she needs to be to get better. Everybody here is looking after her. She’ll be okay soon.”
Aaron looks over Jack’s head down the hospital hallway. It’s a quiet ward, and here between the main ward doors and the hallway that leads down to the individual rooms there’s complete silence. Night is approaching quickly again, and with it comes Aaron’s panic. Your head turned into a puddle, your face lax of expression in the dark. He can’t stop finding the women he loves bloody and on their backs.
“Ready?” he murmurs. “Can you walk with me? My arms are tired.”
“Yeah.”
Aaron puts Jack down gently onto his feet. He neatens his hair, chucking him under the chin as he goes to see his smile. He’s so pretty, like Haley was, with shiny eyes. He’s a beautiful kid. Aaron takes his hand and together they make their way down the hallway to your room.
You’re sleeping.
Aaron herds Jack through the door and to the plastic covered chair by your side, where he lifts him up and sits him down. He stays between you both. Jack isn’t scared of you, just the blood, but he wants to show Jack that he’s going to protect him from anything he needs protecting from. He also desperately wants to touch you, and reassure himself that you’re still breathing.
He looks for your hand. Your pinky finger is splinted, but he can take it with care, give the palm of it a squeeze.
The blood matted in your hair has finally been washed away after a turbulent day, as well as the staining that marred your face. Your nose is broken, and looks it, the bruises so fierce your eyes have turned puffy and your top lip has inflamed. There are second degree burns in multiple places but most affectedly on your chest. There’s a stab wound at your hip, allegedly done with a small blade. It nicked your small intestine. The bandages laid over you are a lump under your hospital gown.
Aaron looks at you, and he feels a passionate disdain for himself. He wishes he could… be someone else. Someone who doesn’t have such a deep connection to a job that hurts the people around him, over and over. Haley used to say he was obsessed with being the hero, but this doesn’t feel heroic.
“Do you wanna give her your cuddle?” he asks softly.
Jack stays sitting.
He’ll have to give it to you himself. Careful, Aaron leans down over your prone body and presses a half kiss to your ear, the only place that won’t hurt.
You have an IV drip going into your arm, painkillers, an ECG monitor to the left. The room is white but busy, you’re a burst of colour against it all, your cuts and bruises, the evidence of violence he can’t remove. Aaron’s tired. He perches on the gap of bed by your leg and holds your hand, turning to Jack, who watches with a frown.
“She’s sleeping,” Aaron says.
“When can she come home?”
“In a few days.” He feels the pad of your hand, terrified of your broken finger but needing to hold a part of you.
“Why is she sleeping all day?”
Traumatic experiences are exhausting. “I think she might want to be alone, so she sleeps.”
“Should we go?”
Aaron shakes his head. “I think we should stay. When she wakes up again she’ll be happy to see us, because we’re not strangers.”
“We’re family,” Jack says. He’d liked that, when the nurse asked you how Aaron was related to you. Family only.
“We’re her family,” Aaron agrees.
If he somehow miraculously fell out of love with you, you’d still be family to them. You’ve given so much of your heart since you met them. Aaron wants everything you have to give.
You wake in a slow, slow upheaval. It takes effort on your part, the opening of sore eyes, the dreary decision to face your pain. Your hand jumps in his but relaxes when he shushes you, your slimmer fingers stilling under his rubbing thumb. For a split second, you keep your gaze half-lidded, jaw soft, like you’ve been indulging in a stolen nap.
Then your breath catches and you screw your eyes tightly.
“You’re okay,” he says, quietly, and not as lightly as he means to, “you’re okay, you’re okay, you’re okay,” in quick succession.
“Hurts,” you say, and gasp, a whine stuck in your throat.
He doesn’t know what to do. Jack shouldn’t watch this but he can’t leave you alone. “It’s okay,” he says, holding your wrist to stop it climbing up your bruised face.
You were worse the first time you woke up. Catatonic, then sobbing. You mumble and whimper now, pain threading goosebumps down your arms.
“It hurts too much,” you say. A sob falls out of you like you’ve been ripped open.
Aaron doesn’t think, but an instinct sparks. The pain, to hit you right out of the gate like this, to make you say something like that when you’ve always always made your problems small, must be torture. It must feel new and sudden all over again.
