#not my essay in the tags again

[dearmyloveleys]

love and hatred each fill half the heart.

大梦归离 (Fangs of Fortune) 2024

(3/?)

[medicalunprofessional]

never change, man !

[deoidesign]

Thinking about vampires, death, life, and the space they occupy in between

[cassettemoon]

Brothers and fathers and sons

[carnivalcarriondiscarded]

The ''Are you trying to romance me?'' meme but with Barnaby and Howdy

i belted this out in like a half hour flat <3 bc Yes

[buglaur]

this is kit, please commission some art from them on social bunny 🙏

[lazycranberrydoodles]

its prosecutor jiang wanyin!!!! oh fuck!!! / gifs + au rambling below the cut / follow for more mdzs x aa crossover stuff :3

all the gifs i made (poses traced off franziska):

hes so similar to franziska when you think about it. theyre both deeply insecure tsundere adoptive younger sibling of successful main characters. who carry whips. something something edgeworth choosing death and wwx actually dying also

his share code is HWFEFF if you wanna use him in a trial! you can't share backgrounds but heres the scenery from the donghua i used.

the easiest way to put custom stuff into objection.lol is to send it in discord and then use the link from opening it in your browser :)

a whole lot of AU stuff

the art im making is for if mdzs was an ace attorney game, playing from WWX's POV to solve various mysteries/cases over the course of the plot. so this scene would be from turnabout goddess, which would loosely cover the dafan mountain mystery.

cases include:

Turnabout Revenge (Mo Manor, quick introductory first case)

Turnabout Goddess (Dafan mountain, the good times flashback)

Turnabout Saber (the man-eating castle (omg hiii nhs))

The Blind Turnabout (Yi City arc)

Turnabout Deviation (the Koi Tower conference, Empathy on NMJ ala turnabout memories or beginnings. opening cutscene is his qi deviation)

The Blood-Soaked Turnabout (second Burial Mounds siege, flashbacks: Xuanwu, Sunshot, YLLZ, Nightless City massacre)

Turnabout Lotus Seeds (testimony about JGY, tree scene, golden core reveal, bathtub scene. opening cutscene could be JGS' death but that would make it canon rather than ambiguous)

Turnabout Confession (Guanyin temple)

the problem with splitting novel!mdzs into turnabouts is that flashbacks are a huge chunk of the book but they don't have mysteries/ cases to solve so they've gotta be lumped together with present day stuff. imo? many of the flashbacks would likely have to be abridged so they could be retold ala DL-6, SL-9, or the fourth grade incident, where characters talk about it over some pieces of art. this is really difficult when theres a metric ton of unspoken, complex, and signifcant history between every character lmao

there's not as much of a problem with the cql timeline but i have not finished it. so.

the opening cutscenes in ace attorney always show the murder and/or the murderer plotting. the first cutscene of the game would be MXY summoning WWX, muttering about getting revenge on his family (it would also be good for him to mention the yllz being dead because that's how the novel starts.) cut to WWX's POV as he wakes up covered in blood and the investigation segment begins.

for investigations of monsters (goddess, saber, etc) the cutscene would be a scene of some poor throwaway cultivator getting their shit wrecked.

it would be cool to make a breakdown for JGY but again I need to review that scene cause I don't know who I'd base him on. maybe Vasquez or Dahlia.

tell me your thoughts!! i'm working off of a mdzs summary/ skimming the novel because i don't remember it too well so if i get anything wrong please yell at me

Jin Ling's sprites & Nie Huaisang's sprites / masterpost

[inkdemonapologist]

My BatDR Take That Used To Be Hot But I Left It Out On The Windowsill To Cool So You Should Be Able to Eat It Now Without Burning Your Tongue

its not actually that hot, is what im saying

Anyway my BatDR hot take is that BatDR's story is not fundamentally worse than BatIM with one exception; an exception that, for BatIM, covers a multitude of sins:

BatIM has a theme.

