#not someone in fandom in general lol

[bisexualdinahlance]

No offense but I don't understand authors who announce stuff on their fandom blogs lol. Like there isn't any shame in being a fanfic writer but I saw what y'all did to Casey McQuinston. If I get published I do not want to spend the rest of my career with people trying to figure out what my work is based on/if it's just a fic with the serial numbers rubbed off. Nevermind the fact I keep my original fiction ideas separate from my fan fiction completely and so there's no connection to make, but again there were so many accusations about RWRB secretly being rpf even though the literal intro of the book TELLS YOU what inspired it... I don't trust y'all at all with that info.

[dnf171]

nico hischier, family & home

the athletic / guess how much I love you - sam mcbratney / the ny times / the players tribune / the hockey news / giovanni’s room - james baldwin / markerzone / regrets - hether / electra - euripides

[bestworstcase]

Anything from Volumes 1-3 that is setup that you don't think is given enough attention or respect for good setup?

Sidenote to this:

Open seat with no person in it + Salem having someone looking for the Choice Relic was hinting at Summer Rose. Did we have anything hinting at her pre Beacon's Fall or just things that she fits given additional context?

regarding summer specifically, while i wouldn’t call them hints per se, there are a handful of beats in v1-3 that smell like foreshadowing to me:

the first is “she was right about you; such arrogance.” – cinder might well be referring to salem here, of course. however. what strikes me about this remark is that arrogance is not a characteristic that salem seems to perceive in ozma; rather she describes him, in her soliloquies and songs, as a self-destructive, deceitful, manipulative fool blinded and trapped by his faith in the old gods. cowardly. fallen from grace. think of what she says to oz in 8.9—look how you’ve diminished, how you’ve lessened yourself—she sees him groveling at the feet of tyrannical monsters and sees debasement.

does it follow for salem to characterize ozpin to cinder as, primarily, arrogant? i’m not convinced it does. but summer rose? well… hm. consider, also, that the full line is “this whole time, right beneath our feet… she was right about you; such arrogance…” <- i think it is more likely than not that “she” is someone inside the brackets of “our,” and in context “our” is either [cinder + ozpin] or [cinder + her associates physically present at beacon].

in the event that “she” is not part of “our” the more naturalistic phrasing is “beneath our feet… salem was right about you” – because “she” otherwise has no antecedent. of course, some allowance here for this to be a narrative choice not to name salem yet, but we’re one (1) episode off from revealing her face and by this point we’ve known for a while that cinder works for someone else, so the choice to drop the name here or in the volume credits is of fairly trivial importance. unless of course cinder isn’t talking about salem.

second: “Oh! We've also stopped some bad guys, too! I guess it's like they say: "like mother, like daughter"! I still wonder why Ozpin let me into the school early…” [laugh track] – obv this part of ruby’s address to summer’s memorial headstone foreshadows ozpin’s conspiracy and team strq’s involvement therein. but it also foreshadows this exchange:

RUBY: We don’t have to kill you to stop you, and we will stop you. SALEM: Your mother said those words to me… she was wrong, too.

and i think it bears pointing out that ruby is wrong here, and later in the volume qrow specifically calls attention to this and lays out why she’s wrong. team rwby didn’t stop the bad guys; they cut off one avenue of attack and cinder circled around from a new direction that took advantage of torchwick’s imprisonment, and this also resulted in the public break between ozpin and ironwood which eroded the cohesion of the inner circle. ergo, ruby thinks she stopped the bad guys but in the long run the consequences of the breach all benefited salem.

looks into the camera like im on the office.

like mother, like daughter!!!

further, that sequence of events ultimately leads to the final confrontation between her and torchwick – wherein he declares “if you can’t beat them, join ’em,” and shortly gets eaten by a grimm right after making it clear that he intends to kill her. torchwick’s death is thematically motivated – a narrative rejection of his cynical every-man-for-himself, dog-eats-dog outlook – but consider that:

summer rose, if she is indeed salem’s willing agent, is certainly at beacon tonight – because she’d be the one who stayed behind to hold the fort.

summer is thus the one salem instructs to “reinforce our numbers at beacon,” meaning the grimm; that instruction only makes sense if the person receiving it can communicate with or command grimm. ergo, summer must have some degree of control over grimm.

ruby is disarmed and on the ground getting beaten by a man who fully intends to kill her, and a grimm swoops down out of nowhere to eliminate him faster than he can blinks. and then… the grimm rears up, roaring at her, and comes down with a sweep of its wings that creates a blast of air that pushes her away. that isn’t aggression!! that’s a defensive threat display!! (the feilong in v4 does the exact same thing – trying to push the boat away). it’s ruby who charges the gryphon, and while it lunges forward in reaction to her charge, all that happens is she gets her feet on its head and pushes off to leap over it, and the grimm goes fucking flying so hard it crashes into the ship’s interior and never emerges. the point being,

math.

