#not gonna tag it because god no

[tokenducks]

Charles “We’ve got literally forever to figure out what the rest means” Rowland

[xxplastic-cubexx]

[right to left]

finally finished This Wip from Ever ago and so now i ask you ever look into another dudes eyes and suddenly want to do whatever he wants

[bedforddanes75]

im not american but some of you guys are just fucking stupid ong what do you MEAN youre not gna vote because you disagree with like one part of what youre voting for. like okay me when im fucking thick

[davrinassan]

i need help with vet bills (again).

hi. for those of you who remember, earlier this year i asked for donations to help me afford toos' vet bills, who we found out through your help had kidney failure, and again with your help we got her on medication for it. unfortunately it wasn't enough, and we lost her. and then shortly after, dexter began deteriorating, which we put down to his grief of losing toos - she kept him young, he followed her everywhere, he only played because of her, he only ate when she ate, etc. without her he just stopped. and then he started to have seizures and fits daily. we got him blood tests, but he was suffering so badly. we made the decision to put him down. i didn't ask for donations this time, because i was so deeply embarrassed to ask for help again. but we are still recovering financially from that, as well as the parts of toos bills that didn't get covered from donations. my mother hasn't worked for a very long time, she's disabled and very sick, and she receives PIP from the government that only covers her monthly medications that are not covered by the NHS. my father retired early to become her full time carer, and we are living off his pension. i am too disabled to work, but because my mother already receives PIP and i live with them, the government are resistent to giving me any help - so i have zero income, and rely entirely on my parents.

this is jenny. she's a 14 year old cairn terrier, who loves when we garden because she wants to help dig holes. she helped us bury dexter and toos, digging their graves for them with my dads help. she's an angel, and loves people so much she likes to escape under the fence and join other families for awhile. one time she got into someones back garden and asked to come in as they were eating lunch. she really hates flies, and will try to bite them out of the air (she has never succeeded but i believe she will one day). she will rub her face against you until you start stroking her, and will growl and even bark if you stop! we don't have the money to take jenny to the vets, for a checkup or for anything they may want to do. this has been an ongoing issue, but toos and dexter took priority, and it hasn't been a bother to her. she existed as normal for a long time, but that's since changed.

jenny has this lump in her mouth, it is larger than the picture shows, but she is a nightmare to force open her mouth since this got so big, i think it's uncomfortable or painful for her. she can't properly close her lips now, and it has pushed all her front teeth away, misshaping her mouth, and sometimes it bleeds profusely. eating has become difficult for her, she can't eat anything hard, and currently will only eat soft human foods like rice, scrambled egg chopped up so small she doesn't have to chew, and things like soups and gravy. she's lost a lot of weight, and i'm getting frightened. to add onto it, i've found lumps like this across her body. i've done as much research as i can, and i believe it to be an oral tumor, it fits, and it looks right, and it spreading across her body is called 'full staging'. and going by all i've read - they will want to remove them in surgery. according to my research, this will cost anywhere from £585 - £4,740 for just the lump in her mouth. that's not including any checkup/test costs, or the other lumps on her body.

she hasn't been to the vet yet, i don't have any secure goal or bills to share, just my assumptions and beliefs from researching myself online. my parents refuse to take her because we can't afford it. i want to save up money, have it in my bank, and show them that we can help her now, before it gets worse, or it's too late. as i said before, i don't have any income, so the only way i can do this is with help.

here's a link to my paypal.me

the icon is a little mouse, and the @ is rivellon

i struggled so badly posting the first post like this for toos. i felt so guilty and embarrassed and ashamed. but i have no choice again, i want to help jenny. i don't want her to suffer. and selfishly, i can't handle losing another dog so soon. this year has been waking nightmare, and i need your help to stop it getting even worse.

please reblog and share, even if you can't donate.

thank you for reading.

[heartorbit]

i just wanted to draw the ave mujica outfits .

[felsicveins]

His heart belongs to another

And no other heart will do

[sanshinexx]

After Angband, Maedhros had a complicated relationship with his hair for a long while. The thing he once used to cherish and carry with pride, inherited from the mother he had left behind, was now tainted with memories of unwanted attention and derogatory touch.

After his rescue, it had to be cut short for the sake of his recovery, and he could never quite figure out whether he was more hurt or relieved by the act. It was Fingon, during those times filled with anxiety and doubt and shame, who helped him learn to accept his own appearance again– from the stump of his right arm and the scars littered across his freckled body to the locks of copper hair, ever so slowly regrowing to their former glory.

And little by little, the lingering memories of malevolent hands harshly yanking at his scalp were replaced by the feeling of tender hands carefully braiding familiar golden ribbons into his hair, once again beloved.

[ohbluesky]

some random tmr doodles + stuff i made for the glader cup 2022 and 2023 :]

also that brinho doodle is an illustration that you can find in @newtedison ‘s fic over here (she literally tweaked her fic so my art could match it so obviously this is dedicated to her <3)

[chronologically-challenged]

I think that the party's communication issues can be summed up as "man, is it awkward to tell someone that you want to spend the rest of your life with them if you've only know them for a few months? Probably."

[vaggieslefteye]

HUSK, Hotel Bartender & Concierge | 1x04 - Masquerade

"Oh, I FORGOT — you're the wise-old bartender who's seen it all! Get the fuck over yourself and pour me a real drink."

[apollosgiftofprophecy]

Statistics of Apollo's Lovers

I was wondering just how unfortunate of a love-life our boy Apollo had, so - as one does - I did the research, math, and writing of said love-life.

such is the life of an adhd teen :)

In total, there are 59 people on this list. I have them separated into eight groups; Immortal, Immortal & Rejected, Lived, Died, Rejected & Died, Rejected & Cursed, Rejected & Lived, and who were Rejected by Apollo

Disclaimer: I am not a historian nor an expert in Greek Mythology, I am just a very invested nerd in Mythology, and in Apollo's mythology in general, and got curious about what his rap sheet actually looks like.

Sidenote: There will be some "lovers" not on this list. Reasons being;

No actual literary sources behind them

Said literary sources are dubious at best

Not enough information is given about the nature of their relationship to make an accurate take

So if somebody isn't on this list, it's because of one of those three reasons. Although there is still a chance I missed somebody! :)

Also, no RRverse lovers include in this list. Sorry my fellow ToA fans.

*I am currently missing about 4 other lovers, and will get them on here ASAP. Their inclusion, however, will not change the overall conclusion. 👍

(Edited 08/15/24 - ALL SECTIONS SOURCED)

Let's begin! :D

Immortal Lovers

Calliope: muse of epic poetry. Mother of Hymenaios and Ialemus (Pindar's 3rd Threnos) by Apollo.

Clio: muse of history

Erato: muse of love poetry

Euterpe: muse of music

Polyhymnia: muse of hymns/sacred poetry

Melpomene: muse of tragedy

Thalia: muse of comedy. Mother of the Corybantes (The Bibliotheca by Pseudo-Apollodorus) by Apollo.

Terpsichore: muse of dance

Urania: muse of astronomy

Boreas: the North Wind. The Boreads called Apollo "beloved of our sire" in Apollonius of Rhodes's Argonautica.

10 lovers total here.

