#not really knowing what's going on 60% of the time

[dogtoling]

General life- and blog update , since I assume at least a few people might have been wondering where I've been and what i've been up to recently. I obviously haven't been posting or drawing much this year in general. This will probably be an important post if you care about stuff on this blog, and I already rambled on Sheezy, but that site isn't very populated yet and it's also very good at hiding journals so let's just ramble again...

The summary of this post if you hate reading: I'm heavily considering just stepping away from Splatoon. That decision obviously would affect this blog (mostly, my OCs, which is kinda most of the blog at this point). I don't think the blog itself will go anywhere, and I'll probably use it for something in the future... alternatively i'll cherry pick stuff from here into an archive for people who like the worldbuilding.

Longer post under cut:

So what have I been up to this year? The answer is quite simple: NOTHING. Like, actually absolutely nothing. Aside from Art Fight, this has probably been one of my worst art output years of all time, which is really frustrating. That's between my horrendous mental health and depression chasms this year and a complete lack of both focus and inspiration (which can also get chalked down to the depression to a degree, yeah). So the very real reason to why there hasn't been much activity on this blog this year is because I just haven't Done Anything in general.

Now because I know there will be a few people who think "that's fine! you shouldn't judge yourself based on productivity!" you're right! I also agree. However the issue for me specifically is that most (if not all) the time I spend NOT drawing or creating, I spend sitting around wishing I could start drawing or creating, because that is like the 1 thing that keeps me sane on this freaking earth. Unfortunately coming up with OC scenarios in my head doesn't really result in output I can feel fulfilled by in any form as much as I wish it did, lol.

Now; The Issue. It doesn't take a genius to see that if you spend 9 months trying to finish like a dozen OC pages that you COULD do in a week or 2 if you wanted to, then there's probably more than just the problem of executive dysfunction (even though that's at least 60% of it for sure). Obviously my other major problem is that I live by imaginary rules and structures that make sense, but aren't actually useful at ALL in reality and are more than a hindrance if anything (the mental to do-list in my head that says i can't do X until I've done Y doesn't do very much if task Y takes 10 months and I also don't want to do it, and it also has no structured ending).

How does this tie into stepping away from Splatoon, you may ask. Well, the issue is that I have foreseeably fallen out of love with the series. Which isn't exactly news lol. Currently, I'm not even sure i will get the next game, if and when the time comes. Yes, the loss of interest is also expected, given that Splatoon 3 has ended and every fandom has this kind of downtime and lukewarm in-between-titles period. But the truth is that modern Splatoon (almost 10 years old!!!!) is tangibly different from the way the series was back when I fell in love with it. That was Splatoon 1, and while the series has improved in a lot of aspects and is thriving, it's grown in a direction that I just don't really like. Splatoon 3 had the most freaking horrendous, immersion breaking story mode they could've done, then they followed it up with a DLC story that was pretty cool but also compounded a lot of my fears about the series' future and played into every single thing i do not want Splatoon stories to be - fully character focused, random fucking villain, mundane event that's unrealistically world-threatening just because a kids video game needs a scary climax even though it's immersion breaking AGAIN, the whole thing taking place in cyberspace and thus offering basically no worldbuilding even though there is SO MUCH WORLD. I COULD GO ON.

The gist of it is that nowadays, rather than playing Splatoon and being inspired and excited at what comes next, I mostly find myself dreading what dumbass plot they will do next to throw a wrench in the otherwise good stuff. And when that's like THE main approach I have to what's supposed to be my favorite series, it is HARROWING. I can't even really blame the game for this; the story is NOT its selling point, the developers probably do their best to get the bits to us that they really want to tell, and at the end of the day the game is unfortunately a product. Worldbuilding for Splatoon is fun to a point. It's less fun when in order to actually write or create something coherent, instead of filling in the blanks, the blanks are 90% of the freaking thing. At that point you're just better off making something of your own instead of being anchored onto an IP that gives more problems than answers and occasionally shoots you with like a machine gun. Working in the realm of Splatoon is frustrating because more often than not, the questions I have ARE NOT MINE TO ANSWER, and the likelihood that the specific-ass questions I need answers to will ever be actually addressed is really low.

Tying this back to my OCs. Obviously I love my OCs more than I love myself which admittedly isn't that high of a bar but you get the point. The problem is that I spend a lot of time mulling over worldbuilding that, again, frankly isn't mine to do. Because if I want it to be Splatoon, then it should be mostly accurate to how Splatoon is! But the problem with that is that there's really not THAT MUCH worldbuilding in the series that you can work with, and most of the core game mechanics are just abstract enough that it's actually horrendous to try and come up with workarounds and ways for things to make sense that don't require just constructing a full knockoff version mirror dimension of the game and saying fuck everything that's in place here because Inkopolis Plaza literally has no roads in or out of there and I have no fucking idea how that's allowed when your only option is to jump the fence (or, nowadays, take the train which also isnt connected to a street as far as I remember). Between the face value issue and the lack of REALLY IMPORTANT worldbuilding, like - I will always come back to this - THE INK TANK'S FUNCTION 10 YEARS DOWN THE LINE - there's a goddamn ocean of plot holes and things that end up being obstacles to creativity rather than inspiration. I feel like I'm pretty solidly at the point (and have been for a while) where hanging onto Splatoon is really only contributing to creativity block and frustration with lack of freedom and the ability to actually do things.

So I guess those are my reasonings that I've put together just sitting here for the time being. The TL;DR is that I wish I could just do stuff without Splatoon's canon getting in the way, which is a really stupid problem to have if you're making Splatoon OCs. I feel this frustration extremely strongly every time I have to work with actual bigger aspects of the world; we still don't have an Inkopolis map, we don't know what the world around Inkopolis looks like, we don't know what the wilderness is like aside from Just Normal Forest and Desert and very few snippets as to what modern wildlife MIGHT be, I still don't know how the fuck the Inklings teleport to the goddamn arctic ocean to play a turf war at Shipshape Cargo co. These are all actually really important things if you're trying to establish a setting in any kind of storytelling that's outside of immediate city bounds (and even there, you need to know the layout of the city and its important areas). Also a fucking mutant bear and a baby salmon and a squid not wearing suitable gear went to space and fought on a rocket in space. These are some things that would give me peace of mind to not have to deal with in my own writing, probably.

So where do we go from here? Unsure. I haven't really made a decision on this front yet, though right now I'm leaning more towards actually going ahead with trying to do my own thing. That will result in obvious design and setting changes for my OCs whenever I get around to it. This blog probably won't go anywhere (again, unless I impulse delete it during a mood swing like i've almost done on like three separate occasions this year), but it will probably get less use, and I will probably end up making a new blog to post about whatever I end up doing once I get to a point where it feels like it makes sense. There's a chance that I will delete this blog and put all the interesting stuff on an archive blog for the people who are here just for the worldbuilding. My actual true passion for a long time now hasn't even been Splatoon anymore, it's just been cephalopods. I'm kind of done having Splatoon get in the way of the cephalopods, as thankful as I am that it introduced me to them...

