#not even getting into things like the prison industrial complex

[wiisagi-maiingan]

Studies about how giving people money is more effective at stopping homelessness than anything else are never actually going to make conservatives support UBI or anything like that. Under capitalism, homelessness is necessary as a threat to keep workers in line; you're more likely to accept bad wages and exploitation and abuse when the alternative is being thrown out into the street.

Homelessness is the stick that keeps the mule moving. The person riding the mule knows that the stick hurts it, that's the entire point.

[magdaclaire]

the fact that the grand majority of felons in the united states are unable to vote sends me into a rage like no other

[mantisgodsdomain]

Okay we're done getting really mad about bug game worldbuilding. If you are interested in seeing us get extremely mad about Bug Fables' consistently shoddy worldbuilding, then it is below the cut. We'll tag this properly in like a week so it doesn't haunt the main tag for everyone who might not want to read 1.8k words of a random author getting really fucking mad about shoddy worldbuilding.

We've done a lot of stuff with worldbuilding for Bug Fables. Our handling of Bugaria itself is, we will admit, not quite canon-typical. There's a lot going on, and not all is easy to work with. We know from the game itself that Bugaria is surrounded by hostile deadlands, making outside trade difficult and often-lethal - we also know, from being able to observe the in-game map as a human with outside perspective, that Bugaria is contained within a single backyard.

For the game proper, this is fine. It lends itself well to the "borrower" type aesthetic that the devs appear to prefer, limits the scope of the in-game map, and allows for them to do significantly less legwork trying to figure out how to design things. We, however, are a man obsessed with semantics, and we know too much about the amount of food and territory generally required for one hive of wasps or bees to buy into one suburban backyard that's... what, 60 square meters of backyard?

IRL honeybees alone will forage up to, on average, 1-6 km away from their hives, potentially going up to 13 km, and though there's been less research done into the habits of other colony bugs, it's fairly safe to assume they'd need similar range - more likely greater range, actually, as any form of what we humans call "higher intelligence" is incredibly demanding, resource-wise. Bugaria has four different kingdoms of social bugs, many of which would have overlapping needs for resources, combined with a whole load of other miscellanous solitary bugs. loaded into the space of a single backyard that likely wouldn't account for the range of a single hive of honeybees, let alone four hives of miscellaneous bugs and venus-knows-how-many solitaries.

In order to survive in any place, you need to fulfil the requirements of life. Food, water, and shelter are basic needs for a reason, and without access to all three, settlements are likely to quickly peter out. In order for The Hive to process nectar into honey, they first need nectar, which would have to come from flowers, which would be the exact same food source that wasps, butterflies, and moths would need, which clearly aren't growing in the needed

Put quite simply, it would be really fucking difficult for a space of this size to support the presented numbers of bugs. Plants are not an infinite resource, and even assuming that there's a density of flowers far beyond what's shown in-game, there's still predatory bugs to consider. Wasps and ants need protein to feed their grubs, dragonflies and damselflies need protein to feed themselves, mantises and mantidflies are obligate carnivores that cannot survive without a steady supply of prey- you can't survive if you never eat, and Bug Fables is incredibly low on lesser bugs that could potentially serve as food for the more predatory bugs.

Canon offers only aphids and cochineals as cattle, and those still wouldn't really serve to feed larger predatory bugs - and that's even without noting the ecological desert that results from only ever having a handful of enemies. We know that there are limits to what you can do in a game, but the second you want to expand on life beyond what's shown, you run straight into the lack of known prey and wildlife like smacking right into a brick wall. Roaches raise scorpions in a wasteland that seems to have only Mystery Berries for food unless they're trying to hunt Deadlanders, which we doubt are particularly edible. The Royal Blade of the Ant kingdom is an obligate carnivore, and there's nowhere he can go if he wants to buy lunch.

Realistically, we know that the answer is "the devs didn't really think about it". This game is built on the work of devs who persistently place "because it looks cool" over doing any of the worldbuilding work to integrate their existing story elements into the world. You only have to look to Yin to see just how many parts of the game are riddled with things added purely because Someone Thought It Might Be Cool, and no one did any further legwork to make it WORK. The Termacade is a living monument to the philosophy, being added A WEEK before release without anyone so much as communicating it was going to happen before it was in active development. 

Unfortunately, we are permanently obsessed with semantics, we can't stand "because magic" as an answer to important worldbuilding questions, and every time we have to do all the legwork to fill massive holes in the setting where no one ever thought that the answers to questions like "how the fuck do these people feed themselves" is relevant, we will be sadly prone to falling into madness.

There is no canon answer to how these bugs feed themselves. There is no indication as to how things that should be basic parts of the setting WORK. The bugs, in the first place, are written persistently as more People With Hats than actual BUGS - there are nods made to biology, sure, but the difference between a wasp and a bee is little more than a set of aesthetics and a silly hat. There are enough elements in the game that are simply thrown in without care of how they interlock that it sometimes becomes genuinely maddening.

Some people, sure, are satisfied with this - there is a madness that we have that we lack, a need for SUBSTANCE that is prone to driving us to inadvisable lengths hunting for a hint - any hint - that there was care put into this detail, rather than a single flippant comment. We have no complaint with things left vague, but we VERY MUCH have a problem when the setting is consigned to being little more than a backdrop decorated with random glittery ideas to act out anime tropes on, rather than something that should be paid attention to all its own.

We've said this before, and we'll say it many times again, but worldbuilding is important for a REASON. Your setting will affect your characters just as strongly as it will affect your story - your plot, your setting, and your characters are fundamentally inertwined, and to affect ANY part of the story will have rippling impacts on the rest of it. Your characters are not created in a void! Whatever structures created one person MUST still be present to shape others! You cannot throw shiny ideas on a canvas slapdash and expect it to turn out well! It's a miracle that the character writing in this game turned out as well as it did, considering that massive swathes of the setting are loosely assembled from anime without even taking the time to learn how certain aspects WORK in their home media!

We enjoy writing. We enjoy crafting plots, doing worldbuilding, tinkering with the little pieces of setting that we feel might create something interesting. We wouldn't be writing at all if we didn't enjoy it on some level, though we sometimes wonder if it's more masochism than care for some aspects. This is the trade that we have chosen to work towards working. Perhaps it is this that makes it so violently infuriating when we run into people who don't seem to care for that which we pay attention to.

There are a handful of aspects in this game that are well done. There are far more aspects in this game that are half-baked at best and actively difficult to work into the rest of the world at worst. There is a particular handful of aspects that are so poorly done that they could pass as active malice, towards one group or another. Unfortunately, as with many things, to assume ill will often overlooks the far more pervasive, far more common culprit of simple negligence.

Bug Fables, at its core, is a game made by devs with chronic shiny-object syndrome. There is little care spared to its worldbuilding, to the implications of its setting, to the implications of character actions, because the devs have never cared to think on it. It takes tropes from a hundred and one different animes without caring to learn what makes them work in their home context - just that they're cool, and that the authors want them in their own work.

It's something that we've been guilty of ourself, in previous works, but that only makes it easier for us to spot it here. There is an mirror of mistakes we have made ourself written on the walls, and it echoes with every step. We are the sort of author who learned to build worlds by stealing shards from different worlds and patching them into a new quilt. This is a work that takes does much the same, taking pieces from other works to make a new whole, but it makes the mistake of not spending the time to make sure those pieces FIT.

The mosaic on the floor is made of broken, disparate parts that are only partially fit together. The world falls apart more and more the closer you look at its shards. There are pieces of harm in this painting, pictures of pain, things put together and only barely examined. There is prejudice that could pass for malice woven into the threads of even the more comedic writing, an undercurrent commonly present in society and rarely examined. They've made an entire species of bugs into an incomprehensibly racist trope. Perhaps it's foolish of us to spend so much time and energy on a world that does not love us back, but we care for this setting, and we care for the potential of what it could have been.