9 Female, 1 Male

Immortal & Rejected

Hestia: goddess of the Hearth (Hymn to Aphrodite)

1 Interest. Female.

Lovers Who Lived:

Branchus: mortal shepherd, gifted prophecy (Conon's Narrations 33 & Callimachus's Iambus)

Rhoeo: mortal princess, eventually married an apprentice of Apollo (Diodorus Siculus's Bibliotheca historica 5.62 and Tzetzes on Lycophron 570)

Ourea: demigod daughter of Poseidon, dated Apollo during his punishment with Laomedon; had a son named Ileus, after the city of Troy (Hesiod's Catalogues of Women Fragment 83)

Evadne: nymph daughter of Poseidon, Apollo sent Eileithyia & (in some texts) the Fates to aid in their son's birth (Pindar's Olympian Ode 6)

Thero: great-granddaughter of Heracles, described as "beautiful as moonbeams" (Pausanias's Description of Greece 9)

Cyrene: mortal princess-turned-nymph queen, kick-ass lion wrangler, and mother of two of Apollo's sons - Aristaeus (a god) and Idmon (powerful seer) (Pindar's Pythian Ode 9.6 ff. and Nonnus's Dionysiaca and Callimachus's Hymn to Apollo 85)

Admetus: mortal king, took great care of Apollo during his second punishment, Apollo wingmanned him for Alcestis's hand - basically Apollo doted on him <3 (Callimachus's Hymn II to Apollo and Apollodorus's Bibliotheca 1.9.15 and Hyginus's Fabulae 50–51, and also written about by Ovid and Servius)

Hecuba: queen of Troy, together they had Troilus.

It was foretold that if Troilus lived to adulthood, Troy wouldn't fall - unfortunately, Achilles murdered Troilus in Apollo's temple. When the Achaeans burned Troy down, Apollo rescued Hecuba and brought her to safety in Lycia. (Stesichorus's Fr.108)

Hyrie/Thyrie: mortal. mothered a son by Apollo. Their son, Cycnus, attempted to kill himself after some shenanigans and his mother attempted the same. Apollo turned them into swans to save their lives. (Antoninus Liberalis's Metamorphoses 12 and Ovid's Metamorphoses 7.350)

Dryope: mortal. had a son named Amphissus with Apollo, who was a snake at the time. Later turned into a lotus flower, but it had nothing to do with Apollo so she's still on this list. (noncon; written by Ovid in Metamorphoses 8 CE/AD and later by Antoninus Liberalis in his own Metamorphoses sometime between 100-300 CE/AD)

Creusa: mortal queen. had a son named Ion with Apollo (Euripides's Ion). Please check out @my-name-is-apollo's post for more details because they make some good points about what's considered "rape" in Ancient Greece. I expand on this further at the end of the post.

Melia: Oceanid nymph. Had a son w/h Apollo named Tenerus. (Pausanias's Descriptions of Greece 9.10.5–6)

Melia was said to be kidnapped, and her brother found her with Apollo. He set fire to Apollo's temple in an effort to get her back, but was killed. Melia and Apollo had two kids - but here's the interesting part. Melia was highly worshiped in Thebes, where her brother found her. She was an incredibly important figure in Thebes, especially when connected with Apollo. She and Apollo were essentially the parents of Thebes.

As I read over their story, it sounded like (to me, at least. it's okay if you think otherwise!) that Melia just absconded/eloped with Apollo.

Was kidnapping an equivalent to assault back then? Perhaps. But it's still debated on whenever or not that's true. However, one thing I've noticed reading up on these myths is that when Apollo does do something unsavory, the text says so.

It never says anything about Apollo doing anything to Melia. Her father and brother believe she was kidnapped, but, like mentioned previously, it seems far much more likely that she just ran off with her boyfriend or something.

But that's just my interpretation.

Moving on! :)

Iapis: a favorite lover. Apollo wanted to teach him prophecy, the lyre, ect. but Iapis just wanted to heal :) so Apollo taught him healing :) (Smith 1873, s.v. Iapis)

Aethusa: daughter of Poseidon & the Pleiad Alcyone. Mother of Linus and Eleuther. She is the great-great grandmother of Orpheus. (Apollodorus's Bibliotheca 3.10.1 and Pausanias's Descriptions of Greece 9.20.2 and Suida, s.v. Homer's Of the Origin of Homer and Hesiod and their Contest, Fragment 1.314)

Acacallis: daughter of King Minos. there's a lot of variation on whether or not she had kids with Hermes or Apollo. Some say she had a kid with each. (Stephanus of Byzantium, s.v. Kydōnia (Κυδωνία and Scholia on Apollonius Rhodius, 4.1492)

Chrysothemis: nymph queen who won the oldest contest of the Pythian Games - the singing of a hymn to Apollo. She had three daughters, and one of them is said to be Apollo's. (Pausanias's Descriptions of Greece 10.7.2 and Hyginus's De Astronomica 2.25)

Corycia: naiad. had a son with Apollo. the Corycian Cave north of Delphi is named after her (Hyginus's Fabulae 161)

Leuconoe (also Choine or Philonis): daughter of Eosphorus, god of the planet Venus, and mother of the bard Philammon. (Hyginus's Fabulae 161) She was killed by Diana for her hubris.

Melaena (also Thyia or Kelaino): mother of Delphos, member of prophetic Thriae of Delphi. Priestess of Dionysus. (Herodotus's Histories 7.178.1)

Othreis: mothered Phager by Apollo, and later Meliteus by Zeus. (Antoninus Liberalis's Metamorphoses 13)

Stilbe: mother of Lapithus and Aineus by Apollo. (Diodorus Siculus's Library of History 4.69.1 and Scholia on Apollonius Rhodius, 1.40 and Scholia on Apollonius Rhodius, 1.948)

Syllis (possible same as Hyllis, granddaughter of Heracles): mothered Zeuxippus by Apollo. (Pausanias's Descriptions of Greece 2.6.7)

Amphissa: Apollo seduced her in the form of a shepherd. They had a son named Agreus. (Ovid's Metamorphoses 6.103 and Hyginus's Fabulae 161)

(hey, has anybody else noticed that 'Apollo disguising himself' seems to only be a thing in Roman literature?)

Areia (or Deione): had a son named Miletus. Hid him in some smilax. Her father found him and named him. (Apollodorus's Bibliotheca 3.1.2)

Arsinoe: she and Apollo had a daughter named Eriopis. (Hesiod's Ehoiai 63 and Scholia ad Pindar's Pythian Ode 3.14)

Queen of Orkhomenos (no name is given): Mother of Trophonius (Pausanias's Descriptions of Greece 9.37.5)

(my fellow ToA fans will recognize that name haha).

Hypermnestra: Either Apollo or her husband fathered her son Amphiaraus. (Hyginus's Fabulae 70)

(sidenote: @literallyjusttoa suggested that Apollo was dating both Hypermnestra and Oikles, and I, personally, like that headcannon)

Manto: Daughter of Tiresias. Apollo made her a priestess of Delphi. They had a son named Mopsus. When Apollo sent her to found an oracle elsewhere, he told her to marry the first man she saw outside of Delphi. That man turned out to be Rhacius, who brought her to Claros, where she founded the oracle of Apollo Clarios. (Apollodorus's Bibliotheca E6. 3)

Later, another man named Lampus attempted to assault her, but was killed by Apollo. She is also said to be a priestess who warned Niobe not to insult Leto, and to ask for forgiveness. Niobe did not. (Statius's Thebaid 7 and Ovid's Metamorphoses 6)

(Dante's Inferno places her in the eighth circle of hell, and let me just say- what the FUCK Dante! What did Manto ever do to you, huh??!! Don't do my girl dirty!!)

Parthenope: granddaughter of a river god. Mothered Lycomedes by Apollo (Pausanius's Descriptions of Greece 4.1)

Phthia: prophetess. called "beloved of Apollo". Mother three kings by him; Dorus, Laodocus, & Polypoetes (Apollodorus's Bibliotheca 1.7.6)

Procleia: Mother of Tenes, son of Apollo, who was killed by Achilles before the Trojan War. Daughter of King Laomedon, king of Troy. (Apollodorus's Epitome 3. 26)

Helenus: prince of Troy. Received from Apollo an ivory bow which he used to wound Achilles in the hand. (Photius's 'Bibliotheca excerpts')

Hippolytus of Sicyon: called "beloved of Apollo" in Plutarch's Life of Numa. I don't think this guy is the same as Hippolytus, son of Zeuxippus (son of Apollo), king of Sicyon Pausanias talks about in his Description of Greece. That would be a little weird taking the whole family tree into account - though it's never stopped other gods before. *shrug*

Psamathe: nereid, said to be the personification of the sand of the sea-shore. (Conon's Narrationes 19)

She and Apollo were lovers, but never had any kids. When another man assaulted her, she had a son and abandoned him.