If you read this to the end heres a treat for you = 🍪

[redrose10]

hii for the prompt game thing: how about 5, 5, and 55 or 60 with Yoongi! I just love how you write Yoongi, but it's up to you if you want to change the member!

I hope this is what you were looking for! I’m so sorry if it isn’t.

< Beauty and the Frog >

CEO Yoongi x Female Reader

Warnings: Swearing, cheating, very slightly suggestive, Yoongi is pretty mean in this one

CEO, Unrequited love

#55 “That’s not very nice.”

#60 “I fail to see how that is my problem.”

*******************************************************

You had known Yoongi since you were in elementary school. You had seen him around the building but the first time you really interacted with him was when you were partnered up together in your 8th grade biology class. You refused to dissect a frog and even after the teacher threatened you with an F and a trip to the principal’s office you stood your ground. Yoongi admired that and followed suit earning you both after school detentions. It brought you guys together and you were best friends from that moment on.

Freshman year was intense. Lots of changes and new stressful situations but you had Yoongi by your side so it made everything a little easier.

Tenth grade was better. You had gotten the hang of things and were able to navigate life. You and Yoongi were still best friends and stuck mostly to yourselves. Many rumors went around the school about you two but you always ignored them.

You were in the eleventh grade when you realized your crush on Yoongi. You hadn’t seen him for much of the summer because he went to stay with his grandparents in the countryside. When he walked into the school on the first day your mouth dropped open. He had grown a few inches taller. Most of the baby fat in his face had disappeared leaving him with a chiseled jawline. He had let his hair grow out and he seemed to have bought some new clothes with the money he had earned at his part time job. The first thing he did was walk towards you and wrap you in a hug giving you the first feeling of how much more muscular he had become while working on his grandparents farm. When he said your name his voice was considerably deeper than you remembered. You locked away your secret crush for the whole year not wanting to ruin anything between you two. The thought of loosing him forget was too much to handle.

Senior year of high school was flying by. Yoongi was captain of the basketball team. You took a position as the teams water girl after he begged you too just so guys could get to spend a little more time together. You had decided that after the final game of the season you were going to ask him to Prom. Your nerves were out of control as you waited for Yoongi to come out of the locker room but minutes and minutes went by. Every other member of the team had already left leaving you wondering what was going on. As you exited the school there were mumblings and whispers about two people hooking up in the parking lot. You felt a knot in your stomach as you walked outside only to see exactly what you had feared. Yoongi exiting the backseat of his car with his zipper down and his belt still undone and the head cheerleader following behind while still pulling her skirt back down. When Yoongi came walking over to you asking if you were ready to hit up your usual after game pizza place you declined telling him you weren’t feeling well. He offered to take you home and hang out there but you shook your head accepting a ride from Hoseok instead much to Yoongi’s disappointment. Yoongi went to prom with the cheerleader while you skipped it all together deciding to never let him know about your crush.

College was much of the same only you didn’t feel a soul crushing sense of sadness whenever Yoongi would bring a random woman back to your shared apartment. You had learned to accept it for what it was. The ones he actually dated hurt a little more than the one night stands but you got through it, even having a few romantic adventures of your own.

Graduation came and went and Yoongi started his own record label with some money he and received as an inheritance. You were so incredibly proud of him and excited to see him succeed as the CEO and Owner of his own business.

It took a few years but DTown Records slowly became one of the hottest companies in music while producing nearly every hit on the radio.

When things got too crazy Yoongi offered you a job. He wanted you to become be his Chief Operating Officer. At first you declined saying you didn’t know much about the music industry but Yoongi knew you had a degree in business and he trusted you. So eventually you gave in and became his partner.

It was a lot like the old times. The two of you spent countless hours together all the while your old crush was blossoming more and now to the point you started feeling like you loved him.

Then Yoongi introduced you to Mia, an up and coming artist he had met at some big industry event he had gone too. Immediately you didn’t like her. It wasn’t all jealousy. She just gave you bad vibes. She was a little too quick to use Yoongi’s credit card any time she wanted to purchase something. She was constantly flirting with other men when he wasn’t around. And she definitely did not like you. She had one too many glasses of wine or coffee “accidentally” spilled on you by her way more times than could happen accidentally. She was always conveniently having emergencies any time you and Yoongi tried hanging out. You also heard from Jin, Yoongi’s assistant, that one morning she was giving Yoongi reason after reason to fire you.

You tried to talk to Yoongi but he was having no part of it even going as far as you call you jealous and told you to grow up. A little crack formed in your relationship for a while until he announced his engagement to Mia. He looked so happy and so in love that you put on your best act and pretended to be happy for him even though you were devastated.

The night before the wedding you were laying in bed trying to mentally and emotionally prepare yourself to watch the love of your life marry someone else when there was a knock at your door.

Since it was 3am you were nervous to answer it until you heard Yoongi on the other side. He greeted you with red eyes and sniffles before he broke down in your arms and sobbed.

Through his distress you learned that Mia was in her suite at the hotel so that they wouldn’t see each other the night before the wedding. He had snuck over to her with flowers and a song he’d written wanting to be romantic and surprise her. Only he was the one that was surprised when he found her naked riding some wannabe rapper as she moaned his name loudly into the air. The wedding was called off and Yoongi was devastated. You did your best to comfort him while forcing yourself not tell him you told him so.

Yoongi took a few weeks off to recover so you were in charge and things went smoothly. You were excited for his return only to be horrified at what you were met with.

The once happy and full of motivation Yoongi was replaced with the shell of man who was spiteful and outright mean. His heart melting gummy smile was replaced with a nonstop scowl. He fired people left and right and talked down to his employees. He wasn’t the Yoongi you’d known all these years. His broken heart had changed him to an unrecognizable person. But you still knew deep down that the Yoongi you knew was in there so you stuck around.

Bit by bit you snipped away at the barbed wire that surround him. His favorite coffee, lunch from his favorite Thai Restaurant. Tickets to see his favorite basketball team. Your secret fresh baked cookies that he had always loved.

One morning he came into work to find a brown stuffed poodle that looked exactly like the dog he had when he was in middle school. You saw the faintest hint of a smile at that one and you thought maybe you had finally got to him but then he took the toy and stuffed into the bottom drawer of his desk to be forgotten and started barking out orders to people in the office.

Then one morning Yoongi called you into his office, something he didn’t do much of any more.

“Y/N, I’m moving the headquarters for the label to LA.”, he said after you took a seat.

