Not to shit on the LEC format again but... to do exactly that:
I'm watching JDG TES now, because this not a final match feels more important than the LEC is a final match, because LEC finals mean literally nothing.
Like yeah could FNC win and pretend they finally got another title after 6 years or whatever... yeah and they probably will pretend that if they win, but they won't have, it's not a real thing, there is only one final today and it was in LCK, idk what LEC are doing, it's some kind of showmatch I guess?
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the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
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Dead Language Expert
Danny never thought that he could "major" in languages, and get a job as a translator. But apparently knowing all the dead languages by default and being able to time travel with the help of your ghost tutor was pretty useful outside of Amity.
It happened purely by chance, he was walking through a museum and started laughing because of a mistake in one of the sentences that completely changed the meaning of the text. The museum manager, of course, did not believe him, since many people had said that the piece was "impossible to translate". But he study it anyway.
Days later they were looking for him to translate all the things from that time. And he just carried on with it, in many more civilizations. In some cases he even asked for a few trips to the past to Clockwork to verify.
It got to a point where the wizards, heroes and villains over the world knew him as "the translator of dead languages" and some of them even tried to kidnap him to perform a summoning ritual. Danny rolled his eyes and easily freed himself, but the League assigned him an "escort" anyway.
Exasperated, the halfa escaped from his escorts and continued his work as normal. Superman almost fell out of his chair at the Watchtower meeting when he was informed that the boy had translated the language of Krypton and other missing planets. Besides having managed to lose both the Flash and Green Latern, what the fuck?
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I keep thinking about Lewis' review of The Hobbit, because he claimed that the main thing contemporary reviewers compared it to was Alice's Adventures in Wonderland. Was fantasy in that poor of a state that Alice was the closest thing they could think of? Comparing that chaotic fever dream to Tolkien's intricately crafted world? Lewis does specify that the comparison is that both books are by an "Oxford professor at play", but they're otherwise so different that putting the two in the same category baffles me.
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ALSO can we talk about Hetty’s reaction after Flower tells her “You’re a good friend”???
Think about where she was at this point last year—having also just revealed a massive secret, one that almost irrevocably ruined one of her oldest friendships. She’d admitted in Ghost Court that friends were not something she’d ever had in life—something she hasalso just reiterated moments ago to Sam and Isaac, that one of the reasons she felt so trapped and alone and without options at the end of her life was because she had no friends.
Think about how far we’ve seen her come; in season one, it’s huge growth for her that after Jay’s possession, she admits to the other ghosts that she missed them. Or season two, how in a very un-Hetty move she’s willing to swallow her pride and apologize to Nigel (even though she’s sure she isn’t in the wrong!) for the sake of saving her friendship with Isaac. Or even earlier this season, how closely she’s clinging to Alberta in so many of the episodes, because she’s so grateful she got her friend back after being so close to losing her that she doesn’t even want to be physically separated from her.
And then now, she’s just once again revealed a secret she’s kept for well over a hundred years, in order to save Flower. She’s kept this part of herself from everyone for so long, and the very second she sees that Flower is securely out of the hole, she turns her back to everyone to gather herself and then bolts.
Isaac and Sam make her see that, yes objectively she has people here for her now like she never had in life, but Flower coming in and thanking her is when she actually gets to see and experience the reality of how different her existence is now. “You’re a good friend,” she says, and it might be the first time someone has ever said that to her. And Hetty just looks up at Flower so surprised in that moment, and so heartbreakingly hopeful, because I genuinely think that until right then, she really hadn’t considered it like that before; she just knew that Flower was in trouble and that she had to help her whatever the personal cost, because not saving her wasn’t even an option.
So much of the ghosts’ relationships, especially early on, were transactional, and, especially in Hetty’s case, built around enforcing particular power dynamics: accruing a wealth of back rubs, extorting Pete’s TV time before signing Elias’s contract, or any of the countless occasions she brought up her status as ‘lady of the house’. So the fact that she makes this sacrifice that feels like a loss of power to her is in and of itself big; but Flower acknowledging that, and making sure Hetty herself sees it too, by calling her a good friend—it’s a whole different level of meaningful.
She doesn’t just thank Hetty. She makes sure that she sees what her actions mean to her. And Hetty is so taken aback by it, because Flower saying this to her and meaning it is a gift she was absolutely unprepared for; a “good friend” is not something Hetty has ever known herself to be, up until now. But she very badly wants for it to be true.