(He was found by some shepherds dw - wait, he was then torn apart by dogs. Nevermind.)

Back to her, her father ordered for her to be executed and Apollo avenged her death by sending a plague onto Argos and refused to stop it until Psamathe and Phocus/Linus (her son) were properly given honors.

(I really like how even though Linus isn't Apollo's kid, and that Psamathe wanted nothing to do with the kid, Apollo still considered him worth avenging too <3 )

Okay, in a previous incarnation of this post, I said there was a version where she is raped by Apollo...however, I can't find any sources to back it up😅 Even her wiki page doesn't mention rape, and Theoi's excerpt of Paunasias's Descriptions of Greece about her doesn't either.

So where did I hear about this supposed version? (Don't shoot)

Youtube. A youtube video about Apollo. Yeah...

Lesson, kids! Don't trust youtube videos on mythology! Yes, even if they dedicated lots of time to it! They can still get things wrong! In fact, don't even take my word for it! Do your own research <3

Alright. 34 lovers here.

5 Male. 29 Female.

33 are 100% consensual. Creusa is questionable, depending on who's translating/which tradition you go with.

Lovers Who Died:

Hyacinthus*: mortal prince. we all know this one, right? Right? one and only true love turned into flower (okay that's my bias speaking but AM I WRONG?) (Plutarch's Life of Numa, 4.5; Philostratus the younger's Imagines; Pseudo-Apollodorus's Bibliotheca 1.3.3; Ovid's Metamorphoses 10.162–219; Bion's Poems 11; and various pieces of art)

Cyparissus: mortal. his DEER DIED and he asked Apollo to let him MOURN FOREVER so he was turned into a cypress tree (Ovid's Metamorphoses X 106ff)

Coronis: mortal princess. cheated on Apollo w/h Ischys, who in Fabulae was killed by Zeus. mother of Asclepius. killed by Artemis. (Pindar's Pythian Odes 3.5; Pausanias's Descriptions of Greece 2.26.6; Hyginus's Fabulae 202; Ovid's Metamorphoses 2.536 and 2.596; Hyginus's De Astronomica 2.40; Isyllus's Hymn to Asclepius 128.37 ff.)

There is another version of Asclepius's birth given by Pausanias in Descriptions of Greece 2.26.1-7, where Coronis exposes him on a mountain and Apollo takes him in.

Adonis: yes, THAT Adonis. he's in this category because. well. he died. rip (Ptolemy Hephaestion's New History Book 5)

Phorbas: Okay so Apollo's lover Phorbas and another Phorbas sometimes get mashed together so this is what I was able to gather.

Plutarch's Life of Numa 4.5 and Hyginus's De Astronomia 2.14.5 cites Phorbas as Apollo's lover. The other Phorbas is said to be a rival to Apollo in the Homeric Hymn to Apollo. Personally, I separate the two because it makes more sense with Phorbas the lover's overall story.

Here it is: The island of Rhodes fell victim to a plague of dragons or serpents, and the oracle said to summon Phorbas for help. He defeated the infestation, and after he died, Apollo asked Zeus to place him in the stars, and so Phorbas became the constellation Serpentarius, also known more widely as Ophiuchus (a man holding a serpent).

FORGET ORION AND HIS ONE-OFF MENTION OF BEING DIANA'S LOVER HERE IS A CONSTELLATION TRAGIC LOVE STORY!!!!!

(*Hyacinthus was resurrected, as celebrated in the Hyacinthia festival in Sparta. Nonnus's Dionysiaca 19.102 and Pausanias's Descriptions of Greece 3.19.4 supports this belief as well.)

5 lovers.

4 Male. 1 Female. All consensual.

Sidenote: QUIT BURYING THE GAYS GREECE!!!!

Love-Interests Who Rejected & Died:

Daphne: do i nEED to say anything? Nymph. turned into tree to escape.

Daphne and Apollo actually go back a bit. Their story was used to explain why the laurel was so sacred to Apollo. It's in Delphi, Branchus planted laurel trees around the temple he built to Apollo, the laurel was even sacred to Apollo's historical forebearer Apulu, an Etruscan god! (I have sources to back this up :3 along with an Essay.)

Apollo & Daphne first originate from Phylarchus, but we do not have any of his work :( It's been lost to history...a moment of silence RIP. He was a contemporary in the 3rd century BC/BCE (first day of 300 BC/BCE and last day of 201 BC/BCE).

He was, however, cited as a source in Parthenius's Erotica Pathemata, written sometime in the 1 century AD/CE (sometime between 66 BC/BCE and the author's death in 14 AD/CE).

Then they show up again in Pausanias's Descriptions of Greece, written between 150 AD/CE and 170 AD/CE.

Hyginus wrote his Fabulae sometime before Ovid's because it's widely criticized to be his earliest work and Ovid wrote his Metamorphoses in 8 AD/CE.

The first two versions are roughly the same, and Ovid's shares similarities with the first in only the ending. Hyginus is basically like Ovid's but without Eros.

So in publication order, it's; Erotica Pathemata, Fabulae, Metamorphoses, then Descrip. of Greece.

In Erotica Pathemata, Daphne is the daughter of Amyclas and is being courted by Leucippus. She is not interested in any sort of romance. Leucippus disguises himself as a girl to get close to her, but his ruse is revealed when Apollo nudges Daphne and her attendants into taking a bath in the river. Leucippus is consequently killed.

Apollo then becomes interested and Daphne runs away, imploring Zeus that "she might be translated away from mortal sight", and is transformed into the laurel tree.

In Fabulae, Daphne's story is a bit more familiar. She's the daughter of Peneus, the river god, and Gaea is the one who transforms her into a laurel tree.

In Metamorphoses, Eros is added to the story and is the reason why Apollo is so enamored and Daphne is so repulsed.

(I would just like to say that in this version, it was 100% nonconsensual for both of them! And I don't mean with rape- Apollo never touches Daphne in any of these version. What I mean here is that Eros maliciously makes Apollo chase down a woman and makes sure Daphne would be repulsed by him. That is noncon behavior there on both sides.)

In Descriptions of Greece 10.7.8, Daphne is the daughter of Ladon and her and Apollo are only connected by way of why the laurel crown is the victory prize of the Pythian Games. However, in Descriptions of Greece 8.20.2-8.20.4, Daphne and Leucippus make an appearance here too, but Apollo is not the reason why they stop to take a swim and his ruse is revealed, resulting in his death.

Castalia: Nymph. turned into spring to escape.

First things first, Castalia was used to explain the existence of the Castalian Spring in Delphi. However, in the Homeric Hymn to Apollo, the spring is already there when Apollo was born. So there's that to consider first.

Anyway, to escape Apollo's advances, Castalia transforms herself into a spring. (Lactantius Placidus's On Statius's Thebaid 1.698. This was written between Lactantius's lifespan of c. 350 – c. 400 AD/CE, placing it firmly in Roman times.)

2 Interests.

2 Female.

Love-Interests Who Rejected & Cursed

Cassandra: mortal princess. Received the gift of prophecy from Apollo. Due to a broken oath, she was then cursed. (Aeschylus's Agamemnon)

It is only in Roman-era tellings where Cassandra is cursed for not sleeping with Apollo, and there was no oath made (Hyginus & Pseudo-Apollodorus). In Agamemnon, it was done so because of the broken oath- not the refusing to sleep with Apollo thing.

The version where she gains prophetic abilities by way of a snake licking her ears is not part of Greco-Roman literature, but rather by an American poet.