I can't presume the intentions of the creators, but if I had to write an essay on the themes in BatIM, it wouldn't be hard to pick one out: the cost of obsession, or even just, the ruin Joey brought on the studio. In the very first chapter, Henry asks "Joey, what were you doing?" and every single thing in the rest of the game revolves around that central question: what WAS Joey doing? Each audiolog is a snippet of the studio's path to this messed up state; each character you meet is someone ruined by Joey. The major antagonists echo Joey's flaws -- obsession with Bendy as more than a cartoon, obsession with perfection, obsession with fame and greatness and legacy -- but even without that, they're also each a picture of how the lives of people caught in the path of Joey's dream were ruined by it. Bertrum, for example, doesn't match the concept of rubberhose cartoons, but as yet another person screwed over by Joey, he fits the central question of the story, so he feels like he belongs here. Ultimately, in a narrative sense, the Ink Demon isn't the story's monster -- Joey is; the Ink Demon is just the consequence of his reckless ambition.

But what's the theme or central question of BatDR?

You can... try to pick out a theme. There's some promising options, because it feels like the story WANTED a theme, stating its emotional intentions more overtly -- "there's always a choice" to leave the darkness and chose hope; family and the struggle of living in a heavy legacy's shadow; or even just good old mewtwo-brand The Circumstance's Of One's Birth Are Irrelevant, It Is What You Do With The Gift Of Life That Determines Who You Are.

I think, even WITH the clumsy execution of Joey's "arc" and Audrey's lack of real choices, any of those could work about as well as BatIM. But unlike BatIM, the majority of the game doesn't tie in. Joey's tour can be considered relevant -- a picture of the family legacy and the "darkness" that Audrey doesn't yet know she's inheriting -- but like, the audiologs and hints and environment of BatDR are mostly teasing the question of What Is Gent Up To, and the takeover of Gent is detached from Audrey's choices, her family, her legacy, and Gent never really becomes a relevant threat to those things in this game. The Cult of Amok and the Ghost Train have nothing to do with any of these ideas. It might've been neat if Audrey had ever considered, "Did my father really drive all these people insane?", a hint of actually having to wonder about the darkness in her past. Even Wilson only barely brushes against these concepts; he doesn't like Joey and he also is trying to escape his family's heavy legacy, but it doesn't really reflect on his actions and we don't find that last part out until he's about to be dead.

There's also the question Wilson poses of "real" people versus ink creations, and what counts as valid "life." It would be an interesting theme with a lot to build off of in this setting, it ties into Wilson more as Wilson seems to represent the opinion that Inky Things Aren't Really Alive, which could've tied to Audrey (as an ink-person who has yet to accept that part of herself) and maybe given Wilson a reason to think it's fine to sacrifice her, it could've even tied to Gent (who don't even seem to value human life) -- but after Wilson asks the question, it doesn't tie into the direction things go. He smooshes a little Bendy, we see hints of his disregard for Betty, and then everyone continues with their plan to destroy the Ink Demon without any further moral quandaries about inky life.

The thing is, when you compare an element like, say, audiologs, there's a lot of differences you can point to -- but I don't actually think Lacie Benton's audiolog is notably better, taken on its own, than Grace Conway's or Kitty Thompson's, and yet tons of people were intrigued enough to flesh out Lacie. None of them are big plot points or compelling characters on their own; Lacie and Grace both give us a little note on what it's like working in the Studio, and Kitty shares a little bit on how Gent's expansion is affecting people. But when Lacie talks about Bertrum trying to make a creepy animatronic, that ties back into Joey's ill-fated schemes that are the point of the whole story. The question we're asking through the whole game is "what happened here?" so the fandom is interested in who Lacie is and what her life was like and extrapolates a whole person out of a couple sentences. But that's not the question in BatDR -- what has Wilson done to the Cycle and the Demon? Why? Who is Audrey really, and why is she here? Telling us new things about the Studio's fate seems strangely irrelevant to those questions, just an attempt to create a Mystery To Speculate On like the previous game did... but what question you're asking and how it fits into your story's main theme, like, matters. I absolutely believe that one clock animator guy would've been in EVERYONE'S crew if he'd been introduced in BatIM, but the context makes a difference; fleshing him out feels less relevant here.

