#not whatever your idea of 'good' is

[wereh0gz]

A take I've seen a couple times is that Sonic is supposed to be fairy-like and like an embodiment of good itself, not a character who should feel "human" (as human as anthro hedgehogs can get ig)

And like. I'm sorry but that's a really boring interpretation of his character that diminishes a lot of his most appealing traits imo

Bc one of his biggest appeals for me is that he's flawed. And it's not a question whether he is or isn't, he IS flawed in canon

You CAN say that Sonic is more "fairy-like" in the earlier classic era, but by the time the modern era rolls around (pun not intended) he started to shift to a more shonen protag-esque character, with a side of late 90's early 2000's cool radical attitude (that part starts to mellow out as the games progress but he'll always have a little bit of that specific kind of cool factor in my eyes)

But, like I said, he's flawed. He's impulsive and reckless, and can sometimes be just as selfish as he is selfless. He does what he believes is right, no matter what others think and even if he's actually in the wrong. And sometimes, rarely, he lets his emotions get the better of him. He also has a disregard for authority, and can be pretty rude and sometimes a bit arrogant, too

The only reason he's considered a hero is bc in spite of his flaws, he's still kind at heart (and, usually, what he believes is right still aligns with what is considered good). He doesn't even consider himself a hero, that's a title mostly put on him by other people. He doesn't think of himself as anything special, just "a guy who loves adventure"

THAT'S what's appealing to me about Sonic. He's just a guy. He's a person, idealized as he may be, who still has flaws and still makes mistakes, but is generally still really fucking cool. I think humanizing him a little more by exploring his flaws isn't a bad thing either and makes for more interesting stories

Anyway, I don't think Sonic could be described as an embodiment of good itself. Hell he'd probably tell you to cut it out if you told him that to his face (he's got an ego but he's not THAT bad). He'd say something like "I just do what I gotta do, that's all" before moving on to kick Eggman's ass again, or something

That's just my take, anyway

[chloesimaginationthings]

IS THAT JEREMY!?

I’M GLAD YALL NOTICED THIS DETAIL! To answer your question,,, oh yknow

[quillthrillswriting]

i'm sorry, but the atla fandom is the only place where i've ever seen people unironically use a 12 year old telling his friend that killing someone out of grief is maybe a rash decision and not healthy to argue that that same 12 year old is being controlling and is an unhealthy partner

you guys know that murder is like....a bad thing....right? especially for a 14 year old? you guys know that revenge murder isn't a healthy strategy? you guys know that anyone who would encourage that is probably actually the unhealthy one in that scenario...right??

[oatmealcrisp-freak]

"shipping saiki is aphobic because he's aroace!"

stares at you with my demiromantic asexual in a committed relationship eyes then looks at the camera like im in the office

[astriiformes]

Some of this is an expansion of a thesis that I was prodding at in my speech and debate piece ten years ago in high school (which was an admittedly somewhat naïve exploration of the relationship between science fiction, optimism about the future, and scientific progress, though I stand by elements of it), but there really is something fascinating about the way Back to the Future, as a piece of science fiction media, engages with its own genre.

In the "better" timeline, George McFly, an avid sci-fi fan, goes on to become a science fiction writer. Doc Brown was inspired to become a scientist by the works of Jules Verne (and in the video game, has another Eureka moment when he sees the 1931 Frankenstein film for the first time); in the musical, he describes his time machine as "A car for the stars / Like Captain Kirk's." As a sickly girl, isolated from her peers, Clara Clayton fell in love with amateur astronomy and stories about traveling from the Earth to the Moon.

I'm just so enamored with the fact that, unlike some other media, Back to the Future loves being sci-fi so much. There's a consistent throughline in every piece of BttF media--even the newer ones--that science fiction is something good, and inspirational, that makes people feel less alone, and forges connections, and encourages people to learn and invent. And that throughline is absolutely in conversation with the fact that the 2015 segment of the second film presented a decidedly aspirational vision of the future, even though other contemporary portrayals on the new millennium were starting to skew bleaker and more cyberpunk. It would come across as a little self-aggrandizing if it didn't feel so genuine--and it also helps that some of the positive impacts shown are smaller, and more personal. George finds a fulfilling career. Doc and Clara fall in love. It's more like watching a work of fiction earnestly believe it has something to say than it is watching it be self-important.

"You can accomplish anything if you put your mind to it," "Your future hasn't been written yet. No one's has. Your future is whatever you make it, so make it a good one." Do you see. Do you see it.