Nevertheless, even after the curse Cassandra still loved Apollo, and called him "god most dear to me" in Eurpides's play The Trojan Women.

1 Interests.

1 Female.

Love-Interests Who Rejected & Lived

Sinope: mortal. there are two different version of her myth.

In Diodorus Siculus's Library of History 4.72.2 and Corinna's Frag. 654, Apollo "seizes" her and they have a son named Syrus.

In Apollonius's Argonautica  2.946-951 and Valerius Flaccus's Argonautica 5.109, it is Zeus who abducts her, but she gets him to promise her anything and requests to remain a virgin. He obliges. Later, Apollo and the river Halys both try to charm her, but fall for the same trick.

Library of History was written between 60-30 BC/BCE, Apollonius's Argonautica between 300 BC/BCE and 201 BC/BCE, and Valerius Flaccus's Argonautica between 70-96 AD/CE, making Apollonius's version the oldest and Valerius Flaccus's the youngest.

Marpessa: mortal princess, granddaughter of Ares. Idas, son of Poseidon, kidnapped her and Apollo caught up to them. Zeus had Marpessa chose between them, and she chose Idas, reasoning that she would eventually grow old and Apollo would tire of her. (Homer's The Iliad, 9.557 and Apollodorus's Bibliotheca 1.7.8–9)

Bolina: mortal. Apollo approached her and she flung herself off a cliff. He turned her into a nymph to save her life. (Pausanias's Description of Greece 7.23.4)

Ocroe/Okyrrhoe: nymph and daughter of a river god. asked a boatman to take her home after Apollo approached her. Apollo ended up turning the boat to stone and the seafarer into a fish. (Athenaeus's The Deipnosophists 7.283 E [citing The Founding of Naucratis by Apollonius Rhodius]. The Deipnosophists was written in the early 3rd century AD, between 201 AD and 300 AD)

Sibyl of Cumae: mortal seer. promised to date Apollo if she was given longevity as long as the amount of sand in her hand. he did, but she refused him. (Ovid's Metamorphoses 14)

5 Interests. All female.

Okyrrhoe's story is the only one with any iffy stuff, although, when something iffy does occur, the text usually says so outright.

Rejected by Apollo:

Clytie*: Oceanid nymph. turned into a heliotrope to gaze at the sun forever after the rejection.

1 Advance. Female.

(*Clytie's story was originally about her affection for Helios. [Ovid's Metamorphoses 4.192–270; Ovid used Greek sources about the etymology of the names involved, meaning Clytie and Helios go back to Greek times] As Apollo got superimposed over Helios's myths, people have assumed it is he who is the sun god in her myth and not Helios.)

In Conclusion...

59 people total, and 33 of them have Roman-Era roots with (as far as I know!! Don't take my word as gospel truth!!) no relation to Greece except by way of shared mythology.

Here's the list:

Rhoeo

Thero

Hyrie/Thyrie

Dryope

Melia

Aethusa

Acacallis

Chrysothemis

Corycia

Choine

Thyia

Othreis

Stilbe

Syllis

Amphissa

Areia

Queen of Orkhomenos

Hypermnestra

Manto

Parthenope

Phthia

Procleia

Helenus

Hippolytus of Sicyon

Psamathe

Cyparissus

Adonis

Phorbas

Castalia

Sinope

Bolina

Ocroe/Okyrrhoe

Sibyl of Cumae

Meaning, 56%- and really, it's more like 57%, because Clytie is not Apollo's lover at all- of the lovers listed on this post are not entirely Greek in origin (AS FAR AS I KNOW-)! That does not mean ofc that you have to ignore them. I, for one, really like the story of Rhoeo, and Manto, and Psamethe- I find their myths sweet (Rhoeo & Manto) and bittersweet (Psamethe).

Let's get to the calculations now, yeah?

59 people total (Includes Clytie)

48 Women (81%). 11 Men (19%).

19% were Immortal (Including Lovers & Rejected)

68% Lived (Including Lovers & Cursed & Rejected)

14% Died (Including Lovers & Rejected)

1% were Cursed

2% were Rejected by him

58 people total (Not Including Clytie)

47 Women (81%). 11 Men (19%).

19% were Immortal

69% Lived (Lovers & Cursed & Rejected)

12% Died (Lovers & Rejected)

in that 12%, one was apotheosized - Hyacinthus.

Meaning 10% died permanently, while 2% were resurrected.

2% were Cursed

0% were Rejected by him

Additionally, I left off three male lovers and two female lovers - Atymnius, Leucates, Cinyras, Hecate, & Acantha.

Atymnius has no references to being Apollo's lover, only to Zeus's son Sarpedon. (Wikipedia why do you even have him listed? You need sources smh)

Leucates is another male "lover" left off the rack - apparently he jumped off a cliff to avoid Apollo, but I couldn't find any mythological text to account for it- and no, OSP's wiki page is not a reliable source. There is a cliff named similarly to him where Aphrodite went (by Apollo's advice) to rid herself of her longing for Adonis after his death. Also Zeus uses it to rid himself of his love for Hera before he...well, commits adultery again. 🤷

Cinyras was a priest of Aphrodite on the island of Cyprus. He was also the island's king. Pindar calls him "beloved of Apollo" in his Pythian Ode. However, looking further into Cinyras's life throws a bit of a wrench into it. He's also cited to be a challenger to Apollo's skill, and either Apollo or Mars (Ares) kills him for his hubris.

(honestly, I kinda like the idea that Mars went into Big Brother Mode)

I did consider leaving him on the list, since technically you could argue it was a romance-gone-bad, but among every other source Cinyras is mentioned in, Pindar's the only one who puts a romantic label on him and Apollo.

Plus, he’s been described as a son of Apollo too, and I personally like that more lol

Hecate, the goddess of magic and crossroads, is said to be the mother of Scylla (like, the sea-monster) by Apollo, but Scylla's parentage is one of those "no specific parents" ones, so I left her off the list.

Acantha has absolutely no classical references. There's a plant like her name, but she's made-up, so she doesn't count. *stinkeyes the guy who invented her and claimed his “sources” were reliable when they really aren’t*

(Of course, I could be wrong about any of these. Again, I'm not an expert.)

With all this in mind, this means Apollo's love life actually isn't as tragic as media portrays it, and he isn't as bad as Zeus or Poseidon in the nonconsensual area.

Does he still have those kinds of myths? Yes, with Dryope and Creusa; though, we can discount Creusa because;

1) Depends on who's translating it; and

2) Ion is given different parentage in the Bibliotheca, which yes, came much after Ion, however Xuthus was traditionally considered to be Ion's father rather than Apollo. This means there was probably a different oral tradition on Ion's parentage that just wasn't written down as early as Euripides's was- in fact, it may even just be an invention of Euripides's.

(and honestly Apollo's characterization in Ion just doesn't quite match up with the rest of his appearances in the wider myths (in my opinion, at least))

So that leaves us with just Dryope, who comes from Ovid, a Roman poet, and Antoninus Liberalis, a late Greek one.

Now I'm not saying we should throw her out because of Ovid's whole "wrote the gods even more terribly to criticize Augustus" thing, but it is something to keep in mind. Political mechanics have been used to change myths before, and this is certainly one example of it.

Additionally, I have seen many people discard Dionysus's rapes in the Dionysiaca because of how late it was written, so this one can be given similar treatment if one choses too because of just how late Ovid and Antoninus Liberalis's work was.

You can, in fact, pick and chose if you wish, especially if it'll increase your enjoyment of literature. That's certainly what I do :)

So overall, I'd say Apollo has a rather clean relationship past. He's doing pretty damn good.

Also, I think we should all take note that even if Apollo had noncon myths, that doesn't reflect on the actual god. The Ancient Greeks did not see the myths as "canon" to their gods- in fact, some were not happy with the myths showing the gods in such a light.