Aaron checks that Jack is alright and leaves the room. He looks down one hallway and then the other, but there’s no nurse around —he races to the reception desk and begs the two nurses there for help with you, “She’s in intense pain,” he says, grasping the desk.
The nurse he’s more familiar with clears her throat. “Mr. Hotchner, she’s already had enough motrin for two people at your request, she really shouldn’t need–”
“Pain is just as important to treat as the injury.”
A second nurse puts her salad down with raised brows. “Do you want to overdose her?”
“Excuse me?”
Aaron has always seen himself as a gentleman, but the argument that ensues is tricky to navigate while remaining respectful, and he’s no closer to better treatment for you by the end of it. He gives each nurse a disapproving glower and takes his phone from his pocket, turning on the spot, ready to call whoever it is he needs to call for a second opinion. He’s not gonna listen to you cry when there’s no need.
He pushes the door open with the phone still clutched in his other hand. Jack’s climbed onto your bed. He cuddles your face, sitting by your pillows and bent over you protectively.
Aaron lets out a breath.
“It’s okay,” he says, his arm behind your head and his arm on your shoulder. “W’gonna take care of you.”
“I know,” you say, crying without sound, shaking under his arms.
His cheek smushes against your forehead. Your eyes are closed and your face braced for contact Jack doesn’t make, careful not to hurt you as he rubs his cheek into your skin. Your blankets are falling off of you from the squirming and your bruises shine with tears in the light, but Jack has calmed you down some.
Aaron shouldn’t have left Jack with you. He’s been so scatterbrained since he found you when he should be the opposite, but Jack is doing better than Aaron managed alone.
“I’m sorry for crying,” you say slowly. “I’m hurting, but it’s not bad. I’m okay.”
“That’s good. You have a big scratch on your face, and bruises.”
“I know.”
“Dad says you have a bruise on your tummy too.”
“I got lots of bruises, but it’s okay. Don’t worry about me.” You bring your hand up injured and uncaring to rub his leg. “You’re being a really brave boy, thank you.”
A tear rolls down your cheek.
“It’s teamwork,” Jack says. “I hug you and you hug me.”
“Is that what you want? You want a hug?”
“I want to go home,” he says, hugging you harder.
You grasp his arm loosely where it’s just under your chin. “Jack, can you move your arm?” you whisper.
Your breath comes quickly, but Jack moves his arm away from your bruised neck and you try to calm yourself down.
Aaron jolts himself back into action. “Sweetheart,” he says, rushing to sit Jack back and give you more space. “Are you okay?”
“I’m fine.”
He watches. Not sure what to say. Not sure saying anything is wise. You squint at him through your lashes, eyes opening slowly, your mouth a line pressed hard to stop from crying.
“I think it's time for Jack to go home,” he suggests gently.
“Yeah,” you say, eyes swimming with tears.
“No.” Jack squeezes your head again, to your panic.
“Jack, buddy, please don’t touch her neck,” Aaron says, grabbing Jack from your pillow.
He erupts into tears again. Frantic and vying for you, Aaron tries to calm him and he kicks against his chest, tears turning to disgruntled sobs at not getting what he wants. You wince, pressing your face completely into the pillow.
Aaron carries Jack from your room, phone in hand.
—
Is she breathing? Can she talk?
I don’t– I don’t know, I don’t– She’s breathing. Honey, can you hear me? I don’t know what to stop. I don’t know where it’s all coming from.
Where’s the worst of the blood?
It’s everywhere.
Abdominal? Chest?
I can’t tell. I can’t tell.
Mr. Hotchner, you can’t panic. Does she have a chest wound?
Yes. Yes, but–
Is she conscious? How’s her pulse? Be ready to start chest compressions.
Honey, can you hear me?
Your name said clearly.
“Hey, can you hear me?”
“Yes,” you murmur.
“If you need a minute, that’s okay.”
You cover your mouth with your hand. Emily Prentiss has a soft voice like your boyfriend’s when she wants to have it. She’s never spoken to you like this, none of his colleagues have, but since the incident, everybody treats you like you’re made of glass.
