#not being very famous

[mzannthropy]

When will Lazarus and The Count of Monte Cristo release?? I wish Sam gets a recognisable role again just like Finnick Odair, People have forgotten him. He's become too underrated nowadays.😩

So the latest we got about The Count of Monte Cristo is early 2025 I take it to mean Q1. I was really hoping it would be out this autumn (in fact I was relying on it more than I realised, but all sources so far indicated it should be out this year), by now it must be ready to to view, or almost ready to view, but *shrug* no doubt they have their reasons. At least it's something to look forward to next year.

IMDb shows release date for Lazarus as 2024, but idk how far we can trust it (generally I take IMDb with a pinch of salt when it comes to projects in production or post-production). It seems too soon, as they were still filming in June. But who knows. If not late this year, then I'd say definitely we should get to see it in the first half of next year. I'd like to see something else of Sam's before the year is out besides Bagman, it has been a long dry season--18 months between the ending of DJATS to the release date of Bagman. Almost exactly. Like I've already said (twice!), they may all arrive at once like buses lol.

Once I made a post that went like this: inside you are two wolves. One wants recognition for Sam Claflin that he deserves. The other wants him to stay as he is. It's true he's underrated but then I'd rather be a fan of someone underrated than overrated. Those in the know know. Out of those two it will be TCOMC that will get him the limelight, bc it's a classic nearly everyone has heard of and if they get it right, it will be the best thing he'll ever have done (so far). Also, that Barbaric series that he has just been cast in will make more people aware of him, especially in the more nerdy circles.

[fauvester]

something something seeing things through different eyes

[hamletthedane]

Just remember: whatever level of insane you are about Wicked, you will still NEVER be as insane as Stephanie J Block and Sebastian Arcelus running down to a NYC courthouse one early morning to elope before their wedding day, just so they could perform As Long As You’re Mine on Broadway that night as a married couple

[vcrnons]

" HEY, IS THAT ME? IS THAT ME? "

[teacupsandcyanide]

Something I miss from earlier eras of the creative side of the internet was things just being unabashedly low-budget. Just all unashamedly amateur, unprofessional, ‘I don’t own a good camera but I have a story to tell you’, ‘I can’t afford a good mic but I have a song to sing for you,’ ‘I don’t have any kind of background in editing or lighting and I only just picked up this guitar last Tuesday but here’s an entire musical me and my friends wrote about our favourite book, we filmed it on a potato and put it up on YouTube in ten minute segments because we thought it was pretty funny.’

[srslylini]

has anyone figured out yet why basically every episode of Arcane season 2 started out like we were in a musical?

Episode one, Caitlyns mom with "I can't hear it now"

Episode two, with Silco, Jinx and "Sucker"

Episode three, Caitlyn, Vi and the rest of the Enforcers with "Hellfire"

Episode four, Jinx as her symbol with "Paint the town blue"

Episode five, Vi's montage with "Cocktail Molotov"

I'm pretty sure the sixth and eighth episodes are the only ones that don't start out with a song.

Episode seven, Ekko with "Open Your Eyes"

Episode nine, Jinx with "Wasteland"

what was this? Most of those were so pointless and took away from the scene and time that was necessary for other stuff??? I'm pretty sure in season 1 the only episode that started out with a song was episode 7, and it was good. It made sense. This? is just weird.

Was there a reason for this? What were they trying to accomplish???? Because most songs imo in itself are genuinely good but also imo served no purpose, or little to none.

