#not even good cheating

[carpe-mamilia]

AI often confidently hallucinates references that are inaccurate or completely made up.

(via the author, at the Ex Bird place)

[homkamiro]

Heavy language

[aardvaark]

the leverage team would have had a games night… once. everyone cheated so much and in such increasingly extreme ways that all mentions of monopoly are banned in their headquarters (this makes talking about marks who monopolize the market very confusing)

[lobotomy-lady]

this has all got to be a psyop right

[specialgradefckr]

thinking about satoru x reader cheating fic, but satoru is cheating on his partner with you. specifically... homewrecker!reader.

WALK WITH ME. WALK. with me. see the vision.

you're not a great person in a general sense. your type is hot guys, yes, but more specifically your type is taken guys. the more taken, the better.

and hey! you don't push men who say "sorry, i'm married" or "sorry, i have a girlfriend".

if they turn you down, that's fine! you're way too hot to chase after a guy, taken or otherwise.

in a way, it's a public service. you get some hot dude who's totally thrilled to be with you, and if you do get the opportunity, you rat them out to their partners without a second thought.

you're not the "affair" type, really. just a one-night stand. no man who'd cheat on his woman is worth anything more than being fucked and discarded, anyways, no matter how hot.

but you like them hot. oh, you do like them hot.

when you spy satoru gojo, the absolute vision that he is, with a ring on his finger, alone at a bar - well. your panties are already soaking.

you expected him to bring you home.

you didn't expect his equally hot husband to be waiting for both of you, stroking his dick and drinking his wine, smiling when you step through the door.

even less expected is the lock clicking behind you, the smiles that grow all too sinister.

the invisible - god, you don't know what to call it, a limb, or what - it pulls you in, stumbling.

when gojo wraps an arm around you from behind, it feels like a cage.

the dark eyes of the husband of the man you planned to fuck peer into you. unbothered. amused.

"you've brought home a nice one this time, darling."

you're starting to think you're a little out of your league.

[starry-bi-sky]

Danyal Al Ghul: Incorrect Quotes and Miscellaneous Thoughts

Incorrect quotes-style snippets specifically for my danyal al ghul au here (which i really need to come up with a unique au name for atp). Because I thought it'd be funny. And also some miscellaneous headcanons thrown into the mix. Some context for the au: - Danyal is 5 years older than Damian (so 10 and 15) - Danny faked his death when he was 10. Talia knows and helped him with it. - Jazz, Sam, and Tucker do not know he's an ex-assassin.

-------- Snippet 1

Danny, dryly tapping his temple: I have, as the Americans say, irreparable psychological damage, right here.

Jazz, an older sibling first and foremost: well, it's good that you're self-aware.

-------- Snippet 2

Danny, aged 10, in the American foster planning to just age out of the system: *emanating Bad Vibes. Pure, Little Orphan Tom Riddle Energy*

Jazz, aged 12, coming in to adopt a new sibling with her parents: Him. This is my brother now :)

Danny: ...what

--------

Lilo and Stitch is Danny's favorite Disney movie. He watched it when he was 11 with Jazz when she was attempting to connect with him, and by this point Danny was becoming receptive to her efforts. They had a movie marathon in the living room one night.

Safe to say? It resonated with his little 11 year old heart strongly, and he related very strongly with both Nani and Stitch. He got unexpectedly emotional and hid in his room for the rest of the night. Jazz felt really bad, but it had the intended (but kinda unexpected) effect of him trying to be nicer to her afterwards.

-------- Snippet 3

Dash, aged 12, causing trouble again and getting intercepted by Danny: *scaling up a desk* AHHHHH! GET YOUR LITTLE FREAK, FOLEY!

Tucker: Hey! Danny is not a freak!

Dash: GET HIM TO BACK OFF

Tucker, was the kid Dash was messing with: ....whats in it for me

-------- Snippet 4

Danny, saying some questionably immoral shit: What. Why are you looking at me like that.

Tucker: Bro. I mean this as kindly as possible; what the fuck?

Sam: yeah, I'm with Tuck on this one.

