#not that it comes in my size anyway lol

[fandomtransmandom]

New Bill Interview!😍

I can't stop laughing at this

And here's a few versions of his name in lights just for fun 🎥✨

[panthermouthh]

“You doubtless recollect these papers. Here they are. Everything is related in them which bears reference to my accursed origin… the minutest description of my odious and loathesome person is given, in language which painted your own horrors and rendered mine indelible. I sickened as I read.”

[stormofdefiance]

I wanted to share some wee thoughts about Ratio’s E6 art & why I believe it is a symbolic parallel to Michelangelo’s David. This speaks to both Ratio’s humanist beliefs and possible future plot points.

Ratio’s E6 is Vincit Omnia Veritas or Truth Conquers All. I’ve heard it claimed (although I have no idea if it’s explicitly stated anywhere?) that the character’s E6 art represents them at their innermost core, an honest and deeply vulnerable shard of themselves. Evoking David here is an interesting choice; the biblical figure who, using nothing but a stone and sling, took down the tyrannical Goliath. The parallel is perhaps as simple as this: Ratio views himself - and by extension the truth - as the underdog, someone never accepted into the Genius society, forever to be kept from Nous and THEIR gaze, but nonetheless will, in the end, prove himself the final victor. Truth will topple the seemingly unconquerable, whatever that might be.

But I also think Michelangelo’s David is a specifically interesting parallel to draw on from a historical perspective. Ratio is pretty much the textbook definition of a renaissance man - he is a philosopher, a scholar, interested in medicine and science and the vast array of human achievement. He speaks in Latin (the language of education during the renaissance in Europe that allowed the transmission of information without having to rely on translation) while heavily styling himself on Ancient Greek symbols and drawing from Greek philosophy (often seen at the time as more ‘sophisticated’ and interested in ‘wisdom’ than the contemporary ‘militaristic’ Romans).

Michelangelo’s David was the first colossal marble statue to be carved since antiquity, and it came to be a symbol of the renaissance itself. This is interesting to me for Ratio and what I believe are his humanist beliefs. Humanism was an ideal that propagated during the renaissance that championed the belief that man had beauty, dignity and worth that deserved as much respect and adoration as any deity. Keep in mind this philosophy was emerging following the Middle Ages and at a time where religious institutions across Europe held exorbitant and sometimes absolute power. David as a statue is an ode to the sublime beauty of the human body, completely unashamed and uninhibited in his gigantic nakedness (Doctor! You’re huge!) retaliating against the idea that prominent idea at the time that man’s body is inherently sinful. The humanists sought to recenter humanity, and David became a symbol of man’s independence against the seemingly unconquerable might of the Church.

Consider how Ratio centres humanity in his Simulated Universe project, how he values every life, how interested he is in constant self-improvement. How this symbol - of not just the renaissance but of the re-centring of humanity itself - becomes an echo of an effigy fixed in the centre of his soul.

Ratio has never - as far as I’m aware? - stated or hinted at any desire to overthrow the Aeons or even disparage or rubbish them, but it is clear to me that he believes in the strength man can draw on despite them, through sheer force of intelligence and clever planning and fiercely independent thought, the weak can ultimately overcome, or at least stand shoulder to shoulder with, the strong. Perhaps this will become a more pertinent plot point in the future - who knows? - but this was fun to chew through nonetheless 🫶

[mulders-too-large-shirt]

i'm new here, and i see this repeating theme in a lot of posts, so i need to conduct a poll to see how widespread the sentiment is:

note from OP: as of making this post, i have only seen up to s3. normally on my blog i ask people to avoid spoilers in the notes, but as i am expecting this might cause some scholarly debate, i will be muting the notifications on this post, so you can (and should) discuss to your heart's content, including citing any source scenes to suit your needs!

[catgirlkirigiri]

Encountered the sketch for this again after three years and dropped everything to finally do it the justice it deserved

@circle-of-fire

[chimerahyperfix]

Being frozen in time definitely does something to you. Physically it cages you. Mentally it throws you into the longest dream you could ever have. It's not comfortable-- far from it in fact-- but you've grown to look forwards to it, when you loose. It's better than being mashed to dark paste at least.

You're frozen right now, in fact. Waiting in silence for time to loop back. Stuck with your thoughts and a vauge feeling of a dream. The house is around you and you're moving through it. Empty rooms and endless hallways, curling and twisting in ways that make them feel alive despite the lack of any living thing that isn't you. No sad monsters, no frozen bodies, no dark stains. There doesn't seem to be an exit.