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Okay challenge mode. You are a therapist and Eridan Ampora from Homestuck has just walked right out of his intro page into your office. How do you fix him?
put him and karkat in a room with a pile of stuff and tell them they can't leave until they've jumped into it and talked about their feelings
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I’m gonna be honest with y’all. I try my best but I do not understand half of Star Wars. I’m Din Djarin in this fandom. I don’t understand the storyline, I have no idea what anyone is talking about, I don’t want to be in charge, I got a cool outfit and I have a car let’s ride.
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boss makes a dollar, i make a dime, thats why i think about izzy hands on company time
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would you like to talk about how bad the mha ending was hella
as much as i would love to give like. a comprehensive response i genuinely dont think i can get my words together just yet without it being a constant unintelligble stream of 'AND ANOTHER THING-' and bc it's become quite torn in the fandom on if the chapter was good or bad i want like. an actual coherent response here. so i will reblog this if/when i can word it but know IM NOT FUCKING HAPPY
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Late to the game as I’ve kinda been kinda non-here for a minute but I scrolled through the Dot and Bubble tag, and thought I wanted to write this post into existence.
There's this part in Doctor Who Unleashed where RTD says this:
“What we can’t tell is how many people will have worked that out before the ending. Because they’ve seen white person after white person after white person, and television these days is very diverse. I wonder, will you be ten minutes into it, will you be fifteen, will you be twenty, before you start to think, everyone in this community is white. And if you don’t think that — why didn’t you? So, that’s gonna be interesting. I hope it’s one of those pieces of television you see, and always remember.”
And I'm like. Yeah. But the reason this works even as well as it does is largely thanks to the work of the previous showrunner with the previous creative team, which was notably the first era to have any writers of color (amongst other firsts in terms of inclusivity in directors, composer, actors). While Chibnall fumbled whenever he tried to write about race himself, he did have the self-awareness to have Black and South Asian writers writing the episodes where race is the focus (and a female writer for the episode where sexism is a focus; my point is, he seemed to know his shortcomings).
I wonder what the current creative team looks like? (not really, but I wasn't 100% sure for all of them)
To quote RTD:
“...before you start to think, everyone in this community is white.”
This is pretty non-self-aware, right? It's pretty “It is said, and I understand this, there was a history of racism with the original Toymaker, the Celestial Toymaker, who had ‘celestial,’ and I did not know this, but ‘celestial’ can mean of Chinese origin, but in a derogatory way,” right? (from The Giggle Unleashed) It's pretty “and I had problems with that, and a lot of us on the production team had problems with that: associating disability with evil,” right? (from Destination Skaro Unleashed)
—none of which are issues that should be overlooked, but think how much exponentially better they might’ve been addressed if he’d consulted with Chinese writers and wheelchair-using writers before going straight to giving the Toymaker weird fake accents and making Davros walk?
How many Black or non-white people do we think saw the Dot and Bubble script before it landed in Ncuti’s hands?
And this just keeps happening.
And like, from some of the shocked responses I've seen from white viewers to the ending of Dot and Bubble, maybe the episode's unsubtlety was needed? From the way RTD talks about it in Unleashed, the episode was written with a white audience in mind, Baby's First Microaggressions (where of course the microaggressions come from people who are pretty self-admittedly white supremacists). Ricky September, a more seemingly normal depiction of someone in the racist bubble of Finetime, seemed like an interesting element, up until the way he died.
The ending worked for me, because I do think the Doctor's reaction is true to how the Doctor would react. I just keep thinking of how much better the core themes could've been handled by someone with actual lived experience on the subject matter.
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my hot take as a person with an english degree and a library degree is that some of the dorkiest fiction and poetry ever committed to paper in the english language came out of the iowa writer's workshop so it is at best goofy and at worst completely futile to argue that your average amazon unlimited writer is having a more deleterious effect on literacy and literature.
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honestly i could write essay after essay about everything that made that finale bad. and i will. however comma i genuinely do not care about any of these characters enough to want to do that. i don't want to spend my time critiquing and analysing a show where all the characters are boring and the plot is all deus ex machina.