-------- Snippet 5

Danny, ranting about Vlad: if it weren't for the laws of this land, I would have slaughtered him

Sam, painting his nails black: I'm pretty sure you'd slaughter him regardless of the laws of the land -- and quit moving, you're gonna mess me up.

Tucker: we've literally seen you debate yourself about this, Dan

Danny: ...you are correct, but it is the principle of things.

-------- Snippet 6

Vlad: I have experience my child, and the money and power attained through using those powers for personal gain, you say. I could train you, teach you everything I know! And all you have to do is renounce that idiot adoptive father of yours.

Danny, was already contemplating committing a Violence: ....

Danny, internally: I'm going to stab him *turns into Phantom*

--------

Funny contrast I realized between Danyal and Vlad that iirc I haven't pointed out yet is that imo, Danyal doesn't rely on his powers nearly half as much as canon Danny does. He falls back instinctually on his League training, and thus sometimes forgets to use his powers in battle. This was prevalent especially early on when he was still getting used to the whole 'halfa' thing.

He incorporates them more often after a year, but still for the most part relies on his own physical hand-to-hand combat. He trusts those skills much more than he does his powers. I'm not sure where he is on a technical level compared to canon, but just to stay safe I'll say he's similar in power skill as canon Danny. Perhaps a little more finessed than him because his League training would probably have him trying to figure out his powers as soon as possible.

But in summary? Danny is strong in hand-to-hand combat, weak in powerset.

Meanwhile Vlad is the opposite. I can't recall if he even knows hand-to-hand in canon, but it makes total sense to me that Vlad Masters wouldn't because he's so confident in his monetary influence and ghost abilities that he sees no need for it.

And he's kinda got some merit behind it. He's very powerful and has 20 years of experience to experiment and fine tune his powers. He's got bite to follow up his bark. He's perfected long-range combat and his ability to phase through walls makes it impossible to corner him, but if you can manage it, then one good hit could probably knock him on his ass.

So in summary, Vlad is strong in powerset, weak in hand-to-hand combat.

And it casts a good contrast between the two of them in that regard. Danny, as a fellow halfa, can follow Vlad when he phases through walls and is fast enough to land a hit on him. His league training as an assassin, albeit rusty, is still deep ingrained enough in him that he can hold up as a rather veritable threat against Vlad without needing his powers.

But Vlad can force Danny to use his powers more often through use of his own. The duplication is the first thing to come to mind: Danny's fast enough to dispel them on his own without powers, and smart enough that he could figure out who the real one is if given a few minute. But that's not always efficient enough.

Good foils for each other that way. Also Vlad's Plasmius design mimics Ra's juuust enough that he looks like Ra's knockoff loser second cousin no one talks about, which only fuels Danny's hatred.

-------- Snippet 7

Danny, ranting about Vlad for the first time: --and it's only made worse by the fact that the little ingrate resembles a cheap knock-off of my grandfather!--

Sam, choking on her water: he what--

Tucker, doing a spittake: HE DOES?

[beware-of-you-98]

“people only like agathario as a ship because of the actresses”

NO actually because do you know how fucking insane the concept of having a character whose soul purpose for even existing is to Lead people to the Afterlife, like that’s literally it. There’s no rules** or feelings or certain way to do things. She literally just IS.

And then suddenly this Character meets This other character who has been rejected by the only people she’s ever known, called a monster and nearly executed by said people. She thinks she’s a fucking monster but Death gets her because that’s the one THING that makes her so alike with this witch:

They aren’t Monsters. They can’t control what they do. They aren’t cruel.

They just are.

Now imagine this character, who has never once in her life has felt Anything because it’s not who she is. She’s not supposed to FEEL things.

But this other character, she makes Death feel for the first time ever: anger, jealousy, longing, anguish, sadness, turmoil and, above all love. And this love LITERALLY humanizes her.

Death isn’t supposed to have a Heart that beats.

And yet, out of this love, comes life.

Death isn’t supposed to be a Mother.

And when Death is doing her job, her Love begs her not to do it. To not do her job.

And, perhaps maybe for the first time ever, Death has a rule she can break.

She can’t NOT take the dead.

