#not joking one of the things that saved my life

[thenerdofthegroup]

Just saw a post saying that Agatha had no reason to be angry and she is a terrible person for being angry at Rio…

Because…

Her child died.

Media literacy is dead. Jac’s work shouldn’t be talked about by people who make takes like ‘how dare Agatha be angry at Rio when her child died and Rio didn’t even go to Agatha to comfort her when she woke up! How dare she!!!!’ (This is a simplification. I shouldn’t have to put that because it’s obviously sarcasm and an oversimplification but… like I said… media literacy is dead and people can’t read context so-)

Note: before people AGAIN take what I said out of context: this is a complex situation. If you can’t see both sides then you shouldn’t be watching this show. The WHOLE point is that in their relationship they are both to blame and not to blame at all. Agatha was a grieving mother. She lost her child!!!! Literally the only thing that has loved her and been there constantly. Rio loves her more than anything but she isn’t. Always. There. That was shown. Agatha clearly wanted something to pour her love into all the time and not be alone

Rio shouldn’t have been pushed away and blamed for it. She was doing her job.

But to diminish Agatha pain completely to support Rio’s side is bollocks. I don’t have kids but I will say this: only people who don’t have kids will make that take. Because to lose a child must be the WORST pain a parent could ever experience. And she had the double barrel of guilt that her body failed her in growing him and not being able to save him due to her destructive magic. DOUBLE the pain.

And then a wonderful point my friend (a parent) brought up: Rio wasn’t there when Agatha woke up or when she buried him. It would be a VERY different story of Rio was there to support her and be with her. Yes Agatha would have been furious but she would have every right to be. But if Rio stayed and comforted we would have a very different story on our hands 🤷‍♀️ sorry but that’s the truth. Rio probably thought she was doing the right thing. Like what some friends do.

When I went through a terrible situation, my friends (who weren’t really friends but that’s not relevant) didn’t contact me or check up saying ‘well I thought you’d want to be left alone’.

No.

No one wants that.

Including the witch who has been left alone again and again. If Rio had stayed for when she woke up it would have been VERY different. (And I can’t think of a reason she didn’t. If anyone can apart from saying ‘doing her job elsewhere’ which to me is bollocks because she could have spared time. She had time to travel the road so that’s not gonna work on me when the love of her life lost their/her child)

So yeah… diminishing the main characters pain is… I’m not even gonna make a joke, fucking mental. Both can be wrong and both can be in pain. Rio lost Agatha. Agatha lost her child and Rio. Both are tragedies

Jeez…

[anpanman95]

JACK AND JOKER: Sacrificing Love against Tragic Love | Old Love vs New Love

They did it again.

Well, they’ve been showing us these contrasting parallels ever since the beginning.

Showing us that Jack and Joke’s new love is all about (self) sacrifice, and Hope and Save’s old love is all about tragedy.

I already knew this, but it hit me hard towards the end of episode 11 with this moment:

First of all this whole scene was an absolute masterpiece. I’m a music composer for the media, I write, study and analyze music for a living, and let me tell you this scene might be one of my top 3 moments of this show just because how the music was treated here. (The music actually adds on to the point I’ll make in a bit, by the way)

First, we have our self-sacrificing lovers. Jack and Joke’s love has been all about self sacrifice since the very beginning, starting with Joke turning himself to the police to set Jack free

and coming to a full circle moment when he gives the ring to Boss in exchange for Jack’s freedom, once more.

Joke has sacrificed himself, their love, and their happiness for the sake of others (in this case, Jack) twice.

They fight for the world. Their love is new love. They have a lot they need to go through to put themselves first, to put their wants and desires first.

Then, we have our tragic lovers. Their love is old love. They’ve been fighting against the world for each other, to finally be together and free, for a long time (even if it isn’t explicitly said, it’s evident when you see the lengths they’ll go for each other)

They don’t sacrifice their love, they sacrifice the world. And it has nothing to do with their personalities, or that they are bad people. It’s just they are so damn tired of everything they only have each other to rely on. They only have each other.

But where does that lead them?

To more tragedy.

[the music on this scene was impecable]

Jack and Joke’s new love still has room to grow, which is why they can sacrifice it. They let the world come in between them for the sake of others, while still loving each other dearly.

But again, their love is new. Fresh, still technically untouched and unharmed by outside things out of their control. Yes, the world is against them, but their reluctance to choose each other relies solely on their own fears and sense of responsibility to the world and their loved ones.

Hope and Save do not have that luxury, and don’t even want to have it. Their love comes first, because God knows how long they’ve been fighting for it. Old love that certainly already went through everything you can imagine.

It’s true we don’t get much of their backstory, but through their actions we can tell why they won’t sacrifice their love for anything.

Can you imagine what they might have gone through? What their love has faced?

Of course, they choose each other above all things, they had enough.

Jack and Joke will choose each other in the end, but they still have a long way to go (season 2? haha yes i’m delusional)

This doesn’t mean Jack and Joke don’t love each other enough. But even though they’ve known each other for a long time, they haven’t loved each other for that long.

Their feelings appeared five years ago in a little spark of life but it was so short lived they simply didn’t get the chance to even acknowledge it before the world came in between them full force.

The spark was only re-born and ready to be noticed when they finally had a moment to breathe, a moment of peace with no other worries coming in between.

Hope and Save have already gone through all that, have truly gone to hell and back.

Hopefully they’ll get their heaven soon.

Honestly I did not feel so much for them in the beginning. Their scenes felt underwhelming, and I wasn’t keen on them. But this episode left me absolutely in pieces. My opinion on them did a full 180.

They broke my heart.

I do hope they get their happy ending. They deserve it as much as our main couple.

Thanks for reading! Leave your thoughts, I love reading them❣️

[signedaiko]

Hi there! Could I request HCs of Optimus Prime, Prowl, and Ratchet (separately) from Transformers Animated with a Cybertronian![S/O] [Romantic] [Gender Neutral] who is an Autobot specialized in Special Operations?

Cybertronian![S/O] is a commander of their own Special Ops team back on Cybertron doing missions ranging from hostage rescues to combat. They tried to visit Earth with the Elite Guards whenever possible to see their respective partner(s) since they missed them.

They may be misunderstood as tough, scary, and dangerous at first glance, sometimes mistaken for a Decepticon before showing their Autobot insignia. Even mentioning their designation (name) sends shivers down anybot’s struts (backs).

In actuality, they’re kind, sweet, and less serious when off duty and can take a joke.

Optimus | Prowl | Ratchet [Animated]

In which their s/o is the commander of the Autobot's information operations and visits Earth to see them.

Reader is: Gender Neutral | Cybertronian | Autobot.

Optimus

Despite all his sucking up to the commander, Ultra Magnus, few knew Optimus looked up to more than just the one

He wasn't under your authority, but you were still a commander, and he was so utterly proud of you for amounting to something

He hadn't seen you since his touchdown on Earth, but you'd been checking on him far more frequently to make sure he was okay

Initially, he doesn't tell you about the cons and tells you it's just human villains because he knows you're busier than he could ever imagine and doesn't want you to worry even more

But you do find out through Ultra Magnus when it's reported, and it only takes a week before you can find an excuse to step away from your position to see him

Your arrival on a small, dark ship catches the attention of Bee and Sari during one of their excursions, and they both go running back to their team, claiming more Decepticons have arrived

When he does go to investigate, he's pleased to see you step from the ship, but your name coming from his mouth only seems to unnerve the others more

"Whoa! Prime, you know them???"

"More than know, actually. Everyone, meet my conjunx."