The explanations of how and why Wilson did everything he did are baffling and handwavey, but in and of itself that's not a worse problem than anything else in the franchise -- I STILL don't understand why the Ink Machine needs pipes in the walls or even how it works, there's no good reason for Sammy to believe the Ink Demon will "set him free," most of Alice's motives don't make sense, etc etc etc. But the thing is that in BatDR, the wibbly bit is the closest thing to a central question we have! Wilson, what were you doing? The theme doesn't really explore or connect to that question, so the explanations that are finally tossed our way feel lacking in a way that BatIM's handwaved elements don't. There's a lot about Joey's motivation in BatIM that we can't know, but the heart of it resonates -- Joey wanted something, he was willing to exploit people to get it, and he became obsessed and prioritised that dream at any cost. We'll weather a thousand logistical inconsistencies if it's got heart.

But all of that said.... to be honest, I don't think Lacie overtly fits that theme anyway. Even, like, Sammy is iffy -- we don't really know what happened to him, only that he didn't used to be made of ink and worship Bendy, and now he does. We assume Joey's nonsense had something to do with what happened to him (though the books later assert his influence was indirect at best), because when there's a pattern, we can fill in the blank. So many fan creators found a place for Lacie, Grant, and Shawn in the cycle as butcher clones or lost ones, so many people imagined that Wally must be the Boris we meet, because that would've fit the pattern, the idea that the point of what we're seeing is the downfall of the studio. It's not actually that BatIM did a great job tying everything together -- it's that BatIM gave us a compelling idea and that was all it took to make everything else SEEM like it could find a place to fit. This is what I mean when I say BatIM's theme covers a multitude of sins. There's a LOT of characters in BatIM that don't make sense. There's a lot of inconsistencies and things that just sort of happen without any real reason. Characters don't really have "arcs" so much as different states they happen to be in at different times. But because there's a central question and the story doesn't wander away from it, our pattern-loving human brains will slot in all the pieces and do all the work to make the story feel at least somewhat coherent.

The things that happened in BatDR aren't a whole lot less coherent than BatIM imo, they just don't tie into a bigger theme or any of the questions the story's asking, making "how do they fit into all this" feel irrelevant, making it easier to forget entire sections and harder to get invested in audiolog characters. I think a lot of the other criticisms people have for BatDR's story are very valid, but I also suspect that if BatDR had a more successful theme/central question, then a lot of its flaws would be easier to overlook -- just like BatIM.

[nhyhu]

do you dream of the stars

(click for higher quality)

color sketches because i was STRUGGLING with the colors

[nemurian]

@bigboobyhalo Your sacrifices have been accepted by the great Dapper. I'm so sorry but I don't think you'll be getting them back anytime soon. Or ever.

[yeetusthemighty]

The creechur

The silly (crazy? I was crazy onc-)

So I got inspired to finally post this guy because of this post by @z4n3jul13n (cool person you should look at their stuff)

full version with my doodles under the cut

(I have a whole au based off of this guy)

[sunsetsandsunshine]