The prejudice and shoddiness and pieces of poorly-thought-out and tropey writing in this work are not an act of malice. They are an act of ignorance, left over from a development team that wanted to add the latest shiny thing without stopping to think that their favorite anime tropes might have roots in something rotten.

Anyways, the reason that we wind up putting so many fucking footnotes on our fics is that every time we have to answer basic questions like "how does the wasp kingdom fucking feed itself" we have to rewrite, like, half a dozen tropes ripped off from shitty isekai anime, come up with an entire power structure and system of government that could potentially exist in this universe, write 2000 words of geopolitical bullshit minimum, reinvent animal agriculture, create at least one brand new species of bug, and then battle our conviction to avoid cushioning or avoiding the implied Fucked Up Elements that are Very Much Present In The Base Work if chronically ill-addressed vs the question of if we Want to include this particular brand of Fucked Up Bullshit or if we'd actually rather avoid having to reckon with the aftermath of yet another poorly-thought-out trope ripped from Trapped In Another World With My Smartphone.

[nothorses]

"the public education system is intently evil and all teachers are abusive because it was the worst experience ever for me personally"

guys, look, I'm legitimately sorry that happened to you. that's fucked up. it shouldn't have happened, and it shouldn't be allowed to happen again to you or anyone else. I'm sorry.

public school was hard for me too, at times, and I'm still suffering the consequences for the harsh grading, the arbitrary deadlines, the hours of completely useless-to-me homework. I could name a few teachers who have been pretty fucking terrible. the fact that nobody considered getting me evaluated for ADHD has had an impact on my self image and academic success that I can't erase.

and also.

I grew up in an area where education, in particular, is incredibly progressive-leaning. educators are working really hard to create and try out education philosophies and practices that prioritize kids and their learning, rather than teachers and what they think kids should learn.

My sex ed was comprehensive, and came entirely from school. My gay sixth grade teacher taught me about HIV/AIDs in a useful, accurate way. In high school, I learned about the way orgasms work & I was prepared not to feel shame for normal stuff.

I learned that Communism was not what the USSR actually practiced, and what it really means. I learned about atrocities and, specifically, the genocide of indigenous people committed in/by the US. I learned about the military industrial complex, the school-to-prison pipeline, and I learned about manifestations of racism specific to my local area. I learned about Stonewall, and the intersection of the civil rights movement with gay rights and disability justice.

My creative writing teacher taught us about LSD, and the real reasons we shouldn't do it, after a hilariously ineffective assembly run by some local cops. He spoke gently, carefully, and emphatically about his friends and his own experiences. Later in the semester, he read us a story he wrote about two gay men finding each other in a deeply homophobic environment.

My sci-fi teacher made me feel safe & seen as a kid with "weird" interests. My US History teacher helped me research and put together a 10-page paper on the modern relevance and mission of Feminism. My government teacher made me feel appreciated for the work I put into the class, and the thought I put into what I said in it, even though he disagreed with a lot of it. My sixth grade teacher bought me books to read with his personal money, whichever ones I asked for. My third grade teacher made me feel safe. My science teacher in middle school made me excited for and passionate about science, and saw and nurtured the effort I put into her class.

A lot of stuff sucks, absolutely. But I am seeing new teaching methods being tried out all the time, and I am watching teachers get really excited when I teach their students about the roots of modern graffiti in US black history & to question property laws, and just...

There's hope. there are so many people doing so much work to make things better. so many people agree with you on what education should be, and are trying so fucking hard to put that into action, and so many public schools- not just teachers, but whole schools and even districts- are really doing that work. so much is getting better.

I had more to say, about necessary childcare and trusted adults and outside contacts and time away from abusive family. But like. Please just sit down and listen to more people on this, and please talk to educators and education professionals about what's really going on in this big huge world of philosophy, science, and practice.

[enbycarp]

Hey all, it's Juneteenth. I feel like this is a good day to talk about folks in prison.

I'm pen pals with several folks in prison. I've been doing this for many years now, and i think it's one of the most important things I've ever done. I started because i was interested in prison abolition, and i was told this was the way to get started in that movement. It's also a way to invest in our communities. Because queer, poc, poor, and disabled communities are disproportionately affected by the industrial prison complex. It's our people who are being thrown into cages and often being forgotten, tortured, enslaved, and denied their rights. We can invest in our communities and participate in mutual aid no matter what our resources or ability levels are. Being a pen pal requires investing a pretty small amount of time and money. Literally, if you can write a letter, you can do it (and often, you can send the letters online, so you don't even need paper).

I have made some true friends as a pen pal. People who have offered me support as much as i have offered them. I have one pen pal who i can talk to about things that i don't talk about with anyone else.

I won't lie, it's not always easy. There have been a couple pen pals that i didn't get along with well. I had to tell them that it wasn't working and gently end our correspondence. I've had two pen pals that stopped writing to me after they got out, and i just have to hope that they're ok out there. And these folks put up with really hard, sometimes horrifying shit inside. It can be hard to process that. Though, I've known other folks with pen pals who clearly set boundaries about what they're comfortable talking about and that's worked for them. I've had a pen pal ask me to do more than i was able to do for them, and i had to tell them no. They understood. You have to be able to set boundaries in any relationship, though.

You get to decide what you can do to help a pen pal. For some of us, that's just writing letters. I sometimes send gifts to folks (mostly books from Amazon). For one of my pen pals, i look up info about magic the gathering or D&D because she plays those games inside. For another, i wrote a letter to help support her case for getting a shorter sentence. One friend likes me to look up facts about his favorite actresses and sports teams. When one friend was facing transphobic discrimination, i organized a call in to the superintendent (and we really helped her). Some pen pals are looking for romantic connections (they generally tell you up front of that's the case). Many queer prisoners just need a connection to their community.

Please at least check out www.blackandpink.org and learn about what being a pen pal can mean for people on the inside. That organization has connected me with several queer pen pals. Even if you're not going to sign up to be a pen pal, just take a few minutes to learn about it.

Thanks!

Ps: you can ask me if you have any questions about

[whenmemorydies]

See this?

Carmy is about to pull this shit. He is really about to go in and likely blow up one of the only good relationships he has left from The Beef. After yelling at Tina from the pass. After stressing out everyone and their fucking dog cos he thinks this is acceptable behaviour if its all in service of a star?

This part of 3x03 Doors was such a jagged scene for me because of a few things (including what I've said above). What else got me:

Tina is someone Carmy knows, that Carmy loves (go back to their scene in 1x08 Braciole talking about Mikey. Go back to Carmy's soft "hey Tina you go ahead, you take the night off okay? I got you.");

Tina is an older woman of colour who has made the commitment to skill up so that she can work at The Bear after working at The Beef. Carmy has seen the work she has put in but in this moment, he pays none of it any mind. Imagine being T. Imagine how that would feel. Imagine how it would feel knowing all we know after watching Tina's journey in 3x06 Napkins. The thing is, Carmy doesn't need to know all of T's backstory to know his behaviour is unacceptable. The fact that he knows some of it and proceeds to act in this way is just more evidence of his white privilege showing its ass.

Carmy does not have the self reflexivity here to look at his young, white, male self yelling at this older WOC and see how fucked this is: how he's become another white guy in a litany of white men barking at workers of colour, not seeing Tina for the whole human she is but reducing her to a means of production. The racial dynamics on this show are so evident but don't get talked about nearly enough. I know the writers have crafted those dynamics on purpose because as beautiful a character as Carmy is, he's also a product of his environment as a white chef trained in a highly racially segregated field. This has repercussions for his relationships in season 3, particularly with the BIPOC characters in his life. @november-rising speaks about Carmy's behaviour in relation to Black women's experiences of love and professional recognition devastatingly here. Read their post and the reblogs.