Cognitive interviews are meant to happen immediately after an accident, but you weren’t up for company. Aaron promised this would be on your terms, that Emily is the most practised, and that she’s reaped the most information from them than the rest of the team. So far, it’s worked to drag bad memories to the surface.
“Maybe we should start from the beginning.”
There isn’t a beginning. There’s just conversation. Aaron’s hand on your heart and his shaky voice, so unlike him.
“Okay.”
Emily reaches for your hand. She smiles, and her nice features get nicer. That’s another thing they all share, good looks. “Okay. What did you notice, in the kitchen? It’ll help if you close your eyes,” she reminds you.
You close your eyes.
“What stuck out?”
“Nothing,” you murmur. “I’ve been in there lots of times, and nothing ever changes.”
“Nothing? Not even the drawings on the fridge?”
“Jack’s particular about his best work, even if I think they should all be on display.”
Emily’s voice turns to a shard of itself. “What did you do? Can you take me through it step by step? Make yourself a cup of hot chocolate.”
“I never got that far.”
“What did you do?”
“I filled the kettle.”
“What kettle?”
You don’t understand the need for specificity, but you answer. “Aaron got it for me, when he… he told me he loved me, and when we got home he’d bought me a kettle and a bunch of stuff to make my being there easier. The kettle, because… he said something about superheated water. How the microwave can be dangerous, and this would be easier than a pan.”
“Alright. Okay, and what did you do after that?”
“I put the kettle on the stove.” You lit the burner, and heat kissed your palm, and suddenly the room had felt cold. “I got goosebumps.”
“When?”
“The kettle started to whistle, and it was cold.”
“And then–”
“Then he grabbed me.”
“Yeah,” Emily says softly.
You touch your nose. “I tried… He didn’t feel like a person. He didn’t feel like someone I was fighting, it was just painful.”
“Like he was quick on his feet?”
“He was silent. I didn’t hear him until I made him fall.”
“How big did he feel?”
Your stomach churns. Big. He’d felt big.
Where’s the worst of the blood?
“He said he was going to hide,” you remember.
“He said that? He said ‘hide’?
“Yeah. And he asked me if Aaron carries after hours.”
“When was this?”
It’s a headache. You try to remember more, because that’s what they need right now. If you ever want to go home, if you want Jack to go home, you need to remember more. The BAU are good, but nobody can make a map out of slivers.
“That was at the end,” you say.
“After he stabbed you?”
You wince. “Yes. After.”
“You’re doing so good,” she praises, “I just want to fill in the gaps.”
“I can’t remember. I was unconscious.”
“When Hotch found you?”
“No, before.”
“Before?” she asks.
You’re sick of sitting there with your eyes closed. Sick of your hands shaking with nowhere to hide them, and sick of feeling sick, your nausea as present as the stinging pain of your burned wrist against your sleeve each time you move.
You open your eyes and look around the conference room for something interesting. How nice would it be to think of something else for a few minutes?
“He called it handiwork when he cut me. Asked if I thought Aaron would like it,” you say, bordering monotonous as your gaze fizzles, unfocused, across the room.
“Okay, Y/N. Okay. I know you’re tired.” She reaches for your hands to squeeze at the same time. “You did really well. Any details at all are details we can use to find him.”
You’re not in the mood for talking anymore. Tears burn your eyes, waiting for a blink to set them loose.
“I want to see Aaron,” you confess quietly.
“I’ll find him for you.” Emily stands but bends, the dark of her hair a contrast to her pale face. She’s lovely, and her hand is gentle on yours. “Are you okay? Can I get you something to eat?”
So Aaron’s not keeping that to himself. “I want to see him, please.”
“Yeah. Okay.”
This is a horrible room. It’s not their fault, but the big white board is tacked with bad photos of grisly cases —currently your own. You stare at a photograph of your blood in the kitchen and don’t know what to do. Should you look away? You hadn’t realised you bled so much.
You turn your chair toward the door. Emily looks back as she leaves and smiles at you softly, but your eyes are already moving to the smaller dry erase board by the doorway. It’s ‘Hotch’s turn to clean up on Thursdays. How strange that they make the boss clean the conference room.
You can picture him picking up coffee cups and wiping down the table. You can always picture Aaron.
You can see him hovering over you, his hand pressed to the bloody mess of your hip to stop the blood.