That's something else to keep in mind. The gods of the myths are not the gods of Greece, and are more like parables or fables for the Ancient Greeks I'd say. Lessons on morality and such, and of course, warnings against hubris and the like.

This was quite the journey, and I really hope you all enjoyed reading and learning with me! This really makes me wonder- if Apollo's love life is this good, I wonder how misinformed we are on everyone else's? I have no plans on doing Zeus or Poseidon or anyone else (not for a LONG time lol, this took a lot of effort and research!), but if anyone has any idea, or gets inspired to do something like this for any other god, please tag me!! I'd love to see it! :D

And since this was on a previous reblog, here be a meme from a while ago:

[ID: Me Explaining Me. On the left is a girl with her hands up, fingers pinched together, like she's intensely explaining something. The text over her says "Me giving a detailed diatribe about Apollo's love life and how modern media has done him and his lovers dirty". On the right is the girl's mother, wrapped up to her chin in a blanket, with a look on her face that screams "I hear this all the time". The Mother is labeled "My family". /End ID]

suffers in I'm the only mythology nerd in the family

[marvey-sideblog]

"And it just happened to be empty?" "Something like that."

Suits 4x8 "Exposure" Mike returns to Pearson Specter and gets Harvey's old office.

[hyperfixationtimego]

I love you fucked up tv shows I love you gorey movies I love you traumatized characters who perpetuate the cyclical nature of abuse while still managing to remain sympathetic I love you intentionally morally ambiguous media that exists specifically to pose questions about psychology, ethics, and human nature I love you unflinching examinations of what it means to dance the line between acceptable and unacceptable behaviors I love you I love you I love you

[romanticatheartt]

*writing acosf bonus chapter*

Sjm: Okaaaaay so I need to end this ship. What better way to make Elain feel small and shy around him instead of making Elain make the first move to kiss like the rest of my fmcs, he's going to be the one, and then to make it even worse he's going to call it a mistake!! And then when Rhysand asks him "what of Mor?" it would show that Elain, just like Mor is a distraction to him. Oh and make him to think of no future with her... yeah these are all very clear red flags!!!

*some* fandoms: Omg Azriel wants to eat Elain's 😻 so romantic!!! He thinks of her while he jerks off. He's so in love with her and sjm is going to give us forbidden love romance🥰💕

Sjm: I mean I also wrote that his shadows dance with Gwyn's breath and dance with a silent music that *nervous laugh* can only be concluded as mate signs, that's how I wrote other mated couples... oh and he thought of her smile!! Isn't that lovely...

*some* fandom: Gwyn is a siren and lightsinger who lured Azriel to make him stay away from Elain and made him to gift that necklace to her!!!😠

Sjm: *weirded out*

*writing hofas bonus chapter*

Sjm: Well... that sorta back fired??? So now I'm gonna write Azriel saying he has no partner, lover or any mate that he knows of. That will be enough to show how he's single asf. AND on top of that his shadows danced again while he hummed a music and who else sings? Yes, Gwyn. Who's the only one Azriel was comfortable enough to say something personal about himself and no one else!!

*some* fandoms: OMG Azriel doesn't want to tell anyone that he's secretly seeing Elain, he wants to protect her. Ah we're getting our forbbien romance!!

Me:

[ricky-mortis]

S1 Pulp Musicals Gang my beloved

[lauraneedstochill]

Make a move

summary: you think Aemond is too arrogant to woo you, but he’s got some tricks up his sleeve. pairing: Aemond Targaryen x F!Reader words: ~ 6000 warnings: a bit of bickering and teasing, it gets slightly heated (Aemond has a praise kink, but I doubt anyone is surprised), mostly it’s just silly fluff author’s note: this was inspired by “Crazy, stupid, love”, particularly the scene where Emma kisses Ryan (one of my favorite on-screen kisses!) and everything that follows. I recently rewatched the movie and had an idea for this story (also, I may or may not have a thing for men’s hands... you’ve been warned)

You keep mindlessly tapping your fingers on the wooden table, your cup of wine untouched. You don’t really notice the movement, too wrapped up in your thoughts, until your friend Margaret sneers.

“If you don’t stop, I might bite your hand off,” she says, sitting across the table.

“Then I’ll use the other one,” you huff but pause your fidgeting. “Better bite my head off, it will do us both more good.”

“But I like your head very much,” she pouts. “Is this about Thomas again?”

You groan, hiding your face in your hands and thinking back to the conversation you had earlier today with said man. Your emotions are a mix of annoyance and embarrassment as you can’t stop thinking about his words.

“He said the meeting will be of great importance. What if he...? You know,” you mutter, and Margaret huffs.

“I hope he won’t.”

“Hey, you are supposed to be my friend!” you playfully pinch her hand, and she fakes a gasp.

“I am your friend. And as your friend, I think you deserve way more than that sad excuse of a man,” her face gets serious for a second, and you feel your smile waver.

“Mar, you know I don’t have much of a choice,” you breathe out, and your heart sinks at the thought. “He isn’t that bad, really. He’s always been kind to me.”

“Sounds like every girl's dream,” she rolls her eyes. “And you want to settle down for a kind man? Nothing else?”

“What do you think my options are? Please, enlighten me since I’m clearly missing something,” you cross arms on your chest. You know she’s right and she means good, but your frustration gets the best of you.

Luckily, Margaret catches it and gives you a sympathetic smile.

“All I’m saying is that for as long as I can remember you’ve always dreamt of something more,” she extends her hand across the table and lightly squeezes yours. “We’ve been friends since we were little kids, and you are the most loving person out of everyone I know. Should I remind you who taught me how to dance? Protected me against my idiot brothers?” you giggle at the memory. “You’ve got an adventurous spirit and a heart of gold. You deserve an epic love story,” there’s a hint of sadness in her voice.

For a minute you sink into your thoughts again.

“And you think Thomas is not the one?” you sigh.

“He’s epically boring at best,” Margaret takes a sip out of her cup. “I know he’s not the one — and you do, too.”

“My parents approve of him,” you try to argue, but she’s quick to object.

“They only care about your approval. And they mistakenly took your lack of protest for it,” Margaret gives you a gloomy look.

“You are aware that I can’t wait forever, right? I’m not getting any younger.”

“Nor smarter,” she snickers.

“Not everyone is lucky to meet the love of their life at the age of ten-and-two,” you frown. Margaret and Jamie got married three years ago, but they have been betrothed for seven prior to that.

“Fair,” she beams, and you can’t stay irritated for long. They are still ridiculously in love with each other, and you are really happy for her. You just wish to feel that, too. You crave that indescribable feeling of longing and wanting and caring for someone else — and being loved just as much in return.

“Maybe the concept of love is overrated,” you ramble. “It was easy to believe in when I was a kid but... As I am growing older, it’s getting harder to cling to hope, I guess. And I’m trying to make an effort and meet new people and... to show just enough character to not scare them away,” you quote your mother. “Yet all of them just make me feel nothing. At all. And I—” you realize that Margaret isn’t listening, her gaze is on something else behind your back. “Hey, I’m pouring out my heart of gold,” you hiss, and her sight shifts to you.

Before you can question her behavior, she informs. “Someone’s been keeping an eye on you.”

“Margaret, I’m trying to have a serious conversation about my future,” you fight the urge to turn around.

“Maybe this is your future!” she winks, and you grunt at her silliness.

“We are in a tavern out of all places! I’d rather take a kind man as my betrothed than a drunk one,” you’re about to scold her, but your friend’s eyes go wide.

“His hair,” her voice is barely above the whisper. “I can make out the strands of silver,” Margaret slightly leans towards you. “You know what that means?”

“That you had too much wine? Mayhaps we should head home,” you suggest, but your friend protests.

“Sit down!” she shushes. “He is coming over here,” Margaret puts on a smile that looks painfully forged. The never-ending chattering of people around you makes your head hurt, and you’re too tired to play along.