LIKE. WHO IS RUBY. WHO IS SHE. WHO FUCKING IS SHE.
she's done with the whole SEASON. she was in EVERY episode. and we literally don't know anything about her apart from the whole mom mystery thing which is all for the big reveal at the end anyway?
and i can talk about the ways in which that was unsatisfying and so on. but like what does that tell us about RUBY? what do we know about HER
and the answer is honestly very little. ruby is such a stock doctor who companion that it's just kind of boring. she gets a big mystery, because of fucking course she does, and who is she outside of that? nice?? sweet?? does as she's told?? (this one is fucking boring btw) kind of like the chibnall companions, she's whoever she needs to be for the situation at hand. the writers say ruby needs to be shocked by landing on a planet after 6 months of travelling with the doctor, so she is. she isn't a person. she has one desire, which is to find her mother, and the only reason she gets to have that is that rtd needs to set up whatever the fuck was going on with her mom for the finale. that's it.
and the doctor. like why should we care about this doctor specifically, outside of the fact that this is the character we have been following for the whole show? who is he??? like seriously who is he? he doesn't get any character development? what makes him different from other doctors? who the fuck is this guy????
i said earlier that ncuti's doctor is what you get when you throw all the doctors in a blender and i stand by that. he's definitely the doctor, but he's like an average of all the other doctors with nothing particularly unique or special about him. ruby is what you get when you throw all the companions in a blender. definitely a companion, with nothing unique or special about her either. much like chibnall's companions, all she gets to do is stand around and watch.
and the crucial missing factor is we don't get to see what they see in each other. which from the companion's perspective is still excusable because here's a dude with a spaceship time machine and that sounds kind of sick so lets go and travel with him is an understandable motivation. but what does he see in her? because there's always a moment where you can see the doctor sort of think, oh yeah, i should travel with this person.
but there isn't really this moment with ruby. it's kind of like with how thirteen meets her companions. she just sort of runs into them, and now they're stuck together. and ncuti does get to emote more than jodie, so at least you can see that ruby and the doctor do like each other, but their relationship isn't really fleshed out ever. and like i can buy ruby risking her life for him, because that is just sort of what happens on doctor who, but it's not based on anything. we don't see them develop this trust of each other. their relationship doesn't get developed. it just appears fully formed.
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Who's the cold caller?
That's Percival Wrenchit! A department-transfer Cold Caller who's working under Chip Revvington as an intern. Ignore the fact ey aren't in any official records. Or that eir intern position seems to be unending. Or that eir last date of work was in Sellbot HQ in 2018. Or that you never see Perry and Percival in the same room.
In all seriousness, Percival is Perry...'s cog disguise. Custom-made with the help of a certain Mr. Fear and Loathing in order to make it look as authentic as possible, to be undetected by even the greatest of toon-sniffing scent detectors. Of course, Mr. FaL's intentions maaaaay have been a little iffy. Being able to keep Perry in C.O.G.S. Inc... maybe get em to be an official hire... and Perry, being how ey were, was stuck with an office job for a while. This... maaaay have led to a few identity crisis's where ey kept forgetting ey're a toon, but this was way back in 2018.
Present-day, this disguise made a come-back... in the form of Mr. Revvington getting a bit too upset over the fact that this strange, silent critter has somehow been getting his brother's blessing for two weeks, yet all ey're doing is just standing like a statue in his office with eir eyes on the floor. Pretty sure ey've sweat bullets to the point the rug's had to be cleaned from something other than cake stains. Regardless, he eventually had enough and figured if Perry was going to be stubborn in visiting him, ey might as well make emself useful. He knows toons take parts in order to build their own disguises, despite the fact they always come out at the very least a little off, to at most straight into uncanny valley for the trained eye. At least this one's got more effort put into it. He doesn't want to see a critter in his office (despite the fact eir first tasks are things such as cleaning the halls, fetching him oil or cogfee, or retrieving certain documents that specifically have information that wouldn't be useful to the resistance. He has absolutely no trust in em at this point and thinks ey could very well be a spy. He's being smart about it.), not to mention the eyebrows that might raise. So shoving em in eir disguise and having em be a department-transfer intern is a good cover-up story.
Get to work, Mx. Wrenchit.
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"Kingdom Hearts is so complicated" "Nomura made it up as he went along" "KH makes no sense" Have you considered that Riku is 15 and autistic and gay bc if you do I think itll change things
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Ok, here's an Idea I've had:
U said you coded gravel back into the game right? Well, why not code one of lilacpaw's Siblings into the game! It would Cool to see!
(btw, this is just a suggestion!)
Coding a character in seems to me like a much more involved and complicated process that id rather not bother with at all, as opposed to literally just changing “dead: true” to “dead: false” in the games files. I really don’t wanna bother lol
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not to be a broken record stuck on thoschei and spydoc as a continuation of twissy but. something something missy dying when she tried and failed to stand with and be more like the doctor. something something ttc being about the master trying and failing to make the doctor more like him. something something the master now trying to define the doctor, to literally be the doctor... and still failing anyway. he fell the same way missy did; failing to be more like the doctor. but this time; this time? she fell with him
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