Jaws are dropping

Very quickly they get to learn your and Prime's history together, how you met in elite guard training, how he saved your life, how different you were than the rumors made you to seem

"Don't be fooled; they're very scary when they need to be."

Prowl

Prowl, like most things in his life, kept any mention of you to himself

After all, the others on his team liked to pry, and you were something precious to him; someone no one understood but him

Not only that, but he was worried if he brought you up, someone might try to contact you, and he knew that above all, your missions were at their peak, one after another

It didn't take anyone else, though; his own silence and lack of disclosure eventually led to you deciding to visit him yourself, which culminated in him literally waking up to the others screaming about a con at the base

He knew the very sound of your spark hum apart from any other noise and immediately told everyone else to calm down

Of course he's happy to see you, but he really wishes you wouldn't see him at such a low point

Stuck with a team of nobodies on a planet one hundredth the size of the one you protected

But you never cared about any of that; you were just happy to see your bot again, and beyond all the war stuff, he was happy to see you, too

He's very protective of you and doesn't let you spend too much time with the others because they're 'too annoying to deserve your attention'

Ratchet

Ever since the mission he carried out with you to save Arcee, he'd felt shame in comparing himself to you

Ratchet used to be on your team before you commanded it, but he eventually strayed into his current position while handling his guilt

Guilt or not, he admittedly hated that you'd taken up such an important position because it meant you had a bigger target on your back

Communicating with you poses a danger to you, so he's reluctant to send much your way and just accepts transmissions from you, which only Prime manages to find out about

Ratchet doesn't care if you're scary or not, if you're strong or not; he just wishes he could keep you from being known, keep you safe

Against all his wishes, you continue to be a more important link in the war effort, and you are the one protecting him in the relationship more than anything

Ratchet manages to keep your first few visits to Earth a secret, but it doesn't take much more for the others to meet you, especially after they had to help chase Lockdown off from trying to take you in

He doesn't have much of an ego, but he does like seeing the younger bots fawn over how cool his s/o is

And hearing them talk about how everyone fears you, well, it makes him feel just a bit more certain that you can protect yourself and that he shouldn't worry as much as he does

Author's Note - I have actually been rewatching all of Animated so, perfect timing! Blitzwing forever tho <3

[leifyposting]

Klee’s fortnightly sleepover at the Gunnhildr mansion, originally some scheme cooked up by Lisa to force Jean to bed on time at least once every two weeks, has devolved somewhat into an opportunity for all the people who love Klee to gather for dinner at Jean’s place and swap stories and gossip far too late into the night.

But now Klee is in bed and the dining room is quiet, and Albedo, who is the last one out, having had the honour of putting Klee to bed tonight, is stepping out into the crisp fall air.

He turns around and looks up at the figure of the Acting Grand Master silhouetted in the doorframe. She seems softer, like this, with the strong lines of her body blurred by the golden light of her foyer lamp.

“Thank you for coming, Albedo,” she says. “I had a lovely evening. I know Klee did too.”

“It was my pleasure,” he says, the polite human response coming instantly to his tongue. 

It is almost too easy, these days, blending in among the humans. He is a far cry from the awkward, socially inept homunculus he was only a few years ago, the one whose mannerisms marked him out as other even if not necessarily as inhuman. The vendors in the marketplace smile at him now when he passes — and, which is more, he finds himself smiling back.

And he forgets, day by day, little by little, who he really is. And he forgets that he does not belong here.

Which is perhaps why he says: “Master Jean, can I ask you a question?”

She shifts, her head tilting. “Of course.”

“How far would you go to protect Mondstadt?”

She blinks down at him, apparently thrown. “How do you mean?”

“I mean,” he clarifies, “if for some reason Mondstadt was in danger because of me. Or, to make it more tangible, if I had put Klee in danger somehow. Would you kill me?”

She makes a tiny, horrified noise. “Why are we talking about this hypothetical?”

“I’m a man of science,” he says, letting his voice tip halfway to joking. “Humour me.”

He watches the protests hover on her tongue before she swallows them down. “Walk me through the scenario again.”

“It’s quite simple,” he says. “The context doesn’t matter. All you need to know is that I have put Klee and the rest of Mondstadt in danger somehow, and the only way to save her is to kill me. Would you?”

Jean swallows, but he can see her answer in the set of her jaw even before she opens her mouth. “Yes,” she says. “I would.”

Albedo nods. This is the answer he was looking for. He is the anomaly, the transgression, the liability; she must be willing to kill him to save the people they both love. He shouldn’t feel as betrayed as he does.

“Still,” Jean says, before he can thank her and turn to leave, “there must be other options.”

“Pardon?”

“Either I kill you or I let Klee die. Why are those my only two choices?”

“I…” He trails off. “Just because.”

She shakes her head. “From a man of science, that’s not very scientific.”

He laughs a little incredulously. “I suppose I never saw any other way forward.”

“Well, the forced dilemma is part of the fun,” Jean allows graciously. “But real life is messier than that.”

“I think, in this hypothetical, there would be no other options.”

She makes a low, noncommittal noise. “I’m not saying you’re wrong. I’m just saying that maybe you aren’t seeing the whole picture.”

“How do you mean?” he asks, echoing her earlier words.

“I mean…” She pauses. “Eula is out in the field a lot, so she sees much more of the day-to-day workings of the Knights than I do. But as the Acting Grand Master, I have a bird’s-eye view of the organization as a whole. As a result, when faced with a quandary, she often offers solutions I would never have come up with on my own, and vice versa.” She makes a small motion with her hand, like she’s going to touch his shoulder, then drops it again. “That’s why we have people around us. So they can catch things we miss.”

“I see,” Albedo says. 

Jean’s blue-grey eyes, shadowed in the dim light, search his face. He fights the urge to look away from that piercing gaze. 

“I would hope,” she says finally, her voice low, “that if you believed you were a danger to yourself or others, you would come to me. I’m not saying I can always help. But the Knights look after our own, Captain.”

“I see,” Albedo says again. His chest is tight. “Thank you, Master Jean.”

She scrutinizes him for a moment more, then smiles a small smile. “I hope my answer was satisfactory?”

“Very much so.”

She looks relieved. “Oh, good. I was worried I wasn’t making much sense there.” 

“You made perfect sense,” he reassures her, strangely endeared by her earnestness. “But now it’s late, and you should get to bed. I’ll take my leave.”

“Very well. Have a good night, Albedo,” she says.

He turns away, and watches the sliver of golden light from the foyer fade into shadow as the door shuts. The chill autumn air threads around his ankles as he sets his feet towards home.

If he ever loses control, she will not be able to save him. He knows that already. 

Still, it is nice to know that she would try.

[tipsyjaehyun]

The biggest plot hole of this show is its characters' lack of accountability. Why is Joke the only one to face consequences of his actions? And no one else does. In ep 1, he robs and lies to Jack for which he is abandoned by his family, he has to go to jail and Jack also beats the fuck out of him. We all know what happened in ep 10-11.

But what about others? The three pigs gang steals from Aran, he is literally thrown out of his home and then what? Just because he is taken in by Tattoo they are all a happy friend group now, Aran forgives them and never mentions it again. They literally ruined his life.

Tattoo betrays them twice, Hoy and him drive away leaving Joke behind, Tattoo calls the police on his friends. Had it not been for Jack (in ep 3), Joke would have probably been killed off. But what happens after that? He is forgiven by everyone, because you know his "upbringing and circumstances".

Jack, who says oh so painful things to Joke time and time again, treats him like dirt, and is literally the first one to break their promise of leaving the shady life behind but of course, a sweet cuddle is enough for people to forgive him.

Save!!! He poisoned Jack's grandma, literally played with the lives of the entire community, someone died because of him but what happened? All he had to do was tend to Jack's bruises and play the fucking game and suddenly he's a hero!