it’s plausible that the grimm was drawn to torchwick’s murderous rage. but the way it behaves immediately after it swallows him – that very clear “get away from me please” body language, and ruby -apparently- kicking a grimm the size of a goddamned clydesdale dozens of feet and then through the hull of a literal warship? ruby is strong, but she’s not… that strong. but if the grimm didn’t want to engage her and propelled itself under and past her at the same time as she vaulted off its head? that would explain what happens perfectly – ruby’s kick altered its launch trajectory just enough that it crashed.

minutes later, someone loyal to salem scraped a very badly injured cinder off the top of beacon tower and left ruby alive where qrow would find her. salem’s vested interest in keeping ruby alive is VISIBLE throughout the battle for beacon, and notably include a perfect opportunity to capture her while she’s in a coma atop beacon tower that isn’t taken – suggesting that salem makes her singular attempt to capture ruby solely to reassure cinder that Something is being Done.

and if summer rose has command over grimm and was at beacon that night… the gryphon’s behavior is exactly what i’d expect if all the grimm had marching orders to insure this one girl in particular – the spitting image of their commander – doesn’t come to serious harm. there’s a nonzero chance that gryphon did in fact save ruby On Purpose!

…and that happens in the context of a fight between ruby and the bad guy she thought she stopped (but she was wrong), who joined salem because “if you can’t beat em, join em.” (salem voice) she was wrong, too…

also

<- like mother like daughter. summer had a nevermore’s eye view of the battle for beacon, in this essay i will –

third: this one is something i didn’t really Think About until v9 and specifically the v9 ost dropping, but some of the things cinder says in v2-3 strike me as like – she got that from summer im sure of it. for example, in midnight, cinder’s view of huntsmen is that they’re free, they have power, they can go anywhere and do whatever they want, and rhodes never contradicts this. where did she get “huntsmen and huntresses should conduct themselves with honor and mercy”? who taught her the aspirational moral ideal?

summer rose, maybe.

but in the deeper sense,

where did cinder get the ‘destiny’ conceit? her underlying beliefs about how the world is are a product of her childhood, but the overt framing of fate/destiny isn’t present in midnight; nor has salem ever spoken of destiny and her philosophical views are in many ways a rejection of destiny – salem does not believe in fate, she is the woman who dedicated her life to toppling the gods.

and on close examination this looks like yet another suspiciously summer rose shaped hole!! “you’re special, ruby […] special the way your mom was special […] it was said that those born with silver eyes were destined to lead the life of a warrior.” – in after the fall, ozpin gives coco an entire pep talk whose central conceit is embracing and submitting to the turns of fate – sacrifice “show them gods and deities/blind and keep the people on their knees” & guide my way “you were born to hypnotize them all/they all said their prayers/can you hear me up there?”

cinder, of pyrrha: “people assume she’s fated for victory, when she's really taking fate into her own hands. interesting. add her to the list.” & “it’s not about overpowering the enemy; it’s about taking away what power they have.”

<- that second statement is salem’s strategic doctrine, through and through. but the ‘power’ cinder is talking about here is derived through manipulating the perception of destiny; the self-fulfilling prophecy. the invincible girl cannot be touched because she makes subtle adjustments to insure that no one is able to try. it is pyrrha’s belief in destiny that destroys her, as it destroys ozma. ozpin invokes fate to justify and explain his choices. those born with silver eyes are destined to lead the lives of warriors.

summer rose was destined to live and die fighting the grimm – so the world promised her. maybe she believed, maybe she felt like she had no choice but to accept her prescribed fate. until she met salem, and took fate into her own hands. made a choice. broke the chains. it’s about taking away what power they have, like salem did when she tore the scales from summer’s eyes, like summer did when she refused her destiny and joined hands with the grimm instead.

what does summer rose look like through cinder’s eyes? she was a huntress. she was literally destined to be one of the greatest huntresses in history, a hero, the shining pillar upholding the world order that chose the enslavement of children as a fair price for peace. fate dictated that she be the icon, the idol, the embodiment of the system that brutalized and subjugated cinder – she had every privilege cinder could ever dream of, freedom and security and a home, a loving family – and she chose to walk away.

and if they talked about that like, ever, and specifically if summer talked about that warrior’s destiny as a cage, a curse she had to escape – is it any wonder that cinder would adopt that framing to make sense of what happened to her? if summer rose was fated to stand at the pinnacle, then does it not follow that cinder fall was fated to be ground into the foundations? and likewise, if summer rose can shatter her pedestal and fall from grace, then cinder fall can shatter her chains and rise. summer proves that the idea of destiny is powerful but not inviolate. and it is hollow, it is a lie, a fiction, and that means it can be taken away. revealed as a deception. destroyed.

anyway

to the broader question

i think people really, really do not give the jaundice arc enough credit for the long-term set up it’s doing.