The dreams you have when frozen seem to correlate to how you're doing emotionally. Most of them have been lost to time, like most things in your life now. Dreams, wounds, emotional bonds; everything is turning back with you, and that’s started to do something to you, because now you can predict the actions of those around you with quite a bit of accuracy. You can recall little bits of things, but the further back you go is just static. There was a bunch of dumb things that you can’t piece back together anymore, there were times with those you love, there was endless rage flowing through your very being, and there was this. The desperation. The empty halls of the very House you’ve worked so hard to protect.

You want out.

You've kept count of how many times you've been frozen. How many times you've died. How many loops. 61 is the counter and it's far, far too many times to relive the same day over again. You grew tired of the monotony by the tenth go around. Twenty five felt like a stab wound. Forty, like you were being split in two. Big 6-0 felt like drowning. You don't feel real anymore.

But that's fine! You can still see the good in this, if you stretch your imagination like taffy, as far as it'll go. It's better to be just you, just one person, than everyone else! You can live with the weight of the country on your shoulders for a bit longer, if only to keep it off of Euphrasie's. You’re doing this for her! For everyone. You can do it for a bit longer. You just need to find the King’s weakness, or something. Make a more powerful potion, or scrap together the materials to make a second craft bomb, or, or something! You’ll find it soon enough. You’re smart! You can do this!

You have to.

You turn down the hallway. Find yourself on an entirely different floor. Just as much of a ghost town. Just ice and cold and tiredness, your breath forming clouds in the air. That’s fine. This is just a dream or something, anyway. You’ll wake back up at your desk any time, with the looming vials of all sorts of toxic stuff you keep drinking that you crabbing neglected to put away because you didn’t think time would crabbing loop, because realistically, WHY would you assume that would happen? Preposterous! Ignore the burning feeling in your throat and the smell of sugar and push on. Wait for it to start all over again.

Because it has to be you, doesn’t it? You wished for this, or something. You don’t remember. It was a long time ago. It has to be you, because only you have the power. It HAS to be you, because who else would it be? Euphie? She’s already got enough on her hands. Mirabelle? You’d rather die. It’s better you do this than the ones you love.

It has to be you.

it has to be you it has to be you it has to be you it has to be you it has to be you it has to be you it has to be you it has to be

It's sucks, having to be the one to do it. Your limit was a long time ago.

You can't do this forever.

[fisheito]

my princess nonsense is being encouraged watch ouyt imabout to be eneaabled

OK WHATF ATHAT'S SO CUTE I HAD TO MAKE IT i know realistically there's little to no chance that rei DOESN'T know how to work heels 🤣 BUT IMAGINE.....ING.... YAKUMO GENTLY GUIDING REI IN HEELS, WEEKS BEFORE THE BIG GALA AND HAVING NONE OF HIS NORMAL FEAR OF PHYSICAL TOUCH BC HIS [TEACHER MODE] IS OVERRIDING HIS INSECURITY

[shesmore-shoebill]

As promised: An Amangela fic inspired by the whole "Hey Siri, remind me I'm an asshole at 2:30 tomorrow" arm grabbing in the latest Sounds Fishy video.

Written sporadically over the course of today, edited on the go. Completely platonic although there ARE bits in here you can interpret otherwise if you'd like.

also yes when i posted about this earlier today i said it was 2.6k words. You might notice it is 4.2k words. Thats because I wrote everything leading up to the actual inspiring event. And then when I tried to wrap up the fic the actual event snuck in and doubled the size. Oops.

[astrobei]

Something’s wrong.

It’s a quiet afternoon in Will’s room. Mike is here, and this simple fact should be taking precedence over all else. It would be, on any other day — a day where it wasn’t off-puttingly quiet outside. On any other day, it would be all he could focus on.

Not that it’s not important. Mike is here, sprawled haphazardly across him, limbs akimbo like he couldn’t even be bothered to right himself before the need to bodily press every square inch of himself up against Will’s torso suddenly overtook him. It’s endearing, is what it is, even though Mike’s feet are dangling off the side of Will’s bed — they’re getting too tall to be able to lie down like this, side by side and taking up all the room they could possibly want. He’s got his cheek pressed up against Will’s sternum, arms wrapped so tight around Will’s stomach and lower back that it’s bordering on uncomfortable.

Endearing. It’s endearing, the need for proximity. The need for closeness, for touch, for reassurance. Mike wasn’t like this before. Not to this degree, at least. Will pretended to be annoyed by it at first, but the façade hadn’t even lasted a day before he cracked. He needs it too, and they both know it — the rhythmic push and pull of Mike’s breathing. Feeling Mike’s heart beat steadily against his own, separated by a meager few inches of blood and muscle and bone. The kinesthetic weight of a body against his own, grounding him on his off days — days where his pulse is perpetually panicked and off-kilter, threatening to fly away entirely, rendered unsuccessful only by the shape of Mike’s shoulder blades under his palm. The cotton of his flannel button-down, worn soft with use.