[spicymotte]

Twitter is completely self-destructing right now so I’ll delete my account soon! tumblr is my main source of brainrot but I’m also on bsky and Instagram

[bixels]

What did/do you like about Pharah?

Uh, gameplay-wise, I really love characters in shooters who rely on three-dimensional movement techs. Chaining together hover and jump to stay in the air for as long as possible and keep momentum is so satisfying, and picking enemies off from the sky made me feel like a bird of prey. I was a good Pharah main.

Story-wise, there unfortunately isn't much to canonically go off because Pharah is so underutilized and neglected. Her personality's pretty boilerplate "heroic hero" (she's literally inspired by Captain America).

But it's the crumbs/bits and pieces that I really latched onto. Pharah's a confirmed lesbian; her short story with Baptiste implies she harbors a crush on Mercy (fucking thank you.). She's biracial Egyptian/First Nations. She has major mommy issues, having grown up both admiring and resenting Ana. She's the bridge between Old Overwatch, inspired by the idealized heroes who surrounded her childhood, and New Overwatch. She's one of the only inter-generational characters in the cast; someone whose experiences span the gap, which is why I seriously believe Pharah would make a great main character.

There isn't much to go off of, though; she's a very uncomplicated character (she's a soldier for a private military corporation, lol.). But that just means she's a blank slate character, so I've seen fanfic writers run wild and create some really interesting takes on her. My favorite interpretation of her's a dense, herbo gym-bro type (a lot of her liens are about work outs, exercising, and playing sports) who's easily excitable under her seemingly self-serious, armored visage. We see how she tends to gloat and hype herself up when she's on a streak too, so Pharah definitely has a competitive and boastful side under her more professional and militant performance.

Now Mercy? Mercy is a real complex character.

[lemonhemlock]

I did not get into Game of thrones when it first started airing. In fact, I waited until it was long past it's heyday (around s6 or 7) to check it out because the marketing and the conversation surrounding it misled me into thinking it was nothing more than "grimdark" bullshit. As one famous YouTuber sarcastically called it "hot fantasy that fucks." So, I avoided Martin's work for literal years due to the impression that I got from online reactors and show-only casuals who did as you and a few others have described as his work being fundamentally misinterpreted.

Fortunately, I overcame my hang-ups, purchased the books (even the supplementary material) and fell down an entire rabbit hole of ASOIAF which led me to recognizing that this world he spent decades creating is far more complex than what had been portrayed onscreen. Regardless of the possibility of the books remaining unfinished (which I am fine with, personally), what George has created is a genuine work of art that I imagine took a tremendous amount of time and energy. So, for so many people online to behave like children and throw tantrums because they feel entitled to him (ew) instead of ushering forth more reasonable conversations and legitimate debates about the nature of his situation frankly makes me look at this fandom with a heavy dose of skepticism.

It is truly baffling to hear even professional critics and see articles describing George as being "ungrateful" or "unprofessional" when it has been well-documented just how often authors get locked out of the adaptation process and left to the wayside as consultants. Look at what happened to Rick Riordan and Christopher Paolini! George R.R. Martin is not the only author to have qualms with how a multimillion dollar studio has mishandled his creative work, and to act like he should remain silent just because he's amassed a certain degree of wealth is quite frankly, ridiculous. He shouldn't have to settle down, be grateful, and stay quiet because the greedy corporate executives and their media drones will get offended by actual criticism that could alter the perception of the adaption being revealed as mediocre for having departed from the source material.

TLDR: authors should be allowed to speak up about their art being sacrificed for commercialization.

Thank you so much for this message, anon! This needs to be talked about more, because I don't think a lot of commentators truly understand the vulgar, late-capitalistic sheen that seems to set in and slowly poison any ASOIAF adaptation. It honestly baffles me how quick some members of this fandom are to rush to the defense of, what is essentially (let's not be kidding ourselves here), a cashgrab by a giant corporation to the detriment of the actual artist and the actual creative foundation behind it.

Why else would "MAX" (if that is even their name) make another (or several other) ASOIAF adaptations? Not to stay true to any philosophical aesthetic vision, as it has become more than apparent with Season 2, but to increase shareholder profits by appealing to the lowest common denominator. Even the basic premise has been shifted in order to address popular trends and satisfy the mindless consumer that doesn't want to engage with anything deeper than their favourite tropes, prettily packaged:

from a story about a doomed ouroborous family superimposed on the pitfalls of feudalism, with villainy and heroism to be found on both sides, it has been simplified and reduced to a narrative that exalts white feminism and disqualifies anyone who opposes its girlboss protagonist. This is Sheryl Sandberg's version of Fire and Blood.