(or the very overt textual statement from THE HISTORY PROFESSOR! placing the blame for the violent radicalization of the white fang squarely on human bigotry and persecution of faunus in general; the white fang arc is clunky and hamstrung by the inadequacy of its vocabulary, but the fandom talking point that the narrative perspective on this subject has “evolved” or “improved” is just. not true. v1 is very emphatically clear that 1. terroristic violence is not activism, 2. ascribing the terroristic violence of a few to an entire minority group to rationalize bigotry is bigoted in and of itself and completely unacceptable, and 3. violent radicalization is created through relentless discrimination and hate, which creates a self-reinforcing circle wherein the justifiable outrage of the persecuted outgroup and the extreme violent reactions provoked by the persecution are distorted into a justification for further persecution by those of the in-group who materially benefit from perpetuating this cycle!!! all of this is explained in an almost afterschool special manner by the main character faunus rights activist and the history professor!!! in volume one!!! what changed is that the writers developed the skill and vocabulary necessary to weave these ideas into their storytelling in a more effective and more cogent way!!! literally begging the rwby fandom to start listening to the actual words the characters say)

ahem. the jaundice arc lays so much of the groundwork for jaune’s and ruby’s character arcs reaching all the way to v9 and undoubtedly beyond; it sets up the first pieces of the ozlem fractal; it foreshadows the white fang arc and sets up blake’s character arc of self-reclamation and figuring out how she wants to use her voice as an activist; it draws attention to the misogynistic cultural norms that define and are defined by the history between ozma and salem; it lays the foundation for the scene in v2 where ozpin questions blake, which hits the way it does because we have the context of anti-faunus harassment occurring openly at ozpin’s school and nobody doing anything about it, and by extension is the first stroke of the salem-faunus connection that is almost certainly the keystone holding the entire narrative together because it is her relation to the faunus that provides the key to decipher the lost fable.

the jaundice arc is a crucial load-bearing pillar that supports the entire narrative and people revile it because nobody in this fandom can be fucking normal about jaune. lmao

[mostlymaudlin]

one of my favorite things about carry on fandom (at least as it has existed since i joined in 2021) is that no one gets hung up on like... writing expertise or fics being "out of character." this is especially impressive because there is SO MUCH character analysis that goes on in this fandom, and yet it never translates to dunking on interpretations of characters that ppl disagree with. there's just genuine joy over the face that people are out here writing and sharing and putting their own twists on stories.

in general, everyone is just so encouraging abt art, and that's such a wonderful environment for people who are new to writing/sharing their writing. and for people who are not new but still feel nervous about putting themselves out there. it's really special! i think it's similar for visual art too

[rewritingcanon]

no girl tell us what you think about jegulily!! im so here for it (tone is weird but I mean that genuinely, I don't ship them so I'm not here to be weird)

dw bae ur tone is fine ! (i’ve been waiting for an ask like this 💀) i think jegulily is... yeah its…. like usually as long as its legal idgaf as long as shippers portray their characters right but regulus fans are literally incapable 😭🙏 WHY WOULD U PAIR A MUGGLEBORN AND A BLOOD SUPREMACIST IM SO DONE WITH DIS FANDOMMMM!! that actually goes for a lot of lily ships like bartylily as well (no clue where that came from either but it’s equally as stupid lmfao).

and jegulily just feels like shoving in lily because people feel bad for ditching her, or shoving in regulus because some people like jily and jegulus and want them (for some reason) to coincide even though it makes zeroooo sense for it to. like, idk if i said this with jegulus before (i yap sm on this account i forget what i say), but like it, jegulily can be done well if a realistic dynamic is taken into account, but the marauders fandom is allergic to nuance and so just chalks up everything regulus does and believes to his neglectful homelife. hes not all-bad, sure, i do feel bad for him, but im nowhere close to shipping him with a woman whos part of the people hes trying to eradicate, or with her man who purposefully went against all pureblood tradition (which is such a large part of james’ character— he is a pureblood that chooses to be seperate from that culture hellooooo plz wake uppppp).

marauders fandom has a chronic “i can fix him” mentality when it comes to wizard neo nazis, i have never understood it. but thats a topic for another day.

jegulily should be filled with envy, toxicity and prejudice stop nerfing it to be some fluffy feel-good polyamorous stable marriage where they raise harry together. yall are looking over the potential. this ship has blood and guts in it plz act like it or else idk what to say 😭 if it doesnt end with at least one of them getting murdered i dont want it.