While this shit made me so mad this season, it was also in character - as I've said here - for a white guy trained in fine dining to revert to established patterns of behaviour. Though, I'm gonna need the writers of the show to show US that they did this on purpose and have Carmy ATONE for this shit in season 4. Otherwise, what kind of redemption arc will this man have? This shit is hurtful to the BIPOC characters and BIPOC viewers of this show in no small part because white men the world over have a LONG history of using BIPOC people as a means of production and as a means of production alone. If you're unsure about this, please go look up the Transatlantic slave trade. Please go look up the history of colonial indentured labour. Please go look up The British East India Company. Please look up the forced labour regime in the modern prison industrial complex. Please go read a fucking book. And no I'm not saying Carmy is responsible for the slave trade (LMAO please hold fire if this is where your mind is going). I'm saying BIPOC folks carry with us a long ass history, an intergenerational history of this shit. But guess who else does too? White folks. So don't act like they dont.

This shit is also hurtful because we know how respectful Carmy can be. We’ve seen him in seasons 1 & 2. We know he knows what being a practical ally looks like (even if he may not have the language to name what he was doing) when he made sure to bring the staff of The Beef with him to The Bear and invested in them accordingly. We know he loves and respects them, none more so than Sydney. But there were so many times where he did not act like it in season 3. And when folks have got histories - not just personal but cultural too - as long and as loaded as we ALL do, actions account for a lot. What you do is the shorthand for who you are in the world, whether you like it or not.

Ok back to the scene.

Who comes in and simultaneously saves Carmy's ass and ANOTHER of his relationships? Who protects Tina and keeps the kitchen from exploding AGAIN?

Who supervises her sous chef like a fucking pro?

Sydney. Sydney. Sydney.

And who knows that he's in the presence of greatness but doesn't know how to articulate it cos he's not integrated, not by a fucking long shot. Who needs to attend some anti-racism training along with Al-Anon and therapy (so he can get the benefit of understanding his role in this system and get a better understanding of his own mind)?

Yeah you Carmen, you.

Better get on that shit before you lose the woman who is the beat to your whole heart another means of production to a chef who's going to pay her better, give Syd insurance from the jump and total creative control. Just saying.

[alwaysbewoke]

our entire political system is flawed, but

you're not going to change it in one election to perfection; what you can absolutely do is make everything worse in one election. also, you can acknowledge that the system needs work and that you want more without lying and pretending as if it has produced nothing positive for you. the problem right now with many people is that you guys want an instant solution. you want an instant fix. however, there is no such thing. there will not be one election or one candidate or one bill that's going to fix this. this is going to take long-term, strategic, methodical work for us to make it right, and i can tell right now that many people are not up for the task. they're too weak, but they won't be weak enough to complain, make videos, tweets, ig posts, reels, tiktoks, blog posts and whatever whining when shit hits the fan. they'll be the first ones howling at the moon and gnashing their teeth without taking responsibility for the part they played in the shitstorm.

here's some simple advice: pack the senate and congress with hardcore progressives. hardcore progressives. and then go to your local election and pack that with hardcore progressives again. but by no means should any of us accept any talk or strategy that gives the republicans power. at some point, you've got to stop playing checkers in a chess game.

however, the problem is this point of view should have been adopted in 2016. i fear that it might actually be too late because people played checkers in the chess game knowing full well that whoever won that election was going to have at least one supreme court pick. that winner actually got three and now has set this country back for the foreseeable future. generations are going to be feeling that pain. we missed out on critical years to address climate change. the voting rights of black people have been completely undermined. the educational opportunities for black people have also been undermined. discrimination against gay people has been affirmed. we saw the death of millions of americans at the hands of a global pandemic that was profoundly mishandled, and yet having seen and experience all of this people are willing to entertain the idea of allowing those in power who did all this to get even more power again. UNBELIEVABLE! people like that deserve ridicule.

if you actually care about black lives, people of color, trans rights, gay rights, healthcare, education, palestine, dr congo, police brutality, child poverty, climate change, restoring democracy, voting rights, equitable access to all levels of education, ending the prison industrial complex, women's rights, and etc do not entertain any talk about taking actions that will give republicans power. not in the short term. not in the long term. don't let your anger and your disappointment force your hand into making things worse for yourself and others. there's already been widespread voter suppression so if you think you're going to give republicans all that power and then vote to take it away from them down the line when everything is more to your liking, you are delusional. if you really want to change things (like for real, you're not just talking shit about "progress"),here are some insightful videos:

#FuckBidenButHellToTheNoOnAnyRepublican

[flyin-shark]

Well now you know I have to ask- why do you hate liberals?

Ok so the main issue is their support of capitalism. Capitalism exploits workers, greatly exploits the global south, gives capitalists (the people that own capital not the supporters of capitalism) way more than they could ever hope to work for. Literally look up the numbers on bezos and other billionaires it’s ridiculous. There’s a LOT more on capitalism but that’s enough for this post.

Besides their support of the system that exploits us, they fail to understand the connections between capital and the state. They’ll say things like “vote with your dollar” without realizing that people with more dollars get more votes. On a larger scale this means governments are going to side with capital. The nature of power structures is to centralize like this.

Liberals will say they support bipoc and queer folk without caring to change the power structures oppressing us. Sure they’ll sell rainbow pins on Etsy but they aren’t going to address the structural changes that need to be made to protect queer people. Sure they’ll support black artists but we can’t do anything about the prison industrial complex. Maybe putting even more cops on the streets will help /s

So much of what they do is performative. Look we painted Black Lives Matter on a street. We solved racism. Look all the corporations used rainbow logos for a month. Homophobia and transphobia have been defeated. Like at least you sound like you want change but only enough to keep enough people happy so the status quo doesn’t change.

Last point I’ll mention is that liberals always expect compromise. One side is fighting for their rights and the other wants that side dead. Liberals come in saying come on guys let’s be civil here. Surely there’s some compromise we can come to. My existence and the rights of others are not up for debate. Compromise is what got us the three fifths rule where African Americans were counted as 3/5 of a person. Compromise gets us the 13th amendment which outlawed slavery except in cases of s crime. Which then leads to the prison industrial complex and the prison population of today. Compromise is what gave the right the Supreme Court, ending abortion rights for millions of people.

That’s a good portion of why I don’t like liberals. Thanks for coming to my Ted talk.

[number1villainstan]

i'm not sure if u saw that "why do ppl have sympathy for overhaul" reddit post but man. just the question itself made me feel like. a crying, broken man appears before u, & if u can feel nothing but hate for him even though hes so obviously suffering, maybe ur the "evil" one, yknow? like sure i get if ppl hate him but. the whole "he deserved to suffer & be treated w nothing but contempt forever" just makes me kinda sad. what do u think wld have been a better ending for him? (from kainagant)

(hi kainagant! nearly thought you were a random anon lmao, glad to see it's you)

No, I haven't seen that Reddit post--I don't have a Reddit account (anymore) and even when I do visit it's not the fandom side of Reddit. But from what you're saying (and what I've seen from other Chisaki fans' reactions) it's probably a good thing that I haven't seen it, because it sounds like the sort of thing that would make me incredibly pissed off for far too long. Anger issues kinda suck sometimes, especially when you can't find a good outlet.

a crying, broken man appears before u, & if u can feel nothing but hate for him even though hes so obviously suffering, maybe ur the "evil" one, yknow?

Real. Some people are so fucking quick to thirst over torturing and dehumanizing people when they've done something to "deserve" it. Like--I really shouldn't use this to judge what their stance is on things like prison abolition IRL, but the way they react to this--the way they judge this--does not give me any hope for them. Folks, we are not making it out of the punitive-justice prison-industrial complex or ableism with this.

what do u think wld have been a better ending for him?