But no, of course Joke does not deserve forgiveness! He does not even deserve a chance to explain himself. It's as if everyone else is living in some kind of mystical land where actions have minimal to almost no consequences and Joke is the only human out there.

I love this show with all my heart and it's probably gonna end up as the best show of the year for me but this kind of dualism towards Joke really pisses me off.

[sufferu]

Your fantastic writing skills gave me angst I demand compensation. Lol. You gave me a lot to think about and I have to say, in my nearly 9 years of being an avid fanfic reader. A writer never made me THIS invested.

After being abandoned by everyone, do you think subaru will go to Priscilla? She was the only one who saw his side.

I have to say tho I get Subaru's side more. He can't control RBD. If anyone had the power to bring back loved ones they would. I'm sure Ferris wouldn't hesitate to save crush. I think everybody is so upset that they tunnel visioned and didn't do right by him. Everything is outside of his control. He doesn't choose to come back. But he is, so he tries to save more people everytime.

Subaru obviously has issues. And I don't like the way the re zero narrative punishes him for using RBD. Meanwhile, Al is over here spaming reset with no consequences.

The world hates Subaru and the rest of the cast blame him. He is trying harder then ANYONE to LIVE, but they call him a suicidal monster.

I’m so glad that you’re enjoying my fic! That is some high praise right there, lol: I do hope to meet those expectations going forward ;)

Though I will say…I am approaching this from a slightly different angle. For starters — this will be a lot clearer in the actual chapter than it was in this ficlet, but Arc 5 does not go the same way it does in canon, hence how Subaru managed to save EVERYONE and capture/kill literally every attacking Archbishop in Priestella. This is the main reason why everyone is so angry and devastated. If it were canon Arc 5, things might have gone differently. …Then again, Arc 8 DOES exist. So maybe we would have ended up in this situation someday regardless.

But also…well.

Return By Death isn’t JUST a powerful ability that Subaru has access to: it is the epitome of weaponized self-destruction, in which he can literally sacrifice himself over and over again for the sake of those around him whether they like it or not. He is fully capable of taking all their pain on himself, of placing himself in unimaginably horrible situations on other people’s behalf, and doing it for…maybe even all of eternity, depending on how things go. If you’ve ever read The Ones Who Walk Away From Omelas by Ursula K Le Guin — Subaru has the potential to basically become That for the entirety of Lugunica. And even worse: if he’s employed as a knight, it is arguably his sworn duty to do exactly that, because a knight is a profession in which one lays down their life for the people they want to protect. What does that turn into when the knight can do that again and again, indefinitely?

The cast of Re:Zero shows every sign that they would absolutely fucking hate the idea of being reliant on something that disgusting. Julius sacrifices his reputation to try and keep Subaru alive, Tivey and Hetaro declare that throwing away one’s life for a cause is a fucking joke, Ferris has this whole thing about valuing life to the point where just a hint of Subaru being suicidal sends him into an actual nervous breakdown, Vincent is raked through the coals for his attempt to sacrifice himself for his country just that one time by both the narrative and the people around him, Arc 4 exists — there’s A Lot that points to most of these characters finding the idea of this cycle of repeated sacrifice bring just AWFUL, and even to the idea that they’d actively take offense to someone attempting to do such a thing on their behalf.

There is one exception to this rule, however, and that is Priscilla Barielle — who actively praises subjects that sacrifice themselves for her, who forces Aldebaran to reset whenever he does something she doesn’t like, who praised Subaru as a brilliant knight when he was (narratively speaking) at his very worst, who symbolizes the mechanisms of fate itself, who’s final moment involved her sacrificing herself for her homeland, and who is in every way the pinnacle of the Sword Wolf that Vollachia praises as the ideal subject (VOLLACHIA, mind you, which is a nation that has the whole Muspel contract going on). Priscilla is an actual monster, an awful personality, and the antithesis of the themes of Re:Zero. So her siding with Subaru in this instance is — completely in character, but it’s one of the most damning things I feel I could have done.

(I am glad that someone was able to actually connect with her though — was afraid that I made her too cartoonishly evil lmao)

As for what’s happening to Subaru now…well, you’re right about the end of that duel being the rock bottom of his character’s state in this fic. But — just because he was fired from his post doesn’t mean he’s being ABANDONED. They can’t afford to abandon a time traveler to be left to his own devices, first of all. But also, even in they’re all Very Angry with him right now…all these people still love him an awful lot. There’s a reason Wilhelm decided to duel him for the position and take the blame for his removal all upon himself, instead of doing something that would leave Subaru more at the mercy of public opinion. And there’s a reason Crusch’s idea of “suicide watch” was basically, “Hey, Wilhelm, do you want a new grandchild?” instead of something like “Let’s imprison him in the catacombs of the Kingdom.” They DO care about him. That’s the problem.

[amarriageoftrueminds]

Lotta good points!

1) My issue with 'Bucky does everything' is... why the fuck would he want to be friends with Steve, in that case? And why would Steve go to such lengths for someone he couldn't be bothered to support properly before?

It makes being Steve's friend a quite-literally-thankless job, and Steve's 'friendship' amounts to the chance to serve him in return for nothing - no gratitude, no apology, no happiness to see him, no emotional, financial, physical support in return. It makes Steve selfish and self-absorbed, which are antithetical to his defining traits of selflessness and thinking of the little guy.

He can't vaunt those traits in everyone except Bucky, but then turn around and act as if he valued them all along by, eg. saving Bucky, avenging him, etc!

Plus it makes Steve's claims of independence a joke too, which in turn makes it annoying when he turns up in Basic Training and suddenly is able to do things, so that Token Love Interest can look like the first person to recognise his capabilities, when... no, those traits just weren't there, before, on purpose.

CATFA deliberately avoided showing us anything by the way of Steve's abilities, for Bucky to believe in, just to make it look like Bucky is unfairly undervaluing him (nonsense, since he's known Steve his whole life) and that someone else is a better judge. How the fuck is Bucky supposed to know Steve is capable of throwing himself on a grenade?! It's not like they have those lying around in Brooklyn!

5) Bucky using women to disguise his closet is true to the spirit of Arnie Roth, on whom he was partly based. But I still think it's a step too far to suggest he'd chose strangers over friends and family for his last night; even a lesbian couple.

(Or that Steve wouldn't likewise insist on having Bucky's last night in America for just them, even if they weren't a couple).

Unless Bucky's relationship with his family was bad... But we've never seen/heard any suggestion of that? 🤔

Again my thought process is 'why would A be friends with B if B was like this??' (ie. if A was selfish enough to spend their last night with strangers rather than with B).

8) Re: Steve the incel.

You could also play it as Steve having benevolent misogyny values without realising it, putting women up on a pedestal (explaining why he doesn't clock when he has been molested, or assaulted; is shocked when a woman lies to him; maybe thinks the reason he isn't being sexually attracted to women is because they are Too Perfect to sully with sex, etc.)

The only problem with idealising women is that it surely could not survive contact with a troop of foul-mouthed show girls, unless Steve absolutely went out of his way to avoid them??

But if he did have benevolent misogyny, this could maybe manifest in pre-serum Steve delivering long mopey monologues about how whoever he's been set up with is probably too good for him, probably isn't even interested, he's so poor, and sick all the time *cough cough*, unlike her, she would be embarrassed to be seen with him, probably, he's sorry Bucky set her up with him of all people, etc etc ...delivered during the date.

So that by the time Bucky circles back around to their table, no matter how attracted to Steve the girl was initially, she'd be like '🙂 please get me away from here.'