“Wh-What? You can’t do that.”

He scoffed, “It’s my company. I can and I am. I need to get out of this city and start new. I can’t stay here any more.”

“What about the employees here? What about me?”, you questioned.

“We’ll keep a small team here the rest we’ll have to let go and as for you…I want you to move to LA with me.”

Your mouth dropped open, “Yoongi that’s the other side of the world. I have family and friends here. My whole life is here. I can’t just pack up and move.”

“I understand Y/N. I can’t force you to go but I really want you to. I need you to come with me.”, he said barely above a whisper.

So you agreed. And within a couple weeks you were packed up and goodbyes were said and you were moved to Los Angeles. It was a difficult decision but you would do anything that Yoongi needed and/or wanted.

The company was doing incredibly well while making record profits. Things were also going great between you and Yoongi. You were closer than you had been in a while. Your feelings began blossoming fuller and fuller as time went on now that things didn’t seem so tense.

One afternoon you walked into Yoongi’s office. He was on the phone with someone so you took a seat to politely wait.

“Mmhm I’ll be there.

I know I know it’s been a while.

Yeah my flight leaves at noon.

I know babe I’m excited.”

You rolled your eyes hearing him use the pet name. He smiled when he noticed your reaction before quickly hanging up the phone.

“Going on a trip?”, you asked.

He looked nervous as he fidgeted with a pen, “Actually Y/N, that is something I wanted to talk to you about.”

You nodded letting him know you were listening.

He took a deep breath, “I’m moving back to Seoul.”

“What?!”, your mouth dropped open.”

He nodded, “I’ve been talking to someone, her name is Mae. We met at the Valentino show a couple months ago. She’s a model based out of Seoul so I’m going to move back there.”

You shook your head, “Yoongi I…you can’t move back. I gave up everything. I moved all the way to the other side of the world to follow you.”

He scoffed, “I didn’t force you to move here. You came here on your own Y/N. Just move back with me.”

“Yoongi I can’t just keep moving around the world whenever you have a new fuck buddy.”

He looked offended, “Mae is not a fuck buddy. I love her.”

You could feel tears begin to form, “You don’t love her Yoongi. You love that she puts out whenever you demand it. If she loved you she would come to you, not the other way around. Like I do. I’m always here for you. I do everything for you. I love you Yoongi.“

He stared at you for what felt like forever. Finally he slammed his laptop down, “I fail to see how that is my problem.“

His coldness shocked you. He had never spoken directly to you in that way. “That’s not very nice.”, you whispered through sniffles.

Yoongi softened at the sight of you realizing just how harsh he had been. He took a deep breath, “I’m sorry Y/N. I’m sorry for speaking to you that way. I’m also sorry that I don’t feel the same way about you.”, he packed up his things and headed towards the door, “I’m leaving for Seoul tomorrow. You can stay here and run this sector of the company or come back to Seoul. It’s up to you. I don’t really care.”

He walked through the door letting it close behind him.

He moved back to Seoul as he had said. Him and Mae got engaged three months later. They were married the following year and divorced by the next one.

You remained in your position as the COO through all of it, mostly because of the pay and travel perks, because your relationship with Yoongi had become strictly business after you confessed. You stayed in Seoul to run that location while he moved back to LA. It hurt for a while and it took a lot for you to move on from him.

But eventually you did.

And when Jungkook got down on one knee and proposed the first person you called was Yoongi. He didn’t answer. He never responded to the text either. He didn’t come to your engagement party. He declined the wedding invite. All you got was a generic card in the mail that you could tell had been filled out by Jin. Eventually you gave up and decided to put in your resignation because you and Jungkook were moving to New York. He didn’t contact you even then.

It wasn’t until almost three years later that you heard from him again. There was a package that arrived for you.

A card read, “Congratulations on the birth of your daughter. I wish you all nothing but happiness... I’m sorry I couldn’t be the one.- Min Yoongi.”

In the box was a stuffed animal. A wide smile formed on your face as you took the bright green frog with a pink bow on its head and placed it in the crib next to your sleeping daughter before joining Jungkook in the kitchen to finish up dinner.

[novankenn]

Jaune Arc of Orleans

Land-Train... Waylaid

Jaune was panting, as he often did after having a vision from the Light. Most times he was only aware of just the meeting, and the sense of fulfillment and peace such meetings gave him... but other times. He remembered everything, instead of just fuzzy feelings. This was one of those times.

HIs hands were shaking as he recalled the grotesque beast the Light had bested. He did not know what it was, just that it radiated pure malice and hatred. Swinging his legs over the side of the bed, he rose to his feet and approached the sleeping form of his escort.

Jaune was sure they were about to be attacked, and even though Land-Trains were designed to shrug off such assaults, there was still a chance that injuries, or worse could happen. He had been warned, he had the power to change that fate.

"Qrow?" Jaune spoke as he reached out a began to gentle shake the huntsman shoulder. "Qrow!"

"Stop... sleep..." Qrow muttered as he tried to roll over.

"QROW!" Jaune yelled, accompanied with a jab of his finger into his exposed cheek. But still there was no response, or at least the one Jaune was seeking. Seeing no alternative Jaune reached out and played the ageless tactic of siblings everywhere. He pinched Qrow's nose shut.

Qrow flailed about, snorting and roughly twisting his head side to side.

"I'm up! I'm up!"

"We're going to be attacked!" Jaune shouted as the still groggy huntsman. "Did you hear me? We're going to be attacked!"

"Huh? What? I... quit yelling kid." Qrow commented as he attempted to blink the slumber from his eyes. "What are you..."

"We're going to be attacked!" Jaune once again shouted.

"What? When? How... how do you know that?"

"I just had a vision."

"Sorry, a vision?"

"Darkness encroaches! Death approaches!"

"Shit!" Qrow swore as he swung his lungs off the side of his bed and quickly got to his feet. After hearing about Jaune's previous visions and the warnings that foretold of the bandit attack... Qrow knew better than to just dismiss the young man's words.

"I'll alert the crews, you hunker down here." Qrow ordered as he pulled Harbinger from storage above his bunk.

"But I can..."

"I know you can, but I can't risk you getting hurt. Stay here! Got it?"

Jaune just nodded. Qrow nodded in return and reached up to pull the alarm lever. Flashing red lights soon filled ever compartment of the ten vehicle long land-train. It was common practice to have one huntsman or huntress per two vehicles. So Qrow knew aside from himself, and possibly any other huntsmen or huntresses on board as just normal passengers, there would be at least six abled bodies for the approaching fight.

That didn't include the crew members trained to provide fire support, via the roof mounted twin .50cal Ma Deuces. While standard rail systems were faster, there was something to be said about sturdiness of the tracked 10 ton armored vehicles. There was little aside from the largest of grimm that could really be considered a threat to this type of transportation.