“Mar, it’s been a long day, and the last thing I want is to waste my time entertaining some man’s arrogance and...,” you don’t get to finish because he interrupts your train of thought. 

“What if a man entertains you?” his voice is low and cocky. You close your eyes for a second, taking a deep breath. You don’t want to make a scene in a public place so you pull yourself together, thinking that you can talk your way out of this ridiculous situation.

But when you turn to him, your eyes meeting his, your plan is suddenly forgotten.

He is taller than you, a black cloak covering most of his body and his head, so your attention is naturally drawn to his face. He wears an eyepatch, and you look over his sharp features — his prominent nose, high cheekbones that flow down to the curved contour of lips, plump and alluring. Margaret was right about the hair, but she failed to mention the color of his eye. Taking that into account, it’s not hard to guess that he’s a Targaryen. Which means that he definitely is arrogant.

Well, two can play that game.

You ignore his question and pointedly don’t stand up in his presence.

“To what do we owe the pleasure of your company?”

“I believe the pleasure is all mine,” he is only looking at you.

“We just met, you should not jump to conclusions,” you feel Margaret kicking your leg under the table but dismiss her warning.

“Sharp tongue,” he notes.

“Will this be a problem?” you challenge him.

“On the contrary,” it sounds like he’s actually enjoying it.

It is tricky to read his intentions. But when his gaze is concentrated on you, it makes you feel like there’s no one else in the room, and that sensation is thrilling.

“What brings you here, if I may ask?” you press, trying to ignore the unknown feeling creeping up on you.

“It is a nice tavern, wouldn’t you say so? Since you are here, too.” 

“No, I mean what brings you to our table. There are plenty of others you could’ve graced with your presence.”

“Something must’ve caught my eye,” he says, and you see a hint of a smile on his lips.

“Some thing? Well, the interior isn’t very eye-catching if you ask me. But we might have to disagree on that.”

“You aren’t being very agreeable, it seems.”

“That’s what servants are for, and I’m not one,” you’re being defiant yet it doesn’t bother him.

“Please, do tell me more about yourself,” he swiftly pulls up a nearby chair and sits right next to you, his eye never leaving your face.

“Should you pull another one? For your ego, since it takes quite a lot of space.”

He squints at your words, and the corners of his mouth turn into a grin.

“I think we have that in common,” he bites back, but there’s no anger in his voice. If anything, the man looks curious, and you have to admit that you don’t take offense at his wit.

“Are there any other far-reaching conclusions that you managed to come up to?” you turn your body to him, so now you two are opposite each other.

“I only got here a few minutes ago. But I am a great observer should you give me a little more time.”

“Am I supposed to take your word for it? You are not as convincing as you think,” you impugn, so he pauses briefly.

“You don’t trust people easily, do you? How’s that for an observation,” his voice gets quiet, but his gaze is piercing.

“Men,” you correct him. “I don’t trust men.”

“Any of them dared to break your trust?” he gets a little closer, and you instinctively gravitate toward him.

“That would’ve required them to gain my trust first,” you retort.

“And what would it take for me to do so?”

“Do you expect me to make it easy? That’s not very observant of you,” your grin matches his own.

“Nothing good comes easy,” he murmurs, and you involuntarily lay your eyes on his lips. “But I expect it to be worth it.”

You feel a pull toward him, something that’s hard to describe but oh so natural to give into. His confidence isn’t intimidating but rather attractive, and you can’t help but notice how his gaze warms up your whole body. He makes you feel wanted without even doing anything.

But then you think of Thomas. Of the upcoming meeting and your future that depends on it. And you know you can’t throw it all away for some silly conversation with a self-confident stranger. No matter how enjoyable it seems to be.

You bite your lip and look away from him.

“That is enough entertainment for today,” you put some distance between you two. When you give him a quick glance, you catch a shadow of disappointment on his face.

“Didn’t take you for a quitter,” the blond comments.

“You should manage your expectations.”

“Maybe I should manage yours,” he has some nerve. 

“That would be very time-consuming,” you suddenly realize that he’s sitting in your way, and it looks like he isn’t going to move.

“Are you in a rush?”

“I am” — “She isn’t,” you and Margaret say at the same time. You feel your cheeks heating up as you give her a death stare.

“Has anyone told you that you look charming when you are embarrassed?” he remarks, and you want to wipe the smirk off his face. Preferably with your lips. You mentally scold yourself and push that thought away.

“Does this usually work for you?” you get up, thinking of a way out.

“You tell me,” he leans back on his chair with a shit-eating grin on his face, clearly aware that he's blocking your exit.

“Cornering women in taverns is your way of courting?” you think how to distract him, but nothing springs to mind. “And then what, you just drag them into your man cave?”

“They come voluntarily,” it looks like your words struck a chord, but he keeps up the facade of indifference. “I happen to live nearby,” he notes casually.

“We both know that’s not exactly true,” you scoff with a tilt of your head. You are positive that the walk to the castle will take at least thirty minutes.

“Want to bet?” he sits up straight.

“And what do I get out of this?”

He looks you up and down before answering:

“Me.”

He’s pushing his luck at this point.

You glance around and take note that the tavern is packed with people, and no one is paying attention to you. You also realize that Margaret already sneaked out and is standing at the door. She raises an eyebrow with a silent question, as if asking what are you going to do.

That’s when you decide you can push some boundaries, too.

Your eyes are back on the man in front of you. Without giving it a second thought, you step closer to him.

“Was that supposed to make me weak in the knees?” you whisper, and his face expression melts into an amused one. Seizing the moment, you yank your dress up and throw a leg over him. He immediately looks down at the exposed skin of your thigh, his mouth is slightly agape as he’s now sitting between your legs. You see him tensing up, his fingers clenching into fists as if he’s fighting the urge to put his hands on you. You think that if he does, you are not going anywhere. You wouldn’t want to go anywhere — the realization makes you tremble, and you know that you don’t have much time.

You boldly place your hand on his shoulder, pressing him back onto the chair.

“I hate to break it to you, but you are not that impressive,” you say, throwing your other leg over him and successfully moving away.

When you get to the door, the look on Margaret’s face is priceless. You grab her by the arm and drag her outside in a hurry, merging into the crowd of passers-by.

“I need you to explain what the h—” she starts, but you interrupt her.

“Please, don’t,” you snarl. “Don’t say anything, just give me five minutes.”

You can’t even explain to yourself what happened back there and why you did that. You think of his gaze roaming over your body, the depth of his voice and the curves of his lips. You tell yourself that you need to get him out of your head as soon as possible. You fail miserably.

One week later, you are dining with Thomas at his house, and yet your mind wanders back to the arrogant one-eyed man. Aemond, as you’ve learned — and it wasn’t that you wanted to, but fate had other plans.

And by fate, you mean Margaret.

Once her five minutes were up, she couldn’t stop talking. By the time you came home, you got his whole backstory — the second-born son of the King, has two brothers and two sisters, rides the biggest dragon in the world. Overly confident, stubborn, wears an eyepatch because he doesn’t want to scare the ladies of the court. Usually doesn’t talk much.

Unlike Thomas who gathered his whole family and can’t stop blabbing. You struggle to participate in their conversation, giving polite smiles left and right. You don’t know what to expect of the evening, and it makes you nervous. And not in a good way. All of a sudden the possibility of marrying Thomas doesn’t seem to be the best.

From the corner of your eye, you catch him standing up, clearly readying himself for a speech. He has a manner of pursing his lips every time he’s agitated, and it looks weird. That’s also how it felt when he kissed you, which is probably the reason you haven’t done much kissing after that. You wonder what it’s like to kiss Aemond. Just thinking of it makes your heart rate speed up, and you nervously gulp half a cup of wine.

“I gathered all of you today to make an important announcement,” he starts his pompous monologue, “that may not come as a surprise to some of you.”

You cautiously look at the door.