I could also see a queer Steve self-sabotaging by doing this, as a kind of inverse of ladykiller!Bucky.

Either so deeply in the closet that he doesn't even realise he's doing it, is unaware he's not helping his 'passing for straight' problem, thinks he's just looking out for the poor perfect woman, etc. (perhaps even kinda likes that guilt makes Bucky be extra-nice to him for a while after?)

Or, not closeted Steve having a bloody-minded determination not to date because he thinks it's dishonest to the lady; determined to publically crash and burn, so no one ever questions why he hasn't got married yet. And maybe seething and annoyed about having to do this, because he feels bad for wasting the girl's time.

And, yeah, open-book baby gay Steve absolutely glaring at whoever Bucky's dancing with and his own date either clocking him or being like 'woah he really seems obsessed with his friend's girlfriend?'

(I could also see a closeted himbo Steve being like 'yeah Bucky took me to this secret gay bar he knows about for some reason, but it's just because he knows I always fail with women and wanted to give me a night off from that, that's all!' Poor Bucky dropping absolute anvil hints and Steve's not getting it. 😂)

I ended up doing a long old rant on this other post, about the problems with the Steve/Bucky characterisation in CATFA, how it fails to make them mutual in their support / fails to properly show Steve's struggles and independence, before serum.

And I was thinking...

what would you have to do, if you wanted to write a CATFA or pre-war Stucky fic and wanted to fix all those problems?

So I figured I'd make a list!

Pardon me while I rip CATFA a new one...

.

Problem 1) Pre-serum Steve acts as if he's independent and self-reliant without Bucky... when the opposite is shown.

A) He doesn't have a job.

(He isn't shown working, doesn't mention working, or taking time off to do the things we see him doing etc. Bucky is framed as paying for things.)

If the fic is set during CATFA you could fix that by mentioning Steve does have a job but has been given time off to go enlist. Or has just been fired from his job. Basically anything to show that Steve has had a job, has been working. Perhaps even had multiple simultaneous jobs!

Probably cut out the part where Steve scoffs at working in a factory or collecting scrap metal (more likely he'd admire and/or understand why both of those are viable options; maybe they're jobs he has done in the past and is biased against now, for some experiential-related reason.)

Or, if he still does not want to work in a factory... well, at the time, with most men being overseas, factory work would've been women's work. So perhaps Steve was reluctant because it feels emasculating. Or maybe even dysphoric, to be relegated to otherwise female-only spaces, instead of welcomed into (then) male-only spaces like the Army? 🤔

(This would especially ring true if you were doing a trans!Steve story, or emphasising the disability aspect of his life. And it would cycle back when he gets stuck in the USO, doing women's work again.)

B) It would also be better characterisation if pre-serum Steve was already good at fighting, but just happened to be outclassed by heavier weight opponents, and/or hindered sudden disability flare ups mid-fight. (In the tie-in comic, Bucky taught him how to box. Why not keep this?)

And also if his health was in a lifetime high point, then it would be less nonsensical to be trying to lie his way into the Army. There has to be some actual common sense and logic behind his choice, so that he's not essentially snapping 'Bucky why won't you support me committing suicide, gdi?'

Steve shouldn't be getting his first real win by knocking down a flagpole; he should've been showing this capability in his pre-war / pre-Army time, too.

You could emphasise the idea of Steve entering a fight he knows he's going to lose, in order to accomplish a secondary goal that the enemy doesn't recognise. IE. Steve fighting the bully in the alleyway -- he loses the fight, but succeeds in stopping the bully from making a scene in the cinema, which was his original goal. So mention it!

(Steve could be like 'winning this fight wasn't the point.' And Bucky could be like 'ah, so what were you distracting him from?')

.

Problem 2) The support is imbalanced; Bucky's doing all the emotional, financial, and physical labour in the relationship.

You could fix that by showing how pre-serum Steve was not only mutually financially supportive (in the sense of having a job), but was also supporting Bucky emotionally and physically, just as much as Bucky supported him. He could be doing at least 2 of the 3!

Possible Examples:

Bucky going through an emotionally hard time that pre-serum Steve pulls him through (just as Bucky did with Steve's Ma).

Steve treating Bucky's wounds after a fight, just as Bucky treats his. (If Bucky's a boxer, like the tie-in comic, then Steve could be his cut man when he's in the ring!)

Steve paying for some of their expenses, or finding places to take Bucky that are free when it's his turn to plan a day out, etc.

.

Problem 3: Sarah & problem 2.

If this is CATFA / post-death setting, show flashbacks or make references to Steve visiting her in hospital, or doing the work of nursing her himself / sitting by her bedside if she died at home, paying for her medicine, etc.

So that it's not just another example of Bucky wholly carrying Steve; show the balance. Maybe Bucky was temporarily footing the bill so that Steve could afford to quit his job and do the nursing at home. Both putting the work in, in different ways.

(This would be a perfect example of one way Bucky's experience of looking after sick Steve would pay off, and make him able to teach Steve how to do it when the roles are reversed.)

Better yet, a show-don't-tell of Sarah instilling Steve's moral compass and tenacity; maybe even some Bucky POV to show her impact isn't just relegated to Steve.

Her absence could also be shown in present day with Steve, eg. packing up his things to go to basic and having to leave behind some keepsake of hers.

.

Problem 4: The relationship is framed as transactional.

Less 'I'll do X for Bucky now because he did Y for me back then' and more 'helping Bucky is the right thing to do because he's innocent so I'm going to do it regardless of outside whining, and he would still do the same thing for me, or anyone else, because he's a good person.'

There has to be more to it than just convenience, needing each other around to help; there has to be an actual desire to be together for pure enjoyment, too.

IMO you'd need at least one scene where Steve and Bucky aren't benefiting in some way from spending energy on eachother. They're just... happy being together.

And perhaps Bucky isn't the only friend pre-serum Steve could have had, just the one Steve most wanted to stick with. (His options should amount to more than 'Bucky or no one.') Perhaps Steve's health absences and strong principles drove other friendship prospects away?

.

Problem 5: A's problems are framed as B's.

No more 'Steve getting attacked' being framed as a problem for Bucky.

No more 'Bucky being drafted to die' framed as a problem for Steve.

Better characterisation would show these bad things affect the victim first and foremost, and only/also the other one, secondarily.

Steve shouldn't be seeing Bucky's shipping-out uniform (skipping right over thank yous and congratulations) and talking about how that's sad for... himself.

Steve shouldn't be sabotaging Bucky's last night of freedom in NYC to spend it on... his own goals.

Sidenote: Bucky wanting to spend his last night of freedom with strangers is such idiotic writing anyway, when he has both Steve and a living family with whom he could be spending those last precious moments! And dragging Steve on a double blind date he clearly doesn't want to go on is counter-productive. It undermines the mutually-supportive / mutually communicative relationship Steve and Bucky should logically have, as lifelong inseparable best friends, and shifts the blame for Steve's singlehood off of him and onto Bucky and women generally.

Steve shouldn't be detailing why he's so keen to fight, and focusing on random men he doesn't know, not directly/unequivocally mentioning Bucky at all (indirectly, he wants to be like the men laying down their lives -- so... like Bucky? But this is still nonsense. He should want to be there to support Bucky, not to copy!)

It's likewise nonsense for Bucky, who has known Steve since he was a child, to ask Steve why he's keen to fight. Bucky doesn't need to ask. Bucky already knows. Lazy clumsy exposition.

And the narrative should be showing us why, rather than having Steve infodump it without anything to back it up.

Speaking of which...

.

Problem 6: Lack of explicit politics.

Like in the comics, Steve's reasons for fighting Nazis should be explicitly left wing and political, as well as personal.