"Stay here." Qrow commanded as he stepped out of the small private cabin, that was situated near the center of the series of articulate arm joined vehicles and pods.

Jaune remained where he was told to, in fact returning to sit upon his bunk. He was pretty sure he knew what Qrow was doing, or at least he thought he did. The other huntsmen and huntresses assigned to the land-train would need to be informed and defensive measures devised.

Jaune knew this would probably not be an issue if they had commandeered seats on one of the airships that did travel from Orleans to it's various trading partners... but motion sickness was a bitch and he did not want to suffer through an almost 24 hour long flight due to the multiple "hops" such travel required, due to mainly being short range cargo ships.

So it was the land-train, and a solid 60 hours of overland travel. Suddenly the loud rapid and heavy thundering thud of a multiple heavy weapons firing cut through the air. It had started... Jaune's warning had been issued just in time.

==> Table of Contents <==

[callistocalavarni]

shifting to the 60s

hii I havent posted in a while, I've been trying re group from multiple shifts while getting my life back in order but I think I'm back.. Anyway I have a bunch of stories from so many places I'd like to share and im currently working on how I want to post them. But I don't see a lot of storytimes so I think it would be fun to share some. So i'm gonna rant about some shorter ones here.

shifting with sleep paralysis

I wanted to talk about this shift because it stuck out to me and I can't stop thinking about it.. I had shifted about 2 times in the span of 30 seconds. For a whole week back in October I was waking up at 3-5 am in the morning without being able to go back to sleep. So as you can guess I woke up at around 4 am and was restless. At around 6 am I got tired again so I started my method and I know people say that symptoms don't exist but in the time that I have shifted all I can say is that I disagree.. Anyway, one moment I was saying affimations and then the next I woke up all tingly and in a weird sleep state I've never been in before. I didn't even say to myself I wanted to shift I just did. It was like my mind was on autopilot. Didn't say affimations, didn't go through my script in my head, didn't even try to use the 5 senses. I just started seeing myself in 1st person and what I would be doing in my dr without any forethought and shifted. The first shift, I was on a track running with a couple of men and we all were wearing 60s running wear. I had an orange and red tank top with matching orange shorts. It had felt like there was an orange filter in this reality.. if that makes sense. I was on the track about to run and I just recall looking around laughing.

When I shifted to this moment its like I felt my consciousness leave my body; Which is the weird part because I've never really experinced this before. It felt like I was being pulled up by something and all I could hear was constant noise. I don't even know what noise I was hearing it was like someone was screaming right in my ear or veryyy loud ringing/static. The noise was SO loud. I was in the middle of sprinting when I shifted back because I thought I was the one making the noise, I thought I was screaming..Thankfully it was not me. But When I came back I was still In that state and I could look around me but my eyes were still closed. It's like I was seeing everything from a different perspective. There was a spider crawling on my wall right next to me when I shifted back so I freaked out and the noise got even louder ! The spider was leaving black spots all over my wall,, I could not figure out what was going on in the moment ( when I was writing this in my journal I figured out it was sleep paralysis ) It felt like I was tripping on a bunch of pain killers when I shifted back. I still couldn't move so I shifted again to the same reality but this time I was in the shower... the noise got even louder. The noise made it feel like a bad trip and I ended up shifting back here to try and stop it. It took my like an hour to get out of sleep paralysis. Unlike the method, this reality was very enyjoyable. It felt like a Nina Brodskyaya song, I lived alone and I was successful. I think I worked at a cigarette company, which is ironic because I hate smoking. But I don't know for sure as I didn't stay long enough to find out.

Lumari is a country I scripted, Forlina being one of its nations.

This reality was late 70's early 80's and one of my favorite drs. I stayed here for about a year. I was in Forlina living in an all girls home. Forlina gives free housing to students so I moved out of my parents house to start collage. About six girls are given a room to share together, don't worry they are pretty big. I loved our room. It had big sliding windows that gave a view of the tropical forest. We each had sunken in beds, some girls who were home sick shared beds for a couple of weeks. It took me a while to get use to the amount of noise in the morning. There was this one girl who would blast music on the radio while getting ready. I only had to worry about this sometimes because I woke up pretty early. Art was one of my classes and the professer would make the class times either 7 am or 9 pm which also took me some time to get use to. idk the guy was kind of weird. I rode my bike everywhere here. I miss being able to ride down a bike trail and see the ocean. I've been thinking about shifting back here for some time. I might post more about this reality in more detail later.

<3

[cringecompanionapologist]

Why Turlough Is Rarely Written Well

Classic companions have a habit of falling into Susan/Ian/Barbara archetypes. You have Men (strong, attractive, brave, good at the physical stunts the often older Doctors can't do), you have Women (okay there's actually some variety with this one since they're the most common. There are the sensible women who have none of the Doctor's shit or the plucky girls who love assisting the Doctor but are often written as stupid for plot reasons.), and you have Children (usually girls, but Adric also fits perfectly into the archetype. They're young and vulnerable but usually made abnormally smart to make up for it, with the exception of Dodo because the writers didn't know what to do with her).

Sometimes things can mix. Leela and Ace basically functions as all three categories at once. It's why they get so much EU material. They can fill basically any companion role depending on what you need. Some are sort of vague in their roles. Victoria switches between Woman and Child, not as a combination, but as if the writers didn't always agree on which one she was. Nyssa probably isn't a child, at least not by Season 20, but she generally plays the Child companion role. And, as I said, the Woman companion role is all over the place.

But, generally, Man doesn't have to be male if you're willing to let a girl fight and Child doesn't have to be a child if they still come across as innocent and/or unfamiliar with the world around them.

Throughout the 60s and 70s, Woman evolved (compare Barbara's role in the show to Jo's. This isn't bashing Jo. The character were just handled very differently) and Child was sort of phased out due to not fitting the UNIT setting. Man was also phased out once the Doctor learned space martial arts. You could also say that UNIT collectively was Man. This led the show to slowly transition from three companion teams (Man/Woman/Child) to two companion teams (Man/Woman or Man/Child depending on the team) to the single Woman companion you see throughout most of the 70s. Harry Sullivan was a brief revival of Man but you once again had a Doctor who could do the action stuff himself, so the writer's weren't sure where to go with him and he was written out after one season. The show stopped having male companions (unless you count K9, but I'd put him the secret fourth category of Robot).

The the 80s happened at the decided to have male companions again, but Tom Baker was still Tom Baker, and Peter Davison was the youngest, most physically capable Doctor yet. So, they took the Child archetype that had previously been exclusively female (Susan, Vicki, Dodo, Victoria sometimes, Zoe) and gender flipped it. Adric is basically a gender flip of Zoe, a teenage mathematical genius that stows away in the TARDIS and basically forces the Doctor to adopt them.

