#not sorry for admiting this

[bajaja-blast]

you dislike Luke Castellan because he disagreed with an oppressive government system and actually took action to change the abusive ways him and his peers have been forced to follow for millennia.

I dislike Luke Castellan because in the Titans Curse he manipulated Annabeth, who he raised as his little sister, into holding up the sky, the FUCKING sky, for over 20 hours and had the audacity to walk away as though he was completely apathetic towards it while she begged and pleaded with him to help her.

we are not the same.

[egophiliac]

Ernesto Foulworth and Gino… it wouldn’t surprise me if they had fake identities

I accept this explanation

(the problem is that I had a very regionally-specific immediate thought and I could not get it out of my head)

(sorry this is messier than usual, I refuse to put more effort into it than it deserves)

[sanatomis]

cw. none except satoru being disgustingly cute (part 2)

satoru isn’t used to people calling him anything other than his surname. gojo-san to most, gojo-sensei to others. it’s simple, and gets the job done.

only a handful of people stick to calling him by his given name. to them, he’s satoru. it’s easy, and rolls of the tongue, and he greatly prefers it over the sound of his surname. it makes him feel like an actual person.

satoru never entertained the possibility of being called anything else other than those two names. he didn’t think it would ever happen.

for once, he was glad to be proven wrong.

“tough day, pretty?” you ask gently, and he sighs with a nod as he throws himself into your opened arms. his body moulds easily into yours, and he lets out a heavy groan as he settles onto the couch with you. the groan is loud, and over-exaggerated.

it’s so satoru.

you have to stifle a giggle.

“everything went horribly wrong,” he grumbles, his voice muffled against the fabric of your shirt. “the higher ups were up my ass again, my students laughed at me again, and when i finally made it to that bakery you liked they were out of your favourite pastries so i couldn’t get them for you—again!”

“oh, my poor baby,” you coo, and gently push his bangs out of his face. he nods in agreement, faking an immense amount of sympathy for himself. “‘s okay, at least you tried, hm? i think that’s very sweet.”

satoru hums, as if he’s deeply thinking about your words. “’m still your baby?” he mumbles, deciding that’s the most important thing right now. his eyes briefly flutter shut, consumed by utter bliss as you play with the hairs on his undercut.

“mhm, still my baby.”

“yeah? what else am i?”

this time you do giggle. he does this sometimes. you aren’t exactly sure why—but on tough days, satoru likes to crawl into your arms and listen to you call him every cheesy nickname under the sun. it’s easily providable and makes him so very happy, so you always indulge him.

“my honey bun.”

“and?”

“my boo bear.”

“mhm.”

“my sweetheart.”

“yes?”

you laugh softly. “my mochi,” you coo, and pinch his cheek. it’s a little squished because he’s laying on your chest, but it emphasises your point.

he grins under your touch. it’s adorable.

“keep them coming, please?” he asks, and you do. you always do, unable to refuse him. especially when he asks so sweetly.

“my sugar cookie.”

“my muffin.”

“my baby cakes.”

“my angel.���

“my love.”

“my husband.”

“h—huh?” satoru stammers, looking up from your chest. he lays his chin on your sternum, baby blue eyes blinking up at you. they’re filled with awe, surprise, and utter glee. “that’s, i’m not. . .”

“just testing the title, baby,” you tell him, and continue playing with his hair. he bathes in your touch and you smile softly as he grabs and kisses the palm of your hand. “what do you think, hm?”

“i think you should call me it again.”

“oh?”

“mhm,” he mumbles.

“my dearest husband.”

“again.”

“my handsome husband.”

“again.”

“my sweet husband.”

“again, please?”

you hum, impressed. “my well-mannered husband.”

satoru chuckles, and lays back down on your chest. his white hair tickles against your skin, and he sighs in content.

“i think i want to be your husband for real.”

“yeah?”

“yeah,” he mumbles and nuzzles further into your hold. “y’ve got the same ring size still, right?”

“i sure do,” you say, a content smile on your lips as you watch him slowly doze off to sleep.

“hm, good to know.”

for satoru, those nicknames make him feel as if he’s something even greater than a person—it makes him feel yours.

he’s not just gojo, the strongest. he’s not just satoru, the at-times somewhat immature adult with the sweet tooth of a child.

he’s yours. your baby. your honey bun. your boo bear. your mochi. your boyfriend. your love. and for satoru, there’s no greater thing in the world than that.

[mangosundae]

* There’s something on your shirt.

[grey-viridian]

She's cute

[valtsv]

[bixels]

tarpit site.

[universalspycrab]

Anger is jelly heh

❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥

Like my art? Please consider tipping!

-

-

-

‼️‼️⚠️⚠️ REMEMBER TO PIRATE THE MOVIE !!

[shinynewmemories]

Listen to me Suzanne Collins did not have to give Katniss and Peeta a history before the games. She did NOT have to do that. She could have just had their story begin when Peeta's name was called. She could have had them be total strangers until the moment of the reaping.

Like: "And the boy tribute is... Peeta Mellark!" Katniss: Who's that? Or she could have made them vaguely familiar with each other! Peeta's name is called and Katniss just thinks, Oh, I know that name! He's in my class, actually. Poor boy... Anyway!

Either way, SC could have written the rest of the story exactly the same! I think many authors would have done that! Because if Peeta's purpose in the book was to be Gale's competition, to be one of the 3 corners of a love triangle, THAT WOULD HAVE BEEN THE WAY TO DO IT!! But that's NOT how she did it because that's NOT what Peeta is.

And who is he? To Katniss, Peeta's someone who saved her and her family and received nothing in return except a beating. Peeta's someone she has had her eye on but has never worked up the courage to talk to. Peeta's someone she associates with kindness and hope. And all this before the start of the events of the book! Just because WE, the READERS, met Gale before Peeta and immediately felt a connection with him does NOT mean that was Katniss's experience! And that's what SC is trying to tell us!

To dismiss Katniss and Peeta's past as unimportant or inconsequential compared to whatever Katniss and Gale have in the present is to fundamentally misunderstand Katniss as a character and, as a result, condemn oneself to never fully understand the choices she makes in the future.

Suzanne Collins wrote it that way on purpose because she had something to say. And no one will ever be able to convince me that something wasn't "It was always going to be Peeta".

[cnl0400]

Character references for the undateables

I love all the little details!!

Sharing these because knowledge should be #free and #available to #everyone

[somethingintheforest]

I think a lot of modern Sherlock Holmes adaptations (as in, Holmes in the modern era) miss out by having Holmes work so closely with the police. A lot of people forget that Holmes was one of the original ACAB bitchies in fiction; he did not like the police. Yes, he worked alongside them sometimes, but he often talked about them with open distain. Sometimes he even worked directly against them (think of The Norwood Builder).

Granted this was mostly because the police lacked a lot of the skills they have today, such as forensics, something that Holmes was an advocate for, and tended to draw conclusions that did not fit the obvious facts. This has obviously changed - the police have a lot more resources at their disposal nowadays, but they are not a perfect institution - far, far from it, and if he were alive today, Holmes would have a lot to say about that.

I wish modern adaptations stayed true to the fact that in canon, Sherlock Holmes was the man you went to if you could not go to the police. If you had, perhaps, a criminal record, were homeless, were POC, were queer, were neurodivergent, an abuse victim, reliant on illegal substances, or even wrongfully accused, Sherlock Holmes would be the man you went to, and he would help you to the best of his ability.

Also, Holmes had his own unique sense of justice. Think of The Abbey Grange - a man murders the abusive husband of an old lover, and the wife is complicit. Holmes and Watson ultimately decide to let them go - Lady Brackenstall was being horribly abused, she was trapped in a loveless marriage with a violent husband. Captain Crocker murdered Sir Eustace, freeing Lady Brackenstall and perhaps saving her life. If the police had arrested Crocker, it would be very likely he would be hanged for murder, regardless of the circumstances.

Then there is James Ryder in the Blue Carbuncle. He, after Holmes pesters him, freely admits to stealing the jewel, but Holmes does not hand him over to the police and instead lets him walk free. It was Ryder's first offence, one he was manipulated into committing, and Holmes and Watson see him as a, quite frankly, pathetic little man. Holmes realises that if he were to turn Ryder in, it would destroy his life - he would be 'a jailbird for life'. Ryder committed a crime, but he is no criminal. Prison would turn him into one.

Holmes takes justice into his own hands, and in a way, it turns him into an anti-hero. But I think this a part of what makes him such a loveable, iconic character.

Holmes has created a 'safe space' within 221B Baker Street. I think this would be extremely intresting to explore through a modern lens.

[bunnieswithknives]

Thanks.

Prev

[blanc-ci]

I think after their initial “homoerotically rolling around on the ground” Jim can’t quite get enough of that Vulcan aggressiveness- even if he has to provoke it

[fridgrave2-0]

hehe ghost-turbo haunting felix au

turbo is connected to the last piece of his code in the whole arcade - a trophy he gifted to felix in mid 80s as a symbol of him genuinely caring about their relationships on par with being the best racer. felix also gave him one of his medals and both kept their gifts next to other rewards, but when roadblasters and turbotime were unplugged, the medal was gone with everything else

now, after burning in cola-lava turbo is basically dead, but scraps of his code still were intertwined with the trophy (after all, it was his first winner's cup, but felix never knew about it), giving turbo an opportunity to exist as a shadow incapable of interacting with anything and anyone besides felix, who kept the trophy even after the roadblasters incident

also I went crazy in tags, feel free to check them out

[tendafoot]

things i will never forgive the duffers for: denying us the spectacle of robin absolutely READING billy's ass

[bloobydabloob]

Holy shit I love your Dirk interpretations, it's so true and I could talk about this shit forever. I feel like another part of his character that people seem to forget (along with Roxy for some reason) is that he's from the future in solitude in an apocalyptic wasteland. I just see that part of his character always removed which is disappointing because I feel like that's a pretty big part, especially regarding his themes around technology, his brother's theme of Time, his own isolation, and how he plays in the vastness of the universe and spacetime.

Art I drew related to the subject because I like to respond to asks with art.

But absolutely. I certainly understand where the lack of discussion over his isolation + upbringing comes from, considering a majority of the fanbase that I have seen builds their ideas based on their own version of postcanon. I’m not entirely sure how that would be fixed, but certainly even in the somewhat recent past I would see a lot more content regarding his upbringing both literally and symbolically. I don’t have much to add regarding the things you’ve mentioned, because they just are what they are. Dirk being confined to a singular room left to him by a father figure he never met, in a future where the only other person left on the planet is someone he cannot pursue a relationship of because of himself, with purely 3 robots to keep him companion, one being an exact replica of his own brain who is *also* trapped inside a pair of glasses, is about as literal as it gets to me.

The contrast to me involving the flooded, organic world in comparison to the little speckle of Dirk’s apartment packed with the dude and his technics is not only a representation of his isolation and entrapment within himself, but also of his lack of control. I think his obsession with & themes of control are a direct product in the case of Dirk specifically *of* this kind of upbringing. His themes of technology are also related to his themes around control. So much of his character is actually revolved around this to me like so much. Dirk is so deeply disconnected from humanity in every way and so much of his character + symbolism is based around that.

It doesn’t even have to be about the symbolism or anything though. It’s just pretty *interesting* in the literal sense that he lives in the middle of the ocean in the future. There’s not only a lot to theorise on to do with his young life there, but on how it might affect him in the way he acts for the rest of his life. The latter part is probably what I see mentioned the most by people talking about Dirk regarding this, I’m surprised I don’t see more discussion on the former too though. I really ought to actually talk more about Homestuck stuff on here. I will do it myself.

Roxy & Dirk’s relationship is largely ignored though because there is a narrative a certain demographic spreads that Dirk resented and blamed Roxy for her interest in him, and thus too many people believe that their relationship was or would continue to be an abusive one. Realistically, I believe it’s important to acknowledge that the way Roxy treated Dirk regarding his homosexuality wasn’t right while still acknowledging the obvious amount of respect and admiration Dirk had for Roxy. I mean we have a huge piece of dialogue from their post trickster mode conversations on the quest beds from Dirk purely stating how he feels about Roxy that people completely ignore somehow. I think this usually happens to characters that are women though. I know everyone says it, but it is true. Jane gets the exact same treatment of boiling her down to solely her negative aspects. The things I see completely mischaracterising both of them are horrific.

I mean how much more explicit can it get that their relationship is obviously very important to Dirk? But I digress. I think the best or I should say “most interesting” interpretations of their relationship usually come from DirkRoxy shippers actually.

I would be interested to hear about Dirk’s relation to his brother’s theme of time though. I don’t have any thoughts on this and I don’t recall ever hearing anyone talk about it before. If you or anyone else would be willing to enlighten me I’d be thrilled.