She doesn’t take Nicky from Agatha for six years. Nicky was never, ever meant to even exist. But because death broke her own rules, he lived for far longer than he should have.

And then she Had to take him.

And suddenly, for the first time EVER, Death is affected by the loss.

The loss pushes the person to give her Life, humanity and more to hate her. And then she feels guilt, and sorrow, and further down the line, anger and frustration because she can’t Find her.

And when she finally does, she’s at Peace. She’s enjoying herself because her person is here and she’s talking to her and suddenly Death feels whole again.

She’s not supposed to feel.

And, still, when her love dies, Death feels it like she never has before. She cries. She mourns.

She’s not supposed to do anything but be Death, and yet because of Agatha Harkness, Death had become so much more.

And THAT is insane to me.

The fact that agatha and rio are played by two incredibly talented and Stunning actresses is literally just the cherry on the cake.

[huggywuggysuppy]

Gem and Pearl chatted lightly about the WL finale on Pearl's Dec 4th stream (here) and now we know what they meant.

Among references to Pearl's wet catness, at 1:55:30:

Gem: We're both a little bit pathetic in wild life, it's fine.

Pearl: I don't know if you can call yourself pathetic, Gem. I really don't-

Gem: I think-I think I was pathetic yesterday [in the finale.]

Pearl: You reckon?

Gem: I mean I've got like the biggest target on my back ever so it's like doomed, but I think it was a little bit pathetic

Pearl: mmmmm I don't want to spoil anything otherwise I would have a full blown conversation about why you think that. But also I can't. [because spoilers]

So why'd they say all that? Spoiler analysis ahead!

Gem lost her final life to the wildcard all alone at her base, which isn't the most interesting death. Many of the CC's have mentioned that a boring final death sucks -- even in the same stream Pearl mentions she hesitates to fight reds cause she doesn't want to inflict a bad finale on them. Also, in the ep Gem muses that she regrets holding herself back so much from murder -- the "sweat" accusations are really getting to all the CC's I fear. Gem isn't pathetic, and had a lot of entertaining moments in her ep, but the death was unsatisfying.

Pearl hesitated to even post her finale in part because she thought it was boring / unfulfilling. The wet cat bit is funny (and she's sort of owning it?) but even its origin is messy. Due to Aussie ping (as she demonstrated earlier in the stream), it was straight up improbable to get a mace kill, no matter how much she tried. She was fighting lag the rest of the episode too due to the wildcard overload. That was on top of episodes worth of failed traps, storylines, and murder attempts, that were largely foiled by not having enough time to do them properly. Placed final 5 as always, but she suffered the whole way there and mostly just survived without getting any kills herself.

Most importantly: neither of them got to enjoy/execute their divorce arc plans. It's an ongoing problem with WL but especially noticeable in the finale. Neither of them wanted to rush things, but the series forced their hands! Joel kept interrupting with (valid) murder attempts, and Pearl actively tried saving Gem when she was getting attacked by the rest of the server. Everyone loves and longs for another Murder Camel team up, CC's included, but it just wasn't viable. They agreed to hold off on their foreshadowed 1v1 until Gem was red, where she then died right before the wildcards deactivated (when there was room for lore/rp.) Overall, they were punished for pacing things out.

And why wouldn't they feel bad after that? Gem died unceremoniously, Pearl slogged through the ep with very little payoff, and neither got to fulfill their season long arcs. And that's what everyone's here for at the end of the day: telling a good story! Life series is special for its specific brand of focusing on RP, which is why the "a gimmick an episode" format hurt so bad. The CC's aren't pathetic, the wildcards are the problem.

(I hope the CC's feel better after the positive reception they HAVE gotten from the ep, as we still enjoyed the season and storyline they did squeeze in. Joel's ep in particular was still fire inc the final fight, although I dream of the au where Gem makes it to the end with him.)

(Pearl's stream line about "wanting a full convo" says good things about the CC's examining what went wrong and why so many people walked away unsatisfied. It's also sweet that the girlies don't want each other to think they're "pathetic /srs" instead of "pathetic /wet cat." I trust Grian + co. will figure things out for (hopefully) next time.)

[shiamiko]

『Who's the puppet?』

[skarkkk]

It was fucking rape. That's my fucking point of view.