Grounding things. Real things. Safe things.

It’s a quiet afternoon. Mike’s foot twitches, suddenly and gently against where it’s pressed up against the line of Will’s calf.

It’s a quiet afternoon, and Will feels off, down to his bones.

Mike might be falling asleep.

Will smiles, hides it in the soft curtain of Mike’s hair where it’s brushing over his neck. Cups a hand around the back of his head and wraps his other arm around his shoulder — tighter, tighter, like Mike might just get up and walk away if he doesn’t. For all his pretending, Will is like this too, now: desperate, a little needy, selfish in small, ordinary ways. Too quick to worry when a call goes unanswered. Too quick to fuss over cuts and scrapes and bruises. He hugs too tight and he kisses too hard and he gets unsettled by quiet, calm afternoons.

He wasn’t ever like that before.

Mike twitches again — so delicately that it’s almost like an afterthought — then his arms tighten around Will’s midriff.

That feels intentional. Even if it hadn’t been. Things with Mike feel intentional. Purposeful.

Even if he is — you know. Asleep, a little.

Will’s room is comfortably warm; the late summer sun has been hiding lately, and the sky isn’t blue, exactly but at least it’s not red anymore — dark and rolling and angry. It’s still, and it’s quiet, and it’s peaceful for the first time in a long time — a long time—

—and still, something’s wrong.

“Will?”

Mike shifts, just slightly, just enough to lean his head against Will’s collarbone and look up at him. He catches the edge of Mike’s expression like it’s a secret, a glimpse of wide eyes, a little confused.

Will peers down at him. “Go back to sleep.”

“I wasn’t,” Mike says, even as he blinks heavily. He rolls out his ankle, bumps it against Will’s and keeps it there, stretches long and languid, lazy, like he has all the time in the world. “What’s wrong?”

“Nothing’s wrong,” Will says. If Mike stays like this, if he doesn’t look up any farther, maybe he can get away with it.

Mike doesn’t sound convinced. “You sure?” he mumbles, rubbing at his eyes with one hand and pushing himself up, just enough to be able to look at Will better. “You seemed…”

He trails off. Will tucks a stray strand of hair back behind Mike’s ear, from where it had been falling loose and down into his eyes. “I’m sure,” he murmurs. “Go back to sleep.”

“I wasn’t asleep!”

“You were,” Will laughs. “You were twitching. Like a cat.”

“I don’t twitch,” Mike insists, then pauses. “Do I?”

“Sometimes,” Will admits, then presses a kiss to the top of Mike’s head. “When you’re really tired. I think it’s cute.”

“Stop,” Mike mumbles, but he lowers his head back to Will’s chest. “So mean to me.”

“I called you cute!”

“Mean,” Mike says, sounding like he’s halfway back to sleep already as he snakes an arm back around Will’s chest, hand resting lightly on the side of his throat, just over his jaw. He tangles their legs together, the sheets going wrinkled and bunched up under them. “So mean.”

Will smiles. “Sorry,” he whispers. He glances down at the mess of black hair in front of his face, runs a careful hand through it. Again, and again, and again. Mike makes a small noise, content and pleased, and presses in closer, like he’s trying to vanquish whatever minute semblance of space might have been left between them. “I won’t be mean again.”

It’s a joke, obviously. Still, Will traces apologetic circles into Mike’s back, into the gentle dip between his shoulders. He maps out the planes there, tries to commit them to memory by touch alone, the way he can feel Mike breathe in — slow, hesitant — and then out again — faster, like he’s collapsing back into Will’s body.

The circles give way to shapes, any that Will can think of. Then lines, curved and looping around his shoulder blades, his upper arms. He trails fingers up the back of Mike’s neck, where the cotton of his shirt gives way to a more organic warmth, and scrapes his fingernails lightly against the skin there. Drops another delicate kiss to the sliver of Mike’s forehead where his hair is parted as it falls around his face.

Mike lets out another pleased noise, half-coherent and probably involuntary, and his hand twitches lightly on Will’s jaw. Will bites back a smile, and stares straight up at the ceiling.