That's hard, especially since I haven't read the manga or watched the anime past like halfway through Gentle Criminal's arc, but I think probably a better ending--that would have fit better with BnHA's professed theme of "saving everyone"--would have been to show him clean-shaven, somewhat more mentally stable, with a sympathetic doctor or parole officer or pro hero there with him to talk about options for the next step in his life. Maybe mention something about how Pops is doing well, but Chisaki doesn't want to see him anymore now that he's awake. Something that shows Chisaki not as just the narrative's punching bag or as a tragedy but as someone who, yes, hit rock bottom, but is now committed to the long path of healing. Especially if we see him smile in the end.

What about you? What ending for Chisaki would you have preferred?

[berrymascarpone]

A Brief Tour of Seireitei

So I’ve been reading the Soul Society Arc again after finishing the Bleach manga a while back and now that all the plot tension has already been resolved, I’ve found myself looking at the scenery. And by scenery, I mean the architecture and city planning of Seireitei.

Now, the good thing is Ichigo and co really get around a bit in this arc, not to mention the cuts to the captains and lieutenants doing there thing in the background, so here’s a brief tour following along with them.

The first thing we notice about Seireitei is that clearly they spend much more on infrastructure in the city than in Rukongai. That is where all your tax money has gone folks, to nice tiled roofs, whitewashed walls, fancy windows.

But also, considering the magically appearing wall that just straight up falls from the sky when you go near, it’s probably a good idea to have some way of demarcating where you have to stay away from in order to stay un-pancaked.

(Also electrical wires? Just what era is their infrastructure from?)

It looks like there’s a pretty open layout here, but later on, the streets get more labrythine, with long walls splitting the space into narrow roadways.

However, from above, it appears that these complicated halls are actually just blocks of mazes, separated by normal roads. Are they compounds? Is this just the geography of that particular area? Are they individual houses? Who lives there?

And although the streets look pretty narrow from these angles, another ground angle shows that they are actually pretty wide. But also, you might run into something like, uh this.

We all knew the Gotei 13 was pretty fucked up, but uh, yeah. Makes me wonder which earlier generation captain had this installed.

Anyways, after destroying many of those walls, Ichigo and Ganju eventually make it below the uniformly tiled floors to make it to the sewers (or are they storm drains? They feel very tall for sewers.

These remind me somewhat of the Tokyo Metropolitan Area Outer Underground Discharge Channel, which I had to look up once for a fic, so that makes me think it’s more of a stormwater system. Also, apparently they don’t mark their manhole covers in Seireitei? And it looks kinda fragile too, what with only that tiny little ledge to hold up such a big board. What happens when a particularly heavy person (and we know there are some real big boys in the Gotei 13) steps on one of these tiles and falls through? I imagine Komamura and Zaraki Kenpachi have learned to memorize the locations these manhole covers, or they accidentally step through the floor every few blocks.

Once we exit the underwater canals, we arrive at Sōkyoku Hill, the most scenic view of Seireitei, and also where they lock up and execute their prisoners. I guess they would at least get a good view before they die?

Not only is it on a hill, but the architecture takes quite a brutalist turn. All square blocks and flat tops (except for the nice little row of towers up there? And also a few sky bridges, for the scenic view.)

As a side note, this area appears to be surrounded by several warehouse-like buildings. Not sure if it’s actual warehouses, and this is the prison/industrial district of Seireitei, but interesting to note.

But also, when Ichigo and Renji absolutely wreck a few of these buildings in their fight they appear to contain…absolutely nothing?? Like not even some broken furniture, or debris.

Anyways, after a bit of regrouping back in the underground waterways (which also have some room-like areas a bit further away from the water…for…reasons…) our heroes finally venture forth into brutalist architecture wonderland.

I assume this area is a prison complex, since, judging by the texture, it appears to be made out of Sekkiseki, the reiatsu-suppressing stone. Also interesting to note, the buildings appear to be placed haphazardly, at odd angles. Is this to confuse invaders and/or escaped prisoners? Is it because their city planning consisted of Yamamoto scribbling out something on a napkin? Is it because this hill was one big sekkiseki deposit and they had to carve buildings out from the ground, so their planning had to follow the natural contours? And why is there absolutely no one here? Like the empty warehouses, this area seems to be abandoned. Are there not enough prisoners, or did the last crisis in Soul Society wipe out enough people that there aren’t enough to fill these houses? Is it like those fake buildings that are actually subway stations and the top part is just for show?

Anyways, it seems like I’ve hit the limit on the number of images I can add on the mobile app, so I’ll continue in a part 2 once I get around to it.

[lambsouvlaki]

For the Hell of it - 5 - Uncomfortably Honest

Character: Jason Todd x civilian! Fem!oc

Rating and Warnings: PG, discussion of past partner abuse (not Jason).

Word Count: 1,639

Summary: Jason and Andy talk about vigilantes who kill people. Andy wonders why he knows so much about these things. Jason wonders why she

Masterlist

Jason typed on his laptop, one handed, with his lips pursed and an irritated spike in eyebrows. His other arm hung in a grey sling with the ends of a bright red cast visible at his wrist. 

Andy sat next to him and restrained herself from grinning at his grouchy face. He had been in a rotten mood since he broke his arm a few weeks ago. ‘Fell off his bike’, he said. He couldn’t do his normal night shifts and was stuck doing admin in the meantime. She’d even gotten texts from him in the mornings. Things were getting dire. 

She’d demanded he join her in the library. If he was just going to be at home sulking over a laptop he may as well come sulk over a laptop with her.  

Outside it was raining, but there were no external windows in the study room, or any windows at all. The only lighting was yellow tinged from old fluorescent tubes. The old oil radiator ticked in the corner. She’d covered the large table they shared with reference books and loose notes, while Jason had only a slim laptop he hunched over. 

He took a disinterested bite from a stale croissant. He sighed and looked at her. 

“What are you working on? That essay on Dumas?”

She shook her head and finished scrawling out a sentence. “History paper today. I’m translating primary sources on the Reign of Terror.”

“Yeah?” He pushed his laptop away, happy to be distracted, and leaned his elbow on the table to face her. “How’s that?” 

“Linguistically fascinating. Thematically… really fucking grim.” She made a face. It was easy to forget the content sometimes as she focused on syntax and word choice. “I don’t mind three or four public executions, or even five or six, but I’m starting to think this is getting out of hand.” 

He snorted. “Not on board with the death sentence?”

“There isn’t a government on this planet I trust with the right to execute its own citizens. Or any other planet for that matter.” 

“Hm. What about the capes?”

She stared at him. “I don’t think they should be executed either? Jason, do you think-?”

“What? No!” He huffed a laugh. “I’m asking if you think vigilantes should kill people. They say that Batwoman with the red hair does sometimes.”

“Not my business.”

“Oh, come on!”

She shrugged. “What?”

He narrowed his eyes and leaned forward. “You live in the most cape infested city in the world, and the most crime ridden, in a suburb literally named ‘Crime Alley’, and you don’t have an opinion?”

“Do you?”

“I asked first.”

She sighed and leaned back. “You can be really intense sometimes, you know that?” It was like getting hit with a floodlight in the dark when he turned it on. It made her feel naked. 

His brow lowered. “Do you really not care?” 

She opened then shut her mouth. She hated the idea that he might think that about her. 

“What do you want me to say here?” she asked. “That I think criminals should be gunned down in the streets? Of course not. If you ask half the pricks in the Diamond District they’d probably tell you living in Crime Alley is evidence of being a criminal.”

“Probably.” 

“But what do the other vigilantes do? Leave you for the cops? How many people did the GCPD kill last year?”

“A few hundred,” he said. His expression was just as serious, but less troubled. She still felt like she was under a swinging interrogator’s lamp, and her indignation rose.