What do you mean he liked it? What do you mean it was cheating? What do you mean I like her?

It was rape, there is no other interpretation other than rape.

Robby lived with two addicts and yet he was abandoned in a bar with free access to alcohol, and that's where it started.

He got drunk for the first time, he drank for the first time and he has no resistance to alcohol because he stays away as best he can for the simple fact that his parents were addicts who never cared about him. So he wanted to forget what was happening, to repress all of this and he turned to alcohol because where else would he go when everyone didn't give a damn about him, or his situation with Tory or his emotions? Where else was he supposed to go when his example of dealing with emotions is aggression and addiction? So he drank. He drank to a level where he couldn't formulate a response, a sentence, when Kwon came to talk to him and provoke him, and we know that if he was sober he would have done something. It was obvious on his own face listening to Kwon that he was spaced out, drunk, and then Zara approached him. And took him to her room, from where he came out the next morning. No memory of the night before, a headache, and still looking out of it, as we can see when she kissed him and he didn't even react to it. The level of alcohol this requires is the level of alcohol that prevents someone from giving consent.

— I barely remember last night

— Good thing I do

Can we see the exact connotation that something happened? That she actually took advantage of the boy who couldn't speak to give consent, who couldn't think to say no, who was too drunk for this to be acceptable? The fact that she shows no remorse whatsoever for this happening and yet kisses him again.

Besides the fact that the writers themselves are treating it like it's some kind of cheating with Tory, the characters themselves acting like he's not a vulnerable person being raped by someone who knows better?

I hate her and I hate the writers for making this like it's nothing. I don't want to be that girl, but being that girl, if the roles were reversed, would this be in the show? Would this be treated that way? Or would they actually treat it like the SA situation that it is?

From the beginning, you can see her interest in Robby - starting with that scene in the captains' photo shoot where she talks to Tory. She knows he's in a relationship. All those teasing scenes with Tory. Her taking advantage of Robby. Then the fight scene.

— You chose her over me?

Like, girl, what the fuck did you expect? He doesn't know you, he doesn't like you, you raped him and you're going after his girlfriend - the person he loves? How high is your ego to even consider that he would choose you? Axel's obsession with Sam I can understand more, although I still have my doubts. She was the first person to understand and see his situation with his sensei, she was friendly and he developed a protectiveness towards her. Although his attitude towards Miguel was wrong, he didn't rape Sam or act like a bitch towards her.

Iron Dragons and their obsession with the Miyagi-Do captains.

Zara Malik and the fact that she raped Robby Keene.

[marvey-sideblog]

"You knew how I felt about him."

This is Mike to Rachel after they're divorced. When Mike and Harvey are now running Specter Ross, and in a relationship together. Because Mike has felt for Harvey all this time.

If you even care

[poorlydrawninstarsandtime]

HYPER SPECIFIC REFERENCE GO-

[id in alt]

[ffcrazy15]

"Oh so when James Kirk refuses to believe in no-win scenarios it's 'changing the conditions of the test' and 'commendable original thinking,' but when I, Bradward Boimler, can't accept the possibility of failure and retake the Kobiyashi Maru sixteen times–"

[problemswithbooks]

On Stella (Helluva Boss)

The fandom fights a lot over Stella and how she's written. Fans who like the way she is presented say it's fine that she's a one-dimensional 'evil queen' trope. It's not bad writing that she's so shallow and one note--some villains are better that way.

That isn't an inherently wrong statement. Some of the most fun villains are shallow, evil, for evil's sake types. Unfortunately, I don't think Stella works as this type of villain for a multitude of reasons.

Reason 1: Stella's 'evil' trait is at odds with the themes of the show.

Stella's primary evil trait is that she's cruel to Stolas simply because she likes being cruel to him. She's abusive and hates him. That, by itself isn't the problem. The problem is that the story isn't about Stolas being in an abusive relationship--it's primarily about two people from two different classes, and how they have to become better people and change in order to have the loving relationship they both want.