But then Adric blew up, but they still wanted a male companion around, and we got Turlough. And Turlough doesn't really fit any of the archetypes. He's not the brave, physically strong Man and he's too generally familiar with the world to be a Child. He's an alien, an outsider to what the audience thinks of as normal, like Leela and Nyssa, but he's lived on Earth for a while and is familiar with it enough to hate it. He doesn't carry that same sense of innocence.

That leaves Woman and though female companions had covered Man before, they'd never really reversed it. The sort of did at times with Steven, since he was sort of a merge of Ian and Barbara, but that was because the writers were used to having Barbara around and weren't sure how to make the show work without that role.

Turlough doesn't really fit the Woman archetype either. The Sensible Woman variant has to have a certain moral high ground and Turlough's morally ambiguous. The Plucky Girl variant needs to either be enthusiastic about travel, or be either very brave or borderline oblivious to danger. Turlough is very much aware of danger and is not a fan of it.

So Turlough doesn't really fit anywhere. Writers struggled to figure out what to do with him. Too much of the traditional companion role, especially for Men, was defined by courage and selflessness. Turlough had to learn to be that way as a character arc. There had been companions that struggled with being brave before. Susan and Victoria come to mind. But Susan was kind of all over the place and Victoria started off being pretty brave before being in constant peril made her a nervous wreck and she chose to leave the TARDIS to save her sanity.

So, you end up with a companion that didn't really fit any archetype and the previous companions he could most easily be compared to were Susan and Victoria.

So, when writing Turlough, writers end up with two choices: to lean in or back out. They could write Turlough in a way similar to Susan and Victoria, intelligent enough to be reasonable competent, but physically and emotionally fragile. Or, they could try to make the character a bit more like earlier male companions, except he's complaining about it the entire time.

Writers prefer backing out to leaning in. That's because there's a bit of a double standard when it comes to gender stereotypes. You give a woman traits more associated with men, it's usually received positively. Leela stabs people, Ace beats up a Dalek with a baseball bat, everyone loves it. And they should. It's great. But when it's the other way around, giving a man traits more associated with women, it's usually based in negative traits and not received well.

It isn't always that straightforward. A female character who's assertive and tries to take charge but doesn't usually stab or beat people up will be classified as a "bitch". Strangely, a male character who's cowardly might also be called the same word. "Bitch" is apparently an insult specifically connected to gender nonconformity. Women who are too bold and men who aren't bold enough.

I've written before about how this affects fandom (and a good number writers) attitude towards Tegan. She's assertive, but not in a beat-up-daleks-with-a-baseball-bat sort of way.

This makes the TARDIS team of Tegan and Turlough interesting. They both play gender in a way that's usually seen as negative. Writers, if they want the characters to be likable, have to tone it down. Or, they play it as annoying and something for the audience to make fun of. They can't just accept it. Which would be the most interesting thing to do.

In my previous Tegan rant, I said there should be a story where the Doctor has to overcome his pride and listen to Tegan in order to save the day. She might not be a STEM genius, but she can be right about something. I also have another vague idea, a conflict between Tegan and Turlough, that would focus on Turlough saving the day by being non-confrontational.

The premise is that Tegan and Turlough get captured and locked up in a prison. Tegan fights with the guards and tries to escape, while Turlough tells her not to bother because the Doctor will show up and rescue them. Time goes by, the Doctor gets stuck in another plotline, and Tegan and Turlough are at risk of being executed. They can't just wait this out. Tegan gets more frantic in her escape attempts and more annoyed with Turlough, who is intimidated by the guards and doesn't really seem to be trying.

Then, there's a brief period where Tegan and Turlough are outside their cells, quite close to the keys to their cell. The guards are keeping a close eye on Tegan in case she tries anything, but they're not watching Turlough as closely. They don't think he's going to try anything. He basically uses Tegan's usual quarrel with the guards as a diversion so he can grab the key. Tegan catches on to the plan.

They're returned to their cell but Turlough doesn't actually have the key. Tegan gets pissed that he wimped out and this was all for nothing, only for Turlough to reveal that the cell is unlocked. He didn't take the key. There were keys to multiple cells around and he swapped their cell's key with another key, so the guards used the wrong key on their cell, leaving it unlocked. No one expected anything of him and there wasn't a missing key to attract attention. He found a way out to get around the guards without confronting them.

Then, to avoid making Tegan look bad for being defiant, she frees the other prisoners and rallies them to overpower the guards and escape, because sometimes the direct approach works too. Then they both have to rescue the Doctor.

I should probably just write this fanfic, but I don't have enough specific details yet.

Anyway, writers who try to make Turlough more "masculine" are cowards and boring.

[xxplastic-cubexx]

Hi!! Your Cherik is so good and gorgeous 🤩🤩 If you don't mind wanna try to draw some Fall of X Cherik please?

thank you so much !!

i have a couple of ideas relating to the fall of x period specifically since theres. A Lot i wanna play with, so i hope this lil thing may be a satisfactory start :]]

and the obligatory bonus:

[snikt111]

hi hi hi hi I found out about Hal Jordan TODAY and am going so autistic over him it’s insane can you please give me a rundown on what his deal is I think you’re the Tumblr Green Lantern guy

omg hi, insane compliment btw, tysm! i'm glad to give you a rundown!! also definitely check out @katmaatui for more hal info, red is SUPER knowledgable abt him. @rillette, @catboyollie, @halcarols, @starsapphire and @yellowcorps (along with so many others that i cant think to tag off the top of my head) have some great hal takes too! (edited the post just to tag more ppl)

apologies if this is a bit rushed/messy, i'm doing this while i smelt stone in minecraft LMAO

that being said... i think this will be a long one, so more below the cut :3

(cw for light mentions of pedophilia, abuse, canon typical violence)

okay, so hal jordan is the first human green lantern of the GREEN LANTERN CORPS. it's important to note that there was technically a human green lantern before him (alan scott, originally from earth two/the justice society, but integrated into main DC canon after crisis), but his power comes from a different source- which is a whole different ballpark that would take ages to explain, lol, so i'll move on from that.

hal was originally introduced in a showcase issue in 1959, but ended up getting a solo run in the mid 60s because of his showcase issues doing well. he's been a test pilot, middle brother, compassionate, rule follower (although being surprisingly liberal for the time) with an interesting relationship with star sapphire carol ferris since those first appearances. for the first 20 odd years of his appearances we had no information on his parents, but we got a lot from other family members, such as uncle titus, cousin hal jr (aka airwave), younger brother jim jordan and older brother jack jordan. through the 60s and 70s those members of his family were developed along with him; with the audience learning that jim's wife sue thought jim was green lantern, rather than hal, and hal himself training his cousin, hal jr.