~ 𝙸 𝚜𝚙𝚢 𝚠𝚒𝚝𝚑 𝚖𝚢 𝚕𝚒𝚝𝚝𝚕𝚎 𝚎𝚢𝚎… ~

❤️👻💜👻🧡👻❤️👻💜👻🧡

·̩̩̥͙＊*•̩̩͙✩•̩̩͙*˚𝚃𝙸𝙲𝙺𝙻𝙴𝚃𝙾𝙱𝙴𝚁 𝙳𝙰𝚈 𝟷𝟹: 𝙲𝙰𝚁 𝚁𝙸𝙳𝙴˚*•✩•̩̩͙*＊·̩̩̥͙

𝙶𝚎𝚗𝚛𝚎: 𝙵𝚕𝚞𝚏𝚏

𝚆𝚘𝚛𝚍𝚜: 𝟷,𝟾𝟺𝟻

𝙻𝚎𝚎: 𝚁𝚊𝚙𝚑 🐢❤️

𝙻𝚎𝚛’𝚜: 𝙳𝚘𝚗𝚗𝚒𝚎 🐢💜 𝚊𝚗𝚍 𝙼𝚒𝚔𝚎𝚢 🐢🧡

𝚂𝚞𝚖𝚖𝚊𝚛𝚢: 𝚁𝚊𝚙𝚑, 𝙳𝚘𝚗𝚗𝚒𝚎 𝚊𝚗𝚍 𝙼𝚒𝚔𝚎𝚢 𝚊𝚛𝚎 𝚘𝚞𝚝 𝚘𝚗 𝚊 𝚌𝚊𝚛 𝚛𝚒𝚍𝚎 𝚠𝚒𝚝𝚑 𝚝𝚑𝚎𝚒𝚛 𝙳𝚊𝚍 𝚠𝚑𝚒𝚕𝚎 𝙻𝚎𝚘 𝚒𝚜 𝚜𝚝𝚞𝚍𝚢𝚒𝚗𝚐 𝚠𝚒𝚝𝚑 𝙰𝚙𝚛𝚒𝚕 𝚋𝚊𝚌𝚔 𝚊𝚝 𝚑𝚎𝚛 𝚊𝚙𝚊𝚛𝚝𝚖𝚎𝚗𝚝…𝙸 𝚠𝚘𝚗𝚍𝚎𝚛 𝚠𝚑𝚊𝚝 𝚌𝚘𝚞𝚕𝚍 𝚑𝚊𝚙𝚙𝚎𝚗 𝚒𝚗 𝚝𝚑𝚊𝚝 𝚊𝚖𝚘𝚞𝚗𝚝 𝚘𝚏 𝚝𝚒𝚖𝚎…

(𝙰/𝙽: 𝙱𝚞𝚝 𝚖𝚘𝚜𝚝 𝚒𝚖𝚙𝚘𝚛𝚝𝚊𝚗𝚝𝚕𝚢: 𝙳𝚘𝚗’𝚝 𝚋𝚎 𝚝𝚑𝚊𝚝 𝚐𝚞𝚢! 𝚃*𝚌𝚎𝚜𝚝 𝚊𝚗𝚍 𝙺𝚒𝚗𝚔/𝙽𝚂𝙵𝚆 𝚋𝚕𝚘𝚐𝚜 𝙳𝙽𝙸!!!)

𝚆𝚊𝚛𝚗𝚒𝚗𝚐𝚜: 𝙲𝚞𝚜𝚜𝚒𝚗𝚐, 𝚝𝚒𝚌𝚔𝚕𝚒𝚗𝚐, 𝚊 𝚖𝚒𝚗𝚘𝚛 𝚖𝚎𝚗𝚝𝚒𝚘𝚗 𝚘𝚏 𝚜𝚕𝚒𝚐𝚑𝚝 𝚘𝚟𝚎𝚛𝚜𝚝𝚒𝚖𝚞𝚕𝚊𝚝𝚒𝚘𝚗 𝚊𝚗𝚍 𝚜𝚘𝚖𝚎 𝚓𝚘𝚔𝚎𝚜 𝚊𝚋𝚘𝚞𝚝 𝚍𝚛𝚞𝚐𝚜 👁️👄👁️…

＊*•̩̩͙✩•̩̩͙*˚𝚂𝚕𝚘𝚠𝚕𝚢 𝚋𝚞𝚝 𝚜𝚞𝚛𝚎𝚕𝚢 𝚙𝚘𝚜𝚝𝚒𝚗𝚐 𝚝𝚑𝚎𝚜𝚎 𝚖𝚍𝚗𝚍𝚑𝚜𝚓𝚓𝚜˚*•̩̩͙✩•̩̩͙*˚＊·̩̩̥͙

“Are we there yet?” Mikey whined loudly. 