“But, as of recently, I received inspiration to change the course of my life. And I decided to devote myself to the service of Gods.”

You nearly choke on your drink. In all the years you’ve known Thomas, he’s never been to the Sept once.

“And I wanted to grant you this privilege to be the first ones to know.”

You’ve got to be kidding me. You wait for any other announcements — literally anything else — but Thomas goes back to chattering, also accepting pointless congratulations. It takes you ten painfully long minutes to get a chance to talk to him alone.

“May I have a word?” you inquire, and the two of you move to the far end of the room.

“It is about your speech,” you clarify. “It might sound silly, but I thought that you were planning... Um,” you’re trying to formulate your concerns. “I was wondering, how would you describe our relationship? Or the prospect of it, I should say,” you give him a tight smile.

“Oh,” his face pales slightly.

Your facial expression mirrors his. Oh?

“I am actually glad you asked,” he awkwardly takes your hands in his, and you notice how sweaty his palms are.

“You know, you’ve been a great companion of mine,” his voice is as weak as his smile. “And I am forever grateful for those moments that we shared as they only brought me joy,” his hands feel like jelly, and you don’t want to hold them. Like, ever. “But now that I’m choosing to follow my destiny,” you do your best to suppress a chuckle at his dramatic phrasing. “I decided that... I need some time to figure out how I feel. About us.”

You look at him, dumbfounded, his words sinking in.

“You need... some time?” you drawl, feeling an emotion bubbling up in your chest. You are not sure what it is. “You? Need to think about us?” you repeat, and he nods, his brows furrowed at your reaction.

There is a moment of silence, and then you hear yourself laughing. You can’t control it as you’re overcome with emotion, your laughter only growing stronger, to the point of you tearing up a bit. The emotion is relief. There’s no way you’ll ever marry this man.

“I am the one who should be glad, Thomas,” you shake his hand while he seems wildly perplexed, all of his guests staring at you. “Thank you for your honesty, really. I hope you will be successful in all your endeavors, marriage included.”

He opens his mouth to say something, but you already turned around.

“Where are you going?!”

You stop for a second, your thoughts rushing back to the conversation with Margaret. To that evening in the tavern.

“I have a meeting, it’s of great importance,” you say and quicken your pace. You reach the tavern when it’s already getting dark, the weather is cloudy, and your coat is wet in the light drizzle. You walk in a daze as you’re torn between being excited and anxious. There is a chance that Aemond won’t be there. That he doesn’t remember you. That he’s with someone else. That he had a change of heart. That he...

You spot him almost immediately after you walk in.

Coincidentally or not, he’s sitting at the exact same table you were at the first time you met. You stay still as his eye absentmindedly wanders around the room and then lands on you. Aemond stands up — way too quickly — and you see a well-known grin growing on his face. Your eyes dart to his lips, and the question pops up in your head again.

You feel the pull — and before you can think, your body follows it.

He keeps his gaze on you, his brows rising at the speed of your approach. You cover the distance in a heartbeat, your hands reaching his face, and he slightly flinches, probably because your fingers are cold from being outside. And then you stand on your tiptoes and crash your lips onto his without any hesitation.

He gasps, surprised and frozen for a moment. It takes just a couple of seconds for him to melt into the kiss, and his hands are instantly on your waist, pulling you closer to him. Aemond’s lips are way softer than you anticipated — and it’s the only thing on your mind. His mouth on yours, warm and exploring, the slow pacing of the kiss that leaves you lightheaded and yearning for more.

He presses your body into his, lifting you up with ease, and your feet leave the ground. You tug his hood further down so it covers most of your face, too, and then you slide your thumb up the sharp line of his jaw. His tongue runs over your lower lip, and you feel a wave of heat rising in your stomach.

You pull away before you can take it too far.

“You remember me?” you ask him, panting.

He hums, his eye focused on your lips.

“Still believe that nothing good comes easy?” you mimic his words, but he ignores your jesting.

“Definitely,” Aemond looks you in the eyes, keeping his hands on your waist.

“Is the bet still on?”

“Yes,” the corners of his mouth curl.

“Lead the way, then.” By the time you reach the castle, the rain is pouring in full force, and your clothes are drenched. The two of you rush through the streets, your hands intertwined, and it feels like it only takes about ten minutes before you sneak into his chambers, both out of breath and giggling.

Only when you take a look around the unfamiliar settings, it suddenly dawns on you that you are all alone with a man you barely know, and your bravery starts fading away.

Whether Aemond notices the change in your mood or not, you can’t tell, but he respectfully keeps his distance.

“You need to get out of these,” he points at your coat and dress. “They’re soaking wet.”

“Is this your way of trying to get me naked?” you eye him suspiciously, making Aemond scoff.

“I just don’t want you to catch a cold,” he honestly states. “I’ll fetch you a shirt of mine.” Sensing your doubts, he adds, “Don’t worry, it is long enough.”

He brings you the shirt and politely turns away, going to the other end of the room to light the fireplace. On his way there, he removes the cloak and the jacket, his upper body only covered by the same piece of clothing he gave you. You watch him carefully, noting the movement of his back muscles as he bends down.

The sparkling glow of fire brings you back to reality, and you hastily remove your clothes, leaving the undergarments on, which are luckily dry. You put on his shirt, and it barely reaches your knees, but the material feels nice and comfortable. While Aemond is still busy with the fire, you glance over his room.

It’s spacious and simply furnished, and your attention is drawn to a couple of shelves nearby. You look at the tightly packed rows of books, some of the hardcovers are worn out from old age. You catch the familiar naming and pull one of them out, gently flipping through the pages.

“You take interest in philosophy?” his voice startles you. You missed the moment he came back, and when you take your eyes off the book, you see him leaning on the nearest shelf, looking at you inquisitively.

“I do, indeed,” you confess. “And I read this one so many times, my own copy pretty much fell apart.”

“You can take mine,” Aemond offers.

You notice that despite his cockiness, his presence is actually very calming. Everything is easy with him — striking up conversations, making jokes. Taking his hand in yours, running in the rain. Kissing.

Your heart skips a beat, and you sheepishly move on to another topic:

“Shouldn’t you change as well?” you refer to his shirt, but he shakes his head.

“No need.”

“Oh, was it the Targaryen’s dragon blood that helped you dry up?” you tend to jest when you’re nervous, and right now is no exception.

“My cloak is too thick for the water to soak through. But I like your version, too,” his lips ripple into a smile.

You can help but smile back. “Thank you for the shirt.”

“It looks really good on you,” the words smoothly roll off his tongue and ignite the familiar burning deep in your core. He keeps his gaze on your face, your eyes locking for a moment.

You look away first, letting out a timid laugh.

“I must admit, I like this way of courting better,” you place the book back. “But you can cut it short. What’s your move?”

“My... move?” Aemond gives you a quizzical look.

“Yes, your big move. Show me,” you request eagerly.

“Don’t know what you're talking about,” he looks down, his aplomb faltering.

“What do you usually do to impress a lady?”

“I don’t really need to do anything,” Aemond shrugs.

“What a humble individual you are,” you chuckle and give him a minute to think. “So what is it?”

“I just told you...,” it seems like he’s trying to dodge the topic, which only sparks your curiosity.

“Oh, come on! You princes always have a move. Let me guess, you speak to her in High Valyrian? Men like to talk big,” he snorts. “No? Try to win her over with your...,” you gesture at his bookshelves, “...precious collection? Although it’s risky because what if she’s not into reading, that would be awkward,” and then it hits you. “Wait, it’s the dragon, isn’t it? You show her your dragon? Got to make sure it’s well-fed, though, otherwise you’ll have a date with a roasted —”

“It’s my sword,” he cuts you off, and you swear you can see him blushing at the confession.

“Um, your sword? Is this a metaphor for someth—”

“Gods, no. I mean the actual sword. The one you grip with your hand and poke people with.”

“That description didn’t help,” you tease, and he groans.