the most known version of how hal got the ring in the first place is probably based off of geoff john's rewrite in the mid 00s, reiterating the original story of abin sur crashing onto earth and dying, leaving hal with his ring to be trained by sinestro and the rest of the glc, while also changing miniscule details that had been developed in emerald dawn 1 & 2 (which was released in the 90s, more on that later). the main premise of abin sur's crash has stayed the same, but the story around hal's current life, job, family and stability keep changing. for instance, the original comic with abin sur in showcase only showed hal getting the ring, the guardians choosing him. the first rewrite i can think of was emerald dawn volume 1, published in 1989 and continued in emerald dawn v2 (1991). here we get the classic hal watches his father die in a plane crash with carol ferris beside him as a pre adolescent, and some of the biggest implications of the mistreatment from his father. we also get introduced to hal, despite his stick to the rules, straight edge attitude, making some serious mistakes and putting people in danger and even death- with the implication of alcohol abuse. the audience HAS known hal used to be in the air force since sometime in the late 60s or early 70s (sorry, i don't remember the exact issue!), but emerald dawn shows us that hal's moved on from the air force and into test piloting, and that his mother keeps having to bail him out for making mistakes. emerald dawn vol 1 shows the abin sur moment, followed by fights that cost hal's friends life, and is followed up by sinestro training hal in emerald dawn vol 2, where we get to see the iconic scenes of hal finding out about sinestro and his... dictatorship.

along with that; how the guardians and rings are treated and hal and the glc's perception of them is vastly changed over time. in the early days of gl in the 60s, the guardians were really never to be seen. hal was repeatedly summoned to them and then had his memory almost fully wiped- only leaving a vague notion of his orders. the guardian's called hal to them at seemingly the worst times, ending up with him almost getting injured, getting in trouble at work, and even ending up jobless and homeless. the chaos of being a green lantern has been around the WHOLE time, but originally, the green lanterns didnt really... fight it. the guardian's were their masters (and even father figures, to hal) and not to be questioned. the rings in the 60s were also much more powerful, despite the yellow weakness (the yellow weakness is the notion that from about the 60s to the mid 90s the green lantern rings were completely unable to be used against anything yellow). time travel, phasing, teleporting, etc were all very viable and common things- as well as forceful shapeshifting, invisibility, mind control, mind reading, etc etc. these days, writers have dampened these powers down to mostly shooting light and constructs.

okay, it's parallax time. the emerald twilight arc from the mid 90s wasn't an arc that was as thoroughly planned out over a long period of time as it probably should have been. a lot of fans at the time (and even now) hated what happened there, and claimed it ruined hal's character entirely. i can understand why! but, at it's core, the parallax arc is a story about a broken man pushed to the limit, fully grieving his home and family (originally, he lost his brother jim in the destruction of coast city, along with a lot of other family members) and being goddamn fed up with how his "masters" treated him and the rest of the corps. the so called "perfect lantern" (no, he wasn't that much of a rebel, despite what johns wants you to think) snapped and essentially tried to gain as much power as he could to bring back coast city. when the guardians stripped him of his powers so he couldn't, hal became enraged and took down every lantern in his path, just to get to the guardians and that power. long story short, he kills the guardians and absorbs all the energy from the central power battery on oa, becoming parallax- essentially a god. this marks the start of zero hour, an event made by dc to restructure and reset; giving the comics a new generation of heroes. hal destroys the world and remakes it, but is ultimately taken down by kyle rayner, the new green lantern, with the help of the jla, jsa and associates. there are a few more run ins with parallax after this, before kyle convinces parallax/hal that he can make up for all of this by reigniting the sun after it went out- aka killing himself. hal does it, is stuck in limbo for awhile and then becomes the spectre to continue to make up for the horrible things he did as parallax. the spectre is the spirit of god's wrath and vengeance, a weapon used to drag sinners to their very own, self made hells, and scare the shit out of people. the spectre, from it's very first appearance, is a ghost like spirit that takes on a host, and is primarily described using christian terms and is used in a very... christian ideology. HOWEVER, the spectre 2001 confirms that hal is jewish (jewish mom, catholic dad) and that belief system, plus his personality as a whole, literally makes him change the spirit of vengeance into the spirit of redemption, for at least as long as they are bonded. the whole parallax to spectre arc is about grief, pain, cycles of abuse and terror, redemption and guilt. it is NOT about a fear bug that possess hal. (im so serious though, the spectre 2001 is one of the best comics ive ever read. amazing. changed my world view) but... geoff johns changed all of it, decanonized the spectre, and ruined the legacy of parallax and hal's growth as a person by releasing green lantern: rebirth in 2004/2005. this retcons hal's breakdown and journey through grief into him BEING POSSESSED BY AN ENTITY CONTROLLED BY SINESTRO THAT FULLY CHANGES PREVIOUS GREEN LANTERN CANON AND IMPLICATIONS. also, fucks up the importance of kyle becoming ion, but whatever. geoff johns writes hal (and even more so, carol) so very wrong, and change their stories so vastly in ways that go against the stories very meanings.

SIGH.

now... time to get started on some rougher stuff. hal jordan misconceptions. i'm saving that arc for last.

- hal jordan wasn't much of a rule breaker or rebel until the 70s/80s, where he BEGAN (very slowly, mind you) to be radicalized by oliver queen during denny o'neil's green lantern/green arrow. hal was painted as more of a conservative during this period (which, admittedly, kind of goes against previous canon... he's always been relatively central to liberal, not to any extremes like ollie though, lol) but gets more and more understanding of how power structures work and how lower classes are mistreated during this time- which ends up opening his eyes a bit to how shitty the guardians are. (this is helped by the guardians literally just. leaving. the green lanterns and kind of disbanding them so they can go fuck the zamarons, lmao). geoff johns tried to change this narrative into making hal a very... maverick-from-top-gun type of character, who punched his way out of the military (when, in reality, the original story during emerald knights in the late 90s was that hal had been framed for stealing a jet and was dishonorably discharged, which he took the punishment for because he knew someone had to) and hits on women constantly and gets ladies and allat (which, funnily enough hal was awful at getting carol to like him for a long time, since carol fell for green lantern rather than hal. not to mention the awkwardness of carol's proposals or hal's many, many failed relationships). hal has always been insecure and lowkey boyfailure, he is NOT a top gun maverick tom cruise sorta guy! fuck you jeremy adams!

- hes not that much of an idiot asshole. hal can be a real dick, he's had that going for him since the beginning, but he isn't what you read in batfam fics. he's not stupid and shouldn't be the laughingstock of the justice league. i assume this idea started from the obsession with batfam and the fact that the jla has quite the history of ignoring hal and his issues (as well as. all of their issues. theyre not so great at work life balance), but it's gone too far. hal isn't making fun of the robins and pissing bruce off bc of that. hal isnt fooling around on the job 24/7 (he takes being a gl and pilot VERY seriously, although he does enjoy some danger and high stakes) or slacking off to get girls. again. not top gun maverick.