Truly, I think Sara Hess did (unintentionally) outline it the best: "civilians don't matter in Game of Thrones". They don't matter in Game of Thrones, but they matter in A Song of Ice and Fire. The entire heart of the series is contained in Septon Maribald's speech. The writers "kind of", must have forgotten, though.

[dukeofthomas]

I love goofy jason

there needs to be more jason talkin like a gen z and having a board w red string for his plans and photoshopping joker into various death scenarios. i need jason to have a batman plushie he tortures to cope w his rage. tim breaks into his house and opens the closet door just to discover like 100 pictures of robin with indechiperable rambles on them and random stickers everywhere.

he should have a poster of black mask with a badly drawn on moustache and top hat on his wall. do you get me??

[peachcitt]

punches you in the face. don’t use ai for stupid shit. hey. look me in the eyes. anything you want to ask gemini meta mr beast look-alike whatever the fuck you can just google. please just fucking read. is it that bad to think for yourself. is it too much to ask for you get your wrong answers and shitty party ideas from friends and family and strangers on the internet like god intended. jesus christ

[feroluce]

So this ficlet-ish thing was inspired by @hydrachea, nsfw super genius extraordinaire, but also by the fact that in addition to Boothill's left eye being cybernetic, I like to hc even the parts of him that look human aren't fully natural. I mean the dude eats bullets, after all. I think he should also have vents in his mouth so he can literally blow smoke/steam, it would look super cool. Think Father Gascoigne or Studio BONES' Todoroki. We as a fandom deserve that!!

So anyway, of course, sometimes these vents get blocked up and need to be cleaned manually. Thankfully, Dan Heng is super helpful ☆

Like there's one day where Boothill is lazing around in the archives, fresh off a bounty and happily soaking up the luxury of the Astral Express after however long he's spent tracking his prey through all the dust and dirt with almost no rest.

Boothill likes it in the archives. It's not silent, but it's quiet. There's no music and only muffled voices from outside, but there's the hum of all the computer systems. It makes for a nice place to hide away and recharge when he's just finished exhausting himself.

And besides, Dan Heng is there.

Sometimes the two of them talk back and forth, but today it's mostly quiet...except for-

"I didn't know it was possible for you to get sick."

...Except for Boothill having to constantly clear his throat. That's the thing about your mark trying to flee into the desert. You either go after them and get sand everywhere (and even worse, sticky sand once it gets all bloody) or you wuss out and lose out on the bounty. Personally, Boothill likes being able to afford to eat.

"Grit's stuck in a vent somewhere, 'n' the usual maintenance ain't gettin' it. I'll prob'ly have ta manually dig it out." But later, when he's not laid out half asleep on Dan Heng's extra futon. Usually after a chase as long as this one took, he can shut down for almost a full day. He doesn't want to get up yet.

Something shadows over him, and reflex demands Boothill's eye open. Dan Heng steps around him on his way to some drawer built in the wall on the other side of the room or something. Boothill closes his eye again.

From under his hat he hears the sounds of rummaging, drawers sliding open and shut, the swish of a long coat. The shadow returns.

"Sit up, just momentarily. I have something to help." And Boothill groans a tired don't wanna, but he does it anyway, he hauls himself upright into a kneel. And then he sits up a little straighter because he realizes Dan Heng is standing right over him.

Dan Heng tells him "open your mouth," and Boothill's jaw pops open without his permission, without even a second thought, and hey, what protocol in there ok'd THAT?!?!

Before he can really unpack whatever the heck that just was, though, Dan Heng murmurs for him to say so if he needs them to stop, and then he's sliding a long, hard rod down Boothill's throat, tipped with some soft little brush he probably uses for all his fancy archival equipment.

Dan Heng tells him the handle of the brush is straight and can't be bent, he needs to move his head to be able to reach the vent in his throat. Boothill hums affirmatively; he can't do anything else with his mouth occupied.

Dan Heng's free hand holds him by his jaw, tilts it up slowly but firmly so he has to look straight up at him.

Boothill feels dizzy.

The cycle of blue blood through his artificial heart whirrs just a bit faster, his temperature sensor pings an internal alarm to warn for imminent overheating. Boothill curls his fingers into the guard over his knee as Dan Heng carefully brushes at the dust irritating him. All other sounds- the hum of running equipment, the occasional beep from the computers, the noise of the crew outside of this room- seem to pull away, until all Boothill can focus on is the steady and measured breathing from the man above him.

"Almost done."