“Uh…no?” His immediate older brother said, sighing impatiently. 

“…Are we there yet now?” Mikey whined louder. 

“No, Mike.” Donnie huffed through his palm as he rested his cheek on his hand, effortlessly playing his Nintendo Switch as he started to drown out his younger brother’s consistent complaining and restlessness. 

Which…you would think he got used to by now. 

The orange cladded turtle let out a short grunt loudly and dramatically, dragging his hands down his face, “Are we there yet now—?”

“Mikey, I swear to God if you ask that question one more damn time I will not hesitate to open the car door and throw you into ongoing traffic.” Raph growled lowly at the youngest. 

“Boys…be nice to each other, please…” Splinter exclaimed from the front seat as he drove. 

“But Dad! Mikey’s being annoying!” The tallest turtle moaned and groaned as he sunk in the middle seat.

“When is he not?” Donatello mumbled under his breath. 

“Boys…” The rat said warningly. 

“…Sorry, Dad…” The teenager’s grumbled collectively as they glared at one another. 

The rodent father sighed, plugging his phone into the car unit as he stopped on a red light. “…Why don’t we listen to some Podcasts on the radio?” He offered, trying to find something that his boys would enjoy that didn’t involve ripping each of their tails off.

“Yohou listen to podcasts?” The purple banded teenager exclaimed curiously as he took off his headphones. 

“Of course!” Splinter announced proudly, “I’ve been listening to this one that Spy-itify recommended me…it’s really good and well thought out!”

“It’s…It’s…'Spotify', Dad…” The hazelnut eyed teen corrected. 

“That’s what I said; 'Spy-itify'.” The father said simply, causing Raph to facepalm and stuff his face right back into his phone.

“What’s the podcast about?” Michelangelo asked as he leaned his head on the closed window as Splinter started to drive again once more.  

“It’s about this man talking about nature…it’s extremely interesting; I think you three will enjoy it.” The charcoal eyed rat explained. 

“Huh…sounds cool enough.” Donnie snickered, “What’s the guy’s name? Like, the one who mainly talks in the podcast and stuff.”

“Zach Green.” The rat said. 

“He sounds like a drug dealer…” Raphael mumbled under his breath, earning some small snickers from his younger brother’s as their Dad started to play the podcast in the vehicle. 

A guy, most likely 'Zach Green', started singing as there was a ukulele playing in the background…

…And he sang…

…And sang…

…And. SANG.

And the three teenager’s wouldn’t have minded if the dude sounded…y'know, good! 

But he didn’t sound good. 

At all. 

“Grass is green~! The green is the grass~! The grass is the green and the green itself is greeeen~!” The speaker’s sung as the three teenagers collectively sighed as the Podcast continued to play amongst them. 

“…How about we play 'I spy' instead of listening to Shaggy get high?” Mikey suggested as his Dad hummed along to the tune…

Poor soul probably knew this song from heart…

“Anything but this.” Donnie agreed. 

“Best idea I’ve heard all day.” The second oldest murmured, crossing his arms as he looked at the youngest expectantly, “Well? You gonna say 'I spy' or what?”

“Let a guy think for a moment!” Mikey shrieked, “Okay, okay, okay…I spy with my little eye—”

“—More like pink eye.” The turtle with glasses giggled under his breath, trying to cover it as a cough as he saw his younger brother side-eyeing him. “Y'know, Dee…we could really go.” The orange banded teenager glared.

“Bet. Catch me outside. 3:30 on the dot.” The purple cladded mutant threatened. 

“Bet.” The youngest repeated. 

Donatello raised an unamused brow, “I already said 'bet' you phrase snatcher!” 

“You don’t own the word 'bet', you four-eyed freak!”