“And if you’re lucky enough to not get murdered by the fucking cops then welcome to the prison industrial complex, doing its best Hotel California impression. I hope you weren’t planning to do anything more than underpaid menial labour for the rest of your life, because you are never getting a better job than that. Congratulations. You have received Gotham’s mercy.”

“What else should they do then?” 

She heaved a sigh, letting old grief and anger fall away. It was hardly Jason’s fault. 

“I don’t know.” The Red Hood had saved her life once, and that guy had sure as hell killed people before. She didn’t know if he still did. The police hated him. That wasn’t the heart of the matter for her. “I never said I have all the answers. I’m not running around in a funny hat trying to save the world, I don’t have to have the answers. 

“Funny hat,” Jason muttered, with a quirk of his lips. He leaned back in his chair and studied her. “You feel pretty strongly about this.”

She threw her hands up. “First I don’t care enough, now I care too much? What do you want from me? And don’t think I didn’t notice you demanding my take while refusing to share yours.”

“I think Gotham’s vigilantes are too disconnected from the people they claim to protect. Association with the police has alienated them from some of the city’s vulnerable. I think the vigilantes forget that they’re criminals too.” 

It was her turn to stare. That wasn’t a stray opinion formed from half remembered headlines, that was a belief with conviction. Not that she was surprised he had a concrete position, she knew he was smart and thoughtful. For someone who, until now, had never expressed even a passing interest in Gotham’s crime problem, it was… not what she’d expected at all. 

“Yeah… I guess so,” she said, uncertain.

He ducked his head. He tapped a stray key on his keyboard.

She got the strangest impression she’d just seen something of his heart, displayed without pretence. She wondered what burned such an opinion into him. She thought about her own unplanned rant. 

He faced his laptop, idly scrolling through a text file. She stuffed a bite of her croissant into her mouth while deciding if she wanted to share something of her own heart. If she could bear it. Jason could mock and scoff with the best of them, but he wasn’t cruel, and there were things he didn’t make fun of. 

She screwed her courage to the sticking place and took a deep breath.

“I have a friend,” she said, into the silence that had enveloped them.

He looked at her questioningly. 

“Let’s call her… Stacy. She was abused by her partner. Not violently, but… it was still bad.” Her voice didn’t shake, and she was proud of that. “He controlled her money and made sure she had no one to turn to except him. She escaped, eventually, but not without getting an assault charge and six months behind bars for throwing a lamp at him while trying to get out. In the eyes of the law, he’s squeaky clean.” She bit the inside of her cheek. Her eyes felt damp, the traitors. 

“If someone in a cape and a mask had smashed through the window that night and killed Kieran for what he did to- to Stacy-” Her voice failed. She looked away to try and regather herself. 

Jason took her hand. She clutched on tight. 

“It probably wouldn’t have been right. But it would have made me feel safer.” 

“What’s so wrong with that?” he asked gently. 

She laughed and it was bitter and more pathetic than she liked. “Because he’d say the same thing. Why won’t anyone think of poor little Kieran’s safety?”

“Because he’s a liar.” 

“I know.” 

“Stacy deserved better,” Jason said, his voice unshakeable. 

She risked looking at him. He met her eyes and there wasn’t a hint of pity or disgust or discomfort in his face. He was calm. She saw understanding shining so staunchly in his eyes it was confronting. Her gaze dropped.

“I know,” she whispered. If she said it enough, one day she might even believe it. She took her hand back and sniffed. 

“Are you okay?”

“Yeah, thanks.” She laughed weakly. “Sorry. I didn’t mean to dump all that on you this fine Tuesday morning.”

“I’m a big boy, I can take it. Thanks for telling me.” 

“I’m gonna get a refill,” she said, pointing at her empty water bottle and getting up. “Do you need-?”

He waved her off. 

She left the study room. She took a deep breath after the door closed behind her and headed to the bathrooms to wash her face and try to calm down. She was patting her face dry with a paper towel before she noticed she hadn’t even brought her water bottle. She laughed at herself, and knew without a shadow of a doubt that Jason wouldn’t call her out on it. She stared down her reflection, with her splotchy cheeks and red eyes. Kieran would have called her pathetic and melodramatic and attention seeking. He’d have told her she was misremembering. 

She smiled at herself and walked out with her head held high. 

She siddled back into the study room without a word. Jason was tapping away at his laptop and didn’t make any kind of fuss over her looking like a mess. She picked up her notes and tried to find her place. 

“What’d you say his name was?” Jason asked about ten minutes later, not looking up. “Kieran…?”

“Mcleod,” she replied without thinking. She paused. “Why?”

He shrugged. “Just wondered if I knew him.”

“Doubt it. He’s in Newark. Runs some stupid tech startup.” 

Jason grunted in reply. “You gonna eat the rest of that croissant?”

“All yours.” 

They fell back into the quiet and easy camaraderie they usually shared. Most of her drive to get work done had melted, so she just made notes to flesh out later on.

Jason, however, was deeply focused on his work for the rest of the afternoon. The staccato of one handed typing played a steady beat like a war drum.

Next>>

[nothorses]

With the whole voting shit going on, I've felt incredibly conflicted about voting. But recently, the opinion I've landed on is similar to Kelly Hayes. I am roughly paraphrasing here, but she said that it's incredibly insensitive to ask Arab Americans and Palestinians, people who have outright LOST their family members due to the US's unrestricted military aid to israel and the genocide, to vote. That makes sense to me. I absolutely agree with that, and I don't think it makes sense to yell at these people to vote. BUT, Kelly then goes on to say that the argument that if you're voting, you're got blood on your hands, is just wrong. Because living in America, benefiting from the imperialistic violence, we always had blood on our hands, and no one's breaking solidarity with marginalized folks simply by voting. You break solidarity when you justify your politicians' horrible actions, such as police brutality, prison industrial complex, etc. But in this case, when someone acknowledges these politicans aren't gonna get the real important shit done, only direct action works, and you're voting to choose your opponent--I don't think that's breaking solidarity. Or throwing people under the bus. The truth is even if every leftist didn't engage with electoral politics at all, and spent it on mutual aid, community defense, these things--there would still be a president until we somehow destroy settler nation America. And that president will destroy public infrastructure and attack marginalized folks a lot quicker if he isn't a democrat, because the Republicans are literally just--fascist party.

I dislike people whose only engagement with politics is to vote shame. But I also think it's just a wrong take to act like people who vote, who aren't vote shaming, who do think it's harm reduction, are all idiotic liberals. As we try to mobilize against imperialism, it's crucial to try to pick our enemies when we can. I understand the fact our wealth, the fact we have these healthcare systems, this public ifnrastructure and government assistance even if it's nowhere near enough--it comes from blood of the Global South. And there is a real problem with liberals who care about these elections only to maintain their quality of life, don't care about imperialism and global oppression at all. These people exist, and if we do start dismantling imperialism ina meaningful fashion, USA quality of life will drop. But people voting Democrat because they don't want the Affordable Care Act dismantled, want to keep their food stamps, their schools funded--they're not inherently selfish and breaking solidarity with third world folks. There's nuance here, a lot of nuance. Which is why I like Kelly saying we can't let electoralism destroy our relationships., because we are going to need to build, build, build if we are going to survive. I'm going to vote because ultimately it won't take me much time, but I also won't judge the people who refuse to, choosing to invest their efforts in direct action.

I also think the people who say voting doesn't do anything...they also ignore the nuance. I get it. I get the frustration. But as I read various perspectives, I'm starting to realize the treachery of black-and-white thing. Before there's a revolution, it's more likely we are going to build new things out of the old system, incrementalism, before we make any foundational leap. Again, this shit has nuance.

Yeah, I think this resonates a lot for me. And I'm not really here to "vote shame" either! I think I do have a similar opinion on it to FD Signifier, though, who says he thinks of voting like washing your hands.