Yes, Stolas being in a past abusive relationship could be a hurtle to his growth as a character and him being in a relationship with Blitz, but the show never goes there even when it could. Stolas is not shown as being triggered by Blitz's yelling at him. In Apology Tour he has no issues fighting back and telling Blitz off, ordering him to leave. Blitz's yelling and more aggressive attitude isn't what leads to their misunderstandings, where Blitz accidentally hurts Stolas by reminding him of Stella's abuse.

Instead, Stella's abuse isn't even touched on in any major way, and does nothing to move the plot forward or cause connected drama between the two leads. Yes, she hires Striker to kill Stolas and that does at times cause problems, but she didn't need to be abusive inorder to explain why she'd want Stolas dead. In a world where assassins and murder is around every corner, it'd make just as much sense for Stella to hire Striker because Stolas cheated, and it made her a laughingstock among her high class friends.

I'd even argue her abuse makes the story make less sense. We know, from Stolas's own admission, that once his daughter was born, their marriage wasn't necessary. He claims he stayed to give Octavia a normal life, but if Stella is as volatile as she's shown, why would he think Via being around her was a good idea? If Stella had been less outwardly antagonistic and instead more cold and standoffish, with the both of them having mostly separate lives, intersected by polite, if strained family interactions when around Via, then him staying would make sense.

One of the reasons I think more people wanted Stella to be a caring mother to Octavia was because it explains why her and Stolas were still married despite her constant abuse towards him. If Stella cared about Via, and they were close, Stolas would be not only reluctant to leave but to let their false pretense of 'happy couple' slip in front of Via, since both would hurt her. It also would make Octavia's choice to stay with Stella and her anger at Stolas hold more weight, and give Via more complicated emotions. She'd really love her mom, but be confronted with the fact she hurt her father, who she also loves. As it is, it's pretty clear to see that as soon as Octavia finds out Stella is pure evil, she'll easily go back to Stolas with very little if any internal conflict.

Reason 2: Vivziepop claims she's not a one-dimensional character.

A really huge issue with Stella being presented as a one note bitch, is because the creator herself claims she's not. In an interview, Vivzie says Stella is like Beatrice Horseman from BoJack Horseman, saying that at some point we will see things from her perspective.

The problem with this is that Stella has already been portrayed too negatively and flat for this to work. Beatrice worked because, while yes she was awful to Bojkack, she also had Alzheimer's which gained her some sympathy points, as did the way Hollyhock cared for her. She also wasn't always over the top horrible to Bojack, being more passive-aggressive and neglectful.

On top of that, despite her abuse toward BoJack, particularly when he was growing up, she wasn't framed as the reason for all of BoJack's issues. He was still responsible for his own shitty actions as an adult, and when he retaliated toward her, like tossing the baby doll off the balcony, it was framed as shitty behavior. More than anything, their interactions said more about BoJack than Beatrice. Him trying to hurt her, by throwing away her baby doll or putting her in the shittiest nursing home he could find was to show how BoJack wishes he could retaliate against his mother for all the things she did to him, but it leaves him feeling hollow because he knows that due to her disease she's not aware of who he is. It's meaningless, doesn't help him get any closure.

Stella is not presented as anything other than over the top abusive in every scene she's in. Nothing in the show suggests she's anything besides violent, even going so far as having her choking dogs in a childhood picture. Nor is Stolas's treatment of her supposed to reflect on him or characterize him. The only time it might is when he ignores Via because he's too caught up fighting with on the phone, but again, it's not given much focus and he doesn't reflect on it. The same goes for the cheating--yes, Stella was abusive and he doesn't necessarily owe her anything, but Stolas refuses to acknowledge that what he did clearly upset Stella, both times he talks about it asserting that he knows he didn't hurt her. No, they weren't in love, but cheating is still degrading, and Stella is obviously upset. Frankly, I think it would have made more sense for Stolas to rub that fact in her face--he has no issue insulting her, as we see later in that conversation. Instead, his continued assurance that he didn't hurt her or do anything wrong feels like the writers talking through the character, afraid watchers will judge Stolas to harshly otherwise.