[girderednerve]

this post is old but i saw it going around again & it's driving me nuts. this is an extremely bad historical summary? parts of it are outright wrong & the framing is nonsensical, multiple people have chimed in to add "more" information but no one seems to have taken issue with the content of the original post. anyway it's somewhat strange to say that the church 'began forbidding' christians from participating in moneylending (pawnshops are also moneylenders; banking didn't really exist in europe until the latter middle ages), because the text of the bible itself treats loans as a form of charity which should not bear interest between community members. there are a bunch of patristic commentaries to this effect, but there are also a bunch of rabbinic commentaries to this effect! because it was a moral rule for both groups of people, and indeed for muslims! however, to lend money at any sort of scale, you need to charge interest to cover for the risk that you won't be paid back, so there's friction between practical exigency & ethical doctrine. it turns out that there was a centuries-long moral crisis about the expansion of a market economy & the development of finance, which cannot be usefully boiled down to the idea that money was 'unclean' (extremely vague term; also, if the church simply thought that, why were there so many lavish churches & well-heeled priests?). it is broadly true that medieval european jews were excluded, often violently, from fully participating in christian society & that several engaged in moneylending, using the out-group loophole to lend at interest to gentiles. however, a bunch of christians just lent money anyway; actually, most moneylenders in medieval christendom were christians, and most jews did other work. the idea that jews were substantially engaged in early finance was first an antisemitic myth, propagated by christians who were trying to resolve the moral & practical conflict of moneylending by displacing it; then it was a philosemitic myth, recuperated by late nineteenth century scholars who saw in jewish moneylenders evidence of a unique jewish contribution to the development of europe. but it never reflected the daily lives of most medieval jews & we can do better than this, guys, come on

[s0fter-sin]

soap's whole deal being sniper and demolitions gets me going bc on the surface they sound so different but when you get into it, you realise it's bc soap's smart

sniping is all math; calculating distances and wind interference and bullet drop. something i think people overlook is he was listed as a sniper first so it can be implied that he's better at it than demolitions. he does more sniping in both campaigns than demolitions work; in capture or kill, ghost specifically calls on him to take down the aq snipers

and demolitions is math with a hit of chemistry; knowing what mixes with what, knowing how much to use, recognising environmental factors and adjusting accordingly. it's not just about the boom; so much work goes into contained/ planned explosions. especially when having enough power for a breacher charge and not bringing down the whole building is the difference between mission success and failure

the chemical bombs he makes in alone can't just be any old cleaners, they have to have the correct reaction to each other; he just knew off the top of his head what would mix with what to create what reaction. he would also potentially have to recognise them by sight/smell bc they would’ve been written in spanish

soap would also have to know architecture; recognising structural integrity and weak points so he knows exactly where to plant a charge to bring it down and how it'll come down

he has an incredible soldier's mind people just forget that bc he's sociable which itself is a skill

we know he tends to buck against orders he doesn't agree with like when he pushes back against ghost in capture or kill and shepherd when he tells them to release hassan

he gets closer to people and sees if he can trust them and that's when he follows them without question. really think about how he talks to alejandro and rudy; he asks about their home and alejandro's family and rudy's relationship with him. those aren't questions you ask a stranger after a few hours of knowing them. that's not even touching on his relationship with ghost

he also deliberately brings people of higher ranks down to his level; talking informally with ghost and giving him a shoulder punch, addressing alejandro (a colonel!!) by his first name and rudy by his nickname despite literally just meeting them. he personalises all of them and it’s in direct opposition to the reason most characters do that; it’s not due to insubordination or lack of respect, the more he respects and trusts someone, the more casual he is with them

he digs into people; he wants to know what makes them tick and that determines if he can one, trust them and two, follow their orders. once he decides that, he's the ultimate soldier; he bleeds loyalty which makes him vicious when that loyalty is taken for granted

he isn't naive or bubbly or insecure; he's an incredibly smart and aware soldier. he's aggressive and bloodthirsty and loyal and intuitive and i love him so much

[thefrenchbrick24601]

OKAY WAS NO ONE GOING TO TELL ME THERE IS A DISNEY LES MISERABLES COMIC?!

HELP I AM CONVULSING

[hakusins]

cw // stalking

DOL x SCP AU

KyLar ver. 1.0.0 - SCP- 1471 (EUCLID)

'Never settle for those awkward feelings of being alone ever again! KyLar is an exciting and interactive experience that will keep you engaged and intrigued! The anxiety of social situations can be nerve-wracking but after a few hours of KyLar, you will soon forget about all those painful emotions of disappointment! Remember, the more you participate, the more KyLar will engage with you! Your experience is completely up to you!'

SCP-1471 or also known as 'KyLar' is a free to download application for mobile devices made available on several well known online applications platforms including but are not limited to: Google Play and the Apple App Store. SCP-1471 has no listed developer and has the anomalous ability to not only bypass all approval process to be listed on the online application platforms but also can not be removed by any program removal application.

Once SCP-1471 is installed in a phone, it will begin to send pictures to the user through text messaging between every 3-6 hours. All pictures will contain some detail of SCP-1471-A, either located in the foreground or background. On the first day, the pictures containing SCP-1471-A would be taken in places that are usually frequented by users in the past. However, after 48 hours, the pictures sent containing SCP-1471-A would be taken in places that were recently visited by the user. After 72 hours, the pictures sent containing SCP-1471-A would be taken of the user in real time, with shots of SCP-1471-A standing in the foreground, background or even behind the user at times. Users who have been exposed to SCP-1471 for more than 90 hours will begin to visualize or see SCP-1471-A in their peripheral vision and reflective surfaces.

SCP-1471-A has been described to be a short human male with pale skin, sunken eyes with dark eye bags and a mop of black messy unkempt hair. SCP-1471-A is always seen wearing very loose gray trousers and an oversized black hoodie. In some instances, SCP-1471-A would appear in some pictures holding a knife in one hand and some users have reported that the longer they take to respond to SCP-1471-A's pictures, he will look far more hostile and crazed in the next pictures. However, it is unclear if continued delay in response to these text messages would lead to a hostile encounter with the anomalous entity. So far, affected users, who have continued exposure to SCP-1471, had begun visualizing SCP-1471-A in real life, where SCP-1471-A would try to visually communicate with them in some way. However, all reported users have failed to understand or comprehend the meaning of these attempts.

The only way to reverse the anomalous effects that is occurring to the users will be to remove the users from the continuous exposure of the images completely before 90 hours have passed.

[eemolu]

can't believe i forgot that murph as gerard of greenleigh is him at the top of his game. the only adult among a horde of magical fucked up children except HE'S the baby boy going "if you leave me alone with the book i'm going to touch it and get sucked in" sir we cannot babysit you. you're the one person who's not a literal baby. and then he eats a fly and cries about his wife come ON

[decepti-geek]

also - I know this is secondary to the abuse that actually materialised for gaiman's victims, but I've seen enough other secondary concerns being aired that I think this one needs doing too:

Talking about the gaiman allegations in a way that treats 'fans' and 'victims' as entirely separate, siloed categories is common but supremely unhelpful. Some of his victims were fans that he met at signings. That alone means there's no clear categories, however much you might want it.

But the additional point is - Well, some of his victims were fans who liked him enough to go to signings. All of his victims seem to have been young women. There's quite a lot of people who've been fans of his work and identified as a young woman at the same point in their lives.

There is SO much disdain for the fans who have been trying to process all this stuff on a personal level, even to the extent of insinuating that personal processing is an immoral thing to do in this case. But I feel like there is basically ZERO acknowledgement, so far, that for anyone who is or has been a gaiman fan and a young woman at the same time - processing all this may well include processing the knowledge that he would likely have viewed/assessed them as a potential victim, had they met. And some of them did meet him!

That's not nothing to have to come to terms with about someone you previously looked up to, and it's not something you can easily ignore, even for the noblest of reasons!

[octibee]

fuck it saw art dump

[raiiny-bay]

alien emoji

[batarangsoundsdumb]

i know at this point i shouldn't be surprised at nationalism- but why is it so obvious in the wikipedia/google intro blurb of bicultural & multicultural celebrities.

[thepunkmuppet]

gwen and alice toxic workplace yuri I LOVE YOU