“It’s okay,” you whisper to yourself, wanting to break from the memory, following Aaron’s example. “It’s okay, it’s okay, it’s okay.” You repeat it into your hands, head tilting down. You sink until your knuckles touch your knees.
That’s all he says when you panic. He’ll say it over and over again until you can breathe right. I have you, I have you, you’re okay.
He’s much quieter this time. You hear his footsteps, his familiar gait, your head pounding too hard to move. Aaron makes a sound between a sigh and a hum, like he’s saying a sorry hello as he kneels in front of you. His hand takes your face, rubs softly over your ear.
“My head’s just hurting,” you murmur.
He doesn’t respond. You sit together for some time as your mind races with bad memories, your fear a rush of goosebumps down the lengths of your arms and thighs. It’s hard not to think about what happened, mostly because you’re still a walking bruise, your stitches sting when you move, the blisters on your chest ache, all of it inescapable. But it’s your anxiety that plagues you most. You’re in a constant state of dread.
You had no idea someone could hurt you as badly as they had until it happened, and now you’re desperate not to be hurt again.
“You have to look after me,” you say eventually, throat sore with how awful it feels to say.
“Yes, I do.”
“Please don’t let me get hurt again.”
Total silence. You sniffle at his lack of an answer, only slightly comforted by his hands at your wrists now, pulling them from your face. “Let’s sit up,” he says, standing himself. “Come on, let’s sit up. You shouldn’t be putting so much pressure on your abdomen.”
You lean back and everything aches like a stretch after a long run or a bad night’s sleep.
Aaron pulls a chair next to yours. When he sits, your knees are pressed in between one another’s thighs, so close he could hug you. You might need one. He’s given you a ridiculous amount of them each day, some for him and some for you.
He has with him a takeout box and a bottle of water.
“Here,” he says, popping the seal of the drink. “Three sips.”
You feel like crying, but you drink. He opens the takeout box to reveal a normal looking sandwich already cut into two halves, but he takes a plastic knife from his pocket, peels away the wrapping, and cuts the sandwich again into quarters.
“I’m gonna be sick,” you say.
“No, you’re not. You won’t be.” He presses the sandwich flat with his hands and holds it to you until you take it. “Please, Y/N. You only have to eat what you can.”
“I don’t want it.”
“Please.”
“Did Emily tell you about my interview?”
He reaches for your thigh. Mildly unlike him when you aren’t at home. You assume it to be a tether for your sake. “No. Is there something you think I should know?”
“I don’t want to say it again.”
“Then you don’t have to. Someone will tell me when I get back.”
You pinch the fluffy bread in your hands, eyeing wearily at the wet insides. “Can I come with you?”
“You’re having trouble in the cognitive interviews, you won’t want to hear what we have to say.”
You split the sandwich in half again, watching as salad and mayonnaise ooze from the bread.
“If you don’t eat, you won’t get better,” he says, a touch stern.
“I can’t eat when you won’t let me come with you.”
“I’m not the only person capable of protecting you. I…” He circles your wrist before you can make a mess. “Can you please eat it?”
You take a bite to appease him, your stomach roiling, food wet and cold on your tongue. You eat the whole quarter queasily, a lump at the back of your throat begging you to stop.
Aaron takes an empty hand and rubs it tenderly. “Thank you,” he says, that rubbing turned more forceful, his hand journeying to your elbow and back again.
It’s sweet how attuned he is to your needing his touch, but mortifying. This entire experience had been embarrassing from start to end. Couldn’t defend yourself, can’t get to grips with it, and can’t keep anything down. Aaron looks at you and your bruises and you wonder if he’s seeing you with blood matted in your hair, or hearing you beg for him to get you something stronger. All you’d wanted was a sedative.
“I’m far from the only person capable of protecting you,” he says.
“You saved me,” you say. You mean it in every sense of the world.
“…This is my fault.”
“I want to be with you,” you say honestly. “I don’t feel okay by myself right now, I just need you, or I feel so sick I wish that I died.” The anxiety is marrow deep.
Aaron looks gutted. “Don’t say that.” His hand goes back to yours, back to tenderness. “I know you're scared.”
“Then why won’t you listen?” you ask weakly.