(Wanting to be like able-bodied men who get girlfriends is complete cringe incel bullshit as a motivation and not true to the comics, or CEvans's performance!)

Proper Steve characterisation should have him behaving in a way that shows he's a man ahead of his time in terms of Antifa politics, and that's why he wants to fight.

IE. happily sharing housing and schooling with people of other races, ethnicities, and religions. (Especially so when he has been in the same SEC as them / been in multiple different schools and lived in various neighbourhoods as a poor kid.)

Not judging and mistreating disabled people the way he is.

Not judging unmarried mothers, belittling working women, expecting his mother to do all the housework, etc.

Not freaking out about the existence of queer people in public (even in an AU where he isn't one) defending gay men from attack as he does in the comics,

protesting and/or sabotaging public Nazi meetings in NYC, fighting with homegrown Nazi bullies especially, ditto corrupt business owners / mafia union-runners as he does in the comics, etc.

The Hydra saboteur should not be the first Nazi Steve ever got his hands on!

And Bucky should be an addendum when it comes to his reasoning. The heart of Steve's motive, where politics are the guts.

.

Problem 7: No disability rep.

A) Steve should not be saying that he, a disabled man, shouldn't have the 'right' to do less than able-bodied men, even though it is literally physically impossible...

...UNLESS, this internalized ableism is addressed in-story, rather than treated as if it's normal and even noble.

Other characters can be ableist; Steve should not (not only is he disabled himself, but he's supposed to know better!) unless it's part of an arc that shows that this trait is weird in him, and he learns the error of his ways.

Instead it could be shown that his health has recently become good enough for him to survive and succeed in the Army. Without Steve arguing that he should throw his disabled life away, just because able-bodied men are taking a significantly lesser risk of dying than him.

B) There should be actual details of Steve's disabilities, what they are and how they affect him. (Him - not Bucky.) In a way that has concrete negative consequences, beyond just not getting into the Army.

Possible Examples:

Steve being held back a year at school because of missing days due to sickness. Kids can be cruel and parents can be ignorant; he might've been bullied and ostracised for being sick and believed contagious.

Kid Steve having to move around a lot (which would also affect which school he'd have to attend) because losing money to medicine affects what his mother can afford, affects her work schedule when she has to look after him. Living in a worse place would then exacerbate his pre-existing symptoms, and so on.

Adult!Steve losing a job because of sick days, losing savings to pay for medicine, getting sick again because he either chose heating and groceries over medicine or vice versa, etc.

(This / the moving-around might be mitigated if he and Bucky are living together, meaning Bucky could make up the shortfall.)

Steve could lose friendships or romantic partners due to sickness taking him out of social circulation.

You could also play into the Nazi eugenics then endemic to the USA and have medical professionals telling Steve he shouldn't be alive; 'well-meaning' people offering to pray for him, saying they'd have 'given up' if they were born like him, etc.

And Steve should, maybe, mention once or twice that he feels better after serum and truly couldn't be doing what he's doing in Europe, if superserum hadn't also cured all his ailments?

If he's much more peppy afterwards, it should be because for the first time in his life he can actually breathe and spring out of bed!

.

Problem 8) The Incelery.

Pre-serum Steve should not be framed as undateable because he's short and disabled.

If Steve hasn't had a girlfriend, it should be because he didn't want one, not because evil women are repulsed by invisible health issues or Bucky is too dreamy for a disabled man to possibly compete with, be so fr. 🙄

You could fix this by making Steve: gay,

ace,

demi,

coincidentally surrounded by lesbians,

by women who have horrible unattractive politics,

too sick or busy with work to date,

getting attention but it's the wrong kind (ie. women who want to fetishize or nanny him),

and/or being very attractive to women even before serum but oblivious and/or simply not interested. 😂

/more than one of the above.

.

[p1x1x]

[rinbylin]

li xiangyi, yin, and femininity

we all know that li xiangyi is a character of fractured identities. and li lianhua is an unreliable narrator to his own story. these make him not the most straightforward character to study. but I've believed in treating li lianhua as a part of li xiangyi, rather than separates. and there must be a common thread that ties all of him together. thus, I offer what I have found to be the most useful lens to use to view him as a cohesive whole, regardless as li xiangyi, li lianhua, or any other identity he may reinvent into: his 阴 yin qualities. (yin of yinyang)

this framework suggested by the drama's text itself has helped clarify to me his strengths, weaknesses, motivations, and struggles. by identifying this constant, too, makes it so much easier talking about what has changed in him.

[to the, hopefully growing, boli lhl hivemind @markiafc @ananeiah]

-

there are some notes on the concept of yinyang and chinese conceptualisation of gender I have to preface with.

[disclaimer: of course, I'm not even trying to cover a tip of what experts have extensively studied and debated in a depth it deserves. all I'm doing is try to parse the broad, fundamental ideas that are needed to explain my blorbos through my own spotty brain filter. so there bound to be nuances I've overlooked or some degree of my own interpretation. pretentious but needs to be done.]

阴 yin and 阳 yang are concepts characterised by passiveness, darkness, gentleness, femininity etc, and proactivity, light, toughness, masculinity etc respectively. a very key and handy concept to have in mind is their relationship to each other - which I'll not attempt at explaining better than literal scholars have:

Yin and yang exist only in relation to one another internally as the way warmth-coldness only exist relative to one another. Furthermore, when using yin-yang as an organizational schema, achieving balancing harmony is always the goal, not domination nor subordination of one to the other. [x]

while yin and yang can be symbols of femininity and masculinity, it doesn't mean all female are yin and all male are yang. it's certainly not a strict 1-to-1 equation. the concept of gender in chinese context is more social than biological. this suggests room for fluidity, and shaping of identities, often through social rituals as one journeys through life. it also means that there can be femininity in the masculine, and vice versa - in fact, that's only healthy because you need a good balance of the two worlds. no one part is better than the other. if you think of the two components as relative to each other, they are always interacting and affecting each other, rather than being strict and inert binaries. simply put, it needs to be kept in mind that there are greater nuances in applying yin and yang to the definitions of gender, and to avoid at all cost a simplification of this framework into a binary.

sure, the show has implied that lxy's powers and energy are yin-coded. but femininity is only one of the multiple attributes of yin. so how are we extending lxy's yin to femininity specifically? it's in the text that substantiates and qualifies lxy as feminine. dead women being used as proxies to his character. being literally dressed as a woman in order to put himself into their shoes and feel what they've felt. adopting a name that happens to be very, very feminine - 莲花 lianhua (lit. lotus flower) (it must be caveated that chinese names are NOT gendered. but there are just some names that are more feminine than others.) him coming to lead a life revolving around traditionally feminine, domestic things as li lianhua. him having interactions with the women around him like he's in his own element - no pressure and tension at all, unlike with all the other men.

as such, I'm more willing to use yin and femininity interchangeably in discussing lxy (while it's not necessarily applicable to every point that will be mentioned albeit there being some degree of implied association). and it's for the sake of elucidating what I feel is an intention or very plausible reading of the canon text in parsing feminine experiences in lxy's character. and thus, his queerness.

one last note is that taoism is going be mentioned quite a bit as well because of how much it as a philosophy honours the yin quality. its key tenets include valuing passiveness and inaction as a form of action, and submitting to the nature of things. and we will see how those come up in lxy's life too. (though I'm not gonna attempt to deep dive into it here beyond broad strokes of it.)