Thank the aeons, maybe one of them likes him after all.

"Your tongue is in the way... I'm going to hold it down, ok?"

Nevermind.

The fingers holding his jaw curl around his chin, thumb slipping past open lips to dip into his mouth and pin down his tongue. One of his teeth catch on the digit, breaking skin just enough to bleed a drop where he can taste it. Dan Heng doesn't even flinch. Another temperature alarm pings off in his brain, then another, then another.

Boothill has never been shy about eye contact but oh, god, it nearly kills him when dull green irises flick away from their task and look down right at him as his mouth is held open. He quickly squeezes his own eye shut for some relief.

With his vision cut off, the rest of his senses automatically recalibrate to compensate. He can hear every breath even more distinctly now, every soft inhale and exhale, feel the strain in his neck, the softness of the brush, the hard floor beneath his knees, the hand holding his jaw and the fingerprints that feel like they should leave burns in his skin, the taste of Dan Heng heavy on his tongue-

Forget it, eye open, eye open!!

"Alright. There's one last pebble stuck."

Boothill had been trained to endure torture, back on his homeworld. It was part of being in a gang, part of being a bounty hunter.

Somehow, keeping himself quiet and still as Dan Heng inches the brush even further down the back of his throat is a profoundly similar experience.

The seconds tick by, Dan Heng's brow furrowing, face growing ever more concentrated and Boothill struggles not to watch him too closely, fights down the noise that suddenly tries to escape him as the brush withdraws-

"Swallow."

Stars and aeons, Dan Heng is going to be the death of him.

Boothill swallows. He feels it when the movement finally dislodges the loosened pebble from his vent.

His face feels shockingly cold now bereft of touch, even though Dan Heng's hands are always cool. He asks to see, and Boothill's mouth is already open again to show him, even as he belatedly realizes he could have just told him it had worked.

"Good." There's the slightest smile on Dan Heng's lips as he finally, mercifully, leans back out of his personal space, goes to put away the brush. "That should feel better now." Boothill spends a moment dizzy and dazed, feeling the need to blink spots out of his eye even though his vision is clear. He still hasn't moved off his knees.

What the fudge.

[ashermiss]

@archeologydyke I got your back

[pyrrhiccomedy]

who loves the antichrist

Olivie - His Lover

I remember his heart in my heart.

I remember his weakness, his follies, his flaws.

I remember that he can be hurt, and put my hand over his wounds.

When you stand upon the burning hill;

When you huddle in the dark;

Do not forget that I alone remember your heart.

Volo - His Knight

My lord burns me, spends me, restores me.

My lord's hand is my hand: my lord's will is my will.

My lord aims his sword at heaven, and I am his sword.

I tremble; I shiver. I stand before a greater light.

Have mercy upon me, my lord.

My anguish is complete, and my soul is yours.

Bellefleur - His Queen

I will make him for my hand.

I will make him for my enemies.

I will make him what he wants to be made.

He is great, and I will make him greater.

Look neither to the left nor right. Trust my hand upon your back.

A sword exists for a purpose.

[ganondoodle]

riot making arcane the main canon is honestly the stupidest and most unnecessary move, its taken alot of enjoyment from the show for me bc now instead of seeing it as a really well made fanfiction that i can just sit back and enjoy the reinterpretations of without worry i keep thinking how whatever they do is gonna fuck with canon and how much is retconned bc of it

they didnt even finish the other, waht 10 year old now?, retcon and now they are doing it again?? what for?? literally nothing is gained from forcing it all into arcanes interpretation- even if they want to bring more characters the show made up into the game you can do that without having to make the show the center of everything; i might have stopped playign the game but i still care about some of the characters and stories, the lore and worldbuilding is what i enjoyed most of any league stuff, all of which is now on thin ice (granted, it has been since they started to fire their writers, but now even the work they did might not even stay), it hurts to see things you loved being thrown into the garbage for no reason, whatever time i spent thinking and caring about it essentially wasted, deemed that what i cared about didnt matter at all (hhhh similarly so with totk, what is it with these things happening to the few things i ever liked ......)

[sneeb-canons]

Soul is really good with kids. He's like a father figure and would probably get asked to babysit if they had friends with kids

Mind tries to be but they're scared of him. He's good at figuring out why they're upset but since he's not good at being "gentle" with the kids he's not really good at actually fixing the problem.

Heart isn't the best with kids but they're like an older sibling figure to any kids the trio has to deal with. Probably needs supervised because they will cause absolute fucking chaos

Headcanon #612

[keirientez]

band au rahhhhhhhhhhh