Stella getting the Beatrice treatment will likely fail because there is nothing to soften the audience toward her even a little. She has been presented as Stolas's tormentor and nothing else. There are flashes of possible sympathy for her when she interacts with her brother, but for the most part they're framed as Andre being right and Stella being stupid, rather than Stella possibly being manipulated and used by her brother.

It also will fall flat because unless her background is another showcase of how even the upper class are hurt by the system, and this leads to something either story or character wise for the main cast, then there is no point to bring it up. The point of Beatrice's story was to show how generational trauma seeps down into the next generation. BoJack doesn't even have to know about it for it to reflect on his character and explain why he is the way he is. He and his mother parallel each other, where they start out as innocent children but through their parents mistakes, they grow up into cynical, bitter adults who both feel as if they've wasted their lives.

Reason 3: To many villains.

Stella has taken a backseat in her own villain story to her brother, who, just like Stella, is simply evil (he's even characterized as a catty bitch, just like she is, except less of a yeller). It's true Andre wants power, whereas Stella wants...well nothing really, just Stolas dead I guess, but for the most part they are nearly the same. Andre is just a better written version of Stella since he actually gets to make plans and have an end goal.

Once Andre gets introduced, Stella is redundant because she offers nothing different and in fact offers less to the story overall. If Stella was going to be a flat, evil for evil’s sake villain, she and Andre should have been combined. It would have made far more sense to have Stella be a bit smarter and be the one plotting to get Stolas's power. It also would have made the court scenes more impactful because Stella would be a character that was established far earlier, and who we know is a major threat to Stolas, since she's the one that hired Striker to torture and kill him.

If Andre was going to be the main big bad for Stolas, then Stella needed to offer something different. Generally the underling under the main villain is more sympathetic, and less evil, as a way to showcase how much worse the main bad guy is. Or they're more charismatic and show up far more than the main bad guy, like Azula and Ozai. As it is, Stella is neither. She shows up just as little as her brother, and does far less.

And, while Vivzie is a woman herself, I do find the handling of Stella to have mysoginistic undertones, mainly that since her brother has shown up, she is constantly shown as stupid, and that her only good quality is her looks--things her brother constantly brings up, but are not framed as shitty on his part. Them being essentually the same charater make this look all the worse, since Andre, as I've said, didn't need to be a charater at all, and Stella could have been the main villain instead. To pretty much sideline a female charater in order to introduce a male charater that fills the same roll is not the best. Just like racisuim, sexisuim doesn't have to be done purposfly, and I don't blame anyone who finds this choice to be sexist.

Then there's Striker.

Another reason I think Stella and Andre should have been combined. Striker worked really well as the side antagonist under the main villain. He's the one we see more of, he's more charismatic and has hints of a generally interesting backstory, one that we know would fit into the theme the show has of class issues. He's a mirror of what Blitz could have turned into, while Stella could be presented as Stolas's opposite. Even their work relationship could be a dark mirror of Blitz and Stolas's real love for one another.

As it is, Striker is under two other villains, one of which has become essentially unless to the story (Stella can't do anything Andre can't at this point, especially since her and Via aren't shown to have a close relationship). This reduces his threat level and reduced his screen time since he now has to share it with another character. We can see this in the newest episode, where we get a scene where Andre is talking to Stella and then Striker appears later at the trial with no explanation. If Andre and Stella were combined, that scene could have been Stella going over the plan with Striker instead. This would have helped Striker's character, since as it is, his appearance at the trial is confusing. Maybe he's just out for himself and his selfishness won out over his hate of Royals, maybe he was blackmailed, maybe he was so furious and his pride wounded so much by Blitz he'd do anything to bring him down, maybe it's a combination of all three. We don't know because we aren't given the set up. Is it cool that Striker was a suprise? Sure, but in this case it wasn't worth not showing the charater's reason for doing something that seems to go agasint his own charaterization.

Reson 4: Threat.

One of the main reasons to have a simply evil villain is so the can be incredibly menicing. The Aundence doesn't have to feel anything but fear for the protagonists and hate for the villain. They pose no deep moral question, and it feels great when they're beaten.

Despite being a major villain we never see her threat felt by the protagonists. Take her abuse of Stolas. We see her go to hit him and he catches her hand easily and tells her off without issue. Stolas has no problem standing up to Stella ever. In The entire show Stolas is never portayed as afraid of Stella.