Will was never good at this before either — taking the things he wants. Letting himself have things he wants. Something is turning over in his gut, warm and viscous and slow, with each moment of touch he lets himself have, in this newfound, selfish way — through Mike’s hair, down his arms and back up again. Over his back, his shoulders, trailing fingers up his cheeks. He rubs circles into Mike’s temples, watches his brows unfurrow — for once in his life — and his expression go slack with contentment. He wants to touch the corners of Mike’s mouth too, where they’ve turned downwards, vulnerable, half-pressed into Will’s shirt.

He does. He can.

It’s a novel thing, for him, having someone be this close. Having someone be this close just because they want to be, because they trust you.

Will doesn’t know what to make of that. He’s never felt this before, the urge to hold someone so close that all the bad things go away. The urge to touch, the urge to lie here until entropy takes them.

There are no bad things anymore, though. It’s a quiet afternoon, and it’s calm, and it’s peaceful, and—

Will stops.

His hand stills on Mike’s back.

Oh, he thinks, still looking up at the ceiling. Oh.

“Will?” Mike stirs again, and he’d definitely been right on the precipice of sleep this time, judging by the way his voice is dragging on the single syllable. “You okay?”

“Yeah,” Will whispers, a little incredulously, as realization dawns upon him. He wants to laugh. He wants to cry too, a little bit. “Yeah. Yeah, I’m great.”

Mike taps a slow finger against Will’s cheek and peers carefully up at him. “What is it?

“I,” Will starts, then stops. He’ll sound ridiculous if he says it. Ridiculous and pathetic and— “Nothing,” he says anyway, despite every molecule of better judgment in his body. “I’m just— I’m happy.”

Mike pauses. “Oh,” he says simply, cheek still pressed to Will’s chest. He sounds a little caught off-guard, in a good way. “I— that’s good. That you’re happy.”

The weird feeling in Will’s gut bubbles up, up, and over. “Yeah,” he says quietly, trying to keep his voice even. “I am. You make me happy.”

At this, Mike looks up. His expression is a bit startled, like a deer in headlights. “What?”

Oh, god. Will swallows. He looks back up. “I just,” he says, “I’ve never— I’m happy. And I don’t know when— I don’t know if I’ve ever. Been this happy before, I mean. Before everything. Before—”

You, he thinks. He doesn’t say it, but it goes implied.

Mike is silent.

The weird feeling starts settling back into Will’s stomach, slow and steady like molasses. Shit. That was, objectively, probably a weird thing to say. It was, right?

Oh, god.

Will blinks, once, twice, thrice in quick succession, and keeps his stare fixed on the ceiling.

“Will,” Mike says at last, from somewhere below him. He lifts his head off of Will’s chest, tufts of black hair swimming into view. “Can you— can you look at me, please?”

Oh, god.

Will looks down. “Yeah?”

Mike looks— wondrous, maybe, which is a bit dramatic, but it’s true. “Really?” he asks, and he doesn’t sound freaked out or anything, which is a good sign, but— “I do?”

“Yeah,” Will whispers. “You do. Like, really happy.”

Happy seems a bit diminutive, if Will’s being honest. Whatever this feeling is runs much deeper than that — past contentment and comfort and satisfaction. Ease, maybe. Safety would be closer.

He doesn’t say any of that.

Mike’s cheeks flush a brilliant pink. He splays his palm across Will’s cheek and asks, in mild disbelief, “Is that what was bothering you?”

“It wasn’t bothering me,” Will says quietly, tugging at Mike’s wrist and sitting up, just slightly, leaning back against one elbow. “I’m fine.”

“You weren’t,” Mike says simply, and lets himself be moved. “I could tell. I just— I thought it was something, you know. Worse.”

“What?” Will laughs, and Mike’s expression softens in relief. “Like what?”

“I don’t know!” Mike exclaims, but he’s smiling too. “I just— I could tell, and I didn’t— I don’t know. Never mind.”

Will pushes a strand of hair behind Mike’s ear again, the same one that had been falling back out the entire time they’d been lying together. “I’m sorry if you worried,” he says quietly. “I just— I didn’t know what it was. I’ve never been this happy before.”

“Will,” Mike starts, expression earnest and searching. He opens his mouth and closes it again.

“Sorry,” Will adds, for good measure. Maybe Mike is, like, totally freaked out. “No pressure, or anything.”

“Don’t apologize,” Mike says immediately, frowning. “Never apologize. I just— I’m happy too. You make me happy. Really happy.”

“Well that’s good,” Will jokes, but it comes out halfhearted. “I should hope I’m not making you sad.”

Mike rolls his eyes. “Will.”

“Sorry,” he says on instinct, then immediately bites down on his lower lip. “I mean. Yes. Yeah.”