“I’m listening to you,” he says, his tone a dulcet, pleasing softness you’ve never ever heard before, “I need you to be safe, and I need Jack to be safe, and I can’t do that while he’s still out there.” His brows pinch together, agonised. “I’m sorry you’re scared. I didn’t protect you. But I won’t let anything happen to you again.
“I love you. Please believe that I’m doing what’s best for you right now.”
You turn your head away. He cups your cheek regardless.
“I love you,” he says again.
“I know.”
“No, I love you.”
He’s saying sorry.
“I love you,” you mumble back.
“How are you feeling? Is anything hurting more? Weeping?”
Your eyes are heavy at his touch. “You only looked at me a couple of hours ago.”
“Alright. Can I kiss you? I need to go.”
You don’t answer. Aaron kisses your chin, your jawline, the type of roving, teasing kisses he’d give as he squeezed your sides, only he doesn’t squeeze you, he can’t without hurting you. His hand hesitates just above your deepest wound.
His bright kiss works to spark a modicum of life back into you. Not a lot, but enough. It was likely his intention, some quick prodding kisses to remind you of something happy between you both.
You curl your fingers over his hand and turn your face for a chaste peck. He smiles, the curve of his lips evident and relieving against yours.
“Someone will take you back to the safe house, okay? Give Jack a kiss for me,” he says.
You nod. Aaron strokes your cheek.
—
Your assailant could have killed you while you were vulnerable, but he didn’t. “He assumes he’ll have another chance,” Emily surmises.
“That’s cocky,” JJ mutters.
“It’s telling,” Aaron says. “But he won’t.”
The coaching has been extensive. You, sick, a breath from tears and hurting, your shoulders in his hands and his grip too tight. If someone tells you I’m dead, you wait. If Morgan tells you I’m dead, you ask Rossi. If he says I’m dead, you ask Emily. You can’t believe the first thing someone says. No one is going to move you from this safe house to another without seeing me first. If I do get hurt, you and Jack will be moved separately. You will always get my confirmation before you’re moved.
I’m not gullible, you’d said, wincing at his sharp tone.
It’s not about that. People will lie, and they will lie well. They will talk their way into the house if you let them. You can’t let them.
I won’t.
He’s racing against a countdown, because no matter what he says, what you know, or how many agents wait outside your house, sometimes it’s a force of will.
Foyet didn’t need much more than that.
He admittedly feels on surer footing knowing where you are. The decision to guard you without putting you in WITSEC is aching and scary but better, too. He knows where you are. He can be there in ten minutes. No guessing games, but no hiding for you either.
Your dread is taking over everything you do. Today’s the first day since you came home almost two weeks ago that you could function without a live-in nurse or Jess there to look after Jack, and already he’s worried, because he’d convinced you total honesty was what’s best for the both of you, and so your texts are candid.
One an hour for his sake, more if you're up to it.
Threw up my beta blockers. Jack misses you, he wants to make you a Lego boat and fishing rod, but I’m not sure how to do it. Please make sure you eat dinner.
Your next message makes him smile, thankfully. I’m kidding about the dinner thing. Ha. I had one of those gels you got for me, and Jack wants fries, so I’m making waffle fries.
He texts back quickly. Eat dinner. Please tell Jack I miss him too, and don’t worry about the boat, he’ll work it out. Then, feeling awful, he adds, I love you
Aaron should go home. He’d feel better if he knew he was there to help you keep your medication down, but if he leaves… He knows his team will give you everything they have, but he has more. He can fix this.
He can’t fix this, god, his head hurts badly. You’re covered in cuts and bruises and burns and he thinks he can make up for that? You’ve been brutalised. Aaron can’t believe this is happening again.
He rubs his brow.
“You okay?” Emily asks.
When he looks up, JJ is gone.
“I’m fine.”
“It’s okay if you’re not.”
He’s not fine, but he knows what she’s asking. “I’m okay enough to do this,” he says.
It’s hard not to confuse you with memory, your hurting similar to his own, your situation one that he’s already lived. Haley will haunt him for life. It doesn’t usually feel as punishing as he fears he deserves: he gets to remember the best parts of her everyday. He sees her in Jack all the time. He sees her in you, occasionally —you’ll touch his hair or rub his arm like she would’ve done, and it doesn’t make him miss her any more than he does, he’s not in the business of wishing you weren’t yourself, he loves you, but he remembers her. Aaron remembers how he failed her every day.