You can choose not to, it's not the end of the world. But like. Why? Who is this helping? I mean maybe it's not my business, maybe you have a good reason, whatever. It's just one of those things that, y'know, especially if it takes you 5 minutes to mail a ballot in... it's just good hygiene.

And I think a lot of people say, "put your energy towards these other things instead!" without any intent to actually do so, and without any follow through themselves. And do you really need to not vote in order to do those things? Like is voting the thing preventing you from Doing The Revolution? For real?

At the end of the day, I'm not going to shame anyone for not voting. I talk about it because I think some people are misguided about how all this works, and I think some of the opinions people put out there just, like, suck. But it's ultimately not up to me. 🤷‍♂️

[raisinchallah]

you know im trying to read the traitor baru cormorant but idk i know im being extremely pedantic and this is partially from my knowledge of the development of modern psychiatry and eugenics and whatever but im like really having a hard time buying the level of centralized social control and policing upon peoples like thoughts to the point they have apparently a complex psychiatric prison system to dispense aversion therapy to people accused of adultery in a world powered by sail ships like who came up with these ideas how were they so widely implemented is there a falcresti darwin or freud and frankly the level of comical over the top homophobic control again i find very hard to believe when there seems to be no misogyny or even that extreme of gender roles like they find baru odd for dressing a bit masculine but nothing more there does not seem to be a push to get married there is very little discussion of marriage or anything surely if being seen as gay is so catastrophic for you socially and legally baru should be married as a ranking official or like it should be another part of the racist exclusion from society that she is not able to get married that its too politically complex to marry someone from aurdwynn and shes not considered assimilated enough or something to marry a falcresti man idk im sure this is what people who know too much about like feudal economics feel when they read most fantasy novels but surely in a world that does not seem to have the industry based around cities or speedy transit and passage of mail or other things to further interconnect people that moves the engine of social control from the local community to the state idk how half these things would be happening let alone like who wrote out a theory of evolution that was used as a basis for these particular eugenicist beliefs like idk again maybe im insane here but this feels so hmm idk how to put it but i feel liek this both comes from a lack of understanding of other imperialist ideologies and justifications for itself and idk the actual history and development of these specific loci of control and idk the other social and economic factors but also i just idk find it very silly how every single page someone is saying something homophobic or about the violent oppression of gay people like please be real here even some of the most homophobic societies on earth could not bother with the sheer scope of effort expended here and yet again they also seem to have zero weird gender roles or expectations of heterosexual marriage like surely that would radically change things ok whatever this makes no sesne

[befuddled-calico-whump]

Wildefire AU: Out of Sight

cw: adult language, implied violence, implied starvation, bruises, the prison industrial complex lol

° ° °

Sarah swore she'd had a plan when she stepped through the doors to the prison, but it had all gone to shit pretty quickly. 

Hugo had helped her fabricate an identity as a journalist, fake ID and online credentials and everything, and posed as the director of a web-newspaper to get her an interview with a low-level criminal at the Fielding Detention Center.

She was really there for Uriah.

Alexei had been the one who'd found the CEO—former CEO—shut up in one of the dingy cells. He'd broken into Fielding to try and collect information from a different inmate, but happened upon Fox instead.

"He's… he's just in some cell?"

"Should count himself lucky he's not in the Tower. Bastard's got enough enemies."

"Maybe we can use him."

Lex's expression had become unreadable when she'd said that, but Sarah could hear the way his heart sped up, the slight hitch in his breath.

She didn't want to work with that asshole either, but their resources were few and far between when it came to anything that could stand against Corp, and someone who'd once held power—someone who'd been betrayed by the rest of the city's leaders—could be a huge asset. Even if that someone was Uriah Fox.

If she could just talk to him, maybe he'd give her something they could use. As unpleasant as the man was, everything Sarah had heard about him told her he was petty as hell. He'd probably jump at the chance to strike back.

To Alexei's credit, he didn't try and convince her otherwise when she told him her plan.

Sneak in, have a chat, get lost before anyone important knows I'm there.

"Do what you want. As long as I don't have to look at him, I don't care."

She'd agreed at the time, but now, selfish as it was, Sarah almost wished she'd asked Lex to come with her. If things went south, it would be nice to have someone whose powers were good in a fight.

"Zhang is Chinese."

"Good morning," she said brightly to the guard at receptions. "I'm Andrea Zhang, with Skyline Weekly?"

She'd complained to Hugo about that one.

"It's the only profile on here that even remotely matches you. No one's gonna know."

"What if the guy who lets me in is Chinese?"

"Yeah, right."

Yeah. Right. He was white. Maybe in his thirties, with close-cropped brown hair. He regarded her with a bored expression, flipping through some papers on the desk.

"Zhang… Zhang… ah, here." He nodded to the door behind him. "That way. I'll buzz you in."

That easy, huh? Sarah figured she'd at least have to have one of those through-the-glass phone calls like on TV, but here she was, going into the prison proper without so much as an escort.

Certainly simplified matters.

Lex had already given her a general direction to look for Fox. She walked past the reinforced doors leading to the common area, cafeteria, and yard, all connected by this one long hall to give the guards easier access. Sarah peeked through the doors' embedded windows as she went, scanning the scattered groups of prisoners for any sign of Uriah. 

She wasn't all that shocked when she didn't see him. If he was here, it was because the rest of the Corp bigwigs wanted to forget him. Out of sight, out of mind.

She pressed on down the winding corridor, past more doors leading to cell blocks and supply closets and… was that the fucking room with the chairs and the bulletproof glass and the phones? They did have one, but the lazy-ass guard would rather send a journalist in alone than do the work to keep a civilian safe.

She shouldn't have expected anything less from the prison system in this city. With that level of neglect shown to citizens, how badly were they treating the inmates? Sarah had to push aside her disgust.  She had a mission. Even beyond the task of meeting Uriah, she needed to take down Corp. Once the city was free from their grasp, she could worry about the state of the prisons.

The further she went, the emptier it seemed to get. She was passing single cells now. The one she peeked into was practically featureless. A grate in the floor probably served as the bathroom, but other than that, there wasn't even a mattress. And there were a ton of similar doors.

Fucking hell, did they put every prisoner in solitary? It was completely inhumane— nope. No. Later.

Sarah closed her eyes, sharpening her hearing. Listening for movement, for heartbeats, would be quicker than checking every single door.

Of course, she picked up the usual annoyances. The sharp buzz of the fluorescent lights above her, the roar of the AC unit, even the slight hum of electricity traveling the building's inner wires. But somewhere in the muddle of sound, she could hear it.

Thump-thump, thump-thump.

A heartbeat. Just one, so that was either a really great sign or a really bad one. She kept her eyes closed, running a hand along the wall to keep from running into anything, and followed the sound.

It grew louder and louder, until she had to re-dull her hearing to avoid being deafened by it. This was it. Fox was on the other side of this door.

And shit, there was only a single, small window in the door, high enough that she'd have to stand on her toes to peer in. And while she'd be able to hear him, he probably couldn't hear her. Did that mean she'd need to open the door? What if he tried something? Surely the asshole was desperate enough to—

Her thoughts were cut short as her ears picked up a small gasp inside. No, not a gasp, a wince.

Well that was almost to be expected. Someone like Fox was bound to incite a lot of brawls with his smarmy, self-important attitude.

But when she stood on her toes to get a look inside, she sucked in a sharp breath through her teeth.

Lex had told her Uriah was here. She'd never thought to ask what state Uriah was in.

The blond man was curled up in the furthest corner of the tiny cell, thin arms wrapped around his bare chest, head tucked against his knees. A good chunk of his hair was matted with dried blood, and his skin was covered in purpling bruises. She couldn't see his face, but she could still pick out the bruises lining his jaw, color trickling in towards his mouth. Something inside her twinged, and Sarah decided she'd allow it. She didn't have to like Fox, but right now, it was pretty easy to pity him. Poor guy'd had the rug ripped out from under him, only to find a flight of stairs at his back.