- hal has not been a creep since the beginnings. hal was not weird with carol in the 60s. things were weird between them, yeah, but that's based off circumstance and the craziness of star sapphire and green lantern. he was NOT being horribly sleazy! i hate that i even need to say this, but i see this take too much not to

- going off of what was said above, lets discuss the arisia arc. if you want to be a real hal fan, this is unfortunately something you need to know about. in action comics, after crisis and the guardians left to go fuck the zamarons, most of the green lanterns fell apart and seperated. a small group went to earth- led by hal and consisting of hal, john stewart, katma tui, kilowog, salaakk, ch'p and arisia rrab. (also sometimes guy gardner, but that's complicated) previously to this arc, hal treated 14 year old arisia like a beloved little sister, welcoming her and leading her into the corps just like everyone else. things started to change once the timeline gets closer and closer to crisis, where arisia starts showing that she has a crush on hal (who is roughly 30s at this point). any advances made by arisia are shut down by hal at the beginning, because she's a child. now, it's unfortunately a common thing to just call hal a "pedophile" because of what happens in this arc- but it really isn't that simple. still weird and icky, but definitely not to the degree of which some fans like to act like it is- esp to attack hal fans for, which is... an odd choice regarding how many fucked up things every character (esp male characters) did back in the day. arisia ends up using her power ring to artifically age herself up, making her body AND MIND into that of a young adult (the comic makes this very clear). once this happens... hal stops rejecting her. they get together, they kiss. the only person in the group of green latnerns who actually has an issue with it is john (salaakk is meh about it, but he just doesn't like human-esque romance no matter what), and katma even directly encourages their relationship. kilowog ends up crushing on arisia as well, and guy gardner hits on her repeatedly throughout the whole period. eventually, hal and arisia break up, but this legacy (thank so much englehart, for wrtiting this. /sarc) is a big controversy among the comics crowd. "is hal jordan a predator?" personally, and i know a lot of friends/mutuals/other gl fans choose to erase the arisia arc entirely (versus how canon ended up retconning it to be 14 earth years is equal to that of an adult and she didn't really get super ages up, or whatever) and go with the familial relationship between hal and her. that's my preferred version! i know red (@katmaatui) has explored that version as well as an alternate version where the arisia arc did happen, and how it affects arisia in particular, which is really depressing but super interesting. anyway, it's complicated and weird and nuanced, but that whole occurence doesn't mean hal's a bad character or person (cause yk. retcons) and it's certainly not bad to like his character. (definitely ignore any guy gardner fans who try to bitch about this arc. cough cough. guy was ALSO into her and hit on her repeatedly. smfh) most people who bring this up to demonize fans didn't even read the arc, and don't know the nuance or the other weird shit that happens in it. (hal is not a horse, sigh)

OVERALL NOTES!

hal jordan is a super complicated character with an extensive history spanning from the 60s to his worse written appearances in modern age. it's okay to like any version of the character, but it is important to note the changes that have been made, the storylines butchered and lost, and more. he has quite the legacy, and he's particularly interesting as from a moral standpoint. hal's a real sweetie though, when it gets down to it! he's neurodivergent coded (imo at least.. his dad very much gets onto him for being disrtracted, hes kinda shit at social interaction (and then amazing at it the other half of the time) etc etc. "spacecase") and his dad is an abusive asshole, who he desperately doesnt want to be like but thinks he NEEDS to be like!

[artkaninchenbau]

An AWS comic

[soupmanspeaks]

Fnaf 3 (and probably 6 too) being set in 2023 is really funny because you'll have random things like "It's highly probable Michael watched Barbie" pop in your head from time to time and I think that's neat

[poorly-drawn-mdzs]

Hello! I was wondering if you’d be willing to take commissions someday 👀. No pressure tho! I just love your art so much

The short answer: "not at the moment, but it is very possible in the future'!

The slightly longer answer: I would have to figure out a good pricing and payment system! PD-MDZS is also where most of my free time goes, so until my life settles down a bit, I would be on the slow side to complete them.

[ratatatastic]

the rituals are intricate

florida panthers @ new york islanders | 10.26.24 (x)

[roobylavender]

im really sorry if this question ends up being repetitive: but, if not for bruce’s over reliance on dick to regulate his thoughts and emotions, why would dick grow up into feeling like he needs to repress his emotions so much and his eagerness to act as people’s support? i know youve spoken about wolfman and his altering of their relationship but if ntt is generally an accurate portrayal of an adult dick, to me this nevertheless sounds like the consequences a parent-child relationship where the responsibilities are titled too much towards the child

i suppose this could also segue into asking for recs that would help me better understand your interpretation of their relationship 👀

not repetitive at all! to me the irony of wolfman's depiction of dick lies in that it is simultaneously something you can logically ascertain from prior canon but not for the reasons actually presented by wolfman. if that makes sense. he does extra work that isn't actually necessary to help explain why dick would act the way that he does because there's plenty of reasons for it without rewriting his history with bruce to have always been suppressed and edgy and dark. to me it makes far more sense to capitalize on the inevitable disconnect between bruce and dick as an adult and a child. batman: full circle is a good example of that dichotomy (and although it was published in the early 90s it built on mike w. barr's prior understanding of the relationship between dick and bruce that he wrote into the early 80s). bruce's primary concern for the people he works with is never standards or finesse but safety. he worries constantly about others coming to harm under his watch and with a child in particular those worries were exacerbated. he ran a tight ship not because he believed dick had anything to prove but because the only way dick could keep being robin was if he went about it safely. that was obv easy for an adult to understand. but not so much for a child

to bruce these worries were practical and par for the course (as well as an expression of his love and protectiveness) but for dick their consequences formed the crux of his entire world. as a child he idolized everything about bruce. his heroism. his work ethic. his skill. his resolve. his preparedness. if dick couldn't live up to the standard he set for himself in idolizing bruce then what could he ever hope to amount to? that was the thought constantly going through his head. and it's why the bulk of his childhood and primary tenure as bruce's partner was so precariously protected by the fact that nothing bad ever really happened during it (and admittedly this framing is convenient because even chronologically speaking nothing very significant happened in their history with each other until dick left for university in 1969) (i know dixon opted to write that whole shtick with dent in his version of events but personally i never found it necessary to do so). there is enough there in the idea of dick working hard for the course of a decade to embody who he believed bruce to be that lends itself to it eventually being difficult for him to healthily express himself once the rift between them actually began to emerge