-

a huge part of li xiangyi's yin actually manifests in him being a passive person. this applies not just to li lianhua, but also li xiangyi. I know. ok wait hear me out. the idea of yinyang is after all components that can change and are relational to each other: thus, there were points in li xiangyi's life when he was less passive than other points, but they ultimately don't match up to the degree of aggression displayed by other men around him. so relative to their display of proactivity and aggression, he can be considered as passive. the best example is that of shan gudao proposing to launch an offensive on jinyuan alliance, while lxy - as much as he was arrogant about it - was standing his ground on not taking action in favour of peace.

it has already showed up in his childhood as well. he wasn't a particularly competitive child: 从来都没有谁要和你争 nobody has ever thought of competing with you over anything, he told sgd as he recalled of their times growing up. it was in fact sgd who was desperate to control and override lxy's presence. baby lxy did not hesitate at all over giving up on winning in favour of protecting his only rare few close relationships left in the world (given how hard-earned relationships are when they're non-familial !!!!). as much as I resent the one-dimensional writing of sgd, he has served as a very strong marker to highlight on lxy's yin.

-

I've harped on it several times before but this is the time I finally get to explain it proper: my own theory is that li xiangyi became an unparalleled swordsmaster because of his yin/feminine quality, not in spite of it. an interesting point that had been out in the open unclaimed until it was brought up in our friend group is that, li xiangyi does not actually fit anybody's conventional image of a 武林盟主 wulin mengzhu (ie. ruler of wulin). it would most likely have been some burly, muscular, ultra-masculine dude. even if they don't look like the demonic monk, it should be someone more like di feisheng. but. it's li xiangyi, the boyish, delicate-looking kid, who came to the top. (no wonder people - mostly men - love or love to bully hate him like weak men hate powerful women??)

"why didn't they cast someone who looks more like a wulin mengzhu (read: traditionally manly)?" no, no that's precisely the point. nobody said wulin mengzhu have to look manly. and also who is to define the manliness required to be in a place of authority? (or in my other meta, we would ask, who is to define anybody gets to have the authority over anyone else at all?)

by taoist ideal, gentleness is the most refined form of strength. li xiangyi has been haunting and distracting me in my chinese calligraphy practices lately because I'm thinking about how this must be the closest to what it felt like lxy becoming the best swordsman in jianghu. (so pretentiously brainrotten of me, I know, BUT IT'S REAL and I'm suffering.) mastering a chinese art is essentially about mastering a delicate balance between force and gentleness; being able to draw force from softness 柔中带刚 and an ability to maintain this balance. a beginner will instinctively hold a brush for the first time with brute, unrefined force. some fairly reputable contemporary calligraphers, according to my teacher, can be seen as being either too soft or too forceful - but are still able to pass off as good enough. it's then, the master of masters who will have the sophistication of a firm yet flexible control of the brush with the appropriate use of gentleness/laxness that produces a harmony of strokes. this idea extends to any other sort of chinese craft or practice including traditional chinese medicine, and I believe, swordsmanship too. I'm taking a fucking leap of faith here to say this because I practise NO sort of (chinese) martial arts, I must caveat. (someone who does may want to say something...) but theoretically that should be how it works.

it is not for no rhyme or reason, or *handwaves* that lxy emerged to the top AND is almost undefeatable. among a competitive, forceful (ie. yang) wulin, li xiangyi stood out with a power and energy defined by yin (ie. gentleness and stability) that led him to create his signature 扬州慢 yangzhouman. it is characterised by 慢 slowness (my calligraphy teacher says to us all the time to take it slow), and also described by dfs as 中正绵长 - which I would best describe by painting a picture of a steady and stable stream. these precisely speak of the essence of a mastery of gentleness as strength to me.

conversely, dfs's way in mastering power is very largely premised on taking action because he literally had no other choice in the environment he grew up in. both of them develop in opposite ways. it was the case of gentleness for lxy clearly because he grew up in a safe, nurturing environment that had allowed him to be slow and steady at his own pace, drawing on his natural gifts.

-

now top of the wulin world at 17, li xiangyi founds sigu sect. li xiangyi, the boy before becoming menzhu and li xiangyi the leader of sigu sect are not the same.

how then did a (relatively) passive boy like lxy end up founding sigu sect. this lxy is the one who was fostered into competition - though not in an abusive, twisted way. in fact he was raised in a rather taoist way by his shifu: to be honest with yourself and respect your opponent. so he honoured whatever powers he had been bestowed with by nature. he gives into it. even so, at another level, I just have a sense that shifu and shiniang's competitive marital spat had an insidious effect on the boys...though the detrimental effect was more on sgd than lxy. baby lxy feels like a sweet-natured kid who was just in his own zone, you know - some (aka sgd) would say, too much of him even, to have not realised what was wrong at all with his shixiong for years.

that's not all of course. I've always gotten the vibes that his attitude behind forming sigu sect felt more like, this is what all the good men of jianghu do and I will have to do it now especially that I'm the best. it didn't feel particularly personal to me, but rather what would have been expected of him by the social climate of wulin jianghu (eg. lxy saying to ���耀师门 bring honour to his teacher). it's definitely not an expectation from his shifu, who explicitly told him that he was never expected to become a noble figure of any sort, but just to be alive and contented. as concluded by the man himself as li lianhua: "有些人入了江湖是为了立心，而有的人入江湖为的是立命。我却不知道自己真正想要的是什么。some people enter jianghu for the cultivation of the mind, others for a cultivation of a meaningful life. but I never knew what I truly wanted." he was ultimately, unwittingly a passive player in his own story of becoming the great sigu sect leader.

(at this point, as a side note, I do wonder if there were any other similar sects or alliances that function the same as sigu sect that came before it. because I'm damn well sure there must be something, as likely as there must have been generations of wulin legends who came before lxy. but of course, this is not what the story is concerned with at all and I'm ok with that.)

it's crucial to point out that, even despite this being the phase of his yang in the display of taking action and enacting firmness, lxy had still done sigu sect with the sole purpose and manner of upkeeping peace and order (in the way of the pro-universal love, anti-aggression mohist 侠 xia leader of the people). he's still very characterised by yin in my books, especially when vis-à-vis to sgd.

a li xiangyi full of himself and made himself too useful to the people was only bound for a great asteroidal fall, in the concept of 物极必反 - or in taoist lexicon 反者道之动 (ie. anything that has reached its limit will only start developing in the opposite direction). if you think you're above all, you can only go down.

this manifests during the next time he took action - and it was one so forceful that it overpowered even his opponent, dfs who ended up being the passive, receiving party in this case - was in initiating the battle at donghai 10 years ago... and gee oh boy. it didn't end well - for both of them, but even more so for lxy. (dfs was like 'tis but a scratch (shrugs)' as compared to him being ripped off his tendons by jiao liqiao like nezha did to the dragon prince. truth is he had to go into a 10-year healing retreat served by his entourage. :p) ok, I digress.

xiao zijin was quick to attribute sigu sect's fall to lxy's arrogance - in turn setting the stage for lxy's 10 years of self-hatred and the framing of lxy as a villain? irresponsible figure? by jianghu. (god forbid girls do anything! ok for legal reasons, this a joke.) lxy lost his mind in ways I believe he never had in his life there and then upon seeing his shixiong dead. so, you could say he led the jianghu world to ruins out of love (using this term loosely). but it feels inaccurate to say it's due to arrogance. he did not do that out of self-importance or ego, especially when the revenge for sgd was a collective decision made by sigu sect as we know from the flashback. so when llh pinned all fault on himself for being arrogant in the past, it is with caution to take his words because that's the unreliable narrator in him speaking.