He can’t fail you, too.
“Is it ever easy?” Emily asks.
Aaron looks around for a bottle of water. “Is what?”
“Being in love.”
He thinks about it. “I must make it look hard.”
She laughs softly. “Sometimes, yeah.”
Maybe that’s not fair, then, to you. For him to make it seem difficult to love you. To fail to correct Emily when she asks.
He chooses his words carefully. “Loving her is the easiest thing in the world. But… I continue to work a job I know makes me hard to love in return.” And that puts you in danger.
It doesn’t feel wrong to be sincere. Perhaps it’s easier with Emily. She saw so much of him during Foyet, and she’s family, truly. He can tell her how intense it’s felt.
“Well, it doesn’t seem hard for her,” Emily says.
He shakes his head.
She continues regardless, “Even during her cognitive, she mentioned the first time you told her you loved her. When it was over she wanted to see you over anything else.”
But I put her here, he wants to say. Or doesn’t want to say at all, but instead knows with surety.
“She can’t eat if I’m not home,” he says. What a thing to do to someone. “It’s my fault.”
Emily smiles, hair slipping off of her shoulder as her expression turns to playfulness. “I think you’re seeing it all wrong. Something bad happened to her, and you’re so safe to her that you make it better when you’re with her. That’s not fault, Hotch. Just love.”
He turns his attention back to the board without another word.
—
When the day comes, when they find the man who hurt you, you’re sitting at home with Jack Hotchner in your lap. You’re laughing at his laughing, cartoon fish on the TV, and Aaron’s got a gun in his hand fifty miles away. You both giggle, nearly in hysterics as the safe house living room glows pink and red, Jack’s favourite character swimming hurriedly across the screen, as Aaron negotiates the arrest.
Usually capable of mediation, Aaron finds his patience completely unravelled. He offers the UnSub two choices: he surrenders now, immediately, and he keeps his life, or he deliberates and Aaron kills him.
He has reason to believe the UnSub will try again, of course. Will keep hurting you until it sticks.
He goes home satisfied.
“Dad’s home!” you say excitedly, your movie long finished, your thighs numb and stitches stinging where Jack has leaned against you. You encourage him off of you as the front door closes, the cold air from outside rushing in.
“Honey?” Aaron calls.
“Yeah!” You stumble into a standing position, sure you look about as disgusting as you have since the situation began, promptly sitting back down as head rush hits.
Jack races for the door, meeting Aaron in the hallway with a whoosh. “Hey!”
“Hi, buddy, what are you doing?”
“We watched Finding Nemo,” Jack says, “and now I’m hugging you, duh.”
“Duh. Well, I need to talk to Y/N for five minutes. Can you wash your hands for dinner?”
“Yeah.”
“You okay?” he asks.
“I’m fine.”
You hear the sound of a light kiss, and then Jack rockets across the hallway and up the stairs. Aaron walks into the doorway, tie still knotted but with no suit jacket, and you know what he’s going to say before he says it. He wears a strange expression.
“You got him?” you ask.
He puts a white bag on the coffee table, looking down at you fondly. “I got him.”
“How did you find him?”
He crouches down in front of you. He’s so careful to be harmless to you now, so tentative. “You’re not the only woman he hurt. We dealt with him in the past. From the information you gave Emily during your interview, and the information he left behind, we found him… If you weren’t as brave as you are, I couldn’t have kept you and Jack safe.” He holds your knee. “Thank you.”
You stare at him. Staring, wondering what he means. “Brave?”
“Brave.”
“I’m a coward.”
He shakes his head. “No. You’re not.”
All you've done for days is cry and throw up and bleed, literally. You’ve ruined clothes and sheets, thrown up in his lap, terrified and aching. Each time was met with the same gentleness. A kiss on the cheek, or a hand rubbing your back. Is that bravery? You feel like a baby.
Aaron’s brow is relaxed. He takes your two legs into his hands, and he looks at you with a reverence that leaves you breathless.
“You’re hurt forever because of me,” he says quietly, you strain to hear him, “because of who I am, and what I choose to be.”