“God— 'BET' YOURSELVES!” Raphael snapped, taking a deep breath as he pinched the bridge of his snout, “I swear to literally anything and everything holy I am completely envying the fact that Leo doesn’t have to suffer in this freaking hell-hole with me.”

The second oldest leaned forward and tapped his Dad’s shoulder, “Speaking of which…how come Leo got to study with April while I—”

“We.” Donnie corrected swiftly. 

“—I had to stay with these two excuses for mutants, Dad?” Raphael continued, frowning deeper as his Dad became unresponsive and became completely entranced by the radio, “Dad? Dad? Dad? Daddy? Father? Dad— aaaaand you have your 'I’m locked in to this music' face…gotchu...” The tallest turtle huffed as he sat back down in the middle seat.

“As I was saying before I was rudely interrupted.” The youngest huffed, “I spy something…grey/gray.”

“Grey/Gray? Grey/Gray as in ashy? Ashy as in you?” Donnie smirked, his smirk turning to a smug grin as the orange banded teen glared back at him with a mix of disdain and pure disgust.  

“Donnie, I swear—”

“Is it the car seat?” Raph muttered, dying in complete humiliation about the fact that this was his onlysource of entertainment. 

Michelangelo shook his head, crossing his arms as he leaned back on the seat, “Nope. Try again.” 

“Is it…Dad’s fur?” The turtle with glasses guessed.

“Nooooooope!” The smallest mutant dragged out, sticking his tongue out at the second youngest causing Raph to just sigh, slumping in the chair further.

This car ride was going to be his 13 Reasons Why…

“Okay…seriously, though. Raph-Taff, what’s up?” Mikey asked carefully, looking over his older brother’s stiff and utterly overall unhappy demeanor. 

The second oldest just grunted, glancing away and his frown drooping as he locked eyes with his immediate younger brother, “You can tell us anything.” Donnie assured.

“Well…not everything. Almost everything. Semi-everything.” The genius clarified, “Buuuut you get the point…”

“No, no Ihi really really dohon’t...” The red banded teen grimaced. 

“What Egghead Humpty Dumpty is trying to say is that you can tell us what’s bothering you. You haven’t been your usual…let’s just say 'Sarcastic Sappy Self'.” The hazel eyed teen confirmed, biting back a chuckle as he saw his purple themed brother gasp in offense. 

“I just needa get out of here…” Raphael emphasized, rubbing his temples like he’s seen centuries worth of knowledge, “School was rough. School is annoying. Kids are annoying. Y'all are annoying— no offense.”

“None taken.” The two youngest said in sync.

“And I just need to distress…” Said the older turtle, going on his phone only to be met with a completely pitch black screen, “And my phone is dead. Yip dee doo da fuckin' day…” He cursed. 

Mikey rubbed his chin in thought, leaning on the inside door hand rest, “I have an idea for that, actually. Just trust me.”

“'I have an idea' and 'just trust me'…two words I never want to hear come out of your mouth ever again.” Donatello insisted almost immediatelty. 

“Shut up.” The smallest mutant exclaimed to his immediate older brother, inhaling and exhaling loudly before continuing, “Okay…so I spy with my little eye—“

“Seriously?” The elder mutant deadpanned. 

“Trust me, I said!!!” The younger shouted once more to try and get his point across, “I spy something…black.” 

“…Black?” The second youngest asked, tilting his head. 

“Black.” Mikey confirmed.

“Ohooo…black.” Donatello snapped his fingers, nodding as he relaxed in his seat. 

“Black!” Michelangelo beamed as Raphael looked around in confusion, wondering if his younger brother’s were going to elaborate on this whole 'black' nonsense or if they were just going to communicate via gibberish. 

The red banded teen scratched his head in confusion, “…What is happening…?”

The youngest gave his red cladded older brother a knowing look, causing the red cladded mutant in question to just simply sigh longly, “Right riiiight…trust. I got it…”

“Uhhh…” Raphael hummed, looking around the car for something…well, black; as his little brother’s so veeeeery clearly stated. 