-

anyway, it's precisely li xiangyi that is capable of bouncing back from such a fatal crisis, equipped with his yin and a mastery that gave him the power of flexibility.

it's extremely vital to re-establish that literally the only thing that was keeping li xiangyi alive, physically, as li lianhua is yangzhouman. (monk wuliao literally said that to lxy even though he did facilitate in saving him.) it's the yangzhouman that was drawn from lxy's mastery of yin. without yangzhouman, li xiangyi would not even have the chance to become li lianhua and undergo any needed process of transformation. without li xiangyi, there would have been no yangzhouman. no li xiangyi, no li lianhua, get it?

the point is not to deny the change li xiangyi wants to make and has made. but to acknowledge that change isn't about complete erasure and destruction. something from you survives. something in you had kept you alive to have you come so far, regardless of all the bad bits that you want to denounce of. you've always been worth it.

bringing back the thing about his new name: the distinction must be made that he did not pick it because it was feminine but it just so happened a feminine name had resonated with him. (read: he didn't necessarily identify as a woman but identified with femininity. at least within the parameters of canon text.)

he also made an interesting choice to retain his surname for someone who was desperate to sever ties from his past. hmm. or maybe he wasn't that desperate? when li lianhua says li xiangyi is dead, I believe it meant that li xiangyi the sigumen menzhu is dead rather than li xiangyi as an entirety. li lianhua is a returning to the path lxy could have gone if he did not establish sigu sect, the path that shifu wanted him to take. when he walked to the doors of sigu sect in the aftermath, nothing was actually stopping him from going back (people were still around and alive, instead of all dead people, you know)... except for himself. taking that action would have been too much for him. so he went with the flow of life giving him a chance at rebirth and walked away. there, inaction as a form of action.

zhan yunfei and qiao wanmian have said to li lianhua, oh that doesn't sound like li xiangyi at all. but has it been considered that, maybe it was sigu sect's lxy who wasn't the real lxy? sigu sect lxy was one big performance of the values of masculinity and heteronormativity that llh had came to an awareness of, and eventually struggle with again and resist against in the final year of his life. there had only been some glimpses of his true nature allowed (validated by fang duobing talking about lxy at his altar).

imho, most flashbacks of lxy during that period felt impersonal and more like a template of a hero expected to marry his girl at 18. going through all the motions and steps of a normative life even before he was old enough to grasp and explore his own identity and what it meant in the world. no wonder he denounced so much of what he had done as lxy including liking girls. walking away then also meant a walk away from those duties and expectations. li lianhua is li xiangyi liberated from masculine duties and heteronormative performance.

in doing that, he had the opportunity for the first time in his life to explore what he truly wanted, at least within the parameters of what he could afford to do at that point. he could go on to build a domestic, feminine life within the space of jianghu (as I've established here). it's a kind of feminine lifestyle that doesn't quite exist in mainstream society - being a woman there meant to stay put in a domestic space without much room to move socially. nor did it exist in wulin jianghu because even the women there like shi-guniang and jlq were expected to be masculine, aggressive, competitive. so building a mobile home in the space of jianghu is his way of defining the life he wants and can have. li lianhua is the extension of femininity in li xiangyi - and one that can be free.

it's also worth talking about in my opinion what is one of the most important and a favourite dihua moment: when dfs said to lxy that his greatest weakness was to like being a hero. and a swordsman should be without weaknesses. I'm forever wrapped up in how many layers this can be read in. was he mad at lxy for liking to be a hero or having weaknesses, or both? if the former, it was dfs criticising, based on lxy's public reputation, lxy's oversized illusions about being a hero - a figure of masculinity with an unrealistic sense to uphold noble goals eg. saving the world etc. that is actually perfectly logical coming from dfs, the straightforward, no-nonsense, morally neutral guy with no illusions about heroism (in this case, he feels more like a yin). but at the same time, we should understand that lxy's motivations behind the donghai battle are more personal than noble. if any, it was actually the opposite of noble - it was like he was acting out of the role of a caretaker of his family, and at a cost of the peace and order of jianghu he was set on guarding(!!) dfs also knew that lxy was there just for his shixiong. and so, dfs, who happens to be the epitome of yang, can be read as a symbol of masculinity disapproving of lxy for being sentimental and emotional; for having the "feminine" desires to simply want to defend his family (not saying those are exclusively feminine traits but they have been conventionally associated as feminine). I think both layers of reading are correct and should work together to contribute to the complexity of their characters. (we can see how it contributes to lxy and dfs being the perfect yinyang halves to each other, which I will come back to briefly touch on later.)

-

for 10 years he lived a life of seclusion and staying-in-his-own-lane a taoist would be proud of. he knew he was dying and has always been ok with dying, as he claimed. but did he want to die? to think of it, it was the opposite. because in those 10 years when he could have 100% just taken action to take his own life, he didn't. in fact, he lived on and took care of himself in the way shifu wanted him to. he had simply preferred letting nature run its course. if bicha didn't take him, he wasn't gonna do anything. but if he died one day very soon, he would be ok with it too. sure, he was maybe banking on a lead to sgd's whereabouts to appear during his last years alive but that clearly wasn't the only thing on his mind for NINE years because he didn't actively go out seeking for that either. this is basically him telling dfs that he would just lie in the sun and wait for the sweet release of death, if dfs were to force him to fight. not even the mortal threat from dfs was enough to move him into action of fighting back or killing himself.

time and again, lxy as llh was dragged into fdb's cases but not only that, he also maintained an impersonal distance with them. it's starkly different from the usual (wuxia) hero archetypes (for eg. fdb) who would be more impassioned and personally invested in the plight of the victims- or unlike most seemingly aloof protagonists who would somehow grow emotionally invested over time. one of the many things I love about llh is that he never tries a second time to persuade people out of their decisions he finds unwise (eg. him just wanting to move on in response to the girls in 女宅 insisting on staying behind with their slave master at first.) he will not interfere in other people's choices made in their own lives. it's not his business. he didn't even want to be there, to be honest.

however as the story progresses, more and more people - especially men, his past, and the leads to the truth came back to demand and taunt him into doing something. they vary from well-meaning people without any harm intended such as fdb intruding upon his private space completely uninvited and qwm wanting him back; to dfs merely seeking him as a mean to an end initially (eg. I only need him to live long enough to have one last fight); and finally, on the other end of the spectrum, outright aggressive and hostile people like sgd and xzj who wanted him to die. under all this pressure, he tried his best to deflect, but he does waver especially when it comes to matters concerning the people he cares about aka his obsession wish of 10 years of looking for sgd's remains that had lied low until fdb entered his life, and then later on taking revenge for his shifu.

looking for sgd became his final bid at taking action. he was operating on a slim chance of getting some emotional closure from finding out his shixiong is dead for real, yes. what a good plan. but objectively unnecessary. or surprise! uhhh...finding out his beloved shixiong is actually alive and would strangle him for one corn chip? AND OH NO IT GOT WORSE- uncovering a devastating truth about his shifu's death that he could have totally gone on with life fine without knowing if he had continued not caring.

but it is sometimes just impossible not to care - it is only human to care. and he is human, not an icon in the image of a hero. so he took a chance, once more, and it killed him in unprecedented ways. it's donghai all over again. things in life don't go as planned. you fuck around and it fucks you back. finding out the truth behind his shifu's death and his family background from the past did nothing for him as li lianhua living in the present.

it's no wonder that this lxy decisively relinquishes the desire to take action in the end. he goes back to letting nature run its course. and this time, stands firmly to it despite everyone begging him otherwise. wangchuan flower could only give him a recovery (or survival?) rate of 30%. there's a 70% chance of failure and even in the 30% he was not sure what he was to become. in comparison, dfs took a 10% chance game of survival in a heartbeat, and it pushed him to new heights. that's how they differ: he thrives by taking risks and action while lxy the other way round. so, something like that has happened before and he wants none of it again.