She sharpened her hearing again, kneeling to get eye level with the doorknob. It was locked, as she'd expected, but good hearing was for more than just eavesdropping, and careful listening paired with a bobby pin made for quick work of the lock. She could hear Uriah's heart rate suddenly speed up as she turned the handle, and immediately softened her ears against it.

He lifted his head as she pushed the door open and stepped inside, pulling it closed if only to escape notice. His eyes were wide—well, one eye was wide, the other was practically swollen shut—and his face was gaunt and bloodied.

Sarah let out a breath. "Uh. Hi."

"S-Spyglass?"

"Ah, so you do remember me." She crossed her arms, then remembered she wanted to get him to cooperate, not scare him, and uncrossed them. "It's nice to know you at least knew who I was when you sent an assassin after me."

Uriah raised a shaking arm, as if to shield his face. "Please— I'm sorry, I—I know sorry doesn't m-mean anything, but please, please don't hurt me—"

Shit, that had probably sounded vaguely threatening. "No, no. I'm… I'm not here for revenge or whatever." She sighed. "I… actually had a few questions for you."

"I'll tell you anything you want, I'll comply, please don't—"

"I'm not trying to hurt you," Sarah cut in. Had she sounded threatening again? Was it possible to not sound threatening to the poor guy right now? She tried again.

"I have some information I really need. I won't hurt you if you can't answer my questions, okay? They're just questions."

She waited for Fox to nod. He never took his eyes off her.

"First, do you know of any fail-safes in place for the Hero CEOs? Backup plans that let Corp get away scott-free if we do manage to pin something big on them?" Like how they used you as a scapegoat? She didn't say that part out loud. If that wound wasn't still fresh, it was constantly being re-opened in this environment.

Uriah nodded, but didn't actually say anything. She tried to keep her voice soft as she prompted,

"Like what?"

"I… I don't know, I… I can't remember. E-everything I had, everything good, was on my personal network."

"Network?" Sarah raised an eyebrow.

"Computer. A—a specific computer."

She sighed. "Which I don't imagine you currently have on you."

"I'm sorry—"

"Stop." Sarah pinched the bridge of her nose. "Do you know where this specific computer is?"

"Still at Titanium. In a—a vault."

"That I presume you know how to access?"

He nodded.

"Tell me." It would be a fucking doozy of a mission, but that computer could be a gold mine. Secrets, conspiracy, fail-safes… Corp's dirty laundry. If they could break in, maybe Hugo could hack the network.

"There's a code."

"Of course."

"A-and a fingerprint scanner."

"Of. Course." Fucking of course. Because there had to be something there special enough that Uriah Fox would just have to be brought along. It was entirely possible he was making that part up in a bid to get free. If Lex were here, he'd suggest just cutting off a finger, and she'd be hard-pressed to ignore the idea.

But despite her annoyance, despite knowing the truth of Uriah Fox, that he was a power-hungry, horrible man who was willing to send assassins after literal children to keep his reputation, she felt kind of queasy at the thought of hurting the trembling thing he'd become.

She… she needed time. She needed a new plan. The info about the computer was great, but she doubted Fox would be able to offer much more in this state. 

As she opened the door, peeking outside, Uriah piped up behind her.

"Where..?"

"I need to think. Thanks for the answers." She stepped out—

"Wait! Please… please, take me with you."

Her stomach sank, laden with equal parts dismay and pity. Yeah, his situation sucked, but the idea of keeping him around, of bringing him back to the team… no thank you. If the fingerprint bit was true, they'd find a way to synthesize it, and they shouldn't need Fox to get into the laptop.

"Sarah, please—"

"Using my name won't help." She did look back then, and wished she hadn't. Fox was on his hands and knees, looking up at her with teary, pleading eyes.

"You're a hero. Y-you save people."

Real heroes save everyone. Hadn't she told Lex that? Did it make her a hypocrite then, to want to turn her back on the person responsible for so much of her misery? Who'd killed her old team leader, who'd tortured one of her friends for a year?

Maybe it did. But it still felt justified.

"I was a hero," she said. "You made me a rogue."

She pulled the door closed behind her, dulling her hearing to lessen the sharpness of Uriah's pleas, and began to briskly walk back down the hallway.

With the uninspiring security, she probably could've walked right out the front doors without signing out, but Sarah stopped by the desk again anyway.

"Zhang," the guard mumbled. "Done so soon?"

"I got what I needed," Sarah offered, clutching the pen a little too long after signing her name in the visitor log. "I… heard a rumor while I was inside."

"A rumor?"

She set the pen down. "Yeah. Supposedly Uriah Fox is in here somewhere." What was she saying? Was she about to threaten the guard into treating Fox better?

"Is that what you heard?"

"It's what I heard. Though I didn't see any sign of him, so I don't know how true it is."

His eyes darted to the pen at her fingertips. "Off the record?"

Sarah nodded. "Off the record."

The guard leaned back in his chair. "Yeah, Fox is here, all right."

She feigned surprise. "Really? What did he do? I heard it was something about embezzlement?"

"Something like that," the guard agreed.

"Where is he?" Sarah ventured. "Like I said, I didn't see him."

"He's been in solitary for a while now," the guard replied.

A while. How long was a while? How long had it been since he'd been thrown out? Two months? Three?

"What did he do?"

"Existed." The guard chuckled. "They put a man like that---who's spent his entire life stepping on other people---in a cell block filled to the brim with men who've been screwed over by him and others like him. What'd you think would happen?" He thumbed through the stack of papers on his desk idly. "The first few weeks, it was all we could do to keep him alive. It's a miracle he's still kicking, honestly." He leaned in, conspiratorially. "Between you and me, there's at least two guards on staff who have beef with the guy, and I know they've been paying him visits."

Sarah grit her teeth, trying to make it sound casual when she replied, "And you aren't stopping them?"

"Why would I? It's Fox."

It's Fox.

That was her logic, too. Why would I? It's Fox.

Why would I?

Because real heroes save everyone. And whether Uriah likes it or not, I'm still a hero.

She forced a smile, rolling the pen back to the guard. "Well, have a great day," she said, not waiting for him to reply before turning on her heel and marching out the doors.

Whether she liked it or not, she'd be back. And Fox would be leaving with her.

She'd be back.

° ° °

@whumpacabra @enteredin2eternity @kixngiggles @whumpsday @kiichu @whump-for-all-and-all-for-whump @shywhumpauthor @distinctlywhumpthing , @bloodinkandashes , @fleur-alise , @whumpy-daydreams

and @whumpwillow @turn-the-tables-on-them this one's for you guys lol

[bunchacrunchcake]

Dave Chapelle wrote the best trans joke I've ever heard. I say this as a trans author. He says for a trans woman (which I am,) no matter how much I augment my genitalia, it will never be a real vagina, even though it might look and feel just like the real thing. Then he says "Impossible pussy!" and slaps his knees. The camera cuts to a woman in the front row visibly upset and crying.

It's the perfect joke, its long, detailed, has cliff hangers, an edgy set up, and a really creative punch line that delivers social commentary both on trans vaginas and fake meat. It's masterful.

Chapelle says his one trans fan likes his jokes, so it's okay.

He says all oppression is not the same. He says he had to chew out a white women for letting her oppression take precedent over his as a black man in America.

The Black Panthers created the rainbow coalition specifically to guard against these divide and conquer tactics. The rainbow coalition spread to many countries, many races, creeds, religions, and genders. They aremed themselves because they knew the fight would be real, and dangerous. Black power, the Black Panther movement was about global unity and a drastic change in global power structures. Through COINTEL PRO and other efforts, the US Government played a large part in the assassination of leaders, downfall, and ultimate evisceration of the Black Panther Party which are now known as the Crips and Bloods.