because what about bruce was there to actually see that was broken and dark before dick became an adult? i know a lot of dick fans hate batman #408 because they don't like that it enforced "retirement" upon dick (which i personally believe is a conclusion they come to because of the way batman #416 re-framed the same scene) but to me that's an inaccurate reading of the text. batman #408 was about bruce (admittedly far too belatedly) recognizing that he could not in good conscience continue to ask dick to go out and be a vigilante on what he considered to be his own "orders". he viewed dick's close call with death at the hands of the joker as something directly of his own making. although their tenure with each other had been wonderful if dick wanted to continue to be a vigilante it had to be on his own terms and of his own volition. obv that was logical to bruce and it was something dick managed to accept in the moment. but it's still hard to go from always having a purpose alongside someone you idolized to finally being entrusted entirely to forge your own

in general i like the idea of dick the adult becoming privy to all of the personal problems and conflicts that come with being a vigilante. he was conveniently shielded from a lot of those problems as a child because all he had to do was be bruce's partner and hope to live up to the title. bruce had no reason to trauma dump on him or talk about his worries and concerns at length with him because it was never supposed to be dick's job to field those worries and concerns in the first place. he was a child. the only thing bruce wanted to do was to help channel his emotions through an outlet and provide him with a home to grow up in. but when you become an adult often that dynamic shifts. you're still not responsible for fielding those worries and concerns but you can perhaps be trusted with them. that's why i like the framing in batman #408 of dick now being a man. it's a subtle way to frame the double-edged sword of adulthood. the world is in your hands now but so will be the horrors that come with it. coming to terms with the real world that bruce lives in should be hard for dick. coming to terms with who bruce is when he's not perfect should be hard. coming to terms with how quietly bruce kept his grief because he did not see fit to overwhelm a child with it should be hard. that dichotomy of dick both wanting to be bruce's brother and his son should form the crux of their conflict with each other because you can't hope to be someone's equal and someone's protected at the same time in that kind of relationship. for dick to transition into the position of equal he has to expose himself to the fact that bruce is not in fact an idol but someone irrevocably human. and that should interfere significantly with his head and his own standards for himself

[britneyshakespeare]

barnes and noble has been raising the prices of everything and further pushing for their premium membership option (which they raised the price of by 60 percent this year!) and then when they have big sales events, they're less than what they used to be.

last year at this time you could get one of their leather-bound book annex tomes for $12.50 (without a member discount) because of the 50 percent off all hardcover sales. but they raised the price of those tomes from 25 bucks to 30, and they decreased the sale from 50 percent off all hardcovers to 1/3rd off. so that same book that was $12.50 at last year's end-of-year sale is now 20 bucks. and that's supposed to be savings enough to induce me to walk into one of their stores this week?

i'm sorry but b&n has just gotten so greedy, even though their business has only been doing better and better in previous years. they do not have to be raising prices like they have been, and they can damn well afford to have the same savings events they used to. if you went to one of those hardcover sales a year or two ago, even if you lived in a less populated area like i do, you had never seen a b&n so busy in your life. things were flying off the shelves. they WERE making bank.

and as a company they've only been growing and growing (as much as the publishing industry has been, in recent years). but there are so many other ways to buy books. CHEAPER ways to buy books. MORE SUSTAINABLE ways to buy books. and since books and booksellers are doing really well right now, i don't see why barnes and noble is getting so greedy when they don't have to be. i dont like new shiny books that much. people buy books for the content, ultimately. sometimes we as consumers might make the choice that a new shiny book is worth paying a bit more for, but not that much. barnes and noble has just been demanding more and more of their customers' money for less and less benefit.

[astradyke]

okay hi i'm Back Here again general thoughts of my own :3

I - i think the board game is going to be a definite thing happening, possibly alongside or in lieu of a new merch drop, but i don't think it's going to be the big project. if we're going off of dan's later and a little bit after that or whatever strange thing he said, i could see this as being one of those two, alongside something bigger. i know someone said in someone's inbox (sorry horrid memory) that Relatable took on new copyrights so i think this is near definite

II - i could see how they're gearing up for a tour in the sense that we're in the d&p renaissance but i genuinely don't think they'll even start ramping up for a tour until at least next year. dan wrapped up WAD like a few months ago and we're so new into the consistent content gig that switching into the rhythm of a tour feels weird. that being said i think most likely, 2025/6 d&p tour that is (potentially) their last collab tour.

III - i think if DINOK is going to happen it's gonna be a book and i'm pretty confident on this? in which case i would actually genuinely read it; i love d&p so bear w even though this sounds like a haterism but i actually don't love their on stage scripted comedy sometimes so it would be a win for me if DINOK was a book (also think he's maybe hinted at this?)

IV - i think the odds of them doing a film/series of some kind is HIGHLY LIKELY and personally i would annihilate this i would be ripping at it with my teeth you understand me. i could see this mostly being some kind of fictional though or maybe half fictional half biopic (you know what i mean?) but i know these guys have got Creative Ideas and i think whether it's original concept they act, or them riffing off their own lives with something (kinda DINOK-esque), it'd be something they haven't really done before and would definitely qualify as like New Project

V - bonus: it takes two #2 before the end of june. i believe this. it might be the 29th it might be the 30th but i think it'll be pre-announcement, and i'm expecting announcement early july

tldr: merch + board game, then film or series; tour in 2025 or 2026

anyway! i yap more than daniel james howell sorry (i'm always saying this) but lmk thoughts if u have them!! especially about what the film/series might be because if u can't tell i'm kinda waffling lol idk what it might be

[skrunksthatwunk]

household enemy to the yyh watchthrough number one is the olympics. it's taken us a week to get two episodes into the gamemaster fight

[starlooove]

I alluded to this in tags awhile ago but like. IK continuity doesn’t work this way and when things shifted from kooky and silly 40s stuff with psas scattered to like dark brooding whatever we’re supposed to take it as like either time passing with some hand waving to personalities or ‘it was always like this for them trust’ but thinking about dick specifically going from holy galloping grasshoppers Batman to dealing with Bruce in spyral and shit is so so so sad I can’t articulate it well rn but like everyone kinda agrees the shift happened after two face and jason but like no dick saw it all he saw it while it happened he saw Bruce taking tim to baseball games and then gaslighting him at 16 he saw the man who’d take care of a random baby on the fly threaten to send his youngest son back to the league he saw the man who helped usher in a new era of young heroes treat Steph like shit he saw the man who inspired hope for a future in civilians heroes and enemies alike take advantage of cass’ suicidal thoughts and separation from her own humanity he saw everything and he just has to. Deal. To everyone else this is just Bruce and ppl like Tim and cass justify it to an extent bc they love him and get exasperated and when Dick is angry but how couldn’t Dick be angry? That’s his dad and he’s being so fucking mean and idk I’m rambling