-

he leaves lotus tower, only taking his horse and a sack - relinquishing almost every other material belonging he had - and sets off on a journey. before xzj interrupted...where to was he going?? I wonder. we don't know for sure, I think? and are we allowed to know? that makes the scene he had with xzj an understated inflection point in the very last part of his journey. yes, he was already on his way to...maybe die? but not necessarily. you don't have to travel distances with your belongings for that, right? or speak to dfs personally about not wanting to fight? (borrowing one of @ananeiah's takes.) regardless, he was definitely leaving behind jianghu - not only wulin jianghu (he already did that 10 years ago), but also the jianghu space he had carved out in the last 10 years.

what sparked the decision to jump off the cliff in him was dfs's words from the night of their wedding 10th donghai anniversary: 横扫天下容易，断相夷太剑不易 conquering the world is easy, breaking xiangyi sword is not. in the original context, dfs was talking about defeating lxy being harder than conquering the world. but when it came to this scene, it was to lxy about forsaking the very last worldly possessions he had after already giving up on lotus tower and hulijing (including releasing his horse), especially his only connection left to swordsman lxy.

perhaps it had dawned on him that, wanting things at all was bad for him. in the last 10 years, he lived a life of seclusion, wanting very little. but he had still wanted things. there were still things he couldn't let go of that had led him to this state. despite having lived on an identity inspired by a buddhist teaching for 10 years, maybe it was only at this point that he was finally the closest to reaching an understanding of it. (I wish I was knowledgeable enough right now to dive into the possible buddhist reading here but alas. I'll leave it to our resident expert @markiafc)

it doesn't quite matter in the end where he was going after all. what mattered was that he literally went where the water took him and we're not supposed to know where it ends. I'm not seeing this in a bad and pessimistic way though. I think the relief in all this is that he had tried his best to within his abilities. also it's a form of enlightenment in relinquishing a desire, an obsession, a need to take any more action in order to live well. thus his ending felt to me relatively tender, empowering, and kind - albeit bittersweet and heartaching - than other possible kinds of ending, in a story where it was very possible for him to have died under the knives of his opponents or bicha at any moment, outside of his control.

-

if you've come so far in this post, congratulations! but also a reveal is that... you're not immune to the dihua propaganda threaded throughout this post. :P

as mentioned, other men like sgd and xzj in lxy's life were incredibly hostile to him. their yang nature overwhelmingly powers his yin. but dfs is different. dfs is the yang counterpart that fits perfectly to his yin.

dfs's yang is one that contains yin, that mirrors lxy's balance of yang in yin. it was suggested in text they are yinyang-coded meant to complement each other, given that whenever wangchuan flower's yin vs yang properties were discussed, the two men were always spoken about in the same breath. more importantly, as with the above few analyses of dfs's words playing a big role in shaping of lxy's choices with multiple meanings - as well as their day-to-day interactions - we can see that they constantly play off each other.

dfs's yang energy has been used to help lxy prolong his life (though not saving him entirely), while lxy has used his yin energy to save dfs and subsequently helped him attain his breakthrough. dfs has also helped lxy in his breakthrough of yin but not in the same way as dfs's cultivation of his combative powers, and rather, it's for lxy an understanding of his own path to take in life - a cultivation of the mind (both times 10 years before and after). given how significant dfs is in the shaping of lxy's realisation of the yin path - alike his shifu has, it's no wonder that they were the only two people lxy had imagined in his last sword dance of a farewell to jianghu.

with each of them coming together to form the perfect yin-yang model, they're a harmony of yin and yang representing the cosmos. what I also love is that they didn't start out as a perfect fit, but only towards the end of the story was the harmonisation completed, which makes sense for two components that are always in a flux influencing each other. the fact that they were number 1 and 2 of wulin, and being the only ones capable of understanding each other in a level nobody else could... it all reinforces the cosmic sense of their relationship. they're the halves to a whole, fitting in a specific way nobody else can.

(I mean. technically this is going into the space of extrapolation based on a tangential interpretation of canon text, so do take it with a pinch of salt. but of course this pinch of salt can do wonders for a shipper's feast... :P and this certainly could have been a meta of its own expanding on dfs's side of the analysis, but this is it for now in this context.)

-

to think of it, li xiangyi has actually died more than that one time that turned him into li lianhua. first was a death of him as a nanyin royalty - I resent having to bring up nanyin like it should hold any weight to the narrative as far as I'm concerned, but the point being that he had a completely different (familial-based) life before that still stands. then he had a rebirth as li xiangyi, disciple and swordsman to his shifu and shiniang, and later died again when li xiangyi the sigu sect leader took over. lxy the sigu sect leader died at sea in the battle 10 years ago and came back as li lianhua. (just like nezha, died after battling at east sea and rebirthed from the lotus) li lianhua then dies by the end of the drama.

there can be a myriad of interpretations as to what exactly happened to him, including the possibility that he's still alive. regardless, we can agree that li lianhua as an identity has ran its course, and he had to evolve again. but into what form?

in the line of thought of yin and femininity, and how his transformation has been in an increasing degree of presentation of femininity - even way back when I was watching the show, I had the idea of him living socially as a woman post-li lianhua. I don't know what he would be realistically doing or what could be practical for him in such an identity. but conceptually it was sensible and compelling to me before diving deeper into the details. (I have more elaboration to do on this that I won't be talking about here publicly but it is in the same strain of idea as this other comparative meta I wrote.)

I think the next possible identity lxy can assume - alive in the material realm or not - is one that will be beyond a material being. a nameless entity. once you've gone through the phases of life - from not knowing to knowing, and perfecting knowledge, then to the surpassing of knowledge - you surpass all worldly existence, and become one with the cosmos.

I end this off with an excerpt from Tao Te Ching's Chapter 41 (I'm not pretending to have read the whole book ok but I couldn't resist including this):

明道若昧，进道若退，夷道若纇 [...] 道隐无名 The bright path seems dim; Going forward seems like retreat; The easy way seems hard [...] The Tao is hidden and without name. (x)

the character translated into "easy" is the same 夷 yi of li xiangyi's name. somehow this seems to encapsulate the journey of his life: one that seems blessed and smooth-sailing but ending up to be rocky and turbulent. but at the end of the day, after all that he had been through, he will become hidden and without name.

[wildstar25]

What physical part(s) of Arsay does her partners find the most attractive! Is it the same for all partners or does it differ between them?

(also optional bonus ask of what part(s) of/about Arsay generally do they love the most, physical or not!)

Meanwhile, if you were to ask the same of Arsay:

[chussyracing]

thank you @presdestigatto for tagging me 😚

tagging @balaclavacharles @never-looked-so-good @ferrariprince16 @dobbiamo-capire @charlescherie @caffeinatedlovergirl @debushit and anyone who would like to do this - you are legally obliged to say i was the one to force you to do it

[vparka]

today came Apex's halloween update (aka the LTM and Path's mythic skin) and HELP, WATTSON'S SKIN IS REALLY PRETTY LOOK AT HER DHJKASJKDHASKJD

Respawn has made a few pretty skins but i think this one for Wattson... she looks STUNNING (she's always been gorgeous but damn, this now is on my top 3 skins for her!!)

i'm totally okay rn....

[skwivr]

-

[rox-of-iu]

me + mayhem going on a stupid silly hike for my stupid silly mental health

touched grass and i am normal again (lying)

[saintknightley]

i feel like i abandoned comics but i just have a tumultuous on and off again relationship with marvel and we are currently going through a divorce

[h8ani]

I should not be this chronically exhausted both physically and mentally at this age.