They say you stop maturing the year you get famous. Chapelle I'm assuming stopped in his 20s because he seems, as a black person, to have missed the core message of BLM which is that our struggles are united and that if we don't shout BLACK TRANS LIVES MATTER from the rooftops and FREE PALESTINE during religious services, we are complicit in the racist system that Chappelle himself spent an entire hour on Inside the Actors Studio complaining about.

Black trans women are murdered at a higher rate than almost any part of the US population. Trans and queer people all across the globe are systematically murdered. Being trans and queer is illegal and punishable by death or prison in many countries. Women, white and non-white, are often preyed upon and trafficked for sex globally as well.

BLM is a critical part of global history as it allows us to unentangle the deep roots of the prison industrial complex as well as things like redlining, and white capitalism so that we can start the very, very long and arduous process of in some way equalizing the playing field for a group of people that had horrific things done to them for centuries at the hands of powerful leaders.

It is built into BLM that liberation for black people is liberation for all. Not that it comes at the cost of everyone's freedom. It is a revitalization of the Black Panther Party.

Dave did 3 specials about trans people. James Acaster says "Edgy comedians, no one tells them what they can and can't say. They walk on stage, do 10 solid minutes, slagging off transgender people. Straight out the gate, making fun of transgender people. If people get upset about it, they say "Bad luck! That's my job! I'm a stand up comedian! I like to challenge people! If you don't like being challenged! Don't come to my shows! What's the matter guys? Too challenging for ya?!" He rants and repeats that for a little while. And then he says "Oh yeah, you know who's been long overdue a challenge? The trans community. They've had their guard down for too long if you ask me. They'll be checking their privileged on the way home now thanks to you, you brave little cis boy. I used to say the name of that comedian and it made things really awkward. 2019, people still happy to laugh at trans people, not as comfortable laughing at, I've learned, Ricky Gervais."

Dave Chappelle, found his one trans fan (not even friend), and wasn't given, but TOOK our equivalent of the n-word pass from her.

N-word passes are not real. It's a joke you play on dumb white people. Basically you give a white kid "the pass" to see if they're dumb enough to say the n-word in front of other black people. Then you get to sit back and laugh as the entire room goes ballistic on them. "OH MY GOD REBECCA WALKED INTO CHEMISTRY AND SAID WHATS UP MY N****S TO THE WHOLE CLASS!"

One random person does not speak for the whole planet.

I have also heard many well crafted racist black, asian, and latino jokes. I do not tell them. Not because they're not funny. But because they are based off of stereotypes that don't actually represent the vastly diverse group of people in those communities. They also are usually an oppressive person's opinion of someone who is opressed. It is the literal definition of bullying.

Retelling prejudiced jokes actively causes harm to those people. It supports the propaganda surrounding those communities that let police justify extrajudicial murder, and it keeps the people thinking that when a cop shoots a black man for going for his wallet, it was because he was scary, not because the cop was racist.

That's why I don't tell racist jokes, even if they are "really good."

Also, stand up comedy can literally be about ANYTHING. Pete Davidson did a whole bit about deciding whether to fuck his mom. It wasn't funny. But here's the thing, it could have been.

He could have said "Well... I already stuck my head through it."

For every one lifetime trans fan Dave keeps, he loses thousands. We are shouting at you from the rooftops that you are harmful to our community and you are furthering racism, because you are assigning hierarchy to oppression and deciding who is and isn't allowed to be oppressed. Rich, white men are at the top of that power structure.

I laughed out loud when I heard that joke. And then I slowly realized that I couldn't ethically stomach watching Chapelle any more. I didn't even know I was trans then, but just as a human being I couldn't do it. People that lean into hate I just don't let into my circle anymore. Yes even masters of their craft.

[your-absent-father]

Hihi get it? Because Eve is my name-

Okay, in all seriousness, hi to old friends. It's been a while. Almost half a year it seems. I took too much pressure on this thing which should have been like a hobby and not... like work. We aren't getting paid to do this so I want my free time to be escapist and fun and not another reason to fall into previous habits.

I am rambling. The tldr is that I am on my rebrand and self care era after a year of disappointment after disappointment so I want to do something fun and have fun.

Who am I?

I am... people on here call me Eve, but I have juggling around new pen names I could start using, mainly because my last one I have used ever since middle school. So, you can call me Eve, but don't wonder if you see other names popping up like Alina Ellis and E.V May that are now the top runners up.

I am queer, probably more neurodivergent than diagnosed but I am too broke to get tested. I live in Finland. I am 22 years old and right now I am trying to get my papers to be a full time teacher's aid, and maybe apply to study to be a elementary school teacher.

I love K-pop, especially stray kids and (g)-idle, classical literature, media about problematic women doing problematic stuff, Taylor Jenkins Reed's historical books, pretending to watch indie movies even tough I would rather just watch musicals on loop.

As a writer, I love to write some good angst. I have recently tried to write some more positive stories and just have fun but I can have fun while writing some pain. I really love complex female lead that has that delicious female rage in her. I also almost always have at least one lesbian couple or/and wholesome guy with a girlboss woman.

my WIPs

Drafting

All the great love stories

Six love stories all different in nature. An evil sorceress waiting for her turn in the steak falling in love with her guard. Cabaret performer seducing the police officer and getting more that she barganded for. Children of rival mob bosses falling in love. Two soulmates trying to find each other. Mad scientist trying to keep their lover alive. Girl with unbeliavable power who can't seem to die. All of the stories are different but they all have one faithful similarity: All of the stories end in a tragedy.

intropost

all writing in one

Tag: WIP: ATGLS

False Gods

the story of Beatrix Jones, the lead singer of the rising indie rock band Aurora Four. With fame and success on the rise, Beatrix and her bandmates navigate the music industry while keeping their identities hidden behind masks, a decision made after a scandal threatened their careers. Is the hid indentity worth the criminal activity they tangled themselves in.

Tag: WIP: FG

intropost

all the writing in one

The vanishing act

a mystery thriller about a mystical carnival whose employees seem all to be identical to missing people trough out the years, and haven't aged a day even if 100 years have gone by. After year of gaslighting, Amanda witnesses her best friend and her mother, looking almost same age, in the circus performing.

Tag: WIP: Circus Moirai

intopost

All the writing in one

Mika Connelly VS the power of love

Mika Connelly never thought something like this cpuld happen to her. After pissing off a fortune teller, who was secretly Cupid in disguise, Mika Connelly is forced to live in a teen romance novel so Cupid can prove that everyone falls in love at least someone. Problem is, Mika is aroace, so romance is final thing she could think about.

To escape her rose colored prison, Mika makes a deal with cupid. Cupid has 20 chances to make Mija fall in love. Mika's mission on the other hand, is to make her new love interest not in love with her anymore. If she fails, she is trapped eternally as a high school senior in a warpped version of her old high school.

Intropost

On the shelve rn:

Children of Jessamine

Fantasy story about a queen who has to make a choice between betraying her country to join her husbands enemy, or protecting her son while the time is ticking. People might soon find out, the crown prince isn't the kings child

intopost

Also I have couple on hiatus that some people might remember. I think I'll come back to them at some point.

What I am doing on tumblr?

I am not probably going to be that active on ask games and all of those but I do want to do stuff and be creative so I have couple of ideas that maybe could be fun.

I want to do trailers for my wips. I want to edit again and I don't vibe with any fandom where I could do the edits I want

fake scenes from the books as edits too

more organized stuff

I just want to be creative without putting pressure on myself.

Other tags:

Eve Rambling: My random ramblings

Eve venting: If I need to vent

Eve being creative: creative stuff other than writing

other people's x: Other people's writeblr

So... Sorry for the essay lmao. But feel free to messenge me. I'll follow back. Let's have some fun!