The chocolate eyed teen raised an uncertain eye ridge, pointing at his own black sweatshirt that he was wearing. 

The purple and orange duo nodded, “See? Black!” Donnie grinned, poking his older brother’s sides and causing his older brother in question to shriek loudly and try to cover his middles, wiggling his way over more to Michelangelo. 

Whiiiiiich…was a first. 

“Yeah! Black!” The smallest mutant smirked cheeringly, prodding the other side of the black sweatshirt wearing boy, “You got it?”

“Ihihi gohohot ihihat I-Ihi gahat ihat!!” Raph said immiediatley, kicking his legs on the car floor as he pushed on the other two’s shoulder’s. “Ehhhhh…I don’t think you do…” The young genius teased lightly. 

“Dohon’t a-act smahart with me yohou l-lihittle shIHIT NO!! Mihikey nonononohoh!” He said as he saw Mikey wiggling his fingers near his neck, causing him to try and hide his face in Donnie’s shoulder, swatting the youngest away. 

“D'aww~! Hey, big bro! Need a hug~?” The scientist said innocently, wrapping the taller in a hug as the shortest of the three skittered and scratched the red banded mutant’s shell lightly; almost barelytouching it. 

The red banded mutant in question wheezed loudly, banging his fists on the car seat whilst his legs stomped up and down, “Wohohoah! Mr. Deflating Balloon Man— yohou okay?” Mikey teased, making sure to trace the patterns on his elder brother’s shell in a very veeeery mean manner. 

“Are you boys alright back there?” Splinter asked, getting out of his trance as the podcast soon and finally ended. 

“We’re fine!” Donnie beamed, wiggling his fingers into the crooks of the chocolate eyed teen’s neck right beside him, “Right, Raph?”

Raph squealed loudly with laughter, not answering.

Well…not answering in word form, perhaps.

The Father rolled his eyes fondly at his son's, looking away from the rearview mirror and focusing back on the road. 

“See!? He agrees.” The youngest beamed, “We’re perfectly fine and dandy, Dadio.”

“'Fine and dandy?'” Donnie repeated in amusement, causing the orange banded teen to almost laugh as loudly as Raph currently was.

Key word: Almost. 

“Fine and dandy.” Michelangelo confirmed, kneading his hot-headed brother’s hips and sides as the taller leaped like a drunk frog, “STAHAHOP!! HIC LEHEHET HIC HIC GOHOHOH!!!” 

“People are gonna think we’re beating you up or something by the way you’re squirming, bud.” The purple banded turtle joked, letting go of the taller teenager as the smaller teenager spidered his fingers all over his tummy.

“MIHIHIHIKEY!!!” The older wailed, pushing the other’s hands away as they slowly but surely stopped. 

The two youngest’s giggled, fist bumping each other for successfully turning Raph’s frown upside down. 

Splinter drove into the O’Neil’s driveway as Leo walked out of the front door to the apartment, waving his goodbyes to April as he got into the car. 

The eldest sat in the front seat, buckling up as their Dad drove to their home.

The blue banded teenager let out a small snort, looking towards the back to see his immediate younger brother’s face the exact same shade as his own bandana, “Jeeheez..whahat dihid I miss?” 

“I daha— hic don’t wanna tahalk ahabohout it…” Raph grumbled, his beet red blush deepening on his face as Donnie and Mikey snickered slightly, giving each other one last fist bump of victory. 

·̩̩̥͙＊*•̩̩͙✩•̩̩͙*˚𝙵𝙸𝙽˚*•̩̩͙✩•̩̩͙*˚＊·̩̩̥͙ 

(𝙿.𝚂.: 𝙸𝚏 𝚢𝚘𝚞 𝚎𝚗𝚓𝚘𝚢𝚎𝚍 𝚝𝚑𝚒𝚜 𝚏𝚒𝚌, 𝚙𝚕𝚎𝚊𝚜𝚎 𝚛𝚎𝚋𝚕𝚘𝚐!!!)