Contrast this with how Moxxie and Crimson interact. Yes, sometimes Moxxie does stand up to his father, but we are shown how terrified he is of Crimson multiple times during the one episonde they interact. In comparison Stella's actions never make Stolas even worried. The most we see is him doging things when she throws things at him, but he doesn't seem genuinly afraid, and it's forgoten as soon as she leaves.

He insults her over the phine, insults her to her face. When he learns she hired Striker we arent shown him suddenly relize he underestimated her and become afraid. He instead he's more conserned with his reletionship with Blitz and getting him a crystal. Stolas never tells Blitz about Stella, so we don't even know how Blitz feels about how she treated him.

It's hard for a pure eveil villain to work when only one charater even seems to know they exist and they aren't even worried about offending them. The only way this could work is if Stella pretended to be nice most of the time, but was secretly ploting, like Scar in the Lion King. Instead she's framed as this force of nature, pure bitch, who torments Stolas, yet Stolas doesn't even show anxiaty when having to meet with her, something we know he's prone too because he shuts himself in the refrigerator when contemplating his confession to Blitz ending badly.

If the writers want Stella to be evil--make her evil. Let her be powerful and scary. Have Stolas fintch at her voice, show flashbacks of her hitting him, let her win arguments and verbally tear Stolas down. Make her smart enough to plan things on her own.

I think when alot of people say Stella is a badly written charater it's not nessesarily because they wanted her to be good, or complex. I don't see alot of people angry at how Mother Gothel was written (besides her deisgn being anti-semetic) or Maleficent. It's possible to write evil, one-dimensional female villains. The issue is that even as an evil bitch, Stella falls short in a mutitupe of ways. Her charater is a complete waste, even more so now that her brother has been introduced. She has no reason to exist and serves no narritive purpose. Even as a raod block to the Stolas/Blitz ship she isn't nessesaey because their main issue is the class systum. Stella could have been dead before the show started, leaving Stolas with Via for drama, and Andre could be the evil uncle trying to get Stolas's power.

Stella is pretty much a sexy lamp, execpt the sexy lamp is also a bitch. She's less affective then the random bitch charaters introduced in romatic webtoon comics that are only there to be mean to the main charater and try to steal her man. Stella's not badly written because she's pure evil and simple, she's badly written because she doesn't serve a purpose in the story and could be replaced with a sexy, evil lamp.

[pitchblackespresso]

Kass Remembers

Comics master post

[iguessitsjustme]

Something I find fascinating about Wandee Goodday is that no one has kissed yet (I know Ye and Cher have kissed but...) Like not a full on make out session despite having an established couple in the show that they could be using to show us kisses. But we get no kiss sex scenes from Yak and Dee and soft, somewhat chaste scenes from Ye and Cher. We all know both couples are fucking. But the lack of kisses where normally the show would have one couple more active in that department tells me how important kissing is to this story.

Dee has stated that it's silly but he doesn't want to kiss unless he loves that person and is serious with them. But the entire show is respecting the no kiss rule which tells me that it's not silly. The entire show is respecting Dee's boundary here. And yes, Yak and Dee have come so close to kissing so many times, but they haven't. Dee has always pushed him away and Yak has always respected it when he does.

It makes me wonder what's going to happen once the main couple does eventually lock lips. Will that open the floodgates? Will the audience get to see both couples kissing then? Or will it continue to withhold that specific moment of intimacy. There's something the show is saying about the expected parts of intimacy being taken for granted and also deserving of privacy and that's up to the people in the relationship.

Kissing can be an act of love and desire, but what the show is saying is that it is not a requirement for those things. I can be completely talking out of my ass here, but something about this is really sitting with me. Not only do we get Plakao as ace representation, someone who wants a partner to cherish and be cherished without sexual expectations, but we also get the show reinforcing the ideas that love comes in all forms with so many different acts and different people are comfortable with different things. And all of that is okay. And all of those boundaries are worthy of being respected. Regardless of societies expectations for what it means to be in a relationship and be physical, whatever is right for you is right and isn't that just beautiful?