“How can you say that? It’s not your fault.”
“It wouldn’t have happened to you if I hadn’t missed his MO the first time.”
“You’re not putting the knife in anyone’s hand,” you argue.
“But it keeps happening.”
His hair shines dark and wet. It must be raining outside, the safe house walls are thick, the windows shuttered permanently, you haven’t heard a peep. You stroke it back from his forehead.
“Remember… when we first got together, and you told me you were sorry for how hard being with you could be. And I said it was okay, that it wasn’t hard, and you said it would be?”
“I remember,” he says, practically mouths.
“I was so afraid when...” You swallow roughly. “I still am. But not– not of you. Not of what you can do. When you told me it was going to be hard, I thought, well, it’s worth it, because I really liked you then and I love you now.” Tears collect in your eyes. Safe. I’m safe. “And you look after me, so– so–”
You stop as your voice turns to glass, worried you’ll make a fool of yourself and cry in his hands.
“I didn’t want this for you,” he says.
“Nobody wants this. Bad things happen to everyone, but who has someone like you to look after them?”
He breathes out heavily. “Please… don’t cry.”
You wipe your cheeks, taking a lengthy pause before you say, “I’m okay now.”
He looks at you in silence.
“Come and sit with me,” you say, scrubbing your cheeks, hot tears cooling on the backs of your hands. “Your knees.”
He actually smiles. It changes his entire face. “What about my knees?”
Aaron sits on the couch next to you atop Jack’s blanket, a bag of pretzels tipping between your leg and his. You attempt to rake his damp hair into submission as his fingers run against your thighs, fishing for pretzels to put back into the bag.
You’d like for him to grab you and kiss you harshly, give you one of his straight jacket hugs, some roughhousing, but you won’t get that from him until you're better, and even then, it’s up in the air. So much has changed.
But not everything.
“I love you,” you murmur, fingertips scratching down behind his ear to the back of his head.
He turns to you, sagging with relief and exhaustion. “Kiss?” he asks quietly.
You nod. He holds your cheek, and you close your eyes at the same time for a kiss. It’s not a lot, but you have time. He can give you another one when you’re both better recovered.
He pulls away. You open your eyes, finding his closed, his face downturned. “I love you.”
“I love you, too.”
“Was Jack good?”
“Jack’s always good.”
“Did the nurse have anything to say about your chest?”
“She said it’s healing okay. That I need to use, uh, scar patches when they start to scab.”
“I can get those.”
“I know, I knew you would.”
He gathers you up for a hug. For a moment, you think he’ll move on, that the end of your nightmare will kill his remorse, but he breathes in, nose wedged against your cheek.
“Do you think that tonight, we could pretend it didn’t happen?” You’d like to just sit with him, press your hand to his chest and doze. It’s the first night in a while that you’ll feel completely.
“Yeah. I can do that.” He hugs you rather tightly. “Do you want to see your present?” he asks, relaxing his grip.
“My present?”
He grabs the bag on the coffee table and places it in your lap. “I’m worried it’ll remind you of bad memories, but I wanted you to have nice things then, and I still do.”
In the bag, there’s a pair of pyjamas. Very different to the ones you’d been wearing when you were attacked, they were girly and sweet, soft in your hands, these are sturdy. Still soft, but thick. The shirt is short-sleeved and the pants cuffed at the ankles, a hoodie tucked underneath them, and a packet of minky socks.
“Thank you,” you say.
Thanks for everything, for saving you twice, for taking care of you at your worst, and for wanting you to have something comfortable to wear at the end of it. To have experienced an abjectly cruel battering will leave its marks in your forever, but you meant what you told him. He looks after you, and you love him.
He kisses your shoulder. “You don't need to say that.”
He doesn’t add anything else, his nose pressed to your shoulder, his hand on your hip. Whatever goes unsaid can be felt in the other’s touch.
˚‧꒰ა ✮ ໒꒱‧˚
thank u for reading!! it’s been a long time since I wrote a fic for hotch and it’s hard to write him being vulnerable but I hope this is alright anyways and that you enjoyed :D please consider reblogging if you did enjoy it (cos that way my fics get shown to more people <3) ❤️
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