“You know what I mean,” Aemond gives you a pointed look, but his face flushed pink, and you can’t take him seriously.

“I do, you just look really charming when you are embarrassed,” you say cheekily, which makes him huff. “My apologies. Please elaborate on the sword. How does it work?”

Aemond hesitates but then realizes that you will never let it go, so he gives in.

“I bring my training into the conversation. And then I... show them,” he talks with his hands when he’s uncomfortable, and you find it endearing.

“And that’s it?”

“Pretty much,” Aemond nods.

“They watch you train, and that’s what does it for the ladies?”

“I don’t know why, I never gave it much thought.”

“Well, someone should. Can’t imagine it ever working on me.”

You feel a sudden shift in the air as Aemond slowly looks up at you. You’re standing a few feet apart, and he’s yet to initiate anything, but once again, it only takes a look from him for you to feel a familiar flare-up of the tantalizing desire.

“I’m not going to take you to the training yard in the pouring rain,” he concludes.

“But it’s not about the place, is it? Must be something about you,” now you’re the one champing at the bit to see what the fuss is all about.

“I don’t have a sword on me.”

“Opt for something smaller, I am sure it will do,” you hint at the dagger that you’ve seen him carry, and wait expectantly for him to agree.

Aemond reluctantly contemplates your suggestion, then sighs and goes to get his dagger which he left next to the cloak.

You wonder if the ladies are attracted to his competitive spirit. If they enjoy the feeling of danger they get at the sight of steel, the cold shine of it, the clang of swords. Or maybe it’s the urge to take sides and root for the winner?

And then you see Aemond rolling up the sleeves of his shirt, — and your breath suddenly hitches.

The room is lit by fire, the warmth of it illuminating his skin, casting shadows that frame every muscle of his arms. He takes the dagger in one hand, the movement fast and honed, and your eyes follow it. You notice the scattering of his veins that go down his wrist and into his palm, the blue lines tightening with every swirl. The silver blade catches and reflects the light, but you are focused solely on his flexing muscles.

He’s maneuvering the dagger with ease, almost carelessly, yet you know that every motion is well-practiced through years of training. His long fingers grip the hilt, revealing the sharp outline of his knuckles. The steel silently cuts through the air, again and again, but your eyes are glued to his hands. The way they move, the power that he holds in them. The things he can do with them, with his fingers. The way they will feel on your bare skin and in your... You swallow, letting out a shuddered breath.

“Are you weak in the knees yet?” his words bring you out of your trance, and you blink a couple of times, trying to shake the feeling off. Your body is so heated, you’re surprised you are not sweating yet.

“Is this the point when the ladies throw themselves at you?” your voice is hoarse, and you take a deep breath in an attempt to calm yourself.

Aemond stops his movements. You feel your skin tingling with anticipation, waiting for him to finish what he started, but he doesn’t budge. For a short while, you’re taken aback by the change in his demeanor — and the realization strikes you.

“Wait, how many ladies were here before me?”

“I never said I take them here,” he puts the dagger back in its sheath, averting his gaze.

“But you told me that you do your... thing with the sword for them.”

“In the training yard, with other people around us, yes.”

“So then you just leave them all hot and bothered? Aemond, that is cruel,” his actions confuse you, but while you’re looking for an explanation, he turns back to you and finally meets your gaze.

“It would’ve been cruel to lead them on when I feel nothing for them,” he reveals, and you discern the raw honesty in his words. And you know exactly what he means. It’s the tiresome attempts to find someone who will spark your interest, to spot a connection, all of those efforts leading nowhere and making you feel like you’re the one at fault. But you aren’t — and he isn’t, either.

Aemond looks almost ashamed of letting out something so personal, but you welcome the intimacy of this moment.

“I shall consider myself lucky, then,” you say softly.

He gives you that same look that makes you feel like the world around you disappears.

“You are... something else,” Aemond mumbles.

You guess that he isn’t used to being straightforward about his feelings, nor does he know how to express his affection with words. You really, really want to kiss him again.

The boyish grin reappears on his face.

“Did you mean I left you all hot and bothered?” Aemond narrows his eye.

“I never said that,” you smile coyly. “Maybe you should’ve tried a little harder.”

“I happen to have some tricks up my sleeve,” he takes a step towards you and, before you can ask for details, you feel his fingers on your ribs as he starts tickling you, and you immediately burst into laughter.

His touches are light, fingers grazing against your clothed skin as he subtly moves you further into the room until your legs bump into his bed. Losing your balance, you fall on it, your back met with the fluffiness of thick blankets. Aemond hovers over you, and you can’t stop giggling, trying to wiggle away from his tickles.

Wrapped up in the moment, you make a careless move, your hand brushing up his cheek — and you suddenly see a bright gleam of blue on the right side of his face.

Aemond freezes at the spot, halting his actions, and momentarily flinches away. You are gawking at the sapphire, unable to form a coherent sentence.

He makes a move to fix his eyepatch, but you stop him.

“Don’t,” you catch his hand mid-air, your grip delicate but firm, and he doesn’t fight it. You would’ve been surprised by your own quick reaction if only your mind wasn’t completely occupied with the sight in front of you.

It looks like the gem absorbs all the light in the room, shimmering with various shades of blue. It’s cut in a way to imitate a surface of an eye, the sides of the sapphire polished and blending into each other. There is a depth to it, bright sparkles drowning in a color that’s close to black, and the spillovers are mesmerizing.

You bring your hand closer to his face, to the area that’s been left covered and unloved, and touch the skin with the tip of your finger. He lets you.

“Wow,” you breathe out, gently tracing his scar. “This is the most badass thing I’ve ever seen.”

Aemond looks at you in disbelief, his eye fixed on your face, and his lips parted.

“...What?” he manages to ask.

“You look like a pirate. A really badass... sky pirate?” you suggest, and he lets out a light chuckle, still not entirely sure he believes you.

So you shamelessly continue.

“A pirate with his own dragon. The largest one in the Seven Kingdoms as I’ve heard,” you can almost feel him swelling with pride. “He charms the ladies with his fighting skills — and has a gem for an eye? Incredibly irresistible,” your index finger circles the area around his sapphire.

He listens attentively, holding his breath.

“A prince who is as good with his sword as he is with his wit, fond of reading and isn’t averse to mischief. Any lady of the court would’ve been fortunate to get a hold of such treasure,” you remove the eyepatch and tenderly cradle his face. “Yet I am the one who’s been honored to see all of him,” you glance from the bright gemstone to his eye and back. “Honestly, it’s kind of hard to pick which one I like more...,” you are barely able to notice him sharply lower his head, and your words die down.

Without a warning, Aemond covers your lips with his, the intensity of the kiss pulling the air out of your lungs right away. He’s been holding back the first time, but he isn’t now, and the passion sets you ablaze. His tongue slips into your mouth, easily tangling with yours, and you moan at the contact. Aemond skilfully unbuttons your shirt, and the second his fingers touch your skin, you shiver, the quivering sensation washing over you. His hands slowly slide down your ribcage, tracing the curves of your body, making your back arch, your chest flush against his, your heart pounding. He contours the bend of your hips, then presses his palms there, his touches rough, claiming, burning. You move your fingers up the base of his neck and run them through his hair, and he releases a shaky sigh. Aemond relishes in the feeling of your compliance, the fervor of it, your body being so needy and welcoming, until you are both gasping for air.

“Was that impressive enough?” he rasps, and you look up at him through your lashes, spellbound and breathless. His pupil is dilated, gaze clouded with lust, your noses adjoin.

“Yeah-yes. Yes, very,” you utter, at a loss for words.

“Good. Because I’m about to outdo myself,” he tightens his grip on your thighs, picking you up and moving into the middle of the bed. Your head barely touches the pillow when his lips are on yours again.

🔥 my masterlist

English is not my first language, so feel free to message me if you spot any major mistakes