Mike gives him a look, exasperated and a little fond. “I mean,” he says, then leans forward, all the way back into Will’s space, “you make me happy too. I don’t know when I’ve been— me too, I mean. Me too.”

“Oh,” Will breathes out, in awe, a little bit, of a lot of things — the deepening flush across Mike’s cheek, the ease with which the admission comes tumbling out of his mouth. The simple reciprocity of it bowls him over, like maybe Mike thinks about this, when Will doesn’t know — just how happy Will makes him. “Okay.”

Mike eyes dart between his own. “That all you have to say?” he teases. “Okay?”

“What else do you want me to say?” Will asks, teasing back, a little, but also asking a little truthfully. He’s not the greatest with words, but he’s also not stupid — he understands the implications, here, of what it means to feel so happy around someone that it feels like you’re admitting to something bigger by just saying it. He knows what he’s implying, and he knows Mike is picking up on it, but he doesn’t know how to put that into words — the way his soul feels like it’s stilled inside of him, somewhere, no longer restless or jittery or perpetually keyed up.

He wonders if Mike feels like that too.

The thought, suddenly, is too much.

“Nothing,” Mike says, after a moment. He pauses, then presses a fleeting kiss to Will’s cheek. “Nothing.”

“Mike,” Will says, suddenly, then grabs a hold of Mike’s wrist again. “I— you know that I—”

He feels overwhelmed, a little frantic. He’s sure it’s coming through in his voice. The rest of the sentence hangs there, suspended in midair between the two of them.

Love you, Will thinks. I love you. I love you.

He needs Mike to know.

Mike can’t ever know.

He looks away again, like maybe Mike will be able to tell exactly what he’s thinking just by looking at him.

“Yeah,” Mike is saying. “It’s okay, Will. I know. Me too. Obviously.”

Will relaxes. Thank god for plausible deniability. “Okay,” he says instead, feeling a smile split wide and exhilarated across his face. He feels like he just ran a marathon, and it isn’t until he lies back down that he feels it. The adrenaline, sweet and thick and palpable in his veins. “Okay. Cool.”

“Cool,” Mike echoes, then settles back down on top of him. “Yeah. Cool.”

Will tucks his chin over the top of Mike’s head, running a soothing hand over Mike’s hair. His heart is beating so fast that he’s sure Mike is able to tell. “Go back to sleep,” he says quietly. Mike lets out a noise that might be a laugh, and tucks his face into Will’s neck.

It’s a quiet afternoon. Everything feels perfectly right.

[dungeons-and-dragon-age]

wanted to give them silly "sun's out guns out" squad tops but apparently i can't count so now they're just gym hoes showing off lolol

[arvoze]

comic practices

[guinevereslancelot]

i love christmas yet i'm dreading it bc i can never stop spending soo much money i do not have on little gifts for my friends and family 🥲

[cashweasel]

🏨 gimme those blorbo rooms fdsfdsfsfsd, since it’s Pinterest can I ask for more than one? XD if so ima ask to Karimas and Shaheens OH and also Gideons (low key I know what valens/yazans looks like but its a good excuse for u to get to share) so if u want to Valens and Yazans wild be fun 😌

K BYEEE <3 😘

LOLL im glad you asked and yes i will give you all of them 😌😂😂

Karima: she’s obsessed with collecting room decor and she has a crochet corner, half of her decor is crocheted too honestly 😂 I think she also has a thing for animal print stuff esp curtains and pillow cases, she’d keep small ceramics stuff she made with daemon everywhere

Shaheen: idk why it was funny to imagine his college dorm lol he uses space very efficiently also his desk is very important 🧠

Gideon: his room is so big and so empty but he’s barely home so who cares, the only notable thing about it besides the diabolical toys collection on display is the display cabinet he keeps all his medals, plane models, pictures, uniforms etc in

Yazan: yazan’s room as you know is a Dumpster 😂 it’s impossible to find anything in there and it’s never tidy, also so many posters and records + ofc drum corner

Valen: very pretty but his room is an entire house in itself you need directions to where everything is 💀 Texas king bed with a canopy, mirror above bed/on ceiling, maximalist unique decor and very beautifully coordinated color wise. Also huge portraits of himself obviously lol

[OC headcanons: Picture Edition!]

[wundrousarts]

An underrated aspect of drawing 919 I forgot to mention in my last post: have you ever wondered why I have a tendency sometimes to draw the Wunsoc sweaters as somewhat large and baggy? I think it’s fun to imagine that they might grow into them, just as they’ll “grow into” their role in the Society :)

[sysig]

Greetings, human! ♥ (Patreon)

[whatimdoing-here]

WARRIOR NUN | 2.04 - plague scene