[joneevarts]

Of course this mf (affectionate) was gonna be my fav

[twinkle-art]

IT'S FINALLY DONE WITH ONE DAY BEFORE DAWNTRAIL TO SPARE. one part thematic analysis, one part attempting to explain what the hell happened to me this past year, and one part the most vulnerable thing i have ever put on the internet. watch it if you have ever found my approach to this game interesting or don't know anything about ffxiv and just want to know what's wrong with me

[lightningidle]

Fig's line "I don't think I'm an artist, I think I'm just a good friend" has not left my head at all. Just...

You're Fig Faeth and your horns came in over the summer and you pick up the bard class as a form of adolescent rock 'n' roll rebellion, and it works! It's exactly the outlet you need! You give a guy you just met drumsticks and you start a band and it's good enough that within a year and a half you're touring. You are, in every sense, good at being a bard.

And then, finally, your junior year, you start to take it seriously. Your art goes from an outlet and a form of rebellion to a practice. A discipline. (Can rebellion exist within a discipline?) Your classmates know what they want to do with their work. They all have a thesis statement. And yeah, there's cohesion in the music you make, but you've never had to think about why you make it. You've never sat down and dissected what it is about bass that speaks to you. You've never poured over your lyrics to pick at any deeper meaning. Why should you? You don't play music for a grand design, you do it to... huh, why do you do it?

(Your art is the one form of self-expression that feels as safe as Disguise Self does, because even if you're pouring your heart onto the page and then screaming it in front of thousands of people, it's not like you're really making yourself known. You can sing I'm lonely, I'm scared, I'm furious, and your fans will sing it right back, and there will still be the distance between performer and audience to keep your heart safe.)

Now you're being asked to look inward to explain the artistic choices you're making, and you can't help but recoil at that, because you'd rather do anything than look inward. Meanwhile, your classmates have no problem with it, so you start to wonder if you're a real artist at all. Can your art be authentic if it only exists to bolster a thesis statement? Has your art been unauthentic this whole time because you've never really thought about a thesis statement before? Is that what makes it art, and not just the next track on somebody's teen angst playlist?

You can't think about yourself— acknowledging your own existence makes you want to puke. So if your music is an extension of yourself, (and it is, even if it's just because the spotlight reveals only what you want it to,) you can't think about your music. You can't. You have to. Your grade depends on it.

You're Fig Faeth, and you keep multiclassing because you'd rather be a good friend than a great artist. If introspection is what great art demands, then fuck it. You must not be a bard at all.

[p0rchc0ll4ps3]

Sapphic Disco Week Day One! -> Favorite Female Character(s)!!

joyce invited judit over for a cup of tea or coffee (spiked, even) on her yacht. judit's listening to joyce talk about her pale travels, and seeing how lucid she is for how much pale she's been exposed to, judit's got a nagging thought in the back of her mind: can her husband be saved? can she pull him out of his palefucked mindstate, or has she still lost him completely?

~~~

doodle-ish for sapphic disco week!!!! would love to do one for every day bc i need to draw more women and i have Thoughts and Ideas but as you can see i canNOT just draw images. there has to be some sort of accurately perspectivized bg ft the most complex decoration in the world bc the nature of revachol architecture is that its maximal 🙄 and the perspective on this is still kinda JANK. and dont forget to mention LIGHTING god forbid you put them in a place, they have to be LIT accurately

also just for information, my judit's husband drives lorries and his brain is not all that intact anymore. judit loves him!!! they were really good together. but the economy tanked. and they needed money. and daddy figured better his two boys have a house and no father than live on the streets

also also its hard choosing a fave 😭 i like joyce and judit but also elizabeth and ruby and klaasje and tbh theyre all so quality. all these women r incredible. love it when a story has women and theyre like. well written and actually like real people LOL