[krash-and-co]

friendly reminder this fandom isnt a job and you don't have to actively work to 'save the show' all the time, you can just have fun

[god-has-left-chat]

Shayne in drag/crossdress is so beautiful to me?? Like, when he has on a full face of make up or in a full fem presentation fit i go a little crazy. I need more of that pls

[seerasworld]

Alright I usually post once every 10 years but I gotta rant about the state of the fandom rn:

I'm floored by this new "trend" of entitled haters writing mind-boggling things like "you MUST take the hate without defending yourself or your LIs cause I'm right and you're wrong" or "you don't have the right to feel upset by what I wrote, you're just too sensitive, go touch grass". Obviously paraphrasing a little here but that's legit the gist of it.

As if that wasn't enough, the same pro-hate blogs will fly off the handle and gang up on anyone who doesn't rain praise on their own faves no matter how polite the discussion which is hyprocrisy at its highest level.

I could maybe close an eye about the character hate even though it wouldn't kill anyone to express dissatisfaction in healthy/funny/constructive ways, but being rude to real people over pixels? The gratuitous disrespect? Shaming people because they don't have the same tastes/likes/dislikes? Attacking strangers just because you don't agree with their personal opinions? Invalidating anyone who isn't a fellow hater? Not letting someone share their thoughts because that's "excusing" a fictional dudebro you don't like? The disgusting intimidation tactics?? HOW ABOUT NO??

[wickmitz]

was once again glancing at the lackadaisy reddit and i genuinely feel a little crazy about how people perceive the wick and mitzi arc from retinue to sneakthief? or, honestly, their arc in general. to act as though wick is some patron saint greatly amuses me when it’s implied by mitzi and the comic that wick had either proposed a business deal himself or had been very amendable to talk about it after their kiss and / or other intimate acts last night … mitzi didn’t pull this out of her ass! she did not put this upon wick randomly. it was something they mutually agreed to do, and given how hard wick tries to wiggle away from the conversation without outright saying no ( aka giving excuses to stall ) i would even guess he essentially already agreed to such a deal, in the throes of passion, only for him to not fully mean it later. this doesn’t mean it was right at all for her to then steal from wick! this isn’t me excusing that! but wick isn’t some poor meow meow either in this scenario, even if he is the ‘lesser’ evil overall.

and tbh i also think the conversation was doomed from the start : wick was horrifically exhausted and was still too shaken up by rocky’s ‘joke’ to fully engage with mitzi, as well as finally having church’s warning start to weigh on him … and then there’s mitzi, who wasn’t faring any better! what with viktor out of commission, asa turning on her, mordecai threatening her, and then having spent most of the afternoon hearing her dead husband’s name be thrown around. in order to hurt her and scare her into obedience, mind you. like, neither were in any state to discuss business or romance!! so it’s no surprise it went poorly. especially when both of them were equally sore and testy during their date.

[thefanciestborrower]

Based on your recent post and some of the other asks I've seen you getting... How do you feel about characters (specifically the Ninjago boys) eating with prey inside just to mess with them? Not stuffing or anything. Just playful messing around.

Oh absolutely 10/10 perfection. I honestly love the like, idk messier? Grosser? Sides of vore because to me having a belly with food still in it is a bit more realistic than a squeaky clean stomach you know? But when it comes to eating with someone already inside I think it’s so goofy lol. Like, Cole eating some extra leftovers after he’s already downed Jay just to mess with him, or Kai absentmindedly snacking on some chips after eating Lloyd cause the guy really isn’t that filling. Love it. I also like incorporating folks as part of the dish as well, so like, using Kai as a soup garnish cause he’s got a nice spicy kick to him or adding Jay to some dessert cause he really is very sweet. Fun stuff! Love to see it! I think my very first nin.jago vore drawing on here is actually Jay pouting in a puddle of pudding in Cole’s stomach lmao, so clearly it’s something I love. I also really like slightly larger prey vibing in a full belly like it’s a weird spa or something just cause idk I think the texture would be cool

The only character this doesn’t super apply to sadly is Zane, cause the guy doesn’t really eat, but he’s absolutely not above making the perfect dishes to pair with someone’s flavor if asked you know?

[kareenvorbarra]

doomed to always be the only nahuseresh fan in the chat

[scarycranegame]

sometimes i wish tumblr had a mute function

[rollercoasterwords]

ummmmm fyi i do not write stories about lesbians to "provide wlw representation" 😐 please get a grip 😐

[fortune-maiden]

I've always liked this line of dialogue from SQX, because it does feel like at the end of the day, no matter how much SQX says he can't stand PM, he does still have a decent grasp of his character.

And on the other side of this, these words are just especially pointed towards Pei Xiu, who does have a good relationship with his boss/ancestor, and also going off his backstory, Pei Ming may well have been the first person in his life to acknowledge him and his talents.

So the whole thing just feels extra sad.

[tyranitarkisser]

.

[forcebookish]

if arkarm were really both supposed to be gay for you then why was arm made admin of a Hot Boy facebook page in the first place? shouldn't he just be gay from